Podcast appearances and mentions of Joyce Carol Oates

Merriam-Webster's Word of the Day for May 18, 2025 is: talisman • TAL-iss-mun • noun A talisman is an object (such as a ring or stone) that is believed to have magic powers and to cause good things to happen to the person who has it. // In ancient times, the gemstone was worn as a talisman to ward off evil. See the entry > Examples: “Brianna takes a picture of the shell on the beach, then holds it in her hand, staring as if at a talisman.” — Joyce Carol Oates, The New Yorker, 16 Mar. 2025 Did you know? Whether your personal lucky charm takes the form of a pink heart, yellow moon, orange star, green clover, or something else, the English language has got you covered, offering a bowlful of synonyms for magical objects. There's mojo and amulet, periapt and phylactery, to name just a few. Talisman is another, and the mystery of its origins reflects the ubiquity of magical charms across cultures, languages, and time. The English language may have borrowed talisman from French, Spanish, or Italian; all three include similar-looking words that in turn come from the Arabic word for a charm, ṭilsam. Ṭilsam traces back to the ancient Greek verb telein, which means “to initiate into the mysteries [secret religious rites].”

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Ethan McGuire– Apocalypse Dance by Ethan McGuire– The New Verse Review– C. S. Lewis, Bronze Age Pervert, & Unserious Christianity by Ethan McGuire– Call Me the 21st-Century Ern Malley (How I Fooled the Poetry World) by Jasper Ceylon– A writer's power can be rooted in real power or in fake power. Real power is better. by Naomi Kanakia– Links courtesy of Ethan:“The Vanishing White Male Writer” by Jacob Savage from the Matthew Schmitz magazine, Compact https://www.compactmag.com/article/the-vanishing-white-male-writer/Other articles2 "Liberal" ArticlesCNN, “Joyce Carol Oates claims White male writers are being shut out. The data disagrees,” Leah Asmelash https://www.cnn.com/style/article/joyce-carol-oates-white-men-publishing-cec/index.htmlFor the items it links to and/or referencesThe New York Times, “The Disappearance of Literary Men Should Worry Everyone,” David J. Morris https://www.nytimes.com/2024/12/07/opinion/men-fiction-novels.html2 "Conservative" ArticlesUnherd, “Publishing will never be fair,” Kat Rosenfield, https://unherd.com/2022/07/publishing-will-never-be-fair/National Conservatism, “Dissident Artists and Publishing are Creating a New Culture,” Jonathan Keeperman https://youtu.be/2dHtMM-8myU?si=ewHgUj0wd6SAPlrtThe only time I've ever written on the subject of the "sensitive young men of the literary alt-right": https://pomocon.substack.com/p/cs-lewis-bronze-age-pervert-and-christianFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

We revisit a conversation with celebrated author Joyce Carol Oates, recorded live at Des Moines Central Public Library May 30, 2024.

