Podcasts about Labyrinth

Tyler and Konnery are joined by Tecate-drinking, elf-smashing companion Cameron Takeda to wrap out Guillermo del Toro's horror action duology with "Hellboy II: The Golden Army"! Together they discuss Guillermo's post Pan's Labyrinth acclaim, the incredible creature and set designs, this second film's strength at standing on its own story, dive deep into each other's histories with comic books, and so much more on this Barry Manilow-sing-along episode of The Friendchise Podcast! What's New: Konnery: Dungeon Crawler Carl Book: The Butcher's Masquerade by Matt Dinniman Tyler: Chapterhouse Dune by Frank Herbert (Libby), Perfect Blue (4K Restoration In Theaters) Cameron: Megazone 23 and Megazone 23 Pt II (Prime Video, Tubi)

Stealing a page out of the book belonging to In Each Retelling, we mark the release of Wicked For Good by doing the closest thing Lucasfilm ever made to The Wizard of Oz -- a coming of age fantasy musical that features a singularly famous pop star in as one of the two leads in a very... intense relationship.Maybe there's more to this than we realized.MUTUAL AID SPOTLIGHT: Desert Bus for Hope (https://desertbus.org/2025/), currently live on twitch.tv/desertbusPLUGGABLES:B recommends THE SUN EATER series by Christopher Ruocchio, available at highmatterbooks.comKatie: @kduffy1718.bsky.social, her husband's TTRPGs at third-country-press.itch.io, and https://bff.fm/shows/third-country-radioViolet: @momentaryhorrors.bsky.social, TTRPG supplemental material available @violet-flohr.itch.ioSupport the showSam: @DemiSemme on YouTube, Tumblr, BlueSky, and most other social media platforms (NOT eX-Twitter). Visit our Tumblrs at sixdegreesofstarwars.tumblr.com and ier-6d.tumblr.comTheme Music provided by Refractory Period: @RefractoryPeriodTheBand on Instagram, linktr.ee/RefractoryPeriodForever Mutual Aid LinksE-Sims for Gaza: https://gazaesims.com/Click to Help: https://arab.org/click-to-help/Anti-Imperialism support for people across the world, organized by Kandakat_alhaqq: https://linktr.ee/kandakat_alhaqqCampus Bail Funds: https://campusbailfunds.com/6DOSW is a Pro-Union podcast. Please support artists by contributing to the Entertainment Community Fund if you can: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppageThe views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.

0:00 - 2:00 Introduction to meditation and exploration fo overthinking and rumination 2:00- 3:45 Tonight we will explore rumination and overthinking 3:45 - 19:00 The Nature of Rumination: Beyond Simple Overthinking 19:00 - 28:00 The Complexity of Our Inner Agreements 28:00 - 37:00 Distinguishing Different Forms of Rumination 37:00 - 41:35 Trauma, Hypervigilance, and the Protective Mind 41:35 - 46:00 Grief and the Necessary Journey Through Loss 46:00 - 51:00 The Wisdom of Discernment: Assessing Each Instance of Rumination 51:00 - 57:00 Practical Approaches: Working With Rather Than Against Rumination 57:00 - 01:07.40 A Story to Carry With You Every tapestry contains the story of its making 01:07.40 - Bodyscan for relaxation Let me help you reduce anxiety, fall asleep, cope with grief, and navigate through life through guided sleep meditations designed for restful sleep. It will be ok. Each session combines relaxation techniques with my calming voice to create a peaceful environment, allowing you to fall asleep fast and wake up rejuvenated. I integrate Cognitive Behavioural Therapy (CBT) principles into my content, offering practical insights to help you overcome sleep disorders and anxiety. Here, you will find a wealth of resources to support your journey toward better sleep and overall well-being. For additional support, I offer online counseling sessions as a certified counselor with a Master's in Counselling. Book a session through my SimplyBook.me page: BOOK A COUNSELLING or PERSONAL TRAINING SESSION. https://laurenostrowskifenton.simplybook.me/v2/ Connect with me on Patreon for exclusive content: Join me on Patreon https://www.patreon.com/laurenostrowskifenton Make a difference by contributing via PayPal: Donate Here http://paypal.me/Laurenostrowski Follow my journey on Instagram for daily inspiration and updates: Instagram https://www.instagram.com/laurenostrowskifenton/ Explore my stories on Medium, where I share insights intertwined with life experiences: Medium https://medium.com/@laurenostrowskifenton Check out my book, "Daily Rituals For Happiness," an instructional workbook designed to help you cultivate happiness every day. Please remember, while my content is meant to provide support, it is not a substitute for professional medical or mental health guidance. Always consult with a healthcare provider for personalized advice Original vocals and video by Lauren Ostrowski Fenton copyright © 2025 # sleepmeditation # guidedmeditation # fallasleepfast #personaldevelopment #deepsleep #mindfulness

FFoDpod.com   Patreon   Merchandise   CC-BY-SA  "SCP-648" by Aelanna, from the SCP Wiki. Source: https://scpwiki.com/scp-648. Licensed under CC BY-SA.

Send us a textDr. Johnny Wolfenstein, a brilliant but egotistical producer, brings a podcast back to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. On Episode 694 of Trick or Treat Radio we have a Patreon Takeover featuring our good buddy Evil Corny! Corny selected the films Frankenstein (2025) and Opus for us to discuss! We also figure out what a good retelling of a classic tale needs to have, react to trailers for the films Good Luck Have Fun Don't Die, Dracula (2026), and we talk about our favorite Guillermo del Toro films! So grab a cup of communal Kool-Aid, stitch up a collection of body parts, and strap on for the world's most dangerous podcast!Stuff we talk about: Eli Roth, Ice Cream Man, Clint Howard, Inglorious Basterds, broflake, Evil Corny, From the Canopy Podcast, The Mad Ghoul, Alice Sweet Alice, Play Misty For Me, Assault on Precinct 13, Slumber Party Massacre, Creepshow, Alone in the Dark, The Faculty, Shadow of the Vampire, Seed of Chucky, Blood Paradise, Ronny Yu, Jennifer Tilly, John Ritter, Anne Hathaway, Ryan Gosling, The Crazies, Silent Hill, Pitch Black, Rhonda Shear, Wallace Shawn, Dial M for Murder, Damien: The Omen 2, Kim Hunter, The Kindred, Bad Ronald did a Basement Jack, Billy Jacoby, Frosted Flakes, Just One of the Guys, I Walked With A Zombie, Sam Rockwell, Gore Verbinski, Jojo Rabbit, Gentleman Broncos, The Bride, Maggie Gyllenhaal, Jessie Buckley, Shape of Water, Francis Ford Coppola, Leonardo DiCaprio, Blacula, Idris Elba, William Marshall, Good Luck Have Fun Don't Die, Dracula, Luc Besson, Leon the Professional, Guillermo del Toro, Blade II, Hellboy II: The Golden Army, Pan's Labyrinth, The Devil's Backbone, Frankenstein, Hulk, Robert Eggers, Macho Man Randy Savage, Jeff Fahey, Body Parts, Mary Shelley, Willy Wonka and the Chocolate Factory, Opus, Juliette Lewis, John Malkovich, Amber Midthunder, Mark Anthony Green, Rosario Dawson, Billie Holliday, Too Much Swash Not Enough Buckle, The Modern Brometheus, and Alabaster Peak.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Earth's Mightiest Critics come alive with an electrifying roundtable review of Guillermo Del Toro's Frankenstein!The legendary genre director of Pan's Labyrinth, Hellboy, and Crimson Peak returns with a sprawling adaptation of Mary Shelley's classic sci-fi/horror novel, which follows a scientist's (Oscar Isaac) obsession with creating life from nothingness. The result is a hulking, animated monstrosity (Jacob Elordi) whose terrifying visage masks a lonely, searching human soul. But Victor Frankenstein's meddling in the natural order sets tragedies in motion that will set creature against creator in a pursuit spanning years and continents!Del Toro has called Shelley his "first love". Is this cinematic ode to her work a bursting, heartfelt opus--or a shambling patchwork of other interpretations?Join us as we piece together the definitive discussion on Del Toro's dream project! We also take your questions, comments, and SuperChats!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Frankenstein (2025) trailer.For Ian's takes on the Hammer Frankenstein films (referenced in the episode), check out his reviews with Aaron Christensen of Horror 101 w/ Dr. AC in our "Hammerland" series!Support all of Earth's Mightiest Critics at their various outlets:Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.Make Nice with Mike Crowley of You'll Probably Agree.And save your celluloid soul with Dave Canfield's Substack, "Creature Feature Preacher".

On Today's Show Vince will Rate and Review:   Pan's Labyrinth (2006),  Crimson Peak (2015),  The Shape of Water (2017),  Frankenstein (2025)   TimeCodes: Pan's Labyrinth:  12:09 Crimson Peak:  27:21 The Shape of Water:  36:15 Producer Thanks: 1:06:07 Frankenstein:  1:13:07   Executive Producer:  - Matt D.   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!

Three hours of deep underground house music from a couple of Naarm's extended blend bosses. @jackhnelson & @billusmoon Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in? A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it's in Yarra Bend. A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc. Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much? A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here. A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious. Q. You've both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos? A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home. Q. I know you've both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together? A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we've always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we've always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example. A. Jack: We're both always making music in some form, sometimes with more focus than others, at least for me. We've always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I've been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.

Submitted for your approval… Tonight, we bring you truly one of the most bizarre and unhinged films we've ever covered on this podcast. The subject: Xuxa, a musical entertainer who captured the hearts and minds of Brazilian children everywhere in the late 1980s, including the imagination, decades later, of one Ryan Caldwell. But what Mr. Caldwell and his unsuspecting video store coworkers are about to discover - much to their horror - is that children's entertainment in Brazil is a little different than it is in the States… The film is Super Xuxa Vs Satan, and it comes to you from the Demented Kids section, located in the deepest, darkest regions…of Apocalypse Video. I'm your host, Dave, and joining me as we enter a world filled with filth covered sewer dwellers and talking pink dolphins are fellow cinephiles and recovering down mood's Mike and Ryan. Topics of discussion in this episode include the wild origin story of Xuxa, from her years as a Playboy Playmate to “Queen of Children”; we learn that Orange is the color of Positivity; and finally, we find out that while Super Xuxa may just be a Labyrinth ripoff, it may have actually originated “Under the Sea” a whole year before The Little Mermaid. Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com That'll do it for this deeply unsettling look into late 80s Brazilian kids entertainment. Remember kids, be positive! And don't let the Down Mood get ya down! Note: This episode was recorded before October, but due to a certain co-host leaving with the audio tapes and going on extended PTO overseas, the episode was unavailable to release prior to Vamptober. This individual - whose name rhymes with Schmichael - has been docked a week's pay and will be subjected to audio torture, via prolonged exposure to Xuxa's end credits theme song.

The Time Riders: Part 5 A Labyrinth Palace. Based on a post by BiscuitHammer, in 16 parts. Listen to the Podcast at Explicit Novels. The non-descript carriage had indeed made its way through Paris' winding streets, taking well over an hour to finally stop in front of the palace and allowing Mark to get out of the cramped cab before it rattled off. The sun had set some time ago, and night hung over the city heavily, the cloying air of Paris carrying the city's growing pains to his ears. Even at night, the city was not silent. Mark adjusted his outfit and marched toward the outermost gate of the vast palace, its arms spread wide and encompassing a massive courtyard. Two men wearing ornate red uniforms and holding pikes crossed their weapons at his approach, barring his entry. One of them gruffly asked him to state his business. Trusting to the plan, Mark said nothing, but merely held out one of his sealed letters, this one bearing the emblem of Richelieu. The guard examined it for several seconds, consulting with the other guard before handing it back and then opening the gate. Mark shot them both a dirty look for holding him up in his errand and then swept inside, doing his best to look haughty and full of bravado, which is what the Musketeers were apparently renowned for. He couldn't help but reflect that they seemed a lot less heroic than history let on and were more dickbags than anything else. Oh well. Faking being a dickbag was probably significantly easier than pretending to be a hero. He passed through another gate that got him closer to the palace, this one also manned by the Swiss Guard. He arrogantly presented them with the Richelieu missive, which once again satisfied their scrutiny and he was allowed to pass. He forced himself to not look around in wonder at his surroundings, instead heading straight to the great doors that would give him admittance to the palace. Alex once again presented his letter, but this time the guards squinted at him suspiciously. "Qui es tou?" demanded one of them. His throat was dry, but he answered as readily as he could, trying to sound authoritative and even haughty. "J'mappelle Benat de Ferres, of Soule, Second Company of the King's Musketeers under Monsieur de Treville. Let me through." "Fucking Basques and Gascons," muttered one of the guards in irritation. "Why would a musketeer be bringing a missive to his excellency, the Cardinal?" he demanded to know. Mark concealed his anxiety by looking pissed and rattling off one of the phrases Alexandra had given him, hoping it had the desired effect. "I have an idea, why don't we all go ask the Cardinal and you can fucking explain to him why you held up his envoy on an important errand? Does that sound good to you?" The two men looked at one another warily; the visitor was certainly obnoxious enough to be a Musketeer and a Gascon. Sighing and shaking his head in defeat, the one man handed the sealed letter back to Mark and they opened the doors, allowing him entrance. He swept by them, calling them shitheads in Spanish before the doors closed behind him. He knew he shouldn't, but he couldn't help Gawking as he stared at the palace around him; its splendor was beyond anything he had imagined. Walls of white plaster, carved in exquisite shapes and edged in royal purple, along with gold filigree, and incredible paintings and artifacts lined the walls. Endless numbers of servants scurried by, hardly noticing him. He shut his eyes for a moment and composed himself, remembering the details Alexandra had shown him, the way through the palace. He turned and began his search for his teacher. Lisette walked primly through the halls of the palace, bowing her head deferentially to just about everyone who passed her. Wearing an elegant gown, she seemed to almost glide along the hallway, walking with a practiced ease that her mistress had taught her. She had, in three years, only been in the royal presence twice before, in attendance to Lady Alexandra. The king had barely noticed her, but Lisette didn't mind one bit, because this was far more of a life than she ever could have hoped for. She had, of course, spent much more time in the presence of the queen, because her mistress served Anne directly. Anne of Austria seemed mostly amused by Lady Alexandra's quirky servant, but she was kind to Lisette, often sending her home with gifts of chocolate. Her devotion to the queen, while not equal to her fanatic love for Lady Alexandra, meant she would die in Anne's name if necessary. She hoped it wouldn't come to that tonight, but she had made her peace with God and the Lady Mary all the same. Alexandra had set her with the task of removing or distracting every guard she could from the route Mark would take through the palace. She was not to kill anyone, nor was she to be seen in the mayhem, if at all possible. If things went wrong, she was to retreat to the queen's quarters and be seen protecting her. It was the best alibi she could hope for. A guard up ahead. He was a sullen-looking brute, not carrying the long pikes of the gate guards, but a much more practical halberd, along with a short rapier on his belt. She knew he'd be trouble. She ducked into an alcove and pulled a small phial out of her cleavage, drinking the strong red wine from it and sloshing it around in her mouth, to make sure the aroma was on her breath. Replacing the phial, she lurched back out into the hallway and sauntered toward him lazily. "Hello, beautiful," she said drunkenly, giving him a lopsided smile. "You must' be off-duty by now." "No, I am not," he grunted, not looking at her. "Go away, slut." "C'mon," Lisette persisted, leering at him as she leaned against the wall to his left. "We could be having fun. Don' you like fun?" "Duty is not meant to be fun." "But these are fun," she drawled, as she stepped in front of him and leaned forward, using her hands to pull down the front of her bodice and exposing her perky tits to the man, whose eyes went wide at the sight. "These are all the fun you'll need;” He didn't stop her as she sidled up to him, stood on her tip-toes and put her arms around his neck. Her breath was sweet with wine, her dark eyes glassy with the lack of inhibition it brought on. Her tits pressed to his chest, her hips flat to his crotch. "Take me into that room and fuck me;” she breathed huskily, her lips no more than an inch from his. "I want to feel you inside me;” The man was rather pale at her suggestion, but nodded readily and turned around to open the door. The parlor behind was empty, the perfect place for a rendezvous with this slattern. She took him by the hand and led him inside, closing the door behind them. Mark walked down the hallway, trying to not look like he was hurrying, and staying alert. He was entering a difficult part of the operation, because he was no longer in an area of the palace that led to either the king's quarters or those of Cardinal Richelieu. If anyone stopped him now, he would probably be redirected rather forcefully, and he had precious little time to waste. He walked by a door, from which he heard a moaning noise. Then he heard a familiar woman's voice, gasping and urging someone on. His translator bud wasn't close enough to hear what was being said, but he was fairly certain he knew what was happening. He subtly pushed the door open and peered inside. Mark gaped as he watched Lisette, leaning over a small table, panting while a member of the House Guard fucked her from behind, her layered skirt bunched over her ass as he pushed in and out of her. The guard remained oblivious, but she noticed the door open and flicked a glance his way. She gave him an annoyed look and jerked her head, indicating that she had this covered and he needed to keep moving. He nodded and pulled the door shut quietly before heading down the hall again. He turned a corner and then headed up some stairs, leading up to the next floor, which was apparently where Becky was being kept. He was so busy thinking about what he needed to do next that he blundered right into two guards, who grunted and then glared at him angrily. "Stupid shit!" the one man he had smacked into spat. "Watch where you are; who are you?" Mark went wide-eyed, not having expected them. His mouth seemed to work, but no sounds came forth. They blocked his ascent and continued to glare at him. "Who; are; you?" the man demanded again. Mark regained control of his voice and tried to speak. "My name is; my name is Benat;” Fuck, he'd forgotten his last name. "My name is Benat DeFlepard," he managed to say. "I am from Sully and I have' "What sort of name is DeFlepard?" snarled the one guard. "I have sealed orders," Mark interrupted, not liking where this was going. "From the Cardinal!" "Is that so?" sneered the man. "Let's see them!" Mark handed him the sealed missive scroll. The man examined it and frowned. "This is the king's seal," he growled. "What is the meaning of this?” Before the man could finish his query, Mark punched him in the face and then pulled his crème-colored tabard over his head and threw him down the stairs. The guard cursed loudly as he rolled at least two floors. Mark was too late to stop the other man from drawing his short rapier, but managed to grapple onto him, keeping himself from being run through. Mark might have been taller, but the guard was a veteran of many wars, strong and cunning. It wasn't long before he had Mark's back pressed against the wall, both men fighting for balance on the stairs. "Little shit!" he shouted, trying to press the edge of his blade against Mark's throat and slit it. They tussled, and Mark managed to wedge his arm between his neck and the rapier, feeling the sickening cold pain of the keen edge creasing his forearm. His free hand, however, snaked down to the pistol on his belt, twisting the leather until the muzzle pointed down; The stairwell echoed with a thunderous crack as Mark pulled the trigger and discharged the weapon, the iron ball punching a hole in the guard's boot and then his foot. The man groaned and staggered, releasing Mark. His ears ringing, Mark managed to shove the man down the stairs, following his comrade. He shook his head and began sprinting up the stairs, knowing the whole palace would be coming down on his head any second now. Alexandra was concealed in a secret closet in a parlor not far from the queen's quarters, listening carefully. She was wearing the red uniform of the Cardinal's personal guard, her impressive bust flattened and pulled tight with linen straps. Her golden hair was held in a ponytail while a black mask concealed her facial features. Her rapier sat on her hip and three customized pistols were concealed around her person, along with several knives balanced for throwing. She heard the discharge of a firearm, followed by shouts of alarm and fright. She hung her head and sighed. She'd been hoping it wouldn't come to this, but there seemed to be nothing for it. She would see her obligation met. Alexandra crossed herself and exited the hidden space, heading toward the Cardinal's quarters, determined to cause a distraction for Mark as he went in the opposite direction to rescue Rebecca. It was all in God's hands now. All she could hope was that Mark had remembered what his name was. Mark raced down the hallway, ignoring people who poked their heads out of various rooms and parlors to see what all the commotion was, before closing their doors and locking them in panic at the sight of him. He had his sword in one hand, his pistol in the other. Having discharged his shot already and having no idea how to readily and safely reload the damn thing, the pistol was mostly for intimidation purposes at this point. Thankfully, if he pointed it at people, they tended to make themselves scarce. A guard rushed around the corner, his halberd in hand, but Mark smashed the ornate swept hilt of his rapier into his mouth, which dissolved in a welter of blood, lips and gum before he burbled and fell over. Mark kept running. He shoulder-blocked his way past another guard, but then found himself confronted by a small group of angry servant girls, who kept swearing in French and throwing bread rolls and potatoes at him. Covering his head, he sprinted past them, resisting the urge to take a swipe at the uppity wenches. There was the room! He raced up to it and tried to open the door, but it was locked. Given the amount of noise and commotion he was causing, he shouldn't have been surprised. He stepped back and then slammed the heel of his sturdy boot into the door with all his might, knocking it out of its frame and falling to the floor. He rushed inside, looking around for his teacher, but she was nowhere in sight. That's when the heavy vase smashed into the back of his head. He was on his face on the floor, reality swimming around him. He heard someone hissing at him as he was handled roughly by his neck and his tunic. He was turned onto his back and someone was straddling him now, their supple legs on either side of his throat and their heavy skirt bunched up between their legs, allowing him to goggle up at his assaulter. "Becky! Stop! Stop, I; Ow! Jesus! Quit Hitting Me! It's Me, Mark!" The flurry of fists halted and then there was a pause thick with confusion. He felt his cheeks being gripped tightly, immobilizing his face and then his neck pulled up so that whoever was sitting on him could look at him. "Mark?" Becky exclaimed in disbelief. "Mark! Oh my God!" She began smothering him with feverish kisses, still straddling him. Still dizzy, he was in no particular shape to stop her, in spite of the fact the whole palace was on its way to kill him. His eyes finally managed to focus, and he looked up at her. "I've missed you too, Becks, but can you let me up, please?" Becky blinked and then jumped off him hastily, helping him to his feet. She still seemed stunned to see him, not that he blamed her. "How?" she asked, her eyes wide with disbelief and wet with emotion. "You; you were." "Dead? Yeah, kinda." "The how are you here?" she asked, trembling. He shrugged. "To quote Neil De Grasse-Tyson, science, bitches." "Oh, it doesn't matter," she exhaled, crushing herself to him and hugging tight, her body shaking with raw emotion. "You're back, Mark. You came back for me;” He smiled and hugged her back, his hand on the back of her head. "Well sure I did. You're my time-travelling partner, aren't you? Can't leave you here with these smelly savages." She laugh-choked back a sob and look up at him, her eyes leaking tears onto her scarlet cheeks. "And we're gonna get out of here and; Becks, are you, like, really drunk?" Her expression of delight warped into a scowl at his query and she pushed herself away from him. "Well what do you expect? I only spent the past month trying to kill myself with alcohol while you were taking your unscheduled nap, you jerk!" "I'm sorry," he faltered, knowing that this couldn't possibly be the right time to make her angry, on so many levels. "Let me get you out of here and then I'll explain everything." "Hang on;” she huffed, stomping over to a table and grabbing her bottle of wine, tilting her head back and taking a stiff pull from it gulping loudly. Mark made a wan face and fidgeted, acutely aware of the time they were losing. "Becks, no offense, but I'm pretty sure every guard in Paris is looking for me right now, and I' "Sounds like more of a you problem than a me problem," she grunted, attempting to drain the bottle with several loud glucks. "Nobody was trying to kill me while I was here." "No, you seem to have that covered;” he said dryly. She shot him a nasty look, but didn't stop drinking. "Look, we need to go," he insisted. "Pretty sure Alexandra's risking her neck to make sure I can' "Alexandra?" Becky interrupted, stopping drinking to look at him pointedly. "The gorgeous blonde I want to fuck?" "I; sure," Mark replied, trying to keep up. "Pretty sure she and Lisette are' "Who's Lisette?" Becky asked suspiciously, lurching toward him. She was quite a bit drunker than he'd initially thought. "It doesn't matter," he declared, determined to get moving before Richelieu arrested and shot his ass again. "We need to get' Mark winced in fear as she surged toward him, the bottle raised over her head. She flew by him and smashed the bottle down on the head of a guard who had barged into the room. His eyes rolled up into his head and he went to sleep. "Weren't you drunk moments ago?" Mark asked in disbelief. "Looks like you're the one who need rescuing." Becky shot back. "You were half a second away from having an exit wound the size of an airport runway in your chest just now." Another guard sprang around the corner. Becky, who was closest to the door, kicked him savagely between the legs. The man staggered to a stop and stiffened, but didn't fall over, the impact of her foot cushioned by the many layers of baroque skirt she was wearing, not to mention the dainty, padded slipper. As the man gaped at her, she kicked him between the legs again, but her skirt interfered, softening the blow to the place where he merely doubled over from the ache. Becky snarled angrily, lunged in, grabbed him by the neck and DDT him, almost as smoothly as ‘Jake the Snake' did to fellow pro wrestlers. This time he stayed down. "Jerk!" she muttered, glaring at the man. Without a second thought, she used a knife on the man's belt to tear layers of skirt away, leaving herself clad only in the bodice and skimpy underwear, with garters holding up the silk stockings she wore. She knelt on the unconscious man's back and pulled his boots off, replacing her slippers with the sturdier footwear. She then stripped his rapier and pistol from his person before turning to look at Mark. "You ready now?" she asked pointedly, standing there in what basically amounted to negligee and musketeer boots, while holding a rapier and a wheellock pistol. He gaped at her for a moment, unable to say anything. "You have no idea how stupidly sexy you look right now, Becks." Mark managed to say. "I'll believe it when Alexandra says it to me," she sniffed, turning and heading out the door. "Let's go, hero." Mark sighed and trotted after her, leaving the two men lying on the floor in a spreading pool of wine and broken shards of glass. Lisette made sure the guard was arranged comfortably in the plush chair, snoring, his breeches still around his ankles, his soft cock oozing cum all over his balls. She shook her head in exasperation as she rearranged her skirts; no sooner had the man cum than he yawned and began to fall asleep. She'd been nowhere close to climaxing when he'd finished. Typical male. At least the boy from the future liked to make sure she came first, even if he was a naïve school boy. She left the door open, to make sure his shame was on display and then hurried down the hallway, holding her skirt up and allowing herself to run. The palace was ringing with shouts of alarm, anger and panic. Everything seemed to be going as planned, whatever that entailed. She just trusted that Mistress knew what she was doing. Guards from various regiments were racing around now, getting one another's way and shouting orders angrily. She passed through them virtually unnoticed, merely a servant girl looking for shelter. She made a beeline right for the queen's royal apartments, and she was stopped by no one, since she was known to the guards and stuff. She nodded hastily as she passed two guards outside the ornate doors and headed inside the boudoir. Anne of Austria looked up from a book to see Lisette scurry in, closing the door behind herself and then pressing her ear to the door, ignoring everyone else in the room. She then saw the queen, blinked, curtseyed hastily, and went back to eavesdropping on the frenzy of activity outside. The monarch shook her head wearily and went back to reading her book. "You may not pass through here!" shouted the house guard, blocking Alexandra's passage forward. She had identified herself as a member of the Cardinal's guard, using her well-practiced man's voice to give credit to her guise. Thought he believed her, the man remained unmoved, barring her way. "I told you, I need to reach the Cardinal!" she insisted, knowing full well he would not let her through. "That is no concern of mine," he said coldly, glaring at her, his hand on his sword, ready to draw it. "Find another way to reach your Cardinal, because if you come another step closer, I will run you through." "So be it!" she growled as she lunged in, her own rapier flashing in her hand. The man drew his weapon and thrust at her, but she parried and then drove the point of her blade through the shoulder of his sword arm, pinning him against the wall. He groaned as his sword fell to the ground, but then her foot slammed into his face while she pulled her rapier from his shoulder. He was unconscious, but he would live. She had no cause to kill these men. She ran down the hallway, listening all the while to the commotion that echoed through the Louvre. A young guard barred her progress at a juncture in the hallways, and before he was even ready, she struck him across the head with the basket of her rapier, knocking him out. Alexandra continued along the corridor, but then saw several guards rushing into the other end of the hall, outside of an ornate door that led to the king's royal apartments. Upon seeing her, the six men pointed their muskets at her, three kneeling while the other three stood behind. A series of barks shook the area as she ducked around a corner hastily, avoiding their barrage. She could hear them shouting orders to reload. She leaned her head back against the wall and sighed. Idiots. Before they had reloaded, she had pulled a small device made of two pieces of flint out of her pocket, along with a tiny clay pot out of the other. From the hole in the top of the pot hung a thin strip of rigid paper. She held the pot by its flat bottom and snapped the flint pieces against one another, producing sparks that caught on the paper and began to burn. As the flame made its way down the paper wick, she counted slowly and calmly before leaning around the corner, tossing the pot, which skated on its flat bottom along the floor toward the guards who opposed her. She then ducked back, waiting grimly. There were shouts and the sound of boots stampeding, but then an unreal hissing shriek and a bright, flaring white light as the magnesium powder inside the container ignited. Cries of pain followed. Ten seconds later, the light died, and she rounded the corner and strode down the hallway. Four of the six guards had fled before the grenade went off, while two were writhing on the ground, clutching at their eyes from the flash blindness. She stepped between them and kicked in the door toward the king's apartments before turning around and walking away, knowing that this would create additional confusion as they sought to find the assassin in the red tabard who sought to slay the Sun King. There was more chaos to sow. Mark and Becky sprinted down the hall, ignoring the pell-mell going on around them. Inevitably, though, they were confronted by a soldier of the Cardinal, one that Mark recognized. It was the captain who had shot him. Marks teeth clenched as he rushed forward, ready to run the sonofabitch through, but Becky was faster. She threw herself into a skid, sliding along the polished floor, hurtling straight toward the man. He gaped at her in disbelief, but by then, she had slammed her foot into his crotch, doubling him over with a grunt of unreal pain. With a roar, she surged to her feet, grabbed the man around the middle from behind and yanked him over backwards, suplexing his family jewels with zest. Mark had by now skidded to a halt and watched in disbelief while his teacher stood over the supine officer and kicked him in the ribs. "Bastard!" she raged. "Teach you to kill my students!" She knelt and yanked his head up, making sure his eyes were open as she pointed at Mark, her voice dripping with vitriol. "See that? He's alive! You can't even kill something right! Your life means nothing! Nothing!" She smacked his head off the tile floor and gathered up her weapons before looking at Mark, composing herself now. "Sorry," she said with a flush of embarrassment. "You probably wanted him, didn't you? I thought you were dead, so if I ever saw him again, I'd have to avenge you." Mark shrugged. "No harm done. Except to him, and I don't really' Mark stopped talking and stared down the hallway behind Becky. Three men in flamboyant uniforms, trimmed in blue and white like himself were now approaching them. One had a grim, patrician air and about him, the second a handsome boyish charm, while the third towered over the others by a head and shoulders, a contemptuous smirk on his face. "That can't be good;” he thought. Becky didn't even blink. Without turning around, she pointed her pistol backwards over her shoulder and pulled the trigger. The bark of the shot echoed around the palace and the giant staggered backward, eyes wide in shock, before he fell over like a redwood. The other two gaped at her in astonishment as she turned around to glower at them. They hastily took hold of their downed friend and hauled him out of sight, their duty to the king forgotten. "That's right, ladies, run!" Becky called out, her chest heaving. "How's it feel to get beat up by a girl?" "You are so sexy right now, Becks." Mark chuckled, approaching her. She turned back to face him; covered with gunpowder smudges, scratches and the occasional bruise, she'd never looked more attractive to him. Heedless of their surroundings, she threw herself against him and kissed him shamelessly. His hands found her ass and squeezed as he returned the kiss and she moaned into his mouth. If there'd been a rhino horn on his crotch, he'd have been impaled on it. She broke the kiss and looked at him hungrily, her eyes shouldering with desire. "I'm so glad you're not dead, Mark," she breathed. "I can't wait to prove it to you when we get the fuck out of here." Mark took her hand and pulled her down the hallway, breaking into a run. They weren't out of danger yet. "What're you laughing about?" she asked, scowling while she allowed him to lead her through the palace. "I think that was Porthos you shot," he said almost cheerfully. "Becks, you ganked Porthos." "Oh, I did not," she hissed, trying to not feel disgust at her student's lack of historical knowledge and basic temporal mechanics. "Porthos doesn't die until 1670. So if that guy dies, it wasn't Porthos. If it was Porthos, he isn't dead. Read a book, Mark." "Ha, you said bookmark!" he laughed as he pulled her around a corner and down another hallway, trying to reach the point Alexandra had designated. "Uh!" Becky groused. "Why was I so damn happy that you lived? I swear, Mark, I; Ack!" They both whirled in panic and threw themselves back around the corner as a withering hail of musket fire peppered the plaster of the walls where they'd been standing mere seconds before. They scrambled to their feet and began running back the way they'd come, determined to not die in some baroque version of Bullet Hell from the Matrix. "Fucking shit!" Mark yelped, yanking her around another corner as more soldiers appeared and filled the hall with musket balls. "This sucks!" "Ya' think?" she hissed as they kept running, their options becoming increasingly limited. "I'm in this too, Mister Spotlight!" "Yeah, well at least you don't have the Goblin City Battle music from the Labyrinth soundtrack stuck in your head while they chase us around and try to kill us!" "I do now, you fucker! Thanks a lot!" Becky raged. A lone house guard skidded to a stop near them and prepared to fire. Mark flung his pistol at the man, striking him in the head before knocking him aside as they continued down the corridor. "What did you throw your gun away for, dumbass?" she exclaimed, wondering if blood loss after getting shot had permanently damaged Mark's brain. She hoped he could still get it up, if they made it out of here. "It had no ammo in it." Mark grunted, trying to get his bearings, thinking back to the plans of the palace Alexandra had shown him. "Why were you carrying around an empty pistol?" Becky asked in disbelief. "Intimidation purposes? Were you gonna hold it sideways when you pointed it at people, hope you looked all gangster?" "I plugged a guy on my way to find you, okay?" he sighed as they kept running. "The first shot fired that started this whole mess, it was me shooting some jackoff in the foot as I tried to find you." Becky skidded to a stop, halting Mark's flight as well. She looked into his eyes and then hugged him in relief. "Thank you, Mark," she said quietly. "You came for me, after you nearly died, and we both could today. You're very brave." When she ended the hug, Mark found she had put her own pistol in his hands. He frowned in confusion. "Why'd you give me your pistol?" he asked. "Because let's face it, I'm a lot more likely to snag another one than you are," she sighed. "Let's go, I'm done with the Sun King's France." Out of breath, they settled for trotting down a hallway, surrounded by the echoing sounds of chaos. Things had gotten so confused that the guards were all fighting one another now, thinking the enemy in their midst. Panting, the pair stopped suddenly as they came to a major intersection of hallways. Not far away, a confused brawl consisting of house guard and the Cardinal's guard blocked their passage. Upon their appearance, though, both sides paused in their fight and stared at them. Then a captain raised a call to kill them. Without even thinking, Mark pointed his pistol at the huge iron chandelier over the soldier's heads and fired. The plaster ceiling broke as the iron ball struck at and the chandelier plummeted, crashing into the dozens of men before while clouds of plaster dust filled the hall. "I can't believe that worked!" Mark laughed as they ran down another venue. "Yes, it was very impressive, Gene Kelly," Becky sighed, shaking her head. "Next, you'll be swinging from the damn chandeliers or using your knife to ride down tapestries." Soldiers surged around the corner, charging into the couple. Mark shouted in fury as they tried to skewer him while they attempted to wrestle Becky to the ground. He dodged a blade and slashed his foe across the arm before leaping back to try and give himself room. He looked around in a panic and saw Becky kicking a soldier in the nuts before punching another in the face, her eyes flashing with fury. Someone slammed into him from behind and he tumbled forward, scrambling to gain his feet. More bodies joined the fracas and he realized that they were not only trying to kill him but fighting one another as well. It was difficult to breathe. There were too many bodies smothering him. He gasped in panic and strained to find room for himself. His shaking hand gripped a sword and she shoved it forward indiscriminately, feeling something soft give before him. He focused all his effort on crawling forward, finally emerging from the churning pile of men, locked in combat. He dragged himself along the floor but then grunted in pain as something speared into his thigh from above and behind. He turned to look, his eyes watering in pain, seeing a man in red, glaring at him, raising his rapier for another strike. Then a sword point burst through the man's chest from behind. His eyes widened, and he dropped his sword and crumpled to the ground. The man who had killed him was already moving on to another target. Exhausted and dull with pain, Mark dragged himself to a wall and slumped against it, looking around for Becky, but she was nowhere to be seen. No. Not again. He ignored the maelstrom of violence and pushed himself to his feet, limping down a hallway, sword held loosely in his hand as he went to find his teacher. Alexandra strode down the hall with purpose, her senses keen for trouble. She had caused as much trouble as she could, all the while keeping the fray well away from the queen's quarters. She regretted that men would die today, due to their poor judgement, but she understood that the girl Rebecca could not remain here in Paris. A deep foreboding warned her that almost any price was worth paying to see her safely away. Sparring with D'Artagnan. She stopped as a lone figure came into view, blocking her way down the corridor. He wore the blue of the king's mousquetaires, his young face etched with determination. His hand rested on the hilt of his rapier while he observed her. "So," he began, tilting his head. "You must be the cause of all this mayhem, oui?" "I am not who you seek." Alexandra said plainly. "I do not truck with liars and I do not appreciate being lied to!" the young man snapped. "I would have your name before I run you through in the king's. Are you an agent of Buckingham?" "No." "Charles of Spain?" "I have no time for this," Alexandra said testily, putting her hand on the hilt of her blade. "Move aside and let me complete my task, musketeer!" "Then it is death you crave!" he hissed, his rapier flashing in his hand now. "I shall happily give it to you in the queen's honor!" Alexandra drew her blade as her foe rushed forward. She parried his initial thrust and then counter-thrust, which he swatted aside. A flurry of thrusts and ripostes followed, the two warriors measuring one another, vying for advantage in the narrow hallway. Steel rang and flashed. Alexandra's sword point tore a vent in one of her foe's sleeves, and she followed up with a swipe at his eyes, but he dodged away nimbly. He lunged in with the speed of a striking serpent and she caught his blade on hers before it pierced her stomach, turning it aside. They pressed blade-to-blade, moving around one another in a slow, deadly circle, their eyes locked. He danced away again as a main-gauche flashed in her hand, nearly shearing his throat open. He spun around her next attack, and when he was facing her again, a pistol had appeared in his free hand. At point blank range, he pulled the trigger. The thunderous bark of the firearm rattled her teeth as she bent backwards, the bullet passing harmlessly overhead. Alexandra somersaulted backward gracefully, coming to her feet with her rapier guarding against a follow-up attack. A lot of bemusement crossed his face. "Very pretty, good sir," he said. "But it will not save you." He darted in again and another furious exchange of swordplay followed. His blade kissed the top of her thigh, leaving a shining crimson thread on her skin. She paid him in kind with a nick across his cheek, followed by cutting the red plume from his hat. He was nearly as fast as she was, and his recklessness made him dangerously unpredictable, even to one as skilled and experienced as Alexandra. Their blades grated as they strained against one another, teeth clenched and eyes flashing in fury. With a cry of effort, she shoved with all her might and threw him back. He kept his feet and remained on guard, irritated by his foe's grit and skill. "D'Artagnan!" shouted Athos as he and Aramis dragged the unconscious Porthos across the hallway behind the combatants, disappearing from sight. This distracted the Musketeer, who turned to look behind himself in confusion and then disbelief. He glanced back at his foe and then sighed, sheathing his blade. "Until next time, enemy mine;” he said, before darting around the corner to catch up with his comrades. Alexandra waited some seconds after he was gone and then sagged against the wall, sighing heavily. She rubbed her face for a moment before returning her rapier to its sheathe and continuing on. She had to find Mark and Rebecca. The door to the room swung open and Mark staggered inside, panting in pain. His entire leg felt like it was on fire, and it was maddeningly sticky. He had lost his sword while searching for Becky, but it mattered little if he couldn't find her. He tumbled into a sitting position, propping himself up on his hands and trying to breathe. Everything hurt now, and it was getting to the place where he couldn't move. His head throbbed and he was getting dizzy. With extreme effort, he managed to tear one of his sleeves off, and tied it around his leg, hoping it would act as a tourniquet and perhaps staunch the bleeding. It stung like fucking Hell and to his distress did nothing ease his pain. He sat there panting, when a solemn figure in red moved slowly by the door. There was a pause and then the person came back into view, peering at Mark quizzically. Clad in red robes and a little red skull cap, his tight, lemony features creased in recognition and then disbelief. "I know you," the Cardinal murmured, his eyes never leaving Mark. "Yes, you are the boy from the field, the one who claimed to be a Spanish noble and had the pretty girl with him." He stepped closer, still scrutinizing Mark, who tried to move backwards, his body screaming in protest. "But you died," the elderly man stated. "My captain shot you. You died in that field. What witchcraft is this?" Annoyance flashed in the Cardinal's eyes now. "So, you are the cause of all this tumult. The girl I was to give to the queen, she is missing and now I know why." He pulled a pistol from within the voluminous folds of his red robes and cocked it before pointing the muzzle down at Mark's face. "I think it is time I dealt with this problem myself, once and for all." Too hurt and exhausted to fight back, Mark squeezed his eyes shut; "I Kick You In The Nuts, Richelieu!" shrilled a voice from the doorway behind the Cardinal, the shout followed by a sickening thump as a musketeer's boot appeared beneath Richelieu's groin. The man stiffened for a moment in confusion, but then his eyes crossed, and he bit his lower lip as his skin turned a sickly shade of green. While Richelieu slumped forward and then fell on his side, trembling and holding the family jewels, Mark goggled up at Becky, who stood indignantly in the doorway with her hands on her hips, glaring down at His Eminence. "Asshole;” she muttered as she stepped over the Cardinal and came over to Mark, who was shaking with the effort of holding himself up. Her eyes welled with emotion as she knelt next to him. "Oh, Mark," she said in a gentle voice. "Look at you, you got stabbed, baby. I'm so sorry;” "I'll be alright," he managed to say as she hugged him to her. "At least you still look amazing, no matter how badly your ass has been kicked." Becky's laugh choked back her sob and she smiled at him, tears in her eyes. "Smart-ass," she murmured. "C'mon, let me bind your boo-boo properly and then we'll get out of here, before everyone in Paris is dead." She fixed his makeshift tourniquet and then helped him stand. Once he was upright, he took a deep breath and smiled at her. "I think I can walk, I was just in need of a breather, ya' know?" She giggled. "How the Hell are we gonna explain a rapier wound through your thigh when you get home?" "With any luck, Chester will have a little something' to fix me right up." Mark replied. "Let's go. If we are where I think we are, then our ride isn't that far away." They walked cautiously down several smaller hallways, avoiding any and all encounters. They chaos seemed to have abated, at least for now. Alexandra had predicted that if fighting broke out, there was be lots of confused violence, followed by the various guard companies withdrawing to their assigned wings of the palace, to directly protect their charges, such as the king, queen and cardinal. "Bet the Cardinal's guards are gonna be upset," Mark chuckled. "He's nowhere near his quarters, and they let him get kicked in the freaking balls." Becky giggled as she walked alongside him, her arm through his. "You have no idea how good that felt, Mark. A girl could get used to that. Maybe we should visit Berlin, see if I can kick Hitler in the nuts." "One grand adventure at a time, teach;” he said wearily, causing her to laugh. But her mirth was brought up short when a solitary figure appeared in front of them, wearing red and clad in a black mask, a rapier and several pistols on their belt. Becky scowled, getting ready to step in front of her student, when Mark seemed to sigh in relief. "I am glad to see you are both well," said the person, walking forward, pulling their golden hair out of its ponytail and removing the mask. Becky's heart leapt as she came face-to-face with Lady Alexandra once more. "Thank the Lord." She stepped in and embraced them both, all three of them trembling at being reunited. Alexandra finally smiled at her friends and nodded. "We must still get you out of here, before the guards return to some sense of normalcy. Mark, do you still have the place name I gave to you?" Mark smiled wearily. "I; it's in the little pocket in my pants here, but it's probably pretty red and unreadable by now." "It's a good thing, then, that I wrote a copy, non?" Alexandra lilted, pulling a small piece of vellum out from beneath the sash she wore and handing it to Becky. "Go to this place," the noblewoman instructed. "By carriage, it should not take more than three days. It is a sanctum I use on occasion and it will be safe. Lisette and I will find you there a day or two after you arrive." She then handed two small, round jars into Becky's palm as well. "Use these to salve your wounds, until I arrive. I promise you, they will work." "How can we thank you?" Becky asked, staring at Alexandra, enchanted. The French woman smiled and then pulled Becky to her, kissing her deeply and passionately. Becky shuddered and moaned, her arms wrapping around Alexandra and returning the kiss passionately. Mark smiled as he watched the blondes make out for almost a minute before Alexandra reluctantly pulled away. "We need to stop, or we will be fucking right here in the halls of the palace," she breathed, wiping at the corner of her mouth with a finger. "We will see one another soon, and celebrate then." She turned to Mark and smiled before leaning in and kissing him gently. "You are a brave man, my friend. Never doubt it, no matter what travails Heaven provides." She walked them through several secret passages now, until they emerged into a small courtyard, under the cover of night. Standing nearby, a non-descript carriage awaited them. Alexandra wrapped Becky in a cloak and then spoke to the driver while the clambered inside. His instructions were clear, and he would not deviate from them. Becky and Mark looked out a small window, smiling and waving at Alexandra, who held up her hand to bid them farewell. The carriage exited the Louvre via a small gate where the guards asked no questions, and then they were on their way through Paris. Mark sank back into the surprisingly plush seat and sighed heavily. "Try not to get kidnapped again, Becks," he said lazily. "I'm not sure how much more of this my body can take." "But being rescued by you is one of my favorite reasons to use tawdry sex as a thank you," she protested, turning to smile at him and tracing a fingernail up and down his chest. "You wouldn't deprive me of that joy, would you, hero?" "Perish the thought, teach;” he chuckled tiredly. A time to recuperate. Mark had Lisette pinned beneath him and rocked back and forth on top of her, his cock plunging in and out of her molten cunt, while she groaned in pleasure. It felt so good to have this boy's tool inside her again. Her legs were wrapped around his strong waist and her hips moved in time with his, taking him in as deep as she could. Lisette rarely kissed anyone who wasn't her mistress, but in this case, she was making a willing exception. Their tongues tangled wetly as they fucked, exploring one another. The tingling heat was overtaking her, and she knew it would not be long now. She crossed her ankles behind him and she bit at the skin of his chest, shuddering in delight. Mark arched his back, pushing as deep inside her as he could, before shaking and allowing himself release. Her wanton cunt gripped his cock while he came deep inside her, his whole being awash with unreal pleasure. They moaned through a frenzied kiss and then sagged together, spent and sated, at least for now. Moans, pants and sighs of bliss attracted Mark and Lisette's attention and they looked off their side; also on the huge bed with them, Becky and Alexandra were sitting together, with their arms and legs wrapped around one another, kissing hungrily as they squirmed their slick pussies together. Their matching golden hair was damp with the sweat of their exertions, skin slick and shining. The greedy smacking and sucking sounds their slits made as they mingled made the four lovers shiver in delight. Alexandra and Becky were groping and fondling one another with unreal need, their nails leaving red marks and their fingers gripping tight enough to leave welts. Neither relented, though, desperate to cum together. The moans became groans and they were panting as they gyrated their hips, churning rhythmically in a sensual dance of bliss. They pulled tighter against one another, clenching their teeth and craning their necks as they peaked, then crying out and pressing their molten, gooey pussies as they came. More feverish kissing punctuated the climax and the finally both collapsed backward, chests heaving, their legs still scissored together. Steam seemed to be rising from their bodies, skin flushed pink. The four lovers lay silent for some minutes, just basking in their shared bliss. Mark finally pulled himself out of Lisette and then knelt over her face, allowing the dark-haired girl to slide his cock into her mouth, cleaning their mingled cum from his cock, which she did with great delight. Becky and Alexandra finally clasped wrists and pulled themselves up into a sitting position, hugging tiredly, but not willing to relinquish their most intimate contact. They kissed deeply and contentedly, fondling one another's tits. Lisette looked over at them and giggled. Alexandra looked over at her servant, her eyebrow raised. "What is so funny, girl?" Lisette turned on her side and rested her head on her hand while Mark spooned in behind her. "I was just thinking, Mistress; you and Miss Rebecca look so much alike. What if you are her ancestor?" Becky and Alexandra both thought about that, looked at one another for a moment, shrugged and began kissing again, their tongues tangling loudly. "And if that was the case, think about what we discussed the other day," she continued, smirking mischievously. "You said you had wondered what it would be like to Monsieur Mark's child, yes? Wouldn't that also make him Miss Rebecca's ancestor?" Mark burst out laughing while Becky choked on her shock, interrupting the kiss she had been so enjoying. She looked at Lisette in disbelief. Alexandra just sighed and shook her head, used to her servant's twisted humor. The moment of metaphysical terror passed for Becky and they all cuddled together in the center of the bed, kissing tenderly and caressing. Alexandra had told Becky all about Mark's efforts to find her and reach her, what he had undergone and risked. Becky's eyes shone as she looked at Mark at promised to make sure he was properly thanked until the end of time. "I wish you could stay," Alexandra almost moped, regretting that she had to give her new friends up. "I enjoy your company, and I am not ashamed to say I love you both." "Feeling's mutual, Alexa," Becky lilted, tracing a fingernail across her generous tit. "But maybe we needn't end our association. If we designate a consistent place, when you know you are available, you can leave a message there. Mark and I will check for messages, and when we see one, we can visit you at the appointed time. No conflicts or dangers presented, as long as we're all certain of the clear lines of communication." "I like that idea," Alexandra said, grinning. "And I have a gift for you both." She climbed off the bed and went to retrieve something. She returned shortly with two bottles, which she presented to them. "A new type of wine, invented in my native region of Champagne," she said, kneeling on the bed as they examined the bottles. "Twice fermented and sweet on the tongue, not unlike my darling Rebecca." Becky blushed and Mark grinned. "You'll be glad to know that in our time, champagne is one of the most expensive and sought-after drinks in the world, used in every important celebration." "That does please me, Mark." Alexandra said, nodding her head and deciding to not chide him this time about telling her the future. "And now that I think of it, literally, I've got a present for you, Alexa." Mark mused, getting off the bed. The three women watched as he walked into a large closet, rummaging around loudly. When he returned, he was holding what appeared to be several unusual books, which he handed to Alexandra. "What are these?" she asked, puzzled. "Well, the graphic novel is a pictorial history of Wonder Woman, who you may recall I told you a little bit about," he explained, sitting on the bed again. "And the other three books are all written by a man named Alexander Dumas and are fictional works about the Three Musketeers. I figured they'd be humorous reading for you." She looked up at him incredulously. "But; why were they in my closet here in my chalet?" He grinned again. "Well, just a moment ago, I decided to give them to you. So in a few days, I'm gonna gather them up, bring them here to just before Becky and I arrive, and bury 'em in your closet, where I know they are. That way, I don't run into any of us. And clearly it worked." Becky made a wry face. "Ya' know, I'd say you're getting the hang of this whole temporal travel thing, but I'm pretty sure you're only getting the hang of abusing it." Mark smirked at her and pinched her nipple, making her shiver and bite her lip. He then looked back at Alexandra. "And when you're done with 'em, you can just leave 'em in our drop-off spot and Becks and I'll pick them up. That way, there's no anachronistic copies of nineteenth-century novels or twentieth-century comic books lying around to be discovered by archaeologists." "I take back what I said just now, you're gonna get us all clock-hammered right out of existence." Becky sighed, causing her lovers to laugh. Mark and Becky lay side-by-side in her bed and holdings hands, back in their own time and generally none the worse for wear. They'd learned some valuable lessons and had made some important contacts along the way. "Do' you really think Alexandra's my ancestor?" Becky mused, looking at her bedroom ceiling. Mark shrugged. "You sure look a lot alike, and you're both Hell on wheels. I'm still amused by the notion of me being your great-great-great-whatever grandfather." She sighed and shook her head. "I can handle the notion of fucking and falling in love with my great-whatever grandmother, but the notion of you as my whatever grandfather gives me the jibblies. Just promise me you won't impregnate Alexa and make that come true, Mark." He chuckled. "I promise. I have no idea how trans-temporal alimony or visitation rights even work." Becky giggled and turned in to face him, cuddling close. "So, who're you gonna save me from next, hero?" she purred, nipping at his earlobe and making him shiver. "Oh, God, Becks, can we start out with some really ferocious kindergartners from the Roaring Twenties taking you hostage? I can probably handle that right about now." She giggled again and crawled on top of him, staring down into his eyes and kissing his nose while she squirmed her tits against him. "Take me to New York in the Twenties and I'll show you how liberated a flapper girl I can be," she whispered. "Deal?" "Deal." Mark replied, pulling her down and kissing her soulfully. Count Mark and Becky in! I Think I'm Getting The Hang Of This! Finally home. Mark sat at his dining room table, eating dutifully. His mom had prepared short ribs and mashed potatoes for dinner, one of his favorites. What she didn't know was that Mark had substituted several herbs and spices into her collection, items he'd brought back from his temporal travels. At the very least, this meant they were technically several hundred years old, or sometimes that they didn't exist in the modern era at all. "I'm enjoying this particular batch of thyme that I put in the braise," Dhallyla Pritchard remarked as she gently stabbed some green beans with her fork. "Mark, where did you say you got it for me? The flavor is so; special." Mark shrugged. "Another shop I thought I'd try out," he replied. "Nowhere near our usual places." "Well, keep it up, son," his father said, sitting at the other end of the table. "No offence to your mother's cooking, but the spices we were getting before weren't helping the cause. Now this is flavor." "Such a good little minion," his mom said sweetly, reaching over and pinching his cheek. "First, you did amazingly well on your Physics exam and boosted your overall grade to the place where the university accepted you, and now you're an herbs and spices guru. Talk about an unexpected change." "Yeah," his sister Roxy said, sitting across from him, and trying to keep the suspicion out of her voice. "Unexpected is right." "Now Roxy, be nice," their mom chided. "You should be happy for your little brother, he'll be going to university with you." "As long as she pulls her grades up," grunted dad, pausing in eating to waggle his fork in her general direction. "You promised us you'd keep your grades up and we'd let you live here rent-free as a result, Rox. We're living up to our end of the bargain, what's so difficult about yours?" "Maybe I should study more and party less," she grumbled, scowling at her food. She hated to admit it, but her mom was right, the spices were great. Where had the little trouser-snake bought them? "Ya' know, open my mind more and my legs less?" "Dear!" Dhallyla gasped, looking at her daughter in shock. "Nobody said you were behaving licentiously! There's no need to use language like that!" "Sorry," the dark-haired girl sighed, putting down her fork. "Just been on edge lately. Seems to have been The Mark Show around here recently,

Ancient Greek mythology tells of a daunting underground maze known as the labyrinth, which, according to legend, housed the fabled beast known as the minotaur. However, clues hidden in ancient writings through the centuries have suggested that there may be more to the tale than mere legend, and that there had in fact been more than one labyrinth that existed in the ancient world.  This week on The Micah Hanks Program, a remarkable new discovery in Crete has reinvigorated debate over the origins behind one of ancient Greece's most enduring legends, and it marks only the beginning of our search for answers to one of history's most enduring mysteries. Where were the locations of these massive underground complexes in antiquity, and could they indeed still exist into the present day?   Have you had a UFO/UAP sighting? Please consider reporting your sighting to the UAP Sightings Reporting System, a public resource for information about sightings of aerial phenomena. The story doesn't end here... become an X Subscriber and get access to even more weekly content and monthly specials. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: NEWS: Senate advances plan to end historic shutdown in bipartisan breakthrough  Flight disruptions from shutdown worsen as Trump threatens air traffic controllers  The shutdown is about to end. Will millions lose their health insurance?  ARCHAEOLOGY NEWS: Archaeologists Decode Peru's Mysterious Band of Holes Officials Seek Answers as Mysterious Vehicle Revealed by Melting Ice in the Swiss Alps "Monster of the Earth": Archaeologists Uncover Ceremonial Marker Revealing Royal Power at Maya Site THE LABYRINTH: Myths of the Labyrinth: The Ashmolean Museum  THE GREEK LABYRINTH: The Cretan Labyrinth (via Britannica)  Half–bull, half-truth… How English archaeologist claimed credit for discovering home of the minotaur 4000-Year-Old Labyrinth Discovery, "One of the Most Important Archaeological Finds" of the Century EGYPT'S LABYRINTH: The lost Egyptian labyrinth – The Past BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

Wofür es sich zu denken lohnt – mit Ina Schmidt: Orientierung finden in unsicheren ZeitenIn dieser Folge von „Gelassen älter werden“ erkundet Bertram Kasper mit Philosophin, Autorin und Denkräume-Gründerin Ina Schmidt, wie Denken uns im Älterwerden trägt: nicht als Grübeln, sondern als bewegte Praxis – wie ein Gang durchs Labyrinth, der zur Mitte führt und wieder hinaus in die Welt.HauptpunkteLabyrinth statt Irrgarten: Denken als Weg mit Richtung – zur Mitte finden, innehalten, das Gewonnene wieder hinaus tragen. So wird Nachdenken zur Haltung, nicht zur Kopflastigkeit.Leib und Sinne denken mit: Gedanken entstehen nicht nur „im Kopf“. Gehen, Schreiben, Spüren – körperliche Rituale beflügeln Klarheit (Nietzsche lässt grüßen: Keinem Gedanken trauen, der keinen Spaziergang aushält).Denkpraxis üben – gemeinsam: Vom Küchentisch-Salon bis zum philosophischen Café: Fragen wollen Raum, Zeit und Wohlwollen. Zwei Stunden, ein Thema, echtes Zuhören – und keine Pflicht zur Einigung.Älterwerden & Theoriefähigkeit: Mit wachsender Erfahrung wächst auch die gedankliche Direktheit: Ambivalenzen aushalten, Verlustliches sehen – und zugleich ein Mehr aus dem Gegebenen gestalten.Radikale Hoffnung statt Besserwisserei: Popper im Gepäck: Es gibt keine vernünftige Alternative zum Optimismus. Denken stiftet Handlungslust – bescheiden, wirksam, im eigenen Radius.Zitat„Die Mitte des Labyrinths ist wie ein Haus – aber wir bleiben dort nicht; wir nehmen das Gefundene mit hinaus in die Welt.“ – Ina SchmidtZum WeiterlesenIna Schmidt: Wofür es sich zu denken lohnt. Ein philosophischer Wegweiser für unsichere Zeiten (Buch)Projekt Denkräume von Ina Schmidt (Philosophie in Alltag & Bildung)Reflexionsfrage: Welche kleine Denkgewohnheit möchten Sie diese Woche „in Bewegung bringen“ – beim Gehen, Schreiben oder im Gespräch?Hören, teilen, weiterdenken – und gern eine Sprachnachricht mit Ihrer Erkenntnis schicken.Wir freuen uns auf eure Nachrichten über WhatsApp an 01752600238 und Mails an info@gelassen-aelter-werden.de – und wenn ihr euren Liebsten von uns erzählt.Und eine Bitte an alle:Wir freuen uns über eine Bewertung unseres Podcasts. Holt für uns die 5 Sterne vom Himmel und schreibt gerne, was euch besonders gefällt.Das schenkt noch mehr Menschen unsere Inhalte, da es durch das bessere Ranking öfter vorgeschlagen wird. Herzlichen Dank.Für mehr Informationen zum Thema "gelassen älter werden" gibt es auf unserer Homepage ein Magazin zum Lesen. Hier der Link: https://gelassen-aelter-werden.de/magazin-gelassen-aelter-werden/Die Musik im Intro und Outro ist von Stefan Kissel und wurde von Nico Lange gesprochen.

