Podcasts about shewing

In Episode 6, In this powerful episode, we enter the Eighth Revelation of Julian of Norwich—a devastating yet holy vision of Christ's dying. Julian beholds the gradual drying of Christ's body, a slow agony revealing the depths of divine love. She reflects on His thirst—both physical and spiritual—and joins in His suffering through a profound union of compassion. Drawing on Isaiah, the Gospel of John, the Catechism, and the witness of mystics like St. Bridget and St. Teresa of Calcutta, this episode explores the mystery of redemptive suffering. Julian's witness offers not only theological depth but an invitation to gaze upon the Crucified with love and trust. The post Ep 6 – The 8th Shewing – All Shall Be Well w/ Kris McGregor – Discerning Hearts Catholic Podcasts appeared first on Discerning Hearts Catholic Podcasts.

In Episode 5, we explore Julian of Norwich's Sixth and Seventh Shewings, where she is shown the eternal joy that awaits those who serve God in love, and the mysterious rhythm of spiritual consolation and desolation. Julian reveals that no act of agape love is forgotten, and even our hidden sacrifices are honored by the Lord with lasting joy. She also experiences the rise and fall of spiritual feelings, learning that God remains constant in both peace and pain. Her revelations echo truths later taught by St. Ignatius of Loyola: that spiritual desolation, while permitted, is never without purpose. Through it all, Julian teaches us to remain rooted in God's unchanging love—trusting that His presence holds us through every joy and trial The post Ep 5 – The 6th and 7th Shewing – All Shall Be Well w/ Kris McGregor – Discerning Hearts Catholic Podcasts appeared first on Discerning Hearts Catholic Podcasts.

All Shall Be Well: A Journey Through Julian of Norwich's Revelations of Divine Love with Kris McGregor Episode 4: The Fourth and Fifth Shewings — Blood, Mercy, and the Triumph of Christ Summary: In this episode we enter the Fourth and Fifth Shewings, where Julian beholds the Precious Blood of Christ poured out in love, not ... Read more The post Ep 4 – The 4th and 5th Shewing – All Shall Be Well w/ Kris McGregor – Discerning Hearts Catholic Podcasts appeared first on Discerning Hearts Catholic Podcasts.

[powerpres All Shall Be Well: A Journey Through Julian of Norwich's Revelations of Divine Love with Kris McGregor Episode Three: The 2nd and 3rd Shewing — Desire, Prayer, and Trust in God’s Hidden Work Summary: In Episode 3, we explore Julian's Second and Third Shewings, where the vision of Christ's suffering and the image of “God in ... Read more The post Ep 3 – The 2nd and 3rd Shewing – All Shall Be Well w/ Kris McGregor – Discerning Hearts Catholic Podcasts appeared first on Discerning Hearts Catholic Podcasts.

All Shall Be Well: A Journey Through Julian of Norwich's Revelations of Divine Love with Kris McGregor Episode Two: The First Shewing — Love Poured Out and the Mystery of the Trinity Summary: In this second episode, we enter into Julian's First Shewing—a profound vision of Christ's Passion that opens us to the mystery of the Trinity, ... Read more The post Ep 2 – The First Shewing – All Shall Be Well w/ Kris McGregor – Discerning Hearts Catholic Podcasts appeared first on Discerning Hearts Catholic Podcasts.

Rev. Cyril A. Stevens – Sermon 0046B recorded on April 29, 1979 teaching from Luke 8:1-15 – Preaching and Shewing the Glad Tidings of the Kingdom of God – The Sower. Pastor Cyril A. Stevens preaches on Luke 8:1-15, focusing on Jesus’ ministry of proclaiming the good news of God’s Kingdom. Stevens unpacks the parable of…

église AB Lausanne ; KJV Luke 8 And it came to pass afterward, that he went throughout every city and village, preaching and shewing the glad tidings of the kingdom of God: and the twelve were with him, And certain women, which had been healed of evil spirits and infirmities, Mary called Magdalene, out of whom went seven devils, And Joanna the wife of Chuza Herod's steward, and Susanna, and many others, which ministered unto him of their substance. And when much people were gathered together, and were come to him out of every city, he spake by a parable: A sower went out to sow his seed: and as he sowed, some fell by the way side; and it was trodden down, and the fowls of the air devoured it. And some fell upon a rock; and as soon as it was sprung up, it withered away, because it lacked moisture. And some fell among thorns; and the thorns sprang up with it, and choked it. And other fell on good ground, and sprang up, and bare fruit an hundredfold. And when he had said these things, he cried, He that hath ears to hear, let him hear. And his disciples asked him, saying, What might this parable be? And he said, Unto you it is given to know the mysteries of the kingdom of God: but to others in parables; that seeing they might not see, and hearing they might not understand. ...

The Shewing-up of Blanco Posnet

Dedicated by Mourad Shehebar for Refuah Shelemah of Chaya Sarah Bat Simcha

Thank you for listening to this sermon from Fellowship Baptist Church. To learn more visit fbcpanamacity.com.

8.20.22 Impact Kairos | "Until The Day Of Shewing" | Rev. Cornelius Williams by The Rock Church of Fort Myers

Bible Studies w/Russ Bonus Study - Shewing By The Scriptures That Jesus Was Christ (Sermon)

Rev. Cyril A. Stevens – Sermon 0046B recorded on April 29, 1979 teaching from Luke 8:1-15 – Preaching and Shewing the Glad Tidings of the Kingdom of God – The Sower.

Sermon by Dave Sweigart A Communion service message from 1 Corinthians 11:17-34. 1. What is Communion? - Represents my highest devotion and allegiance to Jesus Christ. -Commemorates the suffering and death of Jesus Christ. 2. Why do we have Communion? -Memorial service - as long as Christians live, they need these reminders of what Jesus did for them. 3. What Communion is not. -Not a time to air divisions. Calls for unity. Lay down issues. Do express concerns properly. -Not a strictly social event. Not a physically enriching meal. -Not to be done unworthily.

Constantine Costi is a director, writer and the co-artistic director of Red Line Productions at the Old Fitz working across opera, film, and theatre. He was named one of the 21 hottest creatives of 2021 by The Australian.Most recently Constantine directed Handa Opera on Sydney Harbour La Traviata for Opera Australia, as well as Verdi's Requiem for Ensemble Apex and Phoenix Central Park, and is currently preparing a Kurt Weill Double Bill for The Old Fitz Theatre of Mahagonny Songspiel and The Seven Deadly Sins.In 2020 he directed the feature film A Delicate Fire for Pinchgut Opera based on the madrigals of Barbara Strozzi, wrote the libretto of a new Australian opera Cassandra for Victorian Opera by composer Simon Bruckard, directed Monochromatic; a video series of piano portraits for Phoenix Central Park, and directed an online Don Giovanni production for the Shanghai Opera with Maestro Xu Zhong.Constantine has also directed Karakorum starring David Wenham (Australian Brandenburg Orchestra); the award-winning production of Bittersweet Obsessions, and Messiah which played to standing ovations and sell-out seasons in Sydney, Melbourne and Brisbane; Puccini's Suor Angelica (Opera Projects Sydney); and Il Tabarro at Alfie's Sydney.Constantine has directed revivals of Harry Kupfer's Otello (OA), Il Viaggio a Reims (Dutch National Opera, OA and Royal Danish Opera), Sir David Mc Vicar's Vienna State Opera production of Falstaff(National Centre of Performing Arts, Beijing); and La Traviata (OA).He also assistant directed productions of Ring Cycle (Chen Shi-Zheng) and Wozzeck (Salzburg Festival, OA, Canadian Opera Company, Metropolitan Opera); Hunde Gottes (Schauspielhaus Vienna); and The Marriage of Figaro (OA). Constantine has also worked with director Chen Shi-Zheng as assistant director of Puccini's Turandot (OA, Handa Opera on Sydney Harbour), as well as co-directing Werther with director Elijah Moshinsky (OA).Other work includes directing and co-creating the world premiere of jazz musical The Overcoat (Belvoir's 25A); co-writing the immersive theatre experience Visiting Hours (Vivid Festival); and directing The Space Between the Fuel and the Fire (NIDA).Constantine is the recipient of The Berlin New Music Opera Award with The Opera Foundation for Young Australians where he worked with Komische Oper Berlin's directing team on the premiere of Tchaikovsky's Eugene Onegin directed by Barrie Kosky.Other directing credits include: The Hypochondriac, The Shewing-up of Blanco Posnet (NIDA); Young Artist's Program Showcase (Opera Australia); Thomas Arne's The Sailor's Return (Nagambie Lakes Opera Festival); The Master and Margarita after Bulgakov (Aboriginal Centre of the Performing Arts); Accidental Death of an Anarchist by Dario Fo (Zenith Theatre); and The Canterbury Tales by Chaucer (George Georgiou Inc). Constantine has previously been a member of the Belvoir Artists' Workshop and was affiliate director with Griffin Theatre.Constantine's screen credits include: music videos, I Know What You're Hiding (Hedge Fund) and Into My Arms (Bloods) for Triple J Unearthed; and the short films Ferguson & Daisy & Ursula, andDonny.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Shewing all good fidelity; that they may adorn the doctrine of God our Saviour in all things. Titus 2:10. {OHC 274.1} Everyone who names the name of Christ is to adorn the doctrine of Christ our Saviour by a well-ordered life and a godly conversation, even the ornament of a meek and quiet spirit.... Possessing this, you will have favor both with God and with men. {OHC 274.2} Words spoken hastily wound and bruise souls, and the deepest wound is made upon the soul of the speaker. Christ's gift, the ornament of a meek and quiet spirit, is authoritatively declared by Him who can make no mistake to be of great price. We must each find out its worth for ourselves by seeking it from God. However men may estimate us, if we wear this ornament, we bear the sign of our discipleship with Christ. We are esteemed by the Most High; for the ornament we wear is in His sight of great price. This precious gem is to be sought for.... {OHC 274.3} To every soul things will come to provoke, to stir up anger, and if you are not under the full control of God, you will be provoked when these things come. But the meekness of Christ calms the ruffled spirit, controls the tongue, and brings the whole being into subjection to God. Thus we learn how to bear with the censure of others. We shall be misjudged, but the precious ornament of a meek and quiet spirit teaches us how to bear, how to have pity for those who utter hasty, unadvised words. Any unpleasant spirit displayed is sure to arouse the demon of passion in unguarded hearts. Unholy anger need not to be strengthened, but bridled. It is a spark which will set on fire untamed human nature. Avoid speaking words which will stir up strife. Rather suffer wrong than do wrong. God requires every one of His followers, as far as is possible, to live peaceably with all men.... {OHC 274.4} We must be Christlike. Let us strive to make our lives what Christ designs them to be, full of the fragrance of love to God and our fellow men, full of Christ's own divine Spirit, full of holy aspirations toward God, rich in the beauty of Christlikeness. {OHC 274.5} --- Send in a voice message: https://anchor.fm/tawasv/message

Shewing all good fidelity; that they may adorn the doctrine of God our Saviour in all things. Titus 2:10. Everyone who names the name of Christ is to adorn the doctrine of Christ our Saviour by a well-ordered life and a godly conversation, even the ornament of a meek and quiet spirit.... Possessing this, you will have favor both with God and with men. Words spoken hastily wound and bruise souls, and the deepest wound is made upon the soul of the speaker. Christ's gift, the ornament of a meek and quiet spirit, is authoritatively declared by Him who can make no mistake to be of great price. We must each find out its worth for ourselves by seeking it from God. However men may estimate us, if we wear this ornament, we bear the sign of our discipleship with Christ. We are esteemed by the Most High; for the ornament we wear is in His sight of great price. This precious gem is to be sought for.... To every soul things will come to provoke, to stir up anger, and if you are not under the full control of God, you will be provoked when these things come. But the meekness of Christ calms the ruffled spirit, controls the tongue, and brings the whole being into subjection to God. Thus we learn how to bear with the censure of others. We shall be misjudged, but the precious ornament of a meek and quiet spirit teaches us how to bear, how to have pity for those who utter hasty, unadvised words. Any unpleasant spirit displayed is sure to arouse the demon of passion in unguarded hearts. Unholy anger need not to be strengthened, but bridled. It is a spark which will set on fire untamed human nature. Avoid speaking words which will stir up strife. Rather suffer wrong than do wrong. God requires every one of His followers, as far as is possible, to live peaceably with all men.... We must be Christlike. Let us strive to make our lives what Christ designs them to be, full of the fragrance of love to God and our fellow men, full of Christ's own divine Spirit, full of holy aspirations toward God, rich in the beauty of Christlikeness.49Letter 117, 1899. OHC 274.1 - OHC 274.5 --- Send in a voice message: https://anchor.fm/tawasv/message

Shewing why Grace in the heart is better then unnecessary Disputes in the head, together with rules how to manage Disputes and Controversies without prejudice to Grace.SERMON LII. That there is a work of God upon a mans heart, which is called Grace- And why inward holinesse is called Grace.SERMON LIII. Characters and Properties of a Gracious man

Turn to and read Psalm 78:1-7 . We will not hide them from their children, Shewing to the generation to come The praises of the Lord , and his strength, And his wonderful works that he hath done. That they might set their hope in God, And not forget the works of God, But keep his commandments: In the…

Can you shew them Jesus by the scripture?

Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience. With Sir Jonathan Bate Provost of Worcester College, University of Oxford Sarah Haggarty Lecturer at the Faculty of English and Fellow of Queens' College, University of Cambridge And Jon Mee Professor of Eighteenth-Century Studies at the University of York Producer: Simon Tillotson.

Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience. With Sir Jonathan Bate Provost of Worcester College, University of Oxford Sarah Haggarty Lecturer at the Faculty of English and Fellow of Queens' College, University of Cambridge And Jon Mee Professor of Eighteenth-Century Studies at the University of York Producer: Simon Tillotson.