It's a small world. The great David Rieff came to my San Francisco studio today for in person interview about his new anti-woke polemic Desire and Fate. And half way through our conversation, he brought up Daniel Bessner's This Is America piece which Bessner discussed on yesterday's show. I'm not sure what that tells us about wokeness, a subject which Rieff and I aren't in agreement. For him, it's the thing-in-itself which make sense of our current cultural malaise. Thus Desire and Fate, his attempt (with a great intro from John Banville) to wake us up from Wokeness. For me, it's a distraction. I've included the full transcript below. Lots of good stuff to chew on. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. 5 KEY TAKEAWAYS * Rieff views "woke" ideology as primarily American and post-Protestant in nature, rather than stemming solely from French philosophy, emphasizing its connections to self-invention and subjective identity.* He argues that woke culture threatens high culture but not capitalism, noting that corporations have readily embraced a "baudlerized" version of identity politics that avoids class discussions.* Rieff sees woke culture as connected to the wellness movement, with both sharing a preoccupation with "psychic safety" and the metaphorical transformation of experience in which "words” become a form of “violence."* He suggests young people's material insecurity contributes to their focus on identity, as those facing bleak economic prospects turn inward when they "can't make their way in the world."* Rieff characterizes woke ideology as "apocalyptic but not pessimistic," contrasting it with his own genuine pessimism which he considers more realistic about human nature and more cheerful in its acceptance of life's limitations. FULL TRANSCRIPTAndrew Keen: Hello everybody, as we digest Trump 2.0, we don't talk that much these days about woke and woke ideology. There was a civil war amongst progressives, I think, on the woke front in 2023 and 2024, but with Donald Trump 2.0 and his various escapades, let's just talk these days about woke. We have a new book, however, on the threat of woke by my guest, David Rieff. It's called Desire and Fate. He wrote it in 2023, came out in late 2024. David's visiting the Bay Area. He's an itinerant man traveling from the East Coast to Latin America and Europe. David, welcome to Keen on America. Do you regret writing this book given what's happened in the last few months in the United States?David Rieff: No, not at all, because I think that the road to moral and intellectual hell is trying to censor yourself according to what you think is useful. There's a famous story of Jean Paul Sartre that he said to the stupefaction of a journalist late in his life that he'd always known about the gulag, and the journalist pretty surprised said, well, why didn't you say anything? And Sartre said so as not to demoralize the French working class. And my own view is, you know, you say what you have to say about this and if I give some aid and comfort to people I don't like, well, so be it. Having said that, I also think a lot of these woke ideas have their, for all of Trump's and Trump's people's fierce opposition to woke, some of the identity politics, particularly around Jewish identity seems to me not that very different from woke. Strangely they seem to have taken, for example, there's a lot of the talk about anti-semitism on college campuses involves student safety which is a great woke trope that you feel unsafe and what people mean by that is not literally they're going to get shot or beaten up, they mean that they feel psychically unsafe. It's part of the kind of metaphorization of experience that unfortunately the United States is now completely in the grips of. But the same thing on the other side, people like Barry Weiss, for example, at the Free Press there, they talk in the same language of psychic safety. So I'm not sure there's, I think there are more similarities than either side is comfortable with.Andrew Keen: You describe Woke, David, as a cultural revolution and you associated in the beginning of the book with something called Lumpen-Rousseauism. As we joked before we went live, I'm not sure if there's anything in Rousseau which isn't Lumpen. But what exactly is this cultural revolution? And can we blame it on bad French philosophy or Swiss French?David Rieff: Well, Swiss-French philosophy, you know exactly. There is a funny anecdote, as I'm sure you know, that Rousseau made a visit to Edinburgh to see Hume and there's something in Hume's diaries where he talks about Rousseau pacing up and down in front of the fire and suddenly exclaiming, but David Hume is not a bad man. And Hume notes in his acerbic way, Rousseau was like walking around without his skin on. And I think some of the woke sensitivity stuff is very much people walking around without their skin on. They can't stand the idea of being offended. I don't see it as much - of course, the influence of that version of cultural relativism that the French like Deleuze and Guattari and other people put forward is part of the story, but I actually see it as much more of a post-Protestant thing. This idea, in that sense, some kind of strange combination of maybe some French philosophy, but also of the wellness movement, of this notion that health, including psychic health, was the ultimate good in a secular society. And then the other part, which again, it seems to be more American than French, which is this idea, and this is particularly true in the trans movement, that you can be anything you want to be. And so that if you feel yourself to be a different gender, well, that's who you are. And what matters is your own subjective sense of these things, and it's up to you. The outside world has no say in it, it's what you feel. And that in a sense, what I mean by post-Protestant is that, I mean, what's the difference between Protestantism and Catholicism? The fundamental difference is, it seems to me, that in Roman Catholic tradition, you need the priest to intercede with God, whereas in Protestant tradition, it is, except for the Anglicans, but for most of Protestantism, it's you and God. And in that sense it seems to me there are more of what I see in woke than this notion that some of the right-wing people like Chris Rufo and others have that this is cultural French cultural Marxism making its insidious way through the institutions.Andrew Keen: It's interesting you talk about the Protestant ethic and you mentioned Hume's remark about Rousseau not having his skin on. Do you think that Protestantism enabled people to grow thick skins?David Rieff: I mean, the Calvinist idea certainly did. In fact, there were all these ideas in Protestant culture, at least that's the classical interpretation of deferred gratification. Capitalism was supposed to be the work ethic, all of that stuff that Weber talks about. But I think it got in the modern version. It became something else. It stopped being about those forms of disciplines and started to be about self-invention. And in a sense, there's something very American about that because after all you know it's the Great Gatsby. It's what's the famous sentence of F. Scott Fitzgerald's: there are no second acts in American lives.Andrew Keen: This is the most incorrect thing anyone's ever said about America. I'm not sure if he meant it to be incorrect, did he? I don't know.David Rieff: I think what's true is that you get the American idea, you get to reinvent yourself. And this notion of the dream, the dream become reality. And many years ago when I was spending a lot of time in LA in the late 80s, early 90s, at LAX, there was a sign from the then mayor, Tom Bradley, about how, you know, if you can dream it, it can be true. And I think there's a lot in identitarian woke idea which is that we can - we're not constricted by history or reality. In fact, it's all the present and the future. And so to me again, woke seems to me much more recognizable as something American and by extension post-Protestant in the sense that you see the places where woke is most powerful are in the other, what the encampment kids would call settler colonies, Australia and Canada. And now in the UK of course, where it seems to me by DI or EDI as they call it over there is in many ways stronger in Britain even than it was in the US before Trump.Andrew Keen: Does it really matter though, David? I mean, that's my question. Does it matter? I mean it might matter if you have the good or the bad fortune to teach at a small, expensive liberal arts college. It might matter with some of your dinner parties in Tribeca or here in San Francisco, but for most people, who cares?David Rieff: It doesn't matter. I think it matters to culture and so what you think culture is worth, because a lot of the point of this book was to say there's nothing about woke that threatens capitalism, that threatens the neo-liberal order. I mean it's turning out that Donald Trump is a great deal bigger threat to the neoliberal order. Woke was to the contrary - woke is about talking about everything but class. And so a kind of baudlerized, de-radicalized version of woke became perfectly fine with corporate America. That's why this wonderful old line hard lefty Adolph Reed Jr. says somewhere that woke is about diversifying the ruling class. But I do think it's a threat to high culture because it's about equity. It's about representation. And so elite culture, which I have no shame in proclaiming my loyalty to, can't survive the woke onslaught. And it hasn't, in my view. If you look at just the kinds of books that are being written, the kinds of plays that are been put on, even the opera, the new operas that are being commissioned, they're all about representing the marginalized. They're about speaking for your group, whatever that group is, and doing away with various forms of cultural hierarchy. And I'm with Schoenberg: if it's for everybody, if it's art, Schoenberg said it's not for everybody, and if it's for everybody it's not art. And I think woke destroys that. Woke can live with schlock. I'm sorry, high culture can live with schlock, it always has, it always will. What it can't live with is kitsch. And by which I mean kitsch in Milan Kundera's definition, which is to have opinions that you feel better about yourself for holding. And that I think is inimical to culture. And I think woke is very destructive of those traditions. I mean, in the most obvious sense, it's destructive of the Western tradition, but you know, the high arts in places like Japan or Bengal, I don't think it's any more sympathetic to those things than it is to Shakespeare or John Donne or whatever. So yeah, I think it's a danger in that sense. Is it a danger to the peace of the world? No, of course not.Andrew Keen: Even in cultural terms, as you explain, it is an orthodoxy. If you want to work with the dominant cultural institutions, the newspapers, the universities, the publishing houses, you have to play by those rules, but the great artists, poets, filmmakers, musicians have never done that, so all it provides, I mean you brought up Kundera, all it provides is something that independent artists, creative people will sneer at, will make fun of, as you have in this new book.David Rieff: Well, I hope they'll make fun of it. But on the other hand, I'm an old guy who has the means to sneer. I don't have to please an editor. Someone will publish my books one way or another, whatever ones I have left to write. But if you're 25 years old, maybe you're going to sneer with your pals in the pub, but you're gonna have to toe the line if you want to be published in whatever the obvious mainstream place is and you're going to be attacked on social media. I think a lot of people who are very, young people who are skeptical of this are just so afraid of being attacked by their peers on various social media that they keep quiet. I don't know that it's true that, I'd sort of push back on that. I think non-conformists will out. I hope it's true. But I wonder, I mean, these traditions, once they die, they're very hard to rebuild. And, without going full T.S. Eliot on you, once you don't think you're part of the past, once the idea is that basically, pretty much anything that came before our modern contemporary sense of morality and fairness and right opinion is to be rejected and that, for example, the moral character of the artist should determine whether or not the art should be paid attention to - I don't know how you come back from that or if you come back from that. I'm not convinced you do. No, other arts will be around. And I mean, if I were writing a critical review of my own book, I'd say, look, this culture, this high culture that you, David Rieff, are writing an elegy for, eulogizing or memorializing was going to die anyway, and we're at the beginning of another Gutenbergian epoch, just as Gutenberg, we're sort of 20 years into Marshall McLuhan's Gutenberg galaxy, and these other art forms will come, and they won't be like anything else. And that may be true.Andrew Keen: True, it may be true. In a sense then, to extend that critique, are you going full T.S. Eliot in this book?David Rieff: Yeah, I think Eliot was right. But it's not just Eliot, there are people who would be for the wokesters more acceptable like Mandelstam, for example, who said you're part of a conversation that's been going on long before you were born, that's going to be going on after you are, and I think that's what art is. I think the idea that we make some completely new thing is a childish fantasy. I think you belong to a tradition. There are periods - look, this is, I don't find much writing in English in prose fiction very interesting. I have to say I read the books that people talk about because I'm trying to understand what's going on but it doesn't interest me very much, but again, there have been periods of great mediocrity. Think of a period in the late 17th century in England when probably the best poet was this completely, rightly, justifiably forgotten figure, Colley Cibber. You had the great restoration period and then it all collapsed, so maybe it'll be that way. And also, as I say, maybe it's just as with the print revolution, that this new culture of social media will produce completely different forms. I mean, everything is mortal, not just us, but cultures and civilizations and all the rest of it. So I can imagine that, but this is the time I live in and the tradition I come from and I'm sorry it's gone, and I think what's replacing it is for the most part worse.Andrew Keen: You're critical in the book of what you, I'm quoting here, you talk about going from the grand inquisitor to the grand therapist. But you're very critical of the broader American therapeutic culture of acute sensitivity, the thin skin nature of, I guess, the Rousseau in this, whatever, it's lumpen Rousseauanism. So how do you interpret that without psychologizing, or are you psychologizing in the book? How are you making sense of our condition? In other words, can one critique criticize therapeutic culture without becoming oneself therapeutic?David Rieff: You mean the sort of Pogo line, we've met the enemy and it is us. Well, I suppose there's some truth to that. I don't know how much. I think that woke is in some important sense a subset of the wellness movement. And the wellness movement after all has tens and tens of millions of people who are in one sense or another influenced by it. And I think health, including psychic health, and we've moved from wellness as corporal health to wellness as being both soma and psyche. So, I mean, if that's psychologizing, I certainly think