Podcasts about Boredoms

Yoshimi Battles the Pink Robots es el décimo álbum del grupo estadounidense The Flaming Lips. Fue lanzado al mercado el 16 de julio de 2002 es álbum se caracteriza por el uso de sintetizadores, beats electrónicos y un rock alternativo de tintes psicodélico. Las letras del álbum hablan desde la melancolía al amor, las emociones artificiales, el pacifismo y la decepción. El título del álbum se cree que proviene de una alusión al miembro de Boredoms y OOIOO, Yoshimi P-We, quien también participa en el disco.

We're joined by superhero drummer and multi-instrumentalist Jeremy Hyman (11:25) to discuss his time playing with Animal Collective, Avey Tare's Slasher Flicks, Ponytail, Boredoms, Dan Deacon, and also his solo music. Christian and Justin also look back on the 10th anniversary of Enter the Slasher House, the power trio record Jeremy recorded with Avey Tare and Angel Deradoorian. Bonefish Recommends: Derecho by PhotayWilted Superstition Engaged in Copulation by ŠiromSupport Asheville area relief efforts: https://aveytare.bandcamp.com/album/shope-echoshttps://linktr.ee/ashevilletoollibraryFollow Bonefish on Patreon and Instagram :) 

Episode 181 includes choice cuts from Wooden Shjips, The Bats, Amatuer Hour, Boredoms, Opal, and so many more.Giving you what the algorithms won't since 2020. 

Iggor Cavalera (Sepultura, Cavalera Conspiracy) joins us for an incredible discussion. Iggor provided the perfect DJ set throughout Day 1 of the NWN/Hospital Fest, capturing the spirit of what the festival was all about. We go into his history from starting Sepultura as a 13 year old in Brazil, to playing with Boredoms in Japan, to collaborating with Prurient and Power Trip, to his current noise explorations and tons more. Iggor has carried the torch of the underground since the early 80s and the flame still burns! For the ExtraNoisextra segment on the patreon, Iggor talks about his gear, field recording in the Amazon, record shopping with Merzbow in Japan and more. This 20 minute segment is in the middle of the episode on the patreon feed.

Christian and Justin chat with founding Gang Gang Dance member Brian DeGraw (13:04) about the early 00s experimental scene in New York City that included groups like Animal Collective and Black Dice—an alternate history of Meet Me in the Bathroom. They discuss moving from DC to NYC in '98, being a Manhattan band in a Brooklyn scene, feeling unattached to solo work, piano playing as meditation, and writing music for film. This episode includes snippets of unreleased solo music from  DeGraw. Other topics include record-breaking drum circles, cruise ship concerts during a solar eclipse, and how a freak tragedy years ago birthed a well of creativity for Brian and his friends. Prior to the interview, the boys discuss Shabaka's new single featuring Floating Points and Laraaji, which Animal Collective record would work as a Broadway stage adaptation, what the AC boys are up to at the moment, and  more. Unlock Part 2 of our conversation with Brian over at our Patreon! We talk Brian's visual art, his collaborations with Animal Collective and Boredoms, and a lot more:  patreon.com/bonefishpodWatch: LAKE DAMAGE— A "weird tour film" that Brian made of Animal Collective live footage during the Feels era: https://www.youtube.com/watch?v=ztEne_0y-6EFollow us on instagram.com/bonefishpod 

Hisham Akira Bharoocha is a Japanese born multimedia artist based in Brooklyn New York . Bharoocha works in various mediums creating large scale mural paintings, drawings, collage, sound, installation work, and performance. He has had solo exhibitions in Japan, New York and The Netherlands, not to mention the countless group exhibitions his work has been displayed around the world. Bharoocha is known for being one of the founding members of the experimental rock group Black Dice (1997-2004) alongside other bands he was a member of such as Pixeltan, Soft Circle, IIII, Boredoms (live show member 2007-2015) Currently Bharoocha is a member of Kill Alters. He creates electronically focused music under the name YOKUBARI, performing live under his own name using drums and Sensory Percussion drum sensors. Bharoocha has performed at renowned spaces such as Rockefeller Center, MoMA, MoCA, The Sydney Opera House (Australia), MoMA PS1, Barbican (London) to name a few, organizing large scale performances including up to 100 musicians, mainly drummers performing together. Hisham is performing at MOMA PS1 tomorrow (February 24th, 2024) 5PMin conjunction with the @tiravanija_team_cm (ig) exhibition. (FREE SHOW)IG: https://www.instagram.com/softcircle/TW: https://twitter.com/HishamBharoochaFine Art: https://www.hishamakirabharoocha.comCommercial Work: https://www.hugoandmarie.com/artists/hisham-akira-bharoocha/Solo Performance: https://hishamakirabharoocha.bandcamp.com/album/live-at-h0l0-01-31-2020-2Solo Electronic: https://chinabot.bandcamp.com/album/sakaiBand (Kill Alters): https://killalters.bandcamp.com/track/time-warpDJ Mixes: https://www.mixcloud.com/YOKUBARI_SoftCircle/We also requested Hisham to share with us some of his favorite things. Catch them all in our newsletter.https://putf.substack.com/The PUTF show is an interview series, dedicated to showcasing inspiring creatives from the PUTF community and beyond. Guests are invited to share their unique career journeys, stories, and visions. The PUTF show is produced by WAVDWGS, a video production company based in NYC.https://wavdwgs.com/Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter. More on https://putf.substack.com/#nyc #music #podcast #blackdice#softcircle#killalters#yokubari#boredoms#pixeltan#inspiration #motivation#hishamakirabharoocha#art #lifestyle #interview #risd#visualarts Hosted on Acast. See acast.com/privacy for more information.

Episode 111 Before and After Ambient, Part 2 Playlist Midori Takada, “Mr. Henri Rousseau's Dream” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood Bell, Ocarina, Tam-tam, Midori Takada. She performed all of the instruments on this album. The album was not immediately popular but seeded the nascent ambient movement that was growing in Japan at the time. Midori Takada, “Trompe-l'œil” from Through The Looking Glass (1983 RCA Red Seal). 高田みどり (Midori Takada) is a Japanese composer and percussionist. She was a key figure in the Japanese ambient movement of the 1980s. Composed, performed, produced, Marimba, Gong, Cowbell, Recorder, Wood and clay Bells, Ocarina, Tam-tam, Cola Bottle, Reed Organ, Midori Takada. She performed all of the instruments on this album. Brian Eno and Harold Budd, “Their Memories” from The Pearl (1984 Editions EG). Composed by Brian Eno, Harold Budd; produced by Brian Eno and Daniel Lanois. David Behrman, “Interspecies Smalltalk Scene 2” (1984) from Leapday Night (1987 Lovely Music). Composed, produced, and computers by David Behrman; violin, Takehisa Kosugi. "Interspecies Smalltalk" (1984) is an interactive piece originally commissioned by the Cunningham Dance Company. Yutaka Hirose, “Light Which Shakes Quietly” from Nova+4 (2019 WRWTFWW Records). Bonus track on this reissued album that dates from 1986. Composed , Arranged and Computer by, Yutaka Hirose; Synthesizer, Jun Tohyama. Takashi Kokubo, “A Dream Sails Out To Sea - Scene 3” (2019 Light In The Attic). Originally released in 1987, this track was part of the new wave of Japanese ambient music. By that time, Kokubo was already reknown for his synthesizer skills on a part with Isao Tomita. He turned to sound design and ambient music and has been instrumental in addition to creating such sounds as the nationally-used mobile phone earthquake alert and credit card payment jingles. Yoichiro Yoshikawa, “Nube” from Cyprus (1988 Eastworld). Original sound track of Japanese TV program. Yoshikawa was already a reliable session musician when he acquired one of the first Phophet-5 synthesizers in Japan. He quickly became a go-to composer for television and other purposes, such as soundscapes for museum exhibitions. Tetsu Inoue, “Low of Vibration” from Ambiant Otaku (1994 Fax +49-69/450464). Before I met Tetsu around the year 2000, I was fascinated by music such as this which had all of the elements of ambient music—slow and forming harmonies, spatial rhythms rather than beats, and a sustained energy throughout—without sounding at all like something out of an Eno production. Produced and performed by Tetsu Inoue. Kenji Kawai, “Ghostdive” from Ghost in the Shell (Original Soundtrack) (1995 RCA). An ambient work from the popular movie soundtrack.Composed, Performed, Produced, Arranged, Keyboards, Instruments, Kenji Kawai; synthesizer, Hironori Houki. Waveform Transmission, “V 1.3” from V 1.0-1.9 (1996 Silent). Analog Tone Engineering and Realization, Recordings Of The Dead, Shortwave, Field Recordings Made During Periods Of Highly-charged Paranormal Activity, Korg MS 10, Korg MS 20, Korg MS 50, Roland System 100 Synthesizers, Home Built Analog Synthesizers, Tape, Loops, Chris Troy; Digital Audio Graphs, Granular Synthesis, Microwave Communications, Psycho-acoustics, Tape, Loops Otari MX 5050 loops, Rod Modell. Experimental Audio Research, “Automatic Music (For Oscillator, Ring Modulator & Filter Clusters)” from Pestrepeller (1999 Ochre Records). UK release, limited to 1000 copies. Engineer, Serge Modular Music System, Sonic Boom (Pete Kember). Some interesting modular synthesizer ambience. John Foxx and Harold Budd, “Raindust” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. John Foxx and Harold Budd, “Some Way Through All the Cities” from Translucence + Drift Music (2003 Edsel Records). Composed, produced, and performed by Harold Budd, John Foxx. Pete Namlook, Tetsu Inoue, “Ethereal Being” from 2350 Broadway 4 (2007 Fax +49-69/450464). Composed, produced, and performed by Pete Namlook, Tetsu Inoue. Recorded at Bretton Hall, New York and Klanglobor Hödeshof. Tetsu was an endless collaborator. Here he and the wondrous Pete Namlook wove some ambient magic. Tetsu Inoue, “Kaze” from Inland (2007 Fax +49-69/450464). Written, performed and produced by Tetsu Inoue. This was his post-glitch faze, which brought together, strangely enough, element so his earlier ambient work and glitch music for computers. Masuko Shinji, “Woven Music for Blue Steppe” from Woven Music (2011 Jagjaguwar). All music, vocals and guitar, 増子真二 (Shinji Masuko). This is a project by Masuko, who sometimes works with the Boredoms. It has a characteristic high but sustained energy level that flirts with the outer reaches of the ambient music concept. Caroline Park, “Grain 5” from Grain (2011 Private Chronology). This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed, and mixed between May 2010 and January 2011 in Los Angeles and Boston. Sarah Davachi, “First Cadence” from Antiphonals (2021 Late Music). Composed, Recorded, Performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. A recent ambient work by this contemporary experimenter. In the background: An example of ambient music from the program Droneo by Henry Lowengard, which produces self-generating ambient music on a smart phone. “Droneo 1.5 vanDelay and Ape,” (5:25). Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.  

