Podcasts about beyonc lemonade

Über zehn Folgen lang reden wir in einem frühsommerlichen Special vom FM4 Musikpodcast über eine Frage, die für viele gar nicht so einfach zu beantworten ist: Was ist dein Lieblingsalbum? Heute erzählt uns Dalia Ahmed von einem ihrer favourite records, "Lemonade" von Beyoncé aus dem Jahr 2016. Sendungshinweis: Generation Sound - der FM4 Musikpodcast. Donnerstag, 30.05.2024, 21 Uhr und Campus, Donnerstag, 30.5.2024, 4 Uhr.

Welcome back to Lez Hang Out, the podcast that is entering its Beyoncé Lemonade era.  This week Leigh (@lshfoster) and Ellie (@elliebrigida) hang out to discuss cheating, a topic that has been at the helm of many a queer discussion since the news broke about soccer star Ashlyn Harris dating Sophia Bush. While we are always thrilled to welcome a new member to team alphabet mafia, we do wish it could have happened in a less messy way. Instead, it seems to have come at the expense of two marriages, that of Sophia to her ex-husband and of Ashlyn to ex-wife Ali Krieger.  Cheating is a complicated subject, especially in today's era of ethical non-monogamy and breaking down outdated societally imposed barriers on relationships. Even when discussing the apparent overlap of Ashlyn and Sophia's relationship with that of their respective ex-spouses, Ashlyn tends to get a lot more flack for cheating than Sophia does. We believe this is largely due to queer people being conditioned to view cheating differently when it is intricately attached to a person's coming out journey.  Another reason cheating is complicated is that everyone seems to have a different definition of what constitutes cheating. For some, simply watching porn or finding someone else attractive can be seen as cheating while for others the line is drawn at physically getting with another person. Ultimately, cheating comes down to breaking your partner's trust and typically involves some degree of lying or hiding the truth. We talk about why people cheat, whether we think emotional or physical cheating is worse, and when it may be possible to forgive a cheater.  Follow us on Twitter: Lez Hang Out (@lezhangoutpod) and answer our Q & Gay questions at the end of every episode. You can also join us on Facebook.com/lezhangoutpod and follow on Instagram (@lezhangoutpod). Find us individually on Instagram, Twitter, and TikTok at Leigh (@lshfoster) and Ellie (@elliebrigida).  We are planning another gaycation with Trova Trip! Join Ellie, Leigh and a gaggle of gays in Costa Rica May 1-6, 2024, for a relaxing vacay in the heart of the gorgeous Rincón de la Vieja National Park. For more information and to be among the first to book a spot (and snatch up that Early Bird Discount!), visit bit.ly/lezdocostarica. You can support Lez Hang Out while unlocking a bunch of awesome perks like access to our exclusive Discord, monthly full length bonus episodes, weekly ad free episodes, and more by joining us on Patreon at bit.ly/lezpatreon. You can also support the podcast by buying our original merch at bit.ly/lezshop and purchasing our original Lez-ssentials songs for as little as $1 each on Bandcamp! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hell hath no fury like a

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“In certain ways, I'm using my intellect and or making these connections, but then I'm also trying to do things such as... So the whole concept of subjectivity in a film is you're representing a particular character's point of view, but there's another way to express that. It's through mise-en-scène. So you can express a character, you could have a complete tableau and create the proscenium classical frame, but maybe it's the green on the wall that expresses her inner desire or the warm light. So you create these metaphors that are actually expressing the psychological experience of the character through the physical space.For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“In certain ways, I'm using my intellect and or making these connections, but then I'm also trying to do things such as... So the whole concept of subjectivity in a film is you're representing a particular character's point of view, but there's another way to express that. It's through mise-en-scène. So you can express a character, you could have a complete tableau and create the proscenium classical frame, but maybe it's the green on the wall that expresses her inner desire or the warm light. So you create these metaphors that are actually expressing the psychological experience of the character through the physical space.For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“That's the thing that contributes most to a film is just really giving it your all. That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, 'Oh, this is the challenge.' I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. So it's very tricky.It's luck. Sometimes it works, and sometimes it doesn't. There's definitely times where I think back, like I would have liked to have done that differently. But that's always going to be the feeling, no matter how well you do it, you know?”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“And so I started experimenting in different things. And that journey has taken me on kind of a different route. For a while, I've only done one movie a year, and then I may not do a movie that year, but I'm doing a lot of fine art. You know, I've worked with Adam Pendleton and Dina Lawson and Khalil Joseph, and other fine artists. And we'll do works that will be exhibited in museums and stuff like that. But I'm always just getting opportunities to sort of express what I'm feeling at the time. Whereas if I had a different need, I migh have just concentrated on films. There's projects that have come on my doorstep that have been big budget projects, you know, a superhero or whatnot, but I've always declined because I really have a need for freedom. And when I say that, I mean specifically freedom of interference from others. And I know that when you're spending a certain amount of money, you will get that interference. But then there's the other form of freedom, which is having the resources to act on your free will. So really the only way that I get those opportunities is working with guys like Spike Lee, where he gets the resources, just enough to act on his free will. But then he also protects the film so there's no interference, and he'll get rid of anyone who is messing with that. And so I just try to find directors with a like mind, and I am lucky to work with them. And I hope to travel my whole career working with people like that, or my whole life.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“And so I started experimenting in different things. And that journey has taken me on kind of a different route. For a while, I've only done one movie a year, and then I may not do a movie that year, but I'm doing a lot of fine art. You know, I've worked with Adam Pendleton and Dina Lawson and Khalil Joseph, and other fine artists. And we'll do works that will be exhibited in museums and stuff like that. But I'm always just getting opportunities to sort of express what I'm feeling at the time. Whereas if I had a different need, I migh have just concentrated on films. There's projects that have come on my doorstep that have been big budget projects, you know, a superhero or whatnot, but I've always declined because I really have a need for freedom. And when I say that, I mean specifically freedom of interference from others. And I know that when you're spending a certain amount of money, you will get that interference. But then there's the other form of freedom, which is having the resources to act on your free will. So really the only way that I get those opportunities is working with guys like Spike Lee, where he gets the resources, just enough to act on his free will. But then he also protects the film so there's no interference, and he'll get rid of anyone who is messing with that. And so I just try to find directors with a like mind, and I am lucky to work with them. And I hope to travel my whole career working with people like that, or my whole life.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think we're sort of in a period where there's a lack of permissiveness, and I think there's sort of a constant moralistic debate about the rightness and wrongness of anything that's consumed. Like in America, there was even a debate about abortion and stuff like that stimulated by the film Blonde that in our minds was not a theme that Andrew and I discussed. It was much more about how Marilyn Monroe would have liked things to have happened differently in her life. You know, it was more stimulus for emotions. It wasn't like a political thing that we were considering. So we're just in this moment, I think, in the collective consciousness of America. It's sort of captured in that kind of...violence. But in a way, I have always been curious about how people will perceive or receive the film as a collective because I think it had some controversial ideas in it. And one of the things that I value most about the film is that the reaction to the film was actually a part of the artistic endeavor itself because it is dealing with popular culture and how the collective views the persona in an individual and who the persona is outside of the individual.And the collective contributed to that film in that way because they're projecting a version of Marilyn that they've consumed, that they have a connection with, that our film violates. So it was like, for me, the movie was actually the reaction.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I think we're sort of in a period where there's a lack of permissiveness, and I think there's sort of a constant moralistic debate about the rightness and wrongness of anything that's consumed. Like in America, there was even a debate about abortion and stuff like that stimulated by the film Blonde that in our minds was not a theme that Andrew and I discussed. It was much more about how Marilyn Monroe would have liked things to have happened differently in her life. You know, it was more stimulus for emotions. It wasn't like a political thing that we were considering. So we're just in this moment, I think, in the collective consciousness of America. It's sort of captured in that kind of...violence. But in a way, I have always been curious about how people will perceive or receive the film as a collective because I think it had some controversial ideas in it. And one of the things that I value most about the film is that the reaction to the film was actually a part of the artistic endeavor itself because it is dealing with popular culture and how the collective views the persona in an individual and who the persona is outside of the individual.And the collective contributed to that film in that way because they're projecting a version of Marilyn that they've consumed, that they have a connection with, that our film violates. So it was like, for me, the movie was actually the reaction.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“Beyoncé has been a musician her whole life. She's been an icon since she was 14 or 15, so young. And when we were doing Lemonade, Kahlil Joseph and I, we talked a lot about how Beyoncé must have maybe skipped this moment in our lives that most people have where we're coming up in our twenties, sort of discovering ourselves. In Lemonade, we were really trying to explore that she's coming to herself now that she has a daughter and that she's married, and she's trying to harness a family life and these themes that she was singing about in the music. We were sort of trying to consider that and how we were going to tell that story, too.And then also legacy and family, you know, that was the reason why we shot in New Orleans. On Lemonade, we didn't do any treatment or anything. Kahlil and I met in New Orleans, and we started scouting. And through the scouting period we came up with the concept and the ideas, but the scouting's unique because we we're basically connecting with liaisons. So we're connecting with the Beyoncé family member. We're connecting with the guy that runs security for Beyoncé there in New Orleans. And it's like all of a sudden you get to an alien part of a culture that exists as an underbelly that is so hard to access because everyone's basically presenting a stereotype, typically. So then that's sort of what we were trying to get to on that. And that was actually really intuitive for Kahlil's way of working, who I consider an auteur director.That's the thing I think is really beautiful in film is actually the harmony. It's musical. It's the cinematography, the emotions acting in harmony to one another. And that doesn't always mean that they're like perfectly matched.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“Beyoncé has been a musician her whole life. She's been an icon since she was 14 or 15, so young. And when we were doing Lemonade, Kahlil Joseph and I, we talked a lot about how Beyoncé must have maybe skipped this moment in our lives that most people have where we're coming up in our twenties, sort of discovering ourselves. In Lemonade, we were really trying to explore that she's coming to herself now that she has a daughter and that she's married, and she's trying to harness a family life and these themes that she was singing about in the music. We were sort of trying to consider that and how we were going to tell that story, too.And then also legacy and family, you know, that was the reason why we shot in New Orleans. On Lemonade, we didn't do any treatment or anything. Kahlil and I met in New Orleans, and we started scouting. And through the scouting period we came up with the concept and the ideas, but the scouting's unique because we we're basically connecting with liaisons. So we're connecting with the Beyoncé family member. We're connecting with the guy that runs security for Beyoncé there in New Orleans. And it's like all of a sudden you get to an alien part of a culture that exists as an underbelly that is so hard to access because everyone's basically presenting a stereotype, typically. So then that's sort of what we were trying to get to on that. And that was actually really intuitive for Kahlil's way of working, who I consider an auteur director.That's the thing I think is really beautiful in film is actually the harmony. It's musical. It's the cinematography, the emotions acting in harmony to one another. And that doesn't always mean that they're like perfectly matched.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I was using this jazz technique called woodshedding where you basically isolate yourself, and you come up with harmonic devices that then you can put in your pocket and play during the set. And it's sort of like you create events where you can stimulate happy accidents.So I was doing that I think over a six-month period, and I came up with a lot of different ideas, for example, the sequence where Marilyn Monroe is in the ménage à trois, and she's having a three-way sex scene, and the image is . I found that idea when I went to Canal Plastics in New York, and I ordered a piece of polycarbonate that was mirrored on one side, and I was able to bend it and I would shoot stuff in my studio collaborating with Jack Martinez, a photographer, who would cast different people and we would shoot things together. And I basically, through pre-production, I created I couldn't even count how many cinematic devices, and they were happy accidents in a lot of ways, but in other situations, they were gifts that were given to me by collaborators. And I just had those in my pocket. And a lot of times they would come out spontaneously, like if I saw a scene, and I felt like there was a moment in which we could articulate in a more abstracted point of view...there's a sequence like when Marilyn is coming to the premier, and it's a frenzy and the fans are looking like they're going to consume her. And that sequence, the way it's written, I can interpret that as almost, to go back to the same musical analogy, in jazz would be a moment where the images get to give a solo on the song, on the theme and express it strictly through metaphor and distort notions of reality as long as it's in harmony with what's happening psychologically.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

“I think it was Kafka who said, 'All language is but a poor translation.' I think about it a lot. I feel like what we are trying to communicate or what we're trying to say about all these things, all these feelings are going through these things are distorted or fragmented. We can never really communicate with absolute clarity what is going on. We're too limited. There's not a word for it. And I like that. I think what it is to be human is to be less than perfect.And when I watch films, and I see these scenes that sometimes make me feel sick or make me happy, they're executed with imperfections. But then all of a sudden it becomes an interpretation because you're creating it in your mind. You're projecting something from your own experiences as a human being onto the scene because you're going into memory. Those are all virtues to me. Those are all the things that make it beautiful because they are an articulation of humanness.”Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee's BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse's first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix's Blonde starring Ana de Armas and A24's God's Creatures starring Emily Watson.www.chayseirvin.comwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast

Joe and Paul step back into the world of pop music with Beyoncé's acclaimed 2016 album Lemonade. You know the one that semi focuses on calling out her husband Jay-Z? But the question is how will 2 middle aged white guys from the Midwest Rate That Album?

Beyoncé once said "I stopped the world, Male or female, it make no difference, I stop the world" and she did just that with the release of the Lemonade visual album. Join us as we have all of the feels, discuss Beyonce as a representation of various African goddesses, and more!

Get in formation because we're talking Lemonade with special guest Desirée Fletcher! We had so much to say, so surprise, this one's a two parter. This week we're talking about the album. Next week (7/27) we'll be discussing the visual album.

Vandaag vijf jaar geleden liep iedereen wild van Lemonade, de conceptplaat van Beyoncé. Willie ontrafelt het succes van het album én doet het geheim achter de 'vrijmibo' eindelijk uit de doeken! Zin in nóg meer pop? Volg de Popspraak-playlist en check meer muziek op Legacy Of Music! Playlist: http://LNK.to/PopspraakPlaylist Legacy Of Music: www.legacyofmusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Track By Track we're celebrating the fifth anniversary of Beyoncé's audio/visual masterpiece, Lemonade. There are a lot of guests, collaborators and samples to go through on this one - and naturally, there are the usual lols for good measure. Let us know your thoughts @trackbytrackuk #trackbytrack

We finally discuss Beyoncé's iconic Lemonade! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jay-Z, Beyoncé und Solange betreten einen Aufzug. Und dann? Nun, ihr kennt das Video. Die Schwarz-Weiß-Aufnahmen inspirieren die Boulevardpresse zu einem endlosen Strom farbenfroher Gerüchte. Und die Sache ist, an manchen dieser Gerüchte ist vielleicht etwas dran. Die Ehe der Carters steckt in der Krise. Also wenden sie sich der Musik zu. Sie hat sie ursprünglich zusammengebracht. Vielleicht kann sie jetzt ihre Beziehung retten.+++ Ab sofort bei ALDI TALK: Mehr Daten, gleicher Preis! Zum Beispiel 70% mehr Daten im Paket L mit ganzen 12 statt 7 GB High-Speed-Internet und All-Net-Flat für nur 17,99€. Oder Paket M mit 6 statt 5 GB für nur 12,99€. Bei ALDI und auf alditalk.de +++

Beyoncé superfan and empath extraordinaire Adri Ojuka joins us to talk about how Beyoncé's album Lemonade helped her connect with her circumstances,  and we discuss societal expectations of black families, how good intentions can be oppressive to black voices, and how we can listen empathetically to people who are different than we are.This episode is a little different, so let us know what you want to hear more of! Do you want more guests, more societally relevant topics, or more light, joking around about movies and pop culture? Send us your feedback on Instagram and Facebook.

Yes

A documentary of images, music and moments. The 2016 visual album that Beyoncé unleashed and it changed the game forever. --- Send in a voice message: https://anchor.fm/drzeusfilmpodcast/message Support this podcast: https://anchor.fm/drzeusfilmpodcast/support

Jay-Z, Beyoncé, and Solange walk into an elevator. After that? Well, you've seen the video. The black-and-white footage inspires the tabloids to fire off an endless stream of colorful rumors. And the thing is, some of those rumors might be true. The Carters' marriage is on shaky ground. So they turn to music. It brought them together in the first place. Maybe now it can save their relationship.

Surprise! Season 6 is dedicated to Beyoncé’s masterwork Lemonade. Through in-depth, highly researched analysis, we follow Beyoncé on her transcendent journey from subjugation to freedom. Today we unpack the visual album’s opening chapter “Intuition,” which features the song “Pray You Catch Me.” We’ll come to understand the curse that looms over Beyoncé and how she must take a leap of faith to overcome this curse for the sake of her family. We also welcome our very first co-host Titi Shodiya. Listen to her podcast Dope Labs: https://open.spotify.com/show/3pCF6hcNsAHKlKAillCOuZ?si=d0UliQ9VTVOCcleDdEoTVQ. A visual guide for this episode can be found at dissectpodcast.com.

I share stories of how my second book, “unbreakable” was created in 2016; and I cite sources sources of inspiration for the book: the poetry of Rumi, Hafiz, and Rupi Kaur; and the bold artistry and messaging of the Beyoncé Lemonade album/visual album. Art inspires artists. I also read and discuss several of the published poems from “unbreakable” and include an unpublished poem I discovered today in the original notebook I wrote the poems in back in 2016! “unbreakable” is available in full-color paperback at amazon.com/author/selenasage or as an eBook on zentaobooks.com/shop Thank you. Namasté. selenasage.com // Fb+IG: Selena Sage - Author

A música sempre me acompanhou. E nos últimos 10 anos a sua importância foi vital. Criei o blog "Quem Mexeu No Meu iPod" em 2009 para compartilhar com amigos próximos o que eu estava ouvindo e assistindo. Dois anos depois, o blog virou um espaço extremamente pessoal com mixtapes criadas como se fossem trilhas sonoras de filmes que se passavam apenas em minha mente. Mas eu dividia com muitos de vocês que sempre me acompanharam também. Com o fim do blog neste ano, meu pensamento de que tudo que é bom deve ser compartilhado foi adaptado para um grupo de whatsapp e depois, este podcast. Com a mesma essência: dividir aquilo que estou ouvindo, assistindo e, porque não, sentindo. Muitos foram os sentimentos e todos absolutamente acompanhados por no mínimo uma das músicas que recheiam esses 50 discos da última década, enumerados pela sua longevidade, mérito e principalmente, a uma adorável nostalgia. Quem Mexeu No Meu iPod(cast)? com Mike Ribeiro apresenta: Top 50 ||| Os Melhores Discos da Década (2010 - 2019) ||| ||| Participação especial: Lucas Amoedo (@lamoedo) ||| Playlist especial: https://spoti.fi/2s89S2G 50 ||| Caribou - Our Love (2014) 49 ||| Kendrick Lamar - good kid, m.A.A.d city (2012) 48 ||| Disclosure - Settle (2013) 47 ||| LCD Soundsystem - American Dream (2017) 46 ||| Nick Cave and the Bad Seeds - Push the Sky Away (2013) 45 ||| Frank Ocean - Blonde (2016) 44 ||| Grimes - Art Angels (2015) 43 ||| Rosalía - El Mal Querer (2018) 42 ||| St. Vincent - MASSEDUCTION (2018) 41 ||| Metronomy - The English Riviera (2011) 40 ||| Fiona Apple - The Idler Wheel is (2012) 39 ||| John Grant - Queen of Denmark (2010) 38 ||| David Bowie - The Next Day (2013) 37 ||| Liniker e os Caramelows - Remonta (2016) 36 ||| Arcade Fire - Reflektor (2016) 35 ||| Kendrick Lamar - DAMN. (2017) 34 ||| Djonga - O MENINO QUE QUERIA SER DEUS (2018) 33 ||| Father John Misty - Pure Comedy (2017) 32 ||| The National - Sleep Well Beast (2017) 31 ||| Beyoncé - Lemonade (2016) 30 ||| Tame Impala - Currents (2015) 29 ||| Janelle Monaé - The ArchAndroid (2010) 28 ||| Robyn - Honey (2018) 27 ||| Perfume Genius - No Shape (2017) 26 ||| Solange - A Seat at the Table (2016) 25 ||| Emicida - AmarElo (2019) 24 ||| Nick Cave and the Bad Seeds - Ghosteen (2019) 23 ||| Kanye West - My Beautiful Dark Twisted Fantasy (2010) 22 ||| Kamasi Washington - The Epic (2015) 21 ||| Grimes - Visions (2012) ||| continua no podcast |||

A galera pediu, e a gente atendeu! Mais um album review pelo Troca o Disco e desta vez, falamos sobre o Lemonade da Beyoncé. A idéia é bater um papo rápido sobre um único disco que não cabe no bloco de bolachadas porque já está na agulha da galera, mas que gostariamos de dar a nossa opinião e abrir a discussão com você, querido musiqueiro.

Zehn Alben für zehn Jahre: In der dritten Ausgabe unseres Podcast liefert die Redaktion einen griffigen und radikal entschlackten musikalischen Rückblick aufs Jahrzehnt. Jedem Jahr wird ein Album zugeordnet. SPEX-Redakteur_innen Anna Fastabend, Julian Dörr, Kristoffer Cornils, Dennis Pohl und Jessica Hughes diskutieren über: 2010: Jannelle Monaé "The Arch Android" 2011: Drake "Take Care" 2012: Frank Ocean "Channel Orange" 2013: Daft Punk "Random Access Memory" 2014: Fatima al-Qadiri "Asiatisch" 2015: Holly Herndon "Platform" 2016: Beyoncé "Lemonade" 2017: Kendrick Lamar "DAMN" 2018: Snail Mail "Lush" 2019: Matmos "Plastic Anniversary" Außerdem macht sich Bernadette La Hengst auf den Weg zur Klimakonferenz nach Madrid und Klaus Walter reflektiert in seiner Kolumne "Gegenwartsfunde" u.a. über Spotify-Bestenlisten.

On the first of two inaugural episodes of “I’ve Been Meaning To Listen To That”, Andrew & Ezra listen to LEMONADE by the obscure indie artist BEYONCE! Plus, Andrew & Ezra explore their musical origin stories, the collaborative nature of Beyonce’s records, and get incredibly steamed about left shark! Listen, subscribe, and rate us wherever you get podcasts! Andrew’s Pick: This Is America by Childish Gambino Ezra’s Pick: Make Me Feel by Janelle Monae Theme Song by Emily Blue (@emilybluemusic) Cover Art by Olivia Jensen (@oliviaaj22) Check out the I've Been Meaning To Listen to That (And I Did!) Playlist Here: https://open.spotify.com/playlist/6uowIiXdoVaZX7tAIfI66O?si=Na_BQOHrQGmiMZMGxRgoVg Follow us at (@ibmtltt) on Facebook, Instagram, & Twitter, and email us at: Ivebeenmeaningtolistentothat@gmail.com Have a good daaay! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/ibmtltt/message

This week’s episode we have on the Behive to discuss none other than the Queen Bey’s most personal and world stopping album, Lemonade. We discuss “Hive Culture”, her relationship with Jay Z, as well as events leading up to the album, including the elevator incident. Sorry but not sorry for the wait, here’s the latest inductee into the RTSB HOF

Beyoncé - Lemonade

Meet Jesal and Rochard. We are the Transatlantic Rebels. Follow us on Twitter - https://twitter.com/T_Rebels Find us on Facebook: https://www.facebook.com/TransatlanticRebels Episode 51 is a discussion on two albums by a husband and wife. You may have heard of them... Jay-Z "4:44" (2017) vs Beyoncé "Lemonade" (2016) proves to be a lively discussion indeed! There is so much to unpack. As a bonus, check out the new track "Soul Train" by Premz featuring Heems at the end. Premz is a good friend to the podcast, having been on previous 50 Cent and Jay-Z episodes - we wish him all the best with his dope new song! Jesal is from the UK, and Rochard is from America. We like to talk in depth about albums, films, TV shows and books. Rochard has a background in TV, acting, writing and many other areas of art creation. Jesal has a background in music: DJ, producer, artist, critic and other stuff. Enjoy!  

​Big change is inevitable. For instance, there's a new Black pop culture trivia game, "Say It Loud". The game features questions that span decades of music, movies, television shows and literature with clues ranging from obvious to obscure. The five categories, S = Music, A = Books, Literature, the Arts, Y = Television, I = Movies, T = People, Places, and Things. Check out what the game is about from the crew. Was racism why Adele beat Beyoncé at the Grammys? Even Adele thinks Beyoncé "Lemonade" won for best urban contemporary album. Her hit "Formation" won for best music video. There have actually been a few artists of color who have won album of the year during that time period: "The Miseducation of Lauryn Hill" in 199; Carlos Santana's "Supernatural" won the following year; "Speakerboxxx/The Love Below" by Outkast took home the Grammy in 2004 and Ray Charles won posthumously in 2005 for "Genius Love Company". Finally, a black contestant will be handing out the roses - multiple sources say Rachel Lindsay will be the next 'Bachelorette'. Rachel Lindsay, a Texas attorney, marks the first time a black contestant will be the lead in 21 'Bachelor' seasons and 12 'Bacherlorette' seasons. Unprecedented Proposed Law Provides African Americans Reparations and Opportunities to Better Their Lives. The Legislation will help descendants of American Slaves, many of whom live in poor, underserved, and high crime areas in the United States. The benefits are not handouts, and differ from other historical reparations, such as those given to Japanese citizens entered during WW II and Native Americans. Those claiming benefits must be 40% descendants of slaves, and born in the United States. Spanning the 19 years between 1989 and 2008, BET's Rap City was the longest running hip-hop TV show in history. It helped rap grow from urban shout to suburban obsession in the late Eighties, documented the initial reigns of Los Angeles and Atlanta in the Nineties and, most famously, helped make freestyling fashionable in the image-conscious society. To represent this, we had in studio BET Rap City Hosts (1989-93) Hans "Prime" Dobson and Prince Dajour (1991-94). You HAVE to check this interview out to get the oral history from the pioneers!

Chad Hewitt challenged me to listen to Lemonade by Beyoncé.

With Batman vs. Superman still in theaters for a few more hours, we take a look at director Zack Snyder and his over-the-top, luscious, ludicrous filmography. **BONUS LISTEN** Michelle takes us in-depth with some Beyoncé/LEMONADE talk. Links: Find us on iTunes Download: AAC // MP3

With Batman vs. Superman still in theaters for a few more hours, we take a look at director Zack Snyder and his over-the-top, luscious, ludicrous filmography. **BONUS LISTEN** Michelle takes us in-depth with some Beyoncé/LEMONADE talk. Links: Find us on iTunes Download: AAC // MP3

Nowstaglia returns with Dave and Pat remembering what made Prince so special and discussing HBO Sunday's triumvirate of Game of Thrones, Silicon Valley, and Veep. We discuss The Huntsman's box office failure and Daisy Ridley's new art film. Dave recaps his trip to PAX East. We then breakdown unlikely number one Panda by Desiigner, A$AP Ferg's new album, and the significance of Beyoncé's Lemonade.

Saturday night, Beyoncé premiered the short film “Lemonade” on HBO. It was powerful, aggressive, political, and vital. Minds were blown.Then she dropped the album.Now we're here with special guests Briana Younger and Marcus Dowling to talk about it.Oh yea...we’ve got a new track from J-Zone’s killer new album Fish-n-Grits too.Pretty cool, eh?Show NotesGet to know J-ZoneOfficial Site | Facebook | Twitter |Soundcloud | Bandcamp | Spotify"J-Zone’s “Fish-n-Grits” and the Great Rap Divide" [Marcus J. Moore via Bandcamp]Check out the track "I'm Sick Of Rap" off of J-Zone's Fish-n-Grits" below. LEMONADEBeyoncéKevin: Buy ItEduardo: Buy ItMarcus: Buy ItBriana: Buy ItOfficial Site | Facebook | Twitter Upcoming Tour Dates See acast.com/privacy for privacy and opt-out information.

Shout outs: Manika from TLC, Erika Jayne, and more! Trending: Prince, Chyna, Doris Roberts, the new $20 bill with Harriet Tubman, the BuzzFeed "questions" video, Bob Marley / 420 controversy on Snapchat, and Beyoncé's Lemonade, plus our sex question of the week: Have You Ever Masturbated In Public?