it's drawing the parallel or seeing woke in some ways as one of the children of the god of wellness. And that to me, I don't know how therapeutic that is. I think it's just that once you feel, I'm interested in what people feel. I'm not necessarily so interested in, I mean, I've got lots of opinions, but what I think I'm better at than having opinions is trying to understand why people think what they think. And I do think that once health becomes the ultimate good in a secular society and once death becomes the absolutely unacceptable other, and once you have the idea that there's no real distinction of any great validity between psychic and physical wellness, well then of course sensitivity to everything becomes almost an inevitable reaction.Andrew Keen: I was reading the book and I've been thinking about a lot of movements in America which are trying to bring people together, dealing with America, this divided America, as if it's a marriage in crisis. So some of the most effective or interesting, I think, thinkers on this, like Arlie Hochschild in Berkeley, use the language of therapy to bring or to try to bring America back together, even groups like the Braver Angels. Can therapy have any value or that therapeutic culture in a place like America where people are so bitterly divided, so hateful towards one another?David Rieff: Well, it's always been a country where, on the one hand, people have been, as you say, incredibly good at hatred and also a country of people who often construe themselves as misfits and heretics from the Puritans forward. And on the other hand, you have that small-town American idea, which sometimes I think is as important to woke and DI as as anything else which is that famous saying of small town America of all those years ago which was if you don't have something nice to say don't say anything at all. And to some extent that is, I think, a very powerful ancestor of these movements. Whether they're making any headway - of course I hope they are, but Hochschild is a very interesting figure, but I don't, it seems to me it's going all the other way, that people are increasingly only talking to each other.Andrew Keen: What this movement seems to want to do is get beyond - I use this word carefully, I'm not sure if they use it but I'm going to use it - ideology and that we're all prisoners of ideology. Is woke ideology or is it a kind of post-ideology?David Rieff: Well, it's a redemptive idea, a restorative idea. It's an idea that in that sense, there's a notion that it's time for the victims, for the first to be last and the last to be first. I mean, on some level, it is as simple as that. On another level, as I say, I do think it has a lot to do with metaphorization of experience, that people say silence is violence and words are violence and at that point what's violence? I mean there is a kind of level to me where people have gotten trapped in the kind of web of their own metaphors and now are living by them or living shackled to them or whatever image you're hoping for. But I don't know what it means to get beyond ideology. What, all men will be brothers, as in the Beethoven-Schiller symphony? I mean, it doesn't seem like that's the way things are going.Andrew Keen: Is the problem then, and I'm thinking out loud here, is the problem politics or not enough politics?David Rieff: Oh, I think the problem is that now we don't know, we've decided that everything is part, the personal is the political, as the feminists said, 50, 60 years ago. So the personal's political, so the political is the personal. So you have to live the exemplary moral life, or at least the life that doesn't offend anybody or that conforms to whatever the dominant views of what good opinions are, right opinions are. I think what we're in right now is much more the realm of kind of a new set of moral codes, much more than ideology in the kind of discrete sense of politics.Andrew Keen: Now let's come back to this idea of being thin-skinned. Why are people so thin-skinned?David Rieff: Because, I mean, there are lots of things to say about that. One thing, of course, that might be worth saying, is that the young generations, people who are between, let's say, 15 and 30, they're in real material trouble. It's gonna be very hard for them to own a house. It's hard for them to be independent and unless the baby boomers like myself will just transfer every penny to them, which doesn't seem very likely frankly, they're going to live considerably worse than generations before. So if you can't make your way in the world then maybe you make your way yourself or you work on yourself in that sort of therapeutic sense. You worry about your own identity because the only place you have in the world in some way is yourself, is that work, that obsession. I do think some of these material questions are important. There's a guy you may know who's not at all woke, a guy who teaches at the University of Washington called Danny Bessner. And I just did a show with him this morning. He's a smart guy and we have a kind of ironic correspondence over email and DM. And I once said to him, why are you so bitter about everything? And he said, you want to know why? Because I have two children and the likelihood is I'll never get a teaching job that won't require a three hour commute in order for me to live anywhere that I can afford to live. And I thought, and he couldn't be further from woke, he's a kind of Jacobin guy, Jacobin Magazine guy, and if he's left at all, it's kind of old left, but I think a lot of people feel that, that they feel their practical future, it looks pretty grim.Andrew Keen: But David, coming back to the idea of art, they're all suited to the world of art. They don't have to buy a big house and live in the suburbs. They can become poets. They can become filmmakers. They can put their stuff up on YouTube. They can record their music online. There are so many possibilities.David Rieff: It's hard to monetize that. Maybe now you're beginning to sound like the people you don't like. Now you're getting to sound like a capitalist.Andrew Keen: So what? Well, I don't care if I sound like a capitalist. You're not going to starve to death.David Rieff: Well, you might not like, I mean, it's fine to be a barista at 24. It's not so fine at 44. And are these people going to ever get out of this thing? I don't know. I wonder. Look, when I was starting as a writer, as long as you were incredibly diligent, and worked really hard, you could cobble together at least a basic living by accepting every assignment and people paid you bits and bobs of money, but put together, you could make a living. Now, the only way to make money, unless you're lucky enough to be on staff of a few remaining media outlets that remain, is you have to become an impresario, you have become an entrepreneur of your own stuff. And again, sure, do lots of people manage that? Yeah, but not as many as could have worked in that other system, and look at the fate of most newspapers, all folding. Look at the universities. We can talk about woke and how woke destroyed, in my view anyway, a lot of the humanities. But there's also a level in which people didn't want to study these things. So we're looking at the last generation in a lot places of a lot of these humanities departments and not just the ones that are associated with, I don't know, white supremacy or the white male past or whatever, but just the humanities full stop. So I know if that sounds like, maybe it sounds like a capitalist, but maybe it also sounds like you know there was a time when the poets - you know very well, poets never made a living, poets taught in universities. That's the way American poets made their money, including pretty famous poets like Eric Wolcott or Joseph Brodsky or writers, Toni Morrison taught at Princeton all those years, Joyce Carol Oates still alive, she still does. Most of these people couldn't make a living of their work and so the university provided that living.Andrew Keen: You mentioned Barry Weiss earlier. She's making a fortune as an anti-woke journalist. And Free Press seems to be thriving. Yascha Mounk's Persuasion is doing pretty well. Andrew Sullivan, another good example, making a fortune off of Substack. It seems as if the people willing to take risks, Barry Weiss leaving the New York Times, Andrew Sullivan leaving everything he's ever joined - that's...David Rieff: Look, are there going to be people who thrive in this new environment? Sure. And Barry Weiss turns out to be this kind of genius entrepreneur. She deserves full credit for that. Although even Barry Weiss, the paradox for me of Barry Weiss is, a lot of her early activism was saying that she felt unsafe with these anti-Israeli teachers at Columbia. So in a sense, she was using some of the same language as the woke use, psychic safety, because she didn't mean Joseph Massad was gonna come out from the blackboard and shoot her in the eye. She meant that she was offended and used the language of safety to describe that. And so in that sense, again, as I was saying to you earlier, I think there are more similarities here. And Trump, I think this is a genuine counterrevolution that Trump is trying to mount. I'm not very interested in the fascism, non-fascism debate. I'm rather skeptical of it.Andrew Keen: As Danny Bessner is. Yeah, I thought Danny's piece about that was brilliant.David Rieff: We just did a show about it today, that piece about why that's all rubbish. I was tempted, I wrote to a friend that guy you may know David Bell teaches French history -Andrew Keen: He's coming on the show next week. Well, you see, it's just a little community of like-minded people.David Rieff: There you go. Well, I wrote to David.Andrew Keen: And you mentioned his father in the book, Daniel.David Rieff: Yeah, well, his father is sort of one of the tutelary idols of the book. I had his father and I read his father and I learned an enormous amount. I think that book about the cultural contradictions of capitalism is one of the great prescient books about our times. But I wrote to David, I said, I actually sent him the Bessner piece which he was quite ambivalent about. But I said well, I'm not really convinced by the fascism of Trump, maybe just because Hitler read books, unlike Donald Trump. But it's a genuine counterrevolution. And what element will change the landscape in terms of DI and woke and identitarianism is not clear. These people are incredibly ambitious. They really mean to change this country, transform it.Andrew Keen: But from the book, David, Trump's attempts to cleanse, if that's the right word, the university, I would have thought you'd have rather admired that, all these-David Rieff: I agree with some of it.Andrew Keen: All these idiots writing the same article for 30 years about something that no one has any interest in.David Rieff: I look, my problem with Trump is that I do support a lot of that. I think some of the stuff that Christopher Rufo, one of the leading ideologues of this administration has uncovered about university programs and all of this crap, I think it's great that they're not paying for it anymore. The trouble is - you asked me before, is it that important? Is culture important compared to destroying the NATO alliance, blowing up the global trade regime? No. I don't think. So yeah, I like a lot of what they're doing about the university, I don't like, and I am very fiercely opposed to this crackdown on speech. That seems to be grotesque and revolting, but are they canceling supporting transgender theater in Galway? Yeah, I think it's great that they're canceling all that stuff. And so I'm not, that's my problem with Trump, is that some of that stuff I'm quite unashamedly happy about, but it's not nearly worth all the damage he's doing to this country and the world.Andrew Keen: Being very generous with your time, David. Finally, in the book you describe woke as, and I thought this was a very sharp way of describing it, describe it as being apocalyptic but not pessimistic. What did you mean by that? And then what is the opposite of woke? Would it be not apocalyptic, but cheerful?David Rieff: Well, I think genuine pessimists are cheerful, I would put myself among those. The model is Samuel Beckett, who just thinks things are so horrible that why not be cheerful about them, and even express one's pessimism in a relatively cheerful way. You remember the famous story that Thomas McCarthy used to tell about walking in the Luxembourg Gardens with Beckett and McCarthy says to him, great day, it's such a beautiful day, Sam. Beckett says, yeah, beautiful day. McCarthy says, makes you glad to be alive. And Beckett said, oh, I wouldn't go that far. And so, the genuine pessimist is quite cheerful. But coming back to woke, it's apocalyptic in the sense that everything is always at stake. But somehow it's also got this reformist idea that cultural revolution will cleanse away the sins of the supremacist patriarchal past and we'll head for the sunny uplands. I think I'm much too much of a pessimist to think that's possible in any regime, let alone this rather primitive cultural revolution called woke.Andrew Keen: But what would the opposite be?David Rieff: The opposite would be probably some sense that the best we're going to do is make our peace with the trash nature of existence, that life is finite in contrast with the wellness people who probably have a tendency towards the apocalyptic because death is an insult to them. So everything is staving off the bad news and that's where you get this idea that you can, like a lot of revolutions, you can change the nature of people. Look, the communist, Che Guevara talked about the new man. Well, I wonder if he thought it was so new when he was in Bolivia. I think these are - people need utopias, this is one of them, MAGA is another utopia by the way, and people don't seem to be able to do without them and that's - I wish it were otherwise but it isn't.Andrew Keen: I'm guessing the woke people would be offended by the idea of death, are they?David Rieff: Well, I think the woke people, in this synchronicity, people and a lot of people, they're insulted - how can this happen to me, wonderful me? And this is those jokes in the old days when the British could still be savage before they had to have, you know, Henry the Fifth be played by a black actor - why me? Well, why not you? That's just so alien to and it's probably alien to the American idea. You're supposed to - it's supposed to work out and the truth is it doesn't work out. But La Rochefoucauld says somewhere no one can stare for too long at death or the sun and maybe I'm asking too much.Andrew Keen: Maybe only Americans can find death unacceptable to use one of your words.David Rieff: Yes, perhaps.Andrew Keen: Well, David Rieff, congratulations on the new book. Fascinating, troubling, controversial as always. Desire and Fate. I know you're writing a book about Oppenheimer, very different kind of subject. We'll get you back on the show to talk Oppenheimer, where I guess there's not going to be a lot of Lumpen-Rousseauism.David Rieff: Very little, very little love and Rousseau in the quantum mechanics world, but thanks for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Joyce Carol Oates reads her story “The Frenzy,” from the March 24, 2025, issue of the magazine. Oates, a winner of the National Humanities Medal and the Jerusalem Prize, among others, is the author of more than seventy books of fiction, including the novel “Butcher” and the story collection “Flint Kill Creek.” A new novel, “Fox,” will be published later this year. Learn about your ad choices: dovetail.prx.org/ad-choices

