Podcasts about De Palma

Chris is joined by a panel including Drs Ann Burgess and Gary Brucato and award-winning journalist Barbara MacDonald with CourtTV. They discuss the psychological aspects of the Delphi Murders and explore similarities with the the mysterious unsolved 1972 murder of 16-year-old Jeannette DePalma. The Delphi Case: On Feb. 14, 2017, the bodies of Abby Williams, 13, and her friend Libby German, 14, were found near the Monon High Bridge Trail in Delphi, Indiana. The girls disappeared the day before when they were dropped off on the trail. Libby's cell phone video recorded their killer, who ordered them, "Down the hill," on the video. Richard Allen, 50, was arrested in October 2022 in connection with the killings. An unspent bullet from his gun was found between the girls at the crime scene. He allegedly confessed to the crimes in recorded jailhouse phone calls. Allen's defense team claims it was a pagan cult -- not Allen - who ritualistically killed the girls.Jeannette DePalma Case: The body of 16-year-old Jeannette DePalma was found on top of a cliff, overlooking an abandoned quarry in Springfield, New Jersey. Her body was found after a dog that brought home a very decomposed human forearm. She would later be identified as DePalma, who had been missing for six weeks. Soon after, satanism, witchcraft and police conspiracies were all talked about with this case.Re-upload from 10/1/2023

This week, Drusilla returns from San Diego Comic-Con and Josh returns from NYC. The film of the week if Brian De Palma's Sisters. From wiki: “Sisters (released as Blood Sisters in the United Kingdom) is a 1972 American neo-noir psychological horror film directed by Brian De Palma and starring Margot Kidder, Jennifer Salt, and Charles Durning. It follows Dominique Blanchion, the separated conjoined twin of a French Canadian model, Danielle Breton, who is suspected of having committed a brutal murder witnessed by Grace Collier, a newspaper reporter in Staten Island, New York City.Co-written by De Palma and Louisa Rose, the screenplay for the film was inspired by the Soviet conjoined twins Masha and Dasha Krivoshlyapova and features narrative and visual references to several films by Alfred Hitchcock.[5] Filmed on location in Staten Island, the film prominently features split-screen compositions (also present in subsequent De Palma films such as Carrie), and was scored by frequent Hitchcock collaborator Bernard Herrmann.”Also discussed: The Vampire Lestat, The Death of Mr. Lazarescu, Her Private Hell, Never Rarely Sometimes Always, Beyond the Hills, Italian realism rec, Streetwise, May December, The Shards, [safe], ranking Brian De Palma, Black Christmas, and more. NEXT WEEK: Exorcist II: The Heretic (1978)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Chelsea shows up to the Fourth of July with a "very loose theme" — fireworks and patriotism in horror — and then, somehow, makes it cohere. Blow Out, I Know What You Did Last Summer, and Final Destination 3 have nothing to do with each other until you notice they're all doing the same trick: pointing your eyes up at the pretty lights while something ugly happens at ground level.So we get into it. Is Blow Out even a horror movie, or just De Palma at his most gorgeous and most pervy, making a movie about making a movie? We defend I Know What You Did Last Summer despite ethical math that reads like it was written by a '90s AI — and land on why we love it anyway. And we finally give Final Destination 3 its due as a Rube Goldberg machine of presorted cruelty that dares you to enjoy it.Threaded through all three: the illusion of safety in a crowd, the discovery that surviving the accident is the actual nightmare, and a TikTok ride operator who should absolutely not be employed. Also, Kynan watched his first summer slasher and lived to tell about it.Links & NotesOur prior Final Destination episode: Death Edging with the Films of Final DestinationOur papa podcast's breakdown of Talk to MeBlow Out - Apple TV | Amazon | LetterboxdI Know What You Did Last Summer - Apple TV | Amazon | LetterboxdFinal Destination 3 - Apple TV | Amazon | LetterboxdView Our List on Letterboxd (00:00) - Welcome to Sitting in the Dark (01:32) - Blow Out (23:20) - I Know What You Did Last Summer (42:24) - Final Destination Part 3 (59:28) - Coming Attractions Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Chelsea | Kyle | Kynan | Pete | Tommy Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

Brian De Palma's 1993 movie Carlito's Way was not a box office success. De Palma managed to predict the critical reaction to the film, reacted to studio notes saying it was too long by making it longer, and had to retool the finale action sequence very late in the day. Even getting it to filming was a challenge - and the option to the source books would be taken out ten different times before Carlito's Way finally made it to production....! The story is told in this episode. Please subscribe, leave nice reviews, and don't annoy Benny Blanco from the Bronx... Learn more about your ad choices. Visit megaphone.fm/adchoices

John Travolta, Nancy Allen and director Brian De Palma teamed up to make the brilliant horror flick Carrie in 1976, but the team was nearly at their best 5 years later in this one about movie-makers. The show-offy De Palma, who mostly made thrillers, loved his characters to be all kinds of shades of gray. Mission possible here. Blow Out's set-ups & pay-offs are excellent...and the ending is operatic, symbolic and powerful. That perfect scream is heartbreaking. This violent tragedy is well-crafted, with inspirations from Antonioni's Blow-Up and the incident at Chappaquiddick. So go get some sound effects for the foley department as this 752nd episode of Have You Ever Seen examines the suspense/conspiracy thriller Blow Out. Well, Actually: at around the 44-minute mark, it should have been The Black Dahlia "was at the end of a pretty poor (box office) run" in 2006, not Femme Fatale. That was released in 2002. Subscribe to this podcast in your app. Rate the show. Review it. Tweet me (@moviefiend51). Bluesky me (Ryan-Ellis). Letterboxd me (RyanHYES). Email me (haveyoueverseenpodcast@gmail.com).

