Podcasts about Inception

In this episode of Bonfire Conversations, I speak with narrative designer David Mervik, known for his work on LittleBigPlanet 3, Little Nightmares, Little Nightmares II, and the critically acclaimed Reanimal from Tarsier Studios.Originally planned around the game's launch, this conversation was postponed due to the outbreak of war in my home country, Iran. During that period, experiencing real-world uncertainty and loss gave new meaning to Reanimal's themes of fear, innocence, and survival.Together, we explore the relationship between war and storytelling, the loss of innocence, writing without dialogue, and how real-life tragedies can shape the emotional foundation of interactive narratives.David also shares insights into his creative process, inspirations, and the philosophy behind building worlds that communicate emotion beyond words.Thank you for watching and supporting Bonfire Conversations.Subscribe for more conversations with filmmakers, game developers, composers, and storytellers shaping the world of modern narrative art.Chatpers:0:00 - Introduction & Welcome1:16 - Postponing the Interview: Living Through War in Iran3:18 - The Inception and Themes of Reanimal10:50 - Addressing War Without Glorifying It11:38 - Childhood Memories & Influences on Tarsier's Games15:11 - Evolving as a Person and a Parent16:47 - Growing Up in the UK and Stumbling Into Sweden19:03 - Finding a Passion for Writing and Narrative Design21:35 - Moving to Tarsier Studios & Transitioning Away From Level Design22:27 - Telling Stories With Fewer Words: The Power of Minimalism28:31 - Penny for Your Thoughts: Finding Light in Dark Moments31:10 - Learning Humility and Overcoming Strong Opinions32:20 - David's Top Five Favorite Horror Films33:55 - David's Favorite Video Games of All Time35:55 - What Scares a Horror Writer the Most?38:03 - What's Next for Tarsier Studios? Reanimal DLC and Future Projects40:17 - Outro & Final Thoughts#reanimal #writing #videogames

Laci and Matt kick off the Summer of Nolan with a look at Nolan's early career—his feature debut Following (1998) and then his breakout hit Memento (2001). But first, we share our big-picture thoughts on Christopher Nolan: Why is he the world's most popular director? Does he identify too much with J. Robert Oppenheimer? Is he too boring and well-adjusted to make a good subject for a podcast miniseries? Like his hero Steven Spielberg, Nolan didn't attend film school. Instead, he taught himself to make movies by making movies. He self-financed and produced Following a few hours at a time, but it already showed his gifts as a director and the writing and editing styles that would become hallmarks of all his future films. Working on a considerably larger budget, Nolan then made Memento, which became an indie sensation on the late-90s/early-2000s film festival circuit. It then became a surprise hit at the box office and an even bigger success on home video, launching Nolan's storied Hollywood career. 1-Week Rental tells the story of Memento before diving deep into a discussion and analysis of the movie itself. Watch this episode in full on YouTube: https://youtu.be/c5RuE5-Xv1A  Next week (June 19, 2026). The Summer of Nolan continues with Batman Begins (2005)! The Summer of Nolan is our summer 2026 miniseries covering the movie career of Christopher Nolan through nine movies on the main feed (plus additional episodes on the Patreon!), presented in chronological order, starting with Memento and going through Oppenheimer. And don't be surprised if our old pal Odysseus drops by to tell us about his long journey home to his wife.   Time stamps: 00:01:39 — Opening thoughts on Christopher Nolan 00:14:45 — History segment: Christopher Nolan's early life; the criminal career of his older brother Matt; Following; and the production, release, and legacy of Memento 00:53:46 — Movie discussion 01:52:50 — Final thoughts & star ratings   Memento (2001) was written and directed by Christopher Nolan. Starring Guy Pearce, Joe Pantoliano, Carrie-Anne Moss, Stephen Tobolowsky, Harriest Sansom Harris, Mark Boone Junior, and Callum Keith Rennie as Dodd.   Sources: "Batman, robbin' and murder" by Christopher Goodwin | The Sunday Times (2010) - https://bit.ly/43N5Drx  "Fact Check: Is Christopher Nolan's Brother a Suspected Hitman Called 'Oppenheimer'?" by Jamie Burton | Newsweek (2023) - https://bit.ly/4a0mSth  "I was there at the Inception of Christopher Nolan's film career" by Matthew Tempest | The Guardian (2011) - https://bit.ly/3RM0Wf3  18-Minute Analysis By Christopher Nolan On Story & Construction Of Memento - https://youtu.be/tYScJZWhaHA  "Christopher Nolan: The Iconic Filmmaker and His Work" by Ian Nathan (2026) - https://amzn.to/4oc2lro  "Guy Pearce On Why Working With Christopher Nolan Was One Of His Greatest Life Experiences" by Alex Godfrey | Empire (2020) - https://bit.ly/4e2UW8W  "Memory Swerves" by Daniel Fierman | Entertainment Weekly (2001) - https://bit.ly/3Q5qyTv    Transcript: https://1weekrentalpod.com/2026/06/memento/#transcript  Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Summer of Nolan" - https://youtube.com/shorts/CAIzthDLrT8  "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    The "Summer of Nolan" theme song was written by Matt Stokes. Produced, engineered, mixed, and mastered by TJ Barends. Performed by: TJ Barends - backing vocals Wade Hymel - drums, percussion, and backing vocals Laci Roth - vocals Matt Stokes - vocals, guitar, and bass   Follow 1-Week Rental, a movie podcast: Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

