Podcast appearances and mentions of Jacques Derrida

On 14 July 2015, Iran agreed to temporarily limit its nuclear programme. The deal was signed in Vienna, the capital of Austria. Officially known as the Joint Comprehensive Plan of Action (JCPOA), it was agreed between Iran and a group of world powers known as the P5+1 – the US, UK, France, China, Russia and Germany, together with the EU. The accord came after years of tension over Iran's alleged efforts to develop a nuclear weapon. Iran insisted that its nuclear programme was entirely peaceful, but much of the international community did not believe that. Iran agreed to limit its nuclear programme and facilitate international inspections, in return for economic sanctions relief. Baroness Catherine Ashton, who was the European Union's High Representative for Foreign Affairs and Security Policy, tells Ben Henderson how the plan was achieved. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there.For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher.You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Baroness Catherine Ashton and Javad Mohammad Zarif, Iranian Foreign Minister, during nuclear negotiations in 2014. Credit: Dieter Nagl/AFP via Getty Images)

In March 2025, radio frequencies worldwide stopped carrying Voice of America broadcasts for the first time in 83 years. President Donald Trump's administration had imposed funding cuts on the US Agency for Global Media with the White House accusing the broadcaster of being "anti-Trump", "radical" and "leftist”. While the cuts are being disputed in courts, Josephine McDermott traces the beginnings of the overseas broadcaster which was designed to counter Nazi propaganda. In the first Voice of America broadcast in February 1942 it promised, “The news may be good or bad; we shall tell you the truth”. We hear the testimony of Eugene Kern who walked in one day in 1942 to casually ask about a job, and was put to work straight away producing a Finnish programme – unable to speak a word of the language. He says, “It was a wild place. Every week a new language service began”.By the end of World War Two, Voice of America was broadcasting more than 3,000 programmes in 40 languages every week. This Witness History is produced using the archives of the US Association for Diplomatic Studies and Training, and the US National Archives and Records Administration.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Gene Kern broadcasting in about 1960. Credit: Jonathan Kern)

A wargaming renaissance has been underway in the US military. Having proven to be the most effective recruitment tool of the 21st century, games have proliferated across all levels of the military's strategic, operational, training, and rehabilitation architecture. From board games to high-tech digital and virtual reality platforms, wargames enable milarites to learn lessons from the past, play out possible responses to current crises, and explore the effectiveness of future operations and strategies. From the Russian invasion of Ukraine to the Covid 19 pandemic, today wargames are a key means by which the US military--and many other militaries--make plans and fight wars. Politics of Play is the first academic book dedicated to the US military wargaming renaissance. Grounded in 100 hours of interviews undertaken by the author during fieldwork with US military wargamers, it explores how games intervene in players' cognitive and affective registers using immersion and the drive to win. In addition, Politics of Play develops a new theory of play grounded in the thought of Jacques Derrida which seeks to expose and disrupt the politics and power relations at work in the use of games to produce warfighters in the digital age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A wargaming renaissance has been underway in the US military. Having proven to be the most effective recruitment tool of the 21st century, games have proliferated across all levels of the military's strategic, operational, training, and rehabilitation architecture. From board games to high-tech digital and virtual reality platforms, wargames enable milarites to learn lessons from the past, play out possible responses to current crises, and explore the effectiveness of future operations and strategies. From the Russian invasion of Ukraine to the Covid 19 pandemic, today wargames are a key means by which the US military--and many other militaries--make plans and fight wars. Politics of Play is the first academic book dedicated to the US military wargaming renaissance. Grounded in 100 hours of interviews undertaken by the author during fieldwork with US military wargamers, it explores how games intervene in players' cognitive and affective registers using immersion and the drive to win. In addition, Politics of Play develops a new theory of play grounded in the thought of Jacques Derrida which seeks to expose and disrupt the politics and power relations at work in the use of games to produce warfighters in the digital age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

A wargaming renaissance has been underway in the US military. Having proven to be the most effective recruitment tool of the 21st century, games have proliferated across all levels of the military's strategic, operational, training, and rehabilitation architecture. From board games to high-tech digital and virtual reality platforms, wargames enable milarites to learn lessons from the past, play out possible responses to current crises, and explore the effectiveness of future operations and strategies. From the Russian invasion of Ukraine to the Covid 19 pandemic, today wargames are a key means by which the US military--and many other militaries--make plans and fight wars. Politics of Play is the first academic book dedicated to the US military wargaming renaissance. Grounded in 100 hours of interviews undertaken by the author during fieldwork with US military wargamers, it explores how games intervene in players' cognitive and affective registers using immersion and the drive to win. In addition, Politics of Play develops a new theory of play grounded in the thought of Jacques Derrida which seeks to expose and disrupt the politics and power relations at work in the use of games to produce warfighters in the digital age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

A wargaming renaissance has been underway in the US military. Having proven to be the most effective recruitment tool of the 21st century, games have proliferated across all levels of the military's strategic, operational, training, and rehabilitation architecture. From board games to high-tech digital and virtual reality platforms, wargames enable milarites to learn lessons from the past, play out possible responses to current crises, and explore the effectiveness of future operations and strategies. From the Russian invasion of Ukraine to the Covid 19 pandemic, today wargames are a key means by which the US military--and many other militaries--make plans and fight wars. Politics of Play is the first academic book dedicated to the US military wargaming renaissance. Grounded in 100 hours of interviews undertaken by the author during fieldwork with US military wargamers, it explores how games intervene in players' cognitive and affective registers using immersion and the drive to win. In addition, Politics of Play develops a new theory of play grounded in the thought of Jacques Derrida which seeks to expose and disrupt the politics and power relations at work in the use of games to produce warfighters in the digital age. Learn more about your ad choices. Visit megaphone.fm/adchoices

