Podcasts about Yorgos Lanthimos

We went to Telluride! The 52nd annual Telluride Film Festival was an incredible experience. The festival had everything from Shakespeare to Springsteen. Christian and Scott are joined by new friend of the show Hunter Williams to discuss everything they saw, including new films from Chloe Zhao, Edward Berger, Guillermo del Toro, Yorgos Lanthimos, Kelly Reichardt, Richard Linklater, Noah Baumbach, and more.   Which Telluride movie are you most excited to see? Let us know at cinemaontappodcast@gmail.com

Yorgos Lanthimos basó Bugonia, su nueva película, en un filme coreano bastante peculiar llamado Save The Green Planet! Trata sobre un hombre quien está completamente convencido de que los extraterrestres pretenden ser seres humanos mientras planean la destrucción de la Tierra, por eso debe hacer todo lo que esté en su poder para evitarlo. 

L'edizione 2025 della mostra del cinema di Venezia è stata una delle migliori degli ultimi anni, con film in grado di far riflettere sulle crisi del presente. Il frutto più raro di Gaëlle Bélem racconta la storia dello schiavo africano che ha scoperto la vaniglia. Nei sotterranei del centro sociale Leoncavallo ci sono centinaia di opere di street art a rischio dopo lo sgombero. Un libro raccoglie i lavori giovanili inediti del fotografo statunitense Stephen Shore.CONLee Marshall, giornalista e critico cinematografico britannicoFrancesca Sibani, giornalista di InternazionaleMarco Teatro, artista e scenografoDaria Scolamacchia, photo editorSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Yorgos Lanthimos a Venezia: https://www.youtube.com/watch?v=-fR1DSWauv8Gaëlle Bélem: https://www.youtube.com/watch?v=1r3e1lopv_4&t=97sLeoncavallo: https://www.youtube.com/watch?v=-fR1DSWauv8Stephen Shore: https://www.youtube.com/watch?v=T029CTSO0IECi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our sixth episode from the city of canals, Film Comment Editor Devika Girish invited critics Guy Lodge and and Öykü Sofuoğlu to discuss some recent festival premieres, including Pietro Marcello's Duse (2:45), Ross McElwee's Remake (12:39), Kaouther Ben Hania's The Voice of Hind Rajab (21:42), and Kathryn Bigelow's A House of Dynamite (41:32). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

On Truth & Movies this week, we come to you live from the city that gave us Don't Look Now and The Souvenir, Venice, where we're here to report on the hits and misses from this year's Venice Film Festival, including new films by Benny Safdie, Yorgos Lanthimos, Mark Jenkin and Park Chan-wook. Joining guest host Hannah Strong are Rafa Sales Ross and Marshall Shaffer.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fifth episode from the city of canals, Film Comment Editor Devika Girish invited critics Savina Petkova and Jordan Mintzer to discuss Benny Safdie's The Smashing Machine (3:00), Lucrecia Martel's Nuestra Tierra (Landmarks) (18:26), and Olivier Assayas's The Wizard of Kremlin (31:49). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Michela Gorini ci racconta la prima settimana del Festival di Venezia con alcuni importanti film che è riuscita a vedere:"Ghost Elephants" di Werner Herzog"La grazia" di Paolo Sorrentino "Bugonia" di Yorgos Lanthimos"The Last Vikings" di Anders Thomas Jensen con Mads Mikkelsen"After the Sun" di Luca Guadagnino"Jay Kelly" di Noah Baumbach "Il Maestro" di Andrea Di Stefano con Pierfrancesco Favino"Portobello" mini serie TV di Marco Bellocchio"Queen Kelly" di Erich von Stroheim (1929) - Resturo

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

The 82nd Venice Film Festival got underway with a constellation of stars on its red carpet, as Julia Roberts and Andrew Garfield attended the premiere of "After the Hunt", directed by Luca Guadagnino. Film critic Emma Jones tells us why she was impressed by Yorgos Lanthimos's "Bugonia", starring Emma Stone and Jesse Plemmons. We also discuss the French-made political intrigue "The Wizard of the Kremlin", with Jude Law playing Vladimir Putin himself. And politics were ever-present at this year's Mostra, with Venice4Palestine protests and Kaouther Ben Hania's powerful docu-drama "The Voice of Hind Rajab", which is set in Gaza.

