Podcasts about pre code

This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse, showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise?). And in another Fear and Moviegoing discussion of Now, Voyager, we discuss the Bette Davis melodrama's authentic ties to Transcendentalism and what it means to not have sex for the right reasons.  Time Codes: 0h 00m 25s:    NIGHT NURSE [dir. William A. Wellman] 0h 31m 33s:    BLONDE CRAZY (dir. Roy Del Ruth] 0h 46m 59s:    Fear and Moviegoing in Toronto –Irving Rapper's Now, Voyager (1942) at TIFF Lightbox +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer              +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

Rosa de medianoche (Midnight Mary, 1933, EE. UU.), de William A. Wellman, con Loretta Young, Ricardo Cortez y Franchot Tone. Presentación: Manuel Gutiérrez Aragón A la espera de recibir el veredicto de culpabilidad por asesinato, Mary Morton (Loretta Young) rememora los episodios que han forjado su destino. Tras la amoralidad que destila su imagen pública, afloran los matices: la falta de oportunidades y el protagonismo recurrente de la fatalidad, la ayuda de un gangster (Ricardo Cortez) y de un príncipe azul (Franchot Tone), el deseo de vivir con honradez y la imposibilidad de dejar atrás el hampa. Mary Morton es, hasta entonces, el personaje más rico de Loretta Young, que colabora por tercera vez con el director William A. Wellman. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

Mi chica y yo (Me and My Gal, 1932, EE. UU.), de Raoul Walsh, con Spencer Tracy, Joan Bennett, Marion Burns y George Walsh. Presentación: Espido Freire Danny (Spencer Tracy), un policía noble y algo descreído, siente una poderosa atracción hacia Helen (Joan Bennett), la resuelta cajera de un local de comidas para los trabajadores del puerto. Por encima de una ligera intriga criminal, del chispeante esbozo de una comunidad y de algunos afortunados sketches de comedia física y verbal, la película vuela alto gracias al romance vitalista de la pareja interpretada por Tracy y Bennett con gran encanto. Envuelta por esta luminosidad, la película resulta tonificante para unos espectadores sumidos en lo más hondo de la Depresión del 29. El sábado se proyecta el vídeo de la presentación del día anterior. Más información de este acto

Caballero por un día (The Union Depot, 1932, EE. UU.), de Alfred E. Green, con Douglas Fairbanks Jr., Joan Blondell y Guy Kibbee. Presentación: Nancy Berthier Chick (Douglas Fairbanks Jr.), un vagabundo recién salido de prisión, se encuentra en una estación de tren una maleta que puede cambiar su suerte. Allí conoce a Ruth (Joan Blondell), una corista sin dinero, y los dos se ven envueltos en una intriga criminal en la que cabe el romance, la acción frenética y el melodrama. La estación de tren funciona como un microcosmos tras el desplome del 29. Blondell encarna a la chica dulce al borde de la desesperación y Douglas Fairbanks Jr. a un héroe ambivalente, marginado y rudo, pero a la vez tenaz, con mucho encanto y gran corazón. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

El ladrón galante (Jewel Robbery, 1932, EE. UU.), de William Dieterle, con William Powell, Kay Francis, Henry Kolker y Helen Vinson. Presentación: Diego Moldes Lo que más brilla en el estilo de vida de la baronesa Teri (Kay Francis) son las piedras preciosas. Un ladrón (William Powell), que concibe su oficio como una de las bellas artes, asalta la joyería en la que ella adquiere un diamante único, cortesía de su esposo (Henry Kolker). A pesar de perder la joya, la baronesa queda arrebatada por el distinguido atracador, a quien debe tan excitante experiencia. Después de compartir reparto en la Paramount, Francis y Powell continuaron como pareja en la Warner Bros, estudio en el que emerge la vis cómica del actor, siempre adorable y sofisticado. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

The Crash (1932, EE. UU.), de William Dieterle, con Ruth Chatterton, George Brent, Paul Cavanagh y Barbara Leonard. Presentación: Guillermo Balmori Una mujer refinada (Ruth Chatterton) y un corredor de bolsa neoyorquino (George Brent) han convertido su matrimonio en una eficaz unión para hacer dinero. Tolerante con las infidelidades de ella, el marido le anima a emplear sus encantos para conseguir información privilegiada sobre el parqué financiero. Por su parte, ella no concibe mayor indignidad que la pobreza, de modo que se preocupará de conservar su estatus tras el desplome económico del 29. Chatterton asume en este drama el rol de mujer sofisticada, permisiva en lo moral y de fuerte determinación. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

