Podcasts about brutalist

In this episode, writer-producer Hilliard Guess and guest co-host actor-writer-prod-dir Dalila Ali Rajah sit down for an educational conversation (we do talk a bit of politics in this one - FYI), with actor/writer/coach and 2026 NAACP Image Award nominee ADAM DAVENPORT, recognized in the Outstanding Literary Work – Journalism category for his essay examining Audra McDonald's 2025 Tony Awards performance of “Rose's Turn.” The piece reframes the performance as a landmark cultural moment - serving as an act of protest, reclamation, and artistic defiance within the lineage of Black women reshaping American performance. The nomination is a full-circle moment for Davenport, as the NAACP was the first organization to recognize his writing when he was in high school. He can speak to the nomination as well as his broader career as a multidisciplinary artist working across acting, writing, directing, producing, casting, and education. A Chicago native and Yale graduate, Davenport is a member of SAG-AFTRA, BAFTA, the European Film Academy, and the Recording Academy. His screen work includes Glass Onion: A Knives Out Mystery (Netflix), for which he received a Satellite Award for Best Ensemble alongside multiple critics' group honors. In 2020, he founded The International Acting Studio (TIAS), where he coaches actors working at the highest international level. Two performers he coached are current 2026 Czech Lion Award nominees, and his clients have appeared in projects including The Brutalist, Dune: Part Two, The Crown, and numerous network and cable series.Read the Essay here:https://www.bronzecommhub.com/blog/audra-mcdonald-took-the-stage-and-rewrote-the-rules

El tipo de "The Brutalist" se marcó una interesante película unos años antes sobre el auge y caída de una estrella del pop interpretada -en su versión adulta- por Natalie Portman cuya vida está marcada por las tragedias del cambio de siglo en Estados Unidos. Temas tochos y buena factura.

https://elcamarotedelosmarx.blogspot.com.es/ https://t.me/CamaroteMarx Programa de radio de "El Camarote de los Marx" grabado el 10 de febrero... ...en el que elaboramos nuestra lista de las mejores pelis del año 2025... ...y en el que hablamos de tardar 40 minutos en empezar y un pececito azul nadando en agua turbia, de un remedio para la vejiga natatoria y animales que no dan réplica, de estudios rigurosos y culturizar a una mascota, de canarios, perros, podcasters y gallinas prestadas, de hacer una lista sin criterio y películas damnificadas, de guardar mucho rencor y unas guerreras que se quedan fuera, de audios finales y múltiplos de tres, de cosas que hacer de atrás a delante y votar a lo que más nos ha gustado, de humor negro, pestañas postizas y criticar los cánones de belleza, de epílogos pintones y llevarse demasiadas nominaciones, de disfrutar de las cosas buenas que tiene la vida y hablar sobre la pérdida desde un punto de vista optimista, de carreras de coches y un blockbuster muy disfrutón, de nuestro griego loco preferido y estar como unas maracas, retratar la sexualidad en la vejez y volver al armario cuando se ha sido libre, de un secuestro en plena dictadura y una mujer que sostiene a una familia, de películas inmersivas y notar el sabor a tierra en la boca, de mantener un tono extraño y lidiar con un gran dilema moral, de espacios en blanco y jugar a buscar anomalías, de películas pensadas para verse en cines y una primera parte demasiado alargada, de un misil perdido y que todos amamos a Rebecca Ferguson, de contener multitudes y disfrutar con el ritmo de la vida, de gran narrativa animada y cerrar la boca al acabar, de tomar riesgos, dar bofetones y dejarte llevar por una historia... ...de un espacio para reflexionar y lo que te destroza por dentro, de retransmisiones olímpicas, terroristas y ceder un poco, de una película sobre la vida y ver el paso del tiempo, de profundidad emocional, del valor de la amistad y una historia indudablemente bella, de dar miedo con lo que hay detrás y tener un subtexto aterrador, de una peli de batas, un viaje del pasado al presente y una carretera que parece que nunca acaba, de una llamada a las armas y que Benicio del Toro va a ser siempre nuestro 'sensei', de poner música de avanzar y hablar de pelis muy malas, de decepciones que nos hemos llevado y las pelis con las que hemos 'planchado', de series de nuestros oyentes (y de Pilu) y no haber acabado todavía 'Adolescencia', de hacer grupitos de maracas, miedito, españolas bien y más que dramones que te encogen el corazón... y brindar con una pecera porque, aunque no nos gusta la música de Bad Bunny, nos ha encantado el sarao reivindicativo que se ha marcado para la Super Bowl. Las 21 mejores pelis de 2025 para el Camarote (en orden descendente) han sido: La hermanastra fea, Los pecadores, Memorias de un caracol, F1: La película, Bugonia, Maspalomas, Aún estoy aquí, Warfare: Tiempo de guerra, Un simple accidente, Exit 8, Frankenstein, Una casa llena de dinamita, La vida de Chuck, Predator: Asesino de asesinos, Sirât, Valor sentimental, Septiembre 5, Sueños de trenes, Flow, Weapons, Una batalla tras otra. Peores pelis de 2025 para el Camarote: Romería, Devuélvemela, La furgo, El exorcista del Papa, La trampa, Tron: Ares, Jurassic World: El renacer, Jay Kelly, Havoc, G20. Pelis más decepcionantes de 2025 para el Camarote: The Brutalist, The Running Man, Tron: Ares, Estado Eléctrico, Juego sucio, Romería, Materialistas, The Smashing Machine, A complete unknown, Sorda, El cautivo, Expediente Warren: el último rito, Un viaje atrevido y maravilloso, A real pain, Tardes de soledad. María Callas. Pelis de plancha de 2025: Ballerina, Bala perdida, Black Phone 2, Avatar: Fuego y ceniza, Agárralo como puedas. Mejores pelis de 2025 para nuestros oyentes: Una batalla tras otra (27 puntos), La cena (9 puntos), Los pecadores / Weapons (8 puntos), Guardianes de la noche: Kimetsu no Yaiba - La fortaleza infinita / Better Man / Cómo hacerse millonario antes de que muera la abuela (5 puntos), F1: La película / The Brutalist / Superman / Los domingos (4 puntos). Peores pelis de 2025 para nuestros oyentes: Until Dawn (8 puntos), Mountainehead / Fritos a balazos / Padre no hay más que uno 5, Materialistas / Los tipos malos 2, Sirât, The Running Man (5 puntos), The Smashing Machine, El casoplón, El secreto del orfebre, Alarum (4 puntos), La fuente de la eterna juventud / Culpa nuestra / Sin cobertura / La vieja guardia 2 / Laberinto en llamas (3 puntos), Blindado / Amenaza en el aire / Un funeral de locos / Strangers: Capítulo 2 / Muerte de un unicornio (2 puntos). Decepciones de 2025 para nuestros oyentes: Del cielo al infierno, Estado eléctrico, Sirat, Havoc, The Brutalist. Pelis de plancha de 2025 para nuestros oyentes: Anaconda, Mi amiga Eva, Jefes de estado, Nonnas. Mejores series de 2025 para nuestros oyentes: The Pitt (22 puntos), The Studio (16 puntos), Adolescencia (8 puntos), Pluribus (7 puntos), Task (6 puntos) Muchísimas gracias a nuestros queridos oyentes (y amiguetes): Axl Rose, Carlos Pereira, PJ Cleaner, Diana, Javier Gimeno, A Girl, Juanma, Seriéfago y Sodapop por su desinteresada, cariñosa y siempre juiciosa participación.

"Filme sollten suspekt bleiben" sagt der Filmwissenschaftler Marcus Stiglegger. Im artechock-Podcast widersprechen er und Rüdiger Suchsland heftig dem Vorurteil vom angeblich 'enttäuschenden Filmjahr 2025' und erinnern an einige Highlights jenseits des geschmäcklerischen Petzold-Kinos: "Sirat", "In die Sonne schauen" und den georgischen Film "April". Im Gespräch geht es auch um den Stand des Hollywood-Kinos zwischen "The Brutalist" und "One Battle after Another", zwei Filme in 'Vistavision' und um die Vorzüge eines Kinos der Uneindeutigkeit und der Ambivalenz.