You're familiar with Edward Gorey, whether you know it or not. The prolific author and illustrator, who was born 100 years ago this week, was ubiquitous for a time in the 1970s and 1980s, and his elaborate black-and-white line drawings — often depicting delightfully grim neo-Victorian themes and settings — graced everything from book jackets to the opening credits of the PBS show “Mystery!” to his own eccentric storybooks like “The Gashlycrumb Tinies,” in which young children come to unfortunate but spectacular ends.On this week's episode, the Book Review's Sadie Stein joins Gilbert Cruz for a celebration of all things Gorey.“He was so incredibly prolific,” Stein says. “He was Joyce Carol Oates-like in his output. And it's amazing when you look at the work because the line drawings, as you mentioned, are so intricate. It looks almost like pointillism sometimes, like it would have taken hundreds of hours. But he was either preternaturally disciplined or incredibly fast, and each one that I've ever seen at least is beautiful. And complete in a way.” Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Maria Luisa Frisa"I racconti della moda"Einaudi Editorewww.einaudi.itÈ la forma d'arte piú contraddittoria di tutte. Visionaria e insieme classica, pop ma anche snob, fieramente ignorata da molti eppure capace di muovere il mondo. La moda è un prisma: cultura e industria, sogno irraggiungibile e necessità quotidiana, haute couture e fast fashion. Ma in tutti questi anni, come l'ha raccontata la letteratura? E cosa ne sappiamo noi, veramente? Tra grandi nomi e riscoperte che non potremo piú dimenticare, in questa raccolta scintillano voci, sguardi e immaginari diversissimi, cuciti in un disegno audace, eclettico e divertente, pieno di intelligenza. Un viaggio dai salotti sfarzosi di inizio Novecento fino alle passerelle e ai flash dei giorni nostri, dai fruscii dell'atelier ai corpi iconici di domani.La moda è un linguaggio universale, che ci parla di noi e del tempo in cui viviamo. Ogni giorno, ogni volta che usciamo di casa, stiamo decidendo come mostrarci al mondo: dobbiamo sapere che tutto ciò che indossiamo è una forma d'arte progettata per noi da chissà chi. Maria Luisa Frisa quest'arte la conosce benissimo, la teorizza e la narra da anni. E in questa raccolta si serve di alcuni grandi racconti per dar forma al suo moda-pensiero, usando la letteratura come strumento per parlare di corpi, e degli abiti con cui si mostrano, e delle società che attraversano. Immaginando la moda come un affaccio panoramico sul mondo. Troverete, tra gli altri, Joyce Carol Oates che racconta di ragazze, consenso e abuso nell'America profonda, Pier Vittorio Tondelli con una riflessione su musica, stile e cravatte, Bret Easton Ellis che mette in scena la ricca disperazione del jet set di Los Angeles. Mentre Stefano Pistolini parte dal mito fondativo di Woodstock per capire l'impatto delle ondate giovanili sulla società dei consumi, Flavia Piccinni ci mette in guardia sui pericoli delle sfilate per bambini e ci fa entrare in quell'universo parallelo che è la moda per l'infanzia. E poi scoprirete la parabola di un artista fuori dagli schemi come Leigh Bowery, mondi immaginari in cui gli abiti diventano grandi come interi palazzi e le donne ci si nascondono dentro; assisterete a spettacoli fetish con luci soffuse, lacci e forbici, e vi misurerete con testi rivelatori come quello di Jhumpa Lahiri sui tanti significati che assume l'uso della divisa nella scuola dell'obbligo. E ancora, una serie di recuperi d'eccezione: Irene Brin, Gianna Manzini e la moda maschile secondo Lucio Ridenti. Infine, un dono: un racconto disperso e ritrovato di Michela Murgia.Maria Luisa Frisa, teorica della moda e curatrice, professoressa ordinaria all'Università Iuav di Venezia, dove ha fondato il corso di laurea in Design della moda e Arti multimediali. Dirige la rivista accademica «Dune». Le ultime mostre: Bellissima. L'Italia dell'alta moda 1945-1968 (Roma, MAXXI, 2014-15; Bruxelles, BOZAR, 2015; Monza, Villa Reale, 2015-16; Fort Lauderdale, NSU Art Museum, 2016); Italiana. L'Italia vista dalla moda 1971-2001(Milano, Palazzo Reale 2018); Memos. A proposito della moda in questo millennio (Milano, Museo Poldi Pezzoli, 2020); Memorabile. Ipermoda (Roma, MAXXI 2024-25). Gli ultimi libri: Le forme della moda (Il Mulino, 2022) e I racconti della moda (a cura di) (Einaudi 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Today's poem will leave you “knowing very well what it was all about.” Happy reading.Gary Soto was born in Fresno, California on April 12, 1952, to working-class Mexican American parents. As a teenager and college student, he worked in the fields of the San Joaquin Valley, chopping beets and cotton and picking grapes. He was not academically motivated as a child, but he became interested in poetry during his high school years. He attended Fresno City College and California State University–Fresno, and he earned an MFA from the University of California–Irvine in 1976.His first collection of poems, The Elements of San Joaquin (University of Pittsburgh Press), won the United States Award of the International Poetry Forum in 1976 and was published in 1977. Since then, Soto has published numerous books of poetry, including You Kiss by th' Book: New Poems from Shakespeare's Line (Chronicle Books, 2016), A Simple Plan (Chronicle Books, 2007), and New and Selected Poems (Chronicle Books, 1995), which was a finalist for the National Book Award.Soto cites his major literary influences as Edward Field, Pablo Neruda, W. S. Merwin, Gabriel García Márquez, Christopher Durang, and E. V. Lucas. Of his work, the writer Joyce Carol Oates has said, “Gary Soto's poems are fast, funny, heartening, and achingly believable, like Polaroid love letters, or snatches of music heard out of a passing car; patches of beauty like patches of sunlight; the very pulse of a life.”Soto has also written three novels, including Amnesia in a Republican County (University of New Mexico Press, 2003); a memoir, Living Up the Street (Strawberry Hill Press, 1985); and numerous young adult and children's books. For the Los Angeles Opera, he wrote the libretto to Nerdlandia, an opera.Soto has received the Andrew Carnegie Medal and fellowships from the California Arts Council, the Guggenheim Foundation, and the National Endowment for the Arts. He lives in Northern California.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Bill, aka Will, is the founder and CEO of Farthest Heaven. He's also one of Tales From The Mall's greatest friends. Brendan was the Best Man at his wedding. And he joins the show for a FREE chat about everything under the sun, including Joyce Carol Oates, Real Genius, fish research, gaming, R. Kelly, and so much more. I love you Bill. Enjoy. Bill on Twitter: https://x.com/20gaShotgun Bill on Instagram: https://www.instagram.com/20gashotgun/ Farthest Heaven website: https://farthestheaven.com/ Farthest Heaven on Twitter: https://x.com/FarthestHeaven Farthest Heaven on Insta: https://www.instagram.com/farthestheaven/

Äntligen tar vi oss an Joyce Carol Oates och den bok vi valt i hennes digra produktion är dödgrävarens dotter. En diger och ordrik sak att plöja, men väl värd varenda minut. Det är en ganska klassik amerikansk success-story, som är baserad på författarens farmors levnadsöden. Vi konstaterar att Oates är en mycket skicklig berättarkonstruktör, hon ger precis lagom lite för att hålla oss på tårna hela vägen. 

Today we are discussing Season 1, Episode 2 of Younger: "Liza Sows Her Oates." Join us as we discuss Liza & Josh's stroll through Williamsburg, Liza's viral idea to promote the re-release of Joyce Carol Oates' novel, Liza's date with Richard, and so much more!

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast In this episode, we discuss “Zombie” by Joyce Carol Oates. What can we learn from this portrait of a real-life serial killer? How do we feel about a portrait of a monster? Why […]

We'll build our character as we write along, adding descriptions and actions and dialogue.  But there is a way with only one or two sentences to reveal something powerful and memorable about the character--in just a few words--and I'll talk about the technique here.  Also, Joyce Carol Oates's rules of writing.  And punctuating dialogue, with important techniques about our character's spoken sentences so that our dialogue is a clear window to the story.Support the show

Notes and Links to Lydia Kiesling's Work      Lydia Kiesling is a novelist and culture writer. Her first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Vulture, Time, and NPR, among others. It was longlisted for the Joyce Carol Oates Prize and a finalist for the Oregon Book Award. Her essays and nonfiction have been published in outlets including The New York Times Magazine, The New Yorker online, and The Cut. Contact her at lydiakiesling@gmail.com. Buy Mobility   Lydia Kiesling's Website   Lydia's Wikipedia Page Alta Online Book Review for Mobility   At about 1:35, Lydia gives out contact information and social media information, as well as places  At about 4:10, “Return of the Mack” as an “eternal jam” is highlighted in the book At about 5:40, Lydia talks about her reading life and how it connected to her “cusp generation” and her time as a “foreign service brat” At about 9:50, Lydia talks about her experience reading Joyce Carol Oates, for whom an award is named that Lydia was longlisted for, and Pete compares the narrator, Bunny, and her situation in Mobility to iconic characters from “Where are you going, Where have you been?” and “In the Land of Men” At about 11:30, Lydia recounts interesting parts of her life in boarding school and how it shaped her At about 15:20, Lydia discusses the reading life fostered through memorable English classes in boarding school At about 21:15, Lydia highlights the ways in which her life as a writer developed, including early work in the blog era and a great opportunity from The Millions At about 26:00, Lydia shouts out contemporary writers who thrill and inspire, including Jenny Erpenbeck and Bruna Dantas Lobato At about 30:55, Lyda responds to Pete's questions about the ways in which Lydia's history as a “diplomat brat” has affected her view of the US At about 34:45, The two discuss seeds for the book and the importance of the book's concise epigraph  At about 37:25, Lydia highlights The Oil and the Glory as inspiration for the book At about 40:45, Pete lays out part of the book's exposition and underscores the importance of the book's first scene and use of oil prices to mark each year  At about 42:30, Lydia responds to Pete asking about the draw of Eddie and Charlie and the older men/boys At about 43:55, Pete quotes Mario Puzo in relating to “men doing what they do when they're away from home” and Lyda builds on it when talking about Baku and the things and people that came with oil drilling At about 45:00, Lydia gives background of the soap opera referenced in the book as she and Pete further discuss important early characters At about 47:40, Lydia explains the background and significance of a ring that Bunny covets that says “I respond to whoever touches me” At about 51:00, Pete recounts some of the plot involving Bunny's return to the US and Texas and asks Lydia about the intentions of her mentor, Phil At about 53:20, Lydia expands on the “weird current” that comes with being a young woman/woman in a male-dominated world At about 54:40, Pete and Lydia discuss the manner in which Bunny and so many in our society choose to look away when faced with the evils of capitalism, oil, war, etc.  At about 58:15, Lydia emphasizes the ways in which story and narrative govern so much of the way politics and business work At about 59:40, The two discuss Bunny as a nominal liberal  At about 1:01:15, Lydia responds to Pete's question about any reasons for optimism in response to climate change At about 1:04:00, The idea of “geologic time” as a negative and positive is discussed with regards to the environment and oil and positive change       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!   This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 267 with Keith O'Brien. He is a New York Times bestselling author and award-winning journalist who has written four books, been longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction, and contributed to multiple publications over the years, including the New York Times Magazine, the Atlantic, and NPR. Kirkus Reviews hails his latest, Charlie Hustle, as a "masterpiece of a sports biography."    The episode airs on December 24.    Please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Love's Baby Soft Whisper Soft Mist (2023) + "Where Are You Going, Where Have You Been?" by Joyce Carol Oates (1966) + Joyce Chopra's Smooth Talk (1985) + Boaz Davidson's The Last American Virgin (1982) with Adam Roberts of Marble Faun 11/21/24 S6E87 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

L'écrivain non-binaire canadien, âgé de 32 ans, nous reçoit à Paris au cœur du cimetière de Montmartre, non loin de la tombe de Dalida, puis dans un appartement du 19e arrondissement, à l'occasion de la sortie de son nouveau roman « Les Sentiers de neige ». Kev Lambert évoque son enfance à Chicoutimi au Québec auprès de parents séparés. Plus jeune, il cherche à fuir la réalité dans laquelle il vit en s'intéressant aux animaux, aux gnomes ou à « Harry Potter ». Il se passionne pour les romans policiers, la fantasy et développe une fascination pour « Kill Bill » de Quentin Tarantino. La lecture de Virginie Despentes constitue un premier choc littéraire qui lui permet de se questionner sur le genre. Il poursuit son exploration de la culture queer avec les livres de Jean Genet ou d'Hervé Guibert, puis se met à l'écriture. Il aborde son travail sur « Querelle », « Que notre joie demeure » ou « Les Sentiers de neige ». Et son admiration pour Christine Angot ou Joyce Carol Oates.Il revient également sur son goût pour les jeux vidéo : « Ça m'a toujours fasciné. Aujourd'hui, j'y joue moins, mais j'ai une attirance pour la beauté des décors. Ça m'émeut, ces grands espaces déserts construits par des hommes et des femmes, cet artisanat-là. Dans certains jeux, tu marches sans savoir où tu vas, c'est complètement vide et tu as l'impression d'être la dernière personne sur Terre. »Depuis six saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Juliette SavardRéalisation : Guillaume GiraultMusique : Gotan Project Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Julia, la editora de Fiordo contó sobre las cosas que le incomodan, como su extrema meticulosidad, su admiración por la escritora norteamericana Joyce Carol Oates y la argentina Sara Gallardo, confiesa que miente cuando algo la avergüenza y cómo sus padres fueron su mayor influencia. Por su parte Salvador, dijo que su mayor miedo eran las enfermedades, y que le molestaba de sí mismo la ansiedad y de los demás, la traición. Le sorprende la escritora canadiense Margaret Atwood y el estadounidense Cormac McCarthy. 

Send us a textHi, and welcome to The Bookshop Podcast! In this episode, I chat with Joyce Carol Oates about the 2024 republication of her novel Broke Heart Blues by Akashic Books. We explore how nostalgia and adolescent pressures shape her storytelling, with John Reddy Hart at the center—a character in Broke Heart Blues who encapsulates the dual nature of high school fame and the journey from family protector to solitary adult. Joyce lends her unique perspective, rooted in her rural upbringing and experience navigating more affluent circles, to reflect on how external perceptions often clash with self-view.Venture into the enigmatic isolations of celebrity life with insights into iconic figures like Marilyn Monroe and Elvis Presley. Joyce shares her reflections on how these stars were often imprisoned by their fame, becoming reflections of their public personas. We also discuss the intricacies of adapting Joyce's novel Blonde into a film, the interconnected worlds of friendship, fashion, the arts, and her friendship with Gloria Vanderbilt.I ask Joyce about teaching, an anchor amidst the creative whirlwind that emerges as a profound pillar of her life. She explains how teaching balances the uncertainties of writing with the gratifying structure of education. This episode celebrates a life committed to the arts, creativity, and the ever-evolving landscape of expression.Joyce Carol OatesPurchase in AustraliaBroke Heart BluesPurchase in the USBroke Heart BluesSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

On this very special encore episode of Add Passion and Stir, interior designer and philanthropist Charlotte Moss and Darren Walker, the former president of the Ford Foundation and the newly announced president of the National Gallery of Art, discuss the importance of ending child hunger. Moss selected No Kid Hungry to be the beneficiary of her book, Home: A Celebration . Home is an ode to Edith Wharton's The Book of the Homeless, which was a 1916 fundraiser to help refugees and children during WWI. Home features 120 artists, poets, chefs, designers, photographers, and writers offering personal reflections on the essence of home. Contributors include Drew Barrymore, Candice Bergen, Tory Burch, Seth Godin, Renee and John Grisham, Bianca Jagger, Annie Leibovitz, Jon Meacham, Bette Midler, Joyce Carol Oates, Al Roker, Gloria Steinem, Darren Walker, and Fanny and Alice Waters.“This is really philanthropy at its best, when people come together for a single cause and give of themselves - in essence sharing their strength - is what you're all about and what this book is all about,” says Moss. Walker was compelled to write the book's foreword. “It was a moment when we were all experiencing deep anguish in this country over the impacts of COVID which we immediately recognized as compounding the already deep inequality we have in this country… Charlotte used her privilege to raise awareness and consciousness of the conditions of poverty, particularly child poverty, which is the most difficult and pernicious poverty that we have in this country… Charlotte reminded us that there are far too many Americans who live without the dignity of shelter, of food, of nutrition, and particularly the most vulnerable among us, our children,” he says.All royalties from book sales support No Kid Hungry's essential mission to help end childhood hunger.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this edition of The Weekly Reader, we review two books, one a new novel and the other a re-issue of a somewhat overlooked classic about some of the larger issues facing the denizens of small town America: The Mighty Red, by Louise Erdrich, and Broke Heart Blues, by Joyce Carol Oates.See omnystudio.com/listener for privacy information.

Xan Cue, Joyce Carol Oates, Salman Rushdie... À qui sera décerné le prix Nobel de littérature ? Présentation des favoris et de leur ouvrage par Antoine Leiris. Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 10 octobre 2024.

Xan Cue, Joyce Carol Oates, Salman Rushdie... À qui sera décerné le prix Nobel de littérature ? Présentation des favoris et de leur ouvrage par Antoine Leiris. Ecoutez L'invité de RTL Midi avec Eric Brunet et Céline Landreau du 10 octobre 2024.

Xan Cue, Joyce Carol Oates, Salman Rushdie... À qui sera décerné le prix Nobel de littérature ? Présentation des favoris et de leur ouvrage par Antoine Leiris.