CINEMA CINEMA was established in 2008 by Brooklyn-born cousins, vocalist/guitarist Ev Gold and drummer Paul Claro. They've been described as “experi-metal punks” by the Village Voice, a “jolt of adrenaline” by BrooklynVegan, and “feral and unrelenting” by Big Takeover.    Touring extensively through the past 15 years, CINEMA CINEMA has performed over 475 shows across 11 countries. Multiple treks alongside SST Records founder Greg Ginn, including a 45-date North American tour opening for Black Flag in 2014, select dates supporting Black Flag in 2013, and shared dates in 2010, 2011, and 2012 with Ginn's other outfits: The Royal We and The Taylor Texas Corrugators. In addition, the band has half a dozen European tours to their credit, including a 2013 stint in support of Martin   CINEMA CINEMA returns, this time with polymath percussionist Thor Harris (Swans, Angels of Light, Shearwater) in tow, to release their seventh full length, “Mjolnir”. Recorded at historic BC Studio in Brooklyn, NY with legendary noise producer Martin Bisi (Sonic Youth, John Zorn, Boredoms). The album will be released July 28 as a red 12” vinyl LP, digital download and via streaming platforms by Nefarious Industries.   Inviting multi-instrumentalist Harris into the fold inspires new direction for the ensemble. Exploring his creative repertoire, Thor makes use of BC's synth collection along with an assortment of drums and arcane percussion pieces to leave his fingerprints on the proceedings. The trio submerge themselves in the strange beauty of chaotic sound, captured inside BC's cavernous recording space. Tracked just before the pandemic, Bisi spent time cultivating the sessions in the months that followed, helping shape one of the band's most expressive records to date. This marking the third time that CINEMA CINEMA and Martin have worked together (2014's A Night at The Fights and 2017's Man Bites Dog), the familiarity breeds wild results.       CINEMA CINEMA's info https://www.cinemacinemaband.com

Ben Arzate is in the cyber house to talk about his short novel ‘Music Is Over', published by Malarkey Books in 2022. Malarkey describes ‘Music Is Over' as “a picaresque surreal horror novel” that “imagines the lost years of musician Juntaro Yamanouchi [of the Japanese Noise band The Gerogerigegege]. It is weird, bizarre, violent, and surprisingly sweet.” If you're into Japanese Noise, trains that lead to nowhere, industrial wasteland cities filled with strange doctors, mysterious foreigners, psychotic policemen, and unfriendly residents, this is the book and episode for you. If you don't know much about this kind of music, not to worry. In the last segment of the episode, David Novak, author of the award-winning book ‘Japanoise: Music at the Edge of Circulation', drops by to talk with me about it.   MEDIA AND MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Noise—Royalty Free Sample Pack “Da Da Da” by Trio “Roygbiv” by Boards of Canada “Smell the Medicine” by Melt-Banana Excerpt from the “Talking About Noise Music” episode of Oliver Kemp's YouTube show ‘Deep Cuts': https://www.youtube.com/watch?v=eXgI082zbtM From the 1989 album by The Gerogerigegege, ‘Showa' From the 2001 album by The Gerogerigegege, ‘Saturdaynight Big Cock Salaryman' From the 1988 album by The Gerogerigegege, ‘Sexual Behavior in the Human Male' From the 1999 album by Boredoms, ‘Vision Creation Newsun' From the 1996 album by Merzbow, ‘Pulse Demon' From the 1989 album by Boredoms, ‘Soul Discharge' From the 1989 album by Boredoms, ‘Soul Discharge' Hanatarash—live at Bears, Osaka, Japan   LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Trio banned video of “Da Da Da”: https://www.dailymotion.com/video/x43dxly Ben Arzate on Twitter: @BenArz13 Ben Arzate's blog: https://dripdropdripdropdripdrop.blogspot.com/ Purchase a paperbacl copy of Ben's novel ‘Music is Over': https://malarkeybooks.com/music-is-over Purchase the ebook of Ben's novel: https://godless.com/products/music-is-over-by-ben-arzate?_pos=1&_sid=9c00e6f1d&_ss=r Ben's work on Substack: https://benarzate.substack.com/ Read David Novak's book ‘Japanoise: Music at the Edge of Circulation' for free and find out more about him: https://www.japanoise.com// Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, Instagram, YouTube: @ChristyHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Arzate is in the cyber house to talk about his short novel ‘Music Is Over', published by Malarkey Books in 2022. Malarkey describes ‘Music Is Over' as “a picaresque surreal horror novel” that “imagines the lost years of musician Juntaro Yamanouchi [of the Japanese Noise band The Gerogerigegege]. It is weird, bizarre, violent, and surprisingly sweet.” If you're into Japanese Noise, trains that lead to nowhere, industrial wasteland cities filled with strange doctors, mysterious foreigners, psychotic policemen, and unfriendly residents, this is the book and episode for you. If you don't know much about this kind of music, not to worry. In the last segment of the episode, David Novak, author of the award-winning book ‘Japanoise: Music at the Edge of Circulation', drops by to talk with me about it.   MEDIA AND MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Noise—Royalty Free Sample Pack “Da Da Da” by Trio “Roygbiv” by Boards of Canada “Smell the Medicine” by Melt-Banana Excerpt from the “Talking About Noise Music” episode of Oliver Kemp's YouTube show ‘Deep Cuts': https://www.youtube.com/watch?v=eXgI082zbtM From the 1989 album by The Gerogerigegege, ‘Showa' From the 2001 album by The Gerogerigegege, ‘Saturdaynight Big Cock Salaryman' From the 1988 album by The Gerogerigegege, ‘Sexual Behavior in the Human Male' From the 1999 album by Boredoms, ‘Vision Creation Newsun' From the 1996 album by Merzbow, ‘Pulse Demon' From the 1989 album by Boredoms, ‘Soul Discharge' From the 1989 album by Boredoms, ‘Soul Discharge' Hanatarash—live at Bears, Osaka, Japan   LINKS:  Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Trio banned video of “Da Da Da”: https://www.dailymotion.com/video/x43dxly Ben Arzate on Twitter: @BenArz13 Ben Arzate's blog: https://dripdropdripdropdripdrop.blogspot.com/ Purchase a paperbacl copy of Ben's novel ‘Music is Over': https://malarkeybooks.com/music-is-over Purchase the ebook of Ben's novel: https://godless.com/products/music-is-over-by-ben-arzate?_pos=1&_sid=9c00e6f1d&_ss=r Ben's work on Substack: https://benarzate.substack.com/ Read David Novak's book ‘Japanoise: Music at the Edge of Circulation' for free and find out more about him: https://www.japanoise.com// Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, Instagram, YouTube: @ChristyHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 84 Psychedelic Japan, Part 3   Playlist Boredoms, “Super Going” from Super æ (1998 Birdman). Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), Electronics, Eye. 12:26. Boredoms, “7-(Ewe Remix)” from Super Roots 7 (1998 WEA). Bass, Effects, Hilah; Drums, Percussion (Electronic), E~Da; Drums, Sampler (Samples), Percussion, ATR; Drums, Vocals, Tape (Bird Flying Sound), Keyboards (Casiotone), Yoshimi P-We; Guitar (Guitars), Yamamotor; Sampler, Synth, Kiyoshi Izumi; Vocals, Synth, Tape (Open Reel), Electronics (Vacuum Cleaner), Bell, Effects, Sounds, Electronics, Tape (Insects, Bird), Eye. 4:05 OOIOO, “Oizumio” from Feather Float (1999 Polystar). Pronounced OH-EE-OH, Band formed by trumpeter and drummer for the Boredoms on a whim as the result of a photo shoot she once did. Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 3:39 OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Boredoms, “"Ҩ" (Spiral)” from Vision Creation Newsun (2001 Birdman). There have been some live performances of this music from Vision Creation Newsun where Eye has recruited as many as twenty drummers to join the fray, all positioned in a circle with Eye conducting from the middle. And it's said that this is not one of his most extreme performance setups. Bass, Effects, Vocals, Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:33 Boredoms, “"↑" (Arrow Up)” from Vision Creation Newsun (2001 Birdman). Bass, Effects, Vocals (Vox), Hilah; Drums, Percussion, Electronic Drums (Electric Pad), Vocals, ATR, E-Da; Drums, Percussion, Keyboards (Casiotone), Vocals, Yoshimi; Guitar, Vocals, Yamamotor; Vocals, Synth, Sampler (Samples), Turntables, Tape (Open Reel), Vocoder, Computer, Electronics, Edited, mixed by, Eye. 6:26 Adachi Tomomi, “Gamp” (2001 unofficial release). Adachi Tomomi is a performer/composer from Tokyo, Japan. He plays improvised music with voice, computer, and self-made instruments. 2:35 Acid Mothers Temple & The Melting Paraiso U.F.O., “The Creation Of The Human Race” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 9:12 Acid Mothers Temple & The Melting Paraiso U.F.O., “Dalai Gama” from 41st Century Splendid Man (2002 tUMULt). Bass synthesizer, bass harmonica, Tsuyama Atsushi; Drums, Yoshida Tatsuya; Electric Guitar, Synthesizer, Other Dancin' King, Hiroshi Higashi; Electric Guitar, Effects RDS 900, Synthesizer, Kawabata Makoto; Cosmic Companion, Ayano; Space Phone girl, Yoko; Synthesizer, Higashi Hiroshi; Vocals, Cotton Casino. From a picture disc version of this recording. 4:32 Merzbow, “Argus” from Karasu: 13 Japanese Birds Pt. 4 (2009 Important Records). Music by Masami Akita. We included a cassette release from Akita in part 2 of this series. That was from early days for Merzbow, 1984. It seems fitting that we include a more recent CD by him here. Limited edition of 1,000 copies. Recorded and mixed in Tokyo, Feb 2009. 19:40 Opening background music: Far East Family Band, “Parallel World” from Parallel World (1976 MU Land). Music by, arranged by, Far East Family Band. Produced, recorded, computer mix by, Klaus Schulze. Recorded November 15th to December 5th 1976 at the Manor Studio, UK. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations. See my blog for the Bob Moog Foundation.