Mark and Kenny celebrate the end of Season Seven with a wide-ranging conversation about the Rebel Heart Tour - and it's Heart Rebel companion, Tears of a Clown. Topics include Q-Tips, thumb ailments, the comment flurry, Saturday Night Online, bathrooms, Grimes, ART, Billions, Bar Six, diehard fan finances, Kyle Richards, Kevin Antunes, Semtex Films, Michael Jackson, cages, union rope pullers, distancing vocals, Shogun, the Monte mullet, postulants and prophets, the power of red, leather caps and chiseled abs, pretzels, ukuleles, reuniting with Sean Penn, One Battle After Another, John Mulaney, the delight (and danger) in revisiting the hits, spiral staircases and subway escalators, casseroles, Cirque du Soleil and ABBA, cape nods, cafeteria politics, the MEDLEY, boxing in Detroit, David Bowie, Let's Dance, Labyrinth, Mick Jagger, Annie Lennox, detours, Paris, clowns, cast albums, Jerry Lewis, Grace Jones, deep cuts, cosmopolitans, Charlie Chaplin, thinking about Mirwais, raising money in Miami, covering Britney Spears, disrespectful fans, sandwiches, Valencia Gamble, flappers and scene work, slides, Edith Piaf, suffeRING, special guest bitches, flags, a special visit to Minneapolis, and how Madonna uses her speech at the Billboard Women in Music awards to begin to define her future. PLUS – the grading system returns, Kenny has a brand-new podcast idea, Mark brings back the Tribal Talking Stick, and Madonna takes to the streets with her guitar. “Joan of Arc said I could do it ALL!” Special Thank You to Simon Delaney for his Tears of a Clown memories. Dedicated to the memory of the brilliant and life-changing David Bowie.Rebel Heart Tour video directed by Semtex Films (2016)Rebel Heart Tour video directed by Billy “BigasBilly” Riegelmann

from a great labyrinth out of pride - #4350 (95R90 percent 186 left) by chair house 251111.mp3from a great labyrinth out of pride◆《ピアノ万葉集》全曲集第１巻之５アルバムの201番から250番の50曲が配信開始となりました。これにて第１巻の250曲がすべて配信されました。それは嬉しい限りです。これが《ピアノ万葉集》全曲の巻数構成とアルバム配分の整理..

from a great labyrinth out of pride - #4350 (95R90 percent 186 left) by chair house 251111 (again, William Butler Yeats from May 22, 2025) *** NEW CATCHPHRASE FOR PIANO TEN THOUSAND LEAVES *** " Gentleness, carried on 4,536 leaves of sound " =========================== The Complete Works of Piano Ten Thousand Leaves Vol.1-5 =========================== VOLUME1-5 just released! Gentleness, carried on 4,536 leaves of sound. --- youtube full video: https://youtu.be/keXS3AEO1a4 --- spotify: https://open.spotify.com/intl-ja/album/4bNp2s3LQmQRKW20I9nqg6?si=J3ecOB_ySXKqrtjWViXNgA --- Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-5/1851196335 --- amazon Music: https://amazon.co.jp/music/player/albums/B0G14M9TRF?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_AW167RpyD3hxpUR2jIAjg0SRa --- Line Music: https://music.line.me/webapp/album/mb0000000004ca05e8 --- AWA: https://s.awa.fm/album/79acc2b85cbe01e0a992 --- all music streaming services: https://linkco.re/GqnQvNyP?lang=en ######## Latest Album: 31st SELECTION ALBUM JUST RELEASED ######## "forest moon dream" - the 31st selection album of piano ten thousand leaves youtube: FULL VIDEO with 20 full songs in very high quality sounds https://youtu.be/hRY7rtkp-hw?si=dpSjSeY7rHAyOvtC spotify: https://open.spotify.com/intl-ja/album/0GL5j2gohVbt5rgcbZqslM?si=Al-XczUJTJmNYgpcGbff7w apple Music: https://music.apple.com/jp/album/forest-moon-dream/1843588627 amazon music: https://amazon.co.jp/music/player/albums/B0FTMBPY75?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_dz30EicNlOoEQrCadNDGVEtSW all music streaming services: https://linkco.re/GzFhAvTg?lang=en *** "PIANO TEN THOUSAND LEAVE" COMPLETE WORK ALBUM SERIES START *** Now begins a new challenge: to compile all 4,536 pieces into 91 albums and deliver them to the future. Just as "Ten Thousand Leaves ( Manyoushu ) " carried the hearts of lovers across a thousand years, we hope these piano pieces will reach people a thousand years from now. =================== VOLUME1-5 =================== See the description above. =================== VOLUME1-4 =================== *** youtube full video: https://youtu.be/a77YDMMgv7o *** spotify: https://open.spotify.com/intl-ja/album/3mISdsZNVdEAD2BMxCE0ku?si=2l36hot_TsyV_kCVnKwLBg *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-4/1840586819 *** amazon Music: https://amazon.com/music/player/albums/B0FRMNGD1K?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mFt4isWbmtWKlgKqqHDbRNiff *** all music streaming services: https://linkco.re/m0nqEtsg?lang=en =================== VOLUME1-3 =================== *** youtube full video https://youtu.be/ue7KsUBdLME?si=5UbdJelOAPjqboiJ *** spotify: https://open.spotify.com/intl-ja/album/6BAV5XloL6HDGboFeiE3VF?si=e4E-3zI0RqCt8aQNrnMHrQ *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-3/1834912123 *** all music streaming services: https://linkco.re/8RNRdEa3?lang=en =================== VOLUME1-2 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/fBmIMLpM10g?si=MQmAdF95M7GCm4Ve *** spotify: https://open.spotify.com/intl-ja/album/1KDM283kVS8x7fO9q79w2v?si=iIJ4sZidSqWW8ah59Y_a1g *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-2/1832629621 *** all music streaming services: https://linkco.re/VeA0UreQ?lang=en =================== VOLUME1-1 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/YERNF74cvKw?si=6FiU67TOdybggkQk *** spotify: https://open.spotify.com/intl-ja/album/12vCnNiO4EfBz6eVPGhvOr?si=P3cL7RZSTV-87jeswyI8BA *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-1/1831717286 *** all music streaming services: https://linkco.re/Y9VNVN23

We wandered into a corn maze and somehow ended up talking Stephen King, The Shining, Children of the Corn, and even David Bowie's hair in Labyrinth.Along the way, we poured a little more Bearface Whisky from the Whisky Global Toronto show, swapped some movie takes, and found just enough Halloween energy to keep things weird (in the best way).It's Two Shot Tuesday at its finest: swift, funny, and fueled by great conversation.

Salt Labyrinth returns!Ben and Hank read Crisis on Infinite Earths (1985) Written by Marv Wolfman with pencils by George PérezNext time: Alan Moore's Whatever Happened to the Man of Tomorrow?Email: SaltCirclePodcast@gmail.comTwitter: @SaltCirclePodBluesky: saltcirclepod.bsky.socialHank's Bluesky: @comicpanels.bsky.socialThe Burning Barrel Discord: discord.gg/jBDGW5jTheme Song: topianmusic.bandcamp.com/Youtube: youtube.com/@saltcircle

into the labyrinth of another's being - #4348 (95R86 percent 188 left) by chair house 251109 (again, William Butler Yeats from May 22, 2025) *** NEW CATCHPHRASE FOR PIANO TEN THOUSAND LEAVES *** " Gentleness, carried on 4,536 leaves of sound " =========================== The Complete Works of Piano Ten Thousand Leaves Vol.1-5 =========================== VOLUME1-5 just released! Gentleness, carried on 4,536 leaves of sound. --- youtube full video: https://youtu.be/keXS3AEO1a4 --- spotify: not available yet.. please wait..please wait: --- Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-5/1851196335 --- amazon Music: not available yet.. please wait..please wait: --- Line Music: https://music.line.me/webapp/album/mb0000000004ca05e8 --- AWA: https://s.awa.fm/album/79acc2b85cbe01e0a992 --- all music streaming services: https://linkco.re/GqnQvNyP?lang=en ######## Latest Album: 31st SELECTION ALBUM JUST RELEASED ######## "forest moon dream" - the 31st selection album of piano ten thousand leaves youtube: FULL VIDEO with 20 full songs in very high quality sounds https://youtu.be/hRY7rtkp-hw?si=dpSjSeY7rHAyOvtC spotify: https://open.spotify.com/intl-ja/album/0GL5j2gohVbt5rgcbZqslM?si=Al-XczUJTJmNYgpcGbff7w apple Music: https://music.apple.com/jp/album/forest-moon-dream/1843588627 amazon music: https://amazon.co.jp/music/player/albums/B0FTMBPY75?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_dz30EicNlOoEQrCadNDGVEtSW all music streaming services: https://linkco.re/GzFhAvTg?lang=en *** "PIANO TEN THOUSAND LEAVE" COMPLETE WORK ALBUM SERIES START *** Now begins a new challenge: to compile all 4,536 pieces into 91 albums and deliver them to the future. Just as "Ten Thousand Leaves ( Manyoushu ) " carried the hearts of lovers across a thousand years, we hope these piano pieces will reach people a thousand years from now. =================== VOLUME1-5 =================== See the description above. =================== VOLUME1-4 =================== *** youtube full video: https://youtu.be/a77YDMMgv7o *** spotify: https://open.spotify.com/intl-ja/album/3mISdsZNVdEAD2BMxCE0ku?si=2l36hot_TsyV_kCVnKwLBg *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-4/1840586819 *** amazon Music: https://amazon.com/music/player/albums/B0FRMNGD1K?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mFt4isWbmtWKlgKqqHDbRNiff *** all music streaming services: https://linkco.re/m0nqEtsg?lang=en =================== VOLUME1-3 =================== *** youtube full video https://youtu.be/ue7KsUBdLME?si=5UbdJelOAPjqboiJ *** spotify: https://open.spotify.com/intl-ja/album/6BAV5XloL6HDGboFeiE3VF?si=e4E-3zI0RqCt8aQNrnMHrQ *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-3/1834912123 *** all music streaming services: https://linkco.re/8RNRdEa3?lang=en =================== VOLUME1-2 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/fBmIMLpM10g?si=MQmAdF95M7GCm4Ve *** spotify: https://open.spotify.com/intl-ja/album/1KDM283kVS8x7fO9q79w2v?si=iIJ4sZidSqWW8ah59Y_a1g *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-2/1832629621 *** all music streaming services: https://linkco.re/VeA0UreQ?lang=en =================== VOLUME1-1 =================== *** youtube: full video of 50 pieces 2 hours https://youtu.be/YERNF74cvKw?si=6FiU67TOdybggkQk *** spotify: https://open.spotify.com/intl-ja/album/12vCnNiO4EfBz6eVPGhvOr?si=P3cL7RZSTV-87jeswyI8BA *** Apple Music: https://music.apple.com/jp/album/the-complete-works-of-piano-ten-thousand-leaves-vol-1-1/1831717286 *** all music streaming services: https://linkco.re/Y9VNVN23