In this final episode of the first season of Lives Well Lived, Peter & Kasia interview acclaimed author Joyce Carol Oates about her prolific career and perspectives on writing and life.Joyce Carol Oates was born during the Depression in Lockport, New York. Oates published her first book in 1963 as a teen, and has since published 58 novels, many of them portraying the darkness of American society. Her writing has earned her virtually every major American literary prize, and she has been a finalist for the Pulitzer for Fiction five times. Joyce, a longtime Princeton professor and writer, discusses the complexity of self-identity, and the nature of a well-lived life. She presents a unique view and challenges the core themes of this podcast, noting her focus on literary output over emotional introspection. Joyce expresses her belief in prioritising the work over personal fame and outlines her perspective on philosophical questions about the self.In the second half of this episode, Peter & Kasia reflect on the recurrent themes that have arisen from our guests over this first season. We thank for you listening, and hope you join us for Season Two when we are back later in the year. If you have guest suggestions pls leave us a review and who you would like to see on an upcoming episode of Lives Well Lived.Keep up to date with Peter!Website: www.petersinger.infoSubstack: https://boldreasoningwithpetersinger.substack.com/YouTube: www.youtube.com/@peter_singerKeep up to date with Kasia!https://www.facebook.com/katarzyna.delazariradek Executive Producer: Rachel BarrettAudio Producer: Stuart BucklandThanks to our volunteer researchers Hendrik Dahlmeier and Mihika ChechiIf you are enjoying this podcast, consider supporting us over at PATREON Hosted on Acast. See acast.com/privacy for more information.

Joe Barry Carroll, former NBA player, author, and artist, discusses his upcoming conversation with the Decatur Book Festival's 2024 keynote speaker, Joyce Carol Oates. Plus, director and producer Michael McNamara details his documentary “Catwalk: Tales from the Cat Show Circuit,” screening at KSU on October 7, and travel expert Rick Steves stops by for the latest installment of our series, “ATL Up and Away.”See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's episode I talk with author and creativity coach Courtney Maum of Before and After the Book Deal about what it means to write and publish memoir in 2024. She describes her own unconventional route into publishing, highlighting the importance of hard work and persistence over connections. She also shares insights into the craft of memoir, including the benefits of using a "dual timeline” structure, plus the need for writers to turn personal stories into universally relatable books. We also talk about the importance of publishing “off the book” pieces to gain attention, and the evolving landscape of self-publishing.Key Takeaways* There's often a major disconnect between writers' neuroses and what agents/editors think writers are worried about. This was a driving factor behind writing and publishing Before and After the Book Deal in 2020.* More than a developmental editor or book coach, Courtney calls herself a creativity coach. That reflects the core of her approach—diagnostic, focused on moving past emotional and psychological blocks, and providing “big picture” guidance.* Many writers of memoir set all the action in their books in the past; there's no “present day” story in their books. This leads to “no forward momentum…no motor in the car,” as Courtney says. You can help resolve this issue by using a Dual Timeline structure.* In today's market, writers of memoir also make the mistake of sticking to hyper-specific and personal stories. However, the books that are connecting most with publishers and agents now have a strong universal topic woven in. Again, a challenge that a Dual Timeline structure helps you address.* The idea that you'll score a “quick Big 5, 6-figure book deal” in 2024 is a fantasy. Be prepared to put in hard work, and lots of trial and error with your agent queries, book drafts, proposals etc. Consider doing readings, book reviews, and publishing “off the book” pieces to help build your author platform.* Today many successful writers can move between self- and traditional publishing during their careers. Self-publishing can be a viable and lucrative option for authors, offering more control over their work and direct engagement with their audience.Discussed on this Episode* Before and After the Book Deal, by Courtney Maum. Buy it here.* Writing & Pitching Hybrid Memoir in Today's Market was a course offered by Courtney Maum for Jane Friedman on June 26, 2024.* Memoir: Write a Personal Story for a Universal Audience is Courtney Maum's online course introducing the “3-Act, Dual Timeline” structure* “Let's Talk Self-Publishing,” published at Before and After the Book Deal, explores many of the same points Courtney makes on the showAbout Courtney MaumCourtney Maum is the author of five acclaimed books, including the groundbreaking publishing guide that Vanity Fair recently named one of the ten best books for writers, Before and After the Book Deal and the memoir The Year of the Horses, chosen by The Today Show as the best read for mental health awareness. Her parallel 20-year career in marketing and advertising has allowed Courtney to help writers improve their craft while also learning about the business of publishing so they can feel empowered—instead of bewildered—in a competitive and often classist industry. A Joyce Carol Oates prize nominee and frequently published essayist, Courtney writes across multiple genres and has published with the “Big 5,” Indies, Micro-presses, Audible and vanity presses, making her the perfect companion for the writing journey you are on. Get full access to The Book I Want to Write at bookiwanttowrite.substack.com/subscribe

Kimberlyn and Leilani discuss the ways that magic shows up in our homes, and the energetic as well as the societally charged aspects of the kitchen.Their check-ins:  Leilani shares about her anxiety and big feelings while dealing with her current life;  Kimberlyn is contemplating sewing her own Renaissance dress.Mentioned in the episode:  Joyce Carol Oates' poem, “Women Whose Lives are Food, Men Whose Lives are Money”Get exclusive content and support us on Patreon:http://www.patreon.com/WitchyWit  Facebook:https://www.facebook.com/WitchyWitPodcast  Instagram:https://www.instagram.com/Witchy_Wit  Spotify:https://open.spotify.com/show/3azUkFVlECTlTZQVX5jl1X?si=8WufnXueQrugGDIYWbgc3A  Apple Podcast:https://podcasts.apple.com/us/podcast/witchy-wit/id1533482466  Pandora:https://pandora.app.link/nNsuNrSKneb  Google Podcast:Witchy Wit (google.com)

Emily is back in Connecticut, which means she and Chris were able to record this episode together at Book Cougars HQ. We are grateful for long-distance recording technology, but talking about books in person is much more fun! Our special guest is Michael Kelleher, Director of the Windham Campbell Prizes. Mike explains that these awards are given to writers, not for a particular book, but in four categories: fiction, nonfiction, poetry, and playwriting. This year's festival dates are September 17-20 at Yale in New Haven, CT. If you can't make it to Connecticut, some events, like Lydia Davis's keynote and the awards ceremony, will be live-streamed (links in the show notes). The books and stories we read since the last episode include: Envy by Sandra Brown Just for the Summer by Abby Jimenez The Truth's We Hold: An American Story by Kamala Harris Mrs. Saint and the Defectives by Julie Lawson Timmer Big by Vashti Harrison “Disaster Stamps of Pluto” by Louise Erdrich from the collection The Best American Mystery Stories 2005 edited by Joyce Carol Oates and Otto Penzler “Double Birthday” by Willa Cather in The Best American Short Stories of the Century edited by John Updike As always, we also talk about what we're #CurrentlyReading, what we want to read, and Biblio Adventures. We hope you enjoy this episode as much as we enjoyed recording it. Happy Listening and Reading!

This is the first part of three-part series where we're thrilled to sit down with Christy Cashman to discuss her latest book, "The Truth About Horses: A Novel."

Joyce Carol Oates's story “The Long-Legged Girl” (collected in Night-Gaunts) is part horror story, part cozy mystery…after all, the plot of the story revolves around a teapot. That tea contains poison, of course, but the sentiment is there nonetheless. Our story begins as a frustrated housewife hosts her professor-husband's young, gorgeous, and yes, long-legged student at their home.    NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.    Recommended in this episode: I Was a Teenage Slasher by Stephen Graham Jones and Hangsaman by Shirley Jackson    Bonus Recs: Let Me Tell You and Come Along With Me   UP NEXT: Interview with Leslie J. Anderson (The Unmothers)   Buy our books here, including our newest Toil and Trouble.   

Join Mel and Lisa as we discuss Tananarive Due's The Reformatory. When 12-year-old Robert Stephens is sent to Gracetown School For Boys, a reformatory, he finds himself in a nightmare. Like many children in Gracetown, Florida, he has a special ability to see ghosts, a “talent” which the warden exploits, charging Robbie with the task of getting rid of the “haints” of the boys who died because of the warden's cruel treatment.    NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.    Recommended in this episode: Stephen Graham Jones's I Was a Teenage Slasher and Julia Alvarez's The Cemetery of Untold Stories   UP NEXT: “The Long Legged Girl” by Joyce Carol Oates (collected in Night-Gaunts) Buy our books here, including our newest Toil and Trouble.

Argia Coppola is an Italian actress, scholar, and playwright currently workshopping her play Cursed. Cursed is an adaptation of the Joyce Carol Oates novel Love is Blonde. Argia has been developing this play for years, and was so kind to share space with me to talk about its upcoming workshop. Starring Annie Hägg ,Cursed is a bold, breathless, tragic and timely play for an actress and a four-man jazz band, in which music becomes a character in and of itself. It's profound, fast-paced, employs unique theatrical conventions, and depicts the life of the Blonde Actress as never seen before. ⁠GET TICKETS TO CURESED HERE⁠ Cast and Crew: Playwright: Argia Coppola Performer: ⁠Annie Hägg⁠ Dramaturg: ⁠Shari Perkins⁠ Director: Arseniy Fariatiev Producer: Hilarie Spangler Seth Myers: The Director on Bass Izaak Mills: Arthur Miller on Clarinet Pat Brennan: JFK on Guitar Also starring Michael Pallas as Joe DiMaggio on Trombone. Stage Manager: Dakota Silvey

Join hosts J.D. Barker, Christine Daigle, Kevin Tumlinson, and Jena Brown as they discuss the week's entertainment news, including SPF podcast shutting down, why X is under pressure from regulators, and how Instagram starts letting people create AI versions of themselves. Then, stick around for a chat with Sophie Brickman! Sophie Brickman is a writer, reporter and editor based in New York City. Her work has appeared in The New Yorker, The New York Times, The Wall Street Journal, Saveur, The San Francisco Chronicle, the Best Food Writing compilation, and the Best American Science Writing compilation, among other places. She is currently a columnist at The Guardian. She wrote a monthly column for Elle interviewing influential women—including Nancy Pelosi and Joyce Carol Oates—about their paths to success, served as Executive Editor of a travel publication launched jointly between Hearst and Airbnb, and was the Features Editor at Saveur. As a staff reporter at The San Francisco Chronicle, she won first place in the 2011 Association of Food Journalists' feature writing category, for a piece about Napa's French Laundry restaurant, and third place for best column. In a previous life, after attending the French Culinary Institute, she worked the line at Gramercy Tavern, making risotto and lamb ragù for the lunch crowd. And before that, she graduated with honors from Harvard College, where her studies in social theory and philosophy prepared her for very few practical endeavors. Hence the desire to learn how to chop an onion correctly. Her first book, Baby, Unplugged, about the intersection of parenting and technology, was published by HarperOne in Fall 2021, received a starred review from Publisher's Weekly, and landed her a spot on Good Morning America. Her first novel, Plays Well With Others—a satirical epistolary romp through New York City, following the life of one mother as it begins to unravel in spectacular fashion—will be published by William Morrow in summer 2024. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support

Born during the Depression in Lockport, New York, Joyce Carol Oates started writing as a teen and has since written more than one hundred books, many of them portraying the darkness of American society. Her writing has earned her virtually every major American literary prize, as well as Montreal's Blue Metropolis Grand Prix in 2012. After accepting that prize, she joined Eleanor Wachtel on stage to talk about her life, her work and her latest novel, Mudwoman.

At a live performance at Queens College, legendary author Joyce Carol Oates reads a piece about her beloved late husband Charlie Gross, called “Hospice / Honeymoon.” Psychologist and author Dr. Allison Applebaum talks about caregiving, and shares insights from her recent book, Stand By Me. And global superstar Ali Sethi shares a brand-new song written in response.SongWriterPodcast.comTwitter.com/SnogWriterFacebook.com/SongWriterPodcastInstagram.com/SongWriterPodcastTikTok.com/@SongWriterPodcastSeason six is made possible by a grant from Templeton World Charity Foundation

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comBiden on the ropes! What's the over-under on his time in the race? Who might replace him? Sarah and Nancy discuss the political theater of a broken system. What's the solution? Here's Nancy: “Let it fucking break, man.” Then, Alice Munro's daughter reveals family secrets that cast her mother and her writing in a troubling new light.Also discussed:* “Those Australians are so confused”* New word: Parkinsonism* As goes George Clooney, so goes the country …* Intervention time! Joe Biden, will you accept the help we're offering today?* Is Jon Stewart back?* Kamala Harris is Out Here in These Streets* What if we all write-in “Michelle Obama” for president …* Wes Moore = a super-sexy man, and also a governor* Nancy on how Joe Biden can bow out with dignity* Alice Munro's Runaway and a woman who can't leave her husband, hmm* Art Monsters* Joe Biden press conference: Sarah loses a betPlus: The spookiness of Joyce Carol Oates, the greatness of Citizen Kane, and — ahem — Nancy names a new hot box!REMINDER: First Sunday-Schmirst-Sunday, we're doing the monthly Zoom this week. Come hang! 8pm ET/5pm PT, July 14. Paid subscribers get a link the day of.We do the goodest we can. Become a paid subscriber.

In this episode of 92NY Talks, join National Book Award winner Joyce Carol Oates on her extraordinary life in letters — and her new book, Letters to a Biographer — when she sits down with author Jonathan Safran Foer, her former undergraduate writing student. Hear them discuss Oates' career, her influence, and the future of American literature.   The conversation was recorded on May 19, 2024 in front of a live audience at The 92nd Street Y, New York.

JOEL GOTLER is CEO of Intellectual Property Group, a literary management company based in Los Angeles, whose film clients include Michael Connelly, John Scalzi, Piers Anthony, Joyce Carol Oates, Richard Russo, Viet Nguyen, JD Barker, Debbie Macomber, David Wiesner and Andre Dubus III, as well as the estates of Sue Grafton, James M. Cain, Stephen Ambrose, Roger Ebert, Frank McCourt and John O'Hara. He is also executive producer of MR. POPPER'S PENGUINS, THE WOLF OF WALL STREET and FERDINAND.     Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0).  

Great songs capture our imaginations and reveal truths about the human experience, transmuting stories into sound. Ben Arthur explores this alchemy on his podcast SongWriter. Each episode, Arthur challenges a musician to compose one original song based on the writing of literary greats like George Saunders, Neil Gaiman and Joyce Carol Oates. Arthur and two California-based songwriters – Mexican-American singer Diana Gameros, and Hector Flores of the band Las Cafeteras – join us to talk about their creative process and the stories that resonate with them. And we hear from you: What's a story or song that has inspired you? Guests: Diana Gameros, Bay Area singer/songwriter originally from Cuidad Juarez, Mexico Ben Arthur, singer/songwriter; creator, SongWriter Hector Flores, LA based artist; co-founder, "Las Cafeteras" the band

On this week's episode of You Are What You Read, we are joined by literary wonder woman, Joyce Carol Oates. Joyce is a recipient of the National Humanities Medal, the National Book Award, and the Jerusalem Prize for Lifetime Achievement, among others, and has been nominated several times for the Pulitzer Prize. Joyce has written some of the most enduring fiction of our time, including the national best sellers We Were the Mulvaneys, Blonde, and The Falls. She is the Roger S. Berlind '52 Distinguished Professor of the Humanities Emerita at Princeton University and has been a member of The American Academy of Arts and Letters since 1978. In this conversation, we learn why Joyce writes and what has brought her to the page for 64 novels, 47 short story collections, plays, librettos, children's novels, books of poetry and more. There are even a few beauty tips!  Thanks to our wonderful sponsors! This episode of You Are What You Read is sponsored by BetterHelp. Visit BetterHelp.com/WHATYOUREAD today to get 10% off your first month. Get it off your chest, with BetterHelp. We'd also like to thank Book of the Month.  Head over to bookofthemonth.com and use Promo Code ADRI to get your first book for just $9.99. Thank you for listening, and thank you for reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patreon: https://bit.ly/3v8OhY7 Joyce Carol Oates is the Rogers S. Berlind '52 Professor Emerita in the Humanities at Princeton University with the Program in Creative Writing. She is among the most widely-recognized and respected writers of our time, and has written in a wide variety of media and genres, from poetry and fiction in the former category to horror and Gothic in the latter. Her work has also been adapted into various other media, from plays to film. Joyce is the recipient of two O. Henry Awards and the National Book Award, among many others. This is Joyce's second appearance on Robinson's Podcast. In episode 137, she and Robinson discussed craft in fiction and poetry. In this episode, they talk about Joyce's most recent collection of short stories, Zero-Sum (link in the description), as well as philosophy, Peter Singer, dealing with criticism, translation, and more. Joyce's Twitter: https://twitter.com/JoyceCarolOates Joyce's Substack: https://joycecaroloates.substack.com Zero-Sum: https://a.co/d/0cYh3ndo OUTLINE 00:00 Introduction 03:16 On Peter Singer 12:41 On Buddhism 21:50 On Hemingway 25:50 Dealing with Criticism 38:17 On Translation 47:53 Writing Short Stories 58:38 Imagery and Recreating the World Robinson's Website: http://robinsonerhardt.com Robinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University. Join him in conversations with philosophers, scientists, and everyone in-between.  --- Support this podcast: https://podcasters.spotify.com/pod/show/robinson-erhardt/support

Season 6 is here, with the return of friends like Joyce Carol Oates and Susan Orlean, and new ones like W. Kamau Bell, Imbolo Mbue, Crys Matthews, and Ali Sethi! Episode 1 is out July 2nd