A wargaming renaissance has been underway in the US military. Having proven to be the most effective recruitment tool of the 21st century, games have proliferated across all levels of the military's strategic, operational, training, and rehabilitation architecture. From board games to high-tech digital and virtual reality platforms, wargames enable milarites to learn lessons from the past, play out possible responses to current crises, and explore the effectiveness of future operations and strategies. From the Russian invasion of Ukraine to the Covid 19 pandemic, today wargames are a key means by which the US military--and many other militaries--make plans and fight wars. Politics of Play is the first academic book dedicated to the US military wargaming renaissance. Grounded in 100 hours of interviews undertaken by the author during fieldwork with US military wargamers, it explores how games intervene in players' cognitive and affective registers using immersion and the drive to win. In addition, Politics of Play develops a new theory of play grounded in the thought of Jacques Derrida which seeks to expose and disrupt the politics and power relations at work in the use of games to produce warfighters in the digital age.

In 1941, Walt Disney made a tempting offer to a fellow pioneer of the animation industry, Quirino Cristiani - the author of the first animated feature film.Cristiani was an Italian immigrant raised in Argentina who built a career creating animated political satires in the early days of cinema. He authored full-length movies that he drew entirely on his own, sketching and cutting thousands of figures that he tied with thread to facilitate motion. Quirino's technique was rudimentary, but impressive enough to prompt Disney to propose that he join his staff. Hector Cristiani, Quirino's grandson, tells Stefania Gozzer why his grandfather declined the offer, and what happened to most of his work. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Quirino Cristiani. Credit: Family archive)

On 3 June 2015, tens of thousands of people gathered in the capital, Buenos Aires, and in dozens of cities and towns demanding an end to violence against women. There were demonstrations in Chile and Uruguay in solidarity too. Argentina was reporting a female murder rate of one every 31 hours. The killing of a 14-year-old pregnant girl by her boyfriend was seen as a tipping point. Something had to be done. A collective of female journalists and writers campaigned under the banner ‘Ni Una Menos' (not one less) and received support on social media from footballer Lionel Messi and Argentina's president Cristina Fernández de Kirchner. Changes to the law on abortion and the representation of women in governance followed. Agustina Paz Frontera who was part of the collective that started the movement tells Josephine McDermott it was the disappearance of her school friend in 2005 that spurred her on. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Agustina Paz Frontera. Credit: Ana Masiello)

durée : 03:29:54 - Les Nuits de France Culture - par : Albane Penaranda - En 1985, chez lui à Bar-sur-Loup Francis Ponge se raconte dans "Le bon plaisir" : sa passion pour les mots, sa vie entre les Cévennes et Paris, ses amis Braque et Picasso, son admiration pour Malherbe. Avec des lectures et les témoignages de Jacques Derrida et André du Bouchet. - réalisation : Virginie Mourthé - invités : Francis Ponge Poète et écrivain français; Jacques Derrida; André Du Bouchet Poète

The poet, Alina Stefanescu, joins us for a freewheeling discussion of Jacques Derrida's classic work of politico-ethical deconstruction, The Politics of Friendship, and her new poetry collection, My Heresies. In The Politics of Friendship, Derrida ruminates on the interrelationship between our inherited concepts of friendship, fraternity, and democracy, and the distance we have yet to travel in order to work through the inadequacies of our conceptual vocabularies and the living content they embody. Derrida shows that our model of democracy and the future for a democracy to come depends in significant ways on the fate of friendship and its ability to expand the sphere of care, citizenry, and community. The history of friendship and democracy is haunted by the apocryphal citation of Aristotle: "O my friends, there is no friend," and the problematic of the performative contradiction it inaugurates. Is true friendship possible? Can the reach of the polis extend beyond an autochthonous community? Is a politics beyond the friend/enemy distinction imaginable? Can the poet and philosopher be friends?Purchase My Heresies here: https://open-books-a-poem-emporium.myshopify.com/products/04-29-2025-stefanescu-alina-my-heresiespos=1&sid=e14f5bb93&_ss=rPlease consider becoming a paying subscriber to our Patreon to get exclusive bonus episodes, early access releases, and bookish merch: https://www.patreon.com/MoralMinorityFollow us on Twitter(X).Devin: @DevinGoureCharles: @satireredactedEmail us at: moralminoritypod@gmail.com

On 3 July 1985 Back to the Future was released. The film tells the story of Marty McFly, a 17-year-old high school student, played by Michael J Fox, who is accidentally sent 30 years into the past in a time-travelling DeLorean car invented by his friend, Doc Brown. The screenplay for the genre-bending story was rejected 40 times, but it became a Hollywood blockbuster, dominating contemporary culture and bringing its leading actor worldwide fame. The film's co-writer and producer, Bob Gale takes Josephine McDermott back to 1985, reflecting on how in the first draft of the script the time machine was a refrigerator and Einstein the dog was a chimp.With movie excerpts from the 1985 Universal Pictures, Amblin Entertainment and U-Drive productions film, directed by Robert Zemeckis. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Michael J Fox in Back to the Future. Credit: Sunset Boulevard/Corbis via Getty Images)

