Podcasts about The Baffler

In this episode, Nihal El Aasar returns to this podcast to discuss the competing progressive alternatives in the Arab world prior to the establishment of the State of Israel. Arab attempts to join capitalist systems were obstructed by British and Zionist colonial power, leading to the maintenance of a hegemonic state. We also reference the Union of Arab States and the role of the Zionist entity in hindering regional development. Gamal Abdel Nasser and other leaders in Egypt attempted to create a sovereign economic and political space through nationalist projects. This was actively resisted by Western powers and seen as a threat to imperialist interests. The theory of dependency, as developed by Samir Amin, highlights how underdevelopment in the global South is the result of the expansion of global capital. Nihal argues that while Nasser's project was popular and supported by the masses, his distrust in popular participation and repressive actions against intellectuals helped prevent the project from fully being actualized. The formation of Israel was intertwined with Western efforts to manage the political future of the so-called Middle Eastern region. Israel has hindered the Arab modernization project and has negatively affected the surrounding countries. We discuss how Israel exists in the region to halt the potential of the Arab people as a whole. This is done through repression, impoverishment, and preventing economic prosperity. The U.S. interests in extraction and controlling resources in the region also play a role in this. Apart from that, we meditate on Egypt's early 20th century role as a leader in the Arab world and the expectations placed on its military and economy for stability and development being largely shaped by its history of conflict with Israel and the continued presence of Zionism in the region. The military's control of the economy, rise of religious fundamentalism, and prevalence of conspiracy theories can all be traced back to this relationship. Additionally, Egypt's 20th century development was and continued to be hindered by both structural pressures from outside and its own struggle with overextension as a newly decolonized nation. The working class in Egypt consisted mainly of peasants who were oppressed under the Egyptian monarchy. Land reforms were necessary for progress and industrialization was slowly taking place. From the start, Egyptian nationalism was formed in opposition to Zionism. Nasser faced challenges from the US and its allies and had to build up the Egyptian military in response. We discuss how the nationalization of the Suez Canal and the creation of the United Arab Republic were unprecedented events, but internal struggles and external interference ultimately led to its downfall. The Gulf monarchies have also been deeply intertwined with imperial and capitalist interests since their founding, making them a natural opposition to Arab socialist and progressive projects. The 1973 oil embargo, El Aasar argues, was the last major act of Arab unity but was not an altruistic act of solidarity. The embargo affirmed the importance of the petrodollar for the US and was influential in bringing about the Camp David Accords, which aimed to consolidate the petrodollar and move Egypt fully from the Soviet camp to that of the United States. We meditate on the significance of Camp David and the 1978 peace treaty between Egypt and Israel, arguing that it represents a betrayal of Egyptian sovereignty and a move towards neoliberalism and repression. She also highlights how this has instilled a defeatist mindset in Egyptians and led to ongoing struggles with poverty and domestic warfare. She argues that the current regime in Egypt is a continuation of the "Camp David Republic" and that the promised benefits of peace, such as prosperity and political openness, have been left unfulfilled.   If you like what we do and want to support our ability to have more conversations like this. Please consider becoming a Patron. You can do so for as little as a 1 Dollar a month and you will gain access to our Discord.   Nihal is an Egyptian  writer, researcher, political analyst, radio host and DJ. She has written about politics, political economy, culture, literature and music in several publications including The Baffler, The Transnational Institute, Verso, Jacobin, Tribune, Parapraxis, Mundial, Art Review, The Wire, Protean, Novara media, and others, as well as authoring a book chapter about Egyptian political economy and consulting on related issues. "The Condition for Freedom Is for the Egyptian Masses to Take to the Streets"Egypt's Centrality in the Struggle for Palestine" by Nihal El Aasar   Episode artwork includes an artificially colorized version of this photo: "Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin acknowledge applause during a Joint Session of Congress in which President Jimmy Carter announced the results of the Camp David Accords." full credit information here: https://commons.wikimedia.org/wiki/File:Sadat_and_Begin_clean3.jpg  

Lauren Fadiman joins us to discuss her new piece in The Baffler, "The Invention of Antifa: The courts decree a new domestic terrorist": https://thebaffler.com/salvos/the-invention-of-antifa-fadiman

Before talking amps, we talk life! Longtime friend of the show John Vanderslice (Tiny Telephone) joins us to talk about moving to the Netherlands, the life of an expat, the equipment that he moved to Europe (and didn't), staying curious with your gear, and so much more. Around 50 minutes in, we get the answer to last episode's Baffler, field various questions and do the usual TAVA amp troubleshooting. Thank our sponsors: Grez Guitars; Emerald City Guitars; and Amplified Parts / Mod Electronics.  Some of the topics discussed this week: :00 Special guest: John Vanderslice! 50:28 Our sponsors! 51:47 What's on Skip's bench: A Supro Galaxy 1:01:19 The O.W. Appleton guitar (link)  1:02:33 The answer to episode 155's baffler: Two types of hum 1:07:03 The high and low power switch on a Music Man HD150 1:10:34 How can I swap the speaker on my 1949 Spiegel 79-C, pre-heating cast iron 1:14:35 Ranch Style beans, Herdez guacamole salsa, Electro-Harmonix 12AY7 mic-pre, Peavey Valverb, using an iso cabinet, using both jacks in a Princeton 1:24:37 Terry Foster at the 2026 Fretboard Summit  1:26:11 How many speakers can a Silverface Champ drive safely? Why did Fender keep changing the Princeton schematic? 1:31:13 Skip at the Fretboard Summit?  Want to be a part of the show? Join us by sending your voice memo or written questions to podcast@fretboardjournal.com! Include a photo, too. Hosted by amp tech Skip Simmons and co-hosted/produced by Jason Verlinde of the Fretboard Journal. 

Award-winning novelist Missouri Williams on writing strange and ambitious fiction, treating doubt as a generative force, and why idleness is essential to creative work. We discuss How a destabilising illness and a new language can reshape a writer's whole relationship to words. Why style isn't something you construct so much as a way of seeing you're partly stuck with. The case for drafting without thinking about the end result and keeping the stakes low. What an image you can't stop returning to can reveal about the book you need to write. When idleness and empty, unproductive time become the most essential part of the work. How doubt can function as a generative engine rather than a block. A method for layering instability into a narrator who sounds completely in control. What a chorus can do on the page that a single narrator can't. Why being placed outside your depth, where everything has to be relearned, can sharpen a writer. The difference between doubting your work and doubting your right to do it at all. Resources & Links

In this episode we have a conversation with reporter Jasper Craven about his new book, God Forgives, Brothers Don't: The Long March of Military Education and the Making of American Manhood, which is a made-for-KYE feat of research that offers a fascinating way into perennial themes of this show: masculinity, U.S. empire, the relationship between violence and civilization, and the surprising camp of conservatism. Along the way we discuss Donald Trump, the mob, Peter Brian Hegseth, Graham Platner, and more. Sources: Jasper Craven, God Forgives, Brothers Don't: The Long March of Military Education and the Making of American Manhood (2026) — "Battle of the Sexes: Pete Hegseth's War on Women," The Baffler, Sept 2025 Dan Gilgoth, The Jesus Machine: How James Dobson, Focus on the Family, and Evangelical America Are Winning the Culture War (2007) Dr. James Dobson, Dare to Discipline: A Pyschologist Offers Urgent Advice to Parents and Teachers (1970) ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!

“There is a pretty powerful strain in America today in which men feel some need to be violent and domineering to sort of prove their masculinity. And there's sort of less intense but still prevalent strains that infect many other types of men.” — Jasper Craven Today is Memorial Day — America's annual celebration of its warriors and military ethic. But for Jasper Craven, author of God Forgives, Brothers Don't: The Long March of Military Education and the Making of American Manhood, it should be a day of muted self-reflection rather than bellicose celebration. Especially in May 2026 with America involved in another ludicrous overseas war. Craven's argument is that from George Washington onwards, America has fused military manliness with a self-destructive masculine identity. Thus young men are trained at top military academies like West Point to be unthinkingly domineering and violent. But for Craven, America — a continent surrounded by oceans to the east and west and by friendly neighbours to the north and south — has no need for the unreflective militarism fetishised by its military academies and culture. So what has West Point wrought? A nation of Pete Hegseths, Jasper Craven implies. Happy (ie: peaceful) Memorial Day everyone. Five Takeaways •       Military Manliness and American Identity: From Washington to Hegseth: From the Founding Fathers — most of whom were Revolutionary War veterans — America has explicitly fused military manliness with core masculine identity. Boys who want to define themselves as Americans have felt a need to be strong, to serve, to defend. The archetype has only been beefed up over time: through the steroid era and into the world of Navy SEALs and special operators. The result is a culture where men feel the need to be violent and domineering to prove their masculinity, from carrying AK-47s to protests to becoming ICE agents. The problem: the archetype has no relationship to actual national security needs. •       West Point and the Civil War: A Fuse, Not a Remedy: West Point was created to produce a well-schooled officer class. What Craven argues: when you allocate massive resources to building a military, you will feel the consequences. Before the Civil War, West Point was segregated into northern and southern companies — which exacerbated tensions rather than building union. When war broke out, many West Point officers defected to the Confederacy, including Robert E. Lee, who had been superintendent. West Point officers on opposite sides then killed each other in their thousands. Many lawmakers called for West Point to be abolished. They were not heeded. •       Race, Integration, and the Military's Complex Legacy: Craven acknowledges the military's partial role in racial integration: Truman's executive order in 1948 desegregated the armed forces, which was a genuine milestone ahead of civilian institutions. But he is careful about what this means. Integration at the institutional level did not eliminate racism within the culture. And the same military that desegregated also produced the culture of violence, dehumanisation of the other, and misogyny and homophobia that Craven chronicles throughout the book. Partial credit is still only partial credit. •       January 6th and the Politicisation of the Officer Class: In Trump's first term, General Mattis and General Kelly and others demonstrated real courage in reining in Trump's worst impulses. By the end of that term, they had all been replaced by loyalists. During the transition to Biden, Trump's military cronies at the Pentagon went dark. January 6th was largely carried out by military veterans. More than 100 senior retired military officers penned an op-ed supporting what Trump had done. In Trump's second term, the politicisation of the officer class has only accelerated. The non-political professional officer class is now divided. •       ROTC, Not West Point: Craven's Prescription: Craven's preferred model: ROTC — military training supplemental to traditional liberal arts education. Survey data shows ROTC officers, because of exposure to Plato, Shakespeare, and the rest, are more well-rounded and better thinkers than West Point graduates. At West Point, it is essentially all STEM. Craven's prescription: introduce the humanities, expose cadets to civilians, break the silos. Ideally, West Point could become a national university that includes military programmes alongside the training of doctors and aid workers. The military-civilian divide is as much the military's creation as the civilian's. About the Guest Jasper Craven is a freelance reporter covering the military and veterans' issues. His work has appeared in the New York Times, Harper's Magazine, Politico, The Baffler, and the New Republic. He is the author of God Forgives, Brothers Don't: The Long March of Military Education and the Making of American Manhood (Atria/One Signal Publishers, May 19, 2026) and the co-author, with Suzanne Gordon and Steve Early, of Our Veterans. He lives in Brooklyn, New York. References: •       God Forgives, Brothers Don't: The Long March of Military Education and the Making of American Manhood by Jasper Craven (Atria/One Signal Publishers, May 19, 2026). •       Sebastian Junger, Tribe — referenced in the publishers' framing as a companion text. •       Chris Hedges, War Is a Force That Gives Us Meaning — referenced as a companion text. •       Episode 2907: Brandon Webb on Puddle Jumpers — the companion episode referenced at the opening; the pro-military counterpart to Craven's critique. •       Episode 2909: Adrian Goldsworthy on Athens vs Sparta — also referenced at the opening. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting. WebsiteSubstackYouTubeApple Podcasts