GUILLERMO DEL TORO'S ULTIMATE PASSION PROJECT!! Frankenstein Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Pan's Labyrinth (2006) Movie Reaction: ⁠   • PAN'S LABYRINTH (2006) MOVIE REACTION!! Gu...  ⁠ With GDT's latest opus making its Netflix debut after a limited theatrical run to close out the Halloween season, Coy & Aaron REUNITE to give their Frankenstein Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Coy Jandreau & Aaron Alexander react to Frankenstein (2025) — director Guillermo del Toro's epic adaptation of Frankenstein; or, The Modern Prometheus by Mary Shelley. This Gothic-science-fiction spectacle stars Oscar Isaac as the obsessed scientist Victor Frankenstein, and Jacob Elordi as the haunting and tragic Creature. Supporting performances include Mia Goth as Elizabeth Harlander, and Christoph Waltz as the sinister patron Henrich Harlander. In this tale set in 1857 Europe, Frankenstein's experiment to fuse life from death spirals into a tragedy of ambition, identity and the monstrous consequences of creation. From the chilling lab resurrection scene, to the Creature's learning to speak, to the freezing Arctic ship finale, the film delivers moments of awe, dread and deep emotion. Stand-out and highly searched moments include the storm-lit reanimation sequence, the Creature's discovery of language and reading, the lab fire and betrayal of William Frankenstein, and the dramatic ice-bound ship confrontation. With del Toro's signature visual flair, a sweeping score by Alexandre Desplat, and a bold retelling of one of literature's longest-told myths, Frankenstein (2025) offers both monster spectacle and emotional depth. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Follow Coy Jandreau:  Tik Tok:⁠ https://www.tiktok.com/@coyjandreau?l...⁠ Instagram:⁠ https://www.instagram.com/coyjandreau/?hl=en⁠ Twitter:  ⁠https://twitter.com/CoyJandreau⁠ YouTube: ⁠https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

into the labyrinth of another's being - #4348 (95R86 percent 188 left) by chair house 251109.mp3into the labyrinth of another's being◆《ピアノ万葉集》全曲集第１巻之５アルバムの201番から250番の50曲が配信開始となりました。これにて第１巻の250曲がすべて配信されました。それは嬉しい限りです。これが《ピアノ万葉集》全曲の巻数構成とアルバム配..

GUILLERMO DEL TORO'S ULTIMATE PASSION PROJECT!! Frankenstein Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Pan's Labyrinth (2006) Movie Reaction:    • PAN'S LABYRINTH (2006) MOVIE REACTION!! Gu...   With GDT's latest opus making its Netflix debut after a limited theatrical run to close out the Halloween season, Coy & Aaron REUNITE to give their Frankenstein Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Coy Jandreau & Aaron Alexander react to Frankenstein (2025) — director Guillermo del Toro's epic adaptation of Frankenstein; or, The Modern Prometheus by Mary Shelley. This Gothic-science-fiction spectacle stars Oscar Isaac as the obsessed scientist Victor Frankenstein, and Jacob Elordi as the haunting and tragic Creature. Supporting performances include Mia Goth as Elizabeth Harlander, and Christoph Waltz as the sinister patron Henrich Harlander. In this tale set in 1857 Europe, Frankenstein's experiment to fuse life from death spirals into a tragedy of ambition, identity and the monstrous consequences of creation. From the chilling lab resurrection scene, to the Creature's learning to speak, to the freezing Arctic ship finale, the film delivers moments of awe, dread and deep emotion. Stand-out and highly searched moments include the storm-lit reanimation sequence, the Creature's discovery of language and reading, the lab fire and betrayal of William Frankenstein, and the dramatic ice-bound ship confrontation. With del Toro's signature visual flair, a sweeping score by Alexandre Desplat, and a bold retelling of one of literature's longest-told myths, Frankenstein (2025) offers both monster spectacle and emotional depth. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

IN HONOR OF FRANKENSTEIN!! Pan's Labyrinth Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ With GDT's Frankenstein Netflix later this week, Tara & John are REANIMATED in order to present their Pan's Labyrinth Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Pan's Labyrinth (2006), the visionary dark fantasy war drama from Guillermo del Toro (The Shape of Water, Hellboy, Crimson Peak). Blending history, mythology, and horror, this Oscar-winning masterpiece transports viewers into a world where innocence and brutality collide — a fairy tale not for children, but for the haunted souls of adults. Set in 1944 post–Civil War Spain, the story follows Ofelia (played by Ivana Baquero – The New Daughter, Black Friday), a young girl who discovers a mysterious labyrinth near her new home. There, she meets an ancient Faun (portrayed by Doug Jones – The Shape of Water, Hocus Pocus) who tasks her with completing three dangerous trials to prove she is the reincarnated princess of a magical underworld. Meanwhile, Ofelia's real world is ruled by her cruel stepfather, Captain Vidal (Sergi López – Dirty Pretty Things, With a Friend Like Harry), whose merciless campaign against local rebels mirrors the horrors of fascism. Maribel Verdú (Y Tu Mamá También, Belle Époque) plays Mercedes, a kind housekeeper secretly aiding the resistance, while Ariadna Gil (Belle Époque, Alatriste) portrays Carmen, Ofelia's fragile and ill mother. Iconic and highly searched moments include the terrifying Pale Man sequence, the chalk door escape, the toad in the tree, and Ofelia's heartbreaking final choice. With breathtaking cinematography by Guillermo Navarro and a haunting score by Javier Navarrete, Pan's Labyrinth remains a towering achievement in storytelling — a fusion of fantasy and historical realism that explores innocence, sacrifice, and the power of imagination in the face of tyranny. Winner of three Academy Awards, Pan's Labyrinth stands as one of the greatest modern films of the 21st century — a dark, beautiful masterpiece that continues to mesmerize audiences around the world. Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

David Bowie's significance just keeps expanding and the look and sound of him never age. Paul Morley has been gripped from the start and his new book ‘Far Above The World' explores the many reasons why. These among them … … Labyrinth, YouTube and the new ways people discover Bowie … why he's a figurehead of a vanishing world … dressing up for radio interviews … his almost fatal relationship with America and the 1971 promo tour that was his ‘On The Road' … Haddon Hall and his first key collaborators … writing a book about Bowie in public as part of the V&A exhibition – “I was an art installation!” … Five Years, the internet, the studio as an instrument and other ways he was ahead of the curve … “his YouTube reels are now part of his catalogue” … his boundless curiosity about art, film, books and technology … that unforgettable clip of TFI Friday: “every interview was performance art” … a missed chance on the Marc Bolan Show … “music to repel the Dark Ages” … and why his look and sound never age. Order ‘Far Above The World: The Time And Space of David Bowie' here: https://www.resident-music.com/product/morley-paul-far-above-the-world-the-time-and-space-of-david-bowieHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

David Bowie's significance just keeps expanding and the look and sound of him never age. Paul Morley has been gripped from the start and his new book ‘Far Above The World' explores the many reasons why. These among them … … Labyrinth, YouTube and the new ways people discover Bowie … why he's a figurehead of a vanishing world … dressing up for radio interviews … his almost fatal relationship with America and the 1971 promo tour that was his ‘On The Road' … Haddon Hall and his first key collaborators … writing a book about Bowie in public as part of the V&A exhibition – “I was an art installation!” … Five Years, the internet, the studio as an instrument and other ways he was ahead of the curve … “his YouTube reels are now part of his catalogue” … his boundless curiosity about art, film, books and technology … that unforgettable clip of TFI Friday: “every interview was performance art” … a missed chance on the Marc Bolan Show … “music to repel the Dark Ages” … and why his look and sound never age. Order ‘Far Above The World: The Time And Space of David Bowie' here: https://www.resident-music.com/product/morley-paul-far-above-the-world-the-time-and-space-of-david-bowieHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

IN HONOR OF FRANKENSTEIN!! Pan's Labyrinth Full Movie Reaction Watch Along:   / thereelrejects   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With GDT's Frankenstein Netflix later this week, Tara & John are REANIMATED in order to present their Pan's Labyrinth Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & John Humphrey react to Pan's Labyrinth (2006), the visionary dark fantasy war drama from Guillermo del Toro (The Shape of Water, Hellboy, Crimson Peak). Blending history, mythology, and horror, this Oscar-winning masterpiece transports viewers into a world where innocence and brutality collide — a fairy tale not for children, but for the haunted souls of adults. Set in 1944 post–Civil War Spain, the story follows Ofelia (played by Ivana Baquero – The New Daughter, Black Friday), a young girl who discovers a mysterious labyrinth near her new home. There, she meets an ancient Faun (portrayed by Doug Jones – The Shape of Water, Hocus Pocus) who tasks her with completing three dangerous trials to prove she is the reincarnated princess of a magical underworld. Meanwhile, Ofelia's real world is ruled by her cruel stepfather, Captain Vidal (Sergi López – Dirty Pretty Things, With a Friend Like Harry), whose merciless campaign against local rebels mirrors the horrors of fascism. Maribel Verdú (Y Tu Mamá También, Belle Époque) plays Mercedes, a kind housekeeper secretly aiding the resistance, while Ariadna Gil (Belle Époque, Alatriste) portrays Carmen, Ofelia's fragile and ill mother. Iconic and highly searched moments include the terrifying Pale Man sequence, the chalk door escape, the toad in the tree, and Ofelia's heartbreaking final choice. With breathtaking cinematography by Guillermo Navarro and a haunting score by Javier Navarrete, Pan's Labyrinth remains a towering achievement in storytelling — a fusion of fantasy and historical realism that explores innocence, sacrifice, and the power of imagination in the face of tyranny. Winner of three Academy Awards, Pan's Labyrinth stands as one of the greatest modern films of the 21st century — a dark, beautiful masterpiece that continues to mesmerize audiences around the world. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

David Bowie's significance just keeps expanding and the look and sound of him never age. Paul Morley has been gripped from the start and his new book ‘Far Above The World' explores the many reasons why. These among them … … Labyrinth, YouTube and the new ways people discover Bowie … why he's a figurehead of a vanishing world … dressing up for radio interviews … his almost fatal relationship with America and the 1971 promo tour that was his ‘On The Road' … Haddon Hall and his first key collaborators … writing a book about Bowie in public as part of the V&A exhibition – “I was an art installation!” … Five Years, the internet, the studio as an instrument and other ways he was ahead of the curve … “his YouTube reels are now part of his catalogue” … his boundless curiosity about art, film, books and technology … that unforgettable clip of TFI Friday: “every interview was performance art” … a missed chance on the Marc Bolan Show … “music to repel the Dark Ages” … and why his look and sound never age. Order ‘Far Above The World: The Time And Space of David Bowie' here: https://www.resident-music.com/product/morley-paul-far-above-the-world-the-time-and-space-of-david-bowieHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan's Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Cinema D'Amore celebrates eight years on the mic with a brand-new season and a haunting start. The hosts dive into Jayro Bustamante's La Llorona, a Guatemalan ghost story that mixes political horror, folklore, and slow-burn dread. They dig into the film's deliberate pacing, eerie atmosphere, and its echoes of Pan's Labyrinth and Stalker. The conversation flows through themes of guilt, justice, and revenge, with plenty of appreciation for the film's striking visuals, long takes, and unforgettable performances. La Llorona's curse lingers through history like a whisper in the dark, making this 95-minute gem a perfect, spine-tingling way to kick off Season 5. Hosted by Justin Morgan and Charles Phillips Mixing and Music by Scratchin' Menace Follow us on Facebook and Bluesky for updates, behind-the-scenes posts, and upcoming episodes. You can listen on Apple Podcasts, Spotify, YouTube, and pretty much anywhere you get your shows. Subscribe, rate, and review. It really helps us grow, and we're grateful for every listener who's been with us on this ride.

Porfirio, Henry, and Christian celebrate Halloween with Guillermo Del Toro's horror classic, Pan's Labyrinth! We revisit iconic characters like Ofelia and the Pale Man, and delve into the deeper meanings behind the film. Check it out!