RecLess 6 Ep 12 - Rich DePalma - Executive Director of the Texas Recreation and Park Society - We are excited to be a part of the announcement highlighting his new professional role on RecLess! He speaks about his start as a parks and rec kid to a supporter that has worked with his local parks professionals to enrich his communities and his transition into the role of the executive director in a state network. He offers advice for working with advisory boards, elected officials, policy positions, budget trends, and staying true to his inner beliefs as a professional, while not taking public criticism personally.Shane Mize is the Director of Parks and Recreation in the city of Pflugerville, Texas, where he resides with his wife and children.Tom Venniro is the 12-year Director of Parks and Recreation in Hilton-Parma, New York, where he resides with his wife Melissa, son Jack, and daughters Amelia and Maisie.Jay Tryon is an 19-year park and recreation professional who loves to improve communities and their quality of life. He currently resides in Charlotte, North Carolina, with his wife and children.

La mente conspiratoria nunca descansa. El libro de los Hechos nos muestra cómo los enemigos del apóstol Pablo no dejan de confabularse contra él. En el capítulo 23 un grupo de celotes seguidores del judaísmo hacen un pacto para acabar con su vida. Ante el sumo sacerdote, el apóstol apela a su conciencia y desenmascara sus blancas apariencias. Y proclama su esperanza en la Resurrección, como había sido enseñado como fariseo, frente al escepticismo de los saduceos, que decían que esa no era la creencia original del judaísmo. Ante el enfrentamiento de los dos grupos, Pablo se encuentra inquieto esa noche, pero el Señor se le aparece para darle ánimo. La película "Impacto" (Blow Out 1981) de Brian de Palma, "Estallido mortal" en México y "El sonido de la muerte" en Argentina, muestra a un John Travolta como técnico de efectos de sonido que en Filadelfia graba un accidente de un candidato presidencial, que pudiera ser un asesinato. Si el italiano Antonioni se basó en un relato del argentino Cortázar para hacer "Blow Up" en el Londres de los locos años 60, De Palma cambia la fotografía por el sonido, como la clave de esta historia. Así Pablo se entera de la conspiración que hay contra él, por lo que oye un sobrino del que no sabemos más en el Nuevo Testamento, Al oírlo, le manda al tribuno romano, que protege su vida, mandándole escoltado a gobernador romano de Cesarea. Como tantas veces, la Providencia utiliza instrumentos extraños para el cuidado de los suyos. Es la ciudadanía romana la que salva a Pablo del odio de los judíos. Así Dios usó un instrumento débil e imperfecto como Martin Luther King para librar de sus hijos en la discriminación que sufría la población afroamericana en Estados Unidos hasta los años 60. Escuchamos escenas del documental "Martin Luther King, más que un sueño" y fragmentos del libro de Antonio Muñoz Molina, "Como la sombra que se va", que entra en la mente del predicador y su asesino, cuando huye tras su crimen a Lisboa. El escritor se inspira en el lenguaje bíblico de la versión Reina-Valera, para mostrar los sentimientos de King ante la conciencia del evidente peligro al que se enfrentaba, como el apóstol Pablo en Jerusalén.

This week we cover the 1984 DePalma classic BODY DOUBLE! After losing an acting role and his girlfriend, Jake Scully (Craig Wasson) finally catches a break: he gets offered a gig house-sitting in the Hollywood Hills. While peering through the beautiful home's telescope one night, he spies a gorgeous blonde (Deborah Shelton) dancing in her window. But when he witnesses the girl's murder, it leads Scully through the netherworld of the adult entertainment industry on a search for answers -- with porn actress Holly Body (Melanie Griffith) as his guide. Hear our take on the film and on the critique of SISKEL AND EBERT. SUBSCRIBE TODAY!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

"LIVE" from #SteinersPub #LasVegas it's #SportsXradio w/ #KenThomson & (3) Great Guests: #BradyKannon aka @LasVegasGolfer on "X" previews the #BritishOpen w/ a lot of solid picks for this years last Golf Major of the year, #MarcLawrence #PlaybookSports previews the #ACC & #GregDepalma from #OurLads & #ProlineTV previews the #AFCWest in the NFL!

On the two hundred and ninety-ninth episode of THE THIRD ACT PODCAST, the crew are multiplying personalities.Christian and Jericho continue their Auteurography series on the films of Brian De Palma with reviews of 1990's notorious commercial/critical bomb, THE BONFIRE OF THE VANITIES, and 1992's psychological dream thriller, RAISING CAIN.They also discuss unorthodox casting, critical consensus, dream logic, and De Palma intentionally fucking with the audience.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com   

Sergio Pérez entrevista en Málaga al director y una de las protagonistas de la continuación de la obra de Carlos Saura 60 años después.

We've got two firsts on this episode: a Brian De Palma film, and a Robert De Niro starring role. We're talking about 1970's Hi, Mom!, a unique experience from De Palma that ranges from topics like home video, voyeurism, the Vietnam War, the Black power movement, and a lot more. We break down the elements in this surprisingly complex movie, and ultimately talk about how truly funny it is.We're also drinking Saranac Brewing's Wildberry Ale!Approximate timeline0:00-11:00 Intro11:00-20:00 Beer talk20:00-end Hi, Mom!Next up: we celebrate America's 250th with The Patriot!