Hi Glamour Girls! We will be back with new episodes next week. Until then, enjoy a classic StraightioLab episode with Stavros Halkias. You can catch him in Yorgos Lanthimos' BUGONIA, out next month! GET TICKETS TO OUR SUMMER/FALL TOUR HERE: linktree.com/straightiolab CALL US at 385-GAY-GUYS to leave questions and comments for our next surprise call-in show and you just might hear your call on your favorite podcast. STRAIGHTIOLAB MERCH: cottonbureau.com/people/straightiolab SUBSCRIBE TO OUR PATREON at patreon.com/straightiolab for bonus episodes twice a month and don't forget to rate and review us on Apple Podcasts! --- Today we're joined by Stavros Halkias whose new movie "Let's Start A Cult" is out October 25th. We discuss the most groundbreaking topics from Greek stereotypes that are actually true for most people, Stavros' big sober year, and the politics of having a cold in the year 2024. Plus, we talk mancaves and wonder: would straight people rather build another room in their house instead of having a coversation? Many are saying yes!See omnystudio.com/listener for privacy information.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Joseph Fahim and Öykü Sofuoğlu to talk about some recent premieres, including Guillermo Del Toro's Frankenstein, Jihan K's My Father and Qaddafi, and Shahad Ameen's Hijra; the group also discussed the rise of the Saudi film industry and its role in contemporary Arab cinema. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

De Werner Herzog kritt de Gëllene Léif fir säi Liewenswierk, de László Nemes iwwerzeegt mat "Orphan", engem Familljendrama, dat als politesch Parabel op Ungarn funktionéiert - an de Yorgos Lanthimos enttäuscht, esou eise vum Yorgos Lanthimos reegelméisseg enttäuschte Korrespondent, mat "Bugonia", engem narzistesche Wierk, dat méi spigelt wéi analyséiert. De Marc Trappendreher ass fir eis op der Mostra - a mir schalten op Venedeg fir éischt konkret Andréck vum eelste Filmfestival vun der Welt.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Tim Grierson and Katie McCabe to talk about recent festival premieres, including Guadagnino's After the Hunt, Park Chan-wook's No Other Choice, László Nemes's Orphan, and Poitras and  Mark Obenhaus's Cover-Up. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

"Bugonia" by Yorgos Lanthimos marks the director's come back to Venice competition after "Poor Things". The post “Bugonia”, interview with director Yorgos Lanthimos and actors Emma Stone and Jesse Plemons appeared first on Fred Film Radio.

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

Send us a textThe better than Van Helsing boys have spent their lives under the strict rule of their producer. Unaware of his dark past, they struggle to understand his increasingly erratic behavior. But when they begin to uncover the violent truths behind his mixing board, their world unravels, forcing them to confront having to produce the show without him. On Episode 683 of Trick or Treat Radio we discuss the film Abraham's Boys: A Dracula Story based on the short story from Joe Hill and directed by Natasha Kermani! We also talk about the upcoming Deathstalker film, isolationism and gaslighting from those you trust, and plenty of Dracula lore. So grab your monster hunting handbook, subvert any and all expectations, and strap on for the world's most dangerous podcast!Stuff we talk about: Steven Kostanski, The Void, Psycho Goreman, Frankie Freako, Deathstalker, Astron-6, practical FX, violence, sword and sorcery films, Jerry “The King” Lawler, f*ck WWE, The Incubus, Needful Things, the 13th Warrior, Eaters of the Dead, House of 1000 Corpses, Hunt for the Blood Orchid, Suspect Zero, Lets Scare Jessica to Death, The Last Exorcism, The Candyman, Watchmen, this day in horror history, Alexa Vega, bloody birthdays, The Tomorrow People, Machete Kills, Mothers Day, Psycho III, Zodiac, John Kassir, Rock and Shock, The Three Stooges, Benny and Joon, Will and Grace, Caveman, Todd Browning's Freaks, Rocket Ship XM, Invaders from Mars, Slash, Tim Seeley, Red Sonja, Rose McGowan, Deathwatch, The Dreadites, boomsword, Lucio Fulci, Conquest, covering the lens in vaseline, Sabrina Siana, Planet of the Gapes, Joe Hill, Abraham's Boys, Natasha Kermani, Titus Welliver, Jocelin Donahue, Frailty, Bill Paxton, PCU, Dogtooth, Yorgos Lanthimos, “the severed heads looked really good”, no style nor substance, Vanhelsing, movie of the week, “It's Better than Vanhelsing”, Batman, Monster: The Ed Gein Story, Wisconsin represents, Menendez Brothers, Brute 1976, Joe Knetter, Marcel Walz, Frute Brute, Countess Caramella, Brute 1976, Brut By Faberge, Mammoth, Robert Rodriguez, Greg Nicotero, Michael Jackson, Wolfgang Van Halen, Peter's Polar Bear Paradox, The Serial Killer Lookbook, Conquest and Divide, and The Ballad of Oswalt Patton.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year, and this year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our first episode from the city of canals, Film Comment Editor Devika Girish invited FC contributors and Venice veterans Jonathan Romney and Jordan Cronk to talk about what sets this festival apart from other major international film showcases. Next, the group turned to some of the most highly anticipated premieres of the first few days, including Paolo Sorrentino's La grazia (8:28), Noah Baumbach's Jay Kelly (16:21), Yorgos Lanthimos's Bugonia (26:50), Claire Simon's Writing Life: Annie Ernaux Through The Eyes Of High School Students (36:40), and Mike Figgis's Megadoc (47:03). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Assine o Meio em canalmeio.com.br/meio-premium. Faria Lima concentra concentra fintechs envolvidas em lavagem de dinheiro do PCC. Estudo revela que humanos podem inalar até 68 mil partículas de microplástico por dia. Lollapalooza Brasil 2026 terá Sabrina Carpenter, Chappell Roan e Deftones. ‘Bugonia’, filme de Yorgos Lanthimos com Emma Stone, é ovacionado no Festival de Veneza. Novo tipo de construção sustentável ganha espaço no Brasil. E OpenAI anuncia sede no Brasil e inclui país no mapa da expansão global. Essas e outras notícias, você escuta No Pé do Ouvido, com Yasmim Restum.See omnystudio.com/listener for privacy information.

