Podcasts about co artistic directors

In this episode, Broadway performer Chantelle Good discusses the pressing issues within the performing arts industry, emphasizing that representation alone is insufficient and highlights the importance of valuing the hard work of performers. She shares insights into the daily life of a Broadway performer, the challenges of being a swing, and the necessity of fostering empathy and compassion.Chantelle also shares a funny “swing” story and shares one of her wildest dreams. This episode is for you if you're ready to question the status quo, embrace the messiness of growth, and reimagine what leadership and success can look like in the performing arts.Timestamps & Topics00:00 Representation in the Arts03:03 Valuing the Work of Performers06:14 The Life of a Broadway Performer08:56 Challenging Toxic Norms 11:48 Embracing Mistakes 17:13 The Journey of a Swing20:07 Dreams Beyond Broadway24:05 Empathy and Compassion About ChantelleChantelle Good is a performer, choreographer, and teaching artist who is currently performing in MJ The Musical on Broadway. Based in Brooklyn, New York, her performance credits include Punchdrunk's Sleep No More and Freddie Falls in Love at the Joyce Theater. She has also danced for artists including JLo, Snoop Dogg, and H.E.R., as well as companies including Still Motion, Loni Landon Dance Project, and The Forest of Arden. Chantelle also works in the non-profit sector as the Co-Artistic Director of TOES FOR DANCE and the Programs Director of Share The Movement. She also enjoys sharing her knowledge and passion for dance as a teaching artist and guest choreographer for institutions and programs across North America. She continues to deepen her learning around decolonizing teaching practices, in order to foster inclusive environments for her students and cultivate community whenever possible.

In today's episode, Chantelle shares about her journey to becoming a swing on Broadway, the importance of setting boundaries in performance spaces, and learning to use your voice. Chantelle and Jess discuss the unfortunate prevalence of body image issues in the performing arts community and practice navigating conversations about the topic. This episode is for you if you're questioning how to advocate for yourself in professional settings or looking to reclaim your individuality in an industry that hasn't always felt like it was for you.*This episode includes a conversation about body image that may be triggering for some. If this is a sensitive topic for you, feel free to pause around 26 minutes in and come back for part two.* Timestamps & Topics00:00 Chantelle's Human Bio 02:00 Chantelle's Journey to Broadway04:10 Life as a Swing on Broadway05:58 Unexpected Career Paths09:24 Audition Experiences and Sleep No More11:23 Setting Boundaries in Performance12:35 Evolving as an Artist14:53 Navigating Body Image and Self-Expression18:23 Mission Statement as an Artist19:47 Balancing Commercial Work and Artistic Integrity22:28 Unlearning and Embracing Individuality26:11 Experiences with Nudity in Performance32:12 The Importance of Community34:46 Challenging Body Talk in the ArtsCome back from Part 2!About Chantelle: Chantelle Good is a performer, choreographer, and teaching artist who is currently performing in MJ The Musical on Broadway. Based in Brooklyn, New York, her performance credits include Punchdrunk's Sleep No More and Freddie Falls in Love at the Joyce Theater. She has also danced for artists including JLo, Snoop Dogg, and H.E.R., as well as companies including Still Motion, Loni Landon Dance Project, and The Forest of Arden. Chantelle also works in the non-profit sector as the Co-Artistic Director of TOES FOR DANCE and the Programs Director of Share The Movement. She also enjoys sharing her knowledge and passion for dance as a teaching artist and guest choreographer for institutions and programs across North America. She continues to deepen her learning around decolonizing teaching practices, in order to foster inclusive environments for her students and cultivate community whenever possible.

“I think during my formative years, shying away from my true self – my authentic self – that's definitely shaped how I approach being in front of choirs, using choir as a platform to really encourage kids to be themselves. I think there's a vulnerability to singing where it really is an avenue to accessing the truest parts of ourselves, and so that's kind of my life mission now that I get to be in front of choirs.”Chris Maunu is a conductor, educator, and composer dedicated to inspiring young singers and shaping the future of choral music. Based in Portland, Oregon, he serves as Artistic Director of the acclaimed Pacific Youth Choir, Affiliate Faculty at Portland State University, and Artistic Director of the professional ensemble Choro in Schola. Previously, he spent 17 years as the Director of Choral Activities at Arvada West High School in Colorado and 7 years as Co-Artistic Director of the professional Anima Chamber Ensemble. A four-time GRAMMY® Music Educator of the Year Finalist and two-time CMA® Foundation National Music Teacher of Excellence honoree, Chris is a passionate advocate for music education. Choirs under his direction have received national and international acclaim, performing at over a dozen major conferences, including National and Regional ACDA events. His ensembles have earned prestigious honors such as the American Prize in Choral Performance and the Gold Diploma at the Rimini International Choral Competition.In high demand as a guest conductor and clinician, Chris recently conducted the 2025 National 11-12 HS Honor Choir at the National ACDA Conference in Dallas, TX to great acclaim. As a composer, his award-winning works have been performed worldwide. He also serves as editor of the Pacific Youth Choir Choral Series with Pavane Publishing. An active member of NAfME and ACDA, Chris is the NWACDA Chair for Community Youth Choirs and frequently presents at both the regional and national levels. His writings appear in the Choral Journal, and he is a contributing author to A Choral Conductor's Companion.Chris holds a Master of Music degree from the University of Nebraska-Lincoln and a Bachelor of Music Education from Northern State University. Most importantly, Mr. Maunu shares his life with his beautiful wife Aleisha, and their children Bodhi and Astraea.To get in touch with Chris, you can find him on Facebook (@chris.maunu) or Instagram (@chrismaunu) or visit his website, chrismaunu.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Welcome to a special series of Art Pays Me interviews with the winners of the 2024 Creative Nova Scotia Awards. Presented annually by Arts Nova Scotia and the Creative Nova Scotia Leadership Council, these awards celebrate artistic excellence across Mi'kma'ki. This would not be possible without the fantastic production work of Heist and Keke Beatz. On this episode I spoke with Emerging Artist Award recipient, Susanne Chui.  A central figure in Halifax's contemporary dance community, Susanne became Co-Artistic Director of Mocean Dance in 2012. With Mocean, Susanne has developed roles in works by Heidi Strauss, Serge Bennathan, Tedd Robinson, Lesandra Dodson and Claire French, and co-created Burnwater: Alchemy with Erin Donovan (Hear Here Productions). Susanne trained professionally at the School of Toronto Dance Theatre and was based in Toronto from 1999-2007. During that time she danced for many independent choreographers and extensively with Yvonne Ng, with whom she toured to Singapore in 2005. She was a founding member of TILT: sound + motion dance company, where she had the pleasure of performing works by some of Canada's finest choreographers including, Robert Abubo, Marie-Julie Asselin, Bill Coleman, Lesandra Dodson, Deborah Dunn, Sasha Ivanochko, Sharon Moore, and Heidi Strauss. Since returning to Halifax, Susanne has become immersed in the dance community collaborating with dance artists Jacinte Armstrong, Lesandra Dodson, Veronique MacKenzie, Gwen Noah Dance, Phin Performing Arts, as well as with SiNS, a collective she co-founded in 2005 with Jacinte Armstrong and Sara Coffin. Susanne collaborates across disciplines, working regularly with master musician Jerry Granelli and teaching at Creative Music Workshop, an annual improvisation-based summer program. As a choreographer she has received funding from Canada Council for the Arts and Arts Nova Scotia and her works have been presented in Moncton, Toronto and in Halifax by Kinetic Studio and the TD Halifax Jazz Festival. She was the first recipient of Kinetic Studio's Explorations Choreographic Scholarship and was the 2012 recipient of the Diane Moore Creation Scholarship. In 2016 she received the Lieutenant Governor of Nova Scotia's Masterworks Award, for her role as a dancer in Mocean's Canvas 5 x 5, choreographed by Tedd Robinson. An active arts manager, Susanne has worked in various roles in the arts community. She has served on the boards of Live Art Dance Productions, Kinetic Studio and the Legacy Centre for the Performing Arts, and participated on various committees and juries including Arts Nova Scotia, City of Halifax, Nova Scotia Talent Trust and the Canadian Dance Assembly. She is a member of Dancer Transition Resource Centre, Canadian Alliance of Dance Artists and Canadian Dance Assembly.