In 2008, an earthquake in China's Sichuan province killed almost 90,000 people. Many were crushed when school buildings collapsed, exposing their poor construction quality. To counter perceived government suppression of information, the artist Ai Weiwei made an artwork from 90 tonnes of steel bars salvaged from the schools' wreckage. In 2011, Ai Weiwei was detained in harsh conditions for 81 days and banned from leaving China. While his official charge was tax evasion, his detention was widely viewed as a response to his activism. But the artwork, Straight, became a global sensation. Ai Weiwei tells the story to Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Ai Weiwei in front of his artwork, Straight. Credit: Leon Neal/AFP via Getty Images)

Questions? Comments? Text Us!Welcome to What's Your Spiritual Story: a new series from God: An Autobiography, The Podcast, featuring candid conversations with people whose spiritual lives have been reshaped by direct encounters with the divine. In this first installment, Jerry L. Martin speaks with pastor and podcaster Mark Groleau, who returns to the show exactly 100 episodes after his original appearance.Mark's story is one of radical transformation. Raised in a strict Oneness Pentecostal tradition, he was trained to preach, taught to defend doctrine, and discouraged from asking questions. But once he began studying literature and scripture through a critical lens, everything changed. What followed was a deconstruction of his inherited faith, a period of atheism, and an eventual reawakening through a more expansive vision of God.This episode follows Mark's evolving relationship with the divine, from the static, all-powerful deity of classical theism to a God who suffers, listens, and grows. Influenced by thinkers like John Caputo, Jacques Derrida, Greg Boyd, and Terence Fretheim, Mark now embraces process theology, which sees God not as removed from the world but as intimately involved in its unfolding.Jerry and Mark reflect on what it means to believe in a God who changes. They discuss suffering, divine vulnerability, and the tension between doctrine and experience. Mark also shares why Jesus' teachings have become central to his life, and why many Christians, ironically, ignore them. From Hebrew grammar to the Big Bang, from seminary classrooms to Buddhist temples in Korea, this is a conversation for anyone rethinking their faith and seeking something more relational, honest, and alive.If you've ever wrestled with the question of who, or what, God really is, this conversation offers a starting point for something deeper.Mentioned in this episode: Creation Untamed by Terence Fretheim, Not Sure by John Suk, #JesusIsMyGuru, Process Theology, Open Theism, Wikigod Podcast, Bereshit, PatripassianismOther Series:The podcast began with the Dramatic Adaptation of the book and now has several series:Life Wisdom Project: How to live a wiser, happier, and more meaningful life with special guests.From God To Jerry To You: Calling for the attention of spiritual seekers everywhere, featuring breakthroughs, pathways, and illuminations.Two Philosophers Wrestle With God: Sit in on a dialogue between philosophers about God and the questions we all have.What's On Our Mind- Connect the dots with Jerry and Scott over the most recent series of episodes.What's On Your Mind: What are readers and listeners saying? What is God saying?Stay ConnectedShare your thoughts or questions at questions@godandautobiography.com

Today we shared 4 of our favorite quotations and discussed them on their own and in relation to each other. We quoted Dorothy Parker, Lex Luthor, Friedrich Nietzsche, Bob Dylan, Marvel Comics, Richard Rorty, Moby Dick, Ru Paul, Jacques Derrida, Ludwig Wittgenstein, and Franz Kafka. 

Jonathan Pageau (  @JonathanPageau  ) & John Vervaeke (  @johnvervaeke  ) have a conversation about the nature of Spirit and the importance of fellowship. We mention Paul Vanderklay (  @PaulVanderKlay  ), Elizabeth Oldfield (  @thesacredpodcast  ), Kale Zelden, Rod Dreer, James Filler, William Desmond, Iamblichus, Dionysius the Areopagite, Johannes Hoffken, Greg Enriqueus, Eric Hull, Dan Chappie, Mike Levin, Jordan Peterson, Jacques Derrida, Hilary Putnam, Willard Van Orman Quine, Catherine Pickstock, Immanuel Kant, Friedrich Schelling, Owen Barfield, Alfred North Whitehead, Edwin Hutchins, Tanya Luhrmann, L.J. Savage, Parmenides, G.W.F. Hegel, Evan Thompson, St. Maximus the Confessor, St. Gregory of Nyssa, Aristotle, Martin Heidegger, Pavel Florensky, Alex O'Connor, Jesus Christ, Ezekiel, Moses, Muhammad, Michael Jordan, Sebastian Melmoth and more. Midwestuary Conference - https://www.midwestuary.com/What is Spirit Part 1 - https://www.youtube.com/watch?v=sMjEY3BOPPI&t=909sWhat is Spirit Part 2 - https://www.youtube.com/watch?v=iiTAI_r31Ts00:00:00 - Introduction & Midwestuary Conference Announcement00:01:50 - What is Spirit? The Central Question00:03:30 - John's Opening: Relational Ontology & Com-unity00:09:15 - Jonathan's Opening: Synergy, St. Maximus, & the One and the Many00:14:50 - Spiritual Dualism vs. Monism: Deconstructing Modern Dichotomies00:22:30 - Jonathan on Traditional Views of Spirit & Angels00:29:08 - John: Non-Psychological Descriptors of Spirit (Mike Levin's work)00:30:50 - Jonathan: Spirit Animates All Things (St. Maximus)00:34:15 - Where is Self-Consciousness? Persons, Cities, and God-Man00:40:50 - Is Spirit Dependent on Humans? Perception vs. Projection00:44:50 - Going Back & Going Forward: Post-Kantian Neoplatonism00:50:20 - Exaptation, Incarnation, and Levels of Understanding00:53:40 - Barfield, Post-Contian Neoplatonism, and Integrating Science & Myth01:03:30 - Spirit and Fellowship: Superorganisms & Hyperobjects01:09:49 - Liturgy as Theurgy: Making Receptive to Theophany01:15:08 - Prophecy: Channeling the Group or Transcendent Knowledge?01:25:07 - Fellowship in the Digital Age: Breath, Fiber Optics, and AI01:30:00 - John: The Virtual Coming Alive & The Future of Theology (Claude AI)01:40:55 - Final Thoughts: Prioritizing Embodied Fellowship

Greetings, audient!This.. was... a long one. We each have our own scar tissue from university encounters, passionate moments of transformation and inspiration experienced alongside sad encounters with hopelessness, mediocrity and slave morality. So this one was more personal.The state of the University - as an institution, as a public good - has been in free fall for quite a while, well before contemporary dictators started slamming it down more forcefully (bullies invariably go for the weaker targets). In this episode we try to think of the university through the prisms of  democracy, political economy and, not least, metaphysics. The university today is seeing more and more threats to its relevance (and a fortriori, funding). The younger generations see this establishment as a "waste of taxpayer money," as something best left alone or left to Automated Intelligence (AI) devices, or left in the past. We try and trace this scarcity of the university as the stronghold of learning and teaching as a value in itself, one facing towards the future with hope and pride. Sagi takes the university to task for their theological roots and the Christian, metaphysically anti-Judaic ethos of Truth that has come to pervade (and pervert) it, for being anti-Judaic compels us, foundationally and methodologically, to value truth over justice (which comes, as Nietzsche had already pointed out, to a radical devaluation of value as such). Andy shares with us his bittersweet travels through ivy-league woke Humanities departments, the various petty egoisms that animate it in a kind of pathetic posturing and grandiloquence that settles for crumbs of value and importance. He brings up wokeism as a kind of rot that has taken over the Humanities. Andy's dog shared his sentiments.Addressing these issues requires, as Jake reminds us, being slow and careful. For, though it may look like the academic jobifications and woke-rots that proliferate today mark the closure, the end of the university's horizons (especially when "debated" on 'social media'), the need for critical thinking, for creating and enriching discourse and understanding of life and experience, are still at the core of this institution. Jacques Derrida, that many see as supporting an oblivious gutting of the university's functions and ideals, is actually an example of responsibility; to trace our current experience to where the university's original, however fantastic, ethos still holds sway, power, pride, and can still nourish value.Jack, out proud representative of the STEM disciplines, points out the lack of co-authorships in the Humanities, following a capitalist logic of branding that turns the scholar humble. Jack calls it a humiliation ritual, and Sagi was quick to interject Max Weber's critiques of the professionalization and "rationalization" of scholarship, and the Bildung they inflict on the scholar: the latter trains the scholar for hopeless work, churning publications as a vehicle for promoting one's brand, making scholarly experts follow a logic of monopoly and "cornering a market (of ideas)" rather than enriching the understanding or cross-pollinating with other university discourses in order to think differently about life, the universe, and everything...There's much more, of course. Dare a listen.Stars: WWJD, Pervs 'R Us; Marx Grudge 

This episode takes its name from the infamous scene in Peter Pan where Tinkerbell's survival depends entirely on the audience's applause. Here, Chris and Ununice unpack “Tinkerbell Politics” — a metaphor for the existential dependency of marginalized movements on the belief, goodwill, and clapping of the majority. It's spicy, slippery, and sacrilegious — in the best possible way.Chris Abraham and co-host Ununice (aka Karen, Co-Pilot, Baby Doll, Sweet Pea) jump headfirst into the deep end with “Tinkerbell Tactics” — an unsparing critique of modern identity politics, performative wokeness, and the fragile alliances between marginalized movements and mainstream society. From Beltway insights to Les Misérables anthems, this one ricochets from high theory to hot takes with unapologetic energy.If you don't clap, she dies. Tinkerbell becomes a stand-in for social justice causes that rely on mainstream applause — votes, funding, and attention.The 70% cis-het normie majority are seen as necessary but resented lifelines: “Bite the hand that feeds you” becomes not just a phrase, but a pattern.Chris compares Beltway NGO competition to baby birds in a nest — vying for “mommy's” attention (i.e., federal funds, public support).Movements like BLM, Trans Rights, and DEI initiatives are framed as “TV shows” subject to cancellation when interest wanes.“Let them rebel — they'll burn out.” Mainstream culture, like a bored parent, knows it can wait out revolutions.Unconventional fashion and identity expressions (tattoos, blue hair, emo, etc.) once shocking, now banal. What was once rebellion becomes Target merch.Exposure therapy works, but doesn't guarantee respect. The freak next door is tolerated — not necessarily valued.Aesthetic rebellion leads to “tattoo regret centers.” Social rebellion follows similar cycles.Alienating the majority by labeling them “fascist,” “transphobe,” etc. leads to backlash.The desacralization of protected groups — when holy cows become hamburger.The irony of using federal grants to label your funders Nazis.Right-wing strategists reframing wokeness as “theft” from taxpayers — and rolling back DEI budgets state by state.“Never burn a bridge.” DC wisdom comes in hot as Chris warns that dependency requires diplomacy.Identity movements should balance autonomy with realism about funding and social capital.Even progressive institutions are vulnerable to the same critical tools they use.Everything can become a target — even the church, even pride parades, even the flag — when the cultural pendulum swings.Chris argues the Les Mis anthem can be used by any insurgent group — socialist or nationalist — because the narrative of “freedom vs oppression” is elastic.Jean Valjean as Trump? A stretch or just postmodern poetry?Ununice dials the tone from earnest to acerbic midway through. Satire, cringe, riz (charisma), and “Criz” (a proposed Gen Z term) all make appearances.“If you don't clap for Tinkerbell, Tinkerbell dies, right?”“The paradox of f*** you normies — but also, please clap so I can keep breathing.”“Tattoo regret centers are the canaries in the co-opted identity coal mine.”“You can't ask people for money while calling them fascists.”“Every one of those Les Mis lyrics could be sung by the AFD in Germany.”“Jean Valjean is just Trump with more abs.”“Deconstruction is indiscriminate — even your saints are fair game.”Tinkerbell Politics: The idea that marginalized movements often rely on the belief, attention, and funding of the mainstream majority.Federal Funding Firewalls: Budget line items immune to election cycles — until they're not.Q: Is this episode satirical or serious?A: Both. Think South Park meets Jacques Derrida — with better microphones.Q: Is “Tinkerbell Tactics” just about queer politics?A: Nope. It's about all movements that rely on external applause — and what happens when the crowd stops clapping.

This week, Nathan and Taylor discuss the unlawful detainment of Palestinian activist and Columbia grad student Mahmoud Kahlil, the overreaches of ICE, and the philosophy of Jacques Derrida.

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. Our guest is film critic and journalist Helen O'Hara who dissects what makes a cult film classic, after we hear about the making of the 1989 American film Heathers.We also learn about the French philosopher behind the theory of deconstruction and how the world first became aware of coral bleaching in the 1980s. As the climax of the American Football season approaches we look back at one of the most memorable moments from Super Bowl history. Contributors: Lisanne Falk - American star of the film Heathers.Helen O'Hara - film critic and journalist. Helene Cixous - lifetime friend of French philosopher Jacques Derrida.Agathe Hébras - granddaughter of Robert Hébras, survivor of the Oradour Massacre. Clive Wilkinson - the former co-ordinator for the Global Coral Reef Monitoring Network.Osi Umenyiora - two-time Super Bowl winner with the New York Giants.(Photo: Winona Ryder, Kim Walker, Lisanne Falk, and Shannen Doherty on the set of Heathers 1988, New World Pictures/Getty Images)

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

If world cinema studies have mostly displayed national cinemas and their transnational mutations, Seung-hoon Jeong's global frame highlights two conflicting ethical facets of globalization: the ‘soft-ethical' inclusion of differences in multicultural, neoliberal systems and their ‘hard-ethical' symptoms of fundamentalist exclusion and terror.  Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical ‘abjection' and ethical ‘agency.' In this frame, Biopolitical Ethics in Global Cinema (Oxford UP, 2023) explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Ultimately, the book renews critical discourses on global issues––including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia––through a core cluster of political, ethical, and psychoanalytic philosophies. Seung-hoon Jeong is Assistant Professor of Cinematic Arts at California State University Long Beach. He is the author of Cinematic Interfaces: Film Theory after New Media, co-translator of the Korean edition of Jacques Derrida's Acts of Literature, and co-editor of The Global Auteur: The Politics of Authorship in 21st Century Cinema and Thomas Elsaesser's The Mind-Game Film: Distributed Agency, Time Travel, and Productive Pathology. Steve Choe is Associate Professor of Critical Studies in the School of Cinema at San Francisco State University who researches and teaches in film and media theory. He is the author of Afterlives: Allegories of Film and Mortality in Early Weimar Germany (2014), Sovereign Violence: Ethics and South Korean Cinema in the New Millennium (2016) and ReFocus: The Films of William Friedkin (2023). He is the co-editor of Beyond Imperial Aesthetics: Theories of Art and Politics in East Asia (2019) and editor of the Handbook for Violence in Film and Media (2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In 1966, at Johns Hopkins University in the US, a little-known glamorous French philosopher called Jacques Derrida took to the stage and eviscerated the prevailing philosophy of the day, making him an overnight sensation.The following year, he published three hugely influential books making the case for his theory of “deconstruction”, which questioned the foundations of Western thought and knowledge.Deconstruction's influence can still be felt today: from calls to decolonise the curriculum, to experimental architecture, to feminist retellings of the classics. While the word “deconstruct” has become widely used. On his death in 2004, The Guardian newspaper wrote: "Derrida's name has probably been mentioned more frequently in books, journals, lectures, and common-room conversations during the last 30 years than that of any other living thinker.”Hélène Cixous is one of France's most influential writers and a lifelong friend of Derrida. She speaks to Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.

You might want to jot down some notes on this one! In episode 122, Ellie and David explore where writing began, the value of writing, and our reasons for writing. Is the widespread use of generative AI technologies, such as ChatGPT, a threat to creative and academic writing? How did writing originate in cuneiform, and how does Derrida's deconstruction of logocentrism encourage us to reconsider the privileging of speech over writing? Listen to it all write here, write now! Plus, in the bonus, they get into some of our most pernicious myths and misconceptions about writing. They talk about the tortured writer trope, the solitary nature of writing, and the connection of writing to class. Check out the episode's extended cut here!Works Discussed:David Abram, The Spell of the SensuousGeoffrey Bennington and Jacques Derrida, Jacques DerridaJacques Derrida, “Freud and the Scene of Writing”Jacques Derrida, Of GrammatologyJacques Derrida, “Signature Event Context”Jacques Derrida, Structure, Sign, and Play in the Discourse of the Human SciencesJoan Didion, “Why I write”Walter Ong, Orality and LiteracyGeorge Orwell, “Why I write”Plato, The PhaedrusAlva Noë, The Entanglement, How Art and Philosophy Make Us Who We ArePeter Salmon, An Event, Perhaps: A Biography of Jacques DerridaAndrew Robinson, The Story of WritingSupport the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

Good Morning, Gandalf: A Linguistic Journey In this episode, we ventured into a deceptively simple exchange between ‎Gandalf and Bilbo to unravel the profound linguistic, philosophical, and ‎interpretive questions it raises. We explored how Jacques Derrida's ‎deconstruction unveils the inherent instability and multiplicity of ‎meaning in Bilbo's good morning, while Michel Foucault's analysis of ‎discourse and power dynamics reveals the subtle authority at play in ‎Gandalf's response. Together, these perspectives challenge us to reconsider ‎the nature of language, its conventions, and the deeper forces shaping our ‎everyday interactions.‎ Keywords ‎# #Linguistics; #JacquesDerrida; #MichelFoucault; #Deconstruction; #Différance; ‎‎#Iterability; #Logocentrism; #PowerAndDiscourse; #LanguageGames; #Pragmatics; ‎‎#MeaningInLanguage; #PhilosophyOfLanguage; #Hermeneutics; ‎‎#TextInterpretation; #GenerativeGrammar; #RelevanceTheory; ‎‎#ConstructionGrammar‎

Während Sarah Sands versucht, sich auf den nahenden Verlust gefasst zu machen, weckt der Igel in der Autorin den Wunsch, mehr über die faszinierende Spezies der stacheligen Insektenfresser zu lernen: zum Beispiel, dass ihre Körpertemperatur während des Winterschlafs auf nur zwei Grad sinkt, dass Jacques Derrida den Igel als bedeutende Metapher für die Dichtkunst verwendete und wie bedroht die Tierart wirklich ist. Je mehr Sarah über den Igel erfährt, desto mehr fühlt sie sich mit der Natur und mit ihrem Vater verbunden. Rezension von Sandra Hoffmann

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Who is Jacques Derrida? For some, he is the originator of a relativist philosophy responsible for the contemporary crisis of truth. For the far right, he is one of the architects of Cultural Marxism. To his academic critics, he reduced French philosophy to “little more than an object of ridicule.” For his fans, he is an intellectual rock star who ranged across literature, politics, and linguistics. In An Event, Perhaps (Verso, 2020), Peter Salmon presents this misunderstood and misappropriated figure as a deeply humane and urgent thinker for our times. Born in Algiers, the young Jackie was always an outsider. Despite his best efforts, he found it difficult to establish himself among the Paris intellectual milieu of the 1960s. However, in 1967, he changed the whole course of philosophy: outlining the central concepts of deconstruction. Immediately, his reputation as a complex and confounding thinker was established. Feted by some, abhorred by others, Derrida had an exhaustive breadth of interests but, as Salmon shows, was moved by a profound desire to understand how we engage with each other. It is a theme explored through Derrida's intimate relationships with writers such even as Althusser, Genet, Lacan, Foucault, Cixous, and Kristeva. Accessible, provocative and beautifully written, An Event, Perhaps will introduce a new readership to the life and work of a philosopher whose influence over the way we think will continue long into the twenty-first century. Peter Salmon is an Australian writer living in the UK. His first novel, The Coffee Story, was a New Statesman Book of the Year. He has written for the Guardian, the New Humanist, the Sydney Review of Books and Tablet, as well as Australian TV and radio. Formerly Centre Director of the Jon Osborne/The Hurst Arvon Centre, he also teaches creative writing. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

This week's episode is a REPLAY of a previously-aired episode from Season 9.  HBS will return with all new episodes on January 10, 2024. Stay tuned!The HBS hosts dig into Jacque Derrida's philosophy to see if it really is responsible for everything that's wrong with the world.There are very few philosophies that are blamed for so much as deconstruction. Introduced by Jacques Derrida in the late 60s, deconstruction rose to popularity in the late 70s and 80s, fought a real battle to be accepted as something other than a “fad” in the early 90s, and really built up steam in the late 90s, after having been adopted by other humanities disciplines as a method of analysis and exposition. However, by the end of the 21st century aughts, deconstruction was already being edged out of favor by many of its critics and some of its heirs. Today, in 2024, deconstruction has been refigured and disfigured so dramatically that it has become a chimera. One of its faces is reductive and banal, but mostly harmless, as seen in so-called “deconstructed” dishes or clothing on reality TV. The other face, though, is hyperbolically menacing: distorting reality, poisoning discourse, undermining traditional values, and sneakily turning all of us into nonsense-babbling relativists.So what is deconstruction all about?Full episode notes available at this link:https://hotelbarpodcast.com/podcast/episode-122-deconstruction-------------------If you enjoy Hotel Bar Sessions podcast, please be sure to subscribe and submit a rating/review! Better yet, you can support this podcast by signing up to be one of our Patrons at patreon.com/hotebarsessions!Follow us on Twitter/X @hotelbarpodcast, on Facebook, on TikTok, and subscribe to our YouTube channel!  

Kevin Hart (editor) grew up in London and Brisbane, and now lives in the USA. He is the author of nine collections of poetry, including Flame Tree: Selected Poems (2002). He has won both the Victorian and NSW Premiers' Awards for Poetry, and the Christopher Brennan Award for a sustained contribution to Australian poetry. His published works include studies of Jacques Derrida, A.D. Hope, Samuel Johnson and Maurice Blanchot, and a translation of the poems of Giuseppe Ungaretti. In this episode we discuss contemplation, love, and disenchantment. Hart's book: https://cup.columbia.edu/book/contemplation/9780231213479 ---Become part of the Hermitix community:Hermitix Twitter - x.com/hermitixpodcast Support Hermitix:Patreon - patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpodHermitix Merchandise - http://teespring.com/stores/hermitix-2Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9

Folk horror is a past-haunted subgenre for our past-haunted times. Appearances from A-Ha, Christopher Lee, Jacques Derrida, Ronald Reagan, Mark Fisher, and creepy child laughter. Episode artwork by DALL-E. Yeah, I know.

J.J. and Dr. Sarah Hammerschlag encounter a phenomenal high-school principle and genius: Emmanuel Levinas. Follow us on Twitter (X) @JewishIdeas_Pod to converse with Other listeners. Please rate and review the the show in the podcast app of your choice!We welcome all complaints and compliments at podcasts@torahinmotion.orgFor more information visit torahinmotion.org/podcastsSarah Hammerschlag is the John Nuveen Professor of Religion and Literature, Philosophy of Religions and History of Judaism at the University of Chicago. Sheis a scholar in the area of Religion and Literature. Her research thus far has focused on the position of Judaism in the post-World War II French intellectual scene, a field that puts her at the crossroads of numerous disciplines and scholarly approaches including philosophy, literary studies, and intellectual history. She is the author of The Figural Jew: Politics and Identity in Postwar French Thought (University of Chicago Press, 2010) and Broken Tablets: Levinas, Derrida and the Literary Afterlife of Religion (Columbia University Press, 2016) and the editor of Modern French Jewish Thought: Writings on Religion and Politics (Brandeis University Press, 2018). The Figural Jew received an Honorable Mention for the 2012 Jordan Schnitzer Book Award, given by the Association of Jewish Scholars, and was a finalist for the AAR's Best First Book in the History of Religions in 2011. She has written essays on Jacques Derrida, Emmanuel Levinas and Maurice Blanchot which have appeared in Critical Inquiry, Jewish Quarterly Review and Shofar, among other places. She is currently working on a manuscript entitled “Sowers and Sages: The Renaissance of Judaism in Postwar Paris. Her most recent book is Devotion: Three Inquiries in Religion, Literature and Political Imagination (2021), co-written with Constance Furey and Amy Hollywood. 

In this episode we discuss the absurdity of the taboo against cultural appropriation. Introducing specific examples like which Halloween costumes to wear, or which recipes you can and cannot cook, the Tossers argue that culture is itself appropriation, and thus the taboo attempts to inhibit something that can never be inhibited.To emphasize this universal necessity of cultural appropriation, we introduce theories of language.Jack introduces Wittgenstein's theory of language games and the impossibility of a private language.Jake introduces Derrida's theory of language in Monolingualism of the Other and the Prosthesis of Origin.Sagi makes sure that we do not simply define the ubiquity of cultural appropriation but study exactly why there is an attempt at re-appropriation that then bans certain people (always the original colonizer) from taking back again. By now, we hope you know what would Sagi do.We read some gorgeous passages by Jacques Derrida, and discuss why the N-word and blackness are limit cases, especially in America, for thinking about cultural appropriation.

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains.  The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers' investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature's power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted. Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024). Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019) Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016) LINKED IN. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

durée : 02:17:30 - Les Nuits de France Culture - par : Mathias Le Gargasson - Atelier de Création Radiophonique - Glas morceaux de glose, Jacques Derrida (1ère diffusion : 24/10/1976) - réalisation : Virginie Mourthé

durée : 00:49:59 - Les Nuits de France Culture - par : Albane Penaranda - En juin 1991, "Du jour au lendemain" accueillait Jacques Derrida pour la parution de deux livres : "L'autre cap", aux Éditions de Minuit et le "Jacques Derrida" écrit par Geoffrey Bennington, mais aussi par Derrida lui-même. - réalisation : Virginie Mourthé - invités : Jacques Derrida

With a healthy dose of disdain, we enter the multiverse via the Marvel movie Deadpool and Wolverine and the Oscar-winning movie Everything Everywhere all at Once.Sagi talks about the hollow nostalgia of the cameo, and the way that the characters become something a Heideggerian standing-reserve for more scenes, more plots, and more revenue. Is Sagi finally doing Marx Grudge?Andy wishes that the multiverse would remain solely a video game construct, ruing the day when Mickey Mouse and Wolverine show up together in the same movie. He also introduces the Oikodicy, as a way to describe how profits justify all the silly games and narrative tricks we keep getting sold.Jake links the multiverse to the fantasy of the Internet as a perfectly connected hypertextual universe. He introduces Jacques Derrida's deconstruction of this fantasy, and asks whether the void-inducing everything bagel in Everything Everywhere all at Once is an anti-Semitic reference to the way the Jew gets in the way of Christian presence. He also reads from Leibniz's Theodicy.Jack kicks us off with some heavy-hitting take downs of the quality of Everything Everywhere All at Once, and makes sure we see the capitalist cynicism of both films, at every turn.

