You're Gonna Hate It

We're back for the first time in a long time, with a discussion of Abbas Kiarostami's seminal quasi-documentary Close-Up and Mike Myer's era-defining comedy Austin Powers: International Man of Mystery. Also, Rob is pretty sure he mixed up Steven Wright and Steven Weber, but he is too lazy to go back and check. Only one of them was … Continue reading #57: Close-Up/Austin Powers →

We’ve been on a bit of a hiatus as we’ve been pursuing our post-grad degrees (Rob to help the nation’s youth, Matt to imprison them) but Rob forgot he had this one sitting on his hard drive for, like, several months. He doesn’t remember if he edited it, but he does remember he did an … Continue reading #56: Tetsuo/Hard Boiled →

The boys get wistful with Wong Kar Wai’s classic In the Mood for Love and then blow some shit up with the dark-as-night Michael Caine revenge flick Get Carter.

We double-dip into existential horror with the German Expressionist masterpiece The Cabinet of Dr. Caligari and the VOD cheapie The Last Lovecraft: Relic of Cthulhu.

This month’s picks present two, uh, dissimilar responses to evil in the world. In the first, Carol Reed’s classic postwar noir The Third Man, Joseph Cotten and Orson Welles reunite a decade after Citizen Kane to wade into a morass of moral ambiguity from which no one emerges clean. In Sylvester Stallone’s Cannon Films copaganda … Continue reading #53: The Third Man/Cobra →

Join us for our April discussion of The Man Who Would Be King, John Huston’s Connery/Caine joint that’s simultaneously a pretty great movie about racism and also pretty racist. We also take a look at the film that killed the SNL movie, MacGruber – Rob’s favorite movie about Will Forte dancing around with a piece … Continue reading #52: The Man Who Would Be King/MacGruber →

We take a turn for the despondent with slow-core Soviet auteur Andrei Tarkovsky’s oddball memoir Mirror and then cool off with the better-than-Black Knight Martin Lawrence crime comedy Blue Streak.

Our friend Jared joins us as a guest, because he’s who we could get, as we descend into madness twice over, with the seminal Australian New Wave freakout Wake in Fright and the forgotten NBA cross-dressing comedy Juwanna Mann. We also forget Ben Affleck played Batman, which probably says something about what we thought of … Continue reading #50: Wake in Fright/Juwanna Mann →

We take a look back at the highs and lows of 2021 with David Lowery’s ethereal chivalric saga The Green Knight and the LeBron James-led IP-extravaganza Space Jam: A New Legacy.

Join us down for a winter on the Bay as we tackle two entries in perhaps the biggest, dumbest, loudest franchise in Hollywood history, 2007’s Transformers and 2017’s Transformers: The Last Knight.

Right on time for Halloween, we bring you a horror double feature with John Carpenter’s goretastic all-timer The Thing and the quasi-amateur embarrassment that is somehow still not the worst entry in the Friday the 13th franchise despite inexplicably being set in outer space, Jason X.

Right on time for Halloween, we bring you a horror double feature with John Carpenter’s goretastic all-timer The Thing and the quasi-amateur embarrassment that is somehow still not the worst entry in the Friday the 13th franchise despite inexplicably being set in outer space, Jason X.

We’ve got two tales of a woman on the verge of a nervous breakdown with Ingmar Bergman’s arthouse classic Persona and this year’s religious mind-bender Saint Maud.

We’ve got two tales of a woman on the verge of a nervous breakdown with Ingmar Bergman’s arthouse classic Persona and this year’s religious mind-bender Saint Maud.

It’s Evil Patrician Dudes week here on YGHI as we dive into the sad-ass Clooney legal thriller Michael Clayton and the ultra-cancelled Satanist drama The Ninth Gate.

It’s Evil Patrician Dudes week here on YGHI as we dive into the sad-ass Clooney legal thriller Michael Clayton and the ultra-cancelled Satanist drama The Ninth Gate.

We conclude our month(s???) of comfort food as Howard Hawks invites us to witness just how bad the early days of flight sucked/ruled with Only Angels Have Wings and Shane Black tries to wedge some personality into the MCU with Iron Man 3.

We conclude our month(s???) of comfort food as Howard Hawks invites us to witness just how bad the early days of flight sucked/ruled with Only Angels Have Wings and Shane Black tries to wedge some personality into the MCU with Iron Man 3.

Comfort food “month” continues with the James L Brooks workplace rom-com Broadcast News and the Marx Brothers college comedy Horse Feathers.

Comfort food “month” continues with the James L Brooks workplace rom-com Broadcast News and the Marx Brothers college comedy Horse Feathers.

We begin a month of nice, easy, comfortable movies with the buddy road movie Midnight Run, starring Robert de Niro and the late, great Charles Grodin (recorded before his passing). Then Matt proves he didn’t understand the assignment with the Ralph Fiennes/Uma Thurman spy-show adaptation The Avengers, a film that proves its legacy as “no, … Continue reading #42: Midnight Run/The Avengers (1998) →

We begin a month of nice, easy, comfortable movies with the buddy road movie Midnight Run, starring Robert de Niro and the late, great Charles Grodin (recorded before his passing). Then Matt proves he didn’t understand the assignment with the Ralph Fiennes/Uma Thurman spy-show adaptation The Avengers, a film that proves its legacy as “no, … Continue reading #42: Midnight Run/The Avengers (1998) →

Here’s some Original Recipe You’re Gonna Hate It torture, as the duo forces each other through the avant-garde Czech New Wave provocation Daisies and the 98-minute Instagram story Me You Madness.

Here’s some Original Recipe You’re Gonna Hate It torture, as the duo forces each other through the avant-garde Czech New Wave provocation Daisies and the 98-minute Instagram story Me You Madness.

I suppose you could call this two different visions of East meets West, but we probably shouldn’t — anyway, this week we’ve got Terrence Malick’s comeback Hell in the Pacific-with-a-slice-of-poetry war drama The Thin Red Line and the Jackie Chan/Chris Tucker buddy cop blockbuster Rush Hour.

I suppose you could call this two different visions of East meets West, but we probably shouldn’t — anyway, this week we’ve got Terrence Malick’s comeback Hell in the Pacific-with-a-slice-of-poetry war drama The Thin Red Line and the Jackie Chan/Chris Tucker buddy cop blockbuster Rush Hour.

We’re back with discussions of Hayao Miyazaki’s anti-war career-capper The Wind Rises and the Ben Stiller superhero sendup Mystery Men.

We’re back with discussions of Hayao Miyazaki’s anti-war career-capper The Wind Rises and the Ben Stiller superhero sendup Mystery Men.

The duo dives into the Riz Ahmed deafness drama Sound of Metal and the Arnold spy comedy True Lies.

The duo dives into the Riz Ahmed deafness drama Sound of Metal and the Arnold spy comedy True Lies.

Join us for our most bromantic episode ever as we discuss dudes rocking across the ages with Kelly Reichardt’s slowcore western First Cow and the swing-revival Favreau/Vaughn launch vehicle Swingers.

Join us for our most bromantic episode ever as we discuss dudes rocking across the ages with Kelly Reichardt’s slowcore western First Cow and the swing-revival Favreau/Vaughn launch vehicle Swingers.

Join us for a discussion of the 2020 Brazilian psych-Western Bacurau and Sleepy Hollow, arguably the last good Tim Burton movie.

Join us for a discussion of the 2020 Brazilian psych-Western Bacurau and Sleepy Hollow, arguably the last good Tim Burton movie.

Join us for a one-off about one of 2019’s strangest films, Serenity. We discuss Matthew McConaughey’s olfactory method acting, the most advanced and boring video game in the world, and a fish named Justice.

Join us for a one-off about one of 2019’s strangest films, Serenity. We discuss Matthew McConaughey’s olfactory method acting, the most advanced and boring video game in the world, and a fish named Justice.

We finish up our December January (no, YOU fell behind!) blockbuster month with Christoper Nolan’s head-trip extravaganza Inception and Brad Bird’s vaguely Randian, Epcot adaptation(?) Tomorrowland.

We finish up our December January (no, YOU fell behind!) blockbuster month with Christoper Nolan’s head-trip extravaganza Inception and Brad Bird’s vaguely Randian, Epcot adaptation(?) Tomorrowland.

Witness us as we ride eternal, shiny and chrome, on the highways of George Miller’s action-punk magnum opus Mad Max: Fury Road and descend into the sour pits of the franchise-ender The Mummy.

Witness us as we ride eternal, shiny and chrome, on the highways of George Miller’s action-punk magnum opus Mad Max: Fury Road and descend into the sour pits of the franchise-ender The Mummy.

We continue our blockbuster December by diving into superhero cinema, contrasting the decade-swallowing behemoth Avengers: Endgame and 2015’s DOA franchise-launcher Fantastic Four.

We continue our blockbuster December by diving into superhero cinema, contrasting the decade-swallowing behemoth Avengers: Endgame and 2015’s DOA franchise-launcher Fantastic Four.

We begin our blockbuster December by looking at two attempts to “crack” digital filmmaking, James Camerons’ record-breaker Avatar and the Wachowski Sisters’ oddball Matrix follow-up Speed Racer.

We begin our blockbuster December by looking at two attempts to “crack” digital filmmaking, James Camerons’ record-breaker Avatar and the Wachowski Sisters’ oddball Matrix follow-up Speed Racer.

Our duo takes on a duo of duos both friendly and non as they take a look at the Joan Crawford/Bette Davis psycho-camp-thriller Whatever Happened to Baby Jane? and the misbegotten Michel Gondry superhero reboot The Green Hornet.

Our duo takes on a duo of duos both friendly and non as they take a look at the Joan Crawford/Bette Davis psycho-camp-thriller Whatever Happened to Baby Jane? and the misbegotten Michel Gondry superhero reboot The Green Hornet.

We’ve got two contrasting entries in the wider Catholic Cinematic Universe this week, with Federico Fellini’s Amarcord and the Keanu-starring Hellblazer adaptation Constantine.

We’ve got two contrasting entries in the wider Catholic Cinematic Universe this week, with Federico Fellini’s Amarcord and the Keanu-starring Hellblazer adaptation Constantine.

The boys take a look at the strange Spielberg/Kubrick amalgam A.I.: Artificial Intelligence and the medieval sports comedy A Knight’s Tale.

The boys take a look at the strange Spielberg/Kubrick amalgam A.I.: Artificial Intelligence and the medieval sports comedy A Knight’s Tale.

Join us on The Episode That Should Not Be, as a very sick Rob and a very nonchalant Matt cough and stumble their way through a foggy discussion of Jacques Tati’s monumental slapstick epic Playtime and the latest from Adam Sandler, Hubie Halloween.