The Colorado Theatre Guild president joins the guys to talk about the year ahead and more. Plus, our Top 10 Colorado Headliners.In this episode of the OnStage Colorado Podcast, Toni Tresca and Alex Miller welcome guest host Betty Hart. As the president of the Colorado Theatre Guild, Co-Artistic Director at Boulder's Local Theater and avid show-goer, Hart has a unique perspective on — and deep knowledge of —theatre in the state.Later in the show, we review our weekly lists of Top 10 Colorado Headliners — upcoming shows to keep an eye out for. This week's list: Pippin, Fort Lewis College, Durango, April 11-19Seams, The Agenda Theatre, Buntport Theater, Denver, April 11-26New Faces Rd. 1, Comedy Works Downtown, Denver, April 16-May 28Denver's Got Talent, RISE Comedy, Denver, April 19Raw Groove Presents: Life of the Party, Manos Sagrados, Aurora, April 19Happily Ever After, Windsor Community Playhouse, April 11-27Little Women, Main Street Live, Trinidad, April 18-27Field Trip!, Control Group Productions, Denver - Colfax areaThe Hot Wing King, Denver Center, April 25-May 25These Shining Lives, Thunder River Theatre Company, Carbondale, May 2-18OnStage Colorado Podcast - April 15th Episode OutlineIntroduction (00:01 - 02:20)• Hosts Alex Miller and Tony Tresca introduce special guest Betty Hart• Betty's roles: President of Colorado Theater Guild, Co-Artistic Director at Local Theater CompanyRecently Seen Shows (02:21 - 15:46)• Betty discusses nine shows she recently saw (02:55 - 06:37)• Discussion of "The Wiz" at the Buell Theatre (06:38 - 12:00)• Alex discusses "The White Chip" from Boulder Ensemble Theater Company (12:01 - 15:46)Discussion About Theatre Criticism (15:47 - 19:34)• Betty questions reviewers about their criteria for excellence• Conversation about what constitutes a "new" theatrical experienceMore Recently Seen Shows (19:35 - 22:06)• Alex mentions finishing "The White Lotus" TV series• Discussion about weekly vs. binge-watching TV showsTony's Recent Show Experiences (23:51 - 29:08)• "Inheritance Kitchen" immersive theater experience (23:51 - 26:00)• Chinese mystery game Jubensha in Louisville (26:01 - 29:08)• "Bright Star" at Candlelight Dinner Playhouse (29:09 - 33:15)Theatre News (33:16 - 36:37)• Leadership changes at Colorado Springs theaters (33:16 - 34:41)• Colorado Springs Fine Arts Center season announcement (34:42 - 36:37)Media Recommendations & Theater Discourse (36:38 - 44:14)• Freakonomics podcast series on theater (36:38 - 37:37)• Discussion about giving feedback to friends after seeing their shows (37:38 - 44:14)Colorado Theater Guild Updates (44:15 - 52:48)• Unified Auditions on May 4-5 at Aurora Fox Arts Center (44:15 - 48:31)• State of Colorado theater post-pandemic (48:32 - 54:42)• New CTG initiatives regarding theater safety (54:43 - 57:48)Local Theater Company's Local Lab (57:49 - 1:06:01)• Overview of the 14th annual Local Lab festival (57:49 - 59:56)• Discussion of featured plays: o "Batshit" by Stephen Burge (59:57 - 1:01:35)o "A Bedtime Story for Black Boys on the Moon" by Kori Alston (1:01:36 - 1:03:00)o "Bloodsucking Leech" by Amy Tofte (1:03:01 - 1:06:01)Colorado Headliners - Upcoming Shows (1:09:10 - 1:20:27)Wrap-Up and Announcements (1:19:34 - 1:22:08)• Upcoming website content (1:19:34 - 1:20:27)• Podcast scheduling changes - moving to bi-weekly format (1:20:28 - 1:22:08)• Information about the next episode on social media in theater (1:20:28 - 1:21:27)

Join "Dance Talk” ® with Joanne Carey  and special guests: Duke Dang, Executive Director of Works & Process and Alison Manning, Co-Executive Director of Harkness Dance Center.In this episode of "Dance Talk” ®, host Joanne Carey chats with Duke Dang, and Alison Manning, about their organizations upcoming collaboration: the Uptown Rhythm Dance Festival. The festival is a collaborative project aimed at celebrating various forms of rhythm dance. Alison and Duke discuss the festival's programming, community engagement, and the importance of inclusivity and accessibility in dance. The dialogue highlights the festival's diverse lineup of artists, workshops, and the significance of dance in fostering community connections. Get your tickets, you won't want to miss this festival!Alison Manning is the former Executive Director and Co-Producer of The Yard on Martha's Vineyard, from 2008-2020. She is founding Co-Artistic Director and Choreographer of DanceTheYard, The Yard's year-round professional dance company, with choreographic partner and company Co-Artistic Director Jesse Keller Jason. Alison is a passionate Horton teacher and an avid tap and rhythm dancer and advocate. She discovered her love for the Horton technique as a scholarship student at Jacob's Pillow, working with the great Milton Myers, and has continued studying with mentors Mr. Myers, Kristina Berger, Karen Gayle and other lauded Horton Teachers through the years. She taught the technique on Faculty at The Yard each summer, and as a guest teaching artist at NYU Steinhardt School, Wesleyan Univeristy, Peridance Capezio Center, and STEPS on Broadway. In addition to teaching, Alison dances and performs with The Bang Group and has worked for The Peggy Spina Tap Company, Xodus Dance Collective, Kinodance company among others. She is the current President of the Marymount Manhattan College Dance Advisory Board as well as a member of the Adjunct Faculty. She graduated Magna Cum Laude from said institution with a BFA in Modern Dance and a Minor in Art History. Alison lives in New York City with her wife and four children and is honored to be shepherding the Harkness School of Dance during this exciting time at The 92nd Street Y, New York.https://www.92ny.org/Duke Dang is the executive director of Works & Process, a performing arts organization that champions and resources artists and their creative process from studio-to-stage by partnering with over a dozen residency centers across Massachusetts, New Jersey, and New York to provide fully-funded residencies and presents iteratively at the Guggenheim Museum, Lincoln Center, The New York Public Library for the Performing Arts, and SummerStage.  Works & Process was honored with a 2021 Dance Magazine Award and nominated in 2021 and 2022 for the APAP William Dawson Award for Programmatic Excellence and Sustained Achievement. Born at a UN refugee camp in the Philippines to Vietnamese parents seeking political asylum, Duke immigrated to California growing up with the assistance of Section 8 housing vouchers, food stamps, and attending Head Start. Prior to Works & Process, Duke worked at the J. Paul Getty Museum, Smithsonian American Art Museum, Glimmerglass Festival, and Sydney Theatre Company. He earned in BA in Art History from Boston University and MA in Performing Arts Administration from New York University.To Find out about Works & Process ⁠https://www.worksandprocess.org/ To get your tickets to Uptown Dance Festivalhttps://www.92ny.org/event/uptown-rhythm-dance-festival“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/...⁠ ⁠Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Richard Chamberlain (1934-2025) Richard Wolinsky and Richard Chamberlain outside the KPFA studios, June 10, 2003. Richard Chamberlain, who died on March 29, 2025 two days before his 91st birthday, in conversation with host Richard Wolinsky, recorded June 10, 2003 while on tour for his memoir, Shattered Love. Richard Chamberlain achieved fame as the heart-throb star of the 1960s medical drama Doctor Kildare, and went on to a successful career as an actor in the TV miniseries The Thorn Birds and the original Shogun, as well as the Richard Lester Three Musketeers films and Peter Weir's The Last Wave, as well as other TV series and films. He also was on the Broadway stage in a revival of My Fair Lady, and toured with several shows. In 2003, he chose to come out of the closet in his memoir, Shattered Love, in which he discussed his years of self-loathing and his later spiritual awakening. The interview concludes with a discussion of the political scene in 2003, which bears a clear relationship with what is happening in Washington D.C. today.   Michael Moran, Co-Artistic Director, Oakland Theater Project Michael Socrates Moran, Executive and Co-Artistic Director of the Oakland Theater Project in conversation with Richard Wolinsky, recorded via computer, March 26,2025. Michael Moran is one of the founders of Oakland Theater Project, formerly Ubuntu Theatre Project. He is also the director of “I Am My Own Wife” by Doug Wright, playing at Oakland Theater Project through April 13, 2025. In this interview he discusses the origins of the company, how it fared during the pandemic, and the upcoming season. Complete Interview   Review of “Fat Ham” at San Francisco Playhouse through April 19, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Eddie Izzard Hamlet, April 1-20 Strand. Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare CompanJulius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Six. April 22-27. See website for other events. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, Extended to April 6, 2025. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project.  I Am My Own Wife by Doug Wright, March 21 – April 13, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Joseph and the Amazing Technicolor Dreamcoat, April 10-19. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: Pet Lingerie, a new musical, March 21- April 6. See website for New Works Sunday night readings and other events. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Art by Yazmina Reza, through April 12. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino  Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post April 3, 2025: Richard Chamberlain – Michael Socrates Moran appeared first on KPFA.

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core. Learn more about your ad choices. Visit megaphone.fm/adchoices

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention.  The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

Michael Socrates Moran, Executive and Co-Artistic Director of Oakland Theater Project, in conversation with Richard Wolinsky. Michael Moran is one of the founders of Oakland Theater Project, formerly Ubuntu Theatre Project. He is also the director of “I Am My Own Wife” by Doug Wright, playing at Oakland Theater Project through April 6, 2025. In this interview he discusses the origins of the company, how it fared during the pandemic, and the upcoming season. The post Michael Socrates Moran, Oakland Theater Project appeared first on KPFA.

The UK's most celebrated Hip-Hop dance theater company, Boy Blue, presents the U.S. premiere of Cycles at Lincoln Center's Rose Theater, March 27, 28 & 29 at 7:30 pm. Now in the 24th year of their professional partnership, our guests are Co-Founders and Co-Artistic Directors of Boy Blue, Choreographer Kenrick Sandy, MBE, and Composer Michael Asante, MBE. For more, visit boyblue.co.uk and lincolncenter.org.

As the Co-Artistic Director of Streb Extreme Action she ziplined across the Park Avenue Armory, scaled the walls of the Bergdorf building and danced on the spokes of the London Eye. Cassandre was born and raised in Brooklyn, New York. Her investigation in movement began at the age of four with the sport of gymnastics. Over a span of twenty years as a competitive gymnast, she earned several state and regional titles. She graduated from Cornell University with a B.A. in English Literature and studied journalism at Temple University's graduate communications program. She joined STREB in 2007 as an instructor and company member. In September 2017, Cassandre Joseph was appointed Associate Artistic Director of STREB Extreme Action, and also oversees SLAM's education program. Cassandre has been the Creative Director of the STREB Kid Company since 2010 for which she has choreographed and self-produced three evening length works: Heroes (2015), Momentum (2016) and Navigation (2017). She is a strong believer in the transformative power of movement and is passionate about empowering young people to push boundaries and expand their notions of what is possible. When she is not seen in a rehearsal, teaching classes or creating action events at SLAM, she can be found training her daughter Nia to be a mini-action hero.

“A big part of being a musician is believing in yourself and saying ‘yes' to the little opportunities that come your way. Sometimes we can get down on ourselves. We think, ‘I'm not cut out for that.' Believe in yourself and what you can do, no matter what the situation... Don't be afraid to say ‘yes,' to try out for that show or audition for that ensemble. Encourage your students to do the same thing because you never know where those opportunities are going to take you.”Jessica Koenig loves sharing her passion for music and the relationships it forges with people of all ages and backgrounds. She joined choir at the age of 9 and has never stopped singing! At age 17 she was selected as a featured soloist during Pope John Paul II's visit to St. Louis. Jessica went on to receive her BS in Music Education from William Jewell College in 2003. After several moves, she spent 13 years teaching general music at a private K-8 school where her children's choir consistently had 60-80 students. They were featured in choral festivals, twice performed the Star Spangled Banner at Harlem Globetrotters games, and led music at countless church services.Jessica accepted a public middle school choir position in 2022 in order to reach a more dynamic group of families. During her second year there, her treble ensemble was one of two middle school choirs to achieve a Superior-Plus rating at the Illinois Grade School Music Association's State Organization Festival and also shared the stage with the Rockford Symphony Orchestra. Jessica's choirs are known for their pure sound and strong tonality.She became the Co-Artistic Director of Kantorei in 2024. Kantorei is the premier 4th-12th grade community choir in Rockford, IL. This organization is committed to offering an excellent choral education to all students who love to sing without the barriers of cost and is funded completely on donations. Jessica lives in Rockford, IL with her three talented children. Find more information about Kantorei at kantorei.com.To get in touch with Jessica, you can e-mail her at jessica.leigh.koenig@gmail.com or visit kantorei.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

EP - 5: On Let's Talk: Passion & Purpose, host Nicole Thomas welcomes the dynamic and accomplished Laura Canty-Samuel, a four-time Emmy-nominated TV writer, award-winning comedian, and Co-Artistic Director of the Upright Citizens Brigade Theater (UCB) in NYC. This inspiring conversation dives into Laura's creative journey, her passion for storytelling, and how she balances a thriving career in comedy, writing, and the arts while inspiring others to livepurposefully.

Join us as we talk with Dan Guin, Co-Artistic Director of Boca Ballet Theatre, about their Advanced Summer Performance Workshop. This five-week program offers dancers the unique opportunity to work directly with artistic directors from top ballet companies, gaining invaluable experience and exposure. Dan shares how the workshop has become a launchpad for professional careers and what makes it such a standout summer experience. You can learn more about the Advanced Summer Workshop on their website. Links: Ballet Help Desk Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art!  Support the show

Jaclyn Bethany is an Emmy award winning filmmaker, writer and actor based in New Orleans, Louisiana. She has been committed to creating art and telling stories exploring complex women, the intimacy of female friendship, sisterhood and queerness from the female perspective. Some upcoming film projects include "Delusion “- a short film in collaboration with Adult Film NYC, “In Transit,” written by Alex Sarrigeorgiou and featuring Jennifer Ehle and Francois Arnaud, and “All Five Eyes,” which she co-wrote with Greta Bellamacina, featuring Bellamacina and Honor Swinton-Byrne. In this episode she talks about her role as the Co-Artistic Director of The Fire Weeds, a female driven immersive theater company based in New Orleans, and her endeavor to present new theater, and new approaches to old theater, in a place where “new” takes some getting used to. She also discusses what she learned as an actor that helps her directing, why she's so fascinated by Tennessee Williams, the importance of a “child-like” approach to the work, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Bonnie Whiting is a percussionist, composer, and educator based in Seattle. She's the Chair of Percussion Studies at the University of Washington and the Co-Artistic Director of the Seattle Modern Orchestra. In her work, she seeks out projects involving the speaking percussionist, non-traditional notation, improvisation, and interdisciplinary performance. Stephen Anthony Rawson sits down with Bonnie at her studio at the University of Washington. They talk about pieces from her speaking percussionist repertoire, the music of John Cage, narratology in music, her project Through the Eye(s), and more!

October 4 - 20, 2024Written by Erlina OrtizDirected by Tatyana-Marie CarloIn association with Edgewood EntertainmentA Philadelphia PremiereJosefina is a stand-up comic from Philadelphia coming to terms with the recent death of her mother, as well as her sister's sudden illness, just as her comedy career is taking off. Written by Philadelphia's own Erlina Ortiz, Co-Artistic Director of Power Street Theatre, this funny and touching new play features sidesplitting stand-up as it explores sisterhood, caregiving, and the search for balance between career and family. La Egoísta is a comedy about being selfish in pursuit of your dreams but selfless with the people you love. Winner of the National Latine Playwrights Award. A Philadelphia premiere.FOR MORE INFROMATION: https://philadelphiatheatrecompany.org LINKS: ARTICLE: https://splashmags.com/index.php/2023/03/la-egoista-review-sisters-forever/#gsc.tab=0 ACTORS THEATRE of LOUISVILLE - https://www.actorstheatre.org/shows/2022-2023/la-egoista/ Erlina Ortiz Wins ATC's 2022 National Latine Playwrights Award - https://www.prweb.com/releases/Erlina_Ortiz_Wins_ATC_s_2022_National_Latine_Playwrights_Award/prweb18860394.htm

David Peace on his new novel, Munichs, about the plane crash that transformed Manchester United. Katie Posner, Co-Artistic Director of Paines Plough theatre company and Daniel Evans, Co-Artistic Director of the Royal Shakespeare Company discuss the new plays crisis in theatre. Matt Hemley, Deputy Editor of The Stage, reports on the cancellation of a new production of A Midsummer Night's Dream at the Royal Exchange Theatre in Manchester. Artist and author Edmund De Waal, chair of judges for the Booker Prize 2024, reflects on this year's shortlist. Manish Chauhan on his shortlisted story, Pieces, for this year's National Short Story Award.Presenter: Nick Ahad Producer: Ekene Akalawu

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: https://www.adamgrantwarren.com/ https://realwheels.ca/disability-tour-bus/ About Adam: Now based in Vancouver, Adam was born and raised in Newfoundland, Canada. He started writing professionally in his early twenties, as a radio columnist for the CBC Morning Show. In that time, he also became Newfoundland's youngest ever winner of both the Arts and Letters Award for Fiction, and the George Story Medal of Excellence in the Arts. Adam then moved west to study – and eventually teach – at Vancouver Film School. His films have since screened as official selections at festivals including California's Newport Beach Film Festival, the National Screen Institute's Online All-Star Reel, and the Vancouver International Film Festival – where Float took home the honours for Best Canadian Short in 2012. In 2016, Conocerlos: Get to Know Them earned him his first BC Film Award nomination for Best Screenwriting. In dance, Adam is an associate artist with All Bodies Dance Project. His choreography and collaborations have featured at festivals including Vancouver's 12 Minutes Max, Victoria's SKAMpede, and Calgary's Fluid Festival. His current residency at The Dance Centre finds him working alongside TJ Dawe, Su-Feh Lee, and longtime collaborator Naomi Brand on a new solo piece: Good Bully. Beyond his residency, Adam is also part of New Works' CanDance Exchange and Propeller's Digital Disability and Dance initiative in Ottawa. In the theatre, Adam is a Jessie Award winning actor whose west coast performance highlights include productions of his own shows, Last Train In and Lights, as well as Touchstone Theatre's Kill Me Now, and Realwheels Theatre's CREEPS. Looking ahead, his latest play, Saturday Nights at Axles, is in development at Realwheels, where he is now Co-Artistic Director. About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing a stirring tale of love, hope and miracles with the Royal Shakespeare Company's production of Pericles at the Swan Theatre in Stratford-upon-Avon with description by Professional Audio Describers Ellie Packer and Carolyn Smith.  About the RSC production of Pericles: Swept away on an epic voyage of storms and shipwrecks, abduction and devastating loss, Pericles is adrift in an ocean of grief. Will he ever see his family again? ‘O you gods! Why do you make us love your goodly gifts, And snatch them straight away?' When Prince Pericles solves a riddle set by the King, he knows the answer could get him killed. Fleeing for safety, he finds himself swept away on an epic voyage that will see him battle princes, marry his true love and become a father. But this is also a journey of storms and shipwrecks, abduction and devastating loss. Adrift in an ocean of grief, will Pericles ever see his family again? Shakespeare's stirring tale of love, hope and miracles marks the RSC debut of Tamara Harvey, our Co-Artistic Director. Known for his television work including How to Get Away With Murder as well as his acclaimed stage work including Red (Wyndham's), Romeo in Romeo and Juliet (Shakespeare's Globe) and Orlando in As You Like It (Soho Place), award-winning actor Alfred Enoch plays the title role. There will be another audio described performance of Pericles at the Swan Theatre in Stratford-upon-Avon on Thursday 12 September at 7.30pm and to find out more about this and other audio described performances including details of general access  at the RSC do visit - https://www.rsc.org.uk/your-visit/access (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Meet the two new co-artistic directors of Baton Rouge Ballet Theatre as host Pam Bordelon visits with Rebecca Acosta and Jonna Cox, both of whom started dancing at a very young age and have big plans to carry out the legacy they've inherited.

Tom Petsinis is a novelist, playwright, and poet. He was born in Macedonia, Greece, and immigrated to Australia as a child. He lives in Melbourne and works as a mathematics co-ordinator at Deakin University. He has published several collections of poetry, including Sonnets: Offerings from Mount Athos, My Father's Tools, Steles, Isolation, and Four Quarters, which won the Wesley Michel Wright Poetry Prize. His play The Drought was short-listed for the Victorian Premier's Literary Award and won the Wal Cherry Award. His novels include The Twelfth Dialogue and The French Mathematician, nominated for both the New South Wales and South Australian Premier's Award. His recent novels are Fitzroy Raw and Fog. The Australia Council for the Arts has awarded him a Writers' Fellowship and a Residency at the B.R. Whiting Library in Rome. He also been a Creative Fellow at the State Library of Victoria and a writer-in-residence in Lavigny, Switzerland. Tom's work has been translated into several languages. His latest collection of poetry is Zero's Whisper and his latest play is Zorba's Last Dance.Dimitrios Koutsoukos is an actor with a diverse range of credits. Television and film credits include Kick, Neighbours, Noah's Ark, and Crackerjack. He has appeared in numerous short films, including Bulk Bill (VCA), Apply Yourself  (Art of the State) and Short Change (48 Hour Film Fest Award Winner). Beyond film and television, Dimitrios has performed in theatre productions such as The Greeks (La Mama Collaborations) and Heart Thy Neighbour (Melbourne International Comedy Festival). His training includes The Film Space, St. Kilda Acting Company, and Tony Nikolakopoulos' Kali Techni Theatre Company. He has served as the Co-Artistic Director of the Greek Australian Short Film Festival (GASFF).  Here, he reads extracts from Tom Petsinis's new play, Zorba's Last Dance, and also joins Tom Petsinis in reading poems from Zero's Whisper.Tom Petsinis's work is available here: https://scholarly.info/?s=Tom+Petsinis&post_type=productProduction and Interview: Tina Giannoukos  

Today on Evil Thespian we are joined by Jaclyn Bethany and Lin Gathwright, Co-Artistic Directors of The Fire Weeds. As a new female focused theatre company offering bold interpretations, their upcoming production is titled Outraged Hearts. A new immersive take on Tennessee Williams, Outraged Hearts features two early prototypes for The Glass Menagerie and A Streetcar named Desire (Pretty Trap and Interior: Panic). It comes to NYC after a successful run in New Orleans in association with The Tennessee Williams and New Orleans Literary Festival, and is being co-produced in NYC by Tony nominated Future Home Productions. We're here to talk about it! Listen for an excellent conversation on all things Ten, along with some excellent insight into a production that makes itself culturally significant both in artifice and honesty. This is gonna be a special one, folks! Get tickets to OUTRAGED HEARTS HERE Follow The Fire Weeds today! IG: @thefireweeds Follow Jaclyn Bethany! IG: @jaclyn_bethany Follow Lin Gathwright! IG: @lingathwrightbunnylove

 "Together we can create a world where arts and culture are recognized and invested in as essential to society, embedded in community life, and intersecting with broader policy change to reshape systems towards equity and justice." - Julie BakerJoin us as we kick off our second season, celebrating the vibrant and resilient arts and culture scene that shape our community. This season, we bring you highlights from the second annual California Arts & Culture Summit, organized by our partner California for the Arts, with the theme "Art Work is Real Work."In our premiere episode, don't miss the inspiring opening ceremony and keynote sessions with Nefesha Yisra'el the Director of Programs from California for the Arts, Leticia Rhi Buckley, the CEO for LA Plaza de Cultura y Artes, Julie Baker, the CEO for both California for the Arts and California Arts Advocates along with keynote speaker Nataki Garrett the Co-Artistic Director of One Nation / One Project Arts for Every Body. They delve into the critical topics of advocacy, cultural equity, artist support, and the transformative power of the arts in promoting health and empathy.Tune in and discover the economic significance of the arts and the urgent need for sustained funding. Be inspired by stories of how art addresses societal issues and fosters a more empathetic world.To find out more information about our guests and their respective organization's programs, and services, how to volunteer and make a donation please visit our episode landing page with links to resources for the arts and culture sector. And if you have been enjoying the show, please leave us a rating and review on the podcast platform of your choiceWe welcome your participation in our next virtual and live in-person community dialogue event. You can also watch this episode on our YouTube Channel and please Sign Up for our Newsletter to stay up to date on future episodes and to participate in our next live show. We would love to hear from you with feedback and show ideas, so send us an email to george@georgekoster.comPlease consider donating to Voices of the Community - Voices of the Community is fiscally sponsored by Intersection for the Arts, a 501(c)(3) nonprofit organization, that allows us to offer you tax deductions for your contributions. Please consider making a donation to help us provide future shows just like this one. Delve deeper into our Voices of the Community Series: explore episodes, speakers, organizations, and resources on our dedicated page. Watch and learn from all five series now!

Join us for an engaging and insightful journey into the world of theater with Clare Drobot, Co-Artistic Director at City Theatre in Pittsburgh. Clare shares her experiences as a dramaturg, playwright, and leader, offering a unique perspective on the creative process. In this podcast, you'll discover how Clare draws from her extensive background to discuss the intricacies of developing new plays and curating successful seasons. Tune in as she reflects on her experiences, shares anecdotes, and provides valuable insights for aspiring artists.

Show notes below:   Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2024 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links:   Raven Spirit Dance: https://ravenspiritdance.com/   About Starr:   Starr Muranko is dancer/choreographer, Mother and Co-Artistic Director with ​Raven Spirit Dance. As a choreographer she is most interested in the stories that we carry within our bodies and Ancestral connections to land that transcend time and space. Her work has been shared locally and nationally including the Dance Centre, Talking Stick Festival, Coastal Dance Festival, Dancing on the Edge, Native Earth Performing Arts, Weesageechak Begins to Dance, Impact Festival and InFringing Dance Festival.  Featured works include Chapter 21, Spine of the Mother and before7after as well as recent collaborative work Confluence and her current research for a new piece Tracing Bones.    A proud company dancer with the Dancers of Damelahamid since 2005, she has toured across Canada and internationally and trained under the guidance and mentorship of the late Elder Margaret Harris. She is currently Artist-in-Residence at Ballet BC alongside colleague and longtime collaborator Margaret Grenier. Starr has facilitated workshops through ArtsStarts, Vancouver Aboriginal Friendship Centre, Native Education College and Vines Art Festival and holds a BFA in Dance from SFU's School for the Contemporary Arts. She honours and celebrates her mixed Ancestry of Omushkegowuk Cree (Moose Cree First Nation – Treaty 9), French and German in all of her work.  www.ravenspiritdance.com   About Tara:   Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

I would like to believe I attract heart-centered individuals to work with. I create a sense of safety in the rooms, empowerment and we are in service of the text. I pick plays that are going to take us on a journey that we all want to go on; that we're all going to leave a little bit better; that we're going to share with our audience, and we're all going to leave the experience a little bit better than when we came. That's my hope. ~ Janet MitchkoJanet Mitchko is the Artistic Director at The Public Theatre, an Equity theatre located in Lewiston, Maine. She considers herself lucky to have spent most of her life earning a living in the theatre. Executive/Co-Artistic Director Christopher Schario will be retiring at the end of this season and her title has been changed from Co-Artistic Director to sole Artistic Director of The Public Theatre. An Executive Director has been hired as we pursue a new leadership model.

Todd and Chris sit down with our beloved contributor Anthony Sertel Dean as well as Rob Neill, Co-Artistic Director of the New York Neo-Futurists, to talk about their show The Infinite Wrench, a theatrical race against the clock akin to the mechanics of ARC.  Check out the New York Neo-Futurists: https://www.nyneofuturists.org/ https://www.nyneofuturists.org/hit-play And be sure to catch them in their new venue at 154 Christopher St in New York City! Dungeons and Drama Nerds is produced by Todd Brian Backus, Percival Hornak, and Nicholas Orvis, and this episode was mixed and edited by Percival Hornak. Our theme music is by Anthony Sertel Dean, and our logo art is by Todd Brian Backus. Season Three features contributions from Christopher Diercksen, Ben Ferber, Kory Flores, Tess Huth, Romana Isabella, Leo Mock, Jon Jon Johnson, and Dex Phan.   Our ARC campaign features Jovane Camaaño as Silt, Anthony Sertel Dean as Deniz, Romana Isabella as Gorm, Nick Orvis as Twili, Dex Phan as Lemon Sprinkle, and Todd Brian Backus as The Guide.    If you'd like to help us continue exploring the intersection of theatre and tabletop roleplaying games, consider leaving us a review on your podcast app of choice or supporting us - and getting access to our patron-only bonus content - at patreon.com/dungeonsanddramanerds. You can find our social media and website links, including our cast bios, at our linktree. Be sure to tune in next week for another episode of Dungeons and Drama Nerds!

[TW//OCD, POCD, Obsessions, Compulsions] Actor Ria Fay's anxiety, panic, fear, intrusive thoughts and compulsions were out of control. The pandemic proved to be a challenging period for the world, but it was especially harrowing for those dealing with Obsessive Compulsive Disorder (OCD). Ria has suffered OCD symptoms since aged 5 and today she provides a poignant and powerful account of what it's like to live with untreated OCD, recounting how her condition reached it's lowest point during the pandemic, posing a significant threat to her acting career. However, this low point became the catalyst for Ria's remarkable recovery. With the support of her loved ones, she managed to conquer her demons. Through this ordeal, Ria learned that even in the darkest moments, you can discover inner strength and freedom and she shares it all to help anyone struggling with OCD, anxiety, worry and intrusive thoughts. Approximately 1-2% of the population in the UK, or around three-quarters of a million people, are affected by OCD, although the actual numbers could be higher due to many keeping their condition hidden. More on Ria - Ria is Co-Artistic Director of Concept Theatre graduating from East 15 Acting School. She is about to appear in The Polar Express in Edinburgh this Christmas and this summer produced the theatre show SONS which sold out at both Vault Festival and Brighton Fringe and has since been nominated for an OffFest award. She has worked with OCD Action & performed her show "I'm Just a Little Bit OCD". The show later toured London in 2022 to Southwark Playhouse, Chickenshed and The Cockpit with support from Arts Council England and The National Lottery Community Fund. She recently recorded "Director of Me", for Radio 4, detailing a month in the life of someone with OCD. Topics - 0:00 Intro 02:27 Ria's rock bottom 12:00 The emotional strain of OCD 14:15 What is OCD? 16:10 Obsessions, intrusive thoughts & seeking reassurance 20:15 The subsets/themes of OCD 24:25 What Is Pedophile OCD? 28:50 The power of sharing your intrusive thoughts 31:26 Breaking the stigma surrounding OCD 33:45 Managing compulsions 38:15 What's the cause of Ria's OCD? 39:50 The role of medication/therapy in OCD recovery 47:35 Dealing with the acting industry & OCD For information and support Ria recommends - https://ocdaction.org.uk https://www.ocduk.org https://www.treatmyocd.com/ This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Ria Instagram - https://instagram.com/riafay Facebook - https://www.facebook.com/Riafay94 Twitter/X - https://x.com/RiaFay9 Concept Theatre - https://www.concepttheatre.co.uk Follow Oliver Instagram - https://bit.ly/3IemHLY Threads - https://bit.ly/3svw7yL Facebook - http://bit.ly/3w8S1Gx LinkedIn - http://bit.ly/3kp4ymC TikTok - https://bit.ly/3YGLsYm Twitter - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/49SJeeo Apple - https://apple.co/3PajZvQ YouTube - https://bit.ly/49RrCj1 or search 'School of Rock Bottom' where you listen to your podcasts.

This week on Outrage + Optimism our hosts discuss the leaked documents revealing how Adnoc, the Abu Dhabi National Oil Company and Dr. Sultan were planning to use COP 28 meetings with other countries to promote deals for its national oil and gas companies. With Dr Sultan set to give his speech on Thursday, our hosts ask what needs to happen to restore the faltering trust in his presidency and avoid derailing the COP agenda at such a vital time.  Our guest this week is Nathaniel Stinnett who founded the Environmental Voter Project, which targets inactive environmentalists, transforming them into consistent voters to build the power of the environmental movement, something which may prove critical given the news that Trump would scrap the landmark IRA and BIL legislations if elected. To close this week's episode, we have Chris Redmond, Co- Artistic Director of Hot Poets with his poem ‘Blink', with a beautiful musical accompaniment by The Tongue Fu Band (music written by Riaan Vosloo). The poem was commissioned by 3M as part of a series of poems in collaboration with UNFCCC's Resilience Frontiers.    NOTES AND RESOURCES   GUEST Nathaniel Stinnett, Founder & Executive Director of the Environmental Voter ProjectTwitter | LinkedIn | Facebook | Instagram ARTIST Chris Redmond, Artistic Director - Hot Poets (the film of ‘Blink' will be released on Thursday 30 November on YouTube and across Hot Poets channels) Website | Facebook | Twitter | Instagram | YouTube | TikTok The Tongue Fu Band Twitter | Instagram   Learn more about the Paris Agreement.   It's official, we're a TED Audio Collective Podcast - Proof! Check out more podcasts from The TED Audio Collective   Please follow us on social media! Twitter | Instagram | LinkedIn

Have you ever dreamed of being famous? Imagined what it would be like to have all your dreams come true? Recognition, adoration, basking in the limelight. Sounds wonderful, doesn't it? But dig a little deeper and you'll find that “The Road To Fame” is a prickly path, filled with twists & turns, backstabbing & betrayals. Experience a captivating journey into fame as the performers of Letters Aloud bring to life personal and illuminating letters from renowned figures like Stephen King, Dorothy Parker, Vincent Van Gogh, Emily Dickinson, Bruce Lee, Oprah Winfrey, and Tom Hanks, and explore the steep cost and evolving nature of what it means to be “famous” from those who have traversed its path. A riotously funny, movingly poignant, and thought-provoking experience brought to life by a gifted ensemble of professional actors, with live musical accompaniment, and a dynamic slide show, “Before They Were Famous” is a show that leaves audiences with smiles on their faces and much to discuss on their drive home. Letters Aloud is a performing arts company that brings to life intimate, thought-provoking, and often humorous stories hidden within private letters of the past. Their performances are a unique combination of literature, theatre, and live music that celebrates the beauty of the written word and the human experience. (If you take NPR's Selected Shorts, cross it with The Moth podcast and add just a pinch of the old A Prairie Home Companion, you pretty much have their show…except, of course, with letters.) They believe that letters are more than just pieces of paper; they are windows into the past, bridges between people, and tools for empathy and connection. Reading them aloud in front of an audience makes for a truly unique and powerful collective experience. Whether you're a fan of literature, history, or simply good storytelling, we invite you to join us on a journey through the written word. Letters Aloud is a celebration of the human spirit and we look forward to sharing it with you. About the Performers: PAUL MORGAN STETLER Paul is the creator and curator of Letters Aloud and a co-founder (and former Co-Artistic Director) of Seattle's multi-award-winning New Century Theatre Company. A well-known Seattle actor, Paul has appeared on numerous local stages over the past 20 years, including ACT Theatre, Seattle Repertory Theatre, Village Theatre, Seattle Children's Theatre, Intiman Theatre, and Empty Space Theatre, as well as numerous regional theatres across the country. He holds a BA in English Literature at Cal State Northridge and an MFA in Theatre Arts from Penn State University. BASIL HARRIS Basil Harris is a Seattle actor and musician who has worked extensively on stage and in film and media. As a voice actor, he's a regular contributor to the audio dramas of Jim French's Imagination Theater. He also plays in the alt-pop band “Awesome”, which will be appearing here at Town Hall in December. More at basilharris.com CLAUDINE MBOLIGIKPELANI NAKO Claudine is an actor out of Seattle, Washington, and a core company member of the prestigious ACT Theatre where she has appeared in numerous plays and is a two-time Gregory Award Winner for her work on stage. Film/TV credits include Everything Sucks!, Raising Dion, and Outside In (Netflix); Three Busy Debras on HBO Max and Grimm on NBC. Up next: directing Stew by Nora Howard at ACT Theatre, March 15-31. RAY TAGAVILLA Ray Tagavilla is a UW Drama Program graduate and a recipient of the 2012, 2014 Gregory Award for Best Supporting Actor for Jesus Hopped the A Train and A Small Fire and 2016 for Lead Actor for The Last Days of Judas Iscariot. His most recent theater credits were Two Mile Hollow at Intiman Theater, Titanish at Seattle Public, and recent film credits were Three Busy Debras with Adult Swim/HBO Max. ALEXANDRA TAVARES Alexandra Tavares is one of Seattle's most treasured theatre actors. She most recently portrayed Caliban in Seattle Rep's The Tempest, as well as The Winter's Tale, The Odyssey, Constellations (nominated for Outstanding Actress), Three Tall Women, and The Great Moment at Seattle Rep. She is a co-founder of The Seagull Project and has performed with them as Nina in The Seagull, Masha (nominated Outstanding Actress) in The Three Sisters, and Yelena in Uncle Vanya. She holds an M.F.A. in acting from the University of Washington. JAMIE MASCHLER Jamie is a musician, music director, educator and ambassador of the accordion. She is co-founder of the Brazilian bands Foleada, En Canto, and the accordion duo Creosote. She has been heard with the Pueblo Symphony, Seattle Symphony, and Seattle Philharmonic. Jamie has also played the role of Nelly Friedman in Paula Vogel's award-winning play, Indecent, twice.

On the latest Whisper in the Wings from Stage Whisper, we welcome back the Co-Artistic Directors behind the theatre company What Will the Neighbors Say, James Clements and Sam Hood Adrain, to talk about their upcoming 8th season, and their first show kicking it off, At The Barricades. Be sure to tune into this fantastic conversation and get your tickets now for these incredible events!What Will the Neighbors Say2023-2024 (Season 8)At The BarricadesDecember 16th at 2pm and 3:30pm@ The Brooklyn Art HausTickets and more information are available at wwtns.orgAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions:wwtns.orginfo@wwtns.org@wwtnstheatre

Watch/Listen to this and all episodes ad free by joining the ITBR Patreon for only $5 a month! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/ivorytowerboilerroom Violinist-composer, Dr. Anne Sophie Andersen, enters the ITBR to discuss her take on being an entrepreneur of the New Music for Strings classical music festival and the pros and cons of following your creative career path. Andrew opens up about his fear and excitement about being an entrepreneur on the ITBR. Andrew and Anne discuss the challenges with developing partnerships in their businesses. Anne talks about the importance of enjoying your passion and developing “pleasure and pride” in your work.   Finally, Andrew and Anne discuss appreciation for the relationships they have in their lives. Checkout her personal artist website at: https://www.annesophieandersen.com/ Visit her festival website at: https://www.newmusicforstrings.org/anne-sophie-andersen Follow Anne on X, @AnneSAndersen and IG, @anne_sophie_andersen Be sure to follow The SoapBox on IG, ⁠⁠⁠⁠⁠⁠⁠@thesoapboxny⁠⁠⁠⁠⁠⁠⁠ and TikTok, ⁠⁠@thesoapboxny⁠⁠ and call or message them to get your hands on their Four For Fall products! To subscribe to The Gay and Lesbian Review visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠glreview.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, ⁠⁠@theglreview⁠⁠. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ broadviewpress.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠order. Follow them on IG, ⁠⁠@broadviewpress⁠⁠. Order and follow ⁠⁠⁠⁠⁠⁠@mandeemadeit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (on IG) mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on IG, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thatolgayclassiccinema⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and listen here: ⁠⁠https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150⁠⁠ Follow ITBR on IG, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, TikTok, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ivorytowerboilerroom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and X, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@IvoryBoilerRoom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks to the ITBR team! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Andrew Rimby⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Host/Director), ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mary DiPipi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Chief Contributor), and our Fall 23 interns (Jonathan and Sara) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support

Creating a Vision for Kathak with Rukhmani Mehta Today on Movers & Shapers, we are joined by Rukhmani Mehta (previously Rina Mehta). Rukhmani is a choreographer, dancer, educator, Artistic Director of Leela Youth Dance Company, and the Co-Artistic Director of Leela Dance Collective, which brings together leading artists from around the world to advance a collective vision for kathak, a classical North Indian dance. In this episode, Rukhmani speaks about her love for creating community through dance and her deep interest in and curiosity for collaborative projects and processes. What stands out most is Rukhmani's resounding passion for her work and art form, despite the struggles she has had along the way, as well as the thoughtfulness with which she has built her life in dance, from co-leadership of her company to teaching to creating the first-ever endowment to support kathak dance and music in the US and more. Tune in today for an inspiring conversation about the power of collaboration, community, and preserving culture! Key Points From This Episode: ·       How Rukhmani started dancing and when she fell in love with kathak. ·       What she learned about the art form from kathak master, Pt. Chitresh Das. ·       The profoundly transformational experience that studying kathak afforded her. ·       How she learned to follow her heart and commit to starting a professional dance company. ·       Steps Rukhmani took to build a life in dance, including teaching and the Leela Foundation. ·       Audience development and creating a future for kathak as an educator. ·       Unpacking Rukhmani's belief in the power of collaboration. ·       Where the name Leela comes from and how it speaks to spontaneous creativity. ·       Insight into Rukhmani's love for creating communities of young women through dance. ·       The process of building Leela as a collective and how it was impacted by COVID. ·       Joys and challenges of a dance career and what you can look forward to from Leela! ·       The heartwarming story of why Rukhmani changed her name from Rina. “My work is about being an artist and putting the art form out in the world but – it has also become about creating the infrastructure that the artists who are carrying these traditions forward need.” — Rukhmani Mehta Rukhmani Mehta brings a singular voice and vision to the art form of kathak, a classical dance genre from North India; she is a dancer, choreographer, educator, and Co-Founder/Co-Artistic Director of Leela Dance Collective.  More on this episode: Movers & Shapers Follow Movers & Shapers: Instagram and Facebook

Violist Michael Hall, described by the New Music Connoisseur as “utterly masterful,” and Chamber Music Today as having “superb technique" is a major champion for new music who has commissioned hundreds of composers over the years. In addition to global concertizing, he's also the Co-Artistic Director and the Director of Educational Programs with the Bandung Philharmonic. Simply put, Michael Hall is the best friend a composer could have. Austin Williams talks with him about his life in music and features a sample of pieces written for him.

On this episode, Jill Schafer of Cherry and Spoon and Carol Jackson and Julie Jackson of Minnesota Theater Love are joined by Suzy Messerole, the Co-Artistic Director of Exposed Brick Theatre and Signe V. Harriday, the Artistic Producing Director of Pillsbury House + Theatre. We had a great time chatting about Passage, an upcoming co-production between Exposed Brick Theatre and Pillsbury House + Theatre of which Suzy Messerole and Signe Harriday are co-directors. They talk about their respective theaters, the power in collaboration, why they're optimistic about the theater world right now, and the unusual way they became collaborators. "Set in the fictional Country X, a neocolonial client of Country Y, PASSAGE examines colonialism, power, and how societal imbalances affect interpersonal dynamics through the story of B, a local doctor, and F, an expat teacher, after their friendship is challenged during a fateful trip to a local attraction. Performances will take place at Pillsbury House + Theatre September 21 – October 15, 2023." (Pillsbury House + Theatre website)Check out the organizational partners that will be presenting talkbacks during Passage: the Million Artist Movement, "a global vision and movement that believes in the role of ART in the campaign to dismantle oppressive racist systems against Black, Brown, Indigenous and disenfranchised peoples," the Native Youth Arts Collective, "a group of Native teens and young adult artists residing in the Little Earth and East Phillips neighborhoods in Minneapolis," and AshaUSA, " a non-profit organization focused on creating healthy, happy, and harmonious South Asian communities by engaging and empowering South Asian women, men, and children through culturally specific programs and services." Also mentioned in this podcast: The history of Pillsbury House in the settlement house movement,  the book Liberated to the Bone by Susan Raffo, and the amazing synchronized swimming team: the Subversive Sirens.Twin Cities Theater Chat is produced and hosted by Carol Jackson of Minnesota Theater Love and members of the Twin Cities Theater Bloggers collective. As always, you can find the Twin Cities Theater Bloggers on Facebook and on Instagram. Read our review round-ups and go see a show today!

Tinashe Kajese-Bolden and Christopher Moses discuss their new positions as co-artistic directors of the Alliance Theatre. Plus, photographer Myrtie Cope takes the spotlight in our series, “Speaking of Art,” and we hear about the AgLanta Eats Festival.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to our conversation with Dancer and Business Coach Audra Allen-Queen.  Audra Allen-Queen, Mindset Expert & Business coach, helps dance leaders, CEO's and entrepreneurs create a sustainable and aligned business, so they can finally live the life they dreamed of when starting their business, without sacrificing themselves or doing what they love, using the Dance CEO Method. Audra is founder & CEO of The Dance CEO Coach business, which houses the Business Academy for Dancers®, the Dance CEO University™ and is host of the Dance CEO Podcast™. Audra shares with us a very useful tool for anyone, dancer or non-dancer, to get out of spinning and stuck to growing and thriving.  If you are looking for a great journaling prompt to help you move past the crap you're feeling, listen in.  We also share a bit about life as a business owner and mom.  Instagram: @thedanceceocoachFacebook: @thedanceceocoachPodcast: The Dance CEO PodcastA bit more about Audra: Audra is also co-founder of the Dance Business Owner Summit, and adjunct dance professor at the University of Southern Mississippi. She earned her Master of Fine Arts degree and College Teaching Certificate from the University of Arizona and her Bachelor of Arts degree from Colorado Mesa University. She has held the positions of Co-Artistic Director for an Arizona based dance company, Director of Dance for the Louisiana School for Math Science and the Arts and adjunct dance professor at Northwestern State University. Audra calls New Orleans, Louisiana home, where she keeps her 2 lil humans alive, along with all the house plants and her dance history book collection. You can find Audra frequently in Florida visiting her husband and his 3 lil humans, and frequenting the beach. Follow Audra on Instagram @thedanceceocoach and visit her website at the www.thedanceceocoach.comLove today's podcast?

In this episode, Adam and Budi discuss their fourth choice for The Theatre of Others Book Club, A Director Prepares by Anne Bogart.Anne Bogart was the Co-Artistic Director for 30 years of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of four Honorary Doctorates from The Royal Central School of Speech and Drama, Skidmore College, Bard College, and Cornish College. She was a recipient of a Doris Duke Performing Artist Award, the Richard B. Fisher Award, a USA Fellowship, a Rockefeller Fellowship, a Guggenheim Fellowship, and received the 2016 Alfred Drake Award from Brooklyn College. Recent works with SITI include Radio Christmas Carol, Falling & Loving, The Bacchae, Chess Match, The Theater is a Blank Page, Steel Hammer, Persians, A Rite, Café Variations, Trojan Women, American Document, Antigone, Freshwater, Under Construction, Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia; Death and the Ploughman, La Dispute, Score, bobrauschenbergamerica, Room, War of the Worlds, Cabin Pressure, The Radio Play, Alice's Adventures, Culture of Desire, Bob, Going, Going, Gone, Small Lives/Big Dreams, The Medium, Hay Fever, Private Lives, Miss Julie, and Orestes. Operas include Tristan and Isolde, The Handmaid's Tale, Alcina, Macbeth, Norma, Carmen, I Capuleti e iMontecchi, Nicholas and Alexandra, Marina: A Captive Spirit, Lilith, and Seven Deadly Sins. Bogart is the author of six books: A Director Prepares, The Viewpoints Book, And Then, You Act, Conversations with Anne, What's the Story, and most recently, The Art of Resonance.Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Meet the Powerful Journalist and Artistic Director behin this years Ora Film Festival in Italy - Silvia Bizio. Italian journalist, writer, producer Silvia Bizio has written about film from Los Angeles for the prestigious daily newspaper La Repubblica and the weekly magazines L'Espresso, D and F since 1985. Bizio graduated in Literature and Philosophy from the University of Rome and earned her MA in Sociology and Mass Communication at UCLA. She has written several books including “Los Angeles Babilonia” and “Cinema Italian Style,” a history of Italian cinema at the Academy Awards. Bizio received the inaugural International Media Award from the American Publicists Guild in 1991, was Artistic Director of the contemporary film series Cinema Italian Style from 2004 to 2010 and Co-Artistic Director of the Taormina Film Festival in 2018 and 2019. She produced her first short film as a producer, The Night Shift Belongs to the Stars, directed by Sophia Loren's son, Edoardo Ponti, and starring Nastassja Kinski, which won best short film at the Tribeca Film Festival and was shortlisted for the Academy Awards. In 2016, Bizio co-produced the documentary You Never Had It: An Evening with Bukowski, based on her video interview with famous author Charles Bukowski in 1981 and directed by Matteo Borgardt. She also produced the 2018 documentary, Camp Monticello: A Forgotten History, highlighting the history and importance of the Italian Prisoner of War camp built in Monticello, Arkansas during WWII. Check out the festival - HAPPENING JUNE 3 - 7, 2023 https://filmfreeway.com/ORAFEST https://www.orafest.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/moviemakingpod/support

Actor, producer, and current Co-Artistic Director at Steppenwolf Theatre in Chicago Glenn Davis joined us to talk about Rajiv Joseph's "King James," directed by Kenny Leon. The play is having its New York debut as Manhattan Theatre Club presents Steppenwolf Theatre Company and Center Theatre Group's "King James” off-Broadway at City Center.

What's it like to pursue a low-residency MFA when you're a collaborative playwright and performer? On this episode, Suli Holum describes devised work, partnerships between writers and actors, and how she created a piece based on her research in the oil fields of North Dakota. She and Jared also talk about the details of Goddard's creative and craft assignments, and how students in this low-res program still get teaching experience. Suli Holum is a Philadelphia-based director, performer, choreographer and playwright who recently graduated with an MFA in Dramatic Writing from Goddard College in Vermont where she was the recipient of the 2020 Engaged Artist Award. She is a member of the Wilma Theatre's HotHouse Company, a founding member of Pig Iron Theatre Company, and Co-Artistic Director of Stein | Holum Projects, whose works include Drama Desk-nominated Chimera, and The Wholehearted. She's the recipient of a Drama Desk Award, a TCG/Fox Resident Actor Fellowship, a Barrymore Award, an Independence Fellowship, and a NEFA Touring Grant. Credits at the Wilma include Romeo and Juliet, Dance Nation and Minor Character, and you can also catch her on HBO's Mare of Easttown. Find her at suliholumthework.org  MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

Bobby Sanabria is an eight time Grammy-nominee as a leader. Known as a drummer, percussionist, composer, arranger, conductor, documentary film producer, educator, activist, and bandleader, his versatility as both a drummer and percussionist, from small group to big band, has become legendary. A native son of the South Bronx born to Puerto Rican parents, he has performed and recorded with every major figure in the world of Latin jazz and salsa, from the founder of the Afro-Cuban/Latin jazz movement Mario Bauzá, to Tito Puente, Mongo Santamaría, Dizzy Gillespie, Chico O'Farrill, Ray Barretto, Candido, to Larry Harlow, Ruben Blades, Celia Cruz, and jazz luminaries as diverse as Henry Threadgill, Charles McPherson, Randy Brecker, Joe Chambers, Jean Lucien, The Mills Brothers, and others. DRUM! Magazine named him Percussionist of the Year (2005); he was named Percussionist of the Year by the Jazz Journalists Association in 2011 and 2013. In 2006, he was inducted into the Bronx Walk of Fame. He was a recipient of the 2018 Jazz Education Network (JEN) LeJENS of Jazz Lifetime Achievement Award for his work as a musician and educator. In 2008 Congressman Dennis Kucinich honored his work as a musician and educator by reading his name into the Congressional Record and in 2018 the U.S. Congressional Black Caucus honored him as a musician, educator. Every single one of his big band recordings, seven in total, have been nominated for Grammys. His 2018 recording, ‘West Side Story Reimagined,' reached #1 on the national Jazz Week radio charts, was nominated for a 2018 Grammy, and won the prestigious 2019 Record of The Year Award from the Jazz Journalists Association. Partial proceeds from sales of this double CD went to the Jazz Foundation of America's Puerto Rico Relief Fund for musicians. He is the Co-Artistic Director of the Bronx Music Heritage Center and the forthcoming Bronx Music Hall. His lifetime dedication to spreading the history, culture, of jazz and Latin jazz to the general public as a performer, as well as educating a new generation of players, composers, arrangers, has no parallel. A member of Max Roach's legendary M'BOOM percussion ensemble, he is on the faculty of the New School (his 26th year) and was on the faculty of NYU, his alma mater Berklee, and was on the faculty of the Manhattan School fo Music for 20 years where he conducted/taught the Afro-Cuban Jazz Orchestra receiving two Grammy nominations for recordings he did with directing his students. Sanabria is also the on air host of the Latin Jazz Cruise on WBGO FM and wbgo.org, the number one jazz station in the nation. Lehman College in NYC has recently awarded Maestro Sanabria an Honorary Doctorate. His new double CD, which will be released on May 12 2023, is a double CD with his Multiverse Big Band entitled VOX HUMANA. Recorded live at Dizzy's Club-Cola in NYC, it features three of jazz's finest contemporary vocalists - Janis Siegel from the Manhattan Transfer, blues and jazz Queen Antoinette Montague, and multi-lingual powerhouse Jennifer Jade Ledesna. In this episode, Bobby talks about:    His MULTIVERSE Big Band    Seeing Tito Puente perform at 12 years old    The new record - VOX HUMANA    Inspiring the next generation    The history of music as related to the history of America    Afro-cuban rhythms and their origins

The Magic of Creativity with Renée Jaworski Being a successful dance performer requires a combination of technical skills, artistry, professionalism, dedication, and networking.  In today's episode, we sit down with Renée Jaworski, the Executive Director and Co-Artistic Director of the rebellious dance company, Pilobolus, as she shares her experience working there throughout her illustrious 20+ year career and unpacks the magic of creativity, risk, collaboration, artistic expression, and the value of hard work. Hear why she began pursuing dance and being a performer, the lessons she learned working for a company, the emotional struggles of learning the business end of dance, and how she forged ahead in her dance career while also a mother.  We discuss how she integrates her various passions into dance, how Pilobolus acts as a gateway to the art form, why you should not take dance too seriously, her upcoming projects, and much more. Tune in, and discover industry insights and the value of pursuing your dreams with Renée Jaworski. Key Points From This Episode: ·       Background about Renée and how she became interested in dance. ·       The influence attending the University of the Arts had on her. ·       Why she chose to be a performer as opposed to continuing in academia. ·       Her experience transitioning from being a student to working for a company. ·       How she juggled pursuing a career with raising a family. ·       The motivation behind joining the Pilobolus team. ·       Find out why she has chosen to stay at Pilobolus for most of her career. ·       We discuss Pilobolus's reputation and the collaboration with the rock band OKGo. ·       What it takes to make collaborations work and complete projects. ·       The biggest challenges and highlights of her career. ·       Learn about her past, current, and exciting upcoming projects.   “As I am getting older I am realizing that the more we can have those role models in place who have [raised a family while working] and want to support people who want to [have a family] the more the art form is going to thrive.” — Renée Jaworski Renee Jaworski, Executive Director and Co-Artistic Director has had an extensive creative career with Pilobolus since 2000, and along with creative partner and Artistic Director Matt Kent, was chosen in 2011 by the founding Artistic Directors to lead the company. Upcoming: Pilobolus at NJPAC (Newark, NJ) March 12, 2023, info HERE Connect with Movers & Shapers: A Dance Podcast on Instagram and Facebook More info links from this episode: Movers & Shapers  Make your tax-deductable donation to Movers & Shapers! Donate HERE today!