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INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/earthen-sea For the 390th edition of the IA MIX Series we are thrilled to share a deep dive into jazzy neo-noir ambience from American producer Jacob Long, aka Earthen Sea. Currently based in New York City, Long is a DIY lifer, with over twenty years dedicated to Earthen Sea's wide range of sounds from long-form noise and drone recordings, minimal dub techno, and ethereal ambient experimentation. Long spent his early musical years in the Washington, D.C. hardcore group Black Eyes, before heading to San Francisco with bandmate Daniel Martin-McCormick to work with Damon Palermo on Mi Ami. While all three members branched off into their own solo electronic projects (Ital/Relaxer for Martin-McCormick and Magic Touch for Palermo), Long's work as Earthen Sea originated in the early 2000s. It began with longer experiments in drone and ambient before morphing into the icy dub techno many came to know from releases on Kranky and Lover's Rock. Recent LPs, such as 2024's Recollection, have veered to ambient, dub, and jazz-influenced tracks that consistently deliver the goods. For his mix, Earthen Sea offers an exhilarating combination of gamelan recordings, jazz, and dub techno. You will find it an ideal companion for your morning coffee or a night drive through empty, foggy cities. We also got to catch up with Jacob and learn about reuniting with Black Eyes, how recent live sets have incorporated saxophone driven drones, and his life-long love of skateboarding.
"Future Thoughts Ft. Spaceface" by Brothers Griin from Joy City; "Docudrama" by Nyx Nott from Themes From; "DISinformation Desk" by The Black Dog from Music for Real Airports; "The Yips" by James Ellis Ford from The Hum. Courtesy of Warp; The single "Vento a Favor" by Sessa. Courtesy of Mexican Summer; "Cascade" by Niecy Blues from Exit Simulation. Courtesy of Kranky; "Sacred and Profane" by Moundabout from An Cnoc Mor. Courtesy of Rocket Recordings; "Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera. Courtesy of Ninja Tune; "Theme from a Personal Prison" by Emil Amos from Zone Black. Courtesy of Drag City; "Delivery" by Black Duck from the self titled album. Courtesy of Thrill Jockey; "Visiting" by Craig Leon from Anthology of Interplanetary Folk Music Vol. 1. Courtesy of RVNG Intl; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3. Courtesy of Not Not Fun; The Actress remix of Carmen Villain from Smalltown Supersound Remix Anthology Vol. 1-4 2002-2022.
Spoilers ahead homies! Movie breakdown starts at 10:07. Happy Holidays homies! This year, Santa is crushing skulls and we hope we made the nice list! Get ready for a Violent Night! Also, Erika's Kranky over nosey neighbors and Roshane raves about Home Alone.
As Coach prepares the first episodes of his new podcast endeavor Mixtape Manifest (with three episodes dropping on January 2nd), he was missing commentating on his favorite time of year, Christmas. In this extra episode of the Parent Teacher Conference, Coach talks about one of his daughter's favorite Christmas movies, Christmas with the Franks, and shares what it teaches us about Jesus' sacrifice, 1st in his coming to earth and in his walk to the cross. Please look for the Mixtape Manifest on January 2nd. You can stay up to date by emailing mixtapemanifest411@gmail.com, or follow Mixtape Manifest on Facebook or Twitter (X).
On today's episode, I talk to guitarist and composer Roy Montgomery. Originally from London, Roy grew up in Christchurch, New Zealand, and his first band, The Pin Group, was part of the forefront of the New Zealand post-punk scene in the early-1980s, that, along with bands like The Clean and The Chills, centered around Flying Nun Records. After this, he began recording on his own, and he began to draw acclaim by his second solo album, Temple IV, which was released on Kranky. Since then, he has recorded any number of fantastic albums, collaborated with groups like Bardo Pond and Flying Saucer Attack, and become a lecturer - and head of the Environmental Management Department at Lincoln University. His most recent work Camera Melancholia was released on Grapefruit a few years ago, and like everything else Roy does, it's wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!
In tonight's bedtime story for kids, we're joining the Jupiter Twins at the Leora Academy, where their dorm's house elf, Kranky, is being, well, crankier than ever! They decide to get together and figure out the cause of his grumpiness- and it turns out to be something quite unexpected! Relax, get sleepy, and let's begin! Upgrade to Koko Club Today!
In tonight's bedtime story for kids, we're joining the Jupiter Twins at the Leora Academy, where their dorm's house elf, Kranky, is being, well, crankier than ever! They decide to get together and figure out the cause of his grumpiness- and it turns out to be something quite unexpected! Relax, get sleepy, and let's begin! Upgrade to Koko Club Today!
In this episode, Matt, and Derrick call bowfishing pioneer, Randy Woodward. Randy has paved the way for thousands of bowfishers during his bowfishing tenure. Matt also gets creative and shows Derrick a song he recently heard. (I'm there to Bowfish)PLUS!Randy won Worlds HOW MANY TIMES!?Kranky discusses pole vaulting and swimming28 year anniversary plans (NOT what you think)Best month for BIG fishNDesignsNDesigns prides itself on attention to detail in every product produced.E-FISH-N-SEE Bowfishing LightsExperience night bowfishing like never before with the E-FISH-N-SEE® Bowfishing LightMegaMouth BowfishingProven to be the TOUGHEST bowfishing reel on the market. Built and designed to dominate. AMS BowfishingOver 40 years of American made innovation. Bowfishing is our way of life, it runs through our veins.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
In this episode we re-cap the AMS Big 20 from tournament day to weigh ins. PlusDon't forget your boat plugBig Fish Categories and prizes they wonTop 8 placing Teams and money they wonKranky the Carp calls the BB HotlineBAA WorldsBrody's 30 pound commonBAA RecordsSponsored by:E-FISH-N-SEE Bowfishing LightsExperience night bowfishing like never before with the E-FISH-N-SEE® Bowfishing LightNDesignsNDesigns prides itself on attention to detail in every product produced.MegaMouth BowfishingProven to be the TOUGHEST bowfishing reel on the market. Built and designed to dominate. AMS BowfishingOver 40 years of American made innovation. Bowfishing is our way of life, it runs through our veins.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/strategy/ American producer @strategydickow steps up to contribute the 382nd edition of the IA MIX Series delivering a stunning chill-out and downtempo podcast for expansive headphone listening. Across a 20-plus year career, and as many releases, Paul Dickow operates at the crossroads of ambient, dub, and electronica. His most recent Strategy album, 'The Wet Room', his 20th album to date, was released in November 2023 via Community Library, the label Paul co-runs with David Chandler. It feels both timeless and of its time, fusing elements of climate anxiety with a heady aura of leftfield sonics. Throughout his discography, Strategy has collaborated with esteemed labels including Kranky, 100% Silk, and Peak Oil, among others, as well as operating his own Community Library imprint, for an output as vast and varied as it is consistently stellar. He's as comfortable crafting hardware-focused, DIY techno as he is spinning long form experimental suites. Strategy's mix is as wide-ranging, unpredictable, and eclectic as his music, spanning Humpbacks, Seefeel, Laurie Spiegel, and Strategy himself. It's an ideal soundtrack for expansive headphone listening or the strangest, grooviest pool party in the neighbourhood. In addition to the mix, we asked Paul all about his history, the Portland music scene, and tour memories.
Obstetric ambient, sullen atmospheres, episodic engulfment. The classical ambient composer discusses three important albums.Adam's picks: Environments (Irv Teibel) – Environments 2Talk Talk – Spirit Of EdenMain – HzAdam's new album, Eleven Fugues For Sodium Pentothal, is out now on Kranky. Check it out on his Bandcamp. Adam's website is here.Donate to Crucial Listening on Ko-fi: https://ko-fi.com/cruciallistening
Episode 113 More Electronic Music for Astral Tripping Playlist Earthstar, “Part 1, Sirens” from French Skyline (1979 Sky records). Recorded at Klaus Schulze Studio, Hambühren, W. Germany in 1978 and 1979. Bass, Electronics, Norm Peach; Choir, Craig Wuest, Joan N., Marla T., Phil N.; Electric Guitar, Treated Guitar, Electronics (Tonewall), Dennis Rea; Flute, Woodwind, Tim Finnegan; French Horn, Flute, Marla Thomson; Producers, Craig Wuest, Klaus Schulze; Moog Modular System Programming, Technical Advice, Klaus Schulze; Sitar, Dirk Schmalenbach, Synthesizer, Sequencer, Mellotron, Biotron, Piano, Sitar, Harp, Effects, Voice, Vocoder, Bells , Percussion, Tape loops, Electronic Treatments, Craig Wuest; Violin, Phil Novak; Violin, Viola, Electronics, Louis Deponté; Violin, Electronics, Daryl Trivieri. (06:18) Edgar Froese, “PA 701” from Macula Transfer (1976 Brain). The material was composed during different flights during '75 and '76 while on tour with Tangerine Dream. Instruments, Composed By, Produced by, Edgar Froese. I'm not certain, but all of the tracks are named after airline flight numbers. I think this one was on Pan American. Recorded in June 1976 at Amber Studio, Berlin. (07:33) Beaver and Krause, “Gandharva” and “By Your Grace,” from Gandharva (1971 Warner Brothers). The Moog Modular is played by Bernie Krause, the pipe organ by Paul Beaver. Baritone Saxophone, Gerry Mulligan. Recorded at Grace Cathedral, San Francisco, February 10-11, 1971. This recording came at the height of the Moog craze (for which Beaver and Krause were largely responsible) and this music took a decidedly thoughtful turn with its jazz guests and spacious live sound recorded in a church. Having the Moog Modular in a live performance was a challenge and its presence is only apparent in the opening and several moments on this side of the album. But the organ and baritone saxophone alone provide a beautiful sonic experience. (06:29) イノヤマランド = Inoyama Land, “Mizue” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track was made by Inoue which he described as him “playing with repetitive octave, machine-like signal sounds.” (02:31) Arp, “Nzuku” from Ensemble—Live! (2019 Mexican Summer). Arp is Alexis Georgopoulos, an American electronic musician, composer, and music producer based in New York. Includes music from his LP, Zebra, as well as four original tracks. Zebra saw the diverse, New York-based artist exploring Fourth World, Japanese avant-garde, minimalism, kosmische, dub, cosmic jazz and more. This album was recorded live in the studio. Limited edition of 500 copies. (06:36) Ariel Kalma, “Reternelle” from Ariel Kalma (1975 Astral Muse). A spacey work for dual saxophones and tape echo, played by Kalma. (12:08) Masuko Shinji, “Woven Music for Silver Ocean” from Woven Music (2011 Jagjaguwar). Japanese singer and guitarist. Some soothing guitar electronics bordering on noise. Let your thoughts wander. (13:50) イノヤマランド = Inoyama Land, “Apple Star” from ダンジンダン・ポジドン = Danzindan-Pojidon (1983 Yen). Inoyama Land is Yasushi Yamashita and Makoto Inoue. Roland Jupiter 8, System-100M, MC-4, Makoto Inoue. Recorded at Private Studio, Kichijōgi & Yugawara from Jan '82 to '83. This track by Inoue came about by his “synchronizing the Jupiter 8 auto arpeggio with the System100M analogue sequencer with the sequencer VC (voltage control), which generates a curious phrase automatically.” (05:57) White Gourd, “La Lune” from Hermit / La Lune (2013 Psychic Sounds). “White Gourd is the solo work of Suzanne Stone. In addition to being a visual artist, herbalist, teacher, master gardener, and beekeeper, she is well known for involvement as vocalist & saxophonist in the experimental ensemble Million Brazilians.” This recording illustrates the dreamy nature of Stone's sound material used in her live performances; found objects, gongs, 78 player, piano and audio cassette loops. (18:10) Somei Satoh, “Echoes” from Emerald Tablet / Echoes (2020 WRWTFWW). Echoes taken from Somei Satoh's Echoes, Edition Omega Point (2003). It was composed for the "Mist, Sound, and Light Festival", held on May 20-19, 1981 at Kawaji, Tochigi Prefecture, Japan. Composed and performed by Somei Satoh. For this event, Satoh composed music for the 10-day event organized by the hot spring tourist association of Kawaji. The work was played at the Kawaji hot spring's Ojika river valley using 8 gigantic loudspeakers set-up on hills surrounding the stream, with music played through an 8-channel-tape system. The echoes created by the work were accentuated as they reverberated through the outdoor location. (30:27) Less Bells, “Bird in Hand” and “Forest Ghosts” from Solifuge (2018 Kranky). Less Bells is Julie Carpenter. All Songs by, Violin, Cello, Synthesizers, Fender Rhodes Electric Piano, Omnichord, Julie Carpenter; Optigan Electric Organ, Buchla Music Box, Moog Modular Synthesizer, Dain Luscombe; Synthesizer, mixed by, Kenneth James Gibson; Vocals, Leah Harmon. Violinist/composer Julie Carpenter “. . . weaves orchestral and electronic textures to inhabit that boundary between storm and sun.” Can you say happy astral tripping? (08:39) Opening background music: Ariel Kalma and Richard Tinti, “Forest Ballad” from Osmose(1978 SFP). Organ, Flute, Ariel Kalma; sound effects, Richard Tinti. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.
"Future Thoughts Ft. Spaceface" by Brothers Griin from Joy City; "Docudrama" by Nyx Nott from Themes From; "DISinformation Desk" by The Black Dog from Music for Real Airports; "The Yips" by James Ellis Ford from The Hum. Courtesy of Warp; The single "Vento a Favor" by Sessa. Courtesy of Mexican Summer; "Cascade" by Niecy Blues from Exit Simulation. Courtesy of Kranky; "Sacred and Profane" by Moundabout from An Cnoc Mor. Courtesy of Rocket Recordings; "Reel Life (Evolution 2)" by Cinematic Orchestra from Man with a Movie Camera. Courtesy of Ninja Tune; "Theme from a Personal Prison" by Emil Amos from Zone Black. Courtesy of Drag City; "Delivery" by Black Duck from the self titled album. Courtesy of Thrill Jockey; "Visiting" by Craig Leon from Anthology of Interplanetary Folk Music Vol. 1. Courtesy of RVNG Intl; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3. Courtesy of Not Not Fun; The Actress remix of Carmen Villain from Smalltown Supersound Remix Anthology Vol. 1-4 2002-2022.
In support of his 2005 album When the Detail Lost its Freedom for the ever-crucial Kranky records, Brian McBride of atmospheric ambient outfits Stars of The Lid and Bell Gardens dropped by dublab for a live rendition of his recent material. In his creative process, McBride recorded guitar, piano and numerous other sources to a keyboard sampler, then composed a batch of all-new works from the recordings. For his set at dublab, McBride triggered the samples live. Bearing a likeness to the pristine beauty of untouched nature, McBride's meditative session is an awe-inducing half-hour of placid sounds akin to Eno's early ambient releases. FROM THE VAULTS is an ongoing curation project produced by Ben Sinclair, resurfacing rare live performances and DJ sets recorded during dublab's first ten years. dublab is a listener supported non profit radio station. Become a Sustaining Member today at: https://www.dublab.com/support/memberships
Esta semana, en una nueva sesión de Rebelión Sónica, destacamos el trabajo del artista del sonido canadiense Tim Hecker, centrándonos en su nuevo disco “No Highs”. Editado el 07 de abril por el prestigioso sello Kranky, el álbum está integrado por 11 pistas que combinan electrónica con elementos acústicos aportados por el piano y el saxo modal a cargo de su compatriota, el destacado vientista Colin Stetson. De acuerdo al comunicado de difusión de "No Highs", “las piezas acumulan y evitan el drama, más en sintonía con la resaca que con el crescendo. Hecker menciona la ‘negación’ como una especie de musa: la sensación de tumulto sin grandilocuencia, éxtasis atado, un escape del escapismo. El suyo es un antagonismo a la vez brusco y seductor, carente de resolución, que hace señas al oyente cada vez más profundo en sus alquimias en escala de grises de inquietud magistral”. En la parte final del programa, viajamos al pasado en la historia musical de Hecker, para escucharlo con música de su álbum de 2018, “Konoyo”, el noveno de su trayectoria, también publicado con Kranky.
It's Sore vs Superbman, I mean…what the?! Yes exactly! We cover Marvel's humor book What The—?! featuring The Avengers (The Revengers) vs the Justice League of America (Just-Us League) years before this battle became official. We discuss a history of both parody books and the “big two” crossovers plus speculate if we will ever see Marvel and DC team up in print or on screen again. Ep. 97 What if the Avengers fought the Justice League in a parody spoof before it happened for real? Plus a HISTORY of Marvel/DC CrossoversEarth-89923 as seen in What The--?! #7It's all your favorite characters: Charlie America, Black & Blue Panther, The Least and more from the house of Marble vs. Hawk-mensch, Mr. Bat-mom, Doctor Face and other members of the Just-A-League in this Marvel vs. DC crossover in the pages of What The—?! Brought to the page by writer Scott Lobdell and artist Rurik Tyler plus work from Tom DeFalco, Terry Kavanagh and more, this skirmish (organized by Kranky the Master of Time and the Poker) comes years before the official Big Two battled it out. On this episode, we discuss the history of both parody comics (including Not Brand Echh and more) and comic crossovers from the beginning to today. We also wonder if thanks to folks like James Gunn and Jim Lee we could see a Marvel and DC crossover on the page or screen again soon. Reading List:What The--?! #7Find us at https://linktr.ee/dearwatchersEmail Podcast@DearWatchers.comTheme music is Space Heroes by MaxKoMusic (Creative Commons Attribution-ShareAlike 3.0) ★ Support this podcast ★
In the 49th episode of the podcast overall, and the premiere of the ninth season, Kevin welcomes Collette Andrea, aka Gollden, a singer, songwriter, ambient performer, and podcaster from Toronto—the two talk about her journey from listening to Stevie Ray Vaughan to Stars of The Lid, her new EP, and the podcast she started at the beginning of 2023. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter. To learn more about Collette and Gollden, visit her website, listen on Bandcamp, or follow her on Instagram; or subscribe to her Gollden Hour Podcast on Spotify. Musical Credits: Intro Music- "Hip 2 Da Game" (Instrumental) performed by Lord Finesse. The Awakening: 25th Anniversary Edition, Tommy Boy, 2021. Closing Music- "Cypress" written and performed by Collette Andrea. Before You Sleep, self released, 2023. "Little Wing," written by James Marshall Hendrix; performed by the Jimi Hendrix Experience. Axis: Bold As Love, Reprise, 1967. "Lenny," written by Stephen Ray Vaughan; performed by Stevie Ray Vaughan and Double Trouble. Texas Flood, Epic, 1983. "Where Did You Sleep Last Night?," attributed by Huddie William Ledbetter; performed by Nirvana. Nirvana Unplugged in New York, DCG, 1994. "Metal Heart," written by Chan Marshall; performed by Cat Power. Moon Pix, Matador, 1998. "Intuition," written and performed by Leslie Feist. The Reminder, Polydoor, 2007. "Love," written and performed by John Lennon. Plastic Ono Band, EMI, 1970. "Your Hand in Mind," written and performed by Explosions in The Sky. The Earth is Not A Cold Dead Place, Temporary Residence, 2003. "East of The Full Moon," written and performed by Georg Deuter. East of The Full Moon, New Earth, 2005. "Piano Aquieu," written by Brian McBride and Adam Wiltzie; performed by Stars of The Lid. The Tired Sounds of Stars of The Lid, Kranky, 2001. "LA11," written by Richard Hall; performed by Moby. Long Ambients 1: Calm, Sleep, self-released, 2016.
'The Super Mario Bros. Movie' is the record-shattering 2023 film adaptation of the beloved 'Super Mario Bros.' video game franchise from Nintendo. Philip, Bridget, and Alex review the new animated release from Universal Pictures and Illumination, delving into the whimsical fantasy of the Mushroom Kingdom along with New York City plumbers Mario and Luigi, whose epic adventure finds them face-to-face with all kinds of colorful characters. The menacing King of the Koopas, Bowser, is bearing down on Princess Peach's castle in his latest move toward conquest. Meanwhile, Mario and Peach set out to seek aid from the neighboring jungle and its leaders Kranky and Donkey Kong. Is their any hope of stopping Bowser? Are Mario and Luigi doomed to meet their fate in this strange magical world? Follow The ThawedCast: Conversations About Animation: twitter.com/thawedcast and instagram.com/thawedcast. instagram.com/ayeedeezy, instagram.com/bridget5246, instagram.com/philipehlke. Visit thawedcast.com
On today's episode, I talk to musician Oren Ambarchi. Originally from Sydney, Australia, Oren began playing free jazz as a drummer in the late '80s, eventually moving from there to New York, where he became integrated in the experimental and jazz scene. Oren's collaborations and albums are too numerous to mention here, but he's played with everyone from Sunn 0)) to John Zorn to Jim O'Rourke to Phill Niblock, and released albums on labels like Kranky, Tzadik and his own, Black Truffle. Oren now lives in Berlin, and his most recent album is Shebang, which was released on Drag City last year, and it is incredible! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!
Bruce Adams is on hand to chat about his recent book, "You're with Stupid: kranky, Chicago, and the Reinvention of Indie Music," writing for Your Flesh, touring with the Laughing Hyenas, and more!
Bruce Adams joins us for episode # 26. He co-founded kranky records and recently authored a wonderful book, You're with Stupid: kranky, Chicago, and the Reinvention of Indie Music. We talk about Bruce's early history working at Kaleidoscope, Touch and Go and Cargo Records. We also cover his history with kranky records and then talk about how he came to writing You're with Stupid. And, of course, we talk about Chicago.Time Stamps1:39 - Guest host Wade Iverson joins the show today1:45 - Welcome Bruce Adams2:25 - Bruce moves to Chicago in 1987 and begins working at Kaleidoscope. How did that inform your music history?7:00 - Nick the Greek - music or money?7:30 - Corey & Lisa from Touch & Go set the tone and had some great parties!8:45 - Were there kranky parties?11:30 - How did your relationship with Joel Leoschke begin?14:30 - Wax Trax Records provides some useful lessons 17:15 - How compatible were you with Joel?18:10 - How many ECM records do you own?20:30 - Talk about Steve Tibbetts23:30 - Did kranky supply recording budgets to your bands?27:15 - How do you describe Bowery Electric?31:15 - How did you work together with your bands to succeed?33:40 - Did you work together with other labels to share ideas?37:20 - Are people in the music industry good business people?39:10 - How did you decide to move on from kranky in 2005?42:10 - Will you switch from the Maize & Blue to the Fighting Illini?44:00 - What were your formative musical influences?48:00 - How did Chicago impact indie labels like kranky, Drag City, Thrill Jockey and Bloodshot?51:50 - How influential was Labradford?57:25 - Did Monster Truck Five ever release a record?58:40 - When did you start writing You're with Stupid?65:00 - Who plays Bruce Adams in the movie version of You're with Stupid?66:15 - Favorite band of all time, favorite kranky show, did Billy Corgan ever invite a kranky band on tour?67:15 - Mimi Parker / Low memory?72:00 - All the usual Chicago questions
This week, hosts Jim DeRogatis and Greg Kot explore the history of the Chicago indie label Kranky Records, which has been home over the years to artists like Low, Deerhunter and Godspeed You! Black Emperor. They talk with Kranky co-founder and author of the book “You're with Stupid,” Bruce Adams, about its creation, ethos and more. The hosts also review new music from Iggy Pop and Ladytron. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Stars of the Lid, "Goodnight," Music for Nitrous Oxide, Kranky, 1995Iggy Pop, "Frenzy," Every Loser, GOLDTOOTH INC, 2023Iggy Pop, "Strung Out Johnny," Every Loser, GOLDTOOTH INC, 2023Iggy Pop, "New Atlantis," Every Loser, GOLDTOOTH INC, 2023Iggy Pop, "The News For Andy (Interlude)," Every Loser, GOLDTOOTH INC, 2023Ladytron, "Time's Arrow," Time's Arrow, Cooking Vinyl, 2023Ladytron, "City of Angels," Time's Arrow, Cooking Vinyl, 2023Ladytron, "The Dreamers," Time's Arrow, Cooking Vinyl, 2023Ladytron, "Misery Remember Me," Time's Arrow, Cooking Vinyl, 2023Godspeed You! Black Emperor, "Storm," Lift Your Skinny Fists Like Antennas to Heaven, Kranky, 2000Labradford, "S," Mi Media Naranja, Kranky, 1997John Barry, "Somewhere In Time (Main Theme)," Somewhere In Time (Soundtrack from the Motion Picture), Geffen, 1980Jessamine, "...Or What You Mean," The Long Arm of Coincidence, Kranky, 1996Low, "Sunflower," Things We Lost In the Fire, Kranky, 2001Labradford, "David," fixed::context, Kranky, 2000Godspeed You! Black Emperor, "The Dead Flag Blues," F♯ A♯ ∞, Kranky, 1997LadyBlu, "Sweet Anxiety," Sweet Anxiety (Single), 4246244, 2022
It is fitting that Bruce Adams's new book, the sardonically-titled You're with Stupid: kranky, Chicago and the Reinvention of Indie Music, begins at Jim's Grill off Irving Park Road in the Ravenswood neighborhood on the North Side: It was the first place I remember seeing a promotional poster for this new band, The Smashing Pumpkins, who were regular customers of Bill Choi's Korean-inspired restaurant, when they were first starting out.But let's back up a few years, to set the scene of what was to come. After attending college at the University of Michigan, in Ann Arbor, in the mid-1980s, Adams worked at a record shop and wrote for the fanzine Your Flesh. He caught the indie rock bug, as it were, inspired by the then burgeoning independent music industry that had grown out of labels like Dischord in Washington, DC, Sub Pop in Seattle, and Touch & Go in Chicago, who presented a more artist-friendly path for bands to make a living selling records, CDs and cassettesAdams found his way to Chicago, where, by the mid-1990s, there was a golden age of independent businesses thriving in unison: records labels (Drag City, Thrill Jockey, Atavistic, Bloodshot, Carrot Top), distributors (Ajax, Cargo, Southern), records shops (Reckless, Dusty Groove, Wax Trax, The Quaker Goes Deaf), underground press (the Chicago Reader and New City, but also Lumpen and Stop Smiling), and venues (Cabaret Metro, Lounge Ax, the Empty Bottle, and Double Door). As Adams documents, it was a near-perfect eco-system for creativity and experimentation in a pre-digital age.You're with Stupid is both a cultural history of the Chicago music world at that time, as told through the record labels and distributors that Adams worked for but also a how-to roadmap to founding a DIY operation. This is my conversation with Bruce Adams about his book and those times.Reading by Bruce AdamsMusic by Labradford
Jim and Greg talk with longtime music photographer Marty Perez about his new career-spanning book, "Kill A Punk For Rock & Roll." They also share their favorite songs about photography and pay tribute to David Crosby.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsFeatured SongsThe Kinks, "People Take Pictures of Each Other," The Kinks Are the Village Green Preservation Society, Pye, 1968The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Crosby, Stills and Nash, "Long Time Gone," Crosby, Stills and Nash, Atlantic, 1969David Crosby, "Cowboy Movie," If I Could Only Remember My Name, Atlantic, 1971Spoon, "I Turn My Camera On," Gimme Fiction, Matador, 2005Yes, "Into the Lens," Drama, Atlantic, 1980Pink, "Family Portrait," Missundaztood, Arista, 2001Ringo Starr, "Photograph," Ringo, Apple, 1973Kevin Morby, "This Is A Photograph," This Is A Photograph, Dead Oceans, 2022Patti Smith, "Gloria," Horses, Arista, 1975The Kinks, "Picture Book," The Kinks Are the Village Green Preservation Society, Pye, 1968Duran Duran, "Girls On Film," Duran Duran, EMI, 1981Ice Cube, "Who Got the Camera," The Predator, Priority, 1992Outkast, "Hey Ya!," Speakerboxxx/The Love Below, Arista, 2003Mission of Burma, "This Is Not a Photograph," Signals, Calls and Marches, Ace of Hearts, 1980The Cure, "Pictures of You," Disintegration, Fiction, 1989Labradford, "S," Mi Media Naranja, Kranky, 1998
Hosts Jim DeRogatis and Greg Kot revisit Low's 2011 session on Sound Opinions in honor of singer and drummer Mimi Parker, who died in November. The hosts also pay tribute to Loretta Lynn and drummer Anton Fier, who also died in 2022. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Low, "More," Hey What, Sub Pop, 2021Low, "Try to Sleep (Live on Sound Opinions)," C'mon, Sub Pop, 2011Robert Plant, "Monkey," Band of Joy, Decca, Rounder, 2010Led Zeppelin, "Black Dog," Led Zeppelin IV, Atlantic, 1971Low, "You See Everything (Live on Sound Opinions)," C'mon, Sub Pop, 2011Low, "Long Way Around the Sea," Christmas, Kranky, 1999Low, "Witches (Live on Sound Opinions)," C'mon, Sub Pop, 2011Low, "California," The Great Destroyer, Rough Trade, 2005Loretta Lynn, "Story of My Life," Van Lear Rose, Interscope, 2004Loretta Lynn, "The Pill," Back to the Country, MCA, 1975The Feelies, "Raised Eyebrows," Crazy Rhythms, Stiff America, 1980The Golden Palominos, "Clustering Train (feat. Michael Stipe)," Visions of Excess, Celluloid, 1985Taylor Swift, "Anti-Hero," Midnights, Republic, 2022
This week, Jim DeRogatis and Greg Kot dissect D'Angelo's masterpiece album Voodoo. They chat with author Faith Pennick about the record's context, impact and more. Then, the hosts will talk with the bassist who played on that album, among many others, Pino Palladino. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:D'Angelo, "One Mo'gin," Voodoo, Virgin, 2000D'Angelo, "Playa Playa," Voodoo, Virgin, 2000D'Angelo, "Chicken Grease," Voodoo, Virgin, 2000D'Angelo, "Brown Sugar," Brown Sugar, EMI, 1995D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000D'Angelo, "Africa," Voodoo, Virgin, 2000D'Angelo, "The Root," Voodoo, Virgin, 2000Pino Palladino & Blake Mills, "Just Wrong," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Off The Cuff," Notes With Attachments, Verve, 2021Paul Young, "Come Back and Stay (Extended Version)," No Parlez, Columbia, 1983D'Angelo, "Send It On," Voodoo, Virgin, 2000D'Angelo, "Feel Like Makin' Love," Voodoo, Virgin, 2000The Who, "Baba O'Riley (Live at the Hollywood Bowl 2002)," Who's Next, Decca, 1971The Who, "My Generation," My Generation, Brunswick, 1965Pino Palladino & Blake Mills, "Soundwalk," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Ekuté," Notes With Attachments, Verve, 2021D'Angelo, Femi Kuti, Macy Gray, and the Soultronics, "Water No Get Enemy (feat. Nile Rodgers and Roy Hargrove)," Red Hot + Riot: The Music and Spirit of Fela Kuti, MCA, 2003John Mayer Trio, "Who Did You Think I Was (Live at the House of Blues, Chicago, Illinois, September 22, 2005)," Try! Live in Concert, Columbia, 2005Low, "Long Way Around the Sea," Christmas, Kranky, 1999
As with all past ‘Reflection' year-end mixes, I start with a collection of music I have enjoyed over the past year. Through the process of compiling a mix, songs are whittled down and selected from this collection. This means many of my favorite tracks and albums are often omitted in this process, due to the need for them to fit in a mix that comes together as organically as possible. As I say every year, this isn't a definitive ‘best-of' list, but a selection of just *some* of my favorite music from the year in one easily listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to then enjoy and hopefully discover more. I encourage you to use the mix to jump off and explore each artist, listen to the album in full and see what else is on the label (and check the Buy Music Club list at the bottom). Of course, releases or aliases that are a part of our own label/s are not considered for this mix (head over here for our label-specific 2022 showcase!), and if you want to see the majority of what I've been supporting, head over to my Bandcamp collection.~Mixes paint a memory, and in many ways better than a photo. That's half the reason I do these year-end mixes. Listening back to some of the past ten ‘Reflection on' editions, each one still does the job of invoking specific memories for me. From the time I made the mix or tracks that trigger a time and place, maybe a gig I went to, an album that soundtracked a special moment, or just a record that didn't leave my turntable. All of these things influence what tracks go into my year-end mix. It makes it challenging to try and capture, but also rewarding when I come out of the other side with something to listen back to that really shaped my year in listening. Despite this feature taking many, many hours, it's much easier than doing a list, because not only do I dislike ranking music, but I really enjoy putting together mixes (so any excuse really!).I haven't written in-depth track notes for the past few Reflection mixes, mostly due to the sheer high number of track inclusions, but I want to go into depth on the inclusions this time around. I miss writing about music here, and it's been a few years now since I've even posted a review. So hit play below, keep scrolling for the track notes, and link to a BuyMusicClub list to support all the featured music. astrangelyisolatedplace · ASIP - Reflection on 2022 Listen on Soundcloud, or the ASIP Podcast.Download MP3~Firstly, let's sweep it under the rug; I've broken the biggest rule of the mix and included a track that wasn't from 2022 (in fact, a couple aren't strictly, but more on that later). The first track (and album), by maarja nut and ruum was such a lovely discovery for me this year that I missed in 2018, it accidentally slipped into my 2022 playlist due to being on high rotation. Of course, it was the very first track in the mix that set the tone- a hard one to undo when you've completed the set. So, because I have no one to answer to but myself, it stays! And I doubt you will regret this decision either if this album is new to you. Malibu made an appearance in 2020's mix, and she's perhaps a good reason for igniting a stronghold in female vocal led-ambient music recently. But few attempts are as ethereal as Malibu's latest, going full-on Salt Tank (as a fellow Trance lover nicely put it once).Ecovillage have made some gorgeous music over the years, and their latest album was a work of collaborations with some impressive producers such as Fennesz and harpist Nailah Hunter. My favorite track of the bunch was Memories of Spring featuring Japanese vibraphone player Masayoshi Fujita (the Erased Tapes stalwart). Raum, a collaborative project by Jefre Cantu-Ledesma and Liz Harris (Grouper) released a long-awaited follow-up to their 2013 album, and it didn't disappoint. Whilst used more as a texture/segue in this mix, I encourage you to explore the full album. And, in a nod to Liz Harris' involvement in the artwork for one of our releases this year, it felt fitting to include her project in this mix (thanks Liz!).I've admired GiGi FM's DJ'ing abilities for a few years now (check out her isolatedmix) but only last year did she debut her production chops with Kiwi Synthesis Diary 21k. I didn't get around to listening to the album until this year (along with her latest, Magnetite EP) and so it didn't make last year's mix which was already out in the world. So here's another little cheat, albeit a very short inclusion. You can't say "In Every Dream Home A Heartache” without reading it like the Roxy Music intro, and Romance and Dean Hurley's similarly named album is just as memorable for me in many ways. Whilst this track is not my favorite from the album, it reminds me of the church bells and distant music playing from across the farm fields in my hometown back in England.Fallen, aka Lorenzo Bracaloni seems to have released quite a few albums this year, but I was introduced to Moonlight Romance by Noah M (who creates many of our own artworks and was behind the art for this one). It's like a new-new-age album, full of life and color, and a really pleasant listen from front to back.One thing I find hard with this annual mix is whether to include tracks that have appeared in some other mixes of mine this year. Ultimately, I want to try and present new listening experiences with each mix, but then again, I am sure it's very few of you who actually listen to all of them!… . Steve Roach's What Remains appeared in a previous mix of mine this year, but this track is him at his very best. Refined, patient, bellowing, and glistening - a master of the style.Pretty sure nthng has appeared in the last two Reflection mixes, but what can I say… whether he is releasing pounding atmospheric techno or soaring trance-inducing textures like this one, he somehow manages to draw me in with each of his releases. (I think, secretly, he's a trance head and there's a subconscious/ telepathic attraction going on between us).At this point I got lost in the bellows of the last few tracks, so decided to find a way out of this musical chapter, and IKSRE provided a nice euphoric bridge with her vocals. Released on the ‘Healing Together' compilation curated by Cynthia Bernard / Marine Eyes, plenty of tracks from this comp could've made it onto this mix, so you know what to do after...There was no doubt I was going to try and include a Norm Chambers track in here somewhere, both due to his unfortunate passing this year and his undeniable contribution to the ambient and experimental community. I seeked out a jolt in the mix at this point, so his music didn't go unnoticed. As someone I follow recently said, you could make five mixes from his library of music and each one would sound different. Thank you for the music Norm - RIP.Chicago artists Purelink seems to be at the front of this new 'jungle/beat infused choppy ambience™, that I've seen becoming quite popular lately (how old do I sound). And one member of this trio features a bit later under a different alias. There is lots to explore in this world - whether it be following each of the member artists, their labels, or some of their own self-released music on Bandcamp. This track fits my dreamy chill-out world perfectly and was a much-needed segue into a more beat-driven chapter of the mix. Spoiler alert, Mikkel Rev will be making an appearance in the ASIP fam in 2023, so until he does, he's OK to be included in this mix (!) As part of the Ute Collective hailing from Norway, it's another rabbit hole of amazing young talent should you be into the more trance-infused sound of ambient music (or indeed, full-on trance music - plenty of that there). He makes some superb atmospheric chugging downtempo that ranges from the delicate to the beat-driven.Whenever a new Biosphere album drops, it's met with slight trepidation on my end. Not least because his albums take forever to reach the US on vinyl, but, how do you live up to the classics you created that helped define a genre? But that feeling is always short-lived and none so short as 2022's effort. In what is a direct throwback to some of his earlier electronic styles, Shortwave Memories is one of his best in the past 10 years - at least. The N-Plants vibe in this particular track is the show-stopper. ReKaB was a new discovery for me this year, and the Móatún 7 label that homes this release, is a goldmine for electro-leaning music (even featuring a Yagya 10” recently). I think I played this ReKaB album front to back more than five times in the car one day. It's such an enjoyable listen - not too pretentious, just enough old-school vibe, and energy to keep things present as opposed to wallpaper. OK, a couple more records were not strictly new in 2022 but I've always debated including reissues in this mix, and finally come around to the idea given the proliferation recently. After all, there was never a Reflection on 1993 was there?! Spacetime Continuum and the always-on-point Musique Por La Danse label provide the 90's throwback. (The similar-era Detroit Escalator reissue would have also made it in here, but I had to stop somewhere). Daniel Avery's album is a monolith. Throwbacks to Aphex on a SAW tip, mixed in with wall-shuddering bass and cave-mentality breakdowns. Any electronic fan that spent time in a dimly lit rave is going to enjoy his latest, just as much as the IDM/Electronica fan in all of us. I'm not sure if the track in the mix is my fave of the album yet, but the bigger tracks on the album would have sent this mix into a whole new dimension. Seeing James Devane pop up this year was weird. Back in my blog days (they still exist today but this specific instance was 13 years ago), I uploaded a cover of Aphex Twin's Rhubarb by James Devane to Soundcloud to host on the blog (remember those days) - it has 26k plays and the majority of us I'm sure really had no idea who he was until this year. With just one prior release on Discogs, I thought he dropped off radar. I guess he kind of did. This album was therefore a surprise to see, and its Gas-like fringed-techno a pleasant reintroduction. Prior to Covid, I was due to DJ at an Astral Industries gig in London, and Transcendence Orchestra was on the bill for the second night I was there (when I'd get to relax and enjoy the full night!) It didn't happen, unfortunately, but I always keep an ear out for their output and regret not being able to see them live. Back to the mix though, I didn't go too hard on the modular synth-heavy tracks this year, but as with all Reflection mixes, I try and cover the variety of music I've been listening to. Whilst the full Transcendence Orchestra album ‘Dreams, Waking Thoughts and Incidents' is a dark trance-inducing affair that might have felt like a rabbit hole at this point in the mix, this track formed a nice segue into the next with a similar sound…This was the year Abul Mogard no longer hid behind his “old man steel factory worker” story and came out of the shadows on Houndstooth alongside COH (Gone is my idea for an “I AM THEREFORE I AM (ABUL MOGARD)” t-shirt). I've always wondered what Abul Mogard's (real name Guido Zen) music would sound like if you added some fizz and more obvious structure, and this track can still be found bouncing around in my head somewhere. Another track not ‘new' in 2022, but once again, there are no rules when you're documenting someone so profound. And to lose Low's Mimi Parker was a shock to everyone this year. I was late to the Low party given how long they have been around, but Mimi's vocals on this track from one of their most recent albums (Double Negative) are purely angelic. I took liberties with the layering in the mix here, respectfully, so I hope it pays off in the listen as a moment of true reflection. It's not often you get treated to some of this early 90's music for the very first time, but stumbling across Bowery Electric is like finding a long-lost favorite. Originally released in 1996, this is an example of why Kranky is so legendary all those years later, playing host to gems like this. Nosaj Thing isn't normally the type of music that stays in my periphery, but my colleagues were sharing the news of this new album, existing on the fringes of hip-hop and electronica, and when Julianna Barwick is involved, I tend to put it at the top of the pile. Whilst the beat closely reminded me of Massive Attack's Teardrop, there's no hiding the track's beauty in totality. Add to this, I took a friend to see Nosaj Thing at The Greek Theater in LA, and we drank way too many Caipirinha's before stumbling up the hill to the venue and missed Nosaj playing altogether… We did catch Toro Y Moi after though, so it's a perfect memory captured for 2022. I'm glad Synkro returned with music this year, and it's an amazing little EP on R&S to boot. Maybe even more atmospheric than his previous work, the beats are a little more smudged across this EP, but everything he touches has a considered, unique touch that can be heard strongly throughout his work and within collaborations (such as Kiyoko). There's a substantial amount of music to discover from Neglect on Bandcamp, someone I've admired from afar for a while now. This track, taken from his latest album is amongst a beautiful bunch of nostalgic electronica that cries quality. It's always hard to single out an Astral Industries release. The consistency of releases are faultless, so my shortlist this year with AI releases to include, was, well… not very short. Mystic AM, however, is the first release by Astral label boss Ario, alongside none other than Rod Modell, so it quickly became top of the pile by reason of a special moment in 2022, not least because of the beauty found in its original Iranian field recordings. Perhaps one of the most extensive releases of the year comes from the always intriguing Stroom label, and Voice Actor. 109 pieces of music and a surprising quality found throughout. It's more collage than music when listened to as one, but you'll find some lovely moments hidden amongst the 8(?) hours. “Will it be available on vinyl” I hear you jest? I've seen this popping up in lots of EOY lists already too. There's talk within my small circles that Music For Animals is Nils Frahm's best album yet. I'm not sticking by that just yet, as Spaces is probably in my top 10 of all time so far, but it certainly represents a stunning (d)evolution? Not a piano in sight you say? I immediately disbelieved it. But alas. It's like Nils kept getting put into Ambient playlists on Spotify and was like "OK, I'll give you what you really want…”.I'm not quite sure how I stumbled across Ben Bondy. I think a friend might've recommended an album of his (Hadi, was that you?!) but It was enough for me to stalk his many Bandcamp releases and find some lovey instances. This track reminds me of a classic chill-out room track in its swirling laid-back mystery and vocal. I wouldn't have come across the All India Radio track if it wasn't for the great compilation it was presented on this year by Mystic and Quantum (a label responsible for some lovely releases over the years). New to me, it looks like they have quite the discography I'm yet to dig into, but this was a lovely moment that flowed nicely after the previous. Time to do some digging.Concave Reflection (see Purelink reference above) is another artist in the fringes of my frequent listens but one I'm fully dipping my toes in right now. The full-length album 'The Best People Are Like Water' is a really interesting listen - kind of metallic, chopped-up ambiance that the Spheric label are becoming known for (and seems to be all the hype right now). Whilst the next track was originally from an album released a few years back, you've probably learned by now I'm bending the rules a little. However, this version of Hania Rani's track Leaving, is a live recording released in 2022. After watching her live performance on KEXP, (shout to Alex Ruder!) I was truly mind-blown at her talent. It's easy to make comparisons to Nils of course, but Hania has that vocal element which adds a whole new dimension. If I had to be pushed, my favorite non-ambient album this year might have come from Mike Paradinas / µ-Ziq. Magic Pony Ride is just pure fun. And you need that in your listening repertoire nowadays, right? The bank of melodies and creativity this guy has amassed over the years must be unbelievable. To think, only some of it makes itself out into the world as a record. He followed this album up with another similar stunner too - spoiled!I've already given Wardown his superlatives for the year in his isolatedmix feature, but in summary, Wardown II followed up his nostalgic DnB/Jungle debut under this alias in style. Will there be a third that can keep the standard this high??I could've launched into a complete Jungle/DnB hour at this point, but being 2hrs in, I really had to start winding this beast down and get all the end-of-the-night feels going. Bot1500's latest EP stepped in nicely here - a lovely collection of melodic IDM and the track Chartreuse 8 felt rather emotional. Royksopp really don't do things by halves, and whether the entirety of their music is enjoyed or not when it crosses into the Pop realm, they still manage to conjure up some magic moments. I wanted to try and include a track out of the 3(!) albums they released this year but really couldn't find one that fit outside of this weird sample here. It worked on a few levels for me here though, “Press R to continue” …Rose Riebl…With three compilations curated by Headphone Commute, the quality found amongst the ‘For Ukraine' comps should go down as monumental and unmissable. I knew I had to get a track in this mix from the many on display, and this one felt like a perfect near-conclusion to the mix. Don't miss out on supporting a great cause and listening to some of the best artists creating modern classical music right now. The final track of the mix comes from EXM. While I normally try and end these mixes with a closer that is potentially surprising or off-genre (maybe a glance at other weird music I listen to) this one just somehow felt right. Uplifting and melodic, you can't help but mirror its gradual progression with your volume-up button. ~The art for this mix might feel a little unflattering at first, but I wanted to capture the mass AI hysteria as part of this year's memory and mix. So, fittingly, this is what I got back with the creative input of ‘A Strangely Isolated Place'. Why so literal, bot?Tracklist + Buy Music Club:01. maarja nuut & ruum - Mahe (Fat Cat Records)02. Malibu - Iliad (UNO NYC)03. Ecovillage - Memories of Spring feat. Masayoshi Fujita (LAAPS)04. Raum - Daughter (Self)05. GiGi FM - Rosé (Louise) (Self)06. Romance & Dean Hurley - The Flesh Is Weak (Ecstatic)07. Fallen - Under A Glass Moon Of Wonder (Aural Canyon)08. Steve Roach - What Remains (Self)09. nthng - Some Clouds Are Destined To Break (Transatlantic)10. IKSRE - You Will Find (PITP)11. Norm Chambers - Resonant Foam (Self)12. Purelink - Butterfly Jam (uWu Dust Bath)13. Mikkel Rev - Ende (Translusid)14. Biosphere - Night Shift (Biophon Records)15. ReKaB - The Lightest Touch (Móatún 7)16. Spacetime Continuum - Drift (Musique Pour La Danse)17. Daniel Avery - Lone Swordsman (Mute)18. James Devane - Orange and Tan (Umeboshi)19. Transcendence Orchestra - The Hills Are Alive (Old Technology)20. COH meets Abul Mogard - Traverse Within (Houndstooth)21. Low - Fly (Subpop)22. Bowery Electric - Postscript (Kranky)23. Nosaj Thing feat. Julianna Barwick - Blue Hour (Lucky Me)24. Synkro - Last Breath (R&S Records)25. Neglect - In The Bondage of Your Identity (Unsilent Desert Press)26. Mystic AM - This Spoke Zarathustra (Astral Industries)27. Voice Actor - Hurt With Me (STROOM)28. Nils Frahm - Right Right Right (Leiter)29. Ben Bondy - Spring (Self)30. All India Radio - Ancient Invocations (Mystic & Quantum)31. Concave Reflection -Daylight Portrait (Theory Therapy)32. Hania Rani - Leaving (Live from Studio S2) (Gondwana)33. µ-Ziq - Turquoise Hyperfizz (Planet Mu)34. Wardown - Stimulus Progression Pattern (Blu Mar Ten)35. Bot1500 - Chartreuse 8 (Lith Dolina)36. Royksopp - Press (Self)37. Rose Riebl - Near Dark (Headphone Commute)38. EXM - Autumn is Coming (Dyadik) ~Buy Music Club list >>
Xander Bogaerts--and stop me if you've heard this before--is no longer a Boston Red Sock. As a matter of fact, he's a San Diego Padre (that's Spanish for Daddy). Let's let it all out. Let's vent, let's curse the name of the front office, let's see where the Red Sox go from here, let's sob, let's do all of that. Interspersed (I didn't spell that word correctly on my first try), we talk Christmas with the Kranks, mascots, Roger Ebert, Christmas with the Kranks again, roger Ebert's thoughts on Christmas with the Kranks, and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices
"To Live and Drive in L.A." by Drugdealer from Hiding in Plain Sight; "Striped Pants" by Flaccid Mojo from their self titled album; "Hare" by Wand from Spiders in the Rain; "Son of Troutdale" by Lowbelly from Night Town; "Nightcrawler" by Plaid featuring Mason Bee from Feorm Falorx; "Trocadero" by The Soft Pink Truth from Is It Going to Get Any Deeper Than This?; "Downriver" by Skyminds from Terra Preta; "I Been Gone" by Moon Duo from Live at Levitation; "This Continuous Spectrum" by Jessica Moss from Galaxy Heart; "The Dreamer" by Anja Lauvdal from From A Story Now Lost; "One Thousand" by Marco Zenker from Channel Balance; "Condescend" by Low from Songs for a Dead Pilot. Courtesy of Kranky; "Space Labyrinth or Eclipse on Friday" by Acid Mothers Temple and The Melting Paraiso U.F.O. from Dark Side of the Black Moon: What Planet Are We On?
Like all uncool grown-ups, I believe that the music of my generation was the best. I happened to have lived my formative years in the 90's, so it is all Gangsta Rap and Grunge Rock. I also only listen to popular music. I never had interest in any independent rock scene, it just wasn't my […]
Like all uncool grown-ups, I believe that the music of my generation was the best. I happened to have lived my formative years in the 90's, so it is all Gangsta Rap and Grunge Rock. I also only listen to popular music. I never had interest in any independent rock scene, it just wasn't my […]
Some tracks by Low to honor the passing of Mimi Parker plus lots of cozy, familiar bands from the late 90s / 2000s.