This week, we're stepping into the stylish, seductive, and deeply divisive world of Dressed to Kill. Released at the height of Brian De Palma's fascination with voyeurism, identity, and cinematic sleight of hand, the film is both a love letter to classic thrillers and a provocation in its own right. Drawing heavily from the work of Alfred Hitchcock (that's putting it mildly) while pushing further into sex, violence, and dreamlike excess, Dressed to Kill quickly became one of the most controversial films of its era. We discuss how De Palma's visual style helps put a new spin on familiar material, dig into the film's elaborate set pieces, and of course, attempt to unpack its depiction of gender and identity. Apple Podcasts | Spotify | Facebook | Instagram Chris's Instagram | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler Chris's new EP on Spotify and Bandcamp

Nobody Gets Off This Staircase: Krissy, Nathan, and Pete Take On The UntouchablesWelcome to this episode of The Most Excellent 80s Movies. Hosts Krissy Lenz and Nathan Blackwell are joined by special guest Pete Wright—podcast impresario and pod boss at TruStory FM—to dig into Brian De Palma's The Untouchables (1987), where the real question isn't whether Al Capone goes down, but how far a straight-arrow fed is willing to bend to make it happen.The central tension here is a juicy one: Kevin Costner's deliberately bland Elliot Ness surrounded by Sean Connery's full-voltage Obi-Wan energy and Andy Garcia's silk-jacketed handsomeness. Is Costner's wooden earnestness a character choice or just… Costner being Costner? The gang has feelings. Meanwhile, Pete makes a compelling case that David Mamet is at his very best when someone else is in the director's chair—and that De Palma's camera (hello, split diopter) transforms stilted period dialogue into something genuinely cinematic.What keeps the conversation sparking is the sheer audacity of the filmmaking: an improvised staircase sequence that became the movie's most iconic scene, Armani-clad gangsters that make everyone want to buy overcoats for a city they don't live in, and a baby carriage that shows up twice in two consecutive episodes of the pod. The episode stays premise-level throughout, so you can jump in clean and still feel every gut punch.TruStory FM | Membership (early, ad-free access + bonus content): Join | Socials: Facebook | Instagram | Bluesky | Learn more about the hosts: Neighborhood Comedy Theatre | Squishy StudiosIf you could only pick one scene from this movie to show someone who'd never seen it, which one would you choose—and why? ---Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.

Episode 168 Making Money Feminine, Fun & Empowering with Shannon DePalmaNew 2026 Power & Purpose Podcast Schedule!!!Guest Episodes are Even numbered episodesVanessa Soul Astrology episodes Odd numbered episodesWhat if the way you were taught to manage money was never designed for the feminine nervous system?In this episode of the Power & Purpose Podcast, Vanessa sits down with financial coach and creator of the Romantic Money Method, Shannon DePalma, for a powerful conversation on money shame, feminine wealth, self-trust, and creating financial freedom without burnout, restriction, or self-punishment.Shannon shares how she went from six-figure income with debt and no savings… to building over $3 million in net worth while creating a softer, more intuitive relationship with money.This episode is for the woman who wants to feel safe, empowered, and supported by her finances instead of controlled by them.⏳ TIMESTAMPS00:00 Episode Preview00:39 Meet Shannon DePalma and the Romantic Money Method03:08 “Who Are You and Who Are You Not?”07:00 Shannon's Financial Awakening During Motherhood10:39 The Biggest Money Belief That Kept Her Stuck13:23 What the Romantic Money Method Really Is16:13 Why Traditional Budgeting Burns Women Out21:12 Money Shame, Fear, and Emotional Avoidance25:27 The Power of Clarity and Looking at the Numbers31:18 From Poverty to $3 Million Net Worth34:23 Healing Your Relationship With Money Through Rituals38:46 Shannon's Coaching Program and Final Wisdom✨ In This Episode We Explore• Feminine wealth building• Healing money shame• Why women avoid budgeting• Active vs passive budgeting• Financial self-trust• Wealth consciousness• Emotional patterns around money• Building abundance without burnout• Money rituals and nervous system safety• The psychology of wealth for women entrepreneurs

Artista de raíces granadinas residente en Barcelona, presentó su debut en 2023 con su álbum “El Lugar de Arder”. Su segundo trabajo, ‘paris’, publicado en octubre de 2025, supuso su consagración artística, consolidando su exploración de una sonoridad mutable donde conviven el pop experimental, la psicodelia, el flamenco, el post-punk, el noise y la electrónica contemporánea, junto a una marcada espiritualidad sonora,todo interpretado en español. En ese álbum participan artistas de la talla de Niño de Elche o Florent Muñoz de Los Planetas. Syd de Palma ha actuado, a veces bajo su anterior alter ego Galera, en salas y festivales de referencia como Sala Apolo / Nitsa, Razzmatazz, Planta Baja, Laut, Mutek (Barcelona), además de actuaciones en espacios como Ohm o Arkaoda en Berlín.Escuchar audio

The Strange Case of Jeanette DePalmaBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