3.56: Dublin singer-songwriter Rosa Nutty on her debut album World Still Blue, taking a four-year break to make it, almost getting stuck in Utah at the start of the pandemic, space, living away from Dublin (she's currently in Cavan) and lots more https://rosanutty.bandcamp.com/album/world-still-blue 52.53: Cork producer ActualAcid aka Jack Corrigan on his debut album Boredoms 400, Hausu Records, living in London, sampling, his cousin and rapper Stuntt Mane and plans for Boredoms 300... https://actualacid.bandcamp.com/ 1.34.02: Dublin five-piece art-rock band Akrobat on new single Eskimo off their debut album Jammed Space Movement, out Friday, November 4. They play Bello Bar on November 5 https://akrobat-band.bandcamp.com/album/jammed-space-movement

Episode 82 Psychedelic Japan, Part 2 Playlist Wha Ha Ha, “On the Floor” from Wha Ha Ha (1983 Recommended Records). This group released three records in 1981, all in Japan. Recommended Records, the UK-based record maker, released this compilation of tracks taken from all three of those records. The group Wha Ha Ha ended at that point but its four principle members went on to varied musical careers. Akira Sakata is an alto saxophonist, Kiyohiko Semba is a percussionist, Mishio Ogawa is a vocalist, and Shuichi Chino is a keyboardist and electronic musician. 10:08 Merzbow, “Untitled 1” from Material Action for Two Microphone (sp) (2nd version) (1984 artist cassette). Masami Akita is one of my long-time favorite Japanese electronic/noise practitioners. He would send me cassettes back in the 1980s and I've always tried to keep up with him. Not strictly a Japanese psychedelic artist, I include him here primarily because, like some of the other artists in this podcast, he has widespread influence on other genres of Japanese electronic music. This prolific Japanese noise artist has released over 500 recordings since 1979.Recorded at Merzbau. Tape, Recorder, Synth, Effects, Kiyoshi Mizutani; Tape, Violin, Electronics, Effects, Masami Akita. Early cassette by Akita. 22:30 Yoshiaki Kinno, track 4 from unknown cassette, 1984.Japanese guitar and saxophone improviser. In the 1980's he established a cassette label featuring a wide range of improvised music. 3:32 Boredoms, “Boil Out UFO” from Boretronix 88' (1988 Mega Scum Groove Inc.). I think this is their first cassette release, going back to 1988. Boredoms (ボアダムス), alternatively known as V∞redoms, is a Japanese experimental/noise/space rock/tribal drumming band from Osaka, founded in 1986 by Yamatsuka Eye. Known for their extended jams and heavy drumming, it is remarkable that they had some mainstream success in the 1990s. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Tibetan Bell, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 2:18 Boredoms, “Untitled” (excerpt) from Boretronix 3 (1990 Ltd.). Another early cassette release from Yamatsuka Eye on his private label. This cassette consists of remixes of unreleased Boredoms material and fully explores the noise and rhythmic aspects of their work. This is an interesting prelude to their latter, more cohesive works. Bass, Hira; Drums, EDA; Drums, Vocals, Yoshimi P-We; Guitar, Yamamotor; Music by, Boredoms; Words By, Vocals, Effects (EQ-phasing), cassette tape manipulation, electronics, Eye. 12:01 Otomo Yoshihide, “We Insist? A) Rinko-Gun; b) x-Day” from We Insist? (1992 Sound Factory). Japanese experimental musician, turntablist and guitarist. Additional musicians on these tracks, Bass, vocals, Numata Jun; Guitar, Saito Ken-ichi; Vocals, performer (Junk), Lim Soowoong. 5:37 Omoide Hatoba, “Satellite Groove” from Kinsei (1996 Birdman). Japanese psychedelic, alternative, experimental -rock band. Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 3:53. Omoide Hatoba, “Alternative Funkaholic” from Kinsei (1996 Birdman). A&R, David Katznelson; Alto Saxophone Isamu Kawamura, Yoshimi Yamazaki, Bass, Vocals, Drums, Percussion, Synthesizer, Drum Machine, Atsushi Tsuyama, Drums, Takashi Ogushi; Drums, Computer, Tape, Chew Hasegawa, Guitar, Vocals, Violin, Percussion, Piano, Synthesizer, Drum Machine, Seiichi Yamamoto, Tenor Saxophone, Satoshi Kawanishi, Trumpet, Yoshimi, Written by, Omoide-Hatoba. 2:30 Yasunao Tone, “Part I” from Solo for Wounded CD (1997 Tzadik). Yasunao Tone was one of the founding members of Japan's Fluxus movement and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Team Random (the first computer art group organized in Japan). He is a pioneer in the use of prepared CDs of which this work is a prime example. All sounds used were from scratched CD's. 14:28 Changing Hands, “Spaced” from Changing Hands (1997 Medium Productions Ltd.). Written, performed, produced by, Nobukazu Takemura, Richard Barbieri, Steve Jansen. Takemura is a Japanese electronic DJ, producer, and artist. Richard Barbieri is a keyboardist, engineer (once a member of the group Japan). Steve Jansen is an engineer, drum programmer/percussionist and DJ (and brother of David Sylvian). 6:54 Melt Banana, “Section Eight” from Charlie (1998 A-Zap Records). Melt-Banana is a band from Tokyo, Japan. They were formed around 1991/1992 by singer Yasuko Onuki who later recruited guitarist Ichirou Agata and added the bassist Rika. Additional drummer, Natsume. 3:49 Melt Banana, “Taen Taen Taen (?)” from Charlie (1998 A-Zap Records). Melt-Banana includes singer Yasuko Onuki, guitarist Ichirou Agata, and bass player Rika. Additional musician, electronics, Oshima. 0:45OOIOO, “1000 Frogs And 3 Sun In A House” from Feather Float (1999 Polystar). Bass, Handclaps, Maki; Drums, Handclaps, Yoshiko; Guitar, Vocals, Djembe, Bongos, Roland Juno and Casiotone synthesizers; Piano, Jew's Harp, Talking Drum, Scratches, Noises (Birds), Yoshimi; Guitar, Vocals, Handclaps, Kyoko; Producer, Yoshimi. 10:28 Opening background music: Junji Hirose + Yoshihide Otomo, “Noise From Far East” and “The Time to Live and the Time to Die” from Silanganan Ingay (1989 Tanga-tanga). Self-Made Instruments, Toy Rhythm Box, Toy (Voice-Changer), Toy Autoharp, Tenor Saxophone, Junji Hirose; Turntables, Cassette Tape, Hand-Made Guitar, Small Instruments, Toys, Otomo Yoshihide. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