When it comes to talking about food, we often to choose to look at what people are eating rather than how. And it's this distinction that today's guest, Amber Husain, explores more fully in her new book, Tell Me How You Eat: Food, Power and the Will to Live. Amber is a writer based in South London, UK. In addition to Tell Me How You Eat, she has also written Meat Love and Replace Me. Her essays on politics, literature, and art have been published in Granta, The New York Times, Baffler, and more. She has a PhD from UCL in the history of art and mind-body medicine in the late 20th-century Britain. She teaches history of art, creative writing, and criticism.  In today's conversation, Amber explores some of the ways that appetites can be re-examined, and challenge persistent tropes of eating that narrow down to individual choices. Using socialist and feminist lenses, she speaks to food movements and moments in history that have revealed reasons to eat and live, and the empowerment that comes from using food as a question rather than an answer. Resources: Book: Tell Me How You Eat: Food, Power and the Will to Live Amber's Website: https://amberhusain.com/   Instagram: @amberhusa1n

Notes and Links to Sarah Aziza's Work     Sarah Aziza (she/هي ) is a Palestinian American writer, translator, and artist with roots in ‘Ibdis and Deir al-Balah, Gaza. She is the author of The Hollow Half. Winner of the Palestine Book Awards, The Hollow Half is a genre-bending work of memoir, lyricism, and oral history exploring the intertwined legacies of diaspora, colonialism, and the American dream. It is available wherever books are sold.    Sarah's award-winning journalism, poetry, essays, and experimental nonfiction have appeared in The New Yorker, The Paris Review, Best American Essays, The Baffler, Harper's Magazine, Mizna, The Washington Post, The Guardian, and The Nation, among other publications. The recipient of fellowships from Fulbright, MacDowell, the Asian American Writers Workshop, Tin House Writers' Workshop, and numerous grants from the Pulitzer Center for Crisis Reporting, she has lived and worked in Saudi Arabia, Algeria, Jordan, South Africa, Palestine, and the United States.  Buy The Hollow Half   Sarah Aziza's Website   Review of The Hollow Half from Kirkus Reviews   Sarah on Democracy Now Discussing Her Memoir     At about 2:30, Sarah talks about her language and reading life growing up At about 5:10, Sarah expands upon readings that inspired and challenged her At about 13:00, Pete and Sarah discuss ideas of writing as “political,” inspired by Marwan Makhoul, and Sarah cites a gripping poem by Noor Hindi At about 15:20,  At about 17:30, Sarah responds to Pete asking about the book's title and ideas of generational trauma and Sarah's Americanness  At about 20:30, Sarah talks about his father “pouring his hope” into her and sheltered and open pain  At about 22:20, Pete uses a Hasan Minhaj routine and Sarah expands on ideas of first generation and immigrant parents' relationships  At about 23:20, Sarah reflects on ideas of love's multiple meanings and connects these myriad ideas to much of the book and calls the book “an offering…in a time of suffering” At about 28:00, The two discuss the vagaries of Arabic and translation and its challenges and beauty  At about 33:20, Pete recounts the book's opening, and Sarah expands on her grandmother's life and struggles and joys and how Sarah is connected to her grandmother-”Sittoo” At about 37:25, The two meditate on the “small victories” of Sarah's grandmother  At about 39:05, Sarah explains how she sees her recovery/”recovered” and her present and past with anorexia At about 41:45, Sarah responds to Pete asking about an emblematic scene from the memoir where an IpHone asks to verify her identity  At about 43:05, Sarah discusses the idea of “better than what?” especially as a child At about 45:15, Sarah talks about her family's connections to ‘Ibdis, Gaza, and the fact that so much stolen and ethnically-cleansed land in Palestine is open/unused At about 48:15, Sarah talks about her time recovering from prolonged anorexia  At about 50:45, Pete notes the specific and universal in the book, as he and Sarah discuss the impulse to bury oneself in work At about 53:10, Sarah expands on reasoning for writing the book and in particular “put[ting] into place” her family history and finding a place to publish a story like hers that she feels is rarely published At about 55:20, Sarah talks about her grandmother's time living with Sarah and her family At about 57:30, Sarah responds to Pete's questions about the anorexia ward and how she saw and sees the employees there At about 1:00:45, Sarah talks about the ways in which photos opened up ideas and research and thoughts of her grandmother and her history  At about 1:03:20, Pete talks about ideas of misogyny that is specific to non-white women  At about 1:03:50, Sarah reflects on and outlines two pivotal and damaging experiences in which white neighbors showed surprise and revulsion At about 1:06:45, The two discuss Sarah's parents and their foundation and Foundation  At about 1:08:45, Sarah responds to Pete's questions about research for the book At about 1:11:00, Sarah expands on connections between the personal and the geopolitical in her work and research At about 1:11:30, Sarah recounts the story of some early involvement with pro-Palestine efforts and emotional and physical assaults At about 1:13:00, Sarah talks about being in Middle East and ideas of “humanizing” and “a political awakening” in the US and Middle East At about 1:17:10, Sarah talks about connections between resistance and love At about 1:20:25, Pete cites Ernest Hemingway in citing Sarah's family connections to Gaza At about 1:22:00, Sarah talks about the idea of “yes” and a meaningful part of the book and interpretations of being “half…” Palestinian, etc. At about 1:27:10, Sarah talks about parallels between her partner's love for her and her choice to love Palestine on a daily basis At about 1:28:00, Pete asks Sarah about ways forward, and how we get people to not “look away,” and she talks about inspiration       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 340 with Donna Minkowitz, a writer of fantasy, memoir, and journalism lauded by Lilith Magazine for her “fierce imagination and compelling prose.” Her first book, Ferocious Romance, won a Lambda Literary Award for Best Book On Religion/Spirituality. She is also the author of the novel DONNAVILLE, published in 2024.    She and Pete will be revisiting her memoir Growing Up Golem, a finalist for both a Lambda Literary Award and Judy Grahn Nonfiction Award.     The episode airs on May 5.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

A falta de una recomendación de libro para Sant Jordi venimos con 34 RECOMENDACIONES, un MacroAtiendeAmiga que hacemos acompañadas de algunas de nuestras obreras favoritas del sector editorial. Además, entrevista con Desirée de Fez, autora de ‘No la dejes sola' y coguionista de ‘Pizza movies'. Sobre madres, hijas, hermanas, el centro comercial como refugio y el dolor de barriga que se siente al volver al lugar del que salimos. Lista de enlaces a artículos: Luna Miguel en Substack sobre cobrar por promocionar libros en redes Especial de ‘The Baffler' sobre los trabajos peaje para poder escribir ‘Transference in the afternoon': el ensayo de Granta de no ficción escrito por Jesse Barron sobre el hombre que denunció a su terapeuta tras mantener con ella una aventura sexual Lista de libros recomendados por invitados y por nosotras: ‘La mano que cura', de Lina María Parra (Tránsito) ‘Un conjuro', de Paula Melchor (Letraversal) ‘Traumacore', de Núria Gómez Gabriel (Cielo Santo) ‘Zorra', Gabriela Jauregui (Lava) ‘Químicas piedades', de Marta Echaves (Cielo Santo) ‘La forma extensa', de Kate Briggs, (Como Ediciones, traducción de Carlota Melguizo) ‘Era todo el mismo hueco' (Random) / ‘Tot era el mateix forat' (Periscopi) / ‘Dena zulo bera zen' (Susa), de Eider Rodriguez ‘Imaginar el fin' (Paidós, traducción de )/ ‘Imaginar la fi' (Raig Verd), de Eudald Espluga ‘Salvapantallas', de Luis Chaves, de Los tres editores ‘Un estallido, antología de la poesía española 2000-2025', coordinado por Raúl Molina Gil y Álvara López Fernández (Cátedra) ‘Oskar y yo', de Maria Parr (Nordica infantil, traducción de Cristina Gómez-Baggethun.)  ‘Lost lambs', de Madeline Cash (Farrar, Straus and Giroux) y próximamente traducido en Salamandra  ‘De comida familiar', de Alicia Álvarez Vaquero (Buen Dolor) ‘Cantos de sirena" de Charmian Clift  (Gatopardo, traducción de Patricia Antón) ‘Astillas', Leslie Jamison (Anagrama, traducido por Rita da Costa) ‘Felicidad eterna' de Adelaide Faith,(Mapa, traducción de Alba Pagán) ‘Hipocondría', de Will Rees (Alpha Decay, traducción de Albert Fuentes) ‘El ladrón de arte: Una historia real de obsesión y crímenes por amor a la belleza', de Michael Finkel (Taurus, traducción de Rosa Pintor) ‘Un trabajo soñado' de Mar Manrique (Península)  ‘Monstruos', Claire Dededer (Penínsulta, traducción de Ana Camallonga) ‘Tregua, que no paz', de Miriam Toews (Sexto Piso, traducido por Julia Osuna)  ‘La teoría de la bolsa de la ficción' de Ursula K Le guin (Rara Avis, traducción de Luciana Chieregati, Ibon Salvador y  Guadalupe Alfaro) ‘Escritura y dinero' de Olivia Teroba (Las afueras) ‘Sobre mi hija', de Kim Hye-Jin (Las afueras, traducción de Irma Zyanya Gil Yáñez y Minjeong Jeong) ‘Alguien me quiere asesinar... y creo que es mi marido', de Joanna Russ (Siruela, con traducción de Virgina Maza) ‘Despiece', Vicente Ferrer (DosBigotes) ‘El Valle de silicio', de Carla Nyman (Reservoir Books) ‘Marcelino', de Bibiana Collado Cabrera (Pepitas/Los Aciertos) ‘Dolor exquisito', de Sophie Calle (Comisura, traducción de Blanca Gago) ‘Tinta y sangre', de Han Kang (Random, traducción de Sunme Yoon) / Tinta i sang (La Magrana, traducció d'Hèctor Bofill i Hye Young Yu) ‘Indignidad', de Lea Ypi (Anagrama, traducción de Albert Fuentes) / ‘Indignitat' (Angle, traducció de Miriam Cano) LIBROS QUE QUEREMOS QUE NOS REGALEN PARA SANT JORDI Noelia: ‘Obras completas', Sarah Kane (Continta me tienes, traducción de Eva Varela Lasheras) Begoña: ‘Transcription', de Ben Lerner (Farrar Straus & Giroux)                ‘Dolor exquisito', de Sophie Calle (Comisura, con traducción de Blanca Gago).