"The Testament Of Ann Lee" had its world premiere in the main competition of the 82nd Venice International Film Festival, where it received positive reviews from critics, with Amanda Seyfried receiving acclaim for her performance (often described as "career-best" and earning nominations from the Golden Globe Award and the Critics' Choice Award for Best Actress. Directed and co-written by Mona Fastvold (with "The Brutalist" filmmaking and real-life partner, Brady Corbet), the historical musical drama follows the founder of the Shaker religious sect in the 18th century with a supporting cast that includes Thomasin McKenzie, Lewis Pullman, Stacy Martin, Tim Blake Nelson, and Christopher Abbott. Fastvold was kind enough to spend some time speaking with Next Best Picture Owner & Editor In Chief Matt Neglia, while Academy Award-winning composer Daniel Blumberg spoke with Dan Bayer, and Cody Dericks had the opportunity to speak with production designer Sam Bader, costume designer Gosia Karpiuk, and hair, makeup, and prosthetics designer Stephanie Pasicov. Please be sure to check out the film, which is now playing in theaters from Searchlight Pictures. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's main podcast review, Megan Lachinski, Josh Parham, and Dan Bayer join me to discuss the latest film from Mona Fasvold, "The Testament Of Ann Lee," starring Amanda Seyfried, Thomasin McKenzie, Lewis Pullman, Stacy Martin, Tim Blake Nelson & Christopher Abbott. Co-written with her partner in work and in life, Brady Corbet, and following up the monumental success of last year's "The Brutalist," the duo is back with another $10 million indie film, this time about the founding leader of the Shakers religious sect in the 18th century that, unfortunately, never quite caught on after its world premiere at the 2025 Venice International Film Festival, resulting in zero Oscar nominations. This recording was done before that announcement, and there's plenty to discuss besides the film's awards season run, including Amanda Seyfried's career-best performance, the jaw-dropping cinematography, production, and costume design, the ungodly score and songs by Daniel Blumberg (inspired by real-life Shaker hymns), Fastvold's singular direction, and more! Please tune in as we discuss these elements, the writing, and yes, our Oscar hopes for it before the Lord God tooketh away, in our SPOILER-FILLED review. Thank you for listening, and enjoy! Praise be! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Talk Without Rhythm Podcast I'm continuing my series of Patreon Picks with a selection from TWoRP Elite Patron Will Tordella. Will joins me in a discussion of architecture and cinema as we watch 2017's Columbus and 2024's The Brutalist. [00:00] INTRO [03:25] CromCast Promo [04:10] RANDOM CONVERSATION [14:51] Columbus (2017) [55:12] The Brutalist (2024) Endless Horizons: A love letter to a summer camp.  [01:57:50] FEEDBACK [02:02:40] ENDING MUSIC: Steel by Daniel Blumberg Buy Columbus (2017) Buy The Brutalist (2024) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

The Astoria library reopened in the fall of 2025 after a major renovation. When discussions about remodeling the library surfaced, it begged the question: What exactly does a community need from a public space? The same kinds of questions were posed when the original library was designed.   Trailblazing Astorian architect Ebba Wicks Brown, the first woman in Oregon to receive an architectural license, designed the original Brutalist-style building in 1967. Rachel Jensen, the executive director of the Lower Columbia Preservation Society, joins us to discuss Brown’s legacy and the ways the library’s remodel honors the original vision while serving the new needs of its coastal community.

Channeling the imposing physicality of brutalist concrete monoliths into that thing we call dystopian techno. The UFO95 flew over Brussels one night, With Absence Has Shape tucked under its light, Through brutalist towers so starkly imposing, Where concrete dreams lay decomposing. “Oh MORD!” cried the vessel, “Oh MORD!” it did say, “I'm bound for the club on the sixth of Febru-ay! With radiophonics both retro and keen, And dystopian grooves never before seen!” The Tresor did rumble, the Berghain did shake, As techno Tardises whirled in its wake, With low-end saturation and thunderous throb, It zipped and it zingled, it wobbled, it bobbed! Brussels-based electronic musician Killian Vaissade – better known as UFO95 – constructs brutalist sonic architecture from the ruins of utopian dreams. On “Absence Has Shape,” the second track from his forthcoming album A Brutalist Dystopian Society Part 2, the Tresor resident channels the imposing physicality of concrete monoliths into that thing we call dystopian techno. Brutalist structures as monuments to failed promises, their stark minimalism now haunting reminders of what never came to pass. Vaissade translates this visual language into dark, dramatic, stripped back essential techno. “Absence Has Shape” throbs with hypnotic tension, interlocking grooves and low-end density. Drawing inspiration from Function, Jeff Mills, Surgeon, and Sandwell District, UFO95' approach is “Moroder-meets-Mills” – melding retro radiophonics that address brutality in its many forms: war, repression, corruption. A Brutalist Dystopian Society Part 2 drops on February 6th via MORD on vinyl, download, and streaming. The album follows acclaimed releases on Tresor, WSNWG, and TSSRCT (which he co-runs with Hadone), cementing Vaissade's reputation as a masterful producer whose tracks cut through the noise. Vaissade doesn't DJ, opting for improvised live sets, a practice that's earned him a residency at Berlin's legendary Tresor and slots at Berghain, Berlin Atonal, and Bassiani. Catch him on tour throughout January and February, including upcoming dates at Berghain (Jan 10), Razzmatazz Barcelona (Jan 17), and Fuse Brussels (Jan 24), with stops across Europe and the Americas.

Auditrices, Auditeurs, mes chers cinéphiles,J'ai, en ce soir du 06 janvier, une pensée avant tout pour ceux qui assurent la continuité de la Cinéphilie : producteurs, exploitants, distributeurs, techniciens, intermittents, tous ceux qui sont ce soir comme toujours en première ligne face aux difficultés. Protéger, filmer, sortir, distribuer, apporter secours et fraternité, ainsi va la vie des grandes nations qui tiennent chaque jour par le dévouement de leurs cinéphiles. J'ai une pensée en votre nom à tous, pour celles et ceux qui sont seuls au cinéma, malades de bons films, dans l'épreuve ou le dénuement. Je sais comme la situation est difficile pour beaucoup d'entre vous, placés devant des souffrances filmiques et les malheurs du cinéma états-unien, et je veux vous dire notre soutien et notre affection.Grâce à l'engagement de tous, grâce à vous, nous tenons. Oui, notre émission tient.Fort de ses institutions, des emplois de ses chroniqueurs dans les services publics, fort de ses armées de cinéphages qui sont les plus efficaces d'Europe, par l'engagement de ses soldats du celluloïd. Fort de notre économie, où jamais autant de membres de cette émission n'ont eu un emploi. Fort de nos jeunes chercheurs prometteurs, de notre excellence académique, de nos initiatives diplomatiques aussi, en allant tendre la main à d'autres émissions.Mais au-delà de tout cela, nul n'est aveugle sur les désordres du monde et nos propres failles. Le monde du cinéma est plus dur chaque jour. La guerre des majors et des conglomérats et l'instabilité des plateformes continuent d'être là, avec des conséquences sur nos abonnements, nos sites de piratage. Nous assistons au retour des empires médiatiques, des trusts, à la remise en cause de l'ordre international, un monde de guerres commerciales, de compétition technologique, souvent d'instabilité.Je vois aussi nos propres divisions, au sein même de cette émission, nos tops en témoignent. La baisse de notre cinéphagie, l'insécurité filmique, les difficultés de pouvoir de temps de visionnage.Je sais toutes les impatiences, parfois les colères, qui continuent d'exister dans le pays et je partage plusieurs d'entre elles. Ces urgences exigent des réponses. Dès les premières semaines de l'année qui s'ouvre, le Politburo et le Comité Central auront à bâtir des accords pour doter l'émission d'un budget. C'est indispensable. Renforcer encore notre économie en simplifiant les règles pour nos pirates, comme pour nos légalistes. Continuer à reprendre le contrôle de nos films françaises et européens face à la chronologie des médias illégalement explosée, poursuivre la formation de nos intervenants cinéma et donner les moyens à école et apprentis au cinéma afin de mieux transmettre les savoirs fondamentaux, reconnaître les compétences de nos critiques en ville comme en région, en simplifiant leur exercice et en leur permettant de davantage décider et d'organiser leur activité. Pour tout cela, et j'aurais pu égrener ici tous les chantiers qui nous attendent, je sais les forces vives d'En Attendant Godard à la tâche et déterminé à être utile à la cinéphilie et je veux ce soir les en remercier sincèrement. Cela supposera aussi la mobilisation de chacun et les efforts de tous.Cette année doit donc être et sera une année utile.Je veillerai tout particulièrement à ce que plusieurs grands chantiers puissent aboutir. Nous verrons les premiers pas du service national pour l'engagement de nos jeunes, qui renforcera le lien entre nos armées et la nation. Nous protégerons nos enfants et nos adolescents des films de Desplechin et des marvel.Je serai, jusqu'à la dernière seconde, au travail, tâchant chaque jour d'être à la hauteur du mandat que vous ne m'avez pas confié, et je ferai tout pour que rien ne change, en restant particulièrement à l'abri de toute ingérence étrangère.Au-delà des chantiers à mener, je veux avoir, pour notre émission, trois vœux.D'abord, un vœu d'unité. Quels que soient les défis, notre histoire nous enseigne que nous pouvons tout relever, tout affronter, si nous savons rester unis. N'oublions donc jamais que nos raisons de vivre ensemble sont chaque jour plus fortes que ce qui peut nous diviser, que les flots des urgences, des faits divers ou des mauvaises nouvelles. Notre unité exige de reconnaître que chaque cinéphile, chaque cinéphage a un rôle à jouer pour relever les défis qui sont devant nous, que chacun d'entre nous est nécessaire et doit être encouragé et reconnu. Oui, dans notre vie de chaque jour, au fond, je nous souhaite plus de bienveillance et plus d'humanité.Mon deuxième vœu est un vœu de force, d'indépendance. Notre indépendance exige que nous continuions d'investir dans nos apéros, dans nos forces d'ébriété, dans nos comptoirs de proximité et notre économie malgré les difficultés financières. Depuis 10 ans, j'ai beaucoup plaidé et nous avons beaucoup fait pour renforcer en Rennais cette indépendance et il nous faut accélérer. Il en va de notre prospérité en France comme en Europe.Mon dernier vœu est un vœu d'espérance, espérance pour nous-mêmes et pour nos enfants, pour Zach, pour Maria, pour Elie, pour Simone, pour Katell, pour Vassili, pour Adam, pour Suzie, pour Senna, pour Louise, pour Ewan, pour Alix, pour Linon, pour Lucie et tous les autres.Ne renonçons pas. Ne renonçons pas au progrès filmologique, encore possible à condition de le bâtir, de travailler dur, d'investir dans la durée et de reconnaître que les avancées véritables ne se font pas en un jour, mais qu'elles prennent parfois le temps d'une génération.Ne renonçons pas à réconcilier cinéphilie, populaire, élitisme et mauvais goût. Ne renonçons jamais.Ne renonçons pas à la place de la salle de cinéma, du beau, de la culture. Ne renonçons pas chaque jour à être une émission plus solidaire, plus fraternelle. Oui, au fond, je nous souhaite de résister à l'air du temps, tout simplement, car nous sommes des Français la tête enfoncée dans nos culs de cinéphiles. Nous devons tenir bon sur ce que nous chérissons, le formalisme, la politique, la radicalité, les propositions de cinéma et les films de dispositifs. Nous y arriverons. Alors, regardons devant et regardons loin, comme spectateurs et comme cinéfils.Mes chers compatriotes, de France hexagonale, de nos colon… de nos Outre-mer et vivants à l'étranger, je vous souhaite une très belle, une très heureuse année 2026.Vive En Attendant Godard ! Vive le cinéma !Emission également dispo sur spotif, appeul, etc et on da tube :7 listes des réguliers et intérimaires de l'émission.DOC ERWAN1- L'Agent secret – Kleber Mendonza Filho2- Une Bataille après l'autre – Paul Thomas Anderson3- Evanouis – Zach Cregger4- Black Dog – Guan Hu / Le Rire & le couteau – Pedro Pinho5- Cervantès avant Don Quichotte – Alejandro Amenabar / La Disparition de Joseph Mengele – Kirill Serebrennikov6- Tu ne mentiras point – Tim Mielants / Mémoires d'un escargot – Adam Elliot7- The Phoenician Scheme – Wes Anderson / Last Stop : Yuma County – Francis Galluppi8- La Chambre d'à côté – Pedro Almodovar / The Brutalist – Brady Corbet9- Brief History of a Family – Lin Jianjie / Kneecap – Rich Peppiatt10- Sinners – Ryan Coogler / Dossier 137 – Dominik MollMention spéciale : Los Años Nuevos – Rodrigo Sorogoyen, Sandra Romero & David Martin De Los SantosFLOP 3 (ET PAS UN DE MOINS) :1- Mission Impossible : The Final Reckoning – Christopher McQuarrie2- F1 – Josef Kosinski3- Death of a Unicorn – Alex ScharfmanER FORCE WAN « LE GRAND TIMONIER »1. Le Rire et le couteau (Pedro Pinho)2. Une Bataille après l'autre (Paul Thomas Anderson)3. Festa Major (Jean-Baptiste Alazard)4. Sauve qui peut (Alexe Poukine)5. Kika (Alexe Poukine)6. La Chute du Ciel (Gabriela Carneiro da Cunha et Eryk Rocha)7. L'histoire de “Scénario” (Jean-Luc Godard)8. The Brutalist (Brady Corbet)9. Nouvelle Vague (Richard Linklater)10. Kouté Vwa (Maxime Jean-Baptiste)DOCTEUR JB MASSUETTop :1. Une bataille après l'autre (P.T. Anderson)2. L'aventura (Sophie Letourneur)3. En boucle (Junta Yamaguchi)4. Nouvelle vague (Richard Linklater)5. Chime (Kiyoshi Kurosawa)6. Eddington (Ari Aster)7. Fantôme utile (Ratchapoom Boonbunchachoke)8. Dossier 137 (Dominik Moll)9. Life of Chuck (Mike Flanagan)10. Évanouis (Zach Cregger)Flop :1. Sirat (Oliver Laxe)2. Sinners (Ryan Coogler)3. Mission Impossible : The Final Reckoning (Christopher McQuarrie)4. Good Boy (Ben Leonberg)5. Avatar 3 (James Cameron)MATHIEU B. « IL PADRINO »Vu que 2 films au cinéma cette année :01 Une Bataille après l'autre02 Il y a-t-il un flic pour sauver le monde ?SIMON DANIELLOU « L'ANCIEN »Top Films 2025Une bataille après l'autre (Paul Thomas Anderson)Tardes de Soledad (Albert Serra)Les Linceuls (David Cronenberg)The Insider (AKA Black Bag, Steven Soderbergh)L'Aventura (Sophie Letourneur)Cervantes avant Don Quichotte (Alejandro Amenábar)Rapaces (Peter Dourountzis)Ce que cette nature te dit (Hong Sang-soo)+ déjà dans le top 2024 : The Last Stop in Yuma County (Francis Galluppi)Flops 2025F1 (Joseph Kosinski)Substitution (AKA Bring Her Back, Michael et Danny Philippou)28 ans plus tard (Danny Boyle)Sirāt (Óliver Laxe)La Voie du serpent (Kiyoshi Kurosawa)THIBAUT « CARREMENT » FLEURETSans ordre particulier : Bird Soundtrack to a coup d'Etat / Personne n'y comprend rien Festa Major Je n'avais que le néant Los Anos Nuevos L'agent secret Une Bataille après l'autre Evanouis Chime No Other Land / Put Your Soul and your hand and walkTHOMAS « EL COMANDANTE »Sans hiérarchie :TOPLe Rire et le Couteau (Pedro Pinho)Mektoub my Love : Canto Due (Abdellatif Kechiche)L'Agent Secret (Kleber Mendonza Filho)One Battle After Another (Paul Thomas Anderson)Superboys Of Malegaon (Reema Kagti)Black Dog (Hu Guan)Los años nuevos (Rodrigo Sorogoyen ; Sara Cano ; Paula Fabra)À 2000 mètres d'Andriivka (Mstyslav Chernov)Festa Major (Jean-Baptiste Alazar)Soundtrack to a Coup d'Etat (Johan Grimonprez)Un pincement au cœur / Ce n'est qu'un au revoir (Guillaume Brac)Shifty - Living in Britain at the End of the Twentieth Century (Adam Curtis)FLOPVol à haut risqueShadow ForcePiégéThe Return, le retour d'UlysseLife of Chuck______Le Doc et El Comandante sont passés chez Le Cinéma est mort pour faire le bilan de 2025 :Part IPart IIPart IIIPUBLIC SERVICE ANNOUNCEMENT: Le Film du Dimanche Soir, dimanche 11 janvier, on va vous raconter des histoires de fantômes chinois !______

