Podcasts about netflix's blonde

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“And so I started experimenting in different things. And that journey has taken me on kind of a different route. For a while, I've only done one movie a year, and then I may not do a movie that year, but I'm doing a lot of fine art. You know, I've worked with Adam Pendleton and Dina Lawson and Khalil Joseph, and other fine artists. And we'll do works that will be exhibited in museums and stuff like that. But I'm always just getting opportunities to sort of express what I'm feeling at the time. Whereas if I had a different need, I migh have just concentrated on films. There's projects that have come on my doorstep that have been big budget projects, you know, a superhero or whatnot, but I've always declined because I really have a need for freedom. And when I say that, I mean specifically freedom of interference from others. And I know that when you're spending a certain amount of money, you will get that interference. But then there's the other form of freedom, which is having the resources to act on your free will. So really the only way that I get those opportunities is working with guys like Spike Lee, where he gets the resources, just enough to act on his free will. But then he also protects the film so there's no interference, and he'll get rid of anyone who is messing with that. And so I just try to find directors with a like mind, and I am lucky to work with them. And I hope to travel my whole career working with people like that, or my whole life.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I think we're sort of in a period where there's a lack of permissiveness, and I think there's sort of a constant moralistic debate about the rightness and wrongness of anything that's consumed. Like in America, there was even a debate about abortion and stuff like that stimulated by the film Blonde that in our minds was not a theme that Andrew and I discussed. It was much more about how Marilyn Monroe would have liked things to have happened differently in her life. You know, it was more stimulus for emotions. It wasn't like a political thing that we were considering. So we're just in this moment, I think, in the collective consciousness of America. It's sort of captured in that kind of...violence. But in a way, I have always been curious about how people will perceive or receive the film as a collective because I think it had some controversial ideas in it. And one of the things that I value most about the film is that the reaction to the film was actually a part of the artistic endeavor itself because it is dealing with popular culture and how the collective views the persona in an individual and who the persona is outside of the individual.And the collective contributed to that film in that way because they're projecting a version of Marilyn that they've consumed, that they have a connection with, that our film violates. So it was like, for me, the movie was actually the reaction.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think we're sort of in a period where there's a lack of permissiveness, and I think there's sort of a constant moralistic debate about the rightness and wrongness of anything that's consumed. Like in America, there was even a debate about abortion and stuff like that stimulated by the film Blonde that in our minds was not a theme that Andrew and I discussed. It was much more about how Marilyn Monroe would have liked things to have happened differently in her life. You know, it was more stimulus for emotions. It wasn't like a political thing that we were considering. So we're just in this moment, I think, in the collective consciousness of America. It's sort of captured in that kind of...violence. But in a way, I have always been curious about how people will perceive or receive the film as a collective because I think it had some controversial ideas in it. And one of the things that I value most about the film is that the reaction to the film was actually a part of the artistic endeavor itself because it is dealing with popular culture and how the collective views the persona in an individual and who the persona is outside of the individual.And the collective contributed to that film in that way because they're projecting a version of Marilyn that they've consumed, that they have a connection with, that our film violates. So it was like, for me, the movie was actually the reaction.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“In certain ways, I'm using my intellect and or making these connections, but then I'm also trying to do things such as... So the whole concept of subjectivity in a film is you're representing a particular character's point of view, but there's another way to express that. It's through mise-en-scène. So you can express a character, you could have a complete tableau and create the proscenium classical frame, but maybe it's the green on the wall that expresses her inner desire or the warm light. So you create these metaphors that are actually expressing the psychological experience of the character through the physical space.For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“In certain ways, I'm using my intellect and or making these connections, but then I'm also trying to do things such as... So the whole concept of subjectivity in a film is you're representing a particular character's point of view, but there's another way to express that. It's through mise-en-scène. So you can express a character, you could have a complete tableau and create the proscenium classical frame, but maybe it's the green on the wall that expresses her inner desire or the warm