IT CAME FROM AQUARIUS RECORDS is a feature-length documentary about the SF-based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists.This doc has interviews with the aQ owners dating back to 1970, other record store owners from around the world, musicians, label heads, music journalists, and INTENSE music collectors. Interviewees include Matt Groening (The Simpsons), Wayne Coyne (Flaming Lips), Bruce Ackley, John Darnielle (The Mountain Goats), Ty Segall, and Liz Harris (Grouper).Aquarius Records influenced and enriched countless peoples' musical tastes with their curated selections - but this film also shows the realities of an indie record store trying to survive in an increasingly difficult market of brick-and-mortar music shops, especially in the ever-changing and price-gouging Mission District of SF. Six years in the making, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this.Upcoming screenings:Oct 4th 6 pm Los Angeles City College w Howie KleinOct 6th Tucson Film and Music FestivalNovember 1st, 7pm Nitehawk Cinema, Williamsburg BrooklynFilm screening, followed by a moderated Q+A, with:Kenneth ThomasBrian Turner (The Brian Turner Show, WFMU)Jeremy DeVine (Founder / President of Temporary Residence Records)Jon Fine (Bitch Magnet, Author of Your Band Sucks: What I Saw at Indie Rock's Failed Revolution (but Can No Longer Hear))Emil Amos (Grails, Om, Holy Sons)Moderated by Anna Lopez (Temporary Residence Records, Union Pool)Nov 4th & 5th Doc Utah St. George, UtahKenneth Thomas is a teacher and filmmaker from Arcata, California. He has consistently worked in some aspect of news or documentary production. After graduating with his Bachelor's Degree in 16mm Film Production from Boston University, he moved back to his hometown to work at the local CBS television station, where he quickly became the Technical Director, and then the Live News Director. He also served as their News Videographer, documenting stories on the front lines, like Earth First's controversial fight to save the old-growth redwood forests.After receiving his MFA in Film at San Francisco Art Institute, Kenneth completed his 5-year long film project, a feature-length music documentary called Blood, Sweat + Vinyl: DIY in the 21st Century. Featuring over a dozen multi-camera live concert shoots and 20 interviews about independent heavy metal music culture, the film has screened in over two dozen film and music festivals on every continent (except Antarctica) and is currently being independently distributed. This documentary led to him directing two music videos for bands in the film, one of which aired on MTV's Headbanger's Ball.Kenneth currently teaches Live TV Production and Audio Production at Los Angeles City College, with occasional freelance stints as a key camera operator for live multi-camera streams of LA Philharmonic concerts, and directing live multi-camera streams of heavy metal concerts in Boston and Los Angeles.Artist Windy Chien is best known for her 2016 work, The Year of Knots, in which she learned a new knot every day for a year. Her work ranges in size from a knot that can fit in the palm of a child's hand to room-sized installations that are sought after by private collectors. Following long careers at Apple and as owner of legendary music shop Aquarius Records, she launched her studio in 2015. Select clients include the National Geographic Society, the De Young Museum, Nobu Hotels, Google, and the Kering Group, and her work has been covered by Wired, The New York Times and Martha Stewart. Windy's book about her work was published by Abrams in 2019.Andee Connors is a drummer, musician, artist, DJ, music curator, photographer, former record store owner, former record label owner. He ran a record store called aQuarius recOrds in San Francisco from 1994 - 2016. He also ran tUMULt, a record label that existed for close to 20 years, with more than 50 releases. He's been playing drums since 9 years old, touring and recording since 19. Bands included math rock / post rock band called A Minor Forest, a grind pop / noise-pop band called P.E.E., a SF punk band called J-Church, a stoner metal band called High Tone Son Of A Bitch, and an experimental post rock band called Lumen. He played drums in two Boadrum performances with Japanese experimental outfit The Boredoms: with 77 drummers in 2007 in Brooklyn, NY, and then 88 drummers in 2008 in Los Angeles as well as extra drums with noise rock outfit Shit And Shine.Currently in Common Eider, King Eider, a ritualistic doom/drone duo, and My Heart, An Inverted Flame, another duo, heavy, droney, repetitive and shoegazey - only synths and drums!He has radio shows on Gimmeradio.com called Battleflutes & Sideways Skulls, and Castle Weather on Repeater Radio in the UK. He shares his house (and life) with three cats called Tony Harrison, Lugburz and Tungsten.Allan Horrocks did not get us a bio in time.https://battleflutesandsidewaysskulls.comBy This Wax I Rulehttps://www.instagram.com/aquariusrecordsrip/Bill Kopp's book on 415 Records, Disturbing the Peace.George's new podcast https://pi-cast.simplecast.com/Follow:Instagram: @aquariusdocInstagram: @mool_systemsInstagram: @windychienInstagram: @mbibendumFollow Sup Doc on:Twitter: @supdocpodcastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Barry, Abigail, and special guest Paul Zawacki [The Procession, previously interviewed on A Dozen Updates (The Procession Reunion Special)] discuss Paul's Jukebox submission, Yoshimi Battles the Pink Robots by The Flaming Lips. Read about the Yoshimi musical written by Aaron Sorkin, or watch the trailer. Radiolab has an episode about Elisabeth Kübler-Ross, who introduced the five stages of grief model. Do You Realize?? was at one time the state rock song of Oklahoma. Read about why it is no longer. Yoshimi P-We is a Japanese musician, best known as the drummer of Boredoms, who inspired this album. Her screams appear on Yoshimi Battles the Pink Robots, Pt. 2. Barry was recently named to the Southeast Area Board of the American Cancer Society. He will be heading to Washington in September to talk to legislators about the Cancer Moonshot and attending the 12th Annual Lights of Hope event on the National Mall. Learn more about how you can honor someone in your life that has been touched by cancer during that event! Up next… Smoke and Mirrors by Imagine Dragons Our next Jukebox episode will be Make Yourself by Incubus, submitted by Barry's brother and Abigail's uncle, Derek Hummel, Sr. This episode is scheduled to drop on October 14, 2022. Jingles are by our friend Pete Coe. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Facebook | Instagram | Twitter | YouTube | Website | Email us | Virtual Jukebox --- Send in a voice message: https://anchor.fm/pops-on-hops-podcast/message

Chris Corsano's drumming and general approach to his art is simply immeasurable. His influences are personal and are respectively explored, but Corsano has defined his on place in the 'code breaking', free-improve Matrix that he dwells. Groups such as Sun City Girls, Ruins, Boredoms, The Bishops and so many others led me to his work , as well as his own influences, over the years and even inspired and influenced my very own approach to music. It was wonderful speaking to Chris and getting to him, his background, where/how it all began, his divine methods and much more. Enjoy!Support the show Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Thurston Joseph Moore (born July 25, 1958) is an American musician best known as a member of Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Thurston Moore's work with Sonic Youth rearranged the parameters of indie rock to an almost incalculable degree, merging experimental art rock tendencies with unconventional guitar tunings for a sound that would influence generations to come. Moore's abstract poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth's 30-plus-year run, but also bled into countless side projects and less-frequent solo albums like 1994's sprawling and loose Psychic Hearts. After the group's breakup in 2011, Moore continued with his ambitions, ranging from projects like his band Chelsea Light Moving to noisy collaborations with Merzbow and John Zorn to solo albums like 2020's By the Fire that continued exploring the kind of moody, twisting art rock he'd become an icon of with Sonic Youth. Moore was ranked 34th in Rolling Stone's 2004 edition of the '100 Greatest Guitarists of All Time.' In May 2012, Spin published a staff-selected list of the top 100 rock guitarists, and ranked Moore and his Sonic Youth bandmate Lee Ranaldo together at number 1. Lineup: Tapper Zukie, Patti Smith, Teenage Jesus & The Jerks, MARS, Public Image Ltd., The Slits, The Raincoats, Captain Beefheart & His Magic Band, Alice Cooper, T. Rex, Archie Shepp, Billie Holiday, Teddy Wilson, Nirvana, Mudhoney, Dinosaur Jr., Jackson C. Frank, Bush Tetras, Germs, Boredoms, Lou Reed, The Beach Boys, David Bowie, Sparks, Siouxsie and the Banshees, The Damned, The Mentally Ill, Minor Threat, Black Flag, The Untouchables, Iron Cross, The Faith, Void, Negative Approach, Youth Brigade, S.O.A., Anne Briggs, The Fugs, Jimi Hendrix

Xenia Rubinos could just as easily be on a bill with Flying Lotus and The Boredoms as she could with Eryka Badu and Esperanza Spalding. Her unique genre mixing of soul, punk, jazz, pop and latin music grooves planted her firmly in a musical space all her own. Following Xenia's first two albums, 2013's *Magic Trix* and the wide success of 2016's *Black Terry Cat* and the extensive touring and hustle to promote it, she visited a "curandero" who diagnosed her with "a loss of spirit". Though uninspired and unmotivated to make music, she was encouraged by her longtime collaborator and co-producer Marco Buccelli to continue working. Rubinos' new release *Una Rosa*, is her own novella. It is a rediscovery of her musical self that explores new sonic territory, leaning heavily on the use of synths and drum machines to frame her stories, reflections and expressions. Geoff Stanfield chatted with Xenia from her home in Brooklyn. Enjoy! Sponsered by Radial Engineering https://radialeng.com

Grey Gordon is the co-host of Demolisten podcast and impresario of Can I Kick it Vintage as well as the force behind Kill Surf City and guitarist of Parasitic Twins. As part of Demolisten, Grey listens to A LOT of music and has some pretty interesting takes on the stuff that appears on his podcast. […]

Grey Gordon is the co-host of Demolisten podcast and impresario of Can I Kick it Vintage as well as the force behind Kill Surf City and guitarist of Parasitic Twins. As part of Demolisten, Grey listens to A LOT of music and has some pretty interesting takes on the stuff that appears on his podcast. […]

You want to know the number one way to be more efficient in your animal, pet or equine-based business? Batching. Sounds incredibly boring right? BUT, you're already doing it successfully in so many other areas of your life… Why not your business too? In this episode, Kim and Cara provide an easy to follow recipe for boredom-free batching that saves you time, keeps you consistent, and gets the work done! Follow The Business Animal online at Instagram: https://www.instagram.com/thebusinessanimal/ and Facebook: https://www.facebook.com/thebusinessanimal

Originally recorded on June 26, 2021, this episode of TNT discusses the 1998 album "Super æ" by Japanese noise/experimental rock band Boredoms, released in 1998 by Warner Music Japan.

