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Finnish-Australian filmmaker Saara Lamberg has crafted a filmography which features genre-defying, boundary pushing films like 2017's Innuendo, 2022's Westermarck Effect, and the docu-fiction film The Lies We Tell Ourselves, which received screenings at Perth's Revelation International Film Festival and the Sydney Underground Film Festival. Screenings of The Lies We Tell Ourselves at these festivals became an event that spilled out of the cinema and into the foyer, with Saara dramatically collapsing on the festival red carpet, adding an extra layer to the films themes.On the horizon for Saara are two more films. Coma is a feature length film told from the perspective of a patient in a coma whose friends, family, and the hospitals employees spill their own truths onto this unconscious person, and Saara's other film being Conversations with Spithead, a short-long film about a physicist who engages in complicated and wild conversations with his cat, Spithead, about the nature of living.In the following discussion, Saara talks about her journey into filmmaking, what it's like working within a film community like filmonik in Melbourne, and about how Coma and Conversations with Spithead were created. Saara closes the conversation by giving advice for fellow independent filmmakers in Australia.To find out where you can view Saara's films, seek out her social media presence on Instagram and Facebook. Hosted on Acast. See acast.com/privacy for more information.
Finnish-Australian filmmaker Saara Lamberg has crafted a filmography which features genre-defying, boundary pushing films like 2017's Innuendo, 2022's Westermarck Effect, and the docu-fiction film The Lies We Tell Ourselves, which received screenings at Perth's Revelation International Film Festival and the Sydney Underground Film Festival. Screenings of The Lies We Tell Ourselves at these festivals became an event that spilled out of the cinema and into the foyer, with Saara dramatically collapsing on the festival red carpet, adding an extra layer to the films themes.On the horizon for Saara are two more films. Coma is a feature length film told from the perspective of a patient in a coma whose friends, family, and the hospitals employees spill their own truths onto this unconscious person, and Saara's other film being Conversations with Spithead, a short-long film about a physicist who engages in complicated and wild conversations with his cat, Spithead, about the nature of living.In the following discussion, Saara talks about her journey into filmmaking, what it's like working within a film community like filmonik in Melbourne, and about how Coma and Conversations with Spithead were created. Saara closes the conversation by giving advice for fellow independent filmmakers in Australia.To find out where you can view Saara's films, seek out her social media presence on Instagram and Facebook. Hosted on Acast. See acast.com/privacy for more information.
The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest work of the provocative filmmaker Bruce LaBruce, The Visitor.There will also be a book launch from myself on Friday evening at Better Read Than Dead, where I'll be joined by Jack Sargeant and Platon Theodoris to kick off my new book, Lonely Spirits and the King.Tickets for all of these films, and more, are available via SUFF.com.au.Ahead of the festivals launch, I caught up with Festival Director Nathan Senn to chat about what makes an underground film festival an underground film festival, how important it is to showcase films from different genre backgrounds, and what it means to amplify Australian filmmakers like Saara Lamberg, whose film The Lies We Tell Ourselves screens at the festival on Sunday 15 September.We dig into a bunch of recommendations, stories about the films screening at the fest, and a bunch more in this in depth discussion.If you're in Sydney for the fest, come along and say hello. It's going to be one heck of a festival. Hosted on Acast. See acast.com/privacy for more information.
The upcoming 18th Annual Sydney Underground Film Festival kicks off in Newtown, NSW, on Thursday 12 September with a Smell-O-Rama screening of John Waters cult classic Female Trouble, celebrating its 50th anniversary. The festival runs until Sunday 15 September with a huge array of films and features ranging from the truly bonkers Vulcanizadora to the superbly surreal Can't Stop the Music extravaganza, alongside frightfully great features like the Aussie dark comedy The Organist to the latest work of the provocative filmmaker Bruce LaBruce, The Visitor.There will also be a book launch from myself on Friday evening at Better Read Than Dead, where I'll be joined by Jack Sargeant and Platon Theodoris to kick off my new book, Lonely Spirits and the King.Tickets for all of these films, and more, are available via SUFF.com.au.Ahead of the festivals launch, I caught up with Festival Director Nathan Senn to chat about what makes an underground film festival an underground film festival, how important it is to showcase films from different genre backgrounds, and what it means to amplify Australian filmmakers like Saara Lamberg, whose film The Lies We Tell Ourselves screens at the festival on Sunday 15 September.We dig into a bunch of recommendations, stories about the films screening at the fest, and a bunch more in this in depth discussion.If you're in Sydney for the fest, come along and say hello. It's going to be one heck of a festival. Hosted on Acast. See acast.com/privacy for more information.