Moody Movies: Despicable Me (2010), One Of Them Days (2025), The Legend Of Ochi (2025), The 4:30 Movie (2024), The Brady Bunch Movie (1995)Kylie & Elliott watch movies with their nieces, truly love movies that others found middling, appreciate sincerity, and suggest the weirdest double feature that'll change your life.Follow along onInstagram: @moodymovie.clubLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

È arrivato il giorno di Bugonia: Yorgos Lanthimos torna in concorso alla Mostra del cinema di Venezia a due anni di distanza dal Leone d'oro a Povere creature!, definitiva consacrazione per quello che è uno degli autori più del momento.L'abbiamo visto e, come sempre, tra complotti, dinamiche di sottomissione e manipolazione, ci ha messo in una posizione scomoda.

Here's a re-upload of the Yorgos Lanthimos Director's ShowcaseWith guests, we run through Yorgos' filmography up until 2018

There have been a number of big summer movies like "F1: The Movie," "Superman" and "Jurrassic World: Rebirth." But these popcorn movies are not likely destined for big awards. Studios like to hold back the Oscar contenders for the fall, so in this week's episode we dive into which movies to watch for this fall and into the winter. You can also review a full list of notable films below. August releases “Honey Don’t!” – Ethan Coen continues his Margaret Qualley-a-thon with this comedy about a private investigator who looks into a series of deaths tied to a church. Aubrey Plaza, Chris Evans co-star. “Splitsville” – Divorce makes strange bedfellows, particularly when the ex discovers his best friends have an open marriage. Dakota Johnson, Kyle Marvin star. “Eden” – Looking for a better life, a group of people head to the Galapagos and realize what they’re up against. Jude Law and Ana de Armas star in this based-in-fact drama directed by Ron Howard. “Relay” – Payoffs between corporations brings a broker into the line of fire. Riz Ahmed, Lily James and Sam Worthington star. “Hollywood Grit” – A private investigator has to find out what happened to his daughter. Tyrese, Max Martini star. “Lurker” – How strange is the world of stardom? A worker finds out as he gets closer to a music star. Alex Russell wrote and directed this drama starring Theodore Pellerin and Archie Madekwe. “The Thursday Murder Club” – Friends in a retirement home solve mysteries. Pierce Brosnan, Helen Mirren, Ben Kingsley are in the home. “The Roses” – An updated look at “War of the Roses” lets Benedict Cumberbatch and Olivia Colman square off. Jay Roach directs. “Caught Stealing” – Austin Butler gets the Darren Aronofsky treatment as a baseball player caught in the underbelly of New York City. Bad Bunny is along for the ride. “The Toxic Avenger”—When a janitor is the victim of a toxic accident, a new crimefighter emerges. Peter Dinklage, Jacob Tremblay and Taylour Paige star. “Jaws” – The first summer blockbuster returns to the big screen after months on television. Now, you can see what audiences were scared of in 1975. “Love, Brooklyn” – Friends navigate the pitfalls of life in Brooklyn. September releases “Megadoc” – Mike Figgis looks at the making of Francis Ford Coppola’s “Megalopolis.” “The Conjuring: Last Rites” – Those creepy paranormal investigators say they’re taking on one last case (sure) to settle their own lives. Patric Wilson and Vera Farmiga return. “The Threesome” – A threesome leads to problems, particularly since life’s not always fantasies. Zoey Deutch and Jonah Hauer-King star. “Twinless” – Two men bond in a support group. Dylan O’Brien, Lauren Graham and Arkira Chantaratananond star. “Hamilton” – Celebrating its “ten-cennial,” the Broadway hit brings its performance capture version (which ran on Disney+) to the big screen. Updates about the performers make this more than a night out. “The Baltimorons” – Sobriety leads to a dental emergency which leads to a romance with the dentist. Jay Duplass directs; Michael Strassner co-writes and stars. “The Long Walk” —You thought the Hunger Games were bad, how about this: Teenage boys compete in a walking contest. If they don’t keep up, they’re shot. Based on a Stephen King story, it’s one of the year’s most harrowing. “Spinal Tap II: The End Continues” – Those Smell the Glove guys reunite after a 15-year hiatus for one last concert. Rob Reiner directs; the original actors return. “Downton Abbey: The Grand Finale” – The Crawleys face scandal, financial ruin and social disgrace. To get out of it, they look to a younger generation. Expect all but Maggie Smith to be back. “The History of Sound” – Paul Mescal and Josh O’Connor embark on a World War I project that brings them close to their country and each other. “Code 3” – One last shift for a paramedic who has to train his replacement. What could go wrong? Rainn Wilson, Lil Rel Howery star. “Him” – What a guy won’t do to be a football star. Here, one goes to a compound where anything can happen. Tyriq Withers, Marlon Wayans and Julia Fox star. “American Sweatshop – Yup, it’s the world of social media. An insider discovers just how dark the world is (like we didn’t know). “A Big Bold Beautiful Journey” – Colin Farrell and Margot Robbie bond in a unique journey (which, of course, says nothing but suggests there’s more to this than two big stars). “The Summer Book” – A girl and her grandmother become closer in Finland. Emily Matthews and Glenn Close star. (Could this be the one that finally wins Close an Oscar?) “Xeno” – Ready for another E.T.? This one finds a teenager relating to the alien. Josh Cooke, Lulu Wilson star. “Waltzing with Brando” – When Marlon Brando wants an ecologically perfect retreat in Tahiti, he calls on a Los Angeles architect. Tia Carrere, Richard Dreyfuss and Jon Heder star. “Eleanor the Great” – Scarlett Johansson directs June Squibb in this drama about a 94-year-old who has plenty of stories to tell. “One Battle After Another” – Leonardo DiCaprio stars in this dark comedy about a group of revolutionaries reuniting to save one of their group’s daughter. Paul Thomas Anderson directs; Benicio Del Toro (who starred in a Wes Anderson film earlier this year) and Sean Penn co-star. October releases “The Smashing Machine” – Dwayne Johnson tries his hand at mixed-martial arts as UFC champion Mark Kerr. The makeup may be a stretch, but Benny Safdie directs, Emily Blunt disappears in an unlikely