On this episode of The Video Store Podcast, I am recommending four movies about the people who get called when somebody has made a mess, crossed the wrong person, or needs a situation to go away quietly. The movies this week are Sweet Smell of Success (1957), Wise Guys (1986), La Femme Nikita (1990), and Pulp Fiction (1994). They all deal with that idea in different ways, from a press agent trying to stay useful, to mob errand boys trying to stay alive, to handlers working inside a government machine, to a man who arrives with a plan when everyone else is panicking.I start with Sweet Smell of Success (1957), which may be the coldest movie on this list. Tony Curtis plays Sidney Falco, a press agent who is always working an angle and always trying to stay useful to Burt Lancaster's J. J. Hunsecker. Hunsecker has the power, but Falco is the fixer. He is the one moving through restaurants, clubs, offices, and sidewalks trying to make things happen for people who would rather not get their own hands dirty. The film was directed by Alexander Mackendrick, with cinematography by James Wong Howe and music by Elmer Bernstein. It was shot partly on the streets of New York, and it still feels like a movie made out of cigarette smoke, bad favors, and late night anxiety.Then I move to Wise Guys (1986), a Brian De Palma comedy that feels a little odd in his filmography, which is part of what makes it interesting. Danny DeVito and Joe Piscopo play low level mob guys who are useful until they are not. They run errands, take orders, and try to read the room, but the room keeps changing on them. Harvey Keitel, Dan Hedaya, Ray Sharkey, Frank Vincent, and Captain Lou Albano are all in the cast, which gives the movie a nice mix of mob movie faces and broad comedy. It is not De Palma in thriller mode, but you can still see his interest in people trapped inside systems they do not fully control.The third recommendation is La Femme Nikita (1990), Luc Besson's French action thriller about a young woman pulled into a government program that turns her into an assassin. The fixer here is not only one person. It is the whole structure around her. Tchéky Karyo's Bob is part handler and part threat, someone who can seem kind while reminding Nikita that her new life is not really hers. Jeanne Moreau also appears as Amande, who helps shape Nikita into someone who can move through polite society while carrying a completely different life underneath. Anne Parillaud won the César Award for Best Actress for the role, and you can see why. She has to play the violence, the fear, and the strange sadness of someone being rebuilt for other people's purposes.The last movie is Pulp Fiction (1994), where Harvey Keitel's Winston Wolf may be the cleanest example of this week's theme. He arrives, assesses the problem, gives instructions, and leaves before the movie can turn him into something bigger. That is part of why the character works so well. He does not need a long backstory. He is there because somebody called the right number. The movie is full of people talking themselves into and out of danger, but Mr. Wolf is different. He does not talk around the problem. He handles it.So this week, the shelf has a bitter New York classic, an oddball mob comedy, a French thriller, and one of the defining crime films of the 1990s. Four very different rentals, all built around people who know what to do when the situation has gone bad.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

durée : 00:52:37 - À l'occasion de la sortie prochaine du film "Autofiction" de Pedro Almodóvar, nous sommes en compagnie de la plus extravagante des égéries du réalisateur qui a fait ses débuts comme musicienne pendant la Movida. - réalisation : Susana Poveda, Denis Soula - invités : Rossy de Palma Actrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

La ciudad de Palma, en Mallorca, que se queda sin celebración del Orgullo. Será la primera vez en veinte años. Pero no es la primera vez que las entidades LGTBIQ+ se enfrentan a los ayuntamientos que pretenden apropiarse de la celebración para despolitizarla y hacerse la foto cuando sus políticas y decisiones van contra las comunidades LGTBIQ+. Con Jan Gómez, miembre de la entidad LGTBI+ mallorquina, Ben Amics, hablamos.El festival de artes escénicas por la diversidad afectivo sexual de A Coruña, el Corufest, llega a su novena edición. Desde el pasado día 6 y hasta el 17 de mayo, la ciudad se va a llenar de actividades culturales relacionadas con la diversidad, la identidad y la memoria. Con el co director del festival, Xosé Leis, vamos a charlar para que nos cuente más detalles de la convocatoria.Escuchar audio

After the discovery of 16-year-old Jeannette DePalma's body in a New Jersey quarry, investigators were left with more questions than answers. With no clear cause of death and a crime scene that some believed pointed to something ritualistic, rumors of the occult quickly took hold and began to shape both public fear and the direction of the case. In Part 2 of Murder: True Crime Stories, Carter Roy examines how speculation and early theories may have derailed the investigation, the suspects who emerged as detectives searched for answers, and the possible connections to other murders in the area. As the case grew more complex, one man came under increasing scrutiny, but proving his involvement would be far more difficult. Decades later, Jeannette's murder remains unsolved, and the truth of what happened to her is still out of reach. Head over to our Murder True Crime Stories YouTube channel to WATCH our video episodes: https://www.youtube.com/@MurderTrueCrimeStories If you're new here, don't forget to follow Murder True Crime Stories to never miss a case! For Ad-free listening and early access to episodes, subscribe to Crime House+ on Apple Podcasts. Murder True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios

In 1972, 16-year-old Jeannette DePalma disappeared from her quiet suburban neighborhood in Springfield, New Jersey, and at first, no one treated it as a crisis. Known as a rebellious teenager with a complicated reputation, many believed she had simply run away. But as weeks passed with no word, that assumption began to unravel. In Part 1 of Murder: True Crime Stories, Carter Roy examines Jeannette's life, the conflicting perceptions that shaped her story, and the early investigation that struggled to gain traction. When her remains were discovered weeks later in a nearby quarry under unsettling circumstances, the case took a darker turn and set the stage for a mystery that would only grow more complex. Head over to our Murder True Crime Stories YouTube channel to WATCH our video episodes: https://www.youtube.com/@MurderTrueCrimeStories If you're new here, don't forget to follow Murder True Crime Stories to never miss a case! For Ad-free listening and early access to episodes, subscribe to Crime House+ on Apple Podcasts. Murder True Crime Stories is a Crime House Original Podcast, powered by PAVE Studios

Desde un entorno tan magnífico como es el Castell de Bellver charlamos con Pilar Ribal, Directora General de Patrimonio e Interpretación de la Ciudad, para descubrir el rico patrimonio cultural y artístico de Palma

Mission: Impossible follows IMF agent Ethan Hunt as he goes rogue to expose a mole within his own organization after being framed for the deaths of his entire team.Mission: Impossible was released on May 22, 1996, and stars Tom Cruise. It was directed by Brian De Palma.Follow:SSC on InstagramTim on Letterboxd

