Podcasts about thatcherite

Karl Williams reflects on the life and legacy of Norman Tebbit — the Conservative bruiser, RAF veteran, and Thatcherite stalwart who helped reshape Britain in the 1980s. Often caricatured as the hardman of the Tory right, Tebbit was also a principled, articulate statesman with a surprising hinterland. From his famed “on yer bike” quip to his decision to give up power for love, this is a personal and political tribute to one of the greatest prime ministers Britain never had.Stay informed with CapX's unmissable daily briefings from the heart of Westminster. Go to capx.co to subscribe. Hosted on Acast. See acast.com/privacy for more information.

Film journalist and friend of the show Brandon Streussnig returns to discuss Danny Boyle's debut film Shallow Grave, a British riff on the 90s neo-noir template, self-described by Boyle and his collaborators as their take on the Coen's Blood Simple. The film chronicles a trifecta of beautiful, sociopathic yuppies sharing an Edinburgh flat (Kerry Fox, Christopher Eccleston, and Ewan McGregor) who unravel after the untimely death of their new roommate and the discovery of a suitcase full of cash. Frenetic, aesthetically bold, and brimming with terrific performances from its cast of newcomers, Shallow Grave stood in stark opposition to the more muted social realism of established British filmmakers of the era like Mike Leigh and Ken Loach and showcased the collaborative power of Boyle, McGregor, screenwriter John Hodge, and producer Andrew Macdonald only a handful of years removed from their landmark feature, Trainspotting.We discuss Boyle's aesthetic inclinations, his history in the theater, and how the cinematic medium can liberate a particular type of artist from the confines of the stage. Then, we unpack the film's stellar trio of performances, its economy of character, and especially McGregor's star-making turn that suggests the greatness he would achieve with Boyle in their next several collaborations. Finally, we explore the film's ire for post-Thatcherite individualism, its attacks on the moral vacuum of the upwardly mobile, the dramatic irony of a film about the corruptability of money even for those who don't need it.In addition, we spend a brief moment looking forward to Boyle's latest film 28 Years Later (a full Bonus episode on the film coming later this week) and what it supposes for Boyle's late period.Follow Brandon Streussnig on Twitter. Read Brandon's recent interview with Palestinian-American filmmaker Reem Jubran about her new film Don't Be Long, Little Bird at his Substack.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Thatcher and her capitalist dreamers' next big gamble was a radical shake-up of London's financial sector. They called it Big Bang. Seemingly overnight, the stuffy old City of London was replaced by a fast-paced world of risk-takers, rule-breakers, and yuppies brandishing mobile phones the size of their head. It was a golden age of capitalism, where fortunes were made at lightning speed and the stakes were just as high. Nick Leeson was a working-class kid from Watford who arrived at just the right time. By 1995 he was a superstar trader. He was a poster boy for Thatcher's Britain. Poor kid gets rich. But then something happened that turned him from a hero to a criminal on the run. Did the very thing that spurred on his success precipitate his downfall? And what did that mean for the Thatcherite revolution. This is a story of the boom and bust of the 80s.David Dimbleby traces the history of an idea that spans his life. It started on a chicken farm in Sussex, gained traction in the shadows of post-war London and rose to heights of excess in the new champagne bars of the City. It's 2025 and this once radical idea now defines every aspect of life in Britain. An idea that transformed the economy, politics and, ultimately, society itself.But how did it happen? Who are the little-known people behind it? What did they want? And - as Donald Trump threatens to overturn the global economic system - is the free market here to stay? Or are we entering a new era?Presenter: David Dimbleby Producer: Jo Barratt Executive Producers and Story Editors: Joe Sykes and Dasha Lisitsina Sound design: Peregrine Andrews Commissioning Editor: Dan ClarkeA Samizdat Audio production for BBC Radio 4

In this IEA Book Club event, Sir Vernon Bogdanor discusses his new book "Making The Weather: Six Politicians Who Changed Modern Britain" with IEA Executive Director Tom Clougherty. Bogdanor examines how certain politicians have shaped Britain's political landscape, focusing particularly on three figures: Aneurin Bevan, Enoch Powell, and Keith Joseph. The discussion explores how these individuals challenged the prevailing consensus of their times and influenced British politics far beyond their immediate careers. The conversation delves into Bevan's creation of the NHS and its lasting impact, Powell's complex political positions beyond his controversial immigration speech, and Keith Joseph's role in developing what would become known as Thatcherite economics. Bogdanor brings fresh insights to these familiar figures, drawing on personal interviews and historical research to paint a fuller picture of their motivations and achievements. Throughout the discussion, Bogdanor and Clougherty explore parallels between these historical figures and contemporary British politics, including Brexit, the future of the Conservative Party, and the challenges of political communication in modern Britain. The event concludes with Bogdanor's thoughts on whether the Thatcher era is coming to an end and what might replace it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit insider.iea.org.uk/subscribe