Il bilancio cinematografico di Radiodorme è arrivato!Il 2025 è stato un anno di rottura, di transizione o solo un'annata tiepida? Con la conduzione di Claudio Confalonieri insieme ad Antonio Pettierre e Giuseppe Gangi ci sediamo sul lettino dello psicanalista per analizzare trionfi, flop e sorprese della stagione.Dagli autori premiati ai festival come Jarmusch e Panahi, fino alla crisi dei cinecomic e alle mosche bianche del cinema italiano, ripercorriamo tutto quello che (forse) vi siete persi.Ecco i film di cui abbiamo parlato, Father, Mother, Sister, Brother, Un semplice incidente, Dreams, The Shrouds, The Brutalist, Una battaglia dopo l'altra, L'uomo nel bosco, Il seme del fico sacro, Bugonia, Warfare, Biancaneve, Captain America: Brave New World, The Electric State, Fantastic Four, Thunderbolts, Superman, Atlas, Tron: Ares, Mission: Impossible - The Final Reckoning, Scenedrick, 19, Orfeo, Le città di pianura, L'albero, Fuori, La Grazia, Queer, After the Hunt, La città proibita, Freaks Out, Testa o croce, Re Granchio, The Mastermind, House of Dynamite, Detroit, The Ugly Step Sister, Pomeriggi di solitudine, The Girl with the Needle, Strange Darling, Cloud, Una viaggiatrice a Seul, Chainsaw Man – The Movie: Reze Arc, Un film fatto per bene, Together, Dracula, Eddington, Caught Stealing, I peccatori, Frankenstein, Die My Love, Materialists, Here, Nosferatu, 2073: Ultima chiamata, Weapons, Discross Day, Dog Stars, Project Hail Mary, The Bride, Dune: Part Three, Keeper, Noa Dark Choice, Nouvelle Vague, Fino all'ultimo respiro, Blue Moon, Supergirl, 28 anni dopo.Buon ascolto e, come sempre, lunga vita alla Nuova Carne!

Send us a textA group of young friends inadvertently resurrect a seemingly invisible evil. They must battle zombies craving brains during a zombie outbreak at a drag show, putting personal conflicts aside to utilize their distinct inabilities against the undead threat. On Episode 701 of Trick or Treat Radio we wrap up 2025 with our final December Double Feature Cram Jam! We discuss the films Queens of the Dead and The Wailing (2025). We also talk about following in the footsteps of a famous parent, react to trailers for the films Psycho Killer and Kraken, and talk about the always fun topic of generational trauma! So grab your 2026 calendar to mark off all the important dates, make yourself scrumptious, and strap on for the world's most dangerous podcast!Stuff we talk about: Final show of 2025, over the hill assholes, the future is looking meh, The Bride, Ready or Not: Here I Come, horror lovers dream, the 2026 dip, Bugonia, The Mastermind, The Brutalist, Leprechaun Back to the Hood, Attack of the 50 Foot Cheerleader, Caity Lotz, The Alphabet Killer, Buffy, Skinwalkers, The Grudge, The Stepford Wives, The Unborn, Sophie Ward, The Hunger, Waxwork II: Lost in Time, Bad Dreams, The Craft, Kelli Maroney, The Evil Dead, Ellen Sandweiss, Lloyd Kaufman, Troma, Slither, Hatchet II, Superman, Fred Ward, Tremors, Cannibal Girls, Damien, Jack Riley, War of the Gargantuas, Haunting of Hill House, Joe Balogna, Transylvania 6-5000, Amityville Horror, Flatliners, Eyes of a Stranger, The Final Countdown, Nightmare Beach, The Manitou, Psycho, Carmen Diego, Diary of a Madman, the million dollar banana, Smallville, Severance, 8mm, Joaquin Phoenix, Mel Brooks, Dick Van Dyke, Younger Frankenstein, Kraken, Psycho Killer, Georgina Campbell, Norwegian monster flicks, Norwegian Wood, Ben DiBanana & Phil McKraken, Leaf Phoenix, Collision Course, Queens of the Dead, Tina Romero, Katy O'Brian, Gaylen Ross, Jack Haven, Margaret Cho, Studio 666, Blitz/Berlin, good tax breaks in Bumf*ck Arkansas, The Wailing, Pedro Martin-Calero, Host, Al Bundy, it's always cocktober, Top 5 Excuses, confusing days, back off I'm a podcaster, happen in the kraken, Bootality Films, and the slippery slope tight rope.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Javier Ocaña comparte con los oyentes su lista de las mejores películas de 2025. Son sus películas favoritas, están en cines y plataformas, y a lo largo de estos 12 meses le han hecho sentir, han sido una novedad y le han desequilibrado. "Valor sentimental de Joachim Trier se hace con el primer puesto, la siguen "The Brutalist", "Sirat", "Los domingos" y "Una batalla tras otra" son las 5 primeras de una lista que tiene descubrimientos, cine chino, cine social, un biopic musical, terror... 

Mais um ano terminado com imensas surpresas, revelações, reviews e também algumas decepções. Juntamos tudo neste episódio especial, onde numeramos os nossos tops do ano. Neste episódio falamos sobre as nossas previsões de 2026 e terminamos com a nossa lista de filmes e séries de 2025.NOTÍCIASDebatemos as nossas apostas sobre os filmes e séries de 2026.LISTA DE FILMES E SÉRIES 2025LázaroFilmesAnora (2024)Fargo (1996)Primal Fear (1996)One Battle After Another (2025)F1 (2025)Predator: Badlands (2025) / Predator: Killer of Killers (2025)Traffic (2000)The Brutalist (2024)The Smashing Machine (2025)No Country for Old Men (2007)SériesPluribusAdolescence (1ª Temporada)MobLand (1ª Temporada)Alien: Earth (1ª Temporada)The Studio (1ª Temporada)DecepçõesStar Trek: Section 31 (2025)Captain America: Brave New World (2025)Happy Gilmore 2 (2025)The Old Guard 2 (2025)Vanguard (2020)LuísFilmesWeapons (2025)Sinners (2025)One Battle After Another (2025)Warfare (2025)The Ballad of Wallis Island (2025)If I Had Legs I'd Kick You (2025)Twinless (2025)Suze (2023)Bring Her Back (2025)Predator: Killer of Killers (2025)SériesAdolescence (1ª Temporada)The Studio (1ª Temporada)IT: Welcome to Derry (1ª Temporada)Task (1ª Temporada)Alien: Earth (1ª Temporada)DecepçõesCaptain America: Brave New World (2025)Jurassic World Rebirth (2025)Snow White (2025)Good Boy (2025)ErickFilmesBob Trevino Likes It (2024)Christy (2025)The Smashing Machine (2025)Ainda Estou Aqui (2024)Predator: Badlands (2025)Predator: Killer of Killers (2025)The Baltimorons (2025)The Score (2001)Yesterday (2019)Scream FranchiseSériesThe Pitt (1ª Temporada)Landman (1ª Temporada)Forever (1ª Temporada)The Studio (1ª Temporada)MobLand (1ª Temporada)DecepçõesAvatar: Fire and Ash (2025)And Just Like That… (3ª Temporada)You (5ª Temporada)Para a semana vamos fazer review da última temporada da série 'Stranger Things'.Até lá, bons filmes.**Música Original produzida por António Capelo (https://capelo.me)Sigam-nos em:https://twitter.com/peliculapodcasthttps://instagram.com/peliculapodcasthttps://facebook.com/peliculapodcast