Kranky co-founder Bruce Adams sits down to discuss his new book,You're With Stupid: kranky, Chicago, and the Reinvention of Indie Music. (UTPress) Adams explains the unique conditions that put Chicago at the heart of the ‘90s indie rock scene, the emergence of the kranky aesthetic, and sing the praises of Labradford. Interview recorded between Urbana and Montreal, August 2022 Produced and mixed in Montreal, October 2022 TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Labradford - “Listening in Depth” (Prazision, kranky, 1993) INTRO Tim Hecker - “harmony in blue iv” (Harmony in Ultraviolet, kranky, 2006) Sebadoh - “Gimme Indie Rock” (Gimme Indie Rock!, Homestead, 1991) Archers of Loaf - “Plumb line” (Icky Mettle, Alias, 1993) Smashing Pumpkins - “Cherub Rock” (Siamese Dream, 1993) Jessamine - “Secret” (Jessamine, kranky, 1994) Slint – “Good Morning Captain” (Spiderland, Touch & Go, 1991/1995) Tortoise - “Djed” (Millions Now Living Will Never Die, Thrill Jockey, 1996) Spacemen 3 - “Feel So Sad” (Recurring, Fire Records, 1991) The Art Ensemble Of Chicago – “Urban Magic (in 4 Parts)” (Urban Bushmen, ECM, 1982) Designer [Casey Rice]- “Vandal” (Vandal, Organico, 1996) Labradford - “New Listening” (Prazision, kranky, 1993) Labradford - “Recorded And Mixed At Sound Of Music, Richmond, Va.” (E Luxo So, kranky, 1999) Labradford - “Wien” (Fixed::Context, kranky, 2001) Labradford - “S” (Mi Media Naranja, kranky, 1997) Stereolab / Nurse With Wound - “Simple Headphone Mind” (Simple Headphone Mind, Duophonic Super 45s, 1997) Gastr del Sol – “The Harp Factory On Lake Street” (The Harp Factory On Lake Street, Table Of The Elements, 1995) AMP - “Celestialreturn” (astralmoonbeamprojections, kranky, 1997) Massive Attack - “Inertia Creeps” (Mezzanine, Virgin, 1998) Magnog - “Shapeshifter" (Magnog, kranky, 1996) Roy Montgomery - “The Soul Quitens” (Temple IV, kranky, 1995) Windy + Carl - “Surfacing” (Depths, kranky, 1998) Jessica Bailiff - “Beautiful Soul" (Even in Silence, kranky, 1998) Grouper - “Disengaged” (Dragging a Dead Deer Up A Hill, Type, 2008/ kranky, 2013) Low - “Remember” (Secret Name, kranky, 1999) Liz Phair - “Girls! Girls! Girls!” (Exile in Guyville, 1993) J Dilla “33” (Another Batch, 1998) Wadada Leo Smith - "Images" [excerpt] (Spirit Catcher, Nessa, 1979) Angel Bat Dawid - “The Oracle” (The Oracle, International Anthem, 2019) Christina Vantzou - “The Magic of the Autodidact” [edit] (N°2, kranky, 2014) Dead Texan - “The Struggle” (The Dead Texan, kranky, 2004) Stars of the Lid - “The Lonely People (Are Getting Lonelier)” (The Tired Sounds Of, kranky, 2001) Bowery Electric - “Deep Blue” (Lushlife, Beggars Banquet, 2000) Kevin Drumm - “Deep Breathing Doesn't Work” (May(Part 2), 2017) Labradford - “Lake Speed” (Labradford, kranky, 1996) —- Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://anchor.fm/soundpropositions/support
On today's episode, I talk to artist and musician Tara Jane O'Neil. Tara cut her teeth in the 1990s Louisville music scene as the bassist of the influential post-punk group Rodan. After their breakup in 1994, she moved to New York, where she performed in a number of fantastic bands including Retsin, Ida Retsin Family, The Sonora Pine, and The Naysayer. She's also released over a dozen albums and EPs under her own name on labels like Kranky and K, and as a visual artist, she's been exhibited all over the world. In early November, The Sonora Pine's second album II will be reissued on Ryley Walker's label Husky Pants Records, and I can't recommend it enough! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.
Oslated is a label collective from South Korea, often found presenting lovely deep meditative techno from the likes of Doltz, Saphileaum, Launaea, Javier Marimon, and many more personal faves. They also host a mix series, which has previously featured some great contributions by many faces readers of ASIP will recognize, so it was a pleasure to be asked to contribute a mix. I don't have too much to say on this one, but it moves through some very specific chapters with a common theme throughout (see if you can spot it)… as do many of my mixes! And of course, it's sprinkled with a few unreleased ASIP label bits. Listen below or on the Oslated Soundcloud. Download. Oslated · Oslated Special Mix 026 - ASIP Tracklist:01. Stone - Evil Day [2022 / 3 X L]02. Unreleased [Forthcoming on ASIP]03. HIA & Biosphere - Snapshot Survey [1996 / Beyond]04. Ameeva - Die Wellen Side B [2022 / 9128.live]05. Deepchord - Immersion II [2018 / Astral Industries]06. Isorinne - Blurred Perceptions of Substance [2016 / Field Records]07. o.utlier - Less Popular Than Cats Side B [2022 / Verdant Recordings] + Steve Roach - What Remains [2022 / Timeroom Editions]08. Unreleased [Forthcoming on ASIP]09. James Murray - Living Ghosts [2017 / Home Normal]10. Unreleased [Forthcoming on ASIP]11. wndfrm - A [2018 / Sounds et al]12. Araceae - Before The Sun [2022 / Faint]13. Simone Bauer - Nereide [2019 / Sure Thing]14. Aes Dana - Period 10 Evocatory [2021 / Ultimae Records]15. Aucuba Replica - Of Grasping [2020 / संस्कार Rites]16. Donato Dozzy - Moonlight [2011 / Mule Electronic]17. Toki Fuko - What Will Enlightenment Give Me [2021 / Lowless]18. Priori - Afterburn [2019 / NAFF]19. Mikkel Rev - Revelation In A Chill Out Room [2022 / Translusid] + A Conversation with Rickie Lee Jones [1989 / Geffen Records]20. DJ Healer - Hopes and Fears [2018 / All Possible Worlds] + Being - Being, Then [2021 / Firecracker Recordings]21. Unreleased [Forthcoming on ASIP]22. Shingles - Another Day In Paradise23. William Basinski - Fin [2020 / Temporary Residence Limited]24. Dedekind Cut - Tahoe [2018 / Kranky]
DBL#25 Tony Sylvester (Fabric, Southern Records, The Dukes of Nothing, Turbonegro). This was very interesting conversation for me, a great window into the history of London post-hardcore band FABRIC. From the origins in 1992, recording the 'Body of Water' album, never finding their place or sound & ending with 'Lightbringer' in 1995. After this band ended he focused on his various positions within Southern distribution (Dischord, Touch and Go, Kranky, Southern Lord records etc.) for the rest of the 90s until joining THE DUKES OF NOTHING (featuring IRON MONKEY/ORANGE GOBLIN members). With this group he toured and released the album ' War and Wine' on his Eccentric Man imprint in 2002. Throughout the 2000s Tony was involved in the formation of the AURORA BOREALIS label with former FABRIC bandmate Andrew Hartwell. He also curated and coordinated the ambitious, decade long LATITUDES series of releases (CIRCLE, CHELSEA WOLFE, DANIEL HIGGS etc.) for the Southern label until his leaving in 2010. In 2011 he ended up becoming vocalist for the Norwegian 'deathpunk' group TURBONEGRO recording and touring throughout the 2010s. He currently focuses his time on men's fashion/lifestyle writing and his own AWMS clothing brand. Follow @destroybeforelistening Outro: THE DUKES OF NOTHING - Half Evil
Welcome to Episode 59 of Game Pass NewsThis weeks Episode will feature:One Salty NickID @ Xbox showcasing demos 21-27 JuneXbox shadow dropping gamesAre we being too critical on games?What we've being playing A question from John at Dads after DarkThe GPN Showcase returns this week! So head on over to our Twitch or YouTube Channel to catch our thoughts and views on what's out this week.Also happy to announce the next Achievement Hunters contest! Go play Fall Guys unlocked those Achievements and get a photo or screen shot to us and bag your self the crown! The crown being $15 of sweet sweet Xbox Credit!Plus don't forget the way you can earn yourself some sweet Microsoft cash to spend with the Co-Op Campaigns! Listen to find how you could win from $15 - $50All this and more in your weekly dose of your favourite unofficial Xbox Game Pass PodcastEmail - gamepassnewscast@gmail.comYouTube - https://www.youtube.com/channel/UCrGMFO1bdfzg8Ohh2yxq5pQ Twitch - Twitch.tv/gamepassnews Twitter - https://twitter.com/GamePassNews
Destacamos el disco 2022 del proyecto del músico estadounidense Mark Nelson, Pan American. Titulado “The Patience Fader”, el álbum del guitarrista y experimentador, sobre todo reconocido por haber sido integrante de la influyente banda Labradford, fue lanzado el 18 de febrero por el sello Kranky. Según la disquera, se trata de “de un set de composiciones instrumentales pacíficas y exuberantes tocadas en guitarra. Las piezas se complementan con guitarra lap Steel, armónica y atmósferas electrónicas”. La declaración agrega que “la destilación glacial del ‘minimalismo romántico’ de Mark Nelson logra una fruición única en su última colección para Kranky, “The Patience Fader””. A su vez, explica que “al ser compuesto durante el muy aislado verano de 2020, las piezas tomaron forma como meditaciones sobre ‘las raíces y el duelo, tratando de conectar con esos ríos profundos y ocultos que conducen a una mayor comunidad’. En la parte final del programa, viajamos al pasado en la trayectoria de Nelson, para escucharlo como parte de Labradford, específicamente con material del tercer álbum homónimo del trío de 1996.
Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers and tape community. Forming a big part of the Kranky label history from its very first release, Mark recently returned with a new album after a three-year hiatus, and the mature, refined instrumentalism on The Patience Fader is a subtle reminder of the quality Mark has retained over the years - quite an achievement, given his first Pan•American record on Kranky goes back to 1997. I took the chance to send over some questions to Mark to shed some light on the new record and the music that exists in his life right now, alongside his tasteful and electic isolatedmix. The Patience Fader by Pan•AmericanHi Mark, where are you right now and what have you been listening to lately? I'm at home in Evanston IL-just north of Chicago. Drinking coffee after work and listening to the water running through the filter of our pet turtle's tank and the music of Mette Henriette. If you're not familiar with her she's a Norwegian composer and saxophone player who put out a record on ECM a couple of years ago it's so beautiful-one of those records I only let me listen to occasionally because I don't want to become too familiar with it. worried the magic might lessen-but magic never really does. Last few days I've been listening to lots of the music that made it onto the mix-Mike Cooper, African Head Charge, Ulla, my friend Robert Donne's incredible track Touch my Camera Through the Fence, Takagi Masakatsu. The most recent music that I've really liked are the 3 cd comp by Fubutsushi on Cached Media and my friend Francis Harris' beautiful new record Thresholds that I was lucky enough to contribute to. Running a label myself, and given you had the honor of being the very first release on Kranky, with Labradford, I'm interested in the details of how that very first album and relationship came about? It's hard to believe but back then you could put out a 7" single-maybe 300 copies-and be pretty confident all the key distributors, zines, record store buyers and radio stations would find out about it and boost it up if they liked it. Joel and Bruce worked at Cargo-an independent distributor based in Chicago. Our single came across Joel's desk and he felt good enough about it to set in motion the plan he'd been forming to start a label. I remember my friend Andrew who put the single out told me a guy from Cargo was going to call me and I stayed close to the (landline) phone for the next couple days. Joel called, we talked and the rest has unfolded very naturally. A blend of luck and trying to manifest something in the world around the music. “Romantic minimalism” is used in the text for your new album The Patience Fader, and it's an apt term for the delicate, perhaps even more ‘focused' approach on this one. Do you think there is a clear connection between the effects of the past year and the type of music it inspires? Was that the case here? Yes-absolutely in my case. Both from within and without. Not consciously of course, but Patience Fader was made during the summer and fall of 2020, so Covid, Trumpism, BLM/George Floyd protests were all in full flight. At the same time, my father was dying in a hospice in Virginia that we couldn't visit because of Covid. In some respects, emotions were very simple for me in this time. Right and wrong, life and death joy and sorrow seemed very plainly mapped out. The album features some smaller ‘vignette' type tracks, which I personally love. What was your intention behind these as part of the greater album flow? Is there a hidden narrative? Not a narrative really, no. I would say there's a theme of Roots throughout the record and trying to find different ways to approach what roots and being grounded can mean. So guitar and harmonica as the instruments used speak literally to the basic grounding of American music. The field recording of a summer afternoon and slamming screen door on Baitshop is evocative to me of childhood. There's even a song called Grounded. We were all literally grounded by Covid and I was searching for a sense of Grounding amidst the unraveling. It seems like you come from the ‘instrumental first' school of ambient music (as I sometimes like to put it), integrating your instruments as source material, especially on your latest. What does the process for creating a PA album usually look like? It tends to come out of the daily practice of playing. I like practicing and trying to be "better" as a guitar player. Sometimes it can even feel like if I get an idea I need to dig into, it interrupts just simple, repetitive practice that in some ways I enjoy more. I think I've gotten pretty good at recognizing when an idea needs to be followed through and I do feel like I have an obligation to not let it go. Although in the end, most don't make it. Eventually, I tend to establish something that feels like the first song for an album and the last song, and that's when I know that something new is really emerging. The Lapsteel / Pedal steel was perhaps brought to ‘ambient fame' by the KLF's Chill Out, especially to those who run in more general ‘ambient' music terms. And I definitely get a similar vibe to that album with The Patience Fader. …“the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.” as the press text puts it. As a foreigner in the US, I've always wondered about this romanticism and never really experienced it outside of trips to the desert here in the west. How does this come to life for you personally? Is it something you seek out? I'm a big fan of Chill Out-but I think Brian Eno and Daniel Lanois got there first on Apollo! Also, the Paris Texas soundtrack and Ry Cooder's slide playing cemented some of those connections that I guess now verge on cliche. Funny enough I'm a bit of an outsider here as well-my Father was a US diplomat and I didn't live in the US until I was a teenager. I've always looked for a way in I guess, and music-rock n roll, country, blues, jazz seemed like a kind of skeleton key. A key to a series of doors that open and close constantly and I seem to remain disoriented. I certainly returned to these roots (literal and figurative) in music for an explanation or comfort as Trump set fire to whatever remained of the Better Angels of what (for some reason) is referred to as the American Experiment. Mixed results. You speak of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” My perception and ‘unromanticizing' of this after listening to the album, is that you have tried to create very clear, and comforting music, something that will cut through easier and not need too much thought for it to work. I love this overall sentiment - could you expand upon it in your own words? It's an effort to be uncluttered and go straight for the heart. The beauty in country music is the same effort or effect. It's ok if it's a formula to an extent that's comforting! The songs on my record share a very similar structure and palette to one another-I really wanted to create a world that would be very quickly recognized-meaning the boundaries would be clear right away-and the work could be done within those boundaries. There's certainly much to recommend pushing beyond known boundaries and limits-for me though it's where known elements within a world blur, overlap, merge, surrender and change like water that's what I'm interested in! New possibilities come from new combinations, and new layering of familiar material. Hybrid forms, mutations. I think what we're looking for is here-it's just up to us to make it visible.~ astrangelyisolatedplace · isolatedmix 118 - Pan•AmericanListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Willie Nelson- Sad Songs and Waltzes02. Ulla - New Poem03. Michael Grigoni - Little Cliffs04. Sosena Gebre Eyesus - Seqelew Eyalu05. Maurizio - MO7A (edit)06. Mike Cooper - After Rain07. African Head Charge - Bazarre08. Takagi Masakatsu - Uter 109. Mary Lattimore - We Just Found Out She Died10. Loren Connors - Blues #511. Robert Donne - Touch My Camera Through the Fence12. Lokai - Histoire DSPan•American: Website | Bandcamp | Soundcloud | Discogs
⭕ Mondelēz International adquirió Ricolino por aproximadamente 1,300 millones de dólares, el negocio que hace 52 años fundó la mexicana Bimbo y que a lo largo de su historia acumuló un portafolio de marcas como Kranky, Paleta Payaso, Duvalín, Bubulubu, Panditas y Pecositas.
Existen productos que a lo largo de nuestra vida van dejando huella, ya que en diversas ocasiones (y hablando de la #comida en específico) simbolizaron momentos que nos marcaron para siempre. Pues los alimentos tienen un lazo muy muy importante en nuestra memoria, pues a veces solo basta con oler algo, para remontarnos a un momento en específico. Y es que seguramente hay #dulces como los de #Ricolino que significan un momento clave en la #niñez. #Ricolino es una marca que surgió en 1970 por la familia #Servitje. Surge con la incorporación de la marca #Barcel a grupo #Bimbo y la creación de la misma, fue para especializarse en la creación de #botanasdulces y #chocolates.
Jacob Long has been crafting Earthen Sea material since the early 2000s. He gradually graduated from limited-edition cassettes to releases on Ital's Lover's Rock and Nicolas Jaar's Other People imprints, before linking up with the evergreen label Kranky in 2017. His third album for Kranky, Ghost Poems, comes out next week. We celebrate with an hour of music built as spring emerges around him in Brooklyn, full of contrasts between light and decay. @earthzone @kranky Ekin Fil - Here Before [Σ] Masayoshi Fujita & Jan Jelinek - Vague, Yet [Faitiche] Vladislav Delay - Lumi [Huume] Andrew Pekler - Borororo [Faitiche] Grouper - Moon is Sharp [Kranky] Basic Channel - Mutism [Basic Channel] De Leon - 07 [Aught] Eli Keszler - Bell Underpinnings [Shelter Press] Loscil - Bleeding Ink [Kranky] Chris Herbert - Vactrol [Room40] Erosion - 3 [Chain Reaction]
These year-end lists seem to be getting harder and harder to curate. The sheer number of releases makes it nearly impossible to keep up and listen to all the music. Through Spotify and Bandcamp most of this music is available immediately, which is great, but it can also foster a severe case of FOMO, fear of missing out. Whether it's ambient music or indie rock/pop I am on a constant prowl for new music, sometimes at the disservice of current music which I have not given time to sink in. A list like this is obviously not a definitive "Best of" list. These are just some of my favorites from this year. Sometimes an album happens to catch me in the right mood, in the right place and it hits home. Is it better than all the other releases? Maybe. But all I know is it caught my ear at the right time, I latched on, listened, and it became one of my favorites. I made the list with a top 5 and then listed everything else alphabetically. It's way too hard to say this one is #14 while that one is #22. That being said I totally loved the top 3 on this list. FAVORITE AMBIENT ALBUMS OF 2021: 1. Mastrokristo - Departures [Lost Tribe Sound] 2. Dictaphone - Goats & Distortions 5 {Denovali] 3. AlaPastel - Ceremony [Lost Tribe Sound] 4. Max Richter - Voices 2 [Decca] 5. Loscil - Clara [Kranky] ------------- AES DANA - (a) period. [Ultimae] Andrew Heath - Drawings from Imagined Cities [Elm Records] anthéne - maritime [Ambientologist 2021] Arovane - Reihen [12k] ASC & Inhmost - Dimensional Space [Auxilairy] Ben Seretan - Cicada Waves [NNA Tapes] Bombay Dub Orchestra - Cultivating Compassion(instrumentals) [Six Degrees Records] Calm Whale - Breathing Earth Meditation Christian Loffler - Parallels [Deutsche Grammophon] Clariloops - Sun//Rain Darkroom - The Last Sense To Fade [Whitelabrecs] Dave Depper - Europa [Jealous Butcher Records] Dave Nelson - The Act of Vanishing Devendra Banhart & Noah Georgeson - Refuge [Dead Oceans] Dirk Serries - RecloosE Enrico Coniglio – Alpine Variations [Dronarivm] Glåsbird - Siberia [Whitelabrecs] Gray Acres - Dreams and Phantoms [Archives] Igor Yalivec - Still Life [Polar Seas Recordings] Jeff Parker - Forfolks [International Anthem] Jeaninne Schulz - Luminous [Polar Seas] Jens Pauly & Stijn Huwels - When the Night Ends [Vaagner] Just a Human - Hibernate Maps & Diagrams - Teygja Parts A & B [Handstitched] Merope - Salos [Stroom] Peter Gregson - Patina [Deutsche Grammophon] Sailcloth - Woodcut [Lost Tribe Sound] Sonmi451 - Seven Signals in the Sky [laaps] SUSS - Night Suite Tapes & Topographies - Monomials [Simulacra Records] Tapes & Topographies - In Muted Forms [Shimmering Moods] Taylor Deupree - Mur [12k] Toumani Diabate & London Symphony Orchestra - Korolen [World Circuit] Viktor Orri Árnason - Eilífur [PentaTone] Wil Bolton - Cumulus Sketches [Home Normal] William Ryan Fritch - Built Upon a Fearful Void [Lost Tribe Sound] That's too much for one mix so I'll post part 1 and part 2. I also plan on doing a mix of favorite jazz-ish tracks from this year. I have a list of several non-ambient instrumental/jazz releases that I really liked so I'll post the list and a mix of fav tracks. But first, my favorite ambient music, part one. Enjoy. T R A C K L I S T : 00:00 Max Richter - Psychogeography [Vpices 2 on Decca] 06:30 mastroKristo - Ocean [Departures on Lost Tribe Sound ] 09:53 Dictaphone - Griot Dub [Goats & Distortions 5 on Denovali] 14:05 Alapastel - Releaseness [Ceremony on Lost Tribe Sound] 18:48 Loscil - Vespera [Clara 0n Kranky] 22:45 Arovane - Sicht [Reihen on 12k] 25:38 Aes Dana - Haphazard [(a) period. on Ultimae] 28:18 Calm Whale - Breathing EARTH [Breathing EARTH Meditation] 31:05 Merope - Vilnia [Salos on Stroom] 35:13 Dave Depper - Vienna Five [Europa on Jealous Butcher Records] 41:11 Christian Löffler - Pastoral [Parallels on Deutsche Grammophon] 44:42 Tapes and Topographies - Spec Work as Magic [Monomials on Simulacra Records] 47:23 Map & Diagrams - Mutability [Teygja Part B on Handstitched] 50:50 Igor Yalivec - Nymphaea [Still Life on Polar Seas] 55:40 Andrew Heath - Drawings from Imagined Cities [Drawings from Imagined Cities on Elm Records] 65:02 end
On our 7th installment, we talk about the whacky LSU-Gators matchup last weekend. We also review ESPN's top 100 NBA Players and share our NBA wish list for this season, and Kenny has some strong words for this sports city. We unpack the history of the NFL excluding Christmas Day games from their schedule and we preview the Saints-Chiefs matchup. On this week's top 5, we get into the holiday spirit as we count down our all-time favorite Christmas movies. If you have too much to do this holiday season, feel free to skip to your favorite segments in the description below. thanks for tuning in! We're trying to be the best in the biz! Instacart Instacart allows you to do all your grocery shopping from the comfort of your own home!
Sit back and relax while listening to the sounds of Christopher Bissonette, who is a Canadian electronic musician and multimedia artist from Windsor, Ontario. Bissonnette studied at the University of Windsor and founded the art collective Thinkbox in 1997. The collective, composed of six members, released a compilation entitled Settings; other members include Mark Laliberte and Chris McNamara. Bisonnette released his first album of audio material, Periphery, in 2005 on Kranky Records. Several further albums followed on Kranky. ___ Check The Applegate Experience™ Podcast on Anchor: https://anchor.fm/stevenapplegate I invite you to reinvent yourself at https://CherryLane.Associates Subscribe to #TheApplegateExperience Podcast https://anchor.fm/stevenapplegate YouTube Channels: https://www.youtube.com/user/coyotebullet2002 https://www.youtube.com/channel/UCCW_Xw7WgBQ0vvYFIEt8xdA Like on Facebook: https://www.facebook.com/TheApplegateExperience Follow on Snapchat: https://www.snapchat.com/add/StevenApplegate Twitter: https://twitter.com/StevenApplegateMD Instagram: https://www.instagram.com/theapplegateexperience/ https://www.instagram.com/stevenapplegatemd/ https://www.linkedin.com/in/steveneapplegate https://medium.com/@steveneapplegate ___ Department.Media Production Visit: http://www.BlockchainTrade.Market Join our Discord: https://discord.gg/sxNmwhs Follow on Telegram @BlockchainTrade.Market t.me/BlockchainTradeMarket Follow on Instagram: https://www.instagram.com/blockchaintrade.market/ Follow on Twitter: BlockchainTrade™ (@Blockchain_BTM): https://twitter.com/Blockchain_BTM?s=09 Like us on Facebook at https://www.facebook.com/BlockchainTrade.Market/ Please subscribe to our YouTube Channel: https://www.youtube.com/channel/UCpEmDm0CJhORFAg8QxSdP4g Get started with Coinbase: https://www.coinbase.com/join/599a0a2633253e019cf5df59 Help grow the digital currency community and earn free bitcoin! Using digital currency is more fun with friends. Once your friend buys or sells $100 of digital currency or more, you will both get $10 of free bitcoin. Trade Hundreds of Cryptocurrencies with Binance Referral Code: 13060913 http://www.binance.com/?ref=13060913 Ethereum Accepted Here: 0x073e9a81d85ffce5ff57d675caf123f610562051 Bitcoin Accepted Here: 15nDzVyLx2FbGWq2C4HwciktaEf1b9HhDY ___ The Future is NOW! https://AiTech.Zone https://VReyes.Vision https://FoodChain.FUND https://BlockchainTrade.Market https://CherryLane.Associates https://UAV.Report https://ARSign.Systems https://BlueMountain.Market https://Department.Media https://NeoRack.Systems https://Bucha.Cafe https://Applegate.Management ___ --- Support this podcast: https://anchor.fm/stevenapplegate/support
patt's write up. a nervous fibonacci. eye cavity. musical intrence. rippin' with frank and patt. jawbreaker show. the dick saved it. scott the wanderer. frank's movie idea. big hat store. patt's duties. they don't taste porky to me. prinkles. chip tendencies. thank you to all the new and old scorpions. www.mediocreshow.com voicemail line: 484.381.0666 twitter: @themediocreshow @erictomorrow @theworkfrank subscribe to the scorpions of support to help the show continue. mediocre show PO box 1303 west chester pa 19380
KRANKY, the prolific + innovative label, is featured on this week's ABSTRACT SCIENCE podcast. resident selectors CHRIS WIDMAN + LUKE STOKES mix 2 hours of their favorite KRANKY releases to celebrate the label's 25 anniversary, ahead of their collaborative event with AMBIENT CHURCH in chicago. in the spirit of the former chicago-based label, which the... The post kranky 25 – absci radio [1065] – chris widman + luke stokes appeared first on abstract science >> future music chicago.
full moon in Aquarius. // clips: ayahuasca interview// music: 00:00 : IM U (song) / Beacon (artist) / Escapements (album) / Ghostly (label)04:30 : shadow sun (song) / christina vantzoe (artist) / no.3 (album) / kranky (label)09:48 : Good Lads, Bad Lads (song) / Jam City (artist) / Dream A Garden (album) / Night Slugs (label) 12:41 : The Medicine Bow (song) / Maxwell August Croy (artist) / Kaniza (album) / Psychic Troubles Tapes (label)18:26 : Temple of Emerald Thought (song) / ЯΛRΞ ППUƉΞS (artist) / ЯΛRΞ ППUƉΞS (album) / ЯΛRΞ ППUƉΞS (label)23:00 : Music For Steamed Rocks (song) / Oneohtrix Point Never (artist) / Commissions I (album) / Warp (label)30:33 : Tomorrow (Andrea Remix) (song) / Daughter (artist) 33:49 : Clearing (song) / Grouper (artist) / Ruins (album) / Kranky (label)40:48 : Expect (artist) / Balam Acab (artist) / Balam Acab (album) / TriAngle (label)46:41 : Hello Stranger (song) / Julia Holter (artist) / Loud City Song (album) / Domino (label)53:15 : Pressure (Purple Remix) (song) / Milk & Bones (artist)// cover art by sadrave
Welcome to the first episode of The Ambient Zone Radio Show, featuring tracks from The Ambient Zone Playlists, including our first two releases this month – Marconi Union's ‘Slow Motion' and Cord Labuhn's ‘Unter Deck' from the Essential Playlist and two tracks from our featured album of the month, Ocoeur ‘Reversed'. The second hour features a Guest Mix. This month we have the incredible Paul Daley (ex Leftfield) selecting and mixing his choice of great music exclusively for The Ambient Zone. Hour One 1. Marconi Union - Slow Motion [The Ambient Zone] 2. Loscil - Catalina 1943 [Kranky] 3. Luke Abbot - Modern Driveway (Jon Hopkins Mix) [Domino] 4. Plaid - Do Matter [Warp] 5. Brian Eno – Ascent (An Ending) [Primal Recordings] 6. Cord - Unter Deck [The Ambient Zone] 7. Ocoeur – Flxo [N5MD] 8. Ocoeur – Souffle [N5MD] 9. Kaitlyn Aurelia Smith – Wetlands [Western Vinyl] 10. Quentin Sirjacq – Aquarius [Schole] 11. Clem Leek - At the Mercy of the Waves [Audiobulb Records] 12. Julianna Barwick - Heading Home [Dead Oceans] 13. Emancipator - Natural Causes [Jakarta Records] 14. Ochre - A Midsummer Nice Dream [Ochre] Hour Two - Guest Mix: Paul Daley 1. Luv Jam - Iona Capri [Luv Jam] 2. Vermont - Gebirge [Kompakt] 3. Acid Pauli - Joan [Ouie] 4. Beach Boys - Love Creation [Unknown] 5. Jonathan Fitoussi - Orion [Further Records] 6. Visible Cloaks - Bloodstream [RVNG Intl.] 7. Marconi Union – Temperature Drop [Just Music] 8. Digitonal – Proverb [Just Music] 9. Digitonal – Polestar [Just Music 10. Unknown 11. Spacetime Continuum - Flux [Air Texture] 12. Anto – Untitled [Air Texture] 13. Reboot - For A Shadow To Dance With [Get Physical Music GmbH]
If you haven't caught their podcast yet, it's not too late to binge listen to Robert Pease & Brian Hansford's show - Marketing Kranks on SoundCloud . Today they are taking over the show for Matt, who is traveling. The topic? All the ABM Noise.... the good, the bad, the ugly.
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