—Jacob Siegel, the Information State, excerpts from audiobook, which can be found here.Totalitarianism came to America slowly at first and then all at once. It began as a utopia, one I helped build. It seemed like a perfect new America and gave all of us godless creatures, who'd been chewed up and spit out by the Boomers' counterculture revolution, a collective sense of purpose. It was all going so great until it wasn't.A Virtual UtopiaI got online 30 years ago. I never planned on living half of my life on the internet. It just turned out that way. I had motive, means, and opportunity to kill off my real-life self and be reborn in the virtual world. Why wouldn't I escape a life that had become a full-spectrum failure at everything I tried to do? A relationship that blew up when the man I thought loved me went back to his wife, the Graduate Film Program at Columbia I'd targeted as my life's dream ended in one semester as I chased that loser guy back to LA. There are things about that moment that are too painful to write about, at least for now, but I will someday. The result was me staring at the wall with nothing achieved and nowhere to go. I had just turned 30.The internet allowed me to remake myself as someone else. I could be strong. I could be confident. I could be beautiful because who knew what you looked like? I could just use words, and I was good at words. So I dove into a life online full of excitement and wonder, a dreamscape of endless possibilities. There was no Amazon, no eBay, no Google. There was barely a web browser.I fell in love with an Italian I met online and came back from Italy pregnant. He didn't want to be a father, but I wanted to be a mother, so I had my baby, and then I built a website so I could stay home with her and support us. I was the success story for every progressive female: a single mom and a business owner. A daughter of feminism en route to helping launch the Great Feminization and the Great Awokening.I was in Italy when I sent my first Tweet from my Treo. When Barack Obama signed on, I followed him, and he followed me. Then I became part of his army of clicktivists, shaping the new rules and building our desired narratives. We felt omnipotent. This was the internet, after all, and you could be anything you wanted to be - an activist for moral good? Check. An outspoken exhibitist? Check. West Wing-like politicos acting like experts in politics? Check. Remaking a new America one social media post at a time? Check. Virtue signaling with images blasted out to followers displaying our goodness? Check.For all the ways we used the internet, it shouldn't be that surprising that we built a virtual America - a fantasy utopia - that we forgot wasn't real. We were riding high with our media stars like Jon Stewart and Rachel Maddow. We were the new, the progressive, the forward thinkers, the early adopters. We colonized the internet in our image. Utopias only have two paths forward. They either collapse or they must become more totalitarian out of necessity, to quote Milan Kundera in The Book of Laughter and Forgetting.Our utopia was opt-in at first, and who wouldn't want to be a part of it? For a time, it felt like the best thing ever, all of our problems solved. It was everything, everywhere, all at once. A “whole of society” effort. It was # OscarsSoWhite. It was Critical Race Theory. It was every institution, corporation, legacy media outlet, and movie studio. But it was also dull. Movies became infused with dogma. The rules became stifling. Sooner or later, people like me were going to shake the tree.Says Siegel:Maintaining utopia, let alone defining it, meant that there would eventually be people like me who asked too many questions, who would be hurled before the almighty panopticon — an army of puritanical scolds policing thought and speech — and eventually destroyed and purged as the mob cheered. The BreakdownI'd been a good liberal, a loyal and devoted Democrat all of my adult life. I'd never thought about conspiracy theories. I didn't really challenge the system. I never doubted the intent of our government. I was all in for Obama, Hillary Clinton, and Joe Biden. I was so loyal a supporter that I was invited to an early Biden fundraiser in May of 2019. I watched him speak with tears in my eyes. He will save us, I thought. One year later, however, COVID hit. My daughter had to leave her senior year of college and have her graduation on my balcony. We were sewing our own masks and making our own hand sanitizer. It was a whole-of-society effort to deal with this once-in-a-generation pandemic. But by the end of May, the George Floyd video whipped around the world, and before long, the whole of society's effort had to shift to racial injustice as millions poured into the streets. What I saw unfold that year, the lies that were told, the gaslighting, the lurching from one narrative to the other, and all of the obedient robots going along with it, in full mass formation, was too much, even for me. We watched them lie - the experts, the journalists, the celebrities, the Democrats. I kept trying to scream from the rooftops that we would lose the 2020 election if the violent protests didn't stop. What I didn't know, what I would find out by the end of the election, was that it didn't matter. They would bend the media narrative to pretend there were no violent protests. It all worked cleanly and smoothly. No one was even allowed to question it. Trump was campaigning hard, doing multiple rallies a day, and it seemed to me he was making headway and changing minds. We know this because he won Florida, Ohio, and Iowa. Only once in history has anyone won those three states and still lost: The 1960 election.The difference in votes between Kennedy and Nixon proves how close the election was. But it never made sense to me that Biden would win by such a large margin and also lose Ohio, Iowa, and Florida. Unless, of course, they'd built a system that was too big to fail and had collected enough ballots long before Election Day.The FBI, still working under Trump, had helped the Democrats by suppressing the Hunter Biden laptop via social media. COVID gave Biden the excuse to hide in the basement and not campaign. A “whole of society” effort to purge a once-in-a-generation threat seemed to justify everything they did, as we know from the confession in TIME Magazine. Our elections, it seemed, were too risky to leave up to the people. This system, this utopia we built, believed itself to be more powerful than our democracy, more powerful than our elections. I couldn't go along with that, just as I couldn't go along with everything that came after, as our utopia devolved into a totalitarian dystopia. The Information StateSometimes, during those dark nights of the soul, I wonder, did I do the right thing? Did what I thought happened really happen? No one in the mainstream media or culture has ever acknowledged any of it. They don't want to admit it or talk about it. Their war on Trump simply rages on, and they hope all of us will one day get with the program.But for me, there is still that untold story, a story I need to be told so that everyone on the Left - my friends and family and all of Hollywood and much of our legacy media understands what happened in the last ten years. Why are we living like this, with one half of the country marching by the millions to protest a president who defeated them not once but twice? Their hatred and shunning of half the country is still justified and accepted. Why?Now, thanks to Jacob Siegel, we don't have to wonder. He's written it all down, the whole ugly tale, in this essential text, The Information State: Politics in the Age of Total Control. There is nothing they can do about it now. It will set the record straight, at long last. The Information State starts with Woodrow Wilson's Great War crackdown on speech, and moves through World War II, Harry Truman and the Cold War, up to 9/11 and the expansion of the surveillance state. But it was the Obama administration that took it much further, beyond mere surveillance. He used information to change hearts and minds and to create a utopian society, not unlike those of the Soviet Union or China. As Siegel writes:How the protests and riots over the Summer in 2020, versus those on January 6th, were treated so differently by our government remains one of the clearest examples of the kind of two-tiered society we were living under before Elon Musk bought Twitter and Donald Trump won again. The BLM riots attacked working-class people, so they didn't matter, but January 6th attacked the powerful, and that, to them, meant war. Siegel writes:“Truth Held Forth and Maintained.”The scandal of how 20 people were hanged as witches in Salem would have been long forgotten, were it not for a cantankerous Quaker named Thomas Maule, who made the brave choice to expose the scandal in a pamphlet he called Truth Held Forth and Maintained. In cool and cutting sarcasm, he wrote that God would condemn the witch trial judges. He famously stated, “[F]or it were better that one hundred Witches should live, than that one person be put to death for a Witch, which is not a Witch.”Maule's pamphlet was banned, and he was thrown in jail for “blasphemy and slander.” He would eventually get a trial, and the jury, exhausted and demoralized by the events of that winter, ruled in his favor, handing him a landmark win that would be among the cases that inspired the First Amendment. Jacob Siegel won't be jailed for blasphemy. Those named in the book will either ignore it outright or attempt to discredit it. As of today, there are no reviews in the New York Times or the Washington Post. As if out of a chapter in his own book, Renée DiResta objected to how she was portrayed and wrote a letter of complaint to the website Baffler, which then pulled the review. Siegel and DiResta publicly debated whether it counted as censorship. But who needs censorship when you have total societal control? At least among the university-educated ruling class. DiResta's bio on Twitter reads:DiResta and the machine she works for have rigged the game in their favor. No major media outlets will ever call them out. Hollywood won't write any controversial screenplays about them. Late night comediens will never mock them, and they will always be treated gently, with soft cotton gloves, lest anyone leave a mark.Into the UnknownJacob Siegel's The Information State does not paint an optimistic vision for the future. It ends with a question mark. Who will control this vast leviathan of data and human behavior, that now includes unstoppable AI? And how will we survive it?What will these same people who took complete control of society, of thought and speech, do if they take back power? I think we can probably guess. If they've never admitted it, never atoned for any of it, then we can expect it will come roaring back, and this time, they won't bother trying to hide it. My advice? Log off. Migrate back to the real world. Look at the sky at twilight. Dig your toes into the sand. Build a fire in the woods. Look people in the eye. Attend a poetry reading. Go to a coffee shop. Meet people in the real world and leave the internet and the Information State far behind.It's probably too late for me. I'm a lifer. I know that. But I'm also a cautionary tale. This is what happens when you spend 30 years of your life in the virtual world. But if I can find my way out, then anyone can. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

As the world watches for updates in the war on Iran, cutting through the fog of war and getting a real sense of the extent of damage and military activity in the region isn't easy. For some, the answer is open source intelligence: pouring over satellite images, flight radars, news updates, social media posts, and just about any kind of data someone can get their hands on.And while OSINT investigations have worked their way into common practice for newsrooms all over the world, it's also increasingly popular among amateurs or “OSINT cowboys” with sophisticated AI-coded dashboards streaming constant real life info so that they can monitor the situation as closely as possible and even place bets on platforms like Kalshi and Polymarket. But how accurate are these OSINT reports? And what happens when watching for war updates becomes gamified?Tyler McBrien, the managing editor at Lawfare, joins us to talk about the piece he wrote on this topic for The Baffler.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

On Sep. 6, 2018, India's Supreme Court ruled that Section 377, a law that criminalized consensual homosexual activity, was unconstitutional, reversing an earlier decision from 2013. Both news headlines and LGBT activists hailed the decision as a major step forward for same-sex rights in India. But in Mahesh Rao's new novel Half Light (Penguin Random House India, 2025), the court's deliberations sit in the background behind the budding relationship between Pavan, a hotel worker in Darjeeling, and Neville, a young, confident student. They meet first in Pavan's hotel in Darjeeling in 2014; after a tragic incident, they meet again four years later, in Mumbai in 2018. We're joined again by Prarthana Prakash as a guest host. Mahesh Rao grew up in Nairobi, Kenya. He has worked as a lawyer, academic researcher and bookseller in the UK. His debut novel The Smoke is Rising won the Tata First Book Award for fiction. His short fiction has been shortlisted for numerous awards. One Point Two Billion, his collection of short stories set across 13 Indian states, and Polite Society, a Delhi-set reimagining of Jane Austen's Emma, have both been published to critical acclaim. Mahesh has written for the New York Times, The Baffler, Prospect and Elle. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Half Light. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On Sep. 6, 2018, India's Supreme Court ruled that Section 377, a law that criminalized consensual homosexual activity, was unconstitutional, reversing an earlier decision from 2013. Both news headlines and LGBT activists hailed the decision as a major step forward for same-sex rights in India. But in Mahesh Rao's new novel Half Light (Penguin Random House India, 2025), the court's deliberations sit in the background behind the budding relationship between Pavan, a hotel worker in Darjeeling, and Neville, a young, confident student. They meet first in Pavan's hotel in Darjeeling in 2014; after a tragic incident, they meet again four years later, in Mumbai in 2018. We're joined again by Prarthana Prakash as a guest host. Mahesh Rao grew up in Nairobi, Kenya. He has worked as a lawyer, academic researcher and bookseller in the UK. His debut novel The Smoke is Rising won the Tata First Book Award for fiction. His short fiction has been shortlisted for numerous awards. One Point Two Billion, his collection of short stories set across 13 Indian states, and Polite Society, a Delhi-set reimagining of Jane Austen's Emma, have both been published to critical acclaim. Mahesh has written for the New York Times, The Baffler, Prospect and Elle. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Half Light. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

On Sep. 6, 2018, India's Supreme Court ruled that Section 377, a law that criminalized consensual homosexual activity, was unconstitutional, reversing an earlier decision from 2013. Both news headlines and LGBT activists hailed the decision as a major step forward for same-sex rights in India. But in Mahesh Rao's new novel Half Light (Penguin Random House India, 2025), the court's deliberations sit in the background behind the budding relationship between Pavan, a hotel worker in Darjeeling, and Neville, a young, confident student. They meet first in Pavan's hotel in Darjeeling in 2014; after a tragic incident, they meet again four years later, in Mumbai in 2018. We're joined again by Prarthana Prakash as a guest host. Mahesh Rao grew up in Nairobi, Kenya. He has worked as a lawyer, academic researcher and bookseller in the UK. His debut novel The Smoke is Rising won the Tata First Book Award for fiction. His short fiction has been shortlisted for numerous awards. One Point Two Billion, his collection of short stories set across 13 Indian states, and Polite Society, a Delhi-set reimagining of Jane Austen's Emma, have both been published to critical acclaim. Mahesh has written for the New York Times, The Baffler, Prospect and Elle. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Half Light. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

Every spring, you're told to declutter your wardrobe, your goals, your relationships, and your mindset. And if you don't feel the urge? There's a low hum of guilt that says something's wrong with you.This week on The Scenic Route, we're asking: what if that impulse isn't wisdom, and who actually benefits from the story that your whole life needs a seasonal audit?For many women in midlife, spring-cleaning pressure hits differently. You're already navigating a season of your own — one that doesn't come with a tidy checklist. The last thing you need is Instagram telling you to declutter your chakras, too.We trace spring cleaning back to its roots — sacred, communal rituals in traditions around the globe — and follow how it was stripped of that context to become a personal productivity obligation. We look at who the "spring-clean your life" message lands on most heavily (and why that's not a coincidence). And we get into how self-care went from a radical political act — rooted in the work of Audre Lorde — to "buy this candle."Plus: what my body is actually doing in spring and why the in-between, messy, not-yet-blooming feeling might not be a problem to fix.You'll come away with: A reframe on why you feel behind every springThe cultural and gendered history behind domestic "renewal" pressureOne small invitation to try spring subtracting insteadIf this made you see spring cleaning differently, share it with someone who needs permission to not optimise their way through spring.References mentioned:Audre Lorde, A Burst of Light (1988)Inna Michaeli, "Self-Care: An Act of Political Warfare or a Neoliberal Trap?" (2017)Laurie Penny, "Life-Hacks of the Poor and Aimless," The Baffler (2016)Send me a DMSupport the show_____________________________________________________________________

In this episode of High Theory, Saronik talks with Erik Baker about the Entrepreneurial Work Ethic. The dominant work ethic of our current moment, it asks us to constantly create new work for ourselves. Eric contrasts the entrepreneurial work ethic with the industrious work ethic, which valued hard work and drudgery in one's allotted task. Over the course of the 20th century industriousness was replaced by entrepreneurship in the American economic imaginary. The ultimate villain of the entrepreneurial mode is the bureaucrat, the ultimate failing is complacency. This toxic, exhausting ethos in which the standard of all labor is changing the world, paradoxically stabilizes our economic system, by trapping us in unachievable dreams. We should note that High Theory as an academic side hustle is exemplary of the entrepreneurial work ethic, even if we have no ethics. That's why we made a Patreon. The transcript of this episode lives here as a WordDoc and here as a PDF. Erik's new book, Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America (Harvard UP 2025) explains how this entrepreneurial work ethic took hold, from its origins in late nineteenth-century success literature to the gig economy of today, sweeping in strange bedfellows: Marcus Garvey and Henry Ford, Avon ladies and New Age hippies. Business schools and consultants exhorted managers to cultivate the entrepreneurial spirit in their subordinates, while an industry of self-help authors synthesized new ideas from psychology into a vision of work as “self-realization.” Baker argues that the entrepreneurial work ethic has given meaning to work in a world where employment is ever more precarious––and in doing so, has helped legitimize a society of mounting economic insecurity and inequality. Where work is hard to find and older nostrums about diligent effort fall flat, the advice to “make your own job” keeps hope alive. Erik Baker is a lecturer in the History of Science Department and the director of the senior thesis program for the History & Science concentration. He received his PhD from Harvard and his BA from Northwestern University. He has published on the history of social science and American capitalism in Modern Intellectual History, History of the Human Sciences, and Studies in History and Philosophy of Science. He also writes widely for magazines such as n+1, The Baffler, and The Drift, where he is an associate editor. Image for this episode is an unidentified book illustration from the British Library Commons. It shows a group of people kneeling in front of a dollar sign. It was found for High Theory by Lili Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of High Theory, Saronik talks with Erik Baker about the Entrepreneurial Work Ethic. The dominant work ethic of our current moment, it asks us to constantly create new work for ourselves. Eric contrasts the entrepreneurial work ethic with the industrious work ethic, which valued hard work and drudgery in one's allotted task. Over the course of the 20th century industriousness was replaced by entrepreneurship in the American economic imaginary. The ultimate villain of the entrepreneurial mode is the bureaucrat, the ultimate failing is complacency. This toxic, exhausting ethos in which the standard of all labor is changing the world, paradoxically stabilizes our economic system, by trapping us in unachievable dreams. We should note that High Theory as an academic side hustle is exemplary of the entrepreneurial work ethic, even if we have no ethics. That's why we made a Patreon. The transcript of this episode lives here as a WordDoc and here as a PDF. Erik's new book, Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America (Harvard UP 2025) explains how this entrepreneurial work ethic took hold, from its origins in late nineteenth-century success literature to the gig economy of today, sweeping in strange bedfellows: Marcus Garvey and Henry Ford, Avon ladies and New Age hippies. Business schools and consultants exhorted managers to cultivate the entrepreneurial spirit in their subordinates, while an industry of self-help authors synthesized new ideas from psychology into a vision of work as “self-realization.” Baker argues that the entrepreneurial work ethic has given meaning to work in a world where employment is ever more precarious––and in doing so, has helped legitimize a society of mounting economic insecurity and inequality. Where work is hard to find and older nostrums about diligent effort fall flat, the advice to “make your own job” keeps hope alive. Erik Baker is a lecturer in the History of Science Department and the director of the senior thesis program for the History & Science concentration. He received his PhD from Harvard and his BA from Northwestern University. He has published on the history of social science and American capitalism in Modern Intellectual History, History of the Human Sciences, and Studies in History and Philosophy of Science. He also writes widely for magazines such as n+1, The Baffler, and The Drift, where he is an associate editor. Image for this episode is an unidentified book illustration from the British Library Commons. It shows a group of people kneeling in front of a dollar sign. It was found for High Theory by Lili Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of High Theory, Saronik talks with Erik Baker about the Entrepreneurial Work Ethic. The dominant work ethic of our current moment, it asks us to constantly create new work for ourselves. Eric contrasts the entrepreneurial work ethic with the industrious work ethic, which valued hard work and drudgery in one's allotted task. Over the course of the 20th century industriousness was replaced by entrepreneurship in the American economic imaginary. The ultimate villain of the entrepreneurial mode is the bureaucrat, the ultimate failing is complacency. This toxic, exhausting ethos in which the standard of all labor is changing the world, paradoxically stabilizes our economic system, by trapping us in unachievable dreams. We should note that High Theory as an academic side hustle is exemplary of the entrepreneurial work ethic, even if we have no ethics. That's why we made a Patreon. The transcript of this episode lives here as a WordDoc and here as a PDF. Erik's new book, Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America (Harvard UP 2025) explains how this entrepreneurial work ethic took hold, from its origins in late nineteenth-century success literature to the gig economy of today, sweeping in strange bedfellows: Marcus Garvey and Henry Ford, Avon ladies and New Age hippies. Business schools and consultants exhorted managers to cultivate the entrepreneurial spirit in their subordinates, while an industry of self-help authors synthesized new ideas from psychology into a vision of work as “self-realization.” Baker argues that the entrepreneurial work ethic has given meaning to work in a world where employment is ever more precarious––and in doing so, has helped legitimize a society of mounting economic insecurity and inequality. Where work is hard to find and older nostrums about diligent effort fall flat, the advice to “make your own job” keeps hope alive. Erik Baker is a lecturer in the History of Science Department and the director of the senior thesis program for the History & Science concentration. He received his PhD from Harvard and his BA from Northwestern University. He has published on the history of social science and American capitalism in Modern Intellectual History, History of the Human Sciences, and Studies in History and Philosophy of Science. He also writes widely for magazines such as n+1, The Baffler, and The Drift, where he is an associate editor. Image for this episode is an unidentified book illustration from the British Library Commons. It shows a group of people kneeling in front of a dollar sign. It was found for High Theory by Lili Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Saronik talks with Erik Baker about the Entrepreneurial Work Ethic. The dominant work ethic of our current moment, it asks us to constantly create new work for ourselves. Eric contrasts the entrepreneurial work ethic with the industrious work ethic, which valued hard work and drudgery in one's allotted task. Over the course of the 20th century industriousness was replaced by entrepreneurship in the American economic imaginary. The ultimate villain of the entrepreneurial mode is the bureaucrat, the ultimate failing is complacency. This toxic, exhausting ethos in which the standard of all labor is changing the world, paradoxically stabilizes our economic system, by trapping us in unachievable dreams. We should note that High Theory as an academic side hustle is exemplary of the entrepreneurial work ethic, even if we have no ethics. That's why we made a Patreon. The transcript of this episode lives here as a WordDoc and here as a PDF. Erik's new book, Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America (Harvard UP 2025) explains how this entrepreneurial work ethic took hold, from its origins in late nineteenth-century success literature to the gig economy of today, sweeping in strange bedfellows: Marcus Garvey and Henry Ford, Avon ladies and New Age hippies. Business schools and consultants exhorted managers to cultivate the entrepreneurial spirit in their subordinates, while an industry of self-help authors synthesized new ideas from psychology into a vision of work as “self-realization.” Baker argues that the entrepreneurial work ethic has given meaning to work in a world where employment is ever more precarious––and in doing so, has helped legitimize a society of mounting economic insecurity and inequality. Where work is hard to find and older nostrums about diligent effort fall flat, the advice to “make your own job” keeps hope alive. Erik Baker is a lecturer in the History of Science Department and the director of the senior thesis program for the History & Science concentration. He received his PhD from Harvard and his BA from Northwestern University. He has published on the history of social science and American capitalism in Modern Intellectual History, History of the Human Sciences, and Studies in History and Philosophy of Science. He also writes widely for magazines such as n+1, The Baffler, and The Drift, where he is an associate editor. Image for this episode is an unidentified book illustration from the British Library Commons. It shows a group of people kneeling in front of a dollar sign. It was found for High Theory by Lili Epstein on the Public Domain Image Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jo and Charlotte turn their attention to Nobel Laureate Kenzaburo Oe's mindblowing A Personal Matter and Troubled Lands: Stories of Mexico and Cuba, a collection translated by Langston Hughes, before they're joined by Gothic-literature-loving writer-of-all-modes Nicholas Russell, who puts the spotlight on Algernon Blackwood's unsettling preoccupation with mysterious forces in the natural world. Nicholas Russell is a writer and critic from Las Vegas. His work has been featured in McSweeney's, The Baffler, Conjunctions, The Nation, and Orion, among other publications. He's a long-time bookseller, a contributing writer at Defector, and managing editor at Still Alive magazine. His debut novel Observer will be published by Ecco at HarperCollins on September 15th. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this bonus episode, designer, author, educator, curator, artist, and pioneering podcast host Debbie Millman talks about Arrival (2016). And then, special guest Zipeng Zhu joins the show to talk about creativity, and why trust is an important part of learning, growing, and improving. Plus, learn about the roles that communication and romance play in Arrival.-Debbie Millman is host of the pioneering podcast Design Matters. Fast Company called her "one of the most creative people in business" and Graphic Design USA called her "one of the most influential designers working today." She's a "woman of influence" as Success Magazine has said, building a career at the intersection of design, storytelling, and cultural commentary. As the founder and host of Design Matters, one of the first and longest-running podcasts in the world, she's interviewed more than 700 of the world's most creative thinkers and makers, having earned the Cooper Hewitt National Design Award, multiple Webby awards and Ambie nominations, and numerous accolades from Apple Podcasts who named Design Matters one of their "All-Time Favorites" three times. Debbie worked on the concept and design of the vault plate that's aboard NASA's Europa Clipper mission to Jupiter's moon. Her work has also appeared in The New York Times, The Washington Post, Philadelphia Inquirer, New York Magazine, The Baffler, The New York Review of Books, and Fast Company. The author of two books of illustrated essays, plus author of eight books, she's also Editorial Director of PrintMag.com which she co-owns, Debbie and her business partners rescued the publication from bankruptcy in 2019, preserving its 80-year legacy. Debbie and her wife, best-selling author Roxane Gay, recently acquired The Rumpus. Debbie lives in New York City and Los Angeles with her beautiful wife, two lovable cats and a very charismatic dog.https://www.printmag.com/author/debbie-millman/https://www.instagram.com/debbiemillman/https://designmattersmedia.com/https://apple.co/designmattershttps://debbiemillman.com/https://therumpus.net/-Zipeng Zhu is a Chinese-born artist, designer, educator, and founder of the award-winning creative studio Dazzle in New York City. He wants to make every day a razzle-dazzle musical and has collaborated with iconic brands such as Apple, Adidas, Adobe, Coca-Cola, Instagram, MTV, Microsoft, Netflix, The New York Times, The New Yorker magazine, Samsung and Uber. His work has been exhibited at major museums and institutions in cities all over the world, including New York, Barcelona, Dubai, Shanghai, Beijing, and Mumbai. Zipeng dedicates his days running both the Dazzle Studio and merch shop Dazzle Supply, bringing his dazzling design to clients and fans around the globe.https://dazzle.studio/-Arrival (2016)https://www.imdb.com/title/tt2543164/‍ ‍-Other movies discussed:Gravity (2013)Interstellar (2014)The Tree of Life (2011)

People are reporting a very strange phenomenon: They say that when their nipples get touched, they feel this weird sinking feeling. People describe it like being homesick, or hung over. Some feel anguish and despair, others call it dread. The condition has a name: "Sad Nipple Syndrome." But how could just touching a nipple set off all of these feelings?? To get to the bottom of this booby baffler, we go deep into the mysteries of anatomy and through a world of hormones and nipple erections. You might never look at your nipples the same way again! Distinguished Professor Barry Komisurak and Lactation Specialist Alia Macrina Heise join us. Find our transcript here: https://bit.ly/ScienceVsSadNippleSyndrome In this episode, we cover: (00:00) Meet Sad Nipple Syndrome (05:14) Why is Nipple Play Arousing? (09:58) Dysphoric Milk Ejection Reflex (D-MER) (15:14) How Milk Ejects From a Booby (17:33) Is Oxytocin to blame?  (19:36) Suspect Number 2: Dopamine (20:52) What might help This episode was produced by Wendy Zukerman, with help from Meryl Horn, Rose Rimler, Michelle Dang and Ekedi Fausther-Keeys. We're edited by Blythe Terrell. Fact checking by Erica Akiko Howard. Mix and sound design by Bobby Lord. Music written by Emma Munger, So Wiley, Peter Leonard, Bumi Hidaka and Bobby Lord. A special thanks to the researchers we reached out to including Dr. Christina Raimondi, Professor Caroline Pukall, Professor Craig Richard, and Prof. Dr. Inga D. Neumann. and a big thanks to Joseph Lavelle Wilson and the Zukerman family. Science Vs is a Spotify Studios Original. Listen for free on Spotify or wherever you get your podcasts. Follow us and tap the bell for episode notifications.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