Con Andrés Aberasturi, José Luis Garci y Miguel Rellán hablamos de las películas que nos ha dejado este 2025. Entre ellas: Una batalla tras otra, de Paul Thomas Anderson, The Brutalist de Brady Corbet, Sirat de Óliver Laxe y Un simple accidente de Jafar Panahi. Además, con motivo del Día de los Santos inocentes, recordamos películas de humorEscuchar audio

Tanquem el 2025 amb un programa especial imprescindible. Un episodi carregat de recomanacions en què mirem enrere per triar el millor que ens ha deixat l'any en cinema, sèries i lectures. Repassem les pel·lícules més destacades del 2025, amb títols com Sinners, One Battle After Another, Weapons, Frankenstein, The Brutalist, Zootròpolis 2, Fantastic Four: First Steps i moltes més. En sèries, l'any ha vingut fort: Andor, Dexter: Resurrection, Adolescence, Stranger Things 5, Cobra Kai VI Part 3, Severance, It: Welcome to Derry i un bon grapat d'altres imprescindibles. En lectures, DC s'imposa clarament amb una selecció de còmics imprescindibles, a més de diverses recomanacions literàries per ampliar la biblioteca. En aquest mastodòntic repàs ens acompanyen l'Ignasi Arbat, la Marta Sanz i l'Aram Bonmatí, i tanquem el programa amb una ronda d'encontres amb en Jacint Casademont, l'Escarrufa, l'Agus Izquierdo, en Sergi Toboso, en Jep Soler, en Paco Cavero, en Francesc Morales, en Marcel González i en David Callahan Ruiz. Bon Nadal, feliç any nou i gràcies per ser-hi tot aquest 2025. Ens retrobem el 2026. Web: https://www.ningunoesperfecte.cat Patreon: https://www.patreon.com/ningunoesperfecte

We're back for our annual look at the best films of the year with Sinners, One Battle After Another, I'm Still Here, The Brutalist and Sorry Baby all in the mix for top spot.This is taken from new releases in Ireland in the calendar year 2025 so don't panic when you see things that feel like 2024 releases! Hosted on Acast. See acast.com/privacy for more information.

Relax with calm bedtime reading designed to support sleep and ease insomnia through gentle, educational storytelling. This calm bedtime reading blends architecture and sleep-friendly pacing, offering a peaceful way to quiet the mind during insomnia or restless nights. In this episode, Benjamin slowly explores the history, philosophy, and defining features of Brutalist architecture, from its raw concrete forms to its postwar ideals. You'll learn something new while unwinding, as each fact is delivered in a steady, soothing cadence that's perfect for winding down. There's no whispering here, just calm, fact-filled bedtime reading meant to relax your thoughts and guide you toward sleep. This episode is ideal for listeners dealing with insomnia, nighttime anxiety, or stress who want something interesting yet gentle to focus on. Settle in, press play, and let your breathing slow as the words drift by. Happy sleeping! Read with permission from Brutalist architecture, Wikipedia (https://en.wikipedia.org/wiki/Brutalist_architecture), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brennan, Nicole & Mama K are back with their November and December movies & tv: The Running Man, Rental Family, Bugonia, Freakier Friday, Predator: Badlands, The Family Man 2, Weapons, One Battle After Another, Mission Impossible: The Final Reckoning, The Brutalist, Downton Abbey: The Grand Finale, The Materialists, Am I Okay?, Landman, The Mayor of Kingstown, The Perfect Neighbor, Buy Now: The Shopping Conspiracy, The Beast in Me, Don't Move

Brian Lloyd and Cara O'Doherty join The Last Word to chat about their top movies from 2025.From the Oscar winning film The Brutalist to the classic comedy The Naked Gun, they have it all!Catch the full chat by pressing the 'Play' button on this page!

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription.Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. On our latest installment, filmmaker and Zohran Video Guy Anthony DiMieri joins us to talk to tell us about the wild twists and turns of his career as an indie filmmaker turned key contributor to the Zohran & SubwayTakes cinematic universes, dark woke, and why everyone is obsessed with Geese. We're removing the paywall for the next week so you can give it a listen.You'll also get an invite to our second reading group meet-up: a discussion of Richard Barbrook and Andy Cameron's seminal 1995 year essay, “The Californian Ideology,” and Fred Turner's recent article for The Baffler, “The Texan Ideology.” That's going down on Sunday, January 11.In 2005, the music and culture critics Simon Reynolds and Mark Fisher (RIP) began using the term hauntology — a riff on “ontology” — to describe an emergent genre in UK music, built from archival recordings from post-war England, vinyl crackle, and haunted, elegiac atmospherics. (Think: Burial, The Caretaker, and the eerie catalog of the label Ghost Box.) They borrowed the term from Jacques Derrida, who used it to describe a present haunted by futures that had never arrived; Reynolds and Fisher heard that idea vibrating through a generation of musicians excavating Britain's cultural memory.Fisher explored hauntology's political dimension, rooting the movement in a longing for Britain's pre-Thatcherite social democratic past and an affection for cultural touchstones like the BBC Radiophonic Workshop, Brutalist architecture, and films like The Wickerman. Reynolds, meanwhile, mapped its musical lineage—back to '90s hauntology predecessors like Boards of Canada and Broadcast, and across the pond to J Dilla-era hip-hop and underground movements like freak folk, hypnagogic pop, and chillwave.A recent CUJO reading group on the topic inspired us to invite Simon—the author of books like Rip It Up and Start Again, Retromania, and Futuromania (listen to our ep about it!)—to help us mark the 20th anniversary of hauntology and explore what it has to teach us about mobilizing the culture of the past in a way that feels meaningful and even forward-lookingSimon joins us to dig into the cultural factors that gave rise to hauntology, the 21st-century fetish for obsolete media, and the differences between hauntology and simple nostalgia or “retro.” We also talk about the pasts that continue to haunt us—from rave culture to Marxism—and he gives us a sneak peek at his forthcoming book, Still in a Dream: Shoegaze, Slackers and the Reinvention of Rock, 1984–1994, arriving in 2026.Listen to our HAUNTOLOGY PLAYLIST on Apple Music and YouTubeRead more of Simon on hauntology in Retromania: Pop Culture's Addiction to Its Own Past and over at ReynoldsRetroKeep up with Simon and his writing on blissblogFollow Simon on XAdditional reading:Jacques Derrida, Specters of Marx, The State of the Debt, the Work of Mourning and the New International, 1993.Mark Fisher, “October 6, 1979: Capitalism and Bipolar Disorder,” 2005.Simon Reynolds, “Haunted Audio, a/k/a Society of the Spectral: Ghost Box, Mordant Music, and Hauntology,” director's cut of an article in the November 2006 issue of The Wire.Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures, chapter 2, 2014. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

The crew dives right into a questionable choice as Tony is excited for Mike and Chris to eat an old corn dog fished out of the freezer that is “just a few days expired.” Meanwhile, Amin's in a battle of wills with AI video generators that refuse to cooperate, Tony's fallen deep into a TikTok-fueled obsession with Brutalist architecture, and somehow we end up with Tony and Chris admitting to sneaking forbidden photos inside the Sistine Chapel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The crew dives right into a questionable choice as Tony is excited for Mike and Chris to eat an old corn dog fished out of the freezer that is “just a few days expired.” Meanwhile, Amin's in a battle of wills with AI video generators that refuse to cooperate, Tony's fallen deep into a TikTok-fueled obsession with Brutalist architecture, and somehow we end up with Tony and Chris admitting to sneaking forbidden photos inside the Sistine Chapel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 00:03:36 - Le Regard culturel - par : Lucile Commeaux - Après les films de boxe hier, petite réflexion sur les films qui mettent en scène des architectes, à l'occasion de la sortie mercredi prochain au cinéma du film sur la Défense de Stéphane Demoustier, et en VOD de "The Brutalist" de Brady Corbet.

durée : 00:03:36 - Le Regard culturel - par : Lucile Commeaux - Après les films de boxe hier, petite réflexion sur les films qui mettent en scène des architectes, à l'occasion de la sortie mercredi prochain au cinéma du film sur la Défense de Stéphane Demoustier, et en VOD de "The Brutalist" de Brady Corbet.

Today on the Podcast we discuss the best and worst films from 2024.  Ron's Runner Up's - 20-11   Darren's Runner Up's - 20-11  (3:50) Paul's Runner Up's  (6:20) Ron's Top 10-6  (9:00) Darren's Top 10-6  (13:00) Paul's Top 10-6  (19:10) Ron's Top 5-1  (22:45) Darren's Top 5-1  (28:35) Ron's Top 5-1  (38:00) Worst Films of the Year  (42:45)   COMPLETE LISTS RON RP's - Monkey Man / The Ministry of Ungentlemanly Warfare / Gladiator II / A Quiet Place: Day One / The Apprentice / Beetlejuice Beetlejuice / Alien: Romulus / Coup De Chance 20) The Bikeriders / 19) The Brutalist / 18) Rebel Ridge / 17) The Wild Robot / 16) Steve Martin: A Documentary In 2 Pieces / 15) Civil War / 14) The Iron Claw / 13) Conclave / 12) Kingdom of the Planet of the Apes / 11) Dune Part 2 / 10) Furiosa: A Mad Max Saga / 9) Music By John Williams / 8) September 5 / 7) Nosferatu / 6) Deadpool & Wolverine / 5) A Real Pain / 4) Anora / 3) Flow / 2) A Complete Unknown / 1) Saturday Night   DARREN RP's - 20) A Quiet Place: Day One / 19) Paddington In Peru / 18) Nosferatu / 17) A Real Pain / 16) Sugarcane / 15) Brats / 14) Jim Henson: Idea Man / 13) Immaculate / 12) Deadpool & Wolverine / 11) Challengers / 10) Alien: Romulus / 9) Music By John Williams / 8) The Wild Robot / 7) A Complete Unknown / 6) Civil War / 5) Kingdom of the Planet of the Apes / 4) Furiosa: A Mad Max Saga / 3) September 5 / 2) Dune Part 2 / Saturday Night   PAUL RP's The Iron Claw / Unfrosted / Hellboy: The Crooked Man / Beetlejuice Beetlejuice / Inside Out 2 / Kingdom of the Planet of the Apes / The Wild Robot - 10) Alien: Romulus / 9) Civil War / 8) Deadpool & Wolverine / 7) Furiosa: A Mad Max Saga / 6) Conclave / 5) Wallace & Gromit: Vengeance Most Fowl / 4) Saturday Night / 3) A Complete Unknown / 2) Flow / 1) Dune Part 2  

Welcome to another episode of Fratello On Air. This week, we try our hand at predicting the fortunes of four key watch brands. These makers all have great pieces in their lineups, yet we wonder if they have more in store to become absolute powerhouses. Or perhaps some of these companies will go in the opposite direction and become smaller with more exclusive offerings. Join us as we ponder the fates of these firms in five years.Admittedly, with a relatively quiet market and turbulent global trade, it's easy to sit back and prescribe improvements for various brands. That's not why we're here today, though. No, instead, we've come together to discuss four well-known names in the industry and how their fortunes may change after five years. That gives each enough time to make sizeable changes, but is that necessary? Let's see!HandgelenkskontrolleOur show kicks off with the usual round of banter. We discuss The Brutalist and House of Guinness. Then, we move to a watch topic and talk about the recently announced Timepiece Concours d'Élégance announced by Phillips in partnership with Vacheron Constantin. While we like the general concept, we are dubious about the sponsorship. For the Handgelenkskontrolle, Mike is wearing an interesting new piece from a young brand. The Möels & Co 528 S2 is an usually shaped watch with a manual-winding La Joux-Perret D101 movement. Expect an upcoming hands-on review soon! Balazs shares a watch we haven't brought up in a while. The Fratello × Nivada Grenchen Racing Chronograph was released in mid-2023 and is still a looker!The fortunes of four brands in five yearsFor our main topic, we summon our inner Nostrodamus, discuss four brands, and hypothesize about their futures in five years. We didn't share the companies we selected before recording, so call it a premonition that Panerai was a unanimous first choice. It will be interesting to see how the fortunes of this tool-watch brand change over time. Will big watches make a comeback, and how can Panerai ensure that they reach the same level of desirability seen during the early 2000s?Girard-Perregaux is the next company to make our list. We really like the current lineup, but we find the brand a bit too quiet in its marketing efforts. Frankly, we'd like to see its watches out front and center every so often. Perhaps the recent Laureato Fifty is the start of a new push. Bvlgari is another brand we love. With its Octo Finissimo, the company has created an instantly recognizable classic. However, it's a watch that some of us with small wrists struggle to wear. We'd like to see this watchmaker create one more innovative modern classic that works for everyone. Finally, Jaeger-LeCoultre was always known as the watchmaker's watchmaker. As a result, the marque offered immense value. Now, the watches are certainly nice, but the prices put them in competition with many other brands. How will this play out over the next five years?As always, thank you for listening to Fratello On Air. If you have suggestions for future episodes, please don't hesitate to let us know!

Talking cool, Bill and Ted on Broadway, life as a Robert Altman film, a great Guy, taking long-term parking to the extreme, some smart quotes, a great little film anchored by a solid Sean Young, and a visit to the recording studio. Stuff mentioned:  Bill and Ted's Excellent Adventure (1989), Samuel Beckett Waiting for Godot (1953), Waiting for Godot (Hudson Theatre, September 13, 2025-January 4, 2026), The Woman in Cabin 10 (2025), The Brutalist (2024), The Boost (1988), The Onion Field (1979), Vision Quest (1985), Malice (1993), Sea of Love (1989), Batman Returns (1992), Benjamin Stein Ludes: A Ballad of the of the Drug and the Dream (1982), Ferris Bueller's Day Off (1986), Days of Wine and Roses (1962), Cage the Elephant "Right Before My Eyes (2011), and Weezer "Do You Wanna Get High?" (2016).

The bois are joined by Maddy Smith @MaddySmithcomedy to discuss One Battle After Another, Nicole Kidman, classic rom coms, and more!Check out Maddy Smith on tour!@somaddysmithwww.MaddySmithComedy.comJoin our Patreon for bonus episodes, supplements, Discord access, and more: https://www.patreon.com/therearetoomanymoviesMerch: https://www.toomanymovies.com/shopInstagram:https://www.instagram.com/therearetoomanymovies/TikTok:https://www.tiktok.com/@therearetoomanymoviesListen on Spotify:https://open.spotify.com/show/7lwOlPvIGdlmr6XjnLIAkG?si=4e3d882515824466Subscribe on iTunes:https://podcasts.apple.com/us/podcast/there-are-too-many-movies/id1455789421Twitch:https://www.twitch.tv/therearetoomanymoviesTwitter:http://www.twitter.com/tatmmpod00:00:00 Cold Open00:00:44 Intro00:01:21 Maddy Got Heckled00:05:05 One Battle After Another00:07:21 Ranking Paul Thomas Anderson Movies00:17:51 The Worst Person In The World00:20:35 Escape At Dannemora00:24:09 Babygirl00:28:56 Great British Bake Off00:29:42 The Paper00:31:31 Gen V00:31:49 Barefoot In The Park00:33:15 Crossing Delancey00:33:45 Chilly Scenes of Winter00:34:22 Joan Micklin Silver00:35:28 Benny Safdie00:36:17 Ballers00:38:56 The Materialists00:39:46 Margaret Qualley00:41:12 The Night Of00:42:34 Michael Clayton00:43:57 Marvel Actors00:45:56 Lena Dunham00:54:40 Movies In Theaters00:56:26 Black Bear00:58:31 Megalopolis00:59:07 The Brutalist & Adrien Brody01:00:45 Long Runtimes01:01:45 Task / Mayor of Easttown01:04:37 TV Shows01:07:04 Writer Director Cameos01:09:39 F101:12:31 Guess The Budget01:14:54 Actor Game01:21:57 Outro

Brutalist living and the economics of milk teeth Hosted on Acast. See acast.com/privacy for more information.

It’s official, KPop Demon Hunters’ sing-along screenings were a resounding success. The film about a KPop girl group who also hunt… well, you know… became an immediate global phenomenon via streaming on Netflix when it was released in June. Now that the desire for communal experiences has been made abundantly clear, what will this mean for the franchise going forward? Kim Masters and her partner in Banter Matt Belloni get into it. Plus, in an encore conversation from January, Masters speaks to The Brutalist co-writer & director Brady Corbet and co-writer Mona Fastvold. The pair talk about the seven-year battle to get their post war epic to the big screen. They also explain their audacious decision to make a three and a half hour film with an intermission, share thoughts on the state of the country, and Corbet reveals his thoughts about Trump’s plans to demolish brutalist federal buildings.  P.S. Expect to hear much more from Fastvold as the current awards season shapes up, her forthcoming, Amanda Seyfried-led film The Testament of Ann Lee is sure to be on everybody’s lips.

Join Trevor and his buddy Brad from the Cinema Speak podcast as they share some of the longest movies in their collections in a discussion that is sure to be "Thick 'N Meaty"!Brad's Picks:5:30 - The Brutalist (2024)30:00 - In Search of Darkness Part III (2022) and The Irishman (2019)56:30 - The Seven Samurai (1954)1:20:30 - King Kong (2005) and The Lord of the Rings TrilogyTrevor's Picks:18:30 - Crystal Lake Memories: The Complete History of Friday the 13th (2013)41:30 - Heat (1995), The Godfather Trilogy, and Scarface (1983)1:06:30 - Sekigahara (2017), Terrorbytes: The Evolution of Horror (2025) and FPS: First Person Shooter (2023)1:37:30 - Batman v Superman: Dawn of Justice (2016), The Batman (2022), No Tme to Die (2021) and John Wick: Chapter 4 (2023)1:45:45 AND ALSO, stick around for the Speed Round, wherein Brad, Travis and Trevor discuss the various titles that they didn't have time to get to in the main discussion.Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

You didn't think we'd go radio silent for August, did you? While we toil away at the next phase of our show, we'll be keeping the party going by releasing a few of our favorite bonus episodes — usually exclusive to our Patreon — onto the main feed. Enjoy! Sign up at Patreon.com/DylanAndDalton to enjoy more goofy nonsense like this. Originally published to Patreon on February 16th, 2025. On this episode, D&D stray from the path and grant one Patron's wish: to create a Dark Universe version of Stephen Sondheim's Into the Woods! Dalton has an unexpected reaction to one of Trek fandom's least favorite features, and Dylan auditions Audition! Heads up that we will be FULLY spoiling Audition. PLUS: The hosts try to agree on when the last good Marvel movie was. TIMESTAMPS 00:00:00 - Intro and Dylan's Makeover 00:02:34 - Bev Check 00:07:42 - Dylan & Dalton At Da Movies - Babygirl, Flow, Emilia Perez, The Brutalist, Captain America: Brave New World 00:18:52 - When was the last good Marvel movie? 00:23:54 - Studio Mandates - Into the Woods 00:54:33 - Treks Education - Star Trek: Insurrection 01:08:37 - Dalton's updated Trek rankings 01:12:12 - The Dalterion Collection - Audition FULL SPOILERS

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  ‘Naked Gun' is out this week, where Liam Neeson finally embraces his meme-status by playing parody cop Frank Drebin Jr.--son of Leslie Nielsen's hero of the 1988 original. ...Is it naff though? Find out what Mark thinks—along with his verdicts on Willem Dafoe-starring weirdy fantasy drama ‘The Legend of Ochi', and ‘Savages', the new stop motion tale from the director of ‘My Life as a Courgette'. School's out but the reviews still keep coming!   Our guest this week is Guy Pearce, who chats so Simon about this hard-hitting new prison drama ‘Inside', set in his native Oz. Pearce plays grizzled lifer Warren, who is facing up to the uncertainties of freedom days before his long-awaited parole—but does he really want to get out? He stars alongside the ever-versatile Cosmo Jarvis and newcomer Vincent Miller, who plays the 18-year-old new inmate who Warren takes under his wing. Guy unpacks it all with Simon—plus we hear about his music projects, ‘The Brutalist', and find out which classic role of his he actually hates...   Some really amazing correspondence this week on ‘The Narrow Road To The Deep North' too, which has reminded us that we really do have the best and most fascinating listeners evs. Thanks as ever Wittertainees!      Timecodes (for Vanguardistas listening ad-free):  Savages Review: 07:54  BO10: 14:39  The Bad Guys 2 Review: 27:28  Guy Pearce Interview: 33:09  The Naked Gun Review: 49:01  The Legend of Ochi Review: 59:24    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto. In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does. Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

Join Trevor and his buddy Brad from the Cinema Speak podcast for a discussion about "Summer Sales"!This month, we'll be talking about movies that we purchased during the various sales that occurred this summer.Brad's Picks:5:00 - To Live and Die in L.A. (1985)37:40 - The Brutalist (2024)1:10:00 - Nosferatu (2024)1:32:40 - Uncle Buck (1989) and Zodiac (2007)Trevor's Picks:22:50 - Flesh + Blood (1985) and Elle (2015)51:45 - The Mummy Trilogy 1:21:30 - American Psycho (2000) and Alien: Romulus (2024)Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

This is part one of a two-part recap On this week's Next Gen NYC, Georgia unveils her big plan for the future: a Brutalist bowling alley club with metal lanes and cafeteria trays. Meanwhile, Emira airs her Red Robin grievance, and Gia hounds Riley about her attitude. Special guest Danny Murphy (Page Six's Virtual Reali-tea) breaks down the ep with Ben! You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is part 2 of a two-part recapOn this week's Next Gen NYC, Georgia unveils her big plan for the future: a Brutalist bowling alley club with metal lanes and cafeteria trays. Meanwhile, Emira airs her Red Robin grievance, and Gia hounds Riley about her attitude. Special guest Danny Murphy (Page Six's Virtual Reali-tea) breaks down the ep with Ben! You can watch this recap on video, listen to our Love Island bonus episodes, and participate in live episode threads at patreon.com/watchwhatcrappens. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David discusses the movies he's been watching, including Girls Town, Wolf Man, Grand Theft Hamlet, Moana 2, The Brutalist, Babygirl, When Harry Met Sally..., Joker: Folie à Deux, Unstoppable, No Other Land, Juror #2, Soundtrack to a Coup d'Etat, Between the Temples, Eyes of Laura Mars and In the Mouth of Madness.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Reid is reporting live from Vienna and Jeremy has chickens and watched the Brutalist and has sworn off “And Just Like That” because of Carrie's hat. Other topics include Andy Baraghani's Extra-Green Pasta Salad and Ellen Burstryn in "Alice Doesn't Live Here Anymore".◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ or  ⁠⁠⁠⁠⁠⁠⁠⁠⁠PATREON⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ withdanceandstuff@gmail.com⁠