role. “Tron: Ares” – Jared Leto gets to run the race. Jeff Bridges is here, too, but this is about a new program (Ares) that’s about to embark on a dangerous mission. “Roofman” – A robber evades authorities by hanging out in a toy store. Channing Tatum plays the thief, Peter Dinklage and Kirsten Dunst swirl around him. “Anemone” – Daniel Day-Lewis comes out of retirement for this film directed by his son, Ronan. The plot? Good question, but it will have that DD-L prestige. “Kiss of the Spider Woman” – Jennifer Lopez stars in the Tony winner fans have been asking for. The big question: Were they looking for Lopez to star in it? Bill Conden directs. “If I Had Legs, I’d Kick You” – Rose Byrne gets the Oscar buzz as a woman trying to juggle multiple traumas, including a sick child and an absent husband. “Soul on Fire” – This is the story of a St. Louis native who survived burns which covered his body. Joel Courtney plays John O’Leary. William H. Macy and John Corbett co-star. “Good Fortune” – An angel meddles in the lives of a venture capitalist and a gig worker. Seth Rogen, Azizi Ansari and Keke Palmer star in this comedy written and directed by Ansari. Black Phone 2 – More trouble ensues when the phone rings. Sequel to a better-than-average horror film. “After the Hunt” – Julia Roberts plays a college professor who wonders what could happen when a student levels an accusation against a colleague. Ayo Edebiri co-stars. The Mastermind – A family man leads a double life in the 1970s. Josh O’Connor and Alana Haim star. “Pets on a Train” – Animated animals get caught up in a train heist. Hedda” – “Hedda Gabler” gets the big-screen treatment with Tessa Thompson in the title role. Blue Moon – The life of Lorenz Hart is told by Richard Linklater with Ethan Hawke as Hart. Andrew Scott plays Richard Rodgers. “Springsteen: Deliver Me From Nowhere” -- Bruce Springsteen gets the Bob Dylan treatment with Jeremy Allen White in the title role. This, however, only covers the creation of the “Nebraska” album. “Regretting You” – Family issues emerge after the death of a husband and father. Based on Colleen Hoover’s best-seller, it stars Allison Williams and Mckenna Grace. “The Watchers” – M. Night Shayamalan’s daughter Ishana makes her directorial debut with this thriller about an artist who gets trapped in an Irish forest. “Anniversary” – A good cast (Diane Lane, Kyle Chandler, Zoey Deutch) in a thriller directed by Polish filmmaker Jan Komasa. “Bugonia” – Emma Stone continues her run with Yorgos Lanthimos. The film is a remake of a South Korean effort about two men kidnapping an executive, convinced she’s an alien bent on destroying Earth. “Nouvelle Vague” – Richard Linklater has another entry this year. This one’s a look at Jean-Luc Godard and actress Jean Seberg. Guillaume Marbeck and Zoey Deutch start. November releases When We Pray – Jamie Foxx directs the story of brothers who become pastors at divergent churches. Predator: Badlands – While “Alien: Earth” takes over TV screens, the “other” scary creature takes on a remote planet. The Running Man” – Glen Powell steps into Arnold Schwarzenegger’s shoes as a contestant in a game show which features killers all around the world. Nuremberg – Set during the Nuremberg trials, a psychiatrist interviews Nazi prisoners to determine if they are fit to stand trial. Rami Malek and Russell Crowe square off. Peter Hujar’s Day – What was New York’s art world like in 1974? Rebecca Hall and Ben Whishaw play two who know. Ira Sachs directs. “Now You See Me: Now You Don’t” – The Four Horsemen get help from newbies hoping to use illusions to get away with big cash. Jay Kelly – It’s an ensemble film but it stars George Clooney as a George Clooney-level star who reflects on life with his manager (played by Adam Sandler). Noah Baumbach directs. Indecipherable – A boy, home alone, gets shaken by the things that go bump in the night. Wicked: For Good – At long last, we find out what happened to Glinda and Elphaba. Expect at least one new song and bigger roles for the men in their lives. No place like home? That’s included, too. Cynthia Orivo and Ariana Grande could double up on the Oscar nominations. Rental Family – Oscar winner Brendan Fraser plays an American actor who plays roles in other people’s lives. STZ – Zombies result when a trio of scientists launch a bio-attack on a bus filled with women. (No kidding.) Zootopia 2 – Residents of Zootopia return for more adventure and product placement. Judy and Nick are on the trail of a new resident, a snake. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Lewis Walker is a former world champion gymnast and now a dancer. We often talk about dance as a short career, one which embeds a very binary approach, and in which partnering is a question of intense trust – well, all this is even more true of gymnastics. Lewis discovered the sport at six, reached its peak – but also realised there was more to explore, more to express. Their side-shimmy into dance has led to collaborations in music, fashion and choreography. Their new work, Bornsick was co-commissioned by the Serpentine Gallery and travels to the Edinburgh Art Festival this summer.Lewis Walker is a London-born queer, non-binary movement artist. A former Great Britain gymnast and Acrobatic Gymnastics World Champion, they trained from age 6 to 21 before earning a degree in Contemporary Dance. Their work spans theatre, film, fashion, music, and the commercial sector. Walker continues to choreograph gymnastics competition routines for the Great Britain, Italian and French national teams. Their creative vision and dynamic movement style have led to collaborations with Tim Walker, Yorgos Lanthimos, ANOHNI, Tirzah, BULLYACHE, Burberry, UNTITLAB, and the Institute of Contemporary Arts (ICA).Beyond performance, Walker is dedicated to teaching movement as a tool for accessing deeper states of consciousness and developing a deeper understanding of consensual touch. Their Connecting to Improv workshop explores dance improvisation as a ritual of shared energy and expression, while MOVE HYPNO, a collaboration with hypnotherapist Michele Occelli, blends movement and hypnotherapy for personal transformation.Walker is currently a Studio Wayne McGregor RESIDENT 6 artist-in-residence.Lewis Walker's website https://www.lewiswalker.uk/Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

for the full episode join the Patreon [patreon.com/fashiongrunge]This has to be one of the most visually stunning films I have seen in the past six months. I saw it in the cinema for New Years Day and it basically set the tone for my relationship with film in 2024.Me and Mikey are here to talk about how we loved this film and how we haven't seen anything like it. Emma Stone is just a standout and we talk about the evolution of her character and how the incredible costume design by Holly Waddington adds an entirely new level. We get into sooo much 'behind the scenes', the inventive and visceral music score, and we discuss our thoughts on the discourse around the film during the time of its release.off-topic rants include: MCU talk, Steve Buscemi, and why costume designers should dress me for hypothetical red carpet appearances*recorded May 2024---GIVE US A 5 STAR RATING & SUBSCRIBE to the main Fashion Grunge Podcast feed on (mostly) 90s films!Hosts: Lauren @lauren_melanie & Mikey @agentmikey007Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Vogue's Deputy Editor Taylor Antrim is taking over the podcast! The September Issue is out now and he's first joined by Virginia Smith, Global Head of Fashion Network to break down everything that went into making the issue come to life. From Grace Coddington and Nicolas Ghesquire longtime collaboration to working alongside André Leon Talley, they uncover what exactly goes into making the legendary issue.Then Taylor is joined by Jason Gay, who wrote the cover story on Emma Stone, and Alessandra Codinha, who wrote the feature on Call Her Daddy's Alex Cooper. Jason reflects on what it means to write a celebrity profile today while fully breaking down Emma Stone's new film Bugonia directed by the one and only Yorgos Lanthimos. Alessandra unpacks Alex Cooper's rise to podcast stardom and breaks down what might be next for her empire.  Learn about your ad choices: dovetail.prx.org/ad-choices