For fans of Dilla Time and The Chronicles of DOOM, a culturally connected celebration of the groundbreaking hip-hop group De La Soul, and how they changed the look, sound, and feel of Black America. Music artists and trends come and go, but every once in a while, a moment arrives that genuinely changes everything. In 1988, De La Soul, three young men from Amityville, Long Island, did exactly that. Their always innovative work pulled inspiration from artists of the past and popularized cutting-edge music sampling techniques to blend jazz, R&B, and rap as they created a sound unlike any the world had heard before. But the De La Soul experience didn't end there. These weren't just musicians—they were game-changers in so many ways. From the way they dressed, to the words they spoke, to the day-glo colors of their breakout 3 Feet and Rising, De La Soul rejected convention, refused to be talked back into the box, and left the door open for everyone behind them. Now, in Living in a D.A.I.S.Y. Age: The Music, Culture, and World De La Soul Made (Atria/One Signal, 2026), West Virginia University history professor Austin McCoy explores how De La Soul not only defined a new era of hip-hop, but also American and Black culture at the same time. Through his eyes, ears, and well-studied recall of ‘80s, ‘90s, and 2000s America, McCoy takes us on a journey through the world this innovative musical act made. One of the few hip-hop groups of their era to stay together long term, De La Soul lived astonishing highs and lows, from forming the Native Tongues collective to influential fights with their publishers to assert the artist's right to control their creations. And after a lifetime left out of music's digital revolution, in 2023 they finally hit streaming services just as it lost founding member David Jolicoeur too soon to see his work reach a brand-new generation of fans. Living in a D.A.I.S.Y. Age will connect with DLS fans, ‘80s babies, and students of the rap game alike, in a beautifully rendered and deeply researched tome that places this group atop the pedestal it deserves. Guest: Austin McCoy is an assistant professor of history at West Virginia University, specializing in African American History, labor history, social movements, and hip-hop culture. His work has appeared in numerous outlets including CNN, The Baffler, The Washington Post, Black Perspectives, and Truthout. He lives in West Virginia. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Writer and critic Robert Rubsam returns to the show to discuss Kiyoshi Kurosawa's enigmatic, unclassifiable thriller Charisma, the story of a failed hotage negotiator torn between factions of scientists, government agents, and madmen all fighting to decide the fate of a very unique tree in a mysterious, nameless forest. It's as strange as it sounds! We discuss Kiyoshi Kurosawa's vision of nature as a dialectical force where harmony and disorder coexist. Then we debate the film's titular tree, Chrisma. Is it malevolent, toxic, or a neutral force weaponized by humankind? Finally, we trace Kurosawa's lineage through filmmakers like David Cronenberg and the great journeyman Richard Fleischer, and how their influence, filtered through his austere style, produces a deeper sense of distance and unease. Follow Robert Rubsam on Twitter.Read Rob on spiritual cinema (The Testament of Ann Lee, Sirāt, & Revelations of Divine Love) at The Baffler.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Debbie Millman, designer, author, educator, curator, artist, and pioneering podcast host, joins Designers On Film to talk about Arrival (2016), a movie that has all the ingredients to keep you engaged and make you curious about life on this planet, or life beyond this planet. Amy Adams is Louise Banks, Jeremy Renner is Ian Donnelly, and together they're brought into a government operation to understand, analyze, and hopefully communicate with visitors from another planet. In addition to sharing everything about the movie that she loves, Debbie also talks about how science has been an integral part of her own life, why she believes in alien lifeforms, and ponders big questions about language, love, and time.-Debbie Millman is host of the pioneering podcast Design Matters. Fast Company called her "one of the most creative people in business" and Graphic Design USA called her "one of the most influential designers working today." She's a "woman of influence" as Success Magazine has said, building a career at the intersection of design, storytelling, and cultural commentary. As the founder and host of Design Matters, one of the first and longest-running podcasts in the world, she's interviewed more than 700 of the world's most creative thinkers and makers, having earned the Cooper Hewitt National Design Award, multiple Webby awards and Ambie nominations, and numerous accolades from Apple Podcasts who named Design Matters one of their "All-Time Favorites" three times. Debbie worked on the concept and design of the vault plate that's aboard NASA's Europa Clipper mission to Jupiter's moon. Her work has also appeared in The New York Times, The Washington Post, Philadelphia Inquirer, New York Magazine, The Baffler, The New York Review of Books, and Fast Company. The author of two books of illustrated essays, plus author of eight books, she's also Editorial Director of PrintMag.com which she co-owns, Debbie and her business partners rescued the publication from bankruptcy in 2019, preserving its 80-year legacy. Debbie and her wife, best-selling author Roxane Gay, recently acquired The Rumpus. Debbie lives in New York City and Los Angeles with her beautiful wife, two lovable cats and a very charismatic dog.https://www.printmag.com/author/debbie-millman/https://www.instagram.com/debbiemillman/https://designmattersmedia.com/https://apple.co/designmattershttps://debbiemillman.com/https://therumpus.net/-Zipeng Zhu is a Chinese-born artist, designer, educator, and founder of the award-winning creative studio Dazzle in New York City. He wants to make every day a razzle-dazzle musical and has collaborated with iconic brands such as Apple, Adidas, Adobe, Coca-Cola, Instagram, MTV, Microsoft, Netflix, The New York Times, The New Yorker magazine, Samsung and Uber. His work has been exhibited at major museums and institutions in cities all over the world, including New York, Barcelona, Dubai, Shanghai, Beijing, and Mumbai. Zipeng dedicates his days running both the Dazzle Studio and merch shop Dazzle Supply, bringing his dazzling design to clients and fans around the globe.https://dazzle.studio/-Arrival (2016)https://www.imdb.com/title/tt2543164/‍ ‍https://www.imdb.com/name/nm5384213/‍ ‍Stories of Your Life and Others by Ted Chianghttps://amzn.to/4rfSiBk‍ ‍-Other movies, shows, and books discussed:Close Encounters of the Third Kind (1977)Contact (1997)Interstellar (2014) The Twilight Zone, S3.E24: To Serve Man (1962)

Jo and Charlotte turn their attention to Nobel Laureate Kenzaburo Oe's mindblowing A Personal Matter and Troubled Lands: Stories of Mexico and Cuba, a collection translated by Langston Hughes, before they're joined by Gothic-literature-loving writer-of-all-modes Nicholas Russell, who puts the spotlight on Algernon Blackwood's unsettling preoccupation with mysterious forces in the natural world. Nicholas Russell is a writer and critic from Las Vegas. His work has been featured inMcSweeney's, The Baffler, Conjunctions, The Nation, and Orion, among other publications. He's a long time bookseller, a contributing writer at Defector, and managing editor at Still Alive magazine. His debut novel Observer will be published by Ecco at HarperCollins on September 15th. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.This episode is about Shattered Glass, the 2003 movie portraying former New Republic writer Stephen Glass's fall from the heights of magazine journalism after he was exposed as a serial fabulist who routinely made up quotes, sources, key details, and more in his stories. We've both loved this movie for years, and thought discussing it would serve as a companion of sorts to our interview with Jason Zengerle about Tucker Carlson—and, of course, as a chance for us to geek out about it. After describing the basics of the plot and introducing the main characters, we explore the history of the New Republic under its then-owner and editor in chief Marty Peretz; its string of young, Harvard educated editors during the Peretz Era, who often had short, turbulent stints in that role; fact-checking and the mythos of objective journalism; the relationship between elite magazine writing and celebrity culture during "the end of history"; and more.Sources:Shattered Glass (2003)Buzz Bissinger, "Shattered Glass," Vanity Fair, Sept 1998Howard Kurtz, "Stranger Than Fiction: The Cautionary Tale of Magazine Writer Stephen Glass," Washington Post, May 12, 1998Jonathan Last, "Stopping Stephen Glass," Weekly Standard, Oct 30, 2003Pete Croatto, "Why ‘Shattered Glass' Endures," Poynter, Jan 24, 2024Martin Peretz, The Controversialist: Arguments with Everyone, Left Right and Center (2023)Benjamin Wallace-Wells, "Peretz in Exile," New York, Dec 23, 2010John Cook, "Why Won't Anyone Tell You That Marty Peretz Is Gay?" Gawker, Jan 25, 2011David Klion, "Everybody Hates Marty," The Baffler, Sept 13, 2023Andrew Sullivan, Virtually Normal: An Argument About Homosexuality (1996)— "The Tao of Marty," The Weekly Dish, July 21, 2023Alex Shultz, "Nobody Wants To Talk About John Fetterman And Buzz Bissinger's Pricey Memoir Project," Defector, June 23, 2025

Kim Kelly, author of, "Fight Like Hell: The Untold History of American Labor," (Atria Books) host of "Unite and Win: A Guide to Workplace Organizing" podcast at workerorganizing.org, speaks with This Is Hell! to discuss her writing at The Baffler, "A Piece of Work: The Department of Labor's anti-immigrant turn betrays its history." Kim Kelly is a labor reporter for In These Times magazine and has been a regular labor columnist for Teen Vogue since 2018. Her writing on labor, class, politics, disability, and culture has appeared in The Nation, The Washington Post, The New York Times, The Baffler, The New Republic, Rolling Stone, Esquire, and many others. Kelly has also worked as a video correspondent for More Perfect Union, The Real News Network, and Means TV. Previously, she was the heavy metal editor at Noisey, Vice's music vertical, and helped organize the Vice union. A third-generation union member, she served three terms as an elected councilperson for the Writers Guild of America, East Council. Her first book, Fight Like Hell: The Untold History of American Labor, was published in 2022, and the young readers edition, Fight to Win! Heroes of American Labor, was published by Simon & Schuster Kids in 2025. We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Kim Kelly, author of, "Fight Like Hell: The Untold History of American Labor," (Atria Books) host of "Unite and Win: A Guide to Workplace Organizing" podcast at workerorganizing.org, speaks with This Is Hell! to discuss her writing at The Baffler, "A Piece of Work: The Department of Labor's anti-immigrant turn betrays its history." Kim Kelly is a labor reporter for In These Times magazine and has been a regular labor columnist for Teen Vogue since 2018. Her writing on labor, class, politics, disability, and culture has appeared in The Nation, The Washington Post, The New York Times, The Baffler, The New Republic, Rolling Stone, Esquire, and many others. Kelly has also worked as a video correspondent for More Perfect Union, The Real News Network, and Means TV. Previously, she was the heavy metal editor at Noisey, Vice's music vertical, and helped organize the Vice union. A third-generation union member, she served three terms as an elected councilperson for the Writers Guild of America, East Council. Her first book, Fight Like Hell: The Untold History of American Labor, was published in 2022, and the young readers edition, Fight to Win! Heroes of American Labor, was published by Simon & Schuster Kids in 2025. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

This week on Talk World Radio we're talking about Honduras. Joining us from Honduras is Jared Olson. He is a writer and independent investigative journalist documenting the human fallout from the so-called "war on drugs," state links to organized crime, and the targeting of land and water defenders in Mexico and Honduras. His work has appeared in the Intercept, the Los Angeles Times, the Baffler, the Nation, Foreign Policy, and more. See: https://jaredoperiodista.substack.com/p/my-latest-investigation-translated https://thebaffler.com/latest/spectacle-of-justice-olson https://theintercept.com/staff/jared-olson Feb 21-23 are Global Days of Action to #CloseBases: https://daytoclosebases.org