Note: The Institute of Economic Affairs (IEA) does not endorse or support any political candidate or party. This video is for educational purposes only. In this new In Conversation event, The Rt Hon James Cleverly MP, Conservative Party Home Secretary and leadership candidate, sits down with Tom Clougherty, Executive Director of the Institute of Economic Affairs, to discuss his vision for the future of the Conservative Party and the UK. Cleverly outlines his Thatcherite economic philosophy, emphasising the need for free markets, lower taxes, and reduced regulation to drive economic growth and prosperity. Throughout the discussion, Cleverly addresses key issues facing the UK, including housing affordability, welfare reform, and the challenges of an aging population. He argues for bold policy changes to increase housing supply, incentivise work, and create a more sustainable relationship between younger and older generations. Cleverly also shares his views on the importance of global engagement and the need to revitalise London's financial services sector. As a self-described "doer" inspired by Ronald Reagan's communication skills, Cleverly emphasises the importance of selling conservative values to a new generation. He advocates for a positive, optimistic approach to leadership that can inspire public support for necessary reforms. This conversation offers valuable insights into Cleverly's political philosophy and his vision for addressing the UK's most pressing economic and social challenges. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit insider.iea.org.uk/subscribe

Emma Revell What does a Thatcherite think tank do when the Tories are out of office?Emma Revell from the Centre for Policy Studies briefs us on what's next for one of Britain's most influential organisations. Plus... why being a Lib Dem first is becoming a right of passage...SEE Matt at on tour until March 2025: https://www.mattforde.com/live-shows202431 July - 25 August: Edinburgh, The Pleasance2 October: Norwich Playhouse3 October: Maidenhead, Norden Farm9 October: Middlesbrough, The Crypt10 October: London, Leicester Square Theatre24 October: Hull, Truck Theatre6 November: Exeter, Phoenix8 November: Tunbridge Wells, Trinity Theatre14 November: Basingstoke, The Haymarket15 November: Colchester Arts Centre20 November: York, The Crescent21 November: Chorley, Little Theatre22 November: Salford, The Lowry27 November: Chipping Norton Theatre28 November: Leicester, Y Theatre29 November: Eastleigh, The Berry31 November: Faversham, The Alexander Centre20254 February: Leeds, City Varieties5 February: Sheffield, The Leadmill6 February: Chelmsford Theatre7 February: Bedford, The Quarry Theatre12 February: Bath, Komedia13 February: Southend, Palace Theatre16 February: Cambridge, The Junction20 February: Nottingham, Lakeside Arts23 February: Brighton, Komedoa25 February: Cardiff, Glee Club26 February: Bury St Edmunds, Theatre Royal2 March: Bristol, Tobacco Factory11 March: Aberdeen, Lemon Tree12 March: Glasgow, Glee Club Hosted on Acast. See acast.com/privacy for more information.