From his childhood in public housing to his latest venture, Kino Film Collection, Richard Lorber has always had an affinity with movie dogs. But not just any dogs -- the wild ones, the brave ones, the determined ones. In this episode, Richard tells Jordan about how he related to a number of dogs and dog movies: Rin Tin Tin, Yorgos Lanthimos' Dogtooth, Godard's Goodbye to Language, surprise Kino Film Collection hit Last of the Dogmen.Then Jordan has one quick thing about the just-announced sequel to 2020's Greenland. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

This week, Film Seizure discusses the ins and outs of the Yorgos Lanthimos dark absurdist period comedy The Favourite. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Tyler Coates joins Katey and Christopher Rosen to look at the slates for three indie labels owned by studios that all hope to stake their claim in this year's awards race. Searchlight Pictures, the only one of the three to ever win best picture, is hoping to win hearts with Rental Family, while Focus Features is going heavy on auteurs with Yorgos Lanthimos's Bugonia and Chloe Zhao's Hamnet. Meanwhile Sony Pictures Classics has a tried-and-true formula for getting their films in front of voters, and have a heavy historical drama, Scarlett Johansson's directorial debut, and much more.  The episode also includes Katey's conversation with Stephen Graham about his labor of love turned worldwide phenomenon, Adolescence. He calls the experience of making the show like working with a theater troupe, and talks about how he built the confidence to build the series around a series of astonishing single-takes, and why he thinks the show has hit such a nerve since it debuted on Netflix earlier this year.  Subscribe to Prestige Junkie After Party, where you can get video versions of future episodes and lots of special bonus content. ⁠Join us there!⁠ ⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto. In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does. Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

Tony McNamara is an Academy Award-nominated screenwriter and playwright, whose most recent film, POOR THINGS, earned his second Academy Award nomination for Best Adapted Screenplay. POOR THINGS marked the second creative collaboration between McNamara and director Yorgos Lanthimos, and it is the third collaboration for McNamara and star Emma Stone. The film was released in theaters in December 2023 and was the second-most Oscar-nominated film of the year. McNamara's unique blend of humor, drama, and social commentary can also be seen in the Academy Award-nominated film THE FAVOURITE, which was also directed by Lanthimos and starred Stone. The film earned him a BAFTA Award and an Academy Award nomination for Best Original Screenplay. In his latest project, THE ROSES, the picture-perfect facade of a couple crumbles, igniting a tinderbox of competition and resentment, after the husband's professional dreams are shattered. In this interview, we talk about his approach to historical and adapted material, the state of comedy films, advice for writers, his latest project, THE ROSES, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