Episode Notes:Introduction:Justin reflects on the shift in the podcast's format, now focusing on direct listener questions related to life, faith, creativity, and leadership.Sabbath-Keeping:Question: How do you build a Sabbath day?Justin shares his personal history of practicing Sabbath, noting that it's a flexible and evolving practice rather than a rigid set of tasks.He emphasizes the importance of regularly setting aside time for rest and reflection, allowing the Sabbath to become an opportunity to connect with God and assess one's soul.He encourages listeners to work with a coach or spiritual director to reflect on what worked and didn't during their Sabbath practice.Deconstruction Misuse:Question: Thoughts on deconstruction and its current cultural use?Justin critiques the modern misuse of the word "deconstruction," explaining its philosophical roots in Jacques Derrida's work.He challenges the idea that deconstruction is simply changing one's mind or evolving beliefs, arguing instead that it represents a deeper shift in worldview where meaning is questioned.Justin also warns against disparaging one's past self or experiences during personal growth, calling for more grace in navigating maturity.He closes by explaining that true deconstruction is a posture and a way of interpreting the world, not a phase to be completed.Closing Remarks:Justin encourages listeners to submit more questions via Instagram and teases future faith, creativity, and leadership topics.He thanks his Patreon supporters and invites others to join the team. Links For Justin:Coaching with JustinOrder Sacred StridesJustinMcRoberts.comSupport this podcastNEW Single - Let GoNEW Music - Sliver of HopeNEW Music - The Dood and The BirdThe Book - It Is What You Make itHearts and Minds Amazon Barnes and Noble

Kevin Hart (editor) grew up in London and Brisbane, and now lives in the USA. He is the author of nine collections of poetry, including Flame Tree: Selected Poems (2002). He has won both the Victorian and NSW Premiers' Awards for Poetry, and the Christopher Brennan Award for a sustained contribution to Australian poetry. His published works include studies of Jacques Derrida, A.D. Hope, Samuel Johnson, and Maurice Blanchot, and a translation of the poems of Giuseppe Ungaretti. In this episode, we discuss his recently released biography Dark-Land: Memoir of a Secret Childhood. Book link: https://www.pauldrybooks.com/products/dark-land-memoir-of-a-secret-childhood-copy --- Become part of the Hermitix community:Hermitix Twitter - ⁠⁠⁠ / hermitixpodcast⁠⁠ ⁠ Support Hermitix:Patreon - ⁠⁠⁠ patreon.com/hermitix⁠⁠ ⁠Donations: - ⁠⁠⁠https://www.paypal.me/hermitixpod⁠⁠⁠Hermitix Merchandise - ⁠⁠⁠http://teespring.com/stores/hermitix-...Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLKEthereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Join the Patreon: https://www.patreon.com/LEPHTHANDIn this monologue, Sereptie explores the fascinating intersections of alchemy, psychoanalysis, and poststructuralist philosophy. The discussion centers around the concept of alchemical salt, its significance in Renaissance alchemical traditions, and its appropriation in 20th-century psychological theories. This episode connects these ideas with the works of Carl Jung, James Hillman, and Jacques Derrida, offering a unique perspective on the formation and function of subjectivity and how they challenge the polemics of Jordan Peterson.Support the Show.Support the podcast:https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastSubscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comOrder 'Anti-Oculus: A Philosophy of Escape': https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Order 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on your favorite podcast: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

In honor of the Paris Olympics and the astounding contribution of the French to culture and art of the world, The Kitchen Sisters Present, Archive Fever: Henri Langlois and the history of the Cinémathèque Française, featuring Francis Ford Coppola, Wim Wenders, Tom Luddy, Lotte Eisner, Simone Signoret, Agnes Varda, Costa-Gavras, Barbet Schroeder.Henri Langlois never made a single film — but he's considered one of the most important figures in the history of filmmaking. Possessed by what French philosopher Jacques Derrida called "archive fever," Langlois began obsessively collecting films in the 1930s and by the outset of World War II, he had one of the largest film collections in the world. The archive's impact on the history of French cinema is legendary, as is the legacy of its controversial keeper.Langlois fell in love with film in his teens, just as silent films were being replaced by talkies. "In the early 30s they were destroying every silent movie," says film director Costa-Gavras, now president of Langlois' Cinémathèque Française. "He started collecting all those movies, not just to save them for the future, but to show them.""Langlois educated a whole generation of film archivists and filmmakers," says filmmaker Wim Wenders. "He spread the idea of saving the memory of mankind that is in the history of cinema."This story is part of The Keepers series — Activist archivists, rogue librarians, historians, collectors, curators — keepers of the culture and the free flow of information. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.