Scotty talks to author, editor, and publisher Aric Sundquist about growing up a "Yooper" in Michigan's Upper Peninsula, and how his mother's love of Stephen King and Dean Koontz, sparked his early interest in dark fiction. Aric discusses the influence of Koontz, King (especially his 1978 collection "Night Shift" and the subsequent 1985 anthology film adaptation "Cat's Eye"), Lovecraft, and fantasy writers like Tolkien, Jordan, and Tad Williams on his work, and how Aric's rediscovery of Ray Bradbury's more macabre tales as an MFA candidate in Creative Writing informed his decision to move specifically into writing horror. Aric also talks about the lessons he learned in his creative writing program, and how he applies them to his work as an editor and publisher at Dark Peninsula Press, the independent publishing company he founded in 2019. He and Scotty talk about the anthologies Dark Peninsula Press has produced (spoiler alert: Scotty's stories have appeared in just about all of them), and Aric outlines his vision for the company's future. And, of course, they talk about Aric's own writing, from his absurdist comic take on cosmic horror with his novella "Serious Applicants Only" (2021, Dark Peninsula Press) to his terrifying, Joyce Carol Oates-inspired short story "The Run" (2014, "Night Terrors III"). You can find Aric online at https://aricsundquist.weebly.com You can find Dark Peninsula Press online at https://www.darkpeninsulapress.com You can read Aric's story "The Way We Are Lifted" in the anthology "Fearful Fathoms, Vol. 1: Tales of Aquatic Terror" (2017, Scarlet Galleon Publications): https://www.amazon.com/Fearful-Fathoms-Collected-Aquatic-Terror/dp/1974213021/ You can read Aric's story "Rise of the Corpse Eaters" in the anthology "More Bizarro Than Bizarro" (2017, Bizarro Pulp Press): https://www.amazon.com/More-Bizarro-than-Leza-Cantoral/dp/1947654039/ You can read Aric's story "Conditioned Apocalypse" in the anthology "Year's Best Body Horror 2017" (2017, Gehenna & Hinnom): https://www.amazon.com/Years-Best-Body-Horror-Anthology/dp/0997280344/ You can read Aric's story "The Run" in the anthology "Night Terrors III" (2014, Blood Bound Books): https://www.amazon.com/Night-Terrors-III-Horror-Anthology/dp/1940250145/ You can read Aric's story "The End of Autumn" in "Evil Jester Digest, Vol. 1" (2012): https://www.amazon.com/Evil-Jester-Digest-Volume-One/dp/0615613241/ You can read Aric's story "Butcher's Block" in "If I Die Before I Wake #7: Tales of Savagery & Slaughter" (2022, Sinister Smile Press, also featuring Scotty's story "Monkey Cage"): https://www.amazon.com/If-Die-Before-Wake-Slaughter/dp/1953112323/ All Dark Peninsula Press anthologies can be found on Amazon, or at: https://www.darkpeninsulapress.com/store.html These include: • "Negative Space: An Anthology of Survival Horror" (2020, featuring Scotty's story "Luminescence") • "Violent Vixens: An Homage to Grindhouse Horror" (2021, featuring Scotty's story "The Whole Price of Blood") • "Negative Space 2: A Return to Survival Horror" (2023, featuring Scotty's story "Brown Bear, Brown Bear") • "The Cellar Door, Issue 1: Woodland Terrors" (2022, featuring Scotty's story "Blisters") • "The Cellar Door, Issue 2: Forbidden Magic" (2023, featuring Scotty's story "My Church is Black") • "The Cellar Door, Issue 3: Dark Highways" (2023, featuring Scotty's story "Twelve Miles. Two Hours.") Be sure to put the next episode of Daniel Braum's "Night Time Logic" into your calendar! Daniel is the author of "The Night Marchers and Other Strange Tales" and "The Serpent's Shadow" (Cemetary Dance). His YouTube series "Night Time Logic" focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. You can tune in on Daniel's YouTube Channel, https://www.youtube.com/@danielbraum7838 Daniel's next episode will be LIVE on August 29 at 7 p.m. EST, and will feature author Paul Tremblay. Follow the event on Facebook at https://www.facebook.com/events/797113355174358 This podcast is powered by Pinecast.

A conversation with celebrated author Joyce Carol Oates, recorded live at Des Moines Central Public Library May 30

durée : 00:47:29 - Le Masque et la Plume - par : Rebecca Manzoni - Faut-il lire "Monique s'évade" d'Edouard Louis, "Le nom sur le mur" d'Hervé Le Tellier, "48 indices sur la disparition de ma sœur" de Joyce Carol Oates, "Cold case" d'Alexandre Labruffe et "Le couteau" de Salman Rushdie ? Voici le verdict du Masque & la Plume. - invités : Blandine Rinkel, Raphaelle Leyris, Arnaud Viviant, Laurent CHALUMEAU - Blandine Rinkel : Ecrivaine et membre du groupe Catastrophe, Raphaëlle Leyris : Journaliste au Monde, critique littéraire, Arnaud Viviant : Critique littéraire chez Transfuge et Regard, Laurent Chalumeau : Journaliste rock, scénariste, dialoguiste, romancier - réalisé par : Audrey RIPOULL

Joyce Carol Oates reads her story “Late Love,” from the April 22 & 29, 2024, issue of the magazine. Oates, a winner of the National Humanities Medal and the Jerusalem Prize, among others, is the author of more than seventy books of fiction. A new novel, “Butcher,” and a story collection, “Flint Kill Creek,” will be published later this year.

This is a free preview of a paid episode. To hear more, visit wisdomofcrowds.liveChristine and Damir kick things off by discussing a memoir about the fall of Communism in Albania. Damir reflects on his own post-Communist background, and ponders why Communist nostalgia affects only some countries, while others are not looking back. He wonders whether Christine is becoming a Communist herself after reading her essay about “Limitarianism,” a school of political thought that favors a cap on extreme wealth. Christine unpacks her own ideas about economic justice and democracy, and considers whether the Communist past in Europe should influence American political ideas for the future. For paid subscribers, the bonus part of the episode focuses on whether the United States or Europe has the better economic system, and whether European dreams of a “green” economy can survive competition with China.Required Reading:* Free: Coming of Age at the End of History by Lea Ypi.* The full story behind Joyce Carol Oates' infamous tweet.* Damir's Monday Note about Lea Ypi's book.* Limitarianism by Ingrid Robeyns* “What Would Society Look Like if Extreme Wealth Were Impossible?” by Christine Emba (The Atlantic)* “The Price of Peace is Stagnation” by Janan Ganesh (The Financial Times)

Anthony Edwards is probably best known as Dr. Mark Greene on the series “ER.” Edwards has received four Emmy nominations for Outstanding Lead Actor in a Drama Series. Edwards has won three Screen Actor's Guild Awards (Outstanding Performance by a Male Actor in a Drama Series in 1996 and Best Ensemble Cast in 1998 and 1999.) He won the Golden Globe Award in 1998. In the theater Edwards was seen on Broadway in Children of a Lesser God, Classic Stage Company's Month in the Country, WPA Shem Bitterman's Frozen, Williamstown Theater festival Harvey and Joyce Carol Oates's Black. Edwards has starred in more than twenty features, including his memorable turn as "Goose" in the blockbuster feature Top Gun. Other feature film credits include; Consumed, Experimenter, Big Sur, Motherhood with Uma Thurman, Flipped directed by Rob Reiner, and Zodiac directed by David Fincher. Thunderbirds, Forgotten, Playing by Heart, The Client, Miracle Mile, Mr. North, Hawks, Pet Semetary II, Delta Heat, Landslide, The Sure Thing, Gotcha, Revenge of the Nerds, Heart Like a Wheel, and Fast Times at Ridgemont High. Edwards recently starred in both the Apple series “WeCrashed” and the Netflix mini-series “Inventing Anna”, created by Shonda Rhimes. Other television credits include ”Law and Order True Crimes: the Menendez Murders”, “Zero Hour”, “Girls”, “Blue Bloods”, “Billions”, “Northern Exposure” and “It Takes Two” as well as the telefilms “In Cold Blood”, “El Diablo”, “Hometown Boy Makes Good”, “Going for the Gold: The Bill Johnson Story”, “High School USA” and “The Killing of Randy Webster”. Edwards made his feature directing debut with My Dead Boyfriend in 2016. He also directed several episodes of “ER”. Edwards was an Executive Producer of the HBO biopic “Temple Grandin”, which won multiple Emmys and Golden Globes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beth McColl (writer) returns to the program to discuss how she got blocked by one of Twitter's renowned weirdos, author Joyce Carol Oates, but for not really doing anything weird or offensive. She just faved a partly disparaging tweet reply! That's it! Sad that she has to miss out on disgusting keyboards and deranged foot pics, but here we are. After John messes up the intro, we get into a great episode as we discuss Jackson Galaxy, Cat Bin Lady, John's upcoming trip to London, we finally introduce the $100 Club perks for 2024, and Beth tells us about being THAT girl at a wedding. Plus, Beth falls in love with the Bass Pro Shops Pyramid and the recent incident there, Stefan gets us deep into some bog talk, and we discuss Jo Koy throwing his writers under the bus at the Golden Globes. If you want to pull us out from under the bus, you can head on over to patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every single month. Last week, Robin Hatch joined us for a Blocked Bag episode, and this week, BPD&D Episode 4 comes out, with our good friends from YKS. Plus, as we announced on the show, a slew of new $100 Club perks for our most treasured of Tiers, which as always, will come with ad-free episodes, deep merch discounts, and a whole lot more. So please help support the show today! Beth McColl is a writer and podcaster who has a brand-new book and a brand-new podcast out NOW. Her new book, "Romanticise Your Life", is now available for pre-order in the UK, and will be available worldwide as an e-book and audiobook on February 1st. Her new podcast, "Everything is Content", is six episodes deep and available wherever you get your pods. You can follow her on Instagram at @beth_mccoll. Learn more about your ad choices. Visit megaphone.fm/adchoices