El director griego Yorgos Lanthimos se ha convertido en uno de los cineastas más venerados de este siglo XXI. Pese a contar con el respaldo de Hollywood no se ha domesticado, siguiendo fiel a su esencia. Es conocido por su estilo visual austero, diálogos peculiares y una inclinación hacia lo absurdo y lo grotesco. Sus películas a menudo exploran la psicología humana, la naturaleza de la realidad y las estructuras sociales disfuncionales. Utiliza una combinación de humor negro, elementos surrealistas y situaciones incómodas para desafiar a la audiencia y provocar reflexión. Ha influenciado a una generación de cineastas, alcanzó la consagración internacional con “Canino” y ha sido fundamental en la revitalización del cine griego contemporáneo. Este reportaje pertenece al programa "El Cine de LoQueYoTeDiga" nº 439 (15x24) y fue emitido el 29 de junio de 2024.

Sergio García y Yadira Márquez, de SY Cinema, nos trae las noticias de actualidad del mundo del cine con anuncios de nuevos rodajes.

For June, we really wanted to bring you something queer. Like gay queer. And I believe we've done that, but also, as a fun bonus, it turns out we've brought you something weird queer as well. So this episode -- and this movie -- lives in that cozy, perfect, Venn-diagram-intersection of good queer things.  We talked about Yorgos Lanthimos's gorgeous dark/etc. comedy, The Favourite. To make an otherwise unsettling Pride month better. But still kind of unsettling. But, like, unsettling in a cool way. Happy Pride.

Check out our review of ‘F1: The Movie'. Beforehand, we'll discuss the week's top entertainment news, including our reactions to trailers for Yorgos Lanthimos' ‘Begonia' as well as ‘Roofman'; Denis Villeneuve will direct the next 007 movie; Michael Bay set to return to the Transformers franchise; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:35)‘F1: The Movie' Review (30:12)*SPOILERS* for ‘F1: The Movie' (51:23) What Are Ya Doin'? (1:07:03)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Winding down our delve into all matters Frankensteinian, Verifier Andy and Cinquisitor Ethan meet to discuss the feminist-friendly flesh-golem feature film from 2023 "Poor Things," by Yorgos Lanthimos.   Written & produced by Andy Slack Performed by Andy Slack & Ethan Ireland Sound design & editing by Andy Slack Music by Karl Casey at White Bat Audio      

In this episode, Sam and Ian will look ahead to the exciting films projects slated for release in 2025. We've got new films from Bong Joon Ho, Steven Soderbergh, Danny Boyle, Paul Thomas Anderson, Benny Safdie and Josh Safdie, Noah Baumbach, Maggie Gyllenhaal, Yorgos Lanthimos, James Cameron, and Guillermo del Toro on the horizon.

"The only thing worse than being incompetent, or being unkind, or being evil, is being indecisive."This week The Wives Colangelo are heading to Connecticut and contemplating whether or not being a jerk who wears Vineyard Vines is enough to justify meeting the sharp end of a kitchen utensil by discussing THOROUGHBREDS. Discussions for this gorgeous, creepy movie include trying to figure out why the emotionless Amanda is more relatable than the overly emotional Lily, why so many movies want to look like they were made by Yorgos Lanthimos, how growing up wealthy rots your brains, and what true love in a friendship can look like between two deeply unwell teenage girls.---Become a Patron!https://www.patreon.com/thisendsatprom----MONTHLY SPOTLIGHTThe Buckeye Flame! https://thebuckeyeflame.com/----Follow the Show: @ThisEndsAtPromBJ Colangelo: @BJColangeloHarmony Colangelo: @Veloci_trap_tor / @HarmonyColangelo on Bluesky----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

We talk about the 2017 Yorgos Lanthimos film.

This week, our two drinkers of sacred beers discuss Yorgos Lanthimos' absurdist/horror/thriller/black comedy/family drama/fable/Greek tragedy thing steeped in rancid vibes, Barry Keoghan being a weird freak, and Colin Farrell looking despondent. Don't worry, they didn't forget to talk about the spaghetti scene, they just almost forgot to talk about it because they're idiots. This and other quality film criticism are in store for you on this episode of the Greatest Movie Ever Made!The Killing of a Sacred Deer (2017) is directed by Yorgos Lanthimos and stars Colin Farrell, Nicole Kidman, Barry Keoghan, Raffey Cassidy, and Sunny Suljic.Music: “Fractals” by Kyle Casey and White Bat Audio

Chris Feil and Joe Reid return to join Katey for a broad overview of the most exciting films ahead this year, from new work from greats like Paul Thomas Anderson, Celine Song and Yorgos Lanthimos to, yes, Wicked: For Good. They also continue their annual tradition of making irresponsibly early best picture predictions, and share some hopes that Colin Farrell, Paul Mescal, Andrew Scott and even some non-Irish actors will have a huge year ahead of them. Subscribe to the Prestige Junkie newsletter.  Follow Katey on X and Letterboxd.  Follow The Ankler. 