It's been three years since a Norfolk Southern “bomb train” carrying toxic chemicals derailed in the small town of East Palestine, Ohio, on the night of Feb. 3, 2023. Three days later, Norfolk Southern pressured local authorities to make the disastrous and completely unnecessary decision to vent five giant carloads of vinyl chloride into a ditch and set the contents on fire, releasing a massive chemical plume into the air, exposing residents in East Palestine and the surrounding areas to deadly toxins in one of the worst industrial disasters in US history. Three years later, residents are still getting sick, many have been financially ruined, they have been abandoned by their government and Norfolk Southern, and forgotten by the public. And, as Katya Schwenk details in a blockbuster new report for The Lever, residents are still waiting for the restitution they were promised from the $600 million settlement that Norfolk Southern agreed to pay to resolve residents' class-action lawsuit over the derailment.Guest:Katya Schwenk is a journalist based in Phoenix, AZ, and a reporter for The Lever. Her reporting and essays have appeared in The Intercept, the Baffler, the American Prospect, and elsewhere.Additional links/info: Katya Schwenk, The Lever / The Real News Network, “Three years later, life in East Palestine, Ohio, is still derailed”Maximillian Alvarez, The Real News Network, “America's toxic future looks like East Palestine, Ohio, today”Credits:Audio Post-Production: Alina NehlichBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWritersAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

After their first time reading together, poet-pals Lynne and Patricia sit down with a seriously sleep-deprived Dion at the Dream Inn in Santa Cruz, California to read and discuss their poems as the sound of waves pulses in the background.Lynne Thompson was the 4th Poet Laureate for the City of Los Angeles. The daughter of Caribbean immigrants, her poetry collections include Beg No Pardon (2007), winner of the Perugia Press Prize and the Great Lakes Colleges Association's New Writers Award; Start With A Small Guitar (2013), from What Books Press; and Fretwork (2019), winner of the Marsh Hawk Press Poetry Prize. Thompson's honors include the Tucson Festival of Books Literary Award (poetry) and the Stephen Dunn Prize for Poetry as well as fellowships from the City of Los Angeles, Vermont Studio Center, and the Summer Literary Series in Kenya. Her work has appeared in Ploughshares, Poetry, Poem-A-Day (Academy of American Poets), New England Review, Colorado Review, Pleiades, Ecotone, and Best American Poetry, to name a few.Patricia Smith is the author of ten books of poetry, including The Intentions of Thunder: New and Selected Poems (Scribner 2025), winner of the National Book Award for Poetry; Unshuttered; Incendiary Art, winner of the 2018 Kingsley Tufts Poetry Award, the 2017 Los Angeles Times Book Prize and the 2018 NAACP Image Award, and finalist for the 2018 Pulitzer Prize; Shoulda Been Jimi Savannah, winner of the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler, a National Book Award finalist; and Gotta Go, Gotta Flow, a collaboration with award-winning Chicago photographer Michael Abramson. Her other books include the poetry volumes Teahouse of the Almighty, Close to Death, Big Towns Big Talk, Life According to Motown; the children's book Janna and the Kings and the history Africans in America, a companion book to the award-winning PBS series.  Her work has appeared in The New Yorker, Poetry, The Paris Review, The Baffler,  BOMB, The Washington Post, The New York Times, Tin House and in Best American Poetry and Best American Essays.Smith is a professor in the Lewis Center for the Arts at Princeton University and a former Distinguished Professor for the City University of New York.

The hosts discuss Stephanie Wambugu's justly-hyped novel Lonely Crowds before they're joined by Noah Kulwin, an avowed Macdonaldhead who details the pleasures of private eye fiction through 1966's Black Money. Noah Kulwin is a writer based in New York City. He is also the co-host of the podcast Blowback, a history program about American empire. He has written for a wide variety of publications, but more recently can be found in The Baffler, The Intercept, Screen Slate and Protean. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Erik Baker, author of Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America, returns to the podcast to talk about self-help and respond to questions and comments submitted by listeners for the second episode of the Anti-Self-Helpline. The Anti-Self-Helpline is a new episode format where listeners write in with their experiences of political struggle so we can take seriously the psychic and emotional content of political experiences. Erik's essay How I Learned to Stop Worrying and Love My Shitty Life: https://www.thedriftmag.com/how-i-learned-to-stop-worrying-and-love-my-shitty-life/ Erik Baker is Lecturer on the History of Science at Harvard University. His writing has appeared in Harper's, n+1, The Baffler, Jewish Currents, and The Drift, where he is Senior Editor. His first book Make Your Own Job published with Harvard University Press in January 2025.  SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription.Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. Stay tuned for our 2025 retrospective in late December with Ruby Justice Thelot. You'll also get an invite to our second reading group meet-up: a discussion of Richard Barbrook and Andy Cameron's seminal 1995 essay, “The Californian Ideology,” and Fred Turner's recent article for The Baffler, “The Texan Ideology.” That's going down on Sunday, January 11.Between the looming menace of automation and job search platforms that feel even less effective than dating apps, you've probably heard that trying to find work right now is brutal. And while there's no shortage of speculation about why the labor market is so broken (see our recent episode with economist Richard D. Wolff), there's far less (public) chatter about what the experience of searching for gainful employment in late 2025 actually looks and feels like.Rachel Meade Smith, creator of the wildly popular weekly job search newsletter Words of Mouth, wants to change that. Her forthcoming book Search Work: A Collective Inquiry into the Job Hunt (out April 7, 2026 via OR Books!) draws on contributions from 30 voices sourced from the WoM community to explore how job searching is actually one of the most existentially significant experiences we can have. And while the book zooms in on the more difficult emotions that can come up when we perform “search work” — her term for the unique labor associated with finding a job — it also captures how the process can be a vector for desire, inspiration, and even joy.We discuss how the newsletter grew out of her own experiences with search work, including the strange emotional contortions that go into trying on different possible futures and having most of them vanish into the ether. We also discuss what sets this era apart from past eras of search work, the difficulties of squaring our identities and aspirations with the opportunities that are actually available to us, and how navigating the contemporary labor market means accepting that our careers may look less like ladders and more like waves. Pre-order Search Work now exclusively through OR Books and get 15% off.Explore and subscribe to Words of MouthCheck out more of Rachel's work here This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

In this episode of Parallax Views, J.G. Michael is joined by freelance film journalist Corey Atad, who has written for such publications as The Baffler and Defector, to break down the growing likelihood of Netflix acquiring Warner Bros. Discovery and what a Netflix–Warner Bros. merger would mean for Hollywood, media competition, and the future of cinema. The discussion examines how Netflix's ambitions could end up reshaping the entertainment industry—often at the expense of workers, audiences, and cultural life. Atad also analyzes David Ellison's attempted hostile takeover of Warner Bros. Discovery, a move widely seen as an effort to block a Netflix takeover. Despite positioning himself as an alternative to Netflix, Ellison—who is aligned with MAGA political networks and Silicon Valley power structures—raises serious concerns due to his erratic leadership style and behind-the-scenes dealings, including reported personal outreach to Warner Bros. Discovery CEO David Zaslav while actively attempting to seize control of the company. The episode further explores fears that a Paramount–Skydance merger could transform CNN into a MAGA-aligned media outlet, with Atad arguing that the deeper issue may be the accelerating collapse of cable news itself rather than partisan capture alone. A central theme of the conversation is how Netflix and streaming consolidation threaten movie theaters, which Atad frames as vital communal spaces in a time of increasing social atomization. Michael and Atad discuss how the Netflix business model, rooted in a Silicon Valley “disruptive” mindset, prioritizes scale and dominance over shared cultural experiences—placing theatrical exhibition and mid-budget filmmaking at risk. The episode concludes by arguing that neither Netflix absorbing Warner Bros. nor a Skydance takeover represents a good outcome, and that a functioning democratic state would prevent this level of media consolidation in the first place. Special attention is given to how a Netflix–Warner Bros. deal could harm Canada's media industry, where Atad is based. In other words, this episode discusses regulation, monopoly, culture, the potential death of theaters, and what it all in the bigger picture for America and the world through a conversation about Netflix's acquiring Warner Bros. It's a doozy at around 2 hours but should interest movie and non-movie fans alike!

Abby and Patrick are joined by writer Grace Byron, author of the fantastic new novel Herculine. Alternately hilarious and terrifying, Herculine is the story of a young trans woman who leaves a frustrating life in New York City to join an erstwhile high school lover in a trans separatist commune in rural Indiana. But the community proves far from perfect, and the narrator soon finds herself enmeshed in a pressure-cooker milieu of personal jealousies and erotic rivalries, all with occult overtones – and there are literal demons, too. Abby, Patrick, and Grace reflect on the themes of the book, and probe the broader questions it addresses. How might trauma shape our ideas about healing and our pursuit of transformative experiences – in psychotherapy and beyond? How does identity relate to desire, how does theory relate to practice, and how might hegemonic structures reassert themselves in power dynamics within marginalized communities? What are the uses of utopian fantasies, and how do we square them with the real-world challenges of building solidarity? The three explore all these questions, as well as the power of religious symbolism, the practice of “conversion therapy,” media representations of the demonic, and more!  Texts cited:Grace Byron, Herculine: https://www.simonandschuster.com/books/Herculine/Grace-Byron/9781668087862 Grace Byron, “Idle Worship: Fairy Tales of Conversion,” in Parapraxis: https://www.parapraxismagazine.com/articles/idle-worshipGrace Byron, “Repossessed,” in The Baffler: https://thebaffler.com/latest/repossessed-byronMcKenzie Wark, “Dear Cis Analysts: A Call for Reparations,” in Parapraxis: https://www.parapraxismagazine.com/articles/dear-cis-analystsAvgi Saketopoulou and Ann Pellegrini, Gender Without Identity: https://www.uitbooks.com/shop/gender-without-identityImogen Binnie, Nevada: https://us.macmillan.com/books/9780374606619/nevada/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Kirk Pearson - "Theme from Techtonic" - n/a [0:00:00] - "Interview with Noah McCormack" Patrick Cowley - "Robot Children (Do You Love Your)" - Catholic [0:53:43] https://www.wfmu.org/playlists/shows/158867

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience, we recommend signing up for a paid subscription.Paid subscribers also get access to our CUJOPLEX Discord and The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. On our latest installment, filmmaker and Zohran Video Guy Anthony DiMieri joins us to talk to tell us about the wild twists and turns of his career as an indie filmmaker turned key contributor to the Zohran & SubwayTakes cinematic universes, dark woke, and why everyone is obsessed with Geese. We're removing the paywall for the next week so you can give it a listen.You'll also get an invite to our second reading group meet-up: a discussion of Richard Barbrook and Andy Cameron's seminal 1995 year essay, “The Californian Ideology,” and Fred Turner's recent article for The Baffler, “The Texan Ideology.” That's going down on Sunday, January 11.In 2005, the music and culture critics Simon Reynolds and Mark Fisher (RIP) began using the term hauntology — a riff on “ontology” — to describe an emergent genre in UK music, built from archival recordings from post-war England, vinyl crackle, and haunted, elegiac atmospherics. (Think: Burial, The Caretaker, and the eerie catalog of the label Ghost Box.) They borrowed the term from Jacques Derrida, who used it to describe a present haunted by futures that had never arrived; Reynolds and Fisher heard that idea vibrating through a generation of musicians excavating Britain's cultural memory.Fisher explored hauntology's political dimension, rooting the movement in a longing for Britain's pre-Thatcherite social democratic past and an affection for cultural touchstones like the BBC Radiophonic Workshop, Brutalist architecture, and films like The Wickerman. Reynolds, meanwhile, mapped its musical lineage—back to '90s hauntology predecessors like Boards of Canada and Broadcast, and across the pond to J Dilla-era hip-hop and underground movements like freak folk, hypnagogic pop, and chillwave.A recent CUJO reading group on the topic inspired us to invite Simon—the author of books like Rip It Up and Start Again, Retromania, and Futuromania (listen to our ep about it!)—to help us mark the 20th anniversary of hauntology and explore what it has to teach us about mobilizing the culture of the past in a way that feels meaningful and even forward-lookingSimon joins us to dig into the cultural factors that gave rise to hauntology, the 21st-century fetish for obsolete media, and the differences between hauntology and simple nostalgia or “retro.” We also talk about the pasts that continue to haunt us—from rave culture to Marxism—and he gives us a sneak peek at his forthcoming book, Still in a Dream: Shoegaze, Slackers and the Reinvention of Rock, 1984–1994, arriving in 2026.Listen to our HAUNTOLOGY PLAYLIST on Apple Music and YouTubeRead more of Simon on hauntology in Retromania: Pop Culture's Addiction to Its Own Past and over at ReynoldsRetroKeep up with Simon and his writing on blissblogFollow Simon on XAdditional reading:Jacques Derrida, Specters of Marx, The State of the Debt, the Work of Mourning and the New International, 1993.Mark Fisher, “October 6, 1979: Capitalism and Bipolar Disorder,” 2005.Simon Reynolds, “Haunted Audio, a/k/a Society of the Spectral: Ghost Box, Mordant Music, and Hauntology,” director's cut of an article in the November 2006 issue of The Wire.Mark Fisher, Ghosts of My Life: Writings on Depression, Hauntology, and Lost Futures, chapter 2, 2014. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Today I am both excited and frightened to talk with Tamara Kneese and Xiaowei Wang, two individuals whose research, writing, and activism has for years insisted on the materiality of the technologies that have brought us things like artificial intelligence, the Cloud, data centers, and digital agriculture.  They explain why and how these technologies clothe themselves in ethereal garb and notions of a frictionless, beneficent capitalism while diverting attention from the vast natural and human resources they plunder to make a profit, and colonize more and more land, water, and minerals. We move from corrective histories and analyses to case histories that show how  these technologies materialize in settler colonial practices, and end decisively on stories of how people are fighting back, and creating alternate software, hardware, and cultural and social practices that offer a window onto a much less violent and dismal world than the one technofascism wants us to be hypnotized by.  Here, we set to break that spell.Tamara Kneese directs Data & Society Research Institute's Climate, Justice, and Technology program and previously led the Algorithmic Impact Methods Lab. Before joining D&S, she was director of developer engagement on the Green Software team at Intel and assistant professor of Media Studies and director of Gender and Sexualities Studies at the University of San Francisco. She is the author of Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond (Yale University Press, 2023), co-author of Notes Toward a Digital Workers' Inquiry (Common Notions Press, 2025), and the co-editor of The New Death: Mortality and Death Care in the Twenty-First Century (School for Advanced Research/University of New Mexico Press, 2022). Her work has been published in academic journals including Social Text, Social Media + Society, and the International Journal of Communication and in popular outlets such as Wired, The Verge, and The Baffler. Her research has been supported by the Internet Society Foundation, National Science Foundation, Social Sciences and Humanities Research Council, the Mellon Foundation, and the American Council of Learned Societies. Xiaowei R. Wang is an artist, writer, organizer and coder. They are the author of the book Blockchain Chicken Farm: And Other Stories of Tech In China's Countryside, a 2023 National Book Foundation Science and Literature Award winner. Their multidisciplinary work over the past 15 years sits at the intersection of tech, digital media, art, and environmental justice. Currently, they are a Mancosh Fellow at Northwestern University and one of the stewards of Collective Action School (formerly known as Logic School), an organizing community for tech workers. In 2024 they were a Eyebeam Democracy Machine Fellow, which supported their work with forms of soft data storage and transmission using textiles. 

On today's episode, I talk to journalist and writer David J. Roth. Raised in Ridgewood, New Jersey, David started out his writing career writing and editing content for the backs of Topps trading cards. This led to writing for The Wall Street Journal's sports blog, co-founding and editing his own sports blog The Classical, and contributing to Vice and The Baffler, as well as many other publications. In 2017, David became an editor-at-large at Deadspin, and two years later, he and the entire writing and editorial staff resigned, protesting major editorial interference from the private equity holding company that had bought the publication. The following year, David and a number of the other former Deadspin writers formed Defector Media, one of the exciting new worker-owned journalism companies, and in the last five years, it has become one of the most well-regarded sites online. In addition to all of this, David also hosts the wonderful Defector podcast The Distraction. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here! Theme song by the fantastic Savoir Adore! Second theme by the brilliant Mike Pace! Closing theme by the delightful Gregory Brothers! Podcast art by the inimitable Beano Gee!  

This episode is the second in our occasional series on important, controversial, or unusually relevant conservative texts from the recent past. Here we take up Charles Murray's 2012 book, Coming Apart: The State of White America, 1960-2010. With its focus on the ascendence of a new "cognitive elite," cultural divides, and the pathologies afflicting working and lower class whites, the book might seem prophetic of the Age of Trump — but the reality is more complicated. Murray's oversights, it turns out, are as interesting as his insights. We walk listeners through Murray's account of how America "came apart," take the test he provides to see how thick our class/cultural bubbles are, then rip into the moralizing prescriptions with which he concludes the book. Along the way we discuss Murray as an emblematic success story of the right-wing welfare state and intellectual pipeline, revisit his obsession with race and IQ, and more!Sources:Charles Murray, Coming Apart: The State of White America, 1960-2010 (2012)— Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950 (2003)— Losing Ground: American Social Policy, 1950-1980 (1984)Jason DeParle, "Daring Research or 'Social Science Pornography'? Charles Murray," New York Times, Oct 9, 1994Jane Mayer, Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right (2016)Pew Research Center, "Religious Landscape Study," Feb 26, 2025Quinn Slobodian & Stuart Schrader, "The White Man, Unburdened," The Baffler, July 2018"Do you live in a bubble? A quiz." PBS Newshour, Mar 24, 2016. ...and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy.Before embarking on a spirited bout of rank punditry, we take a step back and talk about the Staple Singers, Hannah Arendt's Origins of Totalitarianism, Tocqueville's Democracy in America, Zohran, and giving a damn about both your "fellow man" and democracy. Then, we walk you through the latest catalogue of horrors: Hegseth's lame TED talk in front of the generals, the menacing yet comically inept dimestore Gestapo that is ICE, the shutdown, and more!Sources:Alexis de Tocqueville, Democracy in America (1835, 1840)Hannah Arendt, The Origins of Totalitarianism (1951)Jasper Craven, "Battle of the Sexes," The Baffler, Sept 2025"Deafies for Zohran" (YouTube)"Things Can Change" (X)

We're joined by Jasper Craven to talk DoD Chief Peter Brian Hegseth, warfighting, women, mothers, fathers, alcoholism, infidelity, and more. Check out Jaspers new article on Pete Hegseth's war on women in the Baffler: https://thebaffler.com/salvos/battle-of-the-sexes-craven Hit the tip line: (646) 801-1129 | tips@trueanon.com Discover more episodes at podcast.trueanon.com

This week, Scott sat down with his Lawfare colleagues Natalie Orpett, Kevin Frazier, and Tyler McBrien to talk through the week's big national security news stories, including:“Feeding Frenzy.” The crisis in Gaza has reached a new, desperate stage. Months of a near total blockade on humanitarian assistance has created an imminent risk, if not a reality, of mass starvation among Gazan civilians. And it finally has the world—including President Donald Trump—taking notice and putting pressure on the Israeli government to change tack, including by threatening to recognize a Palestinian state. Now the Israeli government appears to be giving an inch, allowing what experts maintain is the bare minimum level of aid necessary to avoid famine into the country and even pursuing a few (largely symbolic) airlifts, while allowing other states to do the same. But how meaningful is this shift? And what could it mean for the trajectory of the broader conflict?“Hey, It Beats an AI Inaction Plan.” After months of anticipation, the Trump administration finally released its “AI Action Plan” last week. And despite some serious reservations about its handling of “woke AI” and select other culture war issues, the plan has generally been met with cautious optimism. How should we feel about the AI Action Plan? And what does it tell us about the direction AI policy is headed?“Pleas and No Thank You.” Earlier this month, the D.C. Circuit upheld then-Secretary of Defense Lloyd Austin's decision to nullify plea deals that several of the surviving 9/11 perpetrators had struck with those prosecuting them in the military commissions. How persuasive is the court's argument? And what does the decision mean for the future of the tribunals?In object lessons, Kevin highlighted a fascinating breakthrough from University of Texas engineers who developed over 1,500 AI-designed materials that can make buildings cooler and more energy efficient—an innovation that, coming from Texas, proves that necessity really is the mother of invention. Tyler took us on a wild ride into the world of Professional Bull Riders with a piece from The Baffler exploring the sport's current state and terrifying risks. Scott brought a sobering but essential read from the Carnegie Endowment for International Peace about how synthetic imagery and disinformation are shaping the Iran-Israel conflict. And Natalie recommended “Drive Your Plow Over the Bones of the Dead,” by Olga Tokarczuk, assuring us it's not nearly as murder-y as it sounds.Note: We will be on vacation next week but look forward to being back on August 13!To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.