On this episode I chat with director Ingvar Kenne about his haunting film The Land, which screened in 2022 at the Sydney Underground Film Festival and Europe's Snowdance Film Festival where Ingvar won the Best Direction Award. The Land follows Jeremy, played by Steve Rodgers, and Neets, played by Anna Lise Philips, a couple who have a life that many would envy. They have a three-bedroom house, they have a busy family, and they've been married for fourteen years. They also have a remote property in the middle of nowhere which Jeremy visits with his distant friend Simon, played by Cameron Stewart, who returns after a long sojourn overseas. His returns sets Neets on edge as Simon seeks to atone for something that happened long ago. As they head out to 'the land', Neets is left with the children, who she swiftly leaves with her mother - who she appears to have a fractious relationship with - so she can spend some time by herself. Yet, it's out on 'the land' that Jeremy and Simon's friendship is both fortified and tested as they unsettle aspects of the past that disrupts who they are as people. Performances across the board are exemplary, with Steve and Cameron building off their real-life friendship to portray a friendship that has been tested by distance and time, even though the echoes of it continue to resonate. For Anna Lise Philips, the moments of solitude where she's finally able to relieve some pent up tension, both in a physical and emotional sense, are all too relatable. In the following interview with Ingvar, we talk about the foundation of The Land and how his friendship with Steve and Cameron helped create this genuinely powerful film. Our conversation does include discussion about trauma and abuse, so if these aspects are triggering for you, then maybe skip this interview. For everyone else, please enjoy this discussion with Ingvar. To keep track of where the film will be available to view in the future, please visit thelandmovie.com. And for other interviews and reviews, visit thecurb.com.au. See omnystudio.com/listener for privacy information.
On this episode I chat with director Ingvar Kenne about his haunting film The Land, which screened in 2022 at the Sydney Underground Film Festival and Europe's Snowdance Film Festival where Ingvar won the Best Direction Award. The Land follows Jeremy, played by Steve Rodgers, and Neets, played by Anna Lise Philips, a couple who have a life that many would envy. They have a three-bedroom house, they have a busy family, and they've been married for fourteen years. They also have a remote property in the middle of nowhere which Jeremy visits with his distant friend Simon, played by Cameron Stewart, who returns after a long sojourn overseas. His returns sets Neets on edge as Simon seeks to atone for something that happened long ago. As they head out to 'the land', Neets is left with the children, who she swiftly leaves with her mother - who she appears to have a fractious relationship with - so she can spend some time by herself. Yet, it's out on 'the land' that Jeremy and Simon's friendship is both fortified and tested as they unsettle aspects of the past that disrupts who they are as people. Performances across the board are exemplary, with Steve and Cameron building off their real-life friendship to portray a friendship that has been tested by distance and time, even though the echoes of it continue to resonate. For Anna Lise Philips, the moments of solitude where she's finally able to relieve some pent up tension, both in a physical and emotional sense, are all too relatable. In the following interview with Ingvar, we talk about the foundation of The Land and how his friendship with Steve and Cameron helped create this genuinely powerful film. Our conversation does include discussion about trauma and abuse, so if these aspects are triggering for you, then maybe skip this interview.For everyone else, please enjoy this discussion with Ingvar. To keep track of where the film will be available to view in the future, please visit thelandmovie.com. And for other interviews and reviews, visit thecurb.com.au. See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.
Episode title: The Sound of Gus'. Gus enters the studio to unearth the Sydney Underground Film Festival, while spotlighting the unspotlightable film Sound of Freedom. Expect deep truths about propaganda, Gus' appreciation of the holy trinity (Harmony Korine, Yorgos Lanthimos, and André Shannon) and also Gus' first take on the deep fake this is Mel Gibson's movie world.See omnystudio.com/listener for privacy information.
Get ready for a deep conversation and inspiring episode of Theatre Thoughts Podcast, hosted by Justin Clarke! In Episode 35, we have the privilege of interviewing the incredible director Margaret Thanos, who has dedicated her life to theatre and film directing. Margaret shares her passion for her craft, as well as her experience in building and developing the Meraki Arts Bar on Oxford Street. Listeners will be captivated by her insights into the behind-the-scenes work that goes into creating a successful theatre venue, and her dedication to bringing the best possible theatre experiences to audiences. Join us as we dive into Margaret's inspiring journey, from her humble beginnings to the incredible heights of her career, and discover the lessons she's learned along the way. And that's not all! As a Theatre Thoughts Podcast Patreon subscriber, you'll get exclusive behind-the-scenes footage and access to even more exciting content from the show. Don't miss out on this one-of-a-kind opportunity to get up close and personal with the theatre community. Find out more about Meraki Arts Bar and what's on through the link here. Find out more about Queen Hades Productions through the link here. Get the full video of the podcast by signing up to our PATREON! Don't forget you can find all our episode information on our dedicated podcast site. Follow the link in this episode's description or follow us on the Official Podcast Instagram @ttpod_official. About Margaret Margaret Thanos is an award-winning Cypriot-Australian director for theatre and film, based in London. In 2022, Margaret has directed the Australian premiere of Labyrinth by Beth Steel at Flight Path and the world premiere of A Grain of Sand by Declan Coyle at KXT, both to rave reviews. She is the co-artistic director of Meraki Arts Bar, a three level arts venue in Sydney and her debut short Through the Window They Came is currently in post-production. She has also done The Goat, or Who is Sylvia?, Jim Got Shot and Project XXX at SUDS and her short film Sugar High was selected for the Sydney Underground Film Festival showcase. She also has assistant directing credits on The Cherry Orchard (Chippen St), Bathory Begins (Q Theatre), This Genuine Moment (Old 505), Animal Farm (New Theatre), the Originate Project (Q Theatre) and The Linden Solution (KXT and Ratcatch). Most recently, she was awarded the prestigious Sandra Bates Director's Award at Ensemble Theatre. Show Timings 2.16 - Welcome Margaret Thanos 6:09 - Director or Actor? 10:07 - Sandra Bates Director's Award 12:00 - Meraki Arts Bar 16:18 - Queen Hades Productions 21.50 - Where did you activism come from? 24:35 - 1 Minute Theatre Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices
Where we head underground with 'Origin of the Species' and 'Alien on Stage'
Ashley and Dylan discuss everything they've been watching, including Sex Education, Y: The Last Man, Brooklyn Nine-Nine and Sydney Underground Film Festival films. They also cover the latest media news and discuss the 73rd Primetime Emmy Awards.Visit suff.com.au to see the Sydney Underground Film Festival films we discussed plus more.Thumbs for Trailers- The Matrix Resurrections: https://youtu.be/9ix7TUGVYIo- Don't Look Up: https://youtu.be/SL9aJcqrtnw- C'mon C'mon: https://youtu.be/7mzushAOM88- Nightmare Alley: https://youtu.be/k-qVV8zyVmI- The Humans: https://youtu.be/dp3Whb77eXc00:00 - Intro01:04 - 73rd Emmy Awards17:40 - What's in Our Watch History?38:14 - The Mandatory Netflix Segment42:26 - Film and TV News51:12 - Thumbs For TrailersHosts:Ashley Hobley: https://twitter.com/ashleyhobleyDylan Blight: https://twitter.com/vivaladilFollow our Trakt:Ashley - https://trakt.tv/users/ashleyhobleyDylan - https://trakt.tv/users/vivaladilMusic: Dylan BlightArt by: Cherie HenriquesWeb: https://bit.ly/WDYWWwebApple Podcasts: https://apple.co/2Hp6JT5Spotify: https://spoti.fi/2T3DJSd Casts: https://pca.st/iD0g Stitcher: https://bit.ly/WDYWWstitch PlayerFM: https://bit.ly/WDYWWfmPodchaser: http://bit.ly/WDYWWpcSupport Us: http://www.ko-fi.com/explosionWhat Do You Wanna Watch is the Explosion Network's premier media podcast. Join Ashley Hobley and the crew every fortnight to discuss all the current news in TV, film and online media.#WDYWW
On the latest episode of The Mu Meson Archives, Jay Katz & Miss Death discuss today's topic: NSW's roadmap out of Covid19 They also chat about DONDA, Sydney Underground Film Festival and COVID Passports. The Mu Meson Archives - Arts, Culture & News.
Where we head underground and online with #SUFF2020 and spend some quality time with quality dudes Alex Winter and Keanu Reeves
This week we interview Julian Knysh, an Australian-Ukrainian Filmmaker and curator of this year's Pickles, Bombs & Borsch short film programme at the 2020 Sydney Underground Film Festival. We discuss the Ukrainian short films being screened and the current creative renaissance occurring in Ukrainian cinema generally.For more information:Pickles, Bombs & Borsch @ the Sydney Underground Film Festival 2020 https://watch.eventive.org/suff2020/play/5f30e8de84d30b0099d35614
Monsters of Australia, Sydney Underground Film Festival, Use Me, financial domination workshop, DMT demons, Jay and Silent Bob Reboot, Joe Reitman, Shannon Elizabeth, American Pie, Hollywood, imposter syndrome, and our beloved Keanu Reeves. Submit your questions here: https://standardpodcast.com/contact Donate to our Patreon: https://www.patreon.com/bePatron?u=11446871
Where we chat all things Queer Screen with #QSFF19 Director Lisa Rose (Sep 18-22!), cross the galaxy with the SF3 2019 Gala & Smartphone Feature debut Blue Moon and emerge from the Underground Film Festival to shed some light on our favourites
Where we chat all things Sydney Underground Film Festival #13 with #SUFF Director Stefan Popescu (Sep 12-15 at Marrickville's Factory Theatre) and Smartphone Flick Fest SF3 #5 with #SF3 2019 Finalist (and Kino Sydney Co-Director) Bryan Fisher (Sep 14-15 at Event Cinemas George Street)
On this episode of RTRFM's Movie Squad podcast, Simon Miraudo and Tristan Fidler ponder the eternal question: Are they hot messes? Thankfully, they have some experts in the studio who can let them know. Listen to their interview with writer-director Lucy Coleman and comedian Sarah Gaul from the new Australian comedy Hot Mess. Then, hear Movie Squad all-star Janice Loreck's review from the Revelation Perth International Film Festival (and ahead of the picture's premiere at the Sydney Underground Film Festival and eventual national release), with a special appearance from guest Brekky host Tom Reynolds. Keep up with Simon and Tristan's weekly reviews by tuning into RTRFM 92.1 at 7:30am WST every Friday. And be sure to keep an eye on your podcast feed for some exclusive upcoming episodes with even more special guests... Theme music by [Eddie Electric](https://eddieelectric.bandcamp.com/). Logo by [Stage Left Design](http://stageleftdesign.com.au/). Production assistance from Eddie Curtis and Chris Webb. You can listen using the play audio button. If you are on the Movie Squad podcast page you can download the podcast. The page is [here](http://rtrfm.com.au/podcasts/movie-squad/).
Where we chat all things Queerscreen 2018 with Festival Director Lisa Rose and fight about favourite flicks from our weird and wonderful weekends at the Sydney Underground Film Festival
Where we pause our fighting to chat all things weird and wonderful at Sydney Underground Film Festival with Festival Director Stefan Popescu - kicking off this weekend at Marrickville's Factory Theatre
Festival director Stefan Popescu talks to Matthew Pejkovic of the Matt's Movie Reviews Podcast about the program for the 2018 Sydney Underground Film Festival, current censorship laws in Australia, which movie in this yearsprogram will be the most controversial, and much more!
Ghosthunter + The Nun. Evie Friedrich, co-director of Cherry, joins us to talk about her Sydney Underground Film Festival debut. Australian director Jennifer Kent wins the Grand Jury Prize for The Nightingale, is the only female filmmaker in competition and is called a whore during her standing ovation. We talk more about Venice and Shia Labeouf's new theatre school. André reviews The Conjuring prequel The Nun and Jack reviews local documentary Ghosthunter. We also have fellow Reflexxxer Evie Friedrich in the studio talking about Skins and underground anti-auteur cinema including her film which is playing as part of the Ozploitation collection at the Sydney Underground Film Festival.
Screening as part of the SUFF Ozploit short film program, House Guests is a disturbing insight into the whole house stay scenario. The Surgeons team talk to director Tori Savage about her movie and being the inspiration behind it.
Screening as part of the SUFF WTF! short film program, Granny is a cracking nod to the Australian horror scene. The Surgeons team talk to director David Burrowes about his movie and being the inspiration behind Granny.
Stefan Popescu started the Sydney Underground Film Festival twelve years ago when he wanted to see films that are in his words “doing something different”. Stefan's love of the quirky is infectious and after listening to this episode I reckon you'll b...
Where we fight about our favourite SUFF flicks after four mind-bending days including Drib, Tragedy Girls, Dawson City: Frozen Time, The Endless & Where is Rocky II, plus the return of pop culture’s most ubiquitous clown
Where we chat to Sydney Underground Film Festival Director Stefan Popescu about this year’s Festival and incredible line-up
Sydney Underground Film Festival's Stefan Popescu guides CJ through this year's stuff.
We're some Aussie beans chatting about the Aussie Mr Bean, Yahoo Serious, and his film Mr Accident available to stream on STAN. It is fascinatingly bizarre film and well worth some kind of a watch. Alexei also recounts his wonderful experience at the Sydney Underground Film Festival highlighting some of the great films he caught up with there. Some of the fest's best are "Art of the Prank", "De Palma", "Dead Hands Dig Deep", "I Am Not A Serial Killer". Come hang out at Alexei's comedy showcase on September 30th at The Gaelic Club. RSVP See acast.com/privacy for privacy and opt-out information.
A week from its 40th Anniversary Screening at the Sydney Underground Film Festival we're rediscovering "CARRIE" (1976) from director Brian De Palma, who is also the subject of the documentary "DE PALMA" at SUFF. We're joined by comedian Jared Jekyll to discuss the film. You can stream it on STAN. See acast.com/privacy for privacy and opt-out information.
Dr Stefan Popescu is the co-director of the Sydney Underground Film Festival, an academic, an artist, and a bogan property tycoon. He made the leap to academia from growing up in Cabramatta, and talked about his experience of gangs there in this episode on Out of the Box.
We talk to Stefan Popescu, director, founder, and programmer of the Sydney Underground Film Festival. Stefan discusses his own low budget filmmaking pursuits, the questionable moral of the Australian government as it relates to film, and one of