Damit geister immer fröhlich weitergehen kann, brauchen wir dringend eure finanzielle Unterstützung! Wenn ihr den Podcast auf Steady (https://steadyhq.com/geister) mit einem Abo unterstützt, dann könnt ihr regelmäßig eine Bonus-Folge hören. In diesem Monat besprechen Jens und Christian das Höhlengleichnis. Menschen sind in einer Höhle angekettet und halten die Schatten an der Wand für die Realität. Bis einer von ihnen freigelassen wird und nicht glauben kann, was er sieht. Es ist die vielleicht bekannteste Passage der westlichen Philosophiegeschichte. Das Höhlengleichnis aus dem siebten Buch der Politeia. Aber was genau will Platon uns damit sagen? Geht bei den Angeketteten in der Höhle um politische Sklaven? Sind es verblendete Fanatiker? Sind es normale Menschen, die Philosophen werden müssen? Sehen sie Schatten von Gegenständen oder von Attrappen dieser Gegenstände? Was hat der Aufstieg mit Bildung und der Abstieg mit dem Regieren zu tun? Und ist es wirklich so, dass wir von Menschen beherrscht werden sollen, die eine abstrakte Wahrheit geschaut haben? Und was soll die “Idee des Guten” überhaupt sein? Über das alles und natürlich The Matrix, Fightclub, Inception und Backrooms sprechen Jens und Christian in diesem Special. Das ist aber nur der Teaser. Wenn ihr die ganze Folge hören wollt, dann unterstützt uns gerne auf Steady: https://steadyhq.com/geister

Film producer Jason Solomons and Guardian columnist Zoe Williams join Tom Sutcliffe to discuss Steven Spielberg's Disclosure Day – a film which looks at whether aliens are really out there. John D. MacDonald's psychological thriller The Executioners has inspired two Cape Fear films and now there's a 10-part TV series starring Amy Adams and Javier Bardem. Jason and Zoe give their verdicts. They also talk about M. C. Escher's major exhibition at Somerset House. Famous for drawing optical illusions, impossible buildings, and endless patterns, the Dutch artist's work has inspired film scenes in Labyrinth and Christopher Nolan's Inception. Plus we will be revealing the winners of the Women's Prize for Fiction and Non-Fiction.Presenter: Tom Sutcliffe Producer: Claire Bartleet

On episode 158 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by AwardsWatch contributor Griffin Schiller discuss the next film in their Christopher Nolan series, Inception (2010). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. How does someone follow up one of the most popular, important films of the last 25 years? Make one of the most original films of a generation, as Nolan cashed in his blank check from The Dark Knight to create a heist, action film set within the world of people's dreams. Inception became the next obsession for audiences, fully trusting Nolan to take them on a thrilling ride, making him more than just the guy who can director the Batman films, but a filmmaker that conjures up event films that every needs to see urgently once they are released. Over time, Inception has become, for people like Griffin, an important piece of art that has shaped their movie-going experience, or for Ryan and Jay, a nostalgic experience that's legacy is complicated due to its pacing issues and over-explanations; thus making for an episode where a balanced conversation over this complicated movie takes place. Ryan, Jay, and Griffin break down their thoughts on the film, when and where they saw it, Nolan's action set pieces in the film, DiCaprio's involvement in the making of the film, what ultimately works and doesn't work inside the film, and if Nolan should ever make a Bond film. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h27m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Dark Knight Rises. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Programa dedicado a los experimentos realizados por el investigador y científico Jacobo Grinberg Zylberbaum para profundizar en el proceso de creación de las experiencias y su relación la mente. Jacobo Grinberg fue un investigador de la mente y de la conciencia, pionero en su campo y que llegó a desarrollar un trabajo muy amplio. Grinberg hizo propuestas basadas en sus experimentos, en lo que encontró que la realidad tal y como la percibimos, es un producto elaborado por nuestro cerebro a partir de una interacción con un campo global y tras un procesamiento jerárquico.Conceptos como la teoría sintérgica, el hipercampo, el factor de direccionalidad o la expansión del presente los desarrolló tras los hallazgos encontrados.  Investigando en los diferentes grados de organización del espacio y el tiempo, trató de conocer a fondo estas dimensiones así como la materia. También llevó a cabo experimentos de percepción extrasensorial con niños con el finde averiguar si la percepción va más allá de los órganos sensoriales, con resultados sorprendentes. Música: Maryna: -"Uplifting Emotion Background" http://creativecommons.org/licenses/by-nc-sa/3.0/ Película: "Inception" (2010, Christopher Nolan)

70% of first-time restaurant customers never return. Here's exactly what smart restaurants do to flip that number and turn one-time guests into loyal regulars.In this episode of The Modern Waiter Podcast, we break down the 5-step system restaurants use to increase customer retention, build loyalty, and grow revenue without spending a dollar on ads. We cover the silent signifiers servers use to identify first-timers, the "Inception" farewell technique that plants the seed for a return visit, and the one manager habit that eliminates the need for impersonal surveys.This episode covers real, actionable front-of-house strategy from servers with over 50 years of combined experience.#RestaurantMarketing #CustomerRetention #RestaurantTips #ServerLife #restaurantbusiness Subscribe for weekly restaurant industry insights, server tips, and front-of-house secrets.Follow Me On Social Media:Instagramhttps://www.instagram.com/themodernwaiterpodcast/TikTokSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ian Hunter has spent four decades building miniatures, supervising visual effects and thinking like a filmmaker on some of the most demanding productions in Hollywood. In this episode, he traces a career that began in a garden shed with a punched-up piece of German black velvet and ended up — via James Cameron, Tim Burton, the Coen Brothers, and Christopher Nolan — on some of the most iconic screens in the world.Ian grew up surrounded by art. His father painted oils and acrylics, played music and did pastel portraits, and encouraged his three sons to make things — even when those things destroyed the materials he'd given them. The moment that really clicked, Ian recalls, was being handed a model kit as a kid and taking to it immediately. That creative instinct only grew stronger. In high school, he and his brothers were making Super 8 films, scratching laser effects onto the film with a pin and blowing up overloaded resistors for explosions. One of those films required them to fake-rob a local bank — and the encounter that followed, with the surprisingly enthusiastic vice president of the Monrovia Wells Fargo, led to a meeting with the mother of Rick Baker, whose work Ian had recently encountered in a traveling special effects exhibition and been completely floored by.After drifting away from an aerospace course at Cal Poly Pomona and working in an acid bath plastics factory, Ian answered a classified ad looking for model makers — and on the strength of a modest portfolio, was hired the same day. His first feature was The Abyss. He and fellow model maker Jim McGee built the flooded engine room of the Montana submarine with almost no direction beyond James Cameron's bare-bones description, and shipped it to South Carolina having never seen a frame of the live action. The production was not without its disasters — Ian found himself entangled in the notorious wax crane fiasco, and talks about the valuable early lesson of knowing when to call something out before it goes wrong.From there, a friend pointed him toward Boss Film, Richard Edlund's company in Marina del Rey, where a chance encounter with departing model supervisor Mark Stetson changed everything. What was supposed to be a one-week favour on a music video turned into six years. Working with Stetson took Ian from being a junior model maker building things in isolation to visiting sets, talking directly with directors, and understanding that miniature work only succeeds when it becomes invisible — just more shots in a movie, telling the story rather than showing off the technique.Among the projects from that period, Ian talks at length about Total Recall — including the behind-the-scenes chaos of a scale miscommunication on the final day of shooting, a scene involving a little person that nobody had accounted for, and the moment he glued a Coke can to a model building because they were running out of time. That Coke can, dressed up and shot from the front, made it into the finished film. So did one in Waterworld. And Inception. And Interstellar. And, after the story apparently got around, director Fede Álvarez greeted Ian on Alien: Romulus by asking exactly where he was planning to hide it.Ian built the suburb for Edward Scissorhands — deliberately making it more bland and mundane than real life — and talks about one of his proudest in-camera shots: the final view through the bedroom window and out over the snow-dusted neighbourhood, achieved with a 1:24 scale model and real snow shakers on the night. On Batman Returns he built the Penguin's zoo, and describes receiving one of his all-time favourite compliments from Tim Burton — who, after watching a pyrotechnics test, asked simply: "Where did you shoot this?" Not realising he was looking at a miniature. The zoo also gave Ian one of his best examples of a happy accident: a polar bear sculpture that was supposed to explode but instead toppled slowly sideways with flames coming out of its feet. Tim Burton loved it. The entire subsequent engineering challenge was figuring out how to recreate the mistake.On the X-Files movie, Ian and his partner Matthew Gratzner built a collapsing federal building on a tight budget, referencing Oklahoma City bombing photographs for the detail of damaged concrete and exposed floors. The late Roger Ebert reviewed the finished film and said the sequence should have been cut — because it was too reminiscent of real tragedy. Ian reflects on that as a marker: they'd gotten past the technique and into the emotion.The conversation turns to Christopher Nolan, with whom Ian has worked across multiple films. Ian describes Nolan as collaborative but definitive, someone who discusses a shot in depth and then tells you exactly what he wants. He talks about the liberation Nolan offered on Interstellar when he told the crew to stop following the previs — pre-vis is just a guy at a computer on a Friday trying to get the shot out the door, Nolan told them; if you can see a better angle, do that instead. The result was that the miniature crew started shooting faster, and a number of shots that had been planned as digital moved across to the physical side. Ian also describes the meticulous sun-angle calculation that went into matching the Inception hospital sequence — setting up models in a parking lot at a precisely calculated skewed angle to hit the exact quality of light that had been captured in Calgary on a specific date.On First Man with Damien Chazelle, Ian had drawn storyboards before the first meeting proposing a documentary approach — cameras attached to the spacecraft, nothing sweeping or cinematic, everything either very close or very wide as if shot from another ship. Chazelle walked in and described exactly the same idea. They spent twenty minutes together going through the sequence, working to an animatic cut to music, and Ian went off and shot it. That shorthand — that moment of being in sync before the conversation has really started — is something Ian describes as central to how he has survived in an industry where so many practical effects houses have not. He's a model maker, yes. But more than that, he's a filmmaker.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

In this PWTorch Dailycast series titled "Worse or Better," Josh White and Stephanie Chase discuss one aspect of today's pro wrestling scene and compare it to a previous era or eras and decide if today is... worse or better. Stephanie and Josh discussed the optimism surrounding AEW during their initial press conference and what that might mean for the women's division. They marched through each year of the company's history, noting significant events and pivotal female wrestlers as the quality fluctuated, but the amount of time dedicated to the women remained largely the same. Upon arriving at the present day, Josh and Steph considered whether their initial optimism had faded and made a determination on whether the women's division in AEW is currently worse or better.Become a supporter of this podcast: https://www.spreaker.com/podcast/pwtorch-