Three patients at a secretive corporate medical facility awaken with strange new scars on their chests. Parasites writhe within their bodies, surgically implanted. Screams echo from down the hall. To survive the night, the patients must fight off feral mutants and find a way to deal with the parasites growing in their bodies before it's too late. Get this scenario now on the RPPR Patreon! Alienation of the Flesh is dual statted for Cthulhu Eternal (a percentile SAN based RPG) and Labyrinth Signal! It comes with complete maps of the Grandberg Clinic surface and underground levels and features three new monsters.   Use discount code RPPRMAS to get 20% off an annual membership at the $5 or $10 level now! In the last year, I've produced 6 full scenarios, over 80 pages of original content, plus over 10 years of bonus podcasts. It's a steal! Caleb as Mansel Crawford, artist Tom as Mike Ganst, stuntman Chris as Dorsel Widget, MMA fighter

All Hallows Eve is upon us! Don your best costumes, grab that plastic jack o'lantern bucket and come paint the ntown red with us as we indulge in 2007's Trick 'r Treat. A tight 82-minutes of delicious anthological horror goodness, we unwrap the treats of Michael Doughterty's immediately established rules, intersecting stories, and how this is one movie that truly encapsulates the spirit of Halloween. So! Happy listening! Just be sure to check your candy, keep that costume on, don't touch those decorations and do NOT blow out that jack o'lantern before midnight!!!!TimestampsNegronomicon - 4:17Crit - 23:50Final Curls - 1:04:30Gems from Ep. 113Power Rangers Beast Morphers (2019, television series)Frankenstein (2025)Frankenstein (Mary Shelley, (Lackington, Hughes, Harding, Mavor & Jones, 1818, Print)Crimson Peak (2015)Pan's Labyrinth (2006)Paranorman (2012)The Thrifting (2025, short)The Shining (1980)Wildwood (2026)The Rescuers Down Under (1990)The Night Gardener (upcoming film)Kubo and the Two Strings (2016)Coraline (2009)Shrek 2 (2004)Trick'r Treat (2007)Godzilla: King of the Monsters (2019)Krampus (2015)True Blood (2008, television series)Succession (2018, television series)Kyle XY (2006, television series)White Chicks (2004)Goosebumps (1995, television series)Are You Afraid of the Dark (1990, television series)Scary stories to Tell in the Dark (Alvin Schwartz, Scholastic, 1981, Print)Tales from the Darkside (1983, television series)The Twilight Zone (1959, television series)Creepshow (1982)Tales from the Crypt (1989, television series)XX (2017)The Thursday  Murder Club (2025)Channel Zero (2016, television series)The Mortuary Collection (2019)V/H/S/ (2012)Laura Hasn't Slept (2020)Smile (2022)Lights Out (2013, short)Lights Out (2016)Midsommar (2019)Halloweentown (1998)Leprechaun (1993)Leprechaun 2 (1994)Leprechaun 3 (1995)Leprechaun 4: In Space (1996)Leprechaun in the Hood (2000)Leprechaun Back 2 Tha Hood (2003)Leprechaun: Origins (2014)Leprechaun Returns (2018)The Blackening (2022)Drag Me to Hell (2009)James Bond (1962, film series)The Thing (1981)Luigi's Mansion (2001, video game)Luigi's Mansion: Dark Moon (2013, video game)Luigi's Mansion 3 (2019, video game)Super Mario Sunshine (2002, video game)Little Nightmares III (2025, video game)The Sounds of Nightmares (2025, podcast)Reanimal (2026, video game)Support the show

It's Halloween which means we're talking about monsters (complimentary)! We've done devils and witches and an entire season on monsters of all ilk, but we haven't done demons yet, and so here we are! Come one come all as Sarah confesses one of her weirdest (charming) kinks and we discuss the age-old adage: "If a demon's horns aren't sexual organs, why are they even there?" We're heading back to the early 00s on this one, so headphones in because who knows what we're going to talk about?! Definitely not us! This week also marks our 7th anniversary, so we're feeling just a little emotional (grateful). Thank you for being with us, whether this is your first episode or your almost four hundredth. We love you. If you'd like more romance chat in your life, please consider joining our Patreon, which comes with an extremely busy and fun Discord community! There, magnificent firebirds hang out, talk romance, and be cool together in a private group full of excellent people. Learn more at patreon.com. NotesWe've done some serious Halloween episodes and also some silly ones. And all of season one was the Immortals After Dark series. The devil is just the most powerful demon in Christian mythology, and apparently so are incubi and succubi. Tim Curry in Legend is actually nothing at all like David Bowie in Labyrinth. BooksSweet Ruin by Kresley ColeHot as Hades by Alisha RaiSuccubus Blues by Richelle MeadeDealing with a Desperate Demon by Charlotte SteinPleasure Unbound by Larissa IoneI Accidentally Summoned a Demon Boyfriend by Jessica CageKiss of a Demon King by Kresley ColeMacRieve by Kresley ColeDemon from the Dark by Kresley ColeA Rogue's Proposal by Stephanie Laurens

Do you ever feel like you're doing “all the right things” but not seeing real results?In this episode, Greg & Rachel Denning challenge the sacred cows of school, pharma, and religion—not to burn it all down, but to help you keep what serves your family and release what doesn't. You'll learn how to shift from transactional box-checking to transformational growth, so your kids develop inner authority, critical thinking, and personal responsibility.Big idea: You can honor helpful traditions and raise kids who can question wisely, choose higher standards, and own their outcomes—in education, health, spirituality, and life.What we cover:• Why outsourcing your child's education, spirituality, or health stalls growth• How to “keep the good” in institutions while ditching deadweight rules• The path from conformity to character—raising autodidacts who learn for life• Practical habits that create palpable progress in mind, body, spirit, and family cultureKey Takeaways✅ Transactional → Transformational: Results > routines.✅ Inner Authority: Teach kids to think, not just comply.✅ Keep & Elevate: Honor useful rules; raise the standard at home.✅ Autodidact Mindset: Light the fire, don't fill the bucket.✅ Measure Progress: If outcomes don't improve, change the method.Chapters00:00 Challenging Sacred Cows02:32 The Importance of Questioning Traditions04:58 Individual Authority and Personal Growth07:22 Outsourcing Education and Spirituality10:29 Transformational vs. Transactional Experiences13:05 The Role of Institutions in Personal Development15:25 The Quest for Holistic Progress18:27 Facing Fears and Embracing Truth21:28 The Labyrinth of Personal Growth28:40 Facing Fears and Doubts29:32 The Nature of True Education30:51 The Challenge of Conformity32:22 Resisting Authority Thoughtfully33:41 The Importance of Imagination35:03 Faith at the Edge of the Abyss36:18 Questioning Conventional Wisdom38:01 Learning from Others' Experiences40:41 Walking the Labyrinth of Faith41:48 Understanding Meta Truths44:10 The Concept of the Fringe46:44 Navigating the Lower and Upper Fringe49:03 Living Beyond Conformity50:31 Transformational Living Beyond the BasicsMemorable Quotes

Запись выступления с фестиваля Trancemission Labyrinth 2025 в Санкт-Петербурге 25 октября 2025

Movie reviews #55Eight movies today, can you believe it.1 (Brewster Mcloud 1970) Very early Robert Altman film here where the amazing Margret Hamilton plays a racist jerk. Another early 70's offering that's quite trippy and political 2 (Three sisters 1970) A hard to watch production of an Anton Chekhov novel, I may have slept through this in high school. It is cool to me only because It stars the Grandma mechanic from (I love you to death),3 (Legend of Boggy Creek 1972) Tagline, Rated G Hick, Bigfoot movie, barely.4 (Man who fell to Earth 1976) Rip Torn, Buck Henry, and Candy Clark star in this sci if classic, that we should all see in the theater once. Almost forgot about the guy who wants the baby in Labyrinth, he's here too. JK fam Bowie's cool (rest in space).5 (Sammy 1977) These Jesus films crack me up as a recovering Catholic it always amuses me, among other things. This one got a theatrical release. please listen to hear how much money it made opening weekend, I believe it will put a smile on yer face. 6 (Soldier of Orange 1977) Our first Paul Verhoeven film. I remember this being very good, but not much else. the guy who wants “more life, fucker.” In Blade Runner is young and joins the Dutch resistance.7 (Yesterdays Child 1977) This made for tv movie is deliciously bizarre. Starring the mom of the Partridge family and the General from Planet of the Apes 5.8 (Dummy 1979) Worf's human brother, Geordie La'Forge, and the dip shit cop who goes after John Jay Rambo and doesn't bring a bunch O body bags, star in this rad film about tryin to fight Ableism in the halls of justice. Thanks for listening.

Lory Widmer Hess reads her essay "Leaving the Labyrinth."Lory Widmer Hess grew up near Seattle and now lives in Switzerland, where she works with adults with developmental challenges. Trained as a spiritual director, she companions individuals in their spiritual journey and leads online groups in the practice of Sacred Reading. Her writing has been published in magazines and journals including Parabola, Amethyst Review, Handwoven, Pensive, and Motherwell, and she is the author of When Fragments Make a Whole: A Personal Journey Through Healing Stories in the Bible (Floris Books, 2024). Find her online at enterenchanted.com.

Right now, every major news cycle is orbiting around the dizzying saga of Donald Trump's ongoing court battles, and in the past few days, things have moved at a breakneck pace. I stepped off the subway at Foley Square in New York on Monday morning, where the atmosphere outside the courthouse was absolute electricity—TV crews, security cordons, a scattered crowd of Trump supporters, and even some protestors weaving between barricades. Inside those marble halls, legal history was in the making.One of the main events this week has been the federal trial concerning Donald Trump's alleged efforts to overturn the 2020 election results. The courtroom was crowded as the prosecution presented evidence and testimony that aimed to link Trump personally to a campaign of disinformation and pressure targeting state officials in Georgia, Arizona, and Pennsylvania. Lead prosecutor Jack Smith, a name that's become synonymous with high-profile investigations, spent hours guiding witnesses through call logs, emails, and draft statements—painting a picture of coordination and intent, while the defense countered that this was protected political speech, pure First Amendment territory.Just as that wasn't enough, the news was simultaneously focused on another trial underway in Manhattan. This one revolves around Trump's business dealings—specifically, allegations involving the valuation of assets by the Trump Organization. Listening to witness after witness, including accountants and former employees, the tension escalated every time the court clerk called for a sidebar or the judge interrupted to clarify. Judge Arthur Engoron was at the helm, increasingly exasperated with a defense team that kept raising objections about document admissibility and expert analysis. Each day ended with speculation from legal analysts standing on the courthouse steps, microphones in hand, dissecting Trump's body language and what each legal maneuver might foreshadow.Across the country, federal judges in California and Washington, D.C., have been ruling on preliminary motions filed by Trump's attorneys in separate civil lawsuits tied to immigration enforcement and claims relating to his post-presidency conduct. A litigation tracker maintained by Lawfare notes over 290 active cases still bearing Trump's name, running the gamut from executive orders on national security to personal disputes, and it seems like each new ruling ripples into headlines everywhere. Appeals are being filed, Supreme Court stays are requested, and yet, for all the judicial movement, the process feels both immediate and glacial—weeks of argument for every small step forward.Throughout, Trump's appearances have been a mix of combative press conferences and a tight-lipped silence inside court. His legal team, composed of seasoned names like Alina Habba and former prosecutor Todd Blanche, rotate between fiery statements to the media and marathon document reviews couched in legalese behind closed doors.For anyone trying to follow the details, whether you work in law, politics, or just catch the cable news highlights, the sheer volume and complexity of the Trump trials is unprecedented in American history. With each day, these cases are shaping public debate, raising constitutional questions, and testing the limits of accountability for public officials.Thanks for tuning in and following along with this evolving story. Don't forget to come back next week for more, and remember, this has been a Quiet Please production. For more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

Labyrinth aus Einrichtungsideen und Fleischbällchen… Mach's dir bequem und kuschel dich ein! Dieser Podcast wird durch Werbung finanziert. Infos und Angebote unserer Werbepartner: https://linktr.ee/EinschlafenMitPodcast Hier geht's zum Wikipedia-Artikel. Der Artikel wurde redaktionell überarbeitet: https://de.wikipedia.org/wiki/IKEA CC BY-SA 4.0 Hosted on Acast. See acast.com/privacy for more information.

…

Greg and Jenius continue their look into gateway horror as they try and get through Jim Henson's Labyrinth!