It's time for another round of Studios Year by Year, starting over with Paramount 1930! And this time Dave has brought even more nostalgic reading material to give some context for this studio content. We also launch another new series feature: a review of our favourite movies from the previous 1930-1948 round. Turning to the Paramount movies we watched for this episode, we struggle to come to terms with the pointless battle of the sexes in Lubitsch's The Love Parade, starring Maurice Chevalier and Jeanette MacDonald, who are having a lot of sexy Pre-Code fun until the dictates of storytelling demand conflict; and struggle through a nigh-unwatchable transfer/copy of the sturdy operetta The Vagabond King, starring MacDonald and Dennis King. In both films, the adorable Lillian Roth delights. And finally, as if all of that weren't enough, a New Year's Eve throwback (by the time this is posted) in Fear and Moviegoing in Toronto: we watched the beloved When Harry Met Sally and the cult classic 200 Cigarettes at the Revue Cinema.  Time Codes: 0h 00m 25s: 1930 in film + Paramount Recap 0h 21m 10s: THE LOVE PARADE [dir. Ernst Lubitsch]          0h 43m 24s: THE VAGABOND KING [dir. Ludwig Berger] 0h 56m 50s: Fear and Moviegoing in Toronto: When Harry Met Sally (1989) by Rob Reiner & 200 Cigarettes (1999) by Risa Bramon Garcia Year in Film information from Forgotten Films to Remember by John Springer Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler                +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

It is our last "Rated PC for Pre-Code" special and it is definitely one you can see why there were the hayes code. While not all the Crew may have been fans of this wild movie, all find it very interesting. Especially how the story gets dark quick. Tune in to our final special and find out what January's theme of the month will be along with our first "Over the Hill" film Kicking the Seat: ⁠⁠⁠https://kickseat.com/ ⁠⁠⁠Literary License Podcast: ⁠⁠⁠https://www.llpodcast.com/⁠⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

00:10 Intro 02:04 The White Parade, copyright, and availability 09:02 Which ones did we watch? 10:45 It Happened One Night 11:53 It was the Valentine's Day episode about rom-coms in 2022 15:10 Bob's a little off; Miami was 110,000 in 1930, up from less than 30,000 in 1920 20:05 Bob did! See above. 20:57 The end of the Pre-Code era 23:23 Cleopatra 28:13 Imitation of Life 33:18 Flirtation Walk 38:05 The Gay Divorcee 45:06 The Thin Man 49:25 Drunks on film 53:37 Of Human Bondage 59:06 And the Winner Should Have Been... 01:03:45 Upcoming episodes

Los ricos están con nosotros (The Rich Are Always with Us, 1932, EE. UU.), de Alfred E. Green, con Ruth Chatterton, George Brent, Bette Davis y John Miljan. Presentación: Carlos F. Heredero La mujer más rica del mundo (Ruth Chatterton) reacciona con clase ante la infidelidad de su marido. Un escritor aventurero (George Brent) la presiona para que corresponda a su amor, y al mismo tiempo la mejor amiga de ella (Bette Davis) intenta seducir al escritor. Este drama de personajes de porte distinguido y agilidad verbal es la primera de las cuatro películas que Chatterton y Brent compartieron entre 1932 y 1933. Si Bette Davis terminó despuntando como actriz de reparto, el “desconocido” Brent alcanzó el estrellato ofreciendo una imagen más sofisticada y dulce que la de sus homólogos de la Warner Bros. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

Gente viva (Blonde Crazy, 1931, EE. UU.), de Roy del Ruth, con James Cagney, Joan Blondell, Ray Milland y Noel Francis. Presentación: Manuel Hidalgo Un botones avispado y caradura (James Cagney) se las apaña para que una chica de carácter desenvuelto (Joan Blondell) consiga empleo en el hotel. Juntos formarán la pareja perfecta de estafadores: con las ideas de él y la imagen de ella ganarán mucho dinero. Sin embargo, su relación no será así de simple, ya que Anne tiene, por lo menos, tanta personalidad y recursos como él, y mayor madurez. El guion de esta comedia de timos fue concebido para Cagney y Blondell, cuya complicidad despunta entre las siete películas que compartieron, cuatro de ellas como pareja romántica. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

In our second last "Rated PC for Pre-Code" Specials, we look at the drama "Blonde Venus" Starring Marlene Dietrich. Join us as we try to unpack the multi-layer character in this 90+ year old film. We debate if there are any truly good people in the story and also look at how the screenplay fell victim to a "Hayes Code" like cutting before there was the official "Hayes Codes". check it out now and also check out my crew's other content: Literary License Podcast: ⁠⁠https://www.llpodcast.com/⁠⁠Kicking the Seat: ⁠⁠https://kickseat.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

In this episode, we're taking a journey back to the eerie roots of horror cinema by exploring the thrilling world of Pre-Code horror films of the 1930s. Joining us is Leslie, a dedicated podcast host, photographer, and true horror fanatic, ready to share insights into some of the most iconic films that defined this genre before Hollywood's Production Code put restrictions on content. These pre-code films were daring, experimental, and unafraid to push boundaries, introducing audiences to terrifying monsters, dark themes, and twisted characters that would shape horror for generations. We begin by delving into the legendary classic Dracula (1931), where Bela Lugosi's portrayal of the Transylvanian vampire set the standard for cinematic horror. Leslie sheds light on how Dracula brought an air of sophistication and dread to horror, with its haunting atmosphere and Lugosi's unforgettable performance, making it a cultural icon and solidifying the vampire as one of horror's most enduring creatures. Next, we turn to Bride of Frankenstein (1935), James Whale's masterful sequel to the original Frankenstein, which brought a new level of emotion and complexity to the genre. Leslie discusses the film's exploration of loneliness and creation, its stunning visual style, and Elsa Lanchester's portrayal of the iconic Bride, who became a symbol of both beauty and horror. The Bride's brief yet powerful presence left a lasting impact on horror cinema and expanded the scope of what horror characters could represent. We also take a closer look at Dr. Jekyll and Mr. Hyde (1931), with Fredric March's Academy Award-winning performance showcasing the duality of human nature. This adaptation of Robert Louis Stevenson's story was one of the first to depict the terrifying transformation of a man into a monster, both physically and psychologically. Leslie shares thoughts on how the film's groundbreaking special effects and dark exploration of identity and morality pushed the boundaries of horror and captivated audiences with its chilling take on inner darkness. For honorable mentions, we discuss other unforgettable films from the era, such as King Kong (1933), a film that combined adventure with horror, captivating audiences with its impressive visual effects and tragic monster. The Black Cat (1934), starring horror legends Bela Lugosi and Boris Karloff, offered a disturbing tale of revenge and occult themes. The Invisible Man (1933) showcased Claude Rains' brilliant performance as the unseen terror, while Island of Lost Souls (1932) delved into themes of science gone wrong with its haunting depiction of genetic experimentation. In closing, Leslie reflects on how these films from the 1930s laid the groundwork for the horror genre, challenging societal norms and fearlessly exploring themes of the monstrous and the unknown. The legacy of these pre-code films lives on, inspiring countless filmmakers and horror fans today, as we continue to revisit these dark classics that dared to push the limits of cinema in a way that still resonates nearly a century later.

Can understanding your health status make the difference between life and death? This episode challenges you to reconsider what you might be avoiding out of fear. Join us as we contrast the mindsets of hope and fear in health prevention. We'll discuss how crucial it is to know your current health through tests and labs. Think of it like steering clear of the cliff's edge—the earlier you detect potential health issues, the easier it is to manage them. With insights from Dr. Dale Bredesen's training, we reveal why proactive health measures are your best defense.Prevention is not just about avoiding illness; it's about embracing a future full of hope and vitality. We'll discuss the pivotal role prevention plays in combating severe illnesses, from Alzheimer's to heart attacks and stomach cancer. Imagine a personalized plan like PreCODE that can help you prevent cognitive decline starting in your 40s. Through powerful stories, including a poignant reminder of an acquaintance's late diagnosis, we underscore the critical need for early action. Don't let fear hold you back—let this episode empower you to take charge of your health now. Support the show

Our Seasonal Halloween Episode with Steve, Kevin & Andrew exploring the Pre-Code, Atlas-Era anthology horror title Menace, then time-travelling to the Bronze-Age for Giant-Size Creatures #1! #MN440

Our Seasonal Halloween Episode with Steve, Kevin & Andrew exploring the Pre-Code, Atlas-Era anthology horror title Menace, then time-travelling to the Bronze-Age for Giant-Size Creatures #1! #MN440

One of the last Pre-code films we will look at as part of our special series this year. We watch the cautionary tale of the 1933 film "Maniac" also known as "Sex Maniac". Find out just why this film is still being talked about in film circles. Is this as bad as many say? Was it yet another film that contributed to the Hayes code? Find out and also find out what we will talk about next month for our penultimate "Rated PC for Pre-code" Specials. #maniac #1934 #precodemovies Literary License Podcast: ⁠⁠https://www.llpodcast.com/⁠⁠Kicking the Seat: ⁠⁠https://kickseat.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

Our Seasonal Halloween Episode with Steve, Kevin & Andrew exploring the Pre-Code, Atlas-Era anthology horror title Menace, then time-travelling to the Bronze-Age for Giant-Size Creatures #1! #MN440

What if many mental health issues could be traced back to the health of your brain rather than just psychological factors? Join us as Dr. Isabel and Chef Michael unravel the profound connection between brain health and mental wellness. Drawing from Dr. Isabel's personal journey from a frustrated medical doctor to a proactive disease-prevention advocate, we illustrate how optimizing your brain health can lead to a more resilient and vibrant life. Using powerful metaphors like the palm tree weathering a hurricane, we highlight how crucial it is to maintain your brain's health to navigate life's challenges with grace and strength.But we don't stop there. We delve into the transformative role of hormones in brain health, moving beyond mainstream medicine to offer insights inspired by Dr. Dale Bredesen's research on Alzheimer's. Discover the significance of hormones such as estrogen, progesterone, testosterone, vitamin D, DHEA, pregnenolone, and cortisol in improving mood, sleep, and cognitive function. Learn about the Pre-Code report and how managing hormone imbalances can prevent cognitive decline, helping you achieve your optimal health. Tune in for actionable advice and empowering stories to help you manage your inner critic and embrace your inner cheerleader for a better quality of life. Support the show

A film made at the height of Joan Crawford's bank-ability at MGM, SADIE McKEE (1934) is a quintessential Crawford tale of social climbing, dancing, and a working girl who makes good. SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

Ilícito (Illicit, 1931, EE. UU.), de Archie Mayo, con Barbara Stanwyck, James Rennie y Ricardo Cortez. Presentación: Pablo Echart Anne Vincent (Barbara Stanwyck) y Dick Ives (James Rennie) viven un idilio apasionado, aunque escandaloso a ojos de la alta sociedad neoyorquina, que censura la convivencia extraconyugal de la pareja. A diferencia de Dick, Anne se resiste a plegarse a las convenciones sociales, ya que sostiene que el compromiso corroe el amor y la autonomía individual. En la medida en que el guion de Robert Riskin y Edith Fitzgerald refrenda este punto de vista, Ilícito apuntala la asociación de Stanwyck con personajes fuertes y atrevidos en sus cuestionamientos de los roles femeninos. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

It's another Pre-code film ya see, myah! This one stars the mug Edward G Robinson. The Spoiler Room Crew take on "The Little Giant". How does this relate to the other pre-code gangster films and how could it have contributed to the forming of the Hayes Code? Tune in as we discuss. #podcast #precodemovies #littlegiant #robinson Literary License Podcast: ⁠⁠https://www.llpodcast.com/⁠⁠Kicking the Seat: ⁠⁠https://kickseat.com/⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

The Film Freaks gladly go back to the hard-boiled and raunchy 1930s when Hollywood was making movies that adults flocked to see—gritty films full of violence, sex, drug abuse, questioning religion, and giving it to the system…you know, like college. But as talkies came in, the studio writers decided to have fun with this new thing called dialogue so these flicks crackle with quips, come ons, and frank talk about infidelity and breaking the law. The Great Depression was happening so audiences looking for escape embraced these bawdy, raw movies and enjoyed the wild, reckless rides it took them on. Soon to be famous directors like Frank Capra, William Wellman, and Mervyn LeRoy helmed rising stars like Bette Davis, Humphrey Bogart, Barbara Stanwyck, and Norma Shearer in these classic pieces of "Forbidden Hollywood." So, when you're done at the speakeasy swilling bathtub gin, give the Film Freaks latest episode a listen and you'll be one dizzy hepcat, see? This episode is sponsored by: Libro.fm (FILMFREAKSFOREVER) | 2 audiobooks for the price of 1 when you start your membership The Writer's Bone Podcast Network

That time again where we look at another Pre code film. The crew try to decipher how it is supposed to be a comedy. We discuss the risqué visuals and dialog, how hard it is to get behind a character you really don't like, and how much of this film is why the Hayes Code were created. Yep another one :D There are a lot of red flags for "The Red Headed Woman". Literary License Podcast: https://www.llpodcast.com/Kicking the Seat: https://kickseat.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

We gather up the Crew and take a trip the zoo. Join us as we discuss this 1933 thriller "Murders in the Zoo". We talk about how dark the film is until it isn't, why films like this may have helped spark the "Hayes codes" and how this story has a fantastic villain. --- Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

In this episode of The Movie Loot, me and fellow podcaster Todd Liebenow, from Forgotten Filmcast, share our March(April) overdue loot. From foxes and hounds to camels in the Old West, from mistaken identities to those looking for an identity, we got it all here. It took us a while, but here it is. Check it out!00:00:00 - 00:01:52 -- Intro00:01:52 - 00:16:54 -- Meet Todd!00:16:54 - 01:04:44 -- The March Loot01:04:44 - 01:06:58 -- Closing01:06:58 - 01:08:45 -- OutroFollow Todd and Forgotten FilmcastTodd's Blog: Forgotten FilmcastTwitter: @ForgottenFilmzForgotten Filmcast on SpotifyThe Fox and the Hound clip (c) DisneyPodcast Intro/Outro: Tino Mendes & Yellow Paper - The Heist

In the mid 1950's an overzealous witch hunt took place in the United States focused on the corrupting effects of comic books on young people, which ended in horror comics being banned from the shelves by a draconian comics code.  But why? What did those comics contain that got people so riled up? Well, it depends on who you ask.   WE asked Dr. Dan Yezbick, a comics scholar, and he sparked a lively discussion. If you're only vaguely aware of this chapter of horror history, strap in, because pre-code horror is one of the more fascinating areas of the history of the genre.  Comics mention in this episode: Adventure into Darkness, Adventures into the Unknown, Amazing Mysteries, Archies, Beware, Black Cat Mystery, Boris Karloff's Tales of Mystery, Boris Karloff's Thriller, Casper the Friendly Ghost, Chamber of Chills, City of the Living Dead, Creepy, Crypt of Terror, Dark Shadows, Dead of Night, The Dead That Walk, Eerie Comics, Eerie, Grimm's Ghost Stories, Haunt of Fear, Horrific, House of Mystery, House of Secrets, Judgement Day, Master Race, Mister Mystery, Morbius, The Occult Files of Dr. Spector, Ripley's Believe It or Not True Ghost Stories, Shock Suspense Stories, Skeleton Hand, Tales from the Crypt, Tales from the Tomb, Tales Too Terrible to Tell, Terror Tales, Tomb of Dracula, Tower of Shadows, Twilight Zone, Vault of Horror, Werewolf by Night, Witch Doctor

Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG ULTIMATE FALLOUT #4 joins the Under 10k Club - what does this mean? Plus, Viewer Mail tackles more advice on coverless comics, ashcans, and closing comic book shops. The Old Fart Rule takes us back to 1984 and the relaunch of the Micronauts! Finally, our Underrated Books of the Week include a DC War Key and a groundbreaking indie from an Image Founder! Bronze and Modern Gods is the channel dedicated to the Bronze, Copper and Modern Ages of comics and comic book collecting! Follow us on Facebook - https://www.facebook.com/BronzeAndModernGods Follow us on Instagram - https://www.instagram.com/bronzeandmoderngods #comics #comicbooks #comiccollecting --- Support this podcast: https://podcasters.spotify.com/pod/show/bronzeandmoderngods/support

The Crew head to an island with no extradition treaty to protect themselves from the "Hayes Code" trials. On this "Rated PC for Pre-Code" special we look at the not so talked about classic "Safe in Hell". We discuss how the film holds up today after 93 years, the wonderful performance of all involved and how they just don't make them like this anymore.  Check out Joe Randazzo Literary License podcast here:  ⁠⁠⁠https://www.llpodcast.com/⁠⁠⁠  Check out Kicking the Seat Here: ⁠⁠https://kickseat.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilerroompodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

Clara Bow's comeback vehicle displays her talent, AND the overt racism of the time. SUPPORT THE SHOW  https://www.patreon.com/user?u=84434074 FOLLOW THE SHOWhttps://www.instagram.com/freshmoviepod/https://twitter.com/freshmoviepodhttps://www.tiktok.com/@fresh.movie.pod?is_from_webapp=1&sender_device=pcFOLLOW CHELSEA https://www.instagram.com/chelseathepope/https://twitter.com/chelseathepopeFOLLOW VICTORIA https://letterboxd.com/vicrohar/  EMAIL THE SHOWabreathoffreshmovie@gmail.com  SHOP THE SHOWhttp://tee.pub/lic/bvHvK3HNFhk  YouTube Channel  

Join us for our 1st episode of Season 2 of Pockets where we discuss Precode Movies and Circus oddities associated with the film “Freaks”. We also give advice to a man who, while trying to cure his mother's debt, sold her house where she now wants to spend her last days. Another is bothered by dogs at the dinner table.

El enemigo público número 1 (Manhattan Melodrama, 1934, EE. UU.), de W. S. Van Dyke, con Clark Gable, William Powell y Myrna Loy. Presentación: Sonia García López Blackie (Clark Gable) y Jim (William Powell), amigos desde niños, acaban a los dos lados de la ley. El primero se convierte en un gangster y el segundo llega a ser fiscal del distrito y un político de renombre. Su enfrentamiento es inevitable. Película que supone un fin de ciclo para el gangsterismo cinematográfico de los primeros años treinta antes de la entrada en vigor con mayor rigidez del Código Hays. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

SEX! Now that I got your attention is time to talk about sex... and other things in our Pre-Code Loot. In this episode, our host Carlo is joined by film critic Matthew Turner as they descend into the depravity of Pre-Code Hollywood. So why don't you lay down in your bed and let us take the wheel?00:00:00 - 00:02:08 -- Intro00:02:08 - 00:09:55 -- Meet Matthew!00:09:55 - 00:28:45 -- The Pre-Code Talk00:28:45 - 00:35:37 -- They Did the Don'ts00:35:37 - 01:01:17 -- The Pre-Code Loot01:01:17 - 01:02:09 -- FilmTwitter's Pre-Code Loot01:02:09 - 01:09:36 -- Closing01:09:36 - 01:11:22 -- OutroFollow Matthew:Twitter: @FilmFan1971Letterboxd: @FilmFan1971Podcast: Fatal AttractionsThe Movie Loot Theme: Tino Mendes & Yellow Paper - The Heist

We head back to 1933 and look at the Pre-Code monster film "King Kong". Find out why the Crew believe it is a classic and how it may have one of the reasons the Hayes Codes were formed. They also talk about how filmmaking techniques may not have varied in the last 90 years. Check out the Literary License podcast here: ⁠https://www.llpodcast.com/⁠Check out Kicking the Seat Here: ⁠https://kickseat.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilerroompodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/spoilerroompodcast/support

Scarface, el terror del hampa (Scarface, 1932, EE. UU.), de Howard Hawks, con Paul Muni, Ann Dvorak y Osgood Perkins. Presentación: Eduardo Torres-Dulce Inspirada en la vida real de Al Capone, la película describe varios episodios de su trayectoria, a la vez que cuenta el proceso de conquista del poder y la caída posterior de Tony Camonte (Paul Muni). Obra cumbre del género, despliega una enorme inventiva visual y una poderosa energía narrativa. Producida por Howard Hughes, chocó frontalmente con la censura. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

We're going back to the horniest years in Hollywood history for another scandalous pre-coder; Baby Face, the 1933 movie that was so shocking it solidified cinema's censorship for the next 30 years. Watch it for free here. ReferencesWill Hays IRLYou Must Remember This' episode on Will Hays and “Pre-Code” Hollywood  Wes Anderson Talks Early Hollywood Censorship in ‘TCM Picks' Video for Barbara Stanwyck's ‘Baby Face' by Etan Vlessing for The Hollywood ReporterHow the Catholic Church censored Hollywood's Golden Age by Vox on YouTubeBaby Face: The End Of The Pre-Code Era by Paul J. Bradley for Classic Film JournalRemembering Hollywood's Hays Code, 40 Years On by Bob Mondello for NPR‘Tracing Hollywood's Legacy of Self-Censorship through a Comparative Analysis of the Film Baby Face (1933) in its Censored and Uncensored Forms' by Morgan B. LockhartFrom femme fatale to cattle rancher: how Barbara Stanwyck bucked convention by Pamela Hutchinson for The GuardianBarbara Stanwyck: 10 essential films by Lynsey Ford for BFIBarbara Stanwyck's NY Times obituary Film PharmacyOld Boy (2004) dir. by Park Chan-wookKiller Joe (2012) dir. by William Friedkin-----------If you love what we do, please like, subscribe and leave a review!Original music by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

Recorded LIVE in the middle of March 2024, this episode features our host Carlo as he and his guest Todd Liebenow, host of Forgotten Filmcast, choose their loot by settling on the categories for the five films they will watch through the month. Listen to them talk about why they chose the categories they chose, and the possible films they would like to watch.After this, stay tuned for our March Loot episode sometime later, where they will share their loot and give their thoughts on these films. Listen and Join the Loot!Follow Todd and Forgotten FilmcastTodd's Blog: Forgotten FilmcastTwitter: @ForgottenFilmzForgotten Filmcast on SpotifyWatch the Live stream of this episode here!Podcast Intro/Outro: Tino Mendes & Yellow Paper - The Heist

Welcome to an all-new Films for the Void, episode #74! In this episode, Eric and Landon tackle a double feature of some of the Academy Awards' first winners for Best Picture - Frank Capra's 1934 film IT HAPPENED ONE NIGHT and William A. Wellman's 1927 film WINGS - all on the latest episode of Films for the Void!TIME STAMPS00:02:13 Wings00:18:31 It Happened One Night01:04:46 Landon's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan Gove

Las calles de la ciudad (City Streets, 1931, EE. UU.), de Rouben Mamoulian, con Gary Cooper, Sylvia Sidney y Paul Lukas. Presentación: Santos Zunzunegui Basada en una historia del novelista Dashiell Hammett, la película cuenta la historia de amor loco de una pareja de delincuentes (Gary Cooper y Sylvia Sidney) y tiene todos los elementos que más podían incomodar a la censura de la época. Juegos de traición y mentira en un universo sórdido filmado con estilizada elegancia y con imágenes atravesadas por una cierta poesía entre noches de lluvia y de niebla. El sábado se proyecta el vídeo de la presentación del día anterior.  Más información de este acto

Hey whoops we were supposed to do Heaven's Gate this week but Corbin got the flu so we're releasing this backstopped episode regarding Howard Hawks' 1931 Pre-Code sleazesterpiece SCARFACE, a movie I suggested as a historical inquiry that ended up being one of the best things we've watched for the show. Topics include: violence, incest, the movie's wild mis en scene, and some other stuff. 

Dinero fácil (Smart Money, 1931, EE. UU.), de Alfred E. Green, con Edward G. Robinson, James Cagney, Ralf Harolde y Evalyn Knapp. Presentación: Pablo Echart Nick Venizelos (Edward G. Robinson), conocido como “Nick, the Barber”, figura inspirada en dos famosos jugadores de la época, es un barbero inmigrante griego con una especial habilidad para jugar al póker y una debilidad incontrolable por las mujeres rubias. Completan el reparto Ralf Harolde, interpretando al timador Sleepy Sam, y James Cagney, en el papel del amigo del protagonista, en su único trabajo junto a Edward G. Robinson. El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

George Feltenstein of the Warner Archive joins the podcast to review four classic films released in January for the first time on Blu-ray. We're shining the projector light on the pre-code film "Faithless," (1932) where Tallulah Bankhead's riveting performance will grip you as we unravel the fabric of her character's tumultuous journey from riches to rags.  Next, we waltz through the restoration brilliance of "The Prince and the Pauper" starring the charismatic Errol Flynn and the Mauch twins.  Then we horse around with the timeless hilarity of the Marx Brothers in "A Day at the Races." We wrap up with the jazzy musical "A Cabin in the Sky," starring Ethel Waters, Eddie Anderson, and Lena Horne, and with appearances by Duke Ellington and Louis Armstrong.  It's a fantastic start to 2024 for fans of classic films.  We provide a review of each film,  the restoration, and all of the extras to help you decide if you want to add it to your physical media collection.Purchase links:A DAY AT THE RACES (1937) Blu-rayTHE PRINCE AND THE PAUPER (1937) Blu-rayCABIN IN THE SKY  (1943) Blu-rayFAITHLESS  (1932) Blu-ray The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog GroupOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. www.otakumedia.tv

El enemigo público (The Public Enemy, 1931, EE. UU.), de William Wellman, con James Cagney, Jean Harlow y Edward Woods. Presentación: Manuel Hidalgo El mafioso Tom Powers (James Cagney), inspirado en las figuras de gangsters reales de la época, manifiesta una afición desmedida por el alcohol y el dinero, se burla de las autoridades y ejerce una violencia feroz. Concebida como si fuera una crónica del nacimiento del gangsterismo en Estados Unidos al amparo de la ley seca, la película supuso la consagración de su protagonista. En 1949, al ser reestrenada, le fueron eliminados diez minutos, hasta dejarla en los 84 actuales, para cortar episodios que retrataban a un gangster real (Bugs Moran). El sábado se proyecta el vídeo de la presentación del día anterior.Más información de este acto

The last year of the Pre-Code era! This episode we talk about the Three Stooges, a steamy wig movie, a proto-French New Wave drama, the quintessential romantic comedy, a proto-Shane Black Christmas detective movie, and Peter Lorre's English language debut!  You can watch along with our video version of the episode here on Youtube! You can check out our Instagram, Twitter, and other social media crap here: http://linktr.ee/1w1y And you can watch and form your own opinions from our 1934 Films Discussed playlist right here!   One Week, One Reel Woman Haters Our Feature Presentation The Scarlet Empress L'Atalante It Happened One Night The Thin Man The Man Who Knew Too Much   See you next year!

Throughout the interview, Dr. Carnahan and Dr. Bredesen delve into the complexities of Alzheimer's disease, debunking misconceptions and offering hope to those affected. The conversation provides valuable insights into the scientific breakthroughs that are revolutionizing our understanding and treatment of this debilitating condition. Key Points Why are there no drugs currently that reverse dementia but there are many options that involve diet, lifestyle, and supplements that can cause remarkable improvement through the RECODE program and PRECODE programs Learn all the details about a multi-step approach designed to reverse the effects of subjective cognitive impairment (SCI), mild cognitive impairment (MCI) and early Alzheimer's disease. If you are struggling to change diet and need help there is a new program to help you eat healthier called Keto Flex

Top 5: Pre-Code Horror Movies Ranked - Ray Taylor ShowShow topic: Dive into the haunting era of pre-code horror with Ray Taylor on this spine-tingling episode of the Ray Taylor Show! Before the Motion Picture Production Code reined in the wild imaginations of filmmakers, the screen was graced with unparalleled, unfiltered terror. Join Ray as he navigates the murky waters of this bygone era, ranking the most chilling pre-code horror films that still give us the shivers. From the grotesque circus of 'Freaks' to the unseen terror of 'The Invisible Man', every film is a relic of untamed cinema. Are you brave enough to venture forth? Subscribe, comment, and see if your favorite made the list. And remember... in the realm of pre-code, anything goes.JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Ray Taylor Show - Full Week Ad Free (Audio+Video)Live Painting ArchiveEarly Access to The Many FacesMember Only Discounts and DealsPodcast Back Catalogue (14 Shows - 618 Episodes)Ray Taylor's Personal BlogCreative WritingAsk Me AnythingDaily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links

Claire and Gavia celebrate the magnificent Pre-Code classic Shanghai Express (1932), starring Marlene Dietrich and featuring Anna May Wong in her most iconic role. Directed by Josef von Sternberg, this atmospheric drama follows a group of international train passengers who are taken hostage during the Chinese Civil War.

Episode 850-Accidental Secret Origins, Marvel's Gang War, Pre-Code Punch, Crows in One Basket, Final Orders-MIDLIFE OR HOW TO HERO AT FIFTY #1 & CANARY #1Sneak Peek at Next Week w/ Kyle & Drew-HEXAGON BRIDGE #1 & WONDER WOMAN #1Buy the revolutionary Magic Mind productivity drink, the ultimate solution to boost your focus, energy, and productivity. Made from all-natural ingredients, this drink is designed to enhance your cognitive function and provide you with sustained energy throughout the day, without the crash often associated with caffeine-based products. Go to https://www.magicmind.co/comicsfunprofit And get up to 56% off your subscription for the next 10 days with our code CFPThank you so much for listening and spreading the word about our little comic book podcast.   Patreon https://www.patreon.com/comicsfunprofit  Merch https://comicsfunprofit.threadless.comYour Support Keeps Our Show Going On Our Way to a Thousand EpisodesDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/ 

Toys, toys, toys. This week on the Vintage RPG Podcast, we look at the new Dungeons & Dragons toys released as part of Super7's ReAction Figures line. As with other ReAction toys, these are old style figures with five points of articulation, in the mode of Kenner's original Star Wars toys. Deliciously, these figures are based on some iconic characters from the covers of D&D books — the Efreeti from the Dungeon Masters Guide, the Sorceress from the Erol Otus Basic Set and the Githyanki from the Fiend Folio. We also chat a bit about The Worst line and their recent Pre-Code horror comic figures. Its a good time to love weird ass toys! * * * Stu's book, Monsters, Aliens, and Holes in the Ground is up for pre-order now! Get in Regular or Deluxe, but maybe consider getting it via Bookshop, yea? Hang out with us on the Vintage RPG Discord! If  you dig what we do, join us on the Vintage RPG Patreon for more roleplaying fun and surprises! Patrons keep us going! Like, Rate, Subscribe and Review the Vintage RPG Podcast!

As it's currently Pre-Code April - that time of year where we celebrate that most lawless period in cinema history - I thought I'd take the opportunity to delve into the Secret History archive, and present a special episode I made a very long time ago - in fact it was the second Secret History Of Hollywood special - Sex In Monochrome, the story of the saucier side of Pre-Code cinema. Remember that all twelve of the Secret History Of Hollywood series, including this one, plus the first part of THIN: The Thin Man Story, and a full preview of the upcoming new episode of Cary, are all available to access at patreon.com/attaboysecret or follow the link in the show notes of this episode. It's very simple to sign up, only takes a moment, and you'll have instant access to hundreds more hours of Hollywood's glorious, curious history. Hopefully see you there soon! The Hollywood of the 30's and 40's is commonly known as The Golden Age of Hollywood, a time when foundations were built, techniques refined, and legends were born, but The Golden Age was built upon the bones of another generation; a liberal, free-spirited time when Hollywood creatively defied the censors, and let its imagination run free. Sex was an integral part of film-making from the very beginning, appearing on film just a year after its inception, and remaining one of the most popular, and controversial subjects during the birth of cinema.  In this special episode of 'Attaboy Clarence', we'll take a look at some of the keystones of sex in cinema, the men and women who were the first sex symbols, and the tragic figures who were its first casualties.  The sex. The lies. The films. The scandals. And the force that finally brought Hollywood to heel in the mid-thirties.  If you've enjoyed this episode, and would like to aid in its creation, then please consider becoming a patron of the shows! You'll earn hundreds more hours of bonus content, including ALL complete series' of The Secret History of Hollywood, as well as bonus documentaries, extra listening, movie commentaries, and much more! Simply go to www.patreon.com/attaboysecret and choose the tier you'd like to access or CLICK HERE Show Credits Learn more about your ad choices. Visit megaphone.fm/adchoices