Nigel Farage claims Boris Johnson will go down in history as the “worst prime minister of modern times” after a public spat that saw the ex-PM attack the Reform leader for his comments on Ukraine and Putin where he claimed the West provoked the invasion. Camilla reacts to the backlash in the studio with Associate Editor Gordon Rayner who's standing in for Kamal for this episode.Plus, could the General Election gambling controversy be the new 'partygate' for the Tories? And can the real Kemi Badenoch please stand up? We take a deep dive into the politician who could be the future of her party.ReadFarage: Tories using row over Russia remarks to distract from betting scandal, by Amy Gibbons and Jack Maidment: https://www.telegraph.co.uk/politics/2024/06/24/farage-tories-using-row-russia-distract-betting-scandal/Nigel Farage has just proven that he's not a serious leader, by Richard Kemp: https://www.telegraph.co.uk/news/2024/06/21/nigel-farage-has-just-proven-that-hes-not-a-serious-leader/The West's errors in Ukraine have been catastrophic. I won't apologise for telling the truth, by Nigel Farage: https://www.telegraph.co.uk/news/2024/06/22/wests-errors-in-ukraine-been-catastrophic-i-wont-apologise/Profile on Kemi Badenoch: ‘No bulls--t' and Thatcherite thinking: The unstoppable rise of Kemi Badenoch, by Mick Brown:https://www.telegraph.co.uk/politics/2024/06/20/the-unstoppable-rise-of-conservative-party-kemi-badenoch/Kemi Badenoch hints at leadership bid ‘after election', by Dom Penna: https://www.telegraph.co.uk/politics/2024/06/24/kemi-badenoch-hint-leadership-bid-general-election-uk/Email: thedailyt@telegraph.co.ukThe Daily T Newsletter: telegraph.co.uk/dailytnewsletterSubscribe to The Telegraph: telegraph.co.uk/dailytsubProducers: Lilian Fawcett and Georgia CoanPlanning Editor: Venetia RaineyVideo Producer: Luke GoodsallStudio Operator: Meghan SearleSocial Media Producer: Ji-Min LeeExecutive Producer: Louisa WellsEditor: Camilla TomineyOriginal music by Goss Studio Hosted on Acast. See acast.com/privacy for more information.

In this shortcast edition of the Podcast for Social Research, recorded live at BISR Central, BISR's Rebecca Ariel Porte and Isi Litke discuss Stephen Frears's 1985 classic of queer cinema, My Beautiful Laundrette. Conversation ranges over the film's Thatcherite backdrop; its depiction of queer, and cross-racial, love; and its inimitable mix of gritty social realism and dreamlike sensuality. What's unique, in the queer cinematic canon, about a film made just before the AIDS crisis emerged in British public consciousness—that is, just prior to the inceasing identification of queerness with disease? How does it weave elements of the fairy tale into its story of cross-class, cross-racial love? And how does the film, with its "qualified utopian hope," contrast with later, more pessimistic classics of the New Queer Cinema? Why, in a film set in a laundromat, is it a source of optimism that some things don't stay clean? 

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society (Bloomsbury, 2024), editor Bodie Ashton compiles twelve essays exploring the impact of Pet Shop Boys across the past four decades. The Pet Shop Boys came of age at a time of deep socio-political tension. From the rise of sexual politics and awareness to Thatcherite neoliberalism and the Cold War, this book explores the cultural and political impact of the band and offers a fascinating window into the late 20th and early 21st centuries. An archetypal 'gay band', it shows how their overt queerness influenced generations of LGBTQIA+ music lovers and artists alike.  Covering the full oeuvre of The Pet Shop boys; their albums, films, stage productions and collaborations, chapters in this collection show how their work is suffused with political commentary on the past and present covering themes as broad as queer identity, the HIV/AIDs epidemic, globalization and Brexit. It also places them within the context of their times and considers them as activists, authors, social commentators, political actors and personalities to better understand what influenced them. Bringing together a range of perspectives and disciplines, The Pet Shop Boys and the Political provides a unique and untapped insight into a formative pop band of the modern era that has mirrored and shaped society over the past forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Starmer's referencing of Thatcher has enraged the left – but is it anything beyond symbolic politicking? And is he really Thatcherite at all? Andrew Harrison speaks to Robert Saunders, a reader in modern British history at Queen Mary University of London, about the legacy of Thatcher and how it ties in with modern Labour policy.  • “It's worth remembering that Margaret Thatcher herself borrowed ideas from the left.” – Robert Saunders • “I think Thatcher would be quite alarmed by what she would see in a Reeves-Starmer manifesto.” – Robert Saunders  • “Truss and Sunak were giving two different memories of Margaret Thatcher in the last Tory leadership contest… it was like two branches of the same religion.” – Robert Saunders  • “Margaret Thatcher has become a myth. And the nature of myths means every generation can give different tales about them.” – Robert Saunders We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit. Support us on Patreon. Written and presented by Andrew Harrison. Audio editor: Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Music by Kenny Dickinson and artwork by James Parrett. THE BUNKER is a Podmasters Production. Instagram | Twitter  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The notion of Conservative Socialism or Blue Labour would to many people seem bizarrely paradoxical. It ought to. The British Labour party has in the 83 years since George Orwell made his case for a distinctly patriotic and English version of socialism and socialist in The Lion and the Unicorn has been the party of large scale nationalization and militant leftism. Until it capitulated to the Thatcherite view of the world during the End of History and has since oscillated between its old tendencies and a sort of liberal centrism well in tune with the times and of course, the City.Too intune, too fashionable and too destructive - too European, as some would have it. The man who symbolizes that some more than anyone else is a, of all people, Labour peer in the House of Lords. Lord Maurice Glasman is a radical and a reactionary (he would surely prefer another word) all at once, advocating for a populist, conservative but most strikingly pre-French Revolution notion of politics. Arguing the country and its politics has lost itself we embark on a conversation that echoes Eric Arthur Blair's wartime cri de coeur and is sure to get everyone on the spectrum angry, frustrated - but above all, thinking.As the twenties thunder head on into the next series of crises, it's precisely the kind of conversation we want to have.Because we too, “Fucking hate the French revolution” and the clichés of right-left politics we still wrestle with every day. Hosted on Acast. See acast.com/privacy for more information.

The Richard Syrett Show - December 8th, 2023  Liberals accuse of Pierre Poilievre and Conservatives of "Far-Right Republican" tactics Daniel Bordman The National Telegraph New Morning Show Host Marc Patrone Canada's Standard of Living Plunges Compared to U.S. Is Resource-Rich Argentina under Javier Mileir Ripe for a Massive Come-Back? Jonathan Wellum, President and CEO of RockLinc Investment Partners National Citizens Inquiry into Covid releases damning report Tamara Ugolini - Rebel News READ THE REPORT

Please join us at patreon.com/tortoiseshack It was a great pleasure to be be rejoined on the podcast by listener favourite, Prof Richard Murphy to chat about his new role as Minister for Anti-Woke*, the Tory's tax cut that is hiding creeping austerity, the lack of vision from the Labour Party of Margaret thatcher admirer Keir Starmer, the good aspects of the rise of alternative media and the politics of Palestine in the UK. As always with Richard, the conversation goes in different directions and this was probably the first Nietzsche chat we've had on air! *it's a joke, relax The latest from Gaza with Mahmoud Mushtaha is out now here:https://www.patreon.com/posts/patron-exclusive-93995610

Sunak pins political hopes on Thatcherite tax-cutting packageCameron threatens to ‘get tough' on judges who block Rwanda planRoman emperor was trans, says museumRead all these articles and stay expertly informed anywhere, anytime with a digital subscription. Start your free one-month trial today to gain unlimited website and app access. Cancel anytime. Sign up here: http://bit.ly/2WRuvh9See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Subscribe now to the PPM Patreon to not only access the full catalog of #1 ParaPower Mapping Hits (like ALTERED STATE FASH ACTORS Pt. V or Speculative Swiss-mania I & II), but also receive the privilege of submitting prompts for these Qs & Clues EPs... patreon.com/ParaPowerMapping Speaking of, #1 coming in hot w/ a far-reaching investigation into sports fixing allegations historical & current, with a particular focus on the global game & its intimate relationship w/ international relations, Western imperialism, & military regimes. We begin w/ the Independent Cork Board Researchers Union Soccer Precepts, which bring us to a discussion of Maradona's "symbolic revenge" over the Brits w/ his infamous "Hand of God" handball goal in World Cup '86, which takes us 4 years further back to the possible Thatcherite-&-Argentine-military-junta false flag known as the Falklands War... To clear the field & set the stage, we unpack some basic history of Operation Condor & the American-backed intel agency collabs b/w military dictatorships in S. America in the '70s & '80s, which led to the extrajudicial death flights & disappearances of likely 100ks of Marxists, leftists, & union members in countries like Argentina (see: Dirty War)... We show how the US State Dep't & See-Aye-Eh were arms-deep in Argentine political life in the years immediately preceding Falklands. We survey a ton of the weirdness re: the Falklands War, including Julian Barnes' assertion it was the "worst reported" war of the televised era, which supports a false flag or preordained war of mutual benefit hypothesis... Marge Thatcher's press embargoes, conferences, & censorship. The strangely civil "Red Cross box"/ neutral zone in the sea off the Falkland Islands where UK & Argentina kept medical ships stationed simultaneously throughout the 70ish or so days. We talk Prince Andrew doing heli flights & the weirdness of the conflict being bookended w/ "flags", which, is a little on the nose... Talking to you, Universe. From there, we break down Bo BrozZzy's incisive Mafiaball & "sports as mass ritual" prompt and the Henry Hill, Burke, Perla Bros. & Rick Kuhn references therein, as well as super timely professional club soccer scandal examples that are reminiscent of Kuhn's point shaving scheme (see the illegal betting breach allegations that have recently broken re: Sandro Tonali, Nicolo Fagioli—who was threatened w/ having his legs broken evidently, and Lucas Paqueta)... We discuss Declan Hill's The Fix & Gabriel Kuhn's Soccer vs. the State. We walk through the history of gambling, sports & otherwise, in England, from Queen Lizzie's Loco Lotto to the National Lotto's 2nd biggest donor, the Freemasonic United Lodge of England. This turns our attention to Voltaire & Casanova's Freemasonic Lotto Syndicates in France in the 18th century. And we conclude w/ a discussion of the distinct possibility that Sec. of State & national security tulpa Henry Kissinger—one of the architects of the bloody anticommunist conspiracy to bind together the intel services of Southern Cone countries & "disappear" leftists... anyways, we end w/ an examination of a couple articles & US Embassy & State Dep't memos that indicate that Sec. of Sports Fixing Kissinger may have been directly-or-indirectly involved in fixing the 1978 World Cup held in Argentina, when Gen. Videla & his Peruvian counterpart pressured the Peruvian nat'l team to deliberately lose to Argentina & the accompanying Satanic numerology of the game's scoreline—as well as a bevy of further 6s in accompanying stats. Oh, and we fit in a few references to Zion*st involvement in Operation Condor, the

The tidal waves move away from Thatcherite orthodoxies as the next election moves into view and the consequences of austerity economics and privatised monopolies are playing out.  Steve Richards asks; will the UK turn if Labour wins?  Support Rock N Roll Politics on Patreon and get exclusive benefits including bonus episodes and much more: https://www.patreon.com/RockNRollPolitics Rock N Roll Politics is live at Kings Place on October 23rd.  Expect high political drama: https://www.kingsplace.co.uk/whats-on/words/rock-n-roll-politics-10/ Steve's latest book Turning Points: Crisis and Change in Modern Britain From 1945 to Truss is now available: https://www.amazon.co.uk/Turning-Points-Crisis-Change-Britain/dp/1035015358/ref=sr_1_2?crid=QRFD2ZSG4CJG&keywords=steve+richards+books&qid=1694439462&sprefix=steve+r%2Caps%2C112&sr=8-2 The New European sponsors Rock & Roll Politics - to get full access to the site for just £1 per week PLUS a £25 voucher to spend in their online store, visit www.theneweuropean.co.uk/rock Learn more about your ad choices. Visit megaphone.fm/adchoices

Has the left misunderstood the state of our nation? Sociologist and trade unionist Dan Evans thinks so. He talks to Aaron about the unexpected power of the petty bourgeoisie – the insecure class between the working class and the bourgeoisie – and how its Thatcherite values of home ownership and entrepreneurialism have reshaped British politics in the last […]

Water privatisation was rushed through after the 1987 election. The many problems were as obvious then as they are now. So why was privatisation proclaimed as a Thatcherite triumph for decades? Rock N Roll Politics is live at the Hitchin Festival on Tuesday July 11. Tickets here: https://www.ticketsource.co.uk/whats-on/hitchin/the-market-theatre/rock-n-roll-politics-with-steve-richards/e-kgvveaea Rock N Roll Politics is live at the Edinburgh Festival from Sunday August 13th with a different show every day. Tickets here: https://tickets.edfringe.com/whats-on/steve-richards-presents-rock-n-roll-politics Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Nick Aikens and Elizabeth Robles discuss The Place Is Here (Sternberg Press, 2019) and the range of perspectives on black art in Thatcherite Britain offered by the collection of artworks, essays, and conversations found in the book. The Place Is Here begins to write a missing chapter in British art history: work by black artists in the Thatcherite 1980s. Richly illustrated, with more than two hundred color images, it brings together artworks, essays, archives, and conversations that map the varying perspectives and approaches of a group of artists who challenged the dominance of white heterosexual men in the canon of contemporary art. The many artists discussed and displayed here do not make up a “movement” or a school or a chronological progression, but represent the diverse interests and activities of artists across a decade and beyond. They grapple with black nationalism, anti-colonialism and postcolonialism, anti-Thatcherism, black feminism, black queer subjectivity, psychoanalysis, forms of narrative and documentary image-making, in different ways and through different modes of representation across a range of media. The book, which grows out of a series of exhibitions that began in 2014, offers essays, close readings of selected works, panel discussions, and archival presentations, bringing together different voices and generational perspectives. Contributions come from the artists themselves, established scholars, and younger practitioners, critics, and art historians. They discuss the exhibitions, call for a reappraisal of dominant art historical approaches, and consider the use and role of the archive in artworks; look at works by Mona Hatoum, Martina Atille, Said Adrus, Chila Kumari Burman, and Pratibha Parmar; and present key documents and other material. Hosted and produced by Sam Kelly; Mixed by Samantha Doyle; Soundtrack by Kristen Gallerneaux Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

A young man caught between his socialist father and Thatcherite uncle falls in love with a young National Front street punk while building a laundromat. We watched MY BEAUTIFUL LAUNDRETTE (1985) and discuss the context that birthed it. PLUS: Fiery hot takes on Bruceploitation and Ron DeSanctimonious.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

A young man caught between his socialist father and Thatcherite uncle falls in love with a young National Front street punk while building a laundromat. We watched MY BEAUTIFUL LAUNDRETTE (1985) and discuss the context that birthed it. PLUS: Fiery hot takes on Bruceploitation and Ron DeSanctimonious. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

We all lived through the gradual exacerbation of crowd violence. Why was it so bad in the 1970s and 1980s? Why did it become mixed up in Thatcherite politics? If we thought it had disappeared, the 2021 Euro final demonstrated that it hadn't.  Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

This is the late 1970s and '80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher's Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. "Tell us the truth," Sham 69 demanded, and pop music, however improbably, did. It's a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher's fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing: A History of Thatcher's Britian in 21 Mixtapes (PM Press, 2023) presents an original and polemical account of the era. Hugh Hodges has written extensively on African and West Indian music, poetry, and fiction, including essays on Fela Kuti, Lord Kitchener, and Bob Marley. Linton Kwesi Johnson praised his book Soon Come as "extremely engaging and an important, original scholarly work." He currently teaches at Trent University, Ontario, where his research focuses on cultural resistance in its many forms, and his band the Red Finks remains hopelessly obscure. Hugh's author page for PM Press. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

As the lead singer of the politically and socially conscious Specials, Hall achieved U.K. fame and cult status through songs such as “Ghost Town,” “Gangsters” and “Too Much Too Young.” With Fun Boy Three he enjoyed chart success with the songs “Summertime” and the Bananarama featuring hits “‘Tain't What You Do (It's the Way That You Do It)” and “Really Saying Something.”Born Terrence Edward Hall on Mar. 19, 1959 in Coventry, England, his parents worked in the car industry. Hall was traumatized as a schoolboy after he was abducted by a paedophile ring at age 12 and taken to France where he was sexually abused and later abandoned. In interviews, Hall has said the incident left him scarred for life and caused life-long depression, forcing him to drop out of school at 14 after becoming addicted to Valium.The young Hall found work as a manual labourer, his only escape coming through music. He played with local punk bands, including the Squad, before being spotted by Jerry Dammers who asked him to become the frontman of his ska revival band, the Coventry Automatics who in early 1979 would change their name to the Specials. He featured on the Specials' first single, “Gangsters,” which garnered the band attention after radio play on the BBC.The Specials' eponymous debut record followed in October 1979. Produced by Elvis Costello, and released on Dammers' indie label 2 Tone Records, The Specials featured only one charting single, a cover of Dandy Livingstone's “A Message to You, Rudy” and initially had mixed reviews, but since its release has become a classic and socially significant record. Released at a time of high youth unemployment in the U.K. as well as race riots, strikes and callous Thatcherite economic reforms, the album tapped into the pervasive feeling of despair in the country and the barely concealed tensions within society. In 2013, NME ranked The Specials at number 260 on its list of the 500 Greatest Albums of All Time. Hosted on Acast. See acast.com/privacy for more information.

Rishi Sunak, the self-declared fiscal conservative, becomes Prime Minister having lost the summer's leadership contest. But will his Thatcherite instincts allow him to rise to the epic challenges ahead?  Rock & Roll Politics is live at Kings Place on Oct 26th. Tickets here: https://www.kingsplace.co.uk/whats-on/words/rock-n-roll-politics-7/ I'm also live at the Ropetackle, Shoreham on Oct 27th; just a few tickets left: https://ropetacklecentre.co.uk/events/steve-richards-rock-n-roll-politics-the-liz-truss-special/ And live at the Old Market Theatre Brighton for a Christmas Special on December 12th: https://www.theoldmarket.com/shows/steve-richards-rock-n-roll-politics Subscribe on Patreon for exclusive podcast series and more: https://www.patreon.com/RockNRollPolitics Learn more about your ad choices. Visit megaphone.fm/adchoices

What A Week! Dan returns from the brink of death while Liz Truss buries herself in a Thatcherite economic grave! Tulsi Gabbard officially announces her departure from the Democratic Party and the launch of a new podcast. A new independent? Or the female Tucker Carlson? Real Aloha? Or Fearmongering grift? We expect "The Left" to bully folks who have made mistakes into unemployment and shame. Usually of race or gender issues. But "The Right" doing the same thing? Oh yes. "Woke Derangement Syndrome" takes hold in the world of NASCAR. Could coal be the answer in the fight against climate change? Science says maybe. But Not if crony Capitalism and the Climate Ideologues have anything to say about it!!IF YOU LIKE:The Jimmy Dore ShowThe Joe Rogan ExperienceReason MagazineThe Fifth ColumnBari WeissThe Gray ZoneBreaking Points With Krystal and SaagarThe Reason Round TableThe President's Daily BriefNPRThe Daily Wire

This week Cian is joined by Des and Devin to dig into the so-called 'budget bonanza', debunking the government spin and exposing it's Thatcherite fine print. We also look at the missed opportunities here, and discuss what a socialist budget would look like. Check out PBP's alternative budget here: https://www.pbp.ie/people-before-profit-launch-cost-of-living-and-housing-emergency-budget --- Rupture Issue 8 has launched - being shipped out shortly! The theme of the issue is IMPERIALISM and will feature articles on the basis for war in the 21st century, Ireland and neocolonialism, and the Irish Language. If you would like to subscribe to the magazine go to https://rupture.ie/subscribe --- Rupture Radio is a weekly podcast looking at news, politics and culture from a socialist perspective. It is produced by members of the RISE network within People before Profit, and is linked to Rupture - Ireland's Eco-Socialist Quarterly. Check out the magazine at rupture.ie Anyone who would like to support the podcast can do so on our Patreon. This will also allow you to get extra content and have a say in topics and interviews we take on. Sign up today at https://www.patreon.com/ruptureradio Any comments or queries please send them to LeftInsidePod@gmail.com or get in touch on Twitter. See you next week, cheers! --- Send in a voice message: https://anchor.fm/ruptureradio/message

As Britain acquires a new king and new prime minister, and ordinary people are arrested for expressing dislike of the royal family, James Butler and Florence Sutcliffe-Braithwaite join Tom to consider whether this might be a perilous time for the monarchy, and how the Truss government will go about selling its old-fashioned Thatcherite vision in an era of increasing demands on the state.Find James's and Florence's pieces via the episode page: https://lrb.me/griefpodSubscribe to the LRB from just £1 per issue: https://mylrb.co.uk/podcast20bTitle music by Kieran Brunt / Produced by Zoe Kilbourn and Anthony Wilks Hosted on Acast. See acast.com/privacy for more information.

Described as “incredibly bright, borderline eccentric and very Thatcherite”, Kwasi Kwarteng has been MP for Spelthorne in Surrey, since 2010. Born in London to Ghanaian parents, Kwasi Kwarteng excelled academically – he was an Eton scholar, got a double first from Cambridge University and a scholarship to Harvard. He's worked as a newspaper columnist, a financial analyst and has written several books on history and politics. Kwasi Kwarteng is a long-time friend and close political ally of the new Prime Minister, Liz Truss, who's just promoted him to the top post in the Treasury. At a time of high inflation, rising energy costs and a looming recession. So is he up to the challenge? Mark Coles charts the life and career of the man with one of the most powerful jobs in the UK. Presenter: Mark Coles Production team: Sally Abrahams and Matt Toulson, Maria Ogundele and Helena Warwick-Cross Sound engineer: Rod Farquhar Editor: Richard Vadon Credit: Sky News – Anna Jones interview with Kwasi Kwarteng, 5 August 2022

Thatcherite warmonger Liz Truss becomes Britain's prime minister / Russia ends Nord Stream 1 gas exports to Europe as US prepares “more aggressive” involvement in Ukraine war / Court approves Trump request for independent review of documents seized in Mar-a-Lago raid

All work and no play makes… the basis of Truss's Thatcherite utopia. We unpack the likely PM-to-be's “graft” remarks. Plus, six months since the invasion of Ukraine, how is the conflict shaping up? And, with the end of the £10 flight inbound, award-winning transport journalist John Walton joins us to discuss the future of the aviation industry. “On Brexit, Truss will always be the great political half-and-half scarf.” – Tom Peck “It doesn't really matter what Truss believes in, because the main thing she believes in is herself.” – Tom Peck “The dystopian leadership contest nightmare has been so bad that voters might even remember it in two years!” – Tom Peck https://www.patreon.com/bunkercast  Written and presented by Justin Quirk with Arthur Snell, Marie Le Conte and Tom Peck. Producers: Jacob Archbold and Jelena Sofronijevic . Assistant producer Kasia Tomasiewicz. Music by Kenny Dickinson. Audio production by Alex Rees. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. The Bunker is a Podmasters production. Learn more about your ad choices. Visit megaphone.fm/adchoices

The final two standing in the battle to become Tory leader and Prime Minister faced off in the first televised debate last night, both vying to wear the mantle of Margaret Thatcher. We watched so you didn't have to,and reflect not only on the performance of Truss and Sunak but also what the BBC deemed to be the big issues. Meanwhile Sir Keir Starmer turned Labour's back on pledges to take public ownership of rail,mail,energy, and water. Does Starmer's "pragmatism" mark a complete surrender to and acceptance of Thatcherite privatisation? However on his visit to Liverpool he couldn't escape the justified anger of a veteran Labour socialist.We also try and make sense of what Starmer means by "distinctively British".An independent review into allegations of racism in Scottish cricket has found the governance and leadership of the sport to be institutionally racist. Folk on social media complained about what they saw as wall-to-wall coverage by Sky and others of the report as another attempt to talk down Scotland claiming that when related stories/reports emerged in English cricket no such blanket reporting took place.Was this justified?Things may be grim for many in Scotland - they're truly terrible for millions in Somalia with the Ukraine grain shortage & worst drought in 40 yrs. Powerful report on News at Ten by Peter Smith. If you can give, please do.UNICEF link here  https://www.unicef.org.uk/donate/east-africa-crisis/★ Support this podcast ★

Josh returns with tales of LA, Lee's gym confession and Thatcherite ice cream. This, plus some rugby. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Sham judgment': British fighters sentenced to death by Russian-backed courtWatch: Ukrainian fighter jets in death-defying game of cat-and-mouse with RussiaOutnumbered: Ukraine's soldiers face 200 daily casualties with desertion on the riseReset speech: Boris Johnson accused of launching 'back of the envelope' policiesCamilla Tominey: Boris Johnson must offer Thatcherite action, not just good intentionsPrince William: Future King goes undercover to sell Big IssueSue Barker: Wimbledon 2022 will be her last for the BBCAffordable bottles: Never underestimate Lidl's wines – here are the best ones to tryRead all these articles and stay expertly informed anywhere, anytime with a digital subscription. Start your free one-month trial today to gain unlimited website and app access. Cancel anytime. Sign up here: https://bit.ly/3v8HLez.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The post-war consensus. This is something that many of us take for granted as first, having existed and secondly, what drove the statism of pre-Thatcherite governments. However, Dr Steve Davies, IEA Head of Education, thinks otherwise. In this fascinating lecture, Steve describes the history of free market conservatism before Thatcher. Dr Steve Davies is the Head of Education at the IEA. Previously he was program officer at the Institute for Humane Studies (IHS) at George Mason University in Virginia. He joined IHS from the UK where he was Senior Lecturer in the Department of History and Economic History at Manchester Metropolitan University. He has also been a Visiting Scholar at the Social Philosophy and Policy Center at Bowling Green State University, Ohio. A historian, he graduated from St Andrews University in Scotland in 1976 and gained his PhD from the same institution in 1984. He has authored several books, including Empiricism and History (Palgrave Macmillan, 2003) and was co-editor with Nigel Ashford of The Dictionary of Conservative and Libertarian Thought (Routledge, 1991).   This lecture originally featured as a video on the IEA's YouTube Channel. Watch here.   FOLLOW US: TWITTER - https://twitter.com/iealondon  INSTAGRAM - https://www.instagram.com/ieauk/  FACEBOOK - https://www.facebook.com/ieauk  WEBSITE - https://iea.org.uk/