Our guest for this episode is Kazuya Ishigami, an electro-acoustic composer and musician who has been active for decades in the extremely fertile Kansai region of Japan. This is the region that has brought us such paragons of musical eclecticism as the Boredoms and pioneers of unadulterated noise such as Hijokaidan and Masonna. However, in addition to these very widely cited examples of sonic intensity and underground attitude, there are creators like Ishigami who incorporate a much greater degree of nuance and subtlety, which is grounded in a clearly Japanese philosophy towards biological phenomena. That is to say, much like the late Kyoto experimenter Akifumi Nakajima, aka Aube, Ishigami approaches technology as something that cannot be completely separated from the natural world, and of course this results in a very organic sound that disrupts expectations of how “electronic” music should sound. In the spirit of the original Japanese independent record labels like Skating Pears and Vanity, Ishigami has also curated his own NEUS-318 label to minimize aesthetic compromises, and to locally release the works of artists from nations as geographically distant as Argentina and Lithuania. The label's name is an acronym standing for “noise, electronics, and unknown sounds,” which itself is a good synopsis of Ishigami's musical interests and his balance of noise music's confrontational aspects with something more ephemeral and less clearly defined. Ishigami has worked as a concert organizer in both traditional venues and locations like the Zenkouji Buddhist temple, as being a collaborator with visual and performance artists, and of course being a reliable and friendly participant in the “uchiage,” the after-concert communal meals which often end up being an extension of the concerts themselves. Artist links: https://kazuyaishigami.bandcamp.com http://www.neus318.com https://neus318.bandcamp.com Paypal donations for Anechoic Chamber: tbwb@protonmail.com All other inquiries: core@tbwb.net

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a sumergirse en parte del álbum debut de I.P.Y., el súper trío conformado por tres artistas de crucial importancia del avant-garde japonés: Ikue Mori, Phew y YoshimiO. El disco, que fue editado en octubre por el sello del compositor estadounidense John Zorn, Tzadik Records, se grabó en el Club U.F.O. de Tokio y la música resultante fue editada y mezclada durante los meses de cuarentena a principios de 2020. De acuerdo a Tzadik, se trata de una propuesta “sorprendente y poderosa de una reunión fabulosa y esencial de tres superestrellas de la música de avanzada”. Haciendo un resumen de las extensas carreras de las tres titulares del disco, Ikue Mori fue integrante de la banda DNA y una vital fuerza creativa de la escena del Downtown de Nueva York; Phew fundó el grupo Aunt Sally en 1978 y ha sido parte de incontables proyectos solistas y en colaboración y YoshimiO es una integrante principal de bandas de la importancia de Boredoms, Saicobab y OOIOO. En la parte final del programa, viajamos al pasado en la historia de Ikue Mori, para escucharla con material de su disco para música de cine y películas de 1998, simplemente titulado “B/Side”. Como siempre, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción y curatoría de Héctor Aravena. A continuación, conoce las carátulas de los álbumes que sonarán en el capítulo 42 de la temporada 2020 del programa.

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a sumergirse en parte del álbum debut de I.P.Y., el súper trío conformado por tres artistas de crucial importancia del avant-garde japonés: Ikue Mori, Phew y YoshimiO. El disco, que fue editado en octubre por el sello del compositor estadounidense John Zorn, Tzadik Records, se grabó en el Club U.F.O. de Tokio y la música resultante fue editada y mezclada durante los meses de cuarentena a principios de 2020. De acuerdo a Tzadik, se trata de una propuesta “sorprendente y poderosa de una reunión fabulosa y esencial de tres superestrellas de la música de avanzada”. Haciendo un resumen de las extensas carreras de las tres titulares del disco, Ikue Mori fue integrante de la banda DNA y una vital fuerza creativa de la escena del Downtown de Nueva York; Phew fundó el grupo Aunt Sally en 1978 y ha sido parte de incontables proyectos solistas y en colaboración y YoshimiO es una integrante principal de bandas de la importancia de Boredoms, Saicobab y OOIOO. En la parte final del programa, viajamos al pasado en la historia de Ikue Mori, para escucharla con material de su disco para música de cine y películas de 1998, simplemente titulado “B/Side”. Como siempre, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción y curatoría de Héctor Aravena. A continuación, conoce las carátulas de los álbumes que sonarán en el capítulo 42 de la temporada 2020 del programa.

Audible: (Free 30 Day Trial): https://amzn.to/34JKfpX GNXtra is the show that takes place after Guns N' Radio. Head over to GunsNRadio.com to check out the main show! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gnxtra/support

Boredom can be normal, but it’s also an indication of a lack of self-acceptance and self-esteem. I have worked with enough people to tell you that you are not as depressed as you think. Instead, you are experiencing boredom. In this episode of My Best Healer Podcast, I speak with James Townsend, an author, journalist, editor, writing coach, dream worker, and musician who lives in Boulder, Colorado. A lifelong seeker of wisdom, James continues to pursue unusual adventures and teachers offering deeper perspectives on the mysteries of consciousness and life (He may be reached at jamesdennytownsend.com). He and I dive into some of the roots of boredom. In addition, I end with a lovely, quick Hypnotherapy induction that will blow your mind. Get inspired and motivated to accomplish everything you want and need. I am a phone call away from you, so feel free to contact me directly and let's talk. I am looking forward to communicating with you.Yours,Dr. Ezzat MoghazyThe founder of My Best Healerwww.mybesthealer.comSupport the show (https://www.mybesthealer.com/)

Boredom can be normal, but also it is an indication of a lack of self-acceptance and self-esteem. I have worked with enough people to tell you that, you are not as depressed as you think, instead you are experiencing boredom. In this episode of My Best...

Japanese music special, joined by our irregular guest, Phill Jupitus. Featuring Tenniscoats, Boredoms, Maher Shalal Hash Baz and plenty more. --- Support this podcast: https://anchor.fm/46-30/support

Joe Wong is a multi-instrumentalist, singer, composer, and podcaster based in Los Angeles, Ca. He is currently the host of The Trap Set, a weekly podcast and radio show about the lives of musicians. As a drummer he is known for his work with Parts & Labor, Marnie Stern, Aa, Man Forever, and Mary Timony. Wong was also chosen to participate in the Boredoms' event 88 Boadrum. Wong's drumming style has been described as "trancelike", "propulsive", and "explosive". As a composer he has worked on projects that include the hit Netflix series Russian Doll and Master of None; the Sundance Special Jury Prize winning feature, The Pool; documentaries such as Collapse, The Yes Men, and Independent Lens; the hit young adult film To All the Boys I've Loved Before; and avant-garde work such as Adult Swim's Superjail! and the 2014 film Hamlet A.D.D.. Wong's scoring projects have garnered praise from the New York Times, Time, and The A.V. Club. (bio taken from Wikipedia) In this episode JC chats with Joe about his new album, Nite Creatures (out Sept. 18, 2020) on Decca Records, working with film directors, and where the music industry is headed.

Un épisode de SONORE double format puisque c'est Erotic Market et Deva Muse qui sont à l'honneur.  Partie 1 : Erotic Market (01:50 > 12:00) Partie 2 : Deva Muse (12:00 > 20:00) Pour écouter et suivre EROTIC MARKET  FACEBOOK | INSTAGRAM | SOUNDCLOUD | SPOTIFY | YOUTUBE Pour écouter et suivre DEVA MUSE SPOTIFY | INSTAGRAM | YOUTUBE -- Réalisation : Laura Aupiais. Montage : An Si Graphisme : Pinterest Le générique est un titre de Morgan Blanc accompagné de la voix de Sandra Nicolle.

Got Faded Japan ep 527 In this ground shaking episode: Round 1 Tom teaches his baby to fetch beers Tom introduces his invisible monkey to the world Tom smokes Marlboro Reds to prevent COVID-19Round 2 Professor Johnny schools you on one of the most iconic “Japanoise” bands in existence, the BOREDOMS!  FADE ON! If you are or were in a band or have a friend who is in a band, send us one of their tracks and we'll play it at the end of the show. UNDERGROUND BANDS ONLY. We all LOVE SLAYER but this isn't the place for them ( unless they're on the show :D ).     NOW YOU CAN DIRECTLY SUPPORT THE SHOW AND BECOME A PATREON! Supporting GOT FADED JAPAN ON PATREON directly supports keeping this show going and fueled with booze (seriously could you imagine the show sober?? Neither can we) SUPPORT GFJ at: https://www.patreon.com/gotfadedjapan   CHECK OUT OUR SPONSORS AND SUPPORT THE SHOW!!!!   1. THE SPILT INK: Get prints and art at: ETSY https://www.etsy.com/shop/TheSpiltInk?ref=hdr_shop_menu SITE https://www.thespiltink.com 2. Ghost Town Pomade FADE IN STYLE with Ghost Town Pomade. Get yours today by contacting: ghosttownpomade@gmail.com 3. Gamuso: ADDRESS:2-12-5 Takuei building 2F-3F Asagaya-Kita Suginami-ku Tokyo2min from JR Asagaya Sta NorthExit   4. MITSUYA: 1　Chome- 13 -17 Asagayaminami, Suginami Tokyo 166-0004　 Tel & Fax: 0303314-6151Email: saketoyou0328@gmail.com   GET YOURSELF SOME GOT FADED JAPAN MERCH TODAY!!! We have T-Shirts, COFFEE Mugs, Stickers, even the GFJ official pants! BUY NOW AND SUPPORT THE SHOW: http://www.redbubble.com/people/thespiltink/works/16870492-got-faded-japan-podcast   The Got Faded Japan Podcast gives listeners a glimpse of the most interesting side of Japan's news, culture, peoples, parties, and all around mischief and mayhem. Hosted by Johnny and Tom who adds opinions and otherwise drunken bullshit to the mix. We LOVE JAPAN AND SO DO YOU! Send us an email on Facebook or hell man, just tell a friend & post a link to keep this pod rolllin' Fader! Kanpai mofos!

Viajamos a Japón en una nueva edición de Rebelión Sónica, para escuchar a dos importantes exponentes del rock experimental nipón que se relacionan por la cantante, baterista y guitarrista, Yoshimi P-We: OOIOO y Boredoms. En el primer caso, escucharemos música del disco 2020 “Nijimusi” (Thrill Jockey) de este cuarteto solo integrado por mujeres. Se trata del octavo álbum de la agrupación formada en 1996 y es el sucesor de “Gamel” de 2014. En la parte final del programa, viajamos al pasado en la historia de la también conocida como YoshimiO o, simplemente, Yoshimi, para escucharla como parte de su banda madre Boredoms.

Viajamos a Japón en una nueva edición de Rebelión Sónica, para escuchar a dos importantes exponentes del rock experimental nipón que se relacionan por la cantante, baterista y guitarrista, Yoshimi P-We: OOIOO y Boredoms. En el primer caso, escucharemos música del disco 2020 “Nijimusi” (Thrill Jockey) de este cuarteto solo integrado por mujeres. Se trata del octavo álbum de la agrupación formada en 1996 y es el sucesor de “Gamel” de 2014. En la parte final del programa, viajamos al pasado en la historia de la también conocida como YoshimiO o, simplemente, Yoshimi, para escucharla como parte de su banda madre Boredoms.

This week on Bathroom Break Podcast, my guest is actor and musician London May. London is a highly regarded musician, best known as drummer and bassist with legendary singer Glenn Danzig's seminal goth punk group Samhain. During his long and continuing music career London's playing has been featured on over 30 releases and he has performed with such popular artists as Tiger Army, Son Of Sam (with Davey Havok of AFI), Lol Tolhurst (of The Cure), Lee Ving (of FEAR), Pat Smear (Nirvana, Foo Fighters), Exene Cervenka (of X), Dag Nasty, Cold Cave, acclaimed artist Doug Aiken, Boredoms, Reptile House, Jackass star Chris Pontius, Rikk Agnew (Christian Death), and Distorted Pony. In 2016 Cleopatra Records released "Devilution: The Early Years," a deluxe retrospective CD/LP of London's earliest recordings and in 2017 he joined the legendary Black Metal group, Ritual. Raised in Baltimore, Maryland, London May began his acting career early in Baltimore's renowned Children's Theater Association. After a long break to pursue a burgeoning and successful music career, London returned to acting in 2010, studying comedy improv at The iO West and classic theater with Uranium Madhouse, where he made his Los Angeles stage debut in "The Duchess Of Malfi." He was also cast in Christopher Nolan's "The Dark Knight Rises," co- starred in the pilot episode of Ron Howard's "The Great Escape", and "Cold Sweat", a short directed by James Cameron's DP Paul Babin. Since then London has been busy with roles on The Disney Channel, Discovery Channel, Oxygen Channel, TNT, as well as leading roles in numerous films and stage productions (most notably in "Saw" director Darren L. Bousman's acclaimed "The Tension Experience.") London is also a sought after music video actor and he has been seen over 50 million times in various videos from Hilary Duff, Aimee Mann, American Football, Strung Out, et al. Check out London's newest project here https://www.youtube.com/watch?v=q8SZQOyvNho --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bathroombreakpodcast/support

These are "experimental" recordings I made on my 4 track cassette recorder.  It includes Boredoms-style funk, heartfelt ballads and orchestrated baby toy samples.  When most teenagers were out there losing their virginity and not being really depressed, I was in a basement in suburban Detroit doing the opposite.  Support the show

Con temas de Incapacitants, envy, Boredoms y más. Visiten instagram.com/nadiebendicetvsmanos o facebook.com/nadiebendicetvsmanos para la lista completa.

Returning to the show, Finland's Crystal Cage present their darkgaze synth sound. With music by Scorn, Fear Itself, Opal Tapes, Dadub, Author + Punisher, NIN, Factory Records, Huerco S., Christoph De Babalon, and Boredoms. Episode playlist - https://darkfloor.co.uk/mantisradio289 Support us - https://patreon.com/mantisradio

Mantis Radio 289 + Crystal Cage The darkgaze synth sounds of Crystal Cage provide this week’s session. We’ve music by Scorn, Fear Itself, Opal Tapes, Dadub, Author & Punisher, NIN, Factory Records, Huerco S., Christoph De Babalon, and Boredoms. playlist → show archives. support the show → become a patron.

Mantis Radio 289 + Crystal Cage The darkgaze synth sounds of Crystal Cage provide this week’s session. We’ve music by Scorn, Fear Itself, Opal Tapes, Dadub, Author & Punisher, NIN, Factory Records, Huerco S., Christoph De Babalon, and Boredoms. Show playlist available at Darkfloor.

This week we have an interview with the music world's foremost whistler, Andrew Bird. Even just listening to his recordings, it's clear that Bird has been playing violin since four years of age. But his music is so much more than impeccable technique—and his brand new record, My Finest Work Yet, taps into a vibrant, labyrinthine inner world of heady emotion, obscure reference, and brilliant songwriting. Host Lior Phillips and Bird work through his elaborate career—his first performances, seeing Japanese noise rockers Boredoms as his first concert, his time with the Squirrel Nut Zippers, and all the way up through to his latest release. Plus, just two days out from My Finest Work Yet, we've got an early taste of the record in the form of the dazzling "Sisyphus". For information regarding your data privacy, visit acast.com/privacy

       We listen to Deerhoof's Apple O' from 2003. Deefhoof carved out their own distinct niche somewhere in the middle of Lightning Bolt, Blonde Redhead and The Boredoms - just as challenging but able to wring out crunchy guitar riffs that always seem to end too soon. It's precise but willing to fail at the same time, quiet and calming or blasting kick drum thumps. They thrive on this contradiction and keeping everyone guessing from one track to the next. We appreciate the hell out of this and disagree with Steve Albini's premise that the only people left in music are good because there's no money in it. Email - records@harveylovesharvey.com Twitter - @welisten21 Instagram - welisten2records Leave a message on the Welisten hotline - 978-707-9899 

In a crime-ridden world of super villains and their henchmen, we ask, who will save us now? Unfortunately, all we have is Leader, the self proclaimed spokesperson for justice, and Clockface, who couldn't be bothered to get a real job. Together they form a crime fighting duo, the likes of which we'd hoped to never see! This radio comedy pilot episode was recorded in-front of a small live audience at the Canal Cafe Theatre and stars Rob Wainwright, Carden J Byrne, Hayward Morse and Olivia Chappell. Music by Boredoms in the Bathroom. John Finnemore of BBC Radio 4 fame (Cabin Pressure, The John Finnemore Souvenier program & The Now Show) had the following to say about this episode: "I enjoyed it very much, and it had regular jokes, which is not meant as faint praise- you'd be surprised how many people seem not to bother with actually making an audience laugh, but are content with what they imagine to be a generally humorous feel. Yours, however, had actual jokes!"

Ryan Sawyer grew up in Texas, where he joined At The Drive In just long enough to play on the band’s first album. Now a long time resident of New York, Ryan has honed a style that exists at the convergence of punk and jazz. His collaborators have included Thurston Moore, TV On The Radio, Boredoms, Zeena Parkins, Charles Gayle, and Gang Gang Dance. He talks to Joe about self doubt, relevancy, his computer programmer parents, and the fortuitous experience of seeing Sheila E. at a young age.

This week on Eat Your Words, host Cathy Erway is joined in the studio by Julia Sherman, an artist, cook, creative director, and author of the new cookbook Salad for President: A Cookbook Inspired by Artists. The book includes 75 of Sherman’s own recipes organized by occasion, and features contributions from artist, musician, and director Laurie Anderson, photographer William Wegman, chef/activist Alice Waters, musicians Shinji Masuko and Maki Toba of Boredoms, and many more.

Today's Quietus Hour Special is brought to you by John Doran who has the pleasure of talking to Thurston Moore. The rock musician, free improviser, serial collaborator, independent publisher, poet and righteous dude met up with us in Ladbroke Grove to talk about his great new solo album Rock N Roll Consciousness, Buddhism, noise cassettes, near death experiences in Stockholm and hanging out with My Bloody Valentine and the Mary Chain in the 1980s. Thurston has chosen all of the music for the show, including deep cuts from Boredoms, Trash Kit, Menstruation Sisters, Sick Llama, Ela Orleans, Bridget Hayden, Bruce Russell, 16 Bitch Pile Up and Lasse Marhaug. Thanks, as always to the Mighty Seb White and the good folk at Caroline International for providing the studio.

Feel it. Tracklist: Pharaohs - Beyond Within, Musiccargo - Sol Lucet Omnibux, Jib Kidder - Remove a Tooth, The Chemical Brothers - Dream On, Flamingods - Yuka, Morgan Delt - Little Zombies, Animal Collective - Graze, Nice Nice - Big Bounce, Dalhous - Bolder and Lighter Than the Beat from a Wing, Cloudland Canyon - An Arabesque, Spiritualized - Electric Mainline Part One, Zomes - Cosmovital Force, The Avalanches feat. Father John Misty - Saturday Night Out, Gwenno - Chwyldro, Vytas Brenner - Araguaney, Woodsman - Beat the Heat, Soft Circle - Shimmer, The Chemical Brothers - Wonders of the Deep, Stereolab - Moogie Wonderland, Caribou - Sun, The Boredoms - two circles, Deakin - Good House, Sun Araw - Horse Steppin

The conclusion to our reportage of the Stewart Lee-curated ATP weekend in Pontins, Prestatyn. Recorded on Monday 2nd May, we discuss Stage 3 (and the difficulty of entering therein), Ex Easter Island Head playing outdoors, Boredoms, Sing-Along-A-Wicker Man, and Mike and Alice's brief foray into chalet parties. Featuring Alice, John, Matt, Mike, and a text from Gordon. #ATP #ThanksBarry #Music #Festival #SingAlongAWickerMan

Último Programa de la 1º Temporada. Emitido el miércoles 22 de Octubre del 2014 por Ser FM. Sonaron Raymond Scott, Mr. Bungle, The Residents, Fred Frith, White Noise, Black Devil, Spectrum, Cabaret Voltaire, Cafe Tacvba, Bowery Electric, Pink Floyd, Boredoms y Congelador.

John Colpitts, aka Kid Millions, is a founding member of the band Oneida, but he’s toured and recorded with tons of bands including Yo La Tengo, Spiritualized, Akron/Family, Marnie Stern, The Boredoms, and the Rumpus’s own Rick Moody. More recently, he’s focused on his solo percussion project, . Man Forever is currently on tour, and the new album, , which is a collaboration with the  ensemble, comes out this month on Thrill Jockey.  

Popcorn and fizzy pop time. The magic of the silver screen. It's an audio-visual spectacular! No visuals though. It's an audio-visual spectacular without the visuals. Winky and the Stain are going to the pictures and they've got a date! They've both got the same date. I mean, they've got to pass him around. It's horrible really. Soundtracks anyway, that's the gist...

 Colin Marshall sits down in Nishinomiya, Japan with translator, writer, and former Kansai Time Out editor Christopher Stephens. They discuss whether higher Japanese skills get a foreigner more suspicion; the nearby presence and touristic effects of novelist Haruki Murakami's elementary school; the older writers, like Yasunari Kawabata, Junichiro Tanizaki, and Yukio Mishima, who stoked his interest in Japan; the experimental music to be found in Japan, such as the work of Keiji Haino and the Boredoms, and specifically in the Kansai noise scene; the Osaka duality between money-making hard workers and underground weirdness; the local pride taken in relative roughness and unrefinement, and the stereotype of the bad Osakan; what actually distinguishes the Osaka dialect, and how entirely different words might see use in one city but not its neighbor; Japan's visual culture, and the problematic emphasis on beauty that can ensue; his youth in Fresno, California, whose finest quality was the way it pushed him out; the time he took Wilco to an Osaka psychedelic sixties rock bar; how, when the Japanese open a psychedelic sixties rock bar, they really open a psychedelic sixties rock bar; his early struggles with regional backwardness in the eighties, and what happens when Japanese friends still ask him to hold their babies; Osaka's high crime rate for Japan and Fresno's high crime rate for California; whether Paris syndrome actually afflicts the Japanese; the West's eagerness to believe everything they hear about Japan; photographer Kyoichi Tsuzuki's purchase of the entire collection of Toba's science-fiction erotic museum; the cannaboid substance known as "herb" that recently made the rounds in Japan; the persistence of visual art in Japan which goes well beyond Takashi Murakami, and his own specialty, the Gutai group of painters; why no Japanese person has yet appeared on this show, and what linguistic reasons might explain it; the corrections Japanese people make to his English; his work editing Kansai Time Out during the heyday of its breed of publication; Japan's relatively robust print culture, at least by contrast to America's; how little time translation leaves to learn new words or savor the language; and, despite the world's having lost confidence in Japan, his theory that darkness always brings light, and that trouble sparks creativity.

Though we talk about The Boredoms, this Geek Shock is anything but. Thrill to the land of bad Kiss Parody! Dance to the rhythm of asteroid mining/fish gutting! Pleasure yourself to sexy tales of parking! Somewhere in there we also find room to talk about real life time travel - REALLY, Zynga board games, Evil Head, Mark moves to make Fox Marvel, Sense8, Xbox for presidency, Todd McFarlane sues Spawn, Planet of the Cloverfield, Japanese pirates walk the plank, Xbox live rewards, the streams of Mars, Stan Lee IS Iron Man, a Blu Dark Knight, Fargo on TV ya, Arizona man tests Police, and stay tune to a little extra as we decide where in time WE want go-go. So find a place to park, it's time for a Geek Shock!

You Are Hear alternative new music presented by Magz Hall Feb 23rd 2007 Feb 23rd, Magz is on the run highjacking new releases from the booty bank of German based Candie Hank, grabbing fruity favela funk from Brazilian Bonde Do Role then flying 100 miles high with UK's Ninki V, breathing in the latest Air from those dashing French men to join US starlet Marissa Nadler in the midst of a mexican summer for a super roots landing from those gods of Japan the Boredoms... GO!!!!!!!!!! Full track listings and contacts for everyshow are found at www.youarehear.co.ukTo catch our latest podcast why not subscribe for free at our website you can also now get emails alerts sent to you direct everytime we update the feed. Next podcast up will be a live performance from OMO live in Germany.Do leave us your pics and feedback at http://www.myspace.com/youarehearYou can now listen to the latest YOU ARE HEAR radio show on demand at TotallyRadio - updated every 2 weeks on Fridays - do check out our playlists page for full track details-Listen to the latest YOU ARE HEAR SHOW at www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show"Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

You Are Hear alternative new music presented by Magz Hall Feb 23rd 2007 Feb 23rd, Magz is on the run highjacking new releases from the booty bank of German based Candie Hank, grabbing fruity favela funk from Brazilian Bonde Do Role then flying 100 miles high with UK's Ninki V, breathing in the latest Air from those dashing French men to join US starlet Marissa Nadler in the midst of a mexican summer for a super roots landing from those gods of Japan the Boredoms... GO!!!!!!!!!! Full track listings and contacts for everyshow are found at www.youarehear.co.ukTo catch our latest podcast why not subscribe for free at our website you can also now get emails alerts sent to you direct everytime we update the feed. Next podcast up will be a live performance from OMO live in Germany.Do leave us your pics and feedback at http://www.myspace.com/youarehearYou can now listen to the latest YOU ARE HEAR radio show on demand at TotallyRadio - updated every 2 weeks on Fridays - do check out our playlists page for full track details-Listen to the latest YOU ARE HEAR SHOW at www.totallyradio.comPodcast of the week in Time Out London!! " excellent alternative music show"Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

An incomparable duo from Melbourne, with a unique brand of mutant post punk noise akin to Boredoms or The Fall. For the past 20 years, Jen and Zach have played in various ensembles including Sea Scouts, Unlimited Friendly Objective, Mongoose, Ditchboss and Monster Monster Monster. For just over the past 10 years though, it's primarily been GO GENRE EVERYTHING. Over that time, GGE have self produced a handful of limited, mostly hand made releases and played hundreds of shows (including a tour of Japan).They spoke to Stu and Danny and played a live set down the phone from Melbourne,  

DISC OF THE WEEK: Ghäst / Rape-X - Split CDGhäst returns, with another split, this time with the band Rape-X. On this CD two long tracks of their unique funeral doom-nioise__________________PLAYLIST003:Download Link"There Is Always The Thrill Of Just Beginning" by Pan*American from White Bird Release (Kranky)"Street" by Yellow6 from When The Leaves Fall Like Snow (Make Mine Music)"Untitled 4" by Whisper Room from Birch White (Elevation Recordings)"Blackhunter" by Thisquietarmy from Blackhaunter (Elevation Recordings)"Kundalini Tremolos" by Faust from C'est Com Com Complique (Bureau B)"Ant 10" by Boredoms from Super Roots 10"Aerosol" by Sonic Youth from Sensational Fix (Walther Konig)"The Urge To Participate In Butchery" by Gnaw Their Tongues from An Epiphanic Vomiting Of Blood (Crucial Blast)"Civil Servant: I The Cop" by Rape-X from Split Ghäst / Rape-X (Obskure Sombre Records)"Tetanos" by Ghäst from Split Ghäst / Rape-X (Obskure Sombre Records)"Hate Crystal" by Wolves In The Throne Room from Malevolent Grain 12" (Southern Lord)"VI" by Animus from Hallucinations: Ideals Surrounding Water, Sand, and Clouds of Dust (Ars Magna Recordings)

The June 2008 edition of the New Music Podcast features 10 brand new tracks from The Night Marchers (featuring members of The Hot Snakes and Rocket From The Crypt), Electro-Rockers Ladytron, Free Kitten (featuring members of Sonic Youth, Pussy Galore, and Boredoms), The Foxboro Hot Tubs (Green Day's latest side project), and more! Playlist: The Night Marchers- Who's Girl R U- See You In Magic- Vagrant Records Ladytron- Black Cat- Velocifero- Netwerk Records The Charlatans- You Crossed My Path- You Crossed My Path- Cooking Vinyl Vetiver-Blue Driver-Thing of the Past- Gnomonsong Records Free Kitten- Sea Sick- Inherit- Ecstatic Peace Records The Notwist- Good Lies- The Devil, You, & Me- Domino Records The Black Angels- Doves- Directions To See A Ghost- Light In The Attic Records Natalie Walker- Over & Under- With You- Dorado Records The Foxboro Hot Tubs- Stop Drop & Roll- Stop Drop & Roll- Jingletown Records Wolf Parade- Language City- At Mount Zoomer- Sub Pop Records

  Rare Frequency Podcast 30: Sprung (opening music: Raymond Scott, “Domino,” Manhattan Research Institute (Basta) CD) 1 Baris Manco, "Flower Called Love" Hava Nargile (Dionysus) CD 2001 2 Boredoms, "8" Super Roots 6 (Vice) CD 2007 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 Mordant Music, "Fading Font" Mordant Music Sampler (Mordant Music) mp3 2007 5 Belbury Poly, "Cool Air" Farmer’s Angle (Ghost Box) EP 2008 6 Jozef van Wissem, "Into the Abyss of Perdition" A Priori (Incunabulum) CD 2008 7 Warner Jepson, "Blood Knot" Totentanz and Other Electronic Music, 1958-73 (Expanding Melon) CD 2008 8 Frank Rothkamm, "Encounter With Remarkable Trees" Just Three Organs (Flux) CD 2008 9 Schlammpeitziger, "Dauerdachdeck Dritter" Schwingstelle Fur Rauschabzug (Sonig) CD 2008 10 Felix Kubin, "Bruder Luzifer" Filmmusik (A-Musik) CD 2001 11 Shots, "Arabian Nightmare" Dubstep Drama (Rinse FM) CD 2008

"In 1913 Futurist Luigi Russolo developed several noise machines, which he named ‘intonarumori’. In his manifesto, The Art of Noise, Russolo argued that musical instruments could no longer satisfy man's thirst for sounds. Almost 100 years later, people are still exploring the possibilities of sound. This is what I tried to capture in this mix - testing the limits of sound, from shrieking highs to almost imperceptible lows, finding new ways of interpreting and portraying life through the medium of sound. Despite including over 100 artists, the mix by no means represents a completist viewpoint; so many perhaps important artists in the development of 'noise' were left out. It was not my intention to do a 'who's who' of noise music, but rather to show how the exploration of sound has developed over time and how fascinating these explorations are. I did at times take into account the historical significance of the piece/artist when choosing tracks, although I was steered mainly by what was sonically interesting to me. Well that's it - the mix should speak for itself. If you are interested in digging deeper please follow the links provided. Listen at maximum volume and enjoy." Marolo, January 2007 Tracklisting: Luigi Russolo – Risveglio Di Una Cita (1913) Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même John Cage – Imaginary Landscape 1 (1939) John Cage – Imaginary Landscape (1942) Halim El-Dabh – Wire Recorder Piece (1944) Pierre Schaeffer – Etude Aux Chemins De Fer (1948) Hugh Le Caine – Dripsody (1949) Edgar Varese – Interpolation, 3rd Interpolation (1954) John Cage – Radio Music (1956) 15 minutes Iannis Xenakis – Diamorphoses (1957) György Ligeti – Continuum, Glissandi (1957), Artikulation (1958) György Ligeti – Pièce Électronique #3 (1958) Edgard Varèse – Poème Electronique (1960) Stockhausen –  Kontakte (1960) Tod Dockstader – Four Elementary Tapes ¾ (1963) Stockhausen – Telemusik (1966) Beatriz Ferreyra – Demeures Aquatiques (1967) AMM – Ailantus Glandulosa (1966) Wozard Of Iz – Blue Poppy (1968) Pierre Henry – Prologue (1968) Jean-Claude Risset – Flight & Countdown (1968) Delia Derbyshire / John Peel – Voice Treatment (1969) La Monte Young – The Volga Delta (1969) 30 minutes Morton Subotnick – Wild Bull Part 2 (1968) Jean-Claude Risset – Mutations (1969) François Bayle + Robert Wyatt + Kevin Ayers – It (1970) Iannis Xenakis – Hibiki-Hana-Ma (1970) Luc Ferrari – Presque Rien  (1971) Yoko Ono – Toilet Piece (1971) Laurie Spiegel – Sediment (1972) La Monte Young – From Poem For Chairs, Tables, Benches, Two Sounds Faust – 11 (1973) Throbbing Gristle – Whorls of Sound (1975) Alvin Lucier – The Duke Of New York (1976) BBC Radiophonic Workshop – Central Control Room In Exillon City, Styre's Scouting Machine, Atomic Reactor Runs Wild (1978) Chrome – Inacontact / I am the Jaw (1979) Whitehouse – Politics (1980) Maurizio Bianchi – Industrial (1980) 45 minutes Merzbow – Music Concret/Tape Dada (1980) NON – Pagan Muzak Loops (1980) Frieder Butzmann – Tales of Death (1981) Esplendor Geometrico – PIE (1981) MB – Treblinka (1981) Throbbing Gristle – Medicine (1982) Borsig – Zu Den Anderen Gerollt Werden/Helmut (1982) E.g Oblique Graph – Black Cloth (1982) Esplendor Geometrico – Disco Rojo (1982) Consumer Electronics – Keloid (1982) SPK – War of Islam (1983) Alison Knowles – Assemblage (1984) Diamanda Galás – Panoptikon (1984) Controlled Bleeding – Knees And Bones (1985) Zoviet France – Signal (1986) Butthole Surfers – Hay (1987) 1 hour Merzbow – Chopin is Dead (1987) Hanatarash – Frogirl (1988) Esplendor Geometrico – Mekano-Turbo (1988) John Watermann – Still Warm (1989) Voice Crack & Borbotomagus – Untitled (1991) Jackofficers – Flush (1991) Iannis Xenakis – S.709 (1992) Scanner – Untitled (1993) Melvins - Magic Pig Detective (1994) Merzbow - Ananga-Ranga (1994) Fennesz – 3 (1995) Vromb – Facteur Humaine iii (1996) Mike Patton - I Killed Him Like a Dog, Screams Of The Asteroid, Porno Holocaust, Catheter, Raped On A Bed Of Sand (1996) 1 hour 15 minutes Restgeraeusch – 1H / 1Min (1996) Oval – Shop in Store (1996) Lucien Monbuttou – Kpiele, I Find The Enemy (1997) Jonathan Azande – Opaque Misery (1997) Francis Dhomont – Scherzo (1997) Aube – Vent Finalzinho (1997) Electricity – Dunia Wanja Wa Fujo, Indlela Yababi (1997) National Bird – Wakar Uwa Mugu (1997) Godfrey J Kola – Somalia! (1997) Mbuti Singers - Massacre Rite (1997) Jim O’Rourke – There As (1997) Toys’r’us – Untitled (1997) Fraughman – Of The Elements (1998) Boredoms – Super Shine (1998) Merzbow – Munchen (1998) 1 hour 30 minutes Merzbow – Soft Water Rhinoceros (1998) Scalpel – 2.08 (1998) Dumb Type – Zero Radius (1998) ATR – Brixton Academy (1999) Merzbow & Genesis P-orridge – Flowering Pain (1999) Voice Crack – Green Ellipse/Red Square (1999) Shizuo – Untitled (1999) Maldoror – Baby Powder on Peach Fuzz (1999) Zipper Spy – Untitled (2000) Dolores Dewberry – Paragraph (2000) Diane Nelson – Dissected Insect (2000) Winterkälte – Toxic Hotspot (2000) Signal – Centrum (2000) Massimo - Hey Babe, Let Me See Your USB And I'll Show You My Firewire (2001) 1 hour 45 minutes DJ Smallcock – YinYue (2001) Ryoji Ikeda – 00010 (2001) Cyclo – C4 C9 (2001) Tripod Sardine – TV (2000) Speedranch – Halfway up the Stairway of Mucus (2001) Fennesz / Jim O'Rourke / Peter Rehberg – We Will Diffuse You (2002) Huren – Satem (2002) Vromb – Subréalité (2002) Coh – Hurt Later / Terra Beyond / In Spaces Between (2002) Massimo – 6-1-8 (2002) Merzbow – Tadpole / Forgotten Land (2002) Merzbow – Black Gun Red (Kim Cascone mix) (2003) Wlliam Basinski – Disintegration Loops DLP4 (2003) KK Null – Andromeda 2 (2003) Space Machine – 4 (2004) Chessmachine – 16 Move (2004) 2 hours Zeena Parkins & Ikue Mori – Miura (2004) Otomo Yoshihide - Where There's Smoke, There's Weapons (2004) The Lappetites – Funeral (2005) Merzbow – Merzbuta track 4 (2005) Zeena Parkins – 16 Feet + Cello (2006) Drifting Stranger – Oh Daddy Love Me Good (2007)