  CinemAddicts Episode 295 covers movies that are opening the week of Friday, May 23, 2025. They include The New Boy, The Last Rodeo, Trail of Vengeance, Ran, and The Surrender. Bruce Purkey also reviews The Brutalist.  Timestamps (0:00) - Intro (3:44) - The New Boy. Images: Vertical  (10:31) - The Last Rodeo. Images: Angel Studios (18:54) - Trail of Vengeance. Images: Shout! Studios (22:40) - Any Day Now. Available on Digital. Images: Any Day Now.  (29:55) - Details on the upcoming documentary Uncle Roy. Kickstarter ends May 25, 2025.  (36:55) - Bruce Purkey is in the Cinem-Attic!! (41:06) - The New Boy (50:36) - The Surrender. Images: Courtesy of Cailin Yatsko. A Shudder Release.(57:52) - Akira Kurosawa's Ran. 40th Anniversary Presentation opens May 23rd at New York's IFC Center and Los Angeles' Laemmle Royal. Images: Rialto Pictures When you use our Amazon links or our SiteStripe for your purchases, the CinemAddicts crew receive a slight commission. CinemAddicts Info: Like Our CinemAddicts Facebook Page Join our CinemAddicts Facebook Group for daily movie recommendations. Our email: editor@deepestdream.com. Shop our CinemAddicts Merch store (shirts, hoodies, mugs). Our Website is Deepest Dream Thanks to our Patreon Community Ryan Smith 2. Stephen Schrock 3. Susan 4. Charles Peterson 5. Nelson B. McClintock 6. Diana Van De Kamp 7. Pete Abeyta 8. Tyler Andula 9. Stephen Mand 10. Edmund Mendez 11. Abbie Schmidt 12. Jeff Tait 13. Robert Prakash 14. Kristen 15. Chris M 16. Jeremy Chappell 17. Lewis Longshadow 18. Iver 19. Alex Clayton 20. Daniel Hulbert 21. Andrew Martin 22. Angela Clark 23. Myron Freeman 24. Kayn Kalmbach 25. Aaron Fordham 26. Tracy Peters 27. Grant Boston 28. Ken Cunningham 30. Erik Chavez #MovieReview #CinemAddicts #AkiraKurosawa #TheLastRodeo  

SEASON 2 - EPISODE 136 - Judy Becker - Production Designer In this episode of the Team Deakins Podcast, we speak with production designer Judy Becker (THE BRUTALIST, CAROL, BROKEBACK MOUNTAIN). Judy's love for art and collaboration began at the age of 3 and developed throughout her childhood, and after discovering the theatre department in high school, she found her way into the New York filmmaking scene. Having worked in a number of projects across many different periods of history, Judy shares how she approaches bringing those spaces to life, and we reflect on the fact that absolute accuracy to a period doesn't always look real on the screen. Later, during our discussion of her work on THE BRUTALIST, Judy reflects on the challenges of communicating with a crew whose language is nothing like her own, and she reveals how they fought for scraps of plywood and found (and built) post-war America in Hungary. Judy also shares how she approached designing The Institute—the architectural centerpiece of the film—and she reveals how they used the scale model they built in the actual shoot. We also discuss the differences between working on location and in a stage, and Judy shares the creative attraction to working on producer Ryan Murphy's many television shows. - This episode is sponsored by Aputure

Comic Dave Landau joins us, Donald Trump won another golf championship, Antonio Brown's tweets about his baby mommas, Kanye puts out a song with Diddy, and Kirk Gibson leaves the broadcast booth. Happy St. Patrick's Day! Dave Landau of Normal World joins us live in-studio. Go see him in Rochester at The Roxy this weekend. Keep an eye out for his book ‘Party of One'. No early release for n-word throwing University of Kentucky student Sophia Rosing. A man has been awarded $50M for burning his weiner with tea from Starbucks. Drew somehow made it through all of The Brutalist. Will Smith and Jada are so on the outs. We re-watch Will Smith's nauseating self-serving Best Actor speech. Anora is such a great representation of ‘sex workers'. California Governor Gavin Newsom doesn't like men playing in women's sports. Remember that phone call he pretended to make to President Biden? Donald Trump won his own club championship. Joe Biden “can't hit a ball 50 yards”. GMA has the latest on Sudiksha Konanki and Josh Riibe. There is a new Manson doc out there on Netflix. Gene Hackman's wife survived longer than people think. The kids were snubbed by the will in favor for charities. Antonio Brown is on fire on Twitter. He's not very nice to his baby mamas. Kanye West dropped a new tune featuring Diddy and North West. Kim Kardashian is not pleased. Teslas have been getting vandalized. Myka and James Stauffer are terrible parents. Check out “An Update on Our Family” on Max. Drew's bestie, Kirk Gibson, will no longer appear on Detroit Tigers broadcasts. Hannah Gadsby is not funny. Drew can't stop watching Family Feud clips. Courtney Love has left the US for the UK. Tom Cruise is recruiting Ana de Armas to Scientology… and probably banging her too. Ben Affleck grotesquely spit. That is all. Kanye West casting call asks for NO fat people or anyone darker than Diddy. Rasha Alawieh has been deported. Justine Bateman vs Meghan Markle. Meghan's launching another podcast with stolen ideas. Corey Feldman's girlfriend puts out a Bhad Bhabie diss track. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Tonight, big blockbuster films Dune: Part Two and Wicked are competing against critic favorites like The Brutalist, Nickel Boys and The Substance at the Academy Awards. With so many films out there it's hard to keep up, but the team at Pop Culture Happy Hour has seen them all and they are joining us today to share their predictions for who will be the big winners at this evening's ceremony.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The Academy Awards are this Sunday. We hear from the two stars of the film The Apprentice, Sebastian Stan and Jeremy Strong. It's about how a young Donald Trump was influenced by the infamous, unscrupulous lawyer Roy Cohn. Also, we hear from Adrien Brody, who is nominated for his starring role in the film The Brutalist, in which he plays a Hungarian-Jewish architect and Holocaust survivor who seeks a fresh start in post-WWII America.John Powers reviews the animated film Flow, which has been nominated for both best animated feature and best international film.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

WAD is taking a break from the daily horror show that is political news to talk about the scandals plaguing another American institution: Hollywood. Specifically, the swirling controversies around this year's Oscars race, which culminates Sunday at the annual Academy Awards ceremony. From ‘Emilia Perez' going from a sure-fire Best Picture winner to cinematic albatross, to the use of AI in ‘The Brutalist,' there's been something for everyone to get mad at this year. Sam Sanders, host of KCRW's ‘The Sam Sanders Show' and ‘Vibe Check,' explains why the Oscars are bad for America.And in headlines: Pro-misogyny influencers the Tate brothers headed to Florida after Romania lifted their travel ban, U.K. Prime Minister Keir Starmer visited the White House to keep up the European pressure campaign on President Trump over Ukraine, and Defense Department leaders were given a deadline to identify transgender service members for removal from the force.Show Notes:Check out Sam's Oscars episode – https://tinyurl.com/38x8c595Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8Support victims of the fire – votesaveamerica.com/reliefWhat A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday

A film about a struggling architect, a style the world loves to hate—The Brutalist and Brutalism itself share more than just a name. Is it bold vision or concrete failure?The Brutalists Subscribe to SiriusXM Podcasts+ to listen to new episodes of 99% Invisible ad-free and get exclusive access to bonus episodes. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

It's a wonderful night for Blankies! Join us and This Had Oscar Buzz's Joe Reid as we survey the year that was 2024 in cinema. Not to spoil too much, but some things that happen in this episode: Griffy Crystal sings a tribute to The Brutalist to the tune of “Bootylicious,” Nosferatu wins zero awards but shows up to present every category, Griffin is obsessed with Hundreds of Beavers, David hates The Bikeriders, Joe invents an incredible new bespoke category, and as always - Ben ranks his wettest films of the year. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Brady Corbet spent years in front of the camera until he resigned from the job of actor. The new career he took up, that of filmmaker, has led to ten Oscar nominations for his newest movie The Brutalist. Brady talks with Marc about what made him devote eight years of his life to this epic exploration of the male ego. They also talk about the economics of being an independent filmmaker, the balance between being a collaborator and an auteur, and Brady's conflicted feelings about the creative process. Hosted on Acast. See acast.com/privacy for more information.

Adrien Brody does a lot of research for his roles, but his performance in the new movie The Brutalist was shaped largely by his family's immigrant experience and it aligned with his desire to play characters who are outsiders. Adrien also talks with Marc about becoming the youngest winner of the Best Actor Oscar for The Pianist and how it was a little too much to take. But on the flip side, he explains why he revels in the joy and camaraderie of making Wes Anderson's films. Hosted on Acast. See acast.com/privacy for more information.