SPOILER'D: Faces of Death (2025) — Copycat Killers, Train Girls & the Internet as MonsterFull spoilers, full chaos. Jose, Mike, and guest Brian from Lucky Find Comics break down every gruesome detail of IFC/Shudder's Faces of Death remake — from Dacre Montgomery's twitchy, OCD-informed performance to the question of whether that final girl ending earns the whole messy ride.They dig into the movie's fascinating meta premise (a killer remaking the original death tapes), the De Palma split screen that should've happened more, the Don't F**k With Cats second act that genuinely works, and the bumbling cops that nearly tank the third. Brian brings his true crime psychology lens to the villain's motivation, and the crew debates whether Margot's haunting final upload is a victory or the beginning of something darker.Also on the table: the Exorcist taxi shot, the Charli XCX cameo, the lipstick knife backstory nobody asked for but Brian delivered anyway, and the Shudder franchise potential that could make this the next VHS.Two watches. One skip. Let's go.- - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.comBe kind. Be open. Be vulnerable. That's where the art is.SOCIAL MEDIA: FB: https://www.facebook.com/watchskippluspodIG: https://www.instagram.com/watchskipplus/X: https://twitter.com/watchskipplusCHECK OUT THESE PODCASTS! The Pod-Fathers: The Gentleman's Guide to Midnite Cinema  https://podbay.fm/p/the-gentlemens-guide-to-midnite-cinemaNot A Bomb  https://www.notabombpodcast.com/The OG'sNight of the Living Podcast  https://notlp.com/Our YouTube brothers: ...And Now for Something A Little Bit Different   https://www.youtube.com/ ⁨@johnhorgan1713⁩  Wild Dream Stream  https://www.youtube.com/ ⁨@WildDreamStream⁩  Death by DVD  https://www.youtube.com/ ⁨@DeathByDVD#FacesOfDeath #FacesOfDeath2025 #Shudder #Horror #HorrorMovie #HorrorTok #HorrorCommunity #DacreMontgomery #FinalGirl #SerialKiller #CopycatKiller #SocialMediaHorror #InternetHorror #ContentModerator #HorrorReview #MovieReview #Spoilers #SPOILERD #WatchSkipPlus #HorrorPodcast #ShudderOriginal #HorrorFan #Horror2025 #DontFuckWithCats #SlasherFilm #HorrorNerd #FilmTwitter #HorrorFamily #PodFamily #NewEpisode #spoilers #moviebreakdown #endingexplained

In August of 1972, 16 year old Jeannette DePalma disappeared in Springfield NJ. Her body would be found about a month later with a lot of speculation about her death and possibly occult connections. Her story is one of New Jerseys most infamous cold cases. Let's discuss it, all the speculation and where it stands today. Find Prime Time Krime where ever you get your podcasts! Follow at the links below:Instagram: https://www.instagram.com/primetimekrimepod/Facebook: https://www.facebook.com/profile.php?id=100091677336716Sources for episode: https://en.m.wikipedia.org/wiki/Death_of_Jeannette_DePalmahttps://weirdnj.com/weird-news/jeannette-depalma/https://discover.hubpages.com/politics/Witches-Coven-The-Bizarre-Death-of-Jeannette-DePalmahttps://allthatsinteresting.com/jeannette-depalmahttps://www.reddit.com/r/UnresolvedMysteries/s/zDjFGvKazRPetition: https://www.change.org/p/justice-for-jeannette-depalma-change-her-death-from-a-suspicious-death-to-a-homicide?fbclid=IwQ0xDSwL01_NleHRuA2FlbQIxMQABHkzqQlUqg1ZjRDLPFYVl6EeGkpbiSySTuphV0SVdYj6rNTXOpVGP-QrC1CsB_aem_xqh3QXvvw82z8bd3dNk11QJustice for Jeannette FB page: https://www.facebook.com/share/19V8jsnH2H/?mibextid=wwXIfr

Bru Rovira y Valentina Rojo visitan la antigua cárcel de Palma (Mallorca) para conversar con algunas de las 200 personas sin hogar que malviven en lo que fuera el centro penitenciario de la ciudad. Por motivos de seguridad, el Ayuntamiento ha emitido una orden de desalojo, mientras los afectados reclaman una alternativa habitacional. 

“Not to confuse journalism with newspapers. Newspapers are one set of communication methods. But it's certainly not the only one. If they have the right mindset, and that's what I try to get them to do, there are so many more opportunities. You can go out and do a podcast, or you can do a newsletter. You can't think of it as I need to work at The New York Times. You have to think of it as I need — I need — to tell stories, and I've got this curiosity.”Anthony DePalma is a journalist and professor at Columbia University. He's the author of several books, his latest being On This Ground: Hardship and Hope at the Toughest Prep School in America. It's published by Mariner Books.He spent 22 years as a reporter for The New York Times, and another 8 as a stringer for them, so, let's do the math … that's 30 years. He reported a lot on Mexico and Cuba, as well as Albania, Guyana, and Suriname. You can find him at anthonydepalma.com and on the Facebooks and Substacks, at anthontyrdepalmaAnthony DePalma has been all over the world telling true stories. He's the author of The Cubans, City of Dust, The Man Who Invented Fidel, and Here: A Biography of the New American Continent.In this conversation we talk about: How not to confuse journalism with newspapers The NEED to tell stories The stunning lack of curiosity among young journalists Not wearing headphones on walks Accelerated intimacy Challenge of being of satisfied with the writing Still being a WIP What to do when you can't be everywhere at once Cutting 30-40% of his ms Radical pragmatism What makes St. Benedict's tough And how grafting apple trees is like writingOrder The Front RunnerWelcome to Pitch ClubShow notes: brendanomeara.com

Carrie, el gran éxito de terror de Brian De Palma, es objeto de debate con la escritora Mayte Navales. En este nuevo episodio de Par Impar los presentadores Juanma González y Dani Palacios reciben a la escritora Mayte Navales para conversar sobre Carrie, la gran adaptación de Stephen King que realizó Brian De Palma, y también de su nuevo proyecto, la novela La ahorcada, una obra de terror con la que podemos establecer similitudes. Carrie, la adaptación cinematográfica que Brian De Palma realizó sobre la primera novela de Stephen King. Los contertulios analizan la figura de la protagonista de La ahorcada en relación con el arquetipo que representa Carrie White. Ambas historias presentan a mujeres que transitan de ser víctimas de un entorno hostil a convertirse en ejecutoras implacables. ¿Como se lleva en la actualidad el tema de la venganza femenina tras años de abusos, soledad y fanatismo religioso?. Al igual que en la obra de King, el componente sobrenatural actúa como un catalizador de la furia acumulada contra una sociedad que carece de compasión. Durante la conversación, se rememoran anécdotas fascinantes sobre la producción de Carrie en 1976. Se menciona cómo Stephen King llegó a tirar el manuscrito a la basura, siendo rescatado por su esposa, Tabitha. También se destaca la entrega de Sissy Spacek, quien se presentó al casting con el pelo sucio y un vestido de marinera para convencer a De Palma de que ella era la actriz idónea para encarnar la vulnerabilidad y el terror de la joven Carrie. Los presentadores elogian la iconografía religiosa presente en el filme, especialmente la muerte de la madre, interpretada por Piper Laurie, que evoca una versión macabra de San Sebastián. Un punto clave de la charla es la técnica visual de Brian De Palma. Se discute el uso del split-screen y los planos secuencia, herramientas que el director utilizó para generar una tensión insoportable en escenas icónicas como el baile de graduación. Navales comenta que en la película de La ahorcada también se ha buscado esa elegancia visual, alejándose del simple susto fácil para construir una atmósfera de terror gótico contemporáneo. La autora señala que su historia es, en esencia, un relato sobre la maldad humana y cómo esta se ensaña con los más débiles. La estética de los años 70 también es objeto de análisis. Los presentadores observan que los adolescentes en las películas de esa época, como en Carrie, lucían mucho más maduros que los de series actuales como Stranger Things o Euphoria. Este realismo sucio y adulto de la década de los 70 aportó a la película una crudeza que la convirtió en un clásico de culto instantáneo. Además, se resalta la banda sonora de Pino Donaggio, capaz de alternar melodías románticas con sonidos estridentes y pesadillescos, una dualidad que Navales también ha intentado reflejar en su obra mediante referencias a músicos como Eric Clapton y Raimundo Amador. Hacia el final del programa, se discute el impacto del final inesperado de Carrie, un recurso que marcó una tendencia en el género de terror. Maite Navales explica que La ahorcada también juega con las expectativas del espectador, ofreciendo un desenlace que invita a la reflexión sobre el ciclo de la violencia. Para cerrar el episodio, los participantes disfrutan de temas musicales emblemáticos como Carrie de la banda Europe y el clásico Because the Night de Patti Smith, celebrando el talento de Navales para revivir la esencia del terror clásico en el panorama editorial y cinematográfico actual.

This week on the Erotic Thriller Club we dive into Razzie Award winning, Lindsey Lohan cult classic I Know Who Killed Me! Twins! Amputations! Neil McDonough not kissing anyone as usual!

Corruption, crime, and Connery—diving deep into De Palma's classic.In this episode of Review It Yourself, we break down the first half of The Untouchables—the iconic Prohibition-era crime thriller directed by Brian De Palma. Joined by co-host Sarah, we explore the film's powerful opening act, its larger-than-life characters, and why this stylish gangster epic still commands attention nearly four decades later.From the tense cat-and-mouse battle between federal agent Eliot Ness and Chicago crime boss Al Capone, to the unforgettable performances by Kevin Costner, Sean Connery, and Robert De Niro, we unpack what makes this film such a standout in the gangster genre. Is it the script? The score? The mythologising of law enforcement? Or Connery's scene-stealing gravitas?Expect thoughtful film analysis, sharp opinions, historical context around Prohibition-era Chicago, and a discussion about how Hollywood reshapes real-life events into cinematic legend. Whether you're a long-time fan of classic crime dramas or discovering this film for the first time, this episode offers insight, debate, and plenty of appreciation for one of the 1980s' most celebrated gangster movies.We discuss:The film's themes of justice, morality, and myth-makingThe dynamic between Ness and MaloneDe Palma's directorial style and use of tensionPerformances that elevate the materialHow The Untouchables compares to other mob classicsIf you love deep-dive movie reviews, classic cinema breakdowns, and honest film discussion, this episode is for you.Please Note: There are direct quotes used in this review, which include the use of contextual slurs/stereotypes. These are used purely as quotes from the film and to aid discussion, as the film's dialogue reflects the bigoted, harsh atmosphere of 1930's Prohibition-Era Chicago. There is no intention to cause offence or distress.Follow & Contact Review It Yourself:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comSupport the Podcast:If you enjoy Review It Yourself, please:Subscribe on Apple Podcasts, Spotify, or your favourite podcast platformLeave a 5-star rating and written review on Apple Podcasts to help boost visibilityShare this episode with fellow film fansFollow us on social media for updates and future episodesYour support helps the podcast grow, reach new listeners, and continue producing in-depth film reviews.Part Two of our The Untouchables discussion available now—where we continue analysing the film's most iconic sequences and its lasting legacy in crime cinema.Listen now and decide for yourself… is The Untouchables truly untouchable? Hosted on Acast. See acast.com/privacy for more information.

Violence escalates, loyalties fracture, justice turns brutally personal.In Part Two of their deep dive into The Untouchables, Sean and co-host Sarah break down the explosive second half of Brian De Palma's Prohibition-era crime classic. If Part One explored myth-making and morality, this episode tackles consequence, sacrifice, and the film's unforgettable climax.From the emotional weight of Sean Connery's Oscar-winning performance to the operatic violence that defines De Palma's directing style, we analyse how the story of Eliot Ness versus Al Capone reaches its dramatic peak.We explore the tension between justice and revenge, the cost of incorruptibility, and whether the film earns its legendary status among gangster cinema greats.Starring Kevin Costner, Sean Connery, and Robert De Niro, this 1987 crime epic blends Hollywood spectacle with historical myth.But does the courtroom finale deliver? Does the violence feel operatic or excessive? And does The Untouchables still hold up for modern audiences?In this episode, we discuss:The emotional impact of Malone's arcThe morality of Ness's final choicesThe famous Union Station sequence and De Palma's visual storytellingThe balance between historical fact and cinematic legendWhether The Untouchables deserves its classic statusIf you're searching for:The Untouchables 1987 reviewThe Untouchables podcast discussionBrian De Palma film analysisSean Connery Oscar performance breakdownGangster movie deep dive podcast…this episode delivers sharp film criticism, humour, debate, and honest takes.Sarah returns as co-host for this two-part breakdown. (No external projects to plug this week—just pure film conversation and classic cinema appreciation.)Why Listen?Whether you're a long-time fan of The Untouchables or revisiting it decades later, this episode will make you rethink its themes, performances, and cultural legacy. Expect passionate disagreement, strong opinions, and thoughtful analysis of one of the most iconic crime films of the 1980s.If you enjoy deep-dive movie reviews, classic film discussion, and spirited debate — this is the podcast for you.Please Note: There are direct quotes used in this review, which include the use of contextual slurs/stereotypes. These are used purely as quotes from the film and to aid discussion, as the film's dialogue reflects the bigoted, harsh atmosphere of 1930's Prohibition-Era Chicago. There is no intention to cause offence or distress.Follow & Contact Review It YourselfStay connected and join the conversation:Instagram: https://www.instagram.com/reviewityourselfpodcast2021X / Twitter: https://twitter.com/YourselfReviewBlueSky: https://bsky.app/profile/reviewityourself.bsky.socialThreads: https://www.threads.net/@reviewityourselfpodcast2021Email: reviewityourselfpodcast@gmail.comWe love hearing your thoughts, episode suggestions, and hot takes.Support the PodcastIf you enjoy Review It Yourself and want to help us grow:Subscribe on Apple Podcasts, Spotify, or your favourite platformLeave a 5-star rating and written review on Apple Podcasts (this massively boosts discoverability)Share this episode on social mediaRecommend the podcast to fellow film fansYour support helps the show reach new listeners and continue producing in-depth film reviews every week.Listen now and decide for yourself: is this crime epic truly untouchable? Hosted on Acast. See acast.com/privacy for more information.

We conclude the Star Warped Tour Week with another special on filmmaker Brian De Palma: his Crime Conspiracy Movies!   MOVIES DISCUSSED: The Fury, Dressed to Kill, Blow Out, Wise Guys (1986), The Untouchables, Casualties of War, Snake Eyes, Femme Fatale (2002), Redacted (2007) & Domino (2015)     TALKING POINTS: *Did Curtis Hanson, David Fincher and Denis Villeaneuve take influence from De Palma or just the same filmmakers he was imitating?   *Does De Palma suffer from much of the same issue as George Lucas by relying on the actors to do all the backstory work but not coach them on what he wants personally?   *All that and how no one should dislike BLOW OUT unless their name is Ted Kennedy!       PODCAST GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), Anthony Francis (The Movie Revue) & James Bruno     MUSIC INTROS: "Main Theme" by John Williams (from The Fury) "The Strength Of The Righteous(Main Title)" by Ennio Morricone (from The Untouchables)  

On Book Lust with Nancy Pearl, author and journalist Anthony DePalma discusses "On This Ground: Hardship and Hope at the Toughest Prep School in America," a story he describes as “a school that refused to die in a city that nearly did.” In the conversation, DePalma explores how Saint Benedict’s Prep in Newark endured social upheaval and decline through the steadfast commitment of Benedictine monks who stayed loyal to their community and believed in redemption, accountability, and the idea that education is shaped not just in the classroom, but in the people students become.

Me and other fellow guests dig into the WTF worthy films in the divisive filmmaker Brian De Palma's diverse career.   Does Brian do Meta Movies better than actual spoof films? What would infamous movies like Showgirls be like under De Palma's stylish direction? Let's find out after this deep dive!   MOVIES DISCUSSED: Greetings, Hi Mom!, Phantom of the Paradise, Obsession, Raising Cain,  Body Double, Sisters & Bonfire of the Vanities   GUESTS: Film Critic Sean Patrick (I Hate Movie Critics Podcast, Sean At The Movies Blog), James Bruno & Kristin Battelstella (Therefore Horror on Twitter)      INTRO CLIP:  De Palma and Scorsese on Welles and Hitchcock: The Dick Cavett Show 

Episode 125 - Pack your bags, and make sure to pack some bootlegged whiskey, because we are headed to prohibition times Chicago to wrap up DePalma month. This week we watch and discuss The Untouchables (1987) which is one of DePalma's more well know films, stars Kevin Costner, Sean Connery and Robert DeNiro. Based on the story of Elliot Ness vs Al Capone and the the war on illegal booze in the 20's, Deniro once again tackles the ganster subgenre. Speaking of which, we dive into Carlito's Way as the supplemental. Not only that, Brian reveals next month's theme.So tune in soon for Gene Gone Wilder month!and email us at mracfilmclub@gmail.com

Sergio Pérez realiza el programa desde el Festival de Málaga y habla con Alma de Torrente, presidente. Do-Re-Film con BSO no del todo originales.

Host Caitlin Malcuit discusses a Buffalo, N.Y., effort to reform student discipline practices and Virginia's debate about implementing restorative justice in their public schools. Then author and journalist Anthony DePalma chats with Daniel Ford about his book On This Ground: Hardship and Hope at the Toughest Prep School in America. To learn more about Anthony DePalma, visit his official website. This episode is sponsored by Libro.fm and the Is It Streaming podcast, the newest addition to the Writer's Bone Podcast Network.

Sergio Pérez entrevista en el Festival de Málaga a la actriz momentos antes de recibir el Premio Málaga – SUR.

This week, Drusilla and Josh discuss one of Raimi's underseen films, The Gift. From wiki: “The Gift is a 2000 American Southern Gothic supernatural thriller film directed by Sam Raimi and written by Billy Bob Thornton and Tom Epperson.[4] Thornton and Epperson had written the screenplay for the film prior to the former's 1996 breakout success Sling Blade, with Thornton taking inspiration from his own mother's alleged psychic experiences.[5]”Also discussed: Long Island Medium, Body Double, Sylvia Browne, Winchester mystery house, De Palma, Burning (2018), The Other Sister, TransAmerica, and more. NEXT WEEK: Nadja (1994) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

El alcalde de Palma reflexiona junto a Rafa Latorre sobre lo que supondría para la ciudad ser Capital Europea de la Cultura y los principales desafíos a afrontar.

Arpita Gupta DePalma, MD, TIPC founded Thought Work, MD to help physicians and professional women learn how to identify, manage, and then let go of what is not serving them through transformational mindset coaching. She is a retired pediatrician and the co-founder of Virginia iSpine Physicians, a medical practice she opened with her husband. After completing her coach certification with The Life Coach School in 2021, she went on to become certified as a Trauma Informed Professional Coach (TIPC) with Lodestar, and then earn her certification as an Advanced Deep Dive Coach with Bev Aron.Arpita helps powerful women learn how to stay ahead of their emotions so that they show up calm, collected and in control, ready to lead and execute with poise. In her one to one and group coaching programs, she provides clients the unique tools they need to optimize how they show up each day in order to accomplish more, while being happier doing so.Thanks for tuning in! Check out more episodes of The Well-Being Connector at www.bethejoy.org/podcast.

Avec Malou Mallerin, Melvin Schlemer et David Bola pour les nouveautés !

Welcome to CHUCKYVISION, a podcast about the horror franchise Child's Play/Chucky, the surrounding culture, and other killer doll films. Mark and Dev are unpacking the 1988 horror classic one minute at a time! In our 16th minute of CHILD'S PLAY, we talk children resisting bedtime, the implied relationship of 'Aunt' Maggie, fictional Chicago news stations, the superfluous Eddie escaping police, offscreen manipulating from Chucky, and a lesson in split diopter shots. Host: Mark Adams Co-Host: Dev Elson Editor: Dev Elson Executive Producer: Tony Black Twitter/BlueSky:   @ChuckyVision  Our Network:   @filmstories filmstories.co.uk Title music: At the Beginning (c) Dark Fantasy Studios Cover Art: Ama @Amasc0met Logo: Elliot @Elliottt93 Learn more about your ad choices. Visit megaphone.fm/adchoices

Cue the green & red lighting and the KNB effects because we are talking about the absolutely *wild* 1993 film, Doppelganger.Starring 17 year old emancipated minor Drew Barrymore, writer/director Avi Nesher's curious oddity is "DePalma meets Argento in the guise of a Lifetime film". Filled with gay extras and capital-A acting from the supporting cast, Doppelganger is one bizarre creative decision after another from beginning to (absolutely gonzo) end. Go in cold if you can!Plus: underage nudity; Drew's troubled relationship with mother Jaid; gay Breakfast at Tiffany's;  ties to 1991's Popcorn; and Leslie Hope's rapid-fire screwball comedy dialogue.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, or join the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada  / Show Art: Travis Falligant Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The season 8 finale is upon us. And it's finally time to talk Brian De Palma. Listen up as the podcast duo examines Will's pick for the week, the hallmarks of De Palma's style, the ways in which Body Double is both an extravagant auteur statement and a self-critical piece of genre academia, and much more! RELAX, sit back, and celebrate eight seasons of AnotherLook with us.

Veteran New York Times reporter Anthony DePalma takes us inside his new book, “On This Ground: Hardship and Hope at the Toughest Prep School in America,” highlighting one of the most successful inner-city schools in the country, St. Benedict's Preparatory School in Newark, New Jersey.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

This week, Shat The Movies heads to Prohibition-era Chicago with Brian De Palma's The Untouchables, a glossy crime epic that somehow combines operatic violence, moral absolutism, and one of the most iconic staircases in movie history. Featuring Kevin Costner at his most upright, Sean Connery at his most Oscar-winning, and Robert De Niro going full scarface-with-a-bat, this film has long been considered a prestige gangster classic—but does it still earn its reputation? Gene and Big D break down Ennio Morricone's unforgettable score, De Palma's shameless love of excess, and whether Costner's Eliot Ness is compelling or just aggressively boring. Along the way, they revisit Connery's scene-stealing mentor role, De Niro's cartoonishly menacing Al Capone, and the film's "history-as-vibes" approach to law enforcement. Is The Untouchables a towering crime masterpiece—or just a stylish collection of unforgettable moments stitched together with slow-motion hero worship? Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite