Podcasts about romanies

Ep. 669B: Interlude This week, we're hitting the pause button on our usual programming. But don't worry, we've got a special treat for you—an Interlude filled with your wonderful voicemails and email, and some messages from Heather herself. We hope you enjoy this little break with us, and we can't wait to be back with you next week! --------------------------------------------------------------- Per : “'Gypsies' have been stereotypical outcasts in the British imagination for centuries. But this has little to do with real history of Romanies (ethnonym). A good book to read is David Cressy: Gypsies: An English History. Below are several reviews of it. I also found Sara Hemsley's blog post (also below) but it merely repeats the stereotypes." If you want to hear some of the marvelous music Dr. Silverman studies, please scroll down on   from   from  Other book mentioned •   CraftLit's socials: • Find everything here: • Join the newsletter: • Podcast site: • Facebook: • Facebook group: • Pinterest: • TikTok podcast: • Email: • Check out the list of previous CraftLit Classics here:   Support the show links: Subscribe to the Premium feed (on the app) here: or on Patreon: (same price, $5/month)   • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

À Marseille s'est ouvert cette semaine et jusqu'au 4 septembre une exposition sur ceux que l'on appelle improprement les roms, les gitans ou les tsiganes et qui préfèrent le terme de communautés romanis. Ils exposent leur richesse et leur histoire au Mucem, le Musée des civilisations d'Europe et de la Méditerranée. Un événement qui vise à déconstruire les stéréotypes et qui s'intitule «Barvalo». « Barvalo ». Un mot qui signifie à la fois richesse et fierté, c'est le terme choisi par l'une des cinq commissaires, Julia Ferloni, pour intituler cette exposition. « On voulait pour l'exposition quelque chose qui témoigne de la fierté des populations romanies. Et la langue romani en est un exemple. Une langue standardisée, enseignée à l'université. Il y a des poètes et des écrivains », indique la commissaire.Tout aussi important le projet. Dépasser les stéréotypes, l'exotisme, la stigmatisation de ceux que l'on appelle péjorativement Tsiganes, Gitans, Manouches et qui préfèrent le terme de Romani. Pour cela, Jonah Steinberg, anthropologue et initiateur de cette exposition, a composé un comité scientifique majoritairement romani avec des chercheurs, artistes et militants. « Trop souvent, les représentations des populations romanies ont été faites par des autres, sans la voix des populations romanies », dit-il.Quelque 200 œuvres et documents sont présentés. Des artistes ont été mis à contribution. Parmi eux, Gaby Jimenez. Il a créé un musée du gadjo, le gadjo étant une personne non-romani. Drôle et grinçante, cette œuvre est le miroir du racisme. « Moi, j'ai inversé ce miroir-là en recréant de toutes pièces une culture, qui s'appelle la culture des gadjés. De la préhistoire à sa sédentarisation. En créant des stéréotypes autour de faits quotidiens. Il boit du vin, il mange du pain, il utilise des outils en pierre. Il a inventé le feu avec des allumettes. Beaucoup d'humour dans ce musée-là... »Les Romanis, négligés par l'HistoireL'exposition se veut historique. Une histoire qui a trop souvent négligé les Romanis. Au grand regret de la foraine et militante, Sylvie Debart. « Quand mon grand-père est allé se battre sous les drapeaux, il n'était pas majeur. Il avait falsifié ses papiers d'identité pour pouvoir combattre. On ne lui a pas dit 'toi, le p'tit gitan, tu rentres chez toi'. Et après, quand ils ont été démobilisés, ces gens-là, on les laisse sur le bord de la route. Ils n'ont plus de caravanes, ils n'ont plus de chevaux. Et on s'aperçoit que nos parents, nos grands-parents qui ont combattu, ne sont pas reconnus alors qu'ils ont aidé à sauver la France. » La mémoire des peuples romanis est une longue suite de persécutions. L'exposition revient sur l'Holocauste nazi. Des centaines de milliers de déportés. Peut-être même un million de morts, selon certains historiens. Anna Migra-Kruszelnicka est directrice adjointe du European Roma Institute for Arts and Culture, associé à cette exposition. « Quand la guerre s'est terminée, la plupart des mécanismes, y compris les lois qui nous avaient envoyé dans les camps de concentration, ont perduré. Et ce n'est qu'au milieu des années 1980 que les autorités allemandes ont reconnu leur responsabilité dans l'holocauste des Romanis. »Arrivés d'Inde il y a dix siècles, les Romanis sont entre dix et douze millions de personnes disséminés en Europe. Et, dernier stéréotype qui tombe, l'immense majorité est sédentaire.

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021) shows how relationships between racial identities, jazz, and national belonging become entangled in France. Jazz manouche—a genre known best for its energetic, guitar-centric swing tunes—is among France's most celebrated musical practices of the twentieth and twenty-first centuries. It centers on the recorded work of famed guitarist Django Reinhardt and is named for the ethnoracial subgroup of Romanies (also known, often pejoratively, as “Gypsies”) to which Reinhardt belonged. French Manouches are publicly lauded as bearers of this jazz tradition, and many take pleasure and pride in the practice while at the same time facing pervasive discrimination. Jazz manouche uncovers a contradiction at the heart of France's assimilationist republican ideals: the music is portrayed as quintessentially French even as Manouches themselves endure treatment as racial others. In Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (U Chicago Press, 2021), Siv B. Lie explores how this music is used to construct divergent ethnoracial and national identities in a context where discussions of race are otherwise censured. Weaving together ethnographic and historical analysis, Lie shows that jazz manouche becomes a source of profound ambivalence as it generates ethnoracial difference and socioeconomic exclusion. As the first full-length ethnographic study of French jazz to be published in English, this book enriches anthropological, ethnomusicological, and historical scholarship on global jazz, race and ethnicity, and citizenship while showing how music can be an important but insufficient tool in struggles for racial and economic justice. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Photographer Libuše Jarcovjáková documented her own turbulent life, and minorities such as homosexuals and Romanies, in the final decades of communism in Czechoslovakia. Some of her best known pictures come from an underground gay and lesbian bar in Prague called T-Club. In those years Jarcovjáková had no real hope of showing her often raw, black and white work publicly. However she eventually did find acclaim, including through a major 2019 exhibition in France's Arles that really made her name internationally.

Jack Dorsey comes on to discuss his projects, the current state of Twitter, Hallelujah and Hoffmann, ihrams and Romanies and vasopressors and iodine.

Today we're going back to the Regency with 2020's Emma.! Join us as we learn about pinkie rings, marriage customs, Roma stereotypes, and more! Sources: Church of England, "Marriage" https://www.churchofengland.org/prayer-and-worship/worship-texts-and-resources/common-worship/marriage  The Book of Common Prayer, and Administration of the Sacraments, and Other Rites and Ceremonies of the Church, According to the Use of the United Church of England and Ireland... (Oxford: Oxford University Press, 1840) https://google.com/books/edition/The_Book_of_Common_Prayer/ba89AAAAcAAJ?hl=en&gbpv=1  Richard Crider, "Emma's Anglican Wedding," Christianity and Literature 28, no. 2 (1979): 34-39. https://www.jstor.org/stable/44310592   Rebecca Probert, "Control over Marriage in England and Wales, 1753-1823: The Clandestine Marriages Act of 1753 in Context," Law and History Review 27, no.2 (2009): 413-450. https://www.jstor.org/stable/40646019  Wendy Kennett, "The Place of Worship in Solemnization of a Marriage," Journal of Law and Religion 30, no.2 (2015): 260-294. https://www.jstor.org/stable/24739206   https://ew.com/awards/oscars/emma-costumes-alexandra-byrne/  Victoria & Albert Museum, examples of early 1800s wedding fashion: 1820s dress https://collections.vam.ac.uk/item/O63393/wedding-dress-unknown/  1820 veil https://collections.vam.ac.uk/item/O359432/wedding-veil-unknown/  1807 dress https://collections.vam.ac.uk/item/O1261897/wedding-dress-unknown/ 1818 fashion plate https://collections.vam.ac.uk/item/O711008/bridal-dress-fashion-plate-unknown/  """Harriet Innes-Ker (née Charlewood), Duchess of Roxburghe ('London Fashions for September 1806, taken Authentically from the full & half dresses of the Dutches of Roxborough as worn by her Grace on her Marriage in August last')"" published by John Bell, published in La Belle Assemblée or Bell's Court and Fashionable Magazine etching and line engraving, published 1806 7 1/4 in. x 5 1/4 in. (185 mm x 134 mm) paper size; acquired unknown source, 1930; Reference Collection NPG D47501 https://www.npg.org.uk/collections/search/portrait/mw279713/Harriet-Innes-Ker-ne-Charlewood-Duchess-of-Roxburghe-London-Fashions-for-September-1806-taken-Authentically-from-the-full--half-dresses-of-the-Dutches-of-Roxborough-as-worn-by-her-Grace-on-her-Marriage-in-August-last?LinkID=mp160026&role=art&rNo=7 " David Cressy, "Trouble with Gypsies in Early Modern England," The Historical Journal 59, no.1 (2016): 45-70. https://www.jstor.org/stable/24809837   Yaron Matras, "The Historical Position of British Romani," in Romani in Britain: The Afterlife of a Language, 57-94 (Edinburgh University Press, 2010). https://www.jstor.org/stable/10.3366/j.ctt1r23jh.8  Colin Clark, "'Severity has often enraged but never subdued a gipsy': The History and Making of European Romani Stereotypes," in Role of the Romanies: Images and Counter Images of 'Gypsies'/Romanies in European Cultures eds. Nicholas Saul and Susan Tebbutt, 226-246 (Liverpool University Press, 2004) https://www.jstor.org/stable/j.ctt5vjjv0.19  Slate Interview with Autumn De Wilde: https://slate.com/culture/2020/03/emma-movie-autumn-de-wilde-interview-jane-austen-beck.html Emma, Rotten Tomatoes: https://www.rottentomatoes.com/m/emma_2020 Emma, Wikipedia: https://en.wikipedia.org/wiki/Emma_(2020_film) Ellie Harrison, "Queen's Gambit Star Reveals That She Can Make Her Nose Bleed on Cue," The Independent: https://www.independent.co.uk/arts-entertainment/films/news/anya-taylor-joy-emma-queens-gambit-b1767215.html Portrait of Richard Cumberland, 1776, National Portrait Gallery. Available at https://www.npg.org.uk/collections/search/portrait/mw01669/Richard-Cumberland National Portrait Gallery, Search Results for Years 1775-1825: https://www.npg.org.uk/collections/search/portrait-list.php?search=ap&firstRun=true&title=&npgno=&eDate=1775&lDate=1825&medium=&subj=&set=&portraitplace=&searchCatalogue=&submitSearchTerm=Search Leena Kim, "The History of the Pinkie Ring," Town and Country, available at https://www.townandcountrymag.com/style/mens-fashion/a37937872/pinky-rings-meaning/ Alice Drum, "Pride and Prestige: Jane Austen and the Professions," College Literature 36, 3 (2009)

Los Romaníes, también conocidos como Gitanos, son gente nómada que viaja de un lugar a otro, no tienen patria, viven en libertad. A lo largo de la historia han sido victimas de persecución, de genocidio y odio. Acompañame a expandir tu mente con este tema interesante.Sígueme en redes sociales

Nowadays, the word Gypsy might sound derogatory. Not in Spain. They are part of the culture and heritage. Related to the Romanies, them are two different worlds apart, not only in traditions but also in locations. In this episode, Fran and Jorge explain their origins, differences, and why they came as far as the Iberian Peninsula. If you want to learn about it and how they have become part of the society, listen to this podcast. For sure you will be surprised! Happy listening!

Nowadays, the word Gypsy might sound derogatory. Not in Spain. They are part of the culture and heritage. Related to the Romanies, them are two different worlds apart, not only in traditions but also in locations. In this episode, Fran and Jorge explain their origins, differences, and why they came as far as the Iberian Peninsula. If you want to learn about it and how they have become part of the society, listen to this podcast. For sure you will be surprised! Happy listening!

In this episode, historian Ari Joskowicz discusses “The Age of the Witness and the Age of Surveillance: Romani Holocaust Testimony and the Perils of Digital Scholarship,” which appears in the October 2020 issue of the AHR. Joskowicz is Associate Professor of History, and of Jewish Studies and European Studies at Vanderbilt University, where he also directs the Max Kade Center for European and German Studies. His publications include the 2014 book The Modernity of Others: Jewish Anti-Catholicism in Germany and France. He is currently at work on a project that explores the entangled histories of Jews and Romanies in twentieth-century Western and Central Europe and in the U.S. and Israel. Joskowicz spoke with AHR consulting editor Lara Putnam.

Regular stringer report from Roman Risa in Bratislava. - Pravidelný telefonát týždňa kolegu Romana Rišu z Bratislavy.

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

The Holocaust claimed anywhere between 500,000 and 1.5 million Romani lives, a tragedy the Romani people and Sinti refer to as the Porrajmos, or “the Devouring.” Notwithstanding the scope of the catastrophe, the Romani genocide was often ignored or minimized until Ian Hancock and others exposed this misfortune. A Romani-born British citizen, activist, and scholar, Hancock has done more than anyone to raise awareness about the Romani people during World War II. Now a professor at the University of Texas at Austin, Hancock is presented here as part of the Holocaust Living History Workshop, a partnership between Judaic Studies at UCSD and the UC San Diego Library. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 28100]

Has Austria learnt its lesson from history? What about Austria’s part of responsibility for the Holocaust? Developments on the local level indicate the country’s temper very well. Efforts to remembrance of Sinti and Roma, who were deported to Concentration Camps … Weiterlesen →

In 1939 the national socialist authorities createt a so-called gipsy camp in Salzburg. About 230 Sinti and Romanies werde imprisoned there. Men, women and children were forced into hard labour. Later on, they were deported to extermination camps. The existence … Weiterlesen →