light. So you create these metaphors that are actually expressing the psychological experience of the character through the physical space.For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“And so I started experimenting in different things. And that journey has taken me on kind of a different route. For a while, I've only done one movie a year, and then I may not do a movie that year, but I'm doing a lot of fine art. You know, I've worked with Adam Pendleton and Dina Lawson and Khalil Joseph, and other fine artists. And we'll do works that will be exhibited in museums and stuff like that. But I'm always just getting opportunities to sort of express what I'm feeling at the time. Whereas if I had a different need, I migh have just concentrated on films. There's projects that have come on my doorstep that have been big budget projects, you know, a superhero or whatnot, but I've always declined because I really have a need for freedom. And when I say that, I mean specifically freedom of interference from others. And I know that when you're spending a certain amount of money, you will get that interference. But then there's the other form of freedom, which is having the resources to act on your free will. So really the only way that I get those opportunities is working with guys like Spike Lee, where he gets the resources, just enough to act on his free will. But then he also protects the film so there's no interference, and he'll get rid of anyone who is messing with that. And so I just try to find directors with a like mind, and I am lucky to work with them. And I hope to travel my whole career working with people like that, or my whole life.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Beyoncé has been a musician her whole life. She's been an icon since she was 14 or 15, so young. And when we were doing Lemonade, Kahlil Joseph and I, we talked a lot about how Beyoncé must have maybe skipped this moment in our lives that most people have where we're coming up in our twenties, sort of discovering ourselves. In Lemonade, we were really trying to explore that she's coming to herself now that she has a daughter and that she's married, and she's trying to harness a family life and these themes that she was singing about in the music. We were sort of trying to consider that and how we were going to tell that story, too.And then also legacy and family, you know, that was the reason why we shot in New Orleans. On Lemonade, we didn't do any treatment or anything. Kahlil and I met in New Orleans, and we started scouting. And through the scouting period we came up with the concept and the ideas, but the scouting's unique because we we're basically connecting with liaisons. So we're connecting with the Beyoncé family member. We're connecting with the guy that runs security for Beyoncé there in New Orleans. And it's like all of a sudden you get to an alien part of a culture that exists as an underbelly that is so hard to access because everyone's basically presenting a stereotype, typically. So then that's sort of what we were trying to get to on that. And that was actually really intuitive for Kahlil's way of working, who I consider an auteur director.That's the thing I think is really beautiful in film is actually the harmony. It's musical. It's the cinematography, the emotions acting in harmony to one another. And that doesn't always mean that they're like perfectly matched.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“Beyoncé has been a musician her whole life. She's been an icon since she was 14 or 15, so young. And when we were doing Lemonade, Kahlil Joseph and I, we talked a lot about how Beyoncé must have maybe skipped this moment in our lives that most people have where we're coming up in our twenties, sort of discovering ourselves. In Lemonade, we were really trying to explore that she's coming to herself now that she has a daughter and that she's married, and she's trying to harness a family life and these themes that she was singing about in the music. We were sort of trying to consider that and how we were going to tell that story, too.And then also legacy and family, you know, that was the reason why we shot in New Orleans. On Lemonade, we didn't do any treatment or anything. Kahlil and I met in New Orleans, and we started scouting. And through the scouting period we came up with the concept and the ideas, but the scouting's unique because we we're basically connecting with liaisons. So we're connecting with the Beyoncé family member. We're connecting with the guy that runs security for Beyoncé there in New Orleans. And it's like all of a sudden you get to an alien part of a culture that exists as an underbelly that is so hard to access because everyone's basically presenting a stereotype, typically. So then that's sort of what we were trying to get to on that. And that was actually really intuitive for Kahlil's way of working, who I consider an auteur director.That's the thing I think is really beautiful in film is actually the harmony. It's musical. It's the cinematography, the emotions acting in harmony to one another. And that doesn't always mean that they're like perfectly matched.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Brandon and Lorin attempt to watch Netflix's "Blonde," the fictionalized biopic of Marylin Monroe from Andrew Dominick, starring Ana de Armas. The chore of exploring Monroe's traumas all at once spurred a larger conversation around biography films about the deceased. We also talk about HBO's second season of White Lotus and recap the third entry of Unsolved Mysteries on Netflix. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/astreamablelife/message

TW: The movie includes sensitive material including rape, child abuse, domestic violence, and abortion. In today's episode we discuss Netflix's Blonde, the controversial NC-17 biopic on Marilyn Monroe. None of us were expecting the rapid-fire traumatic turn of events in this movie. With this film we ask the question: Is this cinema?

CinemaSpace Podcast #205 - Retro Review: I Blame Society, Join Aaron, Paul, and Cesar as they talk about what they have been watching and then go into an in-depth discussion of the movie I Blame Society from 2022 that is currently streaming on Tubi at the time of this recording. Please let us know in the comments below of what you think of this film or of any of the topics we talked about, we would really like to hear what you have to say.   Solar Opposites - 00:01:27 Metalocalypse - 00:04:06 Black Adam - 00:08:27 Netflix's Blonde - 00:28:06 28 Days the Haunt - 00:48:27 She-Hulk: Attorney at Law - 00:50:50 Triangle of Sadness - 00:54:45 Retro Review: I Blame Society - 01:04:30   You can follow us on Instagram @cinemaspacepodcast You can like us on Facebook.com/cinemaspacepodcast You can follow us on Twitter @cinemaspacepod You can follow us on Vero @cinemaspacepodcast You can e-mail us at cinemaspacepodcast@gmail.com

We talk about some of the stuff we've seen on both big and small screens: GMA's breakout fantaserye Maria Clara at Ibarra, Chainsaw Man, and the ending of Little Women (0:10), plus The Woman King (19:38), Ticket to Paradise (25:43), Amsterdam (32:48), and Netflix's Blonde (44:17). Endslate is an ANIMA podcast. Stalk the hosts! Mel Alcaraz: @mel_alcaraz Ramon De Veyra: @ramondeveyra Quark Henares: @quarkhenares Follow us on Twitter @endslatepod, or join our Facebook group https://www.facebook.com/groups/endslate for a safe space discussion on pop culture. For inquiries and feedback, email us at endslatepod@gmail.com.

On this episode of The Hollywood Outsider podcast, it is time to prep for All Hallows' Eve as we take to our own respective graveyards and dig up obscure Halloween movies. Trick r Treat has taken off in recent years, and there are many little unspoken gems like this one to get us all hyped up for the best movie season of the year for horror fans! Take a listen, and rest assured to walk away with at least a few new Halloween gems to watch this season of the witch.  Also this week, we discuss physical vs. digital media as it once again joins the conversation, digital rights being sold off of our favorite actors, Deadpool 3, and reviews of Smile and Netflix's Blonde. All of this and much more on the latest episode of The Hollywood Outsider podcast. Discussed on this episode (0:00 – 22:08) Opening | Movie and TV News: Physical vs Digital Media, Digital Rights, Deadpool 3 (22:09 – 44:18) Reviews: Smile, Blonde (44:19 – 1:30:37) From the Outside In: Obscure Halloween Movies Please support The Hollywood Outsider and gain immediate access to bonus content, including Patreon exclusive podcast content like our Bad Movie Night by visiting Patreon.com/ TheHollywoodOutsider Be sure to join our Facebook Group

Dahlia and Melissa join Kova, Stephanie and Spoiler Steve  to discuss Bros, Netflix's Blonde and Disney's highly anticipated Hocus Pocus 2! 00:01:28 - Intro | SMILE, SNL, The Box Office 00:26:47 - Hocus Pocus 2 01:18:40 - Blonde 02:02:06 - Bros 02:31:37 - Banter Corner | The Crow, Reboot, Interview with a Vampire, Quantum Leap, Made For Love, Reasonable Doubt, Andor, The Patient, Welcome to Fletch, Reservation Dogs, Lou, I Used to be Famous, A Jazz Man's Blues, On the Come Up Support us on Patreon HERE **NEW SHOWS ARE COMING TO OUR PATREON** Read Stephanie's review of Top Gun: Maverick HERE Listen to Stephanie on the StarkCast here Listen to Spoiler Steve on the StarkCast here Listen to Kova on the StarkCast here Listen to our seventeenth episode of The Blindspot reviewing Donnie Brasco here Listen to our twenty-third episode of Back to the Movies covering the second and third acts of Catch Me If You Can here Listen to the sixth episode of Back to the Shire covering the third act of Lord of the Rings: The Two Towers – Extended Edition here Send us emails and feedback to info@sceneitcast.com Check out our website sceneitcast.com Check out Michael H. Cannon's work at @artildawn

Welcome To The Madness!! The spooky season celebration is in full force all over the It's A Wonderful Podcast feed and channel now as Morgan and Jeannine are back on this week's new Monday Madness to show some love to some of their favourite older Horror movies from the Universal Monsters to Vincent Price and murderous children to Pre-Code creativity! There's also plenty to get into in the first hour's "What's Up" with a full review of the new Horror SMILE starring Sosie Bacon, MCU news discussion on changes to ARMOR WARS led by Don Cheadle's Rhodey and possible rumours regarding re-casting of THUNDERBOLT ROSS, a new reboot of AMERICAN PIE and a passionate discussion surrounding the backlash for Netflix's BLONDE starring Ana De Armas as Marilyn Monroe, and how shamefully exploitative the movie is! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Producer Judd Apatow and director Nicholas Stoller join the show to discuss the making of Billy Eichner's new romantic comedy Bros. This is one of our favorite movies of the year, and a return to form for the genre. We discuss infusing the story and character with Billy Eichner's humor and own life story, how difficult it is to make a good rom-com, and we even make time for a look back at their earlier films. Stick around for our full review of Bros, as well as Netflix's Blonde and Peter Farrelly's The Greatest Beer Run Ever. ReelBlend PremiumSign up for an extra episode a week, a bi-weekly newsletter from Sean, and ad-free episodes at RedCircle.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form. Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnell Jake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsTimestamps (approx. only)00:00:00 - Intro00:07:50 - Judd Apatow & Nicholas Stoller Interview00:38:40 - Halloween Ends Final Trailer Reaction00:51:12 - This Week In Movies00:53:04 - The Greatest Beer Run Ever Review01:03:54 - Blonde Review01:20:40 - Bros Review01:33:39 - Our Favorite Double Features01:45:33 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Trending Topics at 5 o'clock. "That Bitch, Carole Baskin" stayed with the big cats during Hurricane Ian. Hemingway's 59 6-toed cats survived. Coolio has died. Netflix's "Blonde" is "unwatchable." The return of the Friday Movie Topic. See omnystudio.com/listener for privacy information.

Trending Topics at 5 o'clock. "That Bitch, Carole Baskin" stayed with the big cats during Hurricane Ian. Hemingway's 59 6-toed cats survived. Coolio has died. Netflix's "Blonde" is "unwatchable." The return of the Friday Movie Topic. See omnystudio.com/listener for privacy information.

I review Netflix's Blonde, the new adaptation of Joyce Carol Oates' novel of the same name. The story follows the early days, rise to fame, and eventual tragic end of Marilyn Monroe. How do I feel about this sordid tale? Should you watch it? More inside. The real life Marilyn suffered unimaginable abuse and trauma in her childhood and into her adult life. I feel compelled to link below some charitable and nonprofit organizations benefiting foster and disadvantaged children. If we as a culture have decided not to let Marilyn rest, I believe we can certainly use her sad circumstances to draw attention to some worthy causes helping kids like she once was. AZ Helping Hands - https://azhelpinghands.org/give/ Together We Rise - https://www.togetherwerise.org/checkout/ Arizonans For Children - https://arizonansforchildren.org/ways-to-help/donations-support/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On today's What to Watch, Ana de Armas debuts as Marilyn Monroe in Netflix's Blonde, Reservation Dogs signs off for the season, and the Mighty Ducks return. Plus, Hollywood trivia and entertainment headlines, including Stranger Things star Caleb MacLaughlin opening up about the racism he's faced from fans, Hugh Jackman reprising Wolverine in Ryan Reynold's upcoming Deadpool 3, and a preview of Yellowstone season 5. More at ew.com, ew.com/wtw, and @EW. Host: Patrick Gomez (@patrickgomezla); Producer: Ashley Boucher (@ashleybreports) and Gerrad Hall (@gerradhall); Editor: Lauren Klein (@ltklein); Writer: Calie Schepp; Executive Producer: Chanelle Johnson (@chanelleberlin). Learn more about your ad choices. Visit megaphone.fm/adchoices

* Everyone agrees BOTH Nordstream 1 and 2 were blown up. What is not agreed upon is who dunnit? Was it Putin or Biden? What will the impact be for Germany? * BigMedia AP pretends it's not shilling for BigPharma as it questions adverse effects of aluminum in vaccines (and immediately dismisses). But here's what do you need to know about aluminum in vaccines.* Netflix's "Blonde", a surreal "biography" of Marilyn Monroe has enraged feminists as the character is haunted by her aborted babies* PayPal backs down on financial deplatforming in UK after press and parliament criticize. Here's why US press and GOP won't do the same* Another $12 BILLION for Ukraine along with missiles with much longer range than before to escalate war* Breast milk contaminated with mRNA but establishment still pushes* $900 MILLION settlement by BigPharma for allegations of bribery* INTERVIEW: Soldier at Pentagon on 9/11 Goes Public. Adam Eisenberg whose unit was called to protect and clean up at the Pentagon talks about what he saw, what he didn't see and why he doesn't believe the official conspiracy theory.Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughZelle: @DavidKnightShow@protonmail.comCash App at:  $davidknightshowBTC to:  bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Mail: David Knight POB 994 Kodak, TN 37764Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver

* Everyone agrees BOTH Nordstream 1 and 2 were blown up. What is not agreed upon is who dunnit? Was it Putin or Biden? What will the impact be for Germany? * BigMedia AP pretends it's not shilling for BigPharma as it questions adverse effects of aluminum in vaccines (and immediately dismisses). But here's what do you need to know about aluminum in vaccines.* Netflix's "Blonde", a surreal "biography" of Marilyn Monroe has enraged feminists as the character is haunted by her aborted babies* PayPal backs down on financial deplatforming in UK after press and parliament criticize. Here's why US press and GOP won't do the same* Another $12 BILLION for Ukraine along with missiles with much longer range than before to escalate war* Breast milk contaminated with mRNA but establishment still pushes* $900 MILLION settlement by BigPharma for allegations of bribery* INTERVIEW: Soldier at Pentagon on 9/11 Goes Public. Adam Eisenberg whose unit was called to protect and clean up at the Pentagon talks about what he saw, what he didn't see and why he doesn't believe the official conspiracy theory.Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-show Or you can send a donation throughZelle: @DavidKnightShow@protonmail.comCash App at:  $davidknightshowBTC to:  bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Mail: David Knight POB 994 Kodak, TN 37764Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silver

On this week of ClapperCast, the team reviews quite the interesting double feature of Don't Worry Darling & Netflix's Blonde. Subscribe to our Patreon for exclusive content: https://www.patreon.com/clappercastpod Follow us on Twitter: @ClapperPodcast Send us an email at ClapperCast@gmail.com Thanks for listening! Credits: Hosted & Edited by Carson Timar Featuring Alina Faulds New episodes air every Tuesday! --- Send in a voice message: https://anchor.fm/clapperpodcast/message

Marilyn Monroe was a signature Hollywood icon that we know for her platinum blonde hair, her famously breathy voice, and that little beauty mark on her cheek. But Netflix's Blonde will show audiences the inner turmoil the bombshell went through in the public eye based on the historical fiction book by Joyce Carol Oates. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Marilyn Monroe was a signature Hollywood icon that we know for her platinum blonde hair, her famously breathy voice, and that little beauty mark on her cheek. But Netflix's Blonde will show audiences the inner turmoil the bombshell went through in the public eye based on the historical fiction book by Joyce Carol Oates. --- Send in a voice message: https://anchor.fm/you-betterknow4/message

Ever wonder how movies got their ratings? Well this week Anthony, Adrian, and Mike will try to breakdown how the Motion Pictures Association (MPA) functions and all it's interesting history in American Cinema.(recorded on April 8, 2022)Watch the Video Format on Youtube: Coming Summer 2022!LISTEN to us on our other various platforms:Apple Podcasts:https://podcasts.apple.com/us/podcast/the-red-band-podcast/id1559313468Spotify:https://open.spotify.com/show/3DtTVkV9HZz65ukS5FWETn?si=QfjbyAXqQT-HGsYr1mz9DQAmazon Music:https://music.amazon.com/podcasts/ea910e0c-11dd-458b-8cb5-1d2b66ecd4b8/THE-REDBANDIheartradio:https://iheart.com/podcast/97702928Google Podcasts:https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvNTU4MTEyMC9lcGlzb2Rlcy9mZWVkSubscribe & Follow to get the latest updates on new episode releases!Subscribe to our Patreon @ https://www.patreon.com/theredbandpodcastDiscussion Links Below:03:51 ~ MPA Getting Involved in Password Sharing - https://www.hollywoodreporter.com/movies/movie-news/mpa-content-security-program-expanded-1235124977/04:18 ~ Old Anti-Piracy Commercial - https://www.youtube.com/watch?v=HmZm8vNHBSU05:50 ~ Old Anti-Drug Ad - https://www.youtube.com/watch?v=nEIYY5uvf5s06:59 ~ "This Is Your Brain On Drugs" Ad - https://www.youtube.com/watch?v=dAHoxaphbEs25:15 ~ Netflix's Blonde (2022) to be First NC-17 Film Made for Streaming Services - https://www.ign.com/articles/netflixs-marilyn-monroe-biopic-blonde-earns-nc-17-rating33:15 ~ European Film Rating System - https://www.screendaily.com/features/how-film-classification-boards-are-responding-to-an-industry-in-flux-/5129903.article