GUILLERMO DEL TORO'S BLADE!!! Blade 2 Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Download the PrizePicks today & use code REJECTS to get $50 instantly when you play $5! ⁠https://prizepicks.onelink.me/LME0/RE...⁠ BLADE (1998) Movie Reaction: ⁠   • BLADE (1998) IS TOTALLY BADA**!! MOVIE REA...  ⁠ Grab The New TARAfier Tee & Halloween Sweater: ⁠https://www.rejectnationshop.com/⁠ With Guillermo del Toro's Frankenstein in theatres & coming to Netflix + Wesley Snipes appearing in Deadpool & Wolverine, Aaron & Tara are BACK to give their Blade II Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Directed by Academy Award winner Guillermo del Toro (The Shape of Water, Pan's Labyrinth), Blade II (2002) takes Marvel's Daywalker saga to new, blood-soaked heights. Wesley Snipes (Demolition Man, White Men Can't Jump) returns as Blade, the half-human, half-vampire warrior sworn to rid the world of the undead. This time, Blade must form an uneasy alliance with the Bloodpack — a lethal team of vampires led by Nyssa Damaskinos (Leonor Varela – Cleopatra, Arrested Development) and Asad (Danny John-Jules – Red Dwarf, Maid Marian and Her Merry Men) — to stop a terrifying new breed of predator: the Reapers. With their grotesque split jaws and insatiable thirst, the Reapers threaten both humans and vampires alike. Memorable moments include the explosive nightclub fight, Blade's intense sword battles, and the shocking reveal of Nomak (Luke Goss – Hellboy II: The Golden Army, Death Race 2) as the first of the Reapers and Nyssa's brother. Also starring Kris Kristofferson (A Star Is Born, Lone Star) as Whistler, Norman Reedus (The Walking Dead, The Boondock Saints) as Scud, and Ron Perlman (Hellboy, Sons of Anarchy) as Reinhardt, Blade II is a gothic action-horror classic filled with del Toro's signature visuals, martial arts spectacle, and bloody mayhem. Aaron Alexander & Tara Erickson react to, review, and break down the legendary fights, monster design, and Blade's enduring impact on Marvel and comic book cinema. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Follow Tara Erickson: Youtube:⁠ https://www.youtube.com/@TaraErickson⁠ Instagram: ⁠ https://www.instagram.com/taraerickson/⁠ Twitter: ⁠ https://twitter.com/thetaraerickson⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Kelly and Jay recount an extraordinary night at the International Remote Viewing Association conference in Cloudcroft, New Mexico—one that began as a simple group experiment in spoon bending and ended with a display of unexplained aerial activity over the nearby White Sands Missile Range. As dozens of participants focused their attention around a bonfire, cutlery softened and twisted in their hands—just as amber lights began moving across the desert sky in ways that defied conventional motion. The synchronicity between the two events raised unsettling questions about consciousness, matter, and the possible feedback loop between human intention and the phenomenon itself. Kelly and Jay examine that night moment by moment, reflecting on its implications for remote viewing, psychokinesis, and the broader study of anomalous events. Along the way, they discuss: The history of spoon bending and PK (psychokinesis) experiments, from Jack Houck's “PK parties” to government research programs. The atmosphere and experiments at the IRVA conference, including conversations with legendary remote viewers like Lyn Buchanan, Paul H. Smith, and Dale Graff The simultaneous UAP activity observed near White Sands and its uncanny timing with the group's collective experiment How belief, skepticism, and shared attention can shape reality—and why documenting the anomalous is never just about evidence, but about participation. This episode invites listeners to consider the possibility that consciousness is not a passive observer of the world—but an active participant in its unfolding. Music for Cosmosis is by Michael Rubino. The show is brought to you by SpectreVision Radio. ✨ Join the conversation and go deeper: Cosmosis Community on Patreon – ad-free episodes, monthly calls, private Discord, and more: CosmosisCommunity.com Cosmosis: UFOs & A New Reality – now streaming on Amazon, Apple TV, and multiple platforms: Cosmosis.Media Watch Cosmosis: UFOs & A New Reality: https://www.cosmosis.media/ Join the Patreon: https://cosmosiscommunity.com Subscribe to Cosmosis: YouTube: https://www.youtube.com/@Cosmosis.Podcast Spotify: https://open.spotify.com/show/7KnyktIs059pbVdccD020D?si=f3835f36a8cb479d Apple Podcasts: https://podcasts.apple.com/us/podcast/cosmosis-formerly-the-ufo-rabbit-hole/id1595590107 Follow Cosmosis X: https://x.com/cosmosis_media Facebook: https://www.facebook.com/share/12EEyNVPucu/?mibextid=wwXIfr Instagram: https://www.instagram.com/cosmosis.media Listen to the Cosmosis Soundtrack by Michael Rubino: Spotify: https://open.spotify.com/album/5Xvs2NAHNbKjfW7hWkjqey?si=pJPPgIPsRZGkZjJh19UULQ Apple Music: https://music.apple.com/us/album/cosmosis-ufos-a-new-reality-season-one-original-soundtrack/1788465117 Amazon: https://amazon.com/music/player/albums/B0DS5WY5CB?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_zY05XPzhLhuow5dAgK3g2W9yC TIMESTAMPS 04:17 Post-IRVA Conference Reflections 06:00 Deep Dive into Remote Viewing 17:34 Spoon Bending Experience and Online Reactions 35:22 Reflecting on Subjective Realities 36:53 Experiencers and Intellectual Humility 38:29 The Private Nature of Extraordinary Moments 41:15 The Challenge of Filming Personal Experiences 52:45 Skepticism and UFO Phenomena 01:04:46 The Magic of Field Work 01:06:54 Upcoming Projects and Community Engagement Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we descend into the dark fantasy fairytale of Guillermo del Toro's Pan's Labyrinth (2006). Amid the rich craftsmanship of the fantasy world that Ofelia imagines, the film lays bare the horrors of Francoist Spain—all captured through Del Toro's anti-fascist cinema. The calculating evil of Captain Vidal, a devotee of Falangism and a violent patriarch, stands among the most iconic of Del Toro's villains.  With fascist rhetoric disturbingly mainstream in contemporary US politics, Pan's Labyrinth feels less like a historical fantasy and more like a warning. It is a portrait of how fascism seeps into the everyday and how resistance can be imagined and realized, even when hope is in short supply. The film's lush fantasy is always shadowed by real life violence, teaching us that fascism flourishes not in isolation but within the systems of power that capitalism creates and legitimizes. We wrap things up with a brief discussion of Pinocchio (2022), where Del Toro, ever the mythmaker, recasts a children's tale set during the rise to power of Italian fascism. Follow us at: Patreon / Instagram / Letterboxd / Facebook 

We're covering the winners from our 10-movie bracket for the 79th Academy Awards or the films of 2006.The nominees were: Babel, The Departed, Letters from Iwo Jima, Little Miss Sunshine, and the Queen.The films we added were: Children of Men, Half Nelson, The Last King of Scotland, The Lives of Others, and Pan's Labyrinth. Note: SPOILERS - we talk through the full plots of all the movies we cover.2:15 - The Queen11:25 - Pan's Labyrinth22:40 - The Lives of Others35:45 - The Departed49:15 - Children of Men - Conclusions1:06:55 - Did the Oscars Get it Wrong?1:07:00 - Top 5 Films1:08:10 - Jake Gyllenhaal Corner1:11:30 - Come back to any of these films?1:12:10 - Patterns1:17:00 - Best Best Picture Ranking1:19:05 - Next Time--------------------------Want to know what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.Enjoying the podcast? Please leave us a rating or review on your podcast app of choice

Notes and Links to Myriam Gurba's Work       Myriam Gurba is a writer and activist. Her first book, the short story collection Dahlia Season, won the Edmund White Award for Debut Fiction. O, the Oprah Magazine ranked her true-crime memoir Mean as one of the “Best LGBTQ Books of All Time.” Her recent essay collection Creep: Accusations and Confessions was a finalist for a National Book Critics Circle award for Criticism, and won the Lambda Literary Award for Bisexual Nonfiction. She has written for the New York Times, Los Angeles Times, Harper's Bazaar, Vox, and Paris Review. Her next book, Poppy State: A Labyrinth of Plants and a Story of Beginnings, published by Timber Press, is out today, October 21. Buy Poppy State: A Labyrinth of Plants and a Story of Beginnings   Myriam's Website   Los Angeles Daily News Review of Poppy State: A Labyrinth of Plants and a Story of Beginnings At about 1:50, Myriam discusses her mindset as the book is to be published, and she shares early feedback and reviews At about 4:05, Myriam talks about being inspired a bit by Borges' short story collection, Labyrinths, and more so from mythologies for Mesoamerica and the Minotaur At about 5:20, Myriam defines an important term At about 6:30, Myriam talks about writing from the perspective of a child and connections to The Secret Garden At about 8:30, “halycon” talk! At about 9:20, Myriam talks about the book's epigraph/opening saying, which comes from Myriam's grandfather Ricardo Serrano Ríos, as well as an early message/challenge to the reader At about 12:30, Myriam responds to Pete's questions about the differences between carefree childhoods and an encroaching world of homes and development, and nature being pushed aside At about 14:55, Myriam provides background on the book's main locale, Santa Maria, and its changes in her lifetime At about 15:45, The two talk about “claiming” of land and “renaming” and its connection to colonization  At about 18:20, Myriam discusses "indigeneity imposed from outside” in relation to a profound quote Pete notes from the book At about 20:20, Myriam talks about Western terms and ideas that make it difficult to describe and document Chumash and other indigenous contemporary life and geographical boundaries  At about 22:15, Myriam shares the story from the book about Deborah Miranda and a young child's shocked realization  At about 24:15, Pete notes some great puns, and Myriam expands on multiple meanings of “hoja” and connections between literacy and botany and the At about 26:05, Myriam talks about her use of The Santa Maria Times and its archive in building a history of the “settler town through the perspective of settlers”  At about 28:00, Myriam highlights Santa Maria-born Ida Mae Bochmann as an example of a certain time of progressive and colonizing woman  At about 30:20, Myriam reflect on the “communal garden” that was pre-European California At about 32:00, Pete and Myriam discuss the importance of paper and indigenous practices and priorities  At about 35:10, Myriam responds to Pete's questions about how she balances the macro- and the micro-, the allegorical and literal At about 36:45, BARS At about 39:30, “allegorical memoir” and “botanical criticism” are two possible genres that Myriam imagines for her "kaleidoscopic" book; she also talks about her love of writing and solving puzzles At about 42:00, Corn talk! Myriam shares some frightening stories about encounters with Midwestern cornfields  At about 45:50, The two discuss a resonant homecoming scene  At about 47:10, Myriam reflects on how local travel and local appreciation inform her argument about “[our] homes hav[ing] multitudes” At about 48:45, The two discuss the humungous industry that is agriculture, and Myriam talks about focusing in on Santa Barbara County's strawberry industry At about 51:30, Myriam talks about the history of Japanese-American farmers dispossessed by the internment camps of World War II At about 53:45, Myriam makes salient points about catharsis, emphasizing its conditionality-she cites “conditional catharsis”-and chats about susto and “cleansing” At about 58:50, Myriam talks about “the ethos of the local” and recommends Octavia's Bookshelf and The Theodore Payne Society , and she also shares book tour events      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 306 with Shea Serrano, an American author, journalist, humorist, and former teacher. He is best known for his work with the sports and pop culture websites, The Ringer and Grantland, as well as his books, including The Rap Year Book, Basketball and Movies, all of which charted on The New York Times best-sellers list.      The episode drops on  Pub Day, October 28, the date the episode airs.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Actress and musician Jill Schoelen (POPCORN, THE STEPFATHER, PHANTOM OF THE OPERA 1989) joins Adam and Joe in the ArieScope studio to share her career journey. From a 7 year old girl with alopecia who loved to sing for whoever would listen… to landing her first agent at age 10… to auditioning for the role of “Emmeline” in THE BLUE LAGOON as a teenager seven times only to not get the role… to her audition for “Sarah” in LABYRINTH alongside Jennifer Connelly and Ally Sheedy (Jill didn't get that role either)… to landing the role of “Claudette” in Joel Schumacher's D.C. CAB (1983) and then going on to star in a string of genre films like THE STEPFATHER, CURSE II, POPCORN, and WHEN A STRANGER CALLS BACK all while suffering from agoraphobia and severe anxiety… to the surprising information Fred Walton shared with her about her audition for WHEN A STRANGER CALLS BACK after the film had finished shooting… to her upcoming films RALPH'S PERFEKT CHRISTMAS and A DYING ART… and what to expect in her upcoming book of memoirs and on her upcoming album, Jill explains why you can't attach your happiness to an outcome that you can't personally control and why it's so important to just keep showing up. Want to get all of your MOVIE CRYPT episodes without ads? By supporting the show for just $1 a month you'll get every episode ad-free and downloaded right to your podcast app of choice! Keep the podcast alive by supporting it at www.Patreon.com/TheMovieCrypt today!

This week Josh and Drusilla discuss the baby of the Universal Monsters, Creature from the Black Lagoon (1954). From wiki: “Creature from the Black Lagoon is a 1954 American black-and-white 3D monster horror film produced by William Alland and directed by Jack Arnold, from a screenplay by Harry Essex and Arthur Ross and a story by Maurice Zimm. It stars Richard Carlson, Julia Adams, Richard Denning, Antonio Moreno, Nestor Paiva, and Whit Bissell. The film's plot follows a group of scientists who encounter a piscine amphibious humanoid in the waters of the Amazon; the Creature, also known as the Gill-man, was played by Ben Chapman on land and by Ricou Browning underwater. Produced and distributed by Universal-International, Creature from the Black Lagoon premiered in Detroit on February 12, 1954, and was released on a regional basis, opening on various dates.”Also discussed: non-alcoholic spirits, The Dark Crystal, Labyrinth, and the Muppets, Matango (1963), Goke, Body Snatcher from Hell, Kill Bill, Monster Squad, and more,  NEXT WEEK: Double Feature: The Black Cat (1934) and The Raven (1935)  Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/‪@sisterhyde.bsky.socialJoshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

With Guillermo del Toro's Frankenstein on the horizion and spooky season in full swing, Paul and Amy dive into the mythical world of Pan's Labyrinth. They explore how they'd manage with eyeballs on their hands, how del Toro's upbringing shaped his unique vision of the world, and his knack for exploring political ideas through fairytales. Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our Halloween “Overcoming the Darkness” campaign to help people with depression: https://weirddarkness.com/HOPEWhen a jaded haunted house veteran receives a mysterious black envelope inviting him to 'Labyrinth,' he enters a palatial mansion where the rooms impossibly rearrange themselves and each door presents a progressively deadlier challenge making the man wonder if he'll ever get out alive.IN THIS EPISODE: I'm sharing a story recommended to me by a fellow Weirdo family member. It's from professional writer/screenwriter Jesse Clark – it's called “Never Accept An Invitation To Labyrinth”.SOURCES and RESOURCES – and/or --- PRINT VERSION to READ or SHARE:“Never Accept an Invitation to Labryrinth” by Redditor u/TheJesseClark: https://tinyurl.com/ulzymuk (Author website: https://www.thejesseclark.com)=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September 17, 2020EPISODE PAGE (includes sources): https://weirddarkness.com/LabyrinthABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness, #HorrorStory, #CreepyPasta, #HauntedHouse, #ScaryStories, #HorrorNarration, #Labyrinth, #NoSleep, #TrueHorror, #HorrorStories