From breaking bones to trudging through snow – it is a Foley artist's role to reproduce the everyday sound effects that are added to film, TV and games. By using a variety of unconventional props and their own bodies, the goal is to create an authentic soundscape that will enhance our auditory experience. If the Foley goes unnoticed then they've done their job well! Datshiane Navanayagam speaks to two award winning Foley artists and asks what it's like to spend so much time, quite literally stepping into someone else's shoes. Caoimhe Doyle has over 25 years' experience creating Foley sound effects and footsteps for film, television and video games. She's been nominated three times for the MPSE Golden Reel Award for her work on Colm Bairéad's An Cailín Ciúin (The Quiet Girl), The Favourite, directed by Yorgos Lanthimos and David Cronenberg's Eastern Promises. In 2011 she won a MPSE Golden Reel Award and was nominated for an Emmy for her work on Game of Thrones: Season 1 and is a current MPSE nominee for work on Rich Peppiatt's Kneecap. Caoimhe collaborates with an all-female team out of The Foley Lab in a quiet part of County Wicklow in Ireland.Marita Sbeih is a Lebanese Foley artist and one of only a handful working in the Middle East. Since 2018, she has been the dedicated Foley Artist at DB Studios in Beirut, which provides audio post-production for films, documentaries, and art productions from around the globe. Pursuing a career as a Foley artist in a country with many unique challenges has been far from easy, but Marita has built an impressive list of credits for Foley and footsteps in some of the Arab world's more distinguished art-house and indie productions, as well as international projects. Most recently, she worked on Hot Milk, a UK film directed by Rebecca Lenkiewicz, which was selected for the official competition at the 75th Berlinale (2025).Produced by Hannah Dean (Image: (L) Caoimhe Doyle courtesy Caoimhe Doyle. (R) Marita Sbeih credit Lama Sawaya.)

Send us a textA controlling, manipulative producer locks his three co-hosts in a state of perpetual childhood by keeping them prisoner within an auditory prison of his own creation. On Episode 657 of Trick or Treat Radio we are joined by Marion for our first Patreon Takeover of 2025! Marion has chosen the films The Fall (2006) from director Tarsem Singh and Dogtooth (2009) from director Yorgos Lanthimos for us to discuss! We also introduce a new segment, talk about epic films— both cinematically and psychologically, and hear what will go down in history as the snake story. So grab your morphine pills, make sure not to step on the zombies in the yard, and strap on for the world's most dangerous podcast!Stuff we talk about: Takashi Miike, Audition, Marion, Patreon Takeover, The Seance Room, Ravenshadow's wallet, ditch the action sack, Seinfeld, RIP Gene Hackman, Doug Flutie, Hoosiers, RIP Michelle Trachtenberg, on this date in horror history, Nightmare on Elm St 3: Dream Warriors, Dario Argento, Bird With the Crystal Plumage, Better Off Dead, A French Off, upgrade the apparatus, Toxic Avenger, Rebel Without A Crew, All I Need To Know About Filmmaking I Learned From Toxic Avenger, Mark Torgl, Al Snow, I got a snek man, a milf snake, Plissken, The Fall, Tarsem Singh, The Cell, Alejandro Jodorowsky, David Fincher, Spike Jonze, Princess Bride for grown ups, Wizard of Oz, tragic characters, Lee Pace, kids as drug mules, fuck Harvey Weinstein, 2001: A Space Odyssey, Hobbit, Peter Jackson, Julia Roberts, Letterboxd, Yorgos Lanthimos, Dogtooth, Poor Things, The Killing of a Sacred Deer, brainwashed by a cult, Gestapo's Last Orgy, Plato's Allegory of the Cave, Platonism, getting knocked out with a VCR, Greek Films, deep in the heart of Texas, Plato Nash, Magic Mike, Steven Soderberg, Traffic, Presence, Unsane, depressed and suppressed, ye old keyboard licking, young dumb and full of longbum!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Ruffalo played a debauched cad in Yorgos Lanthimos' bawdy, dark comedy Poor Things. It was a big departure from his previous work playing real people in dramas like Spotlight or Foxcatcher, or as the Incredible Hulk in the Marvel movies. The Oscar-nominated actor spoke with Sam Briger about these roles, how he got his start in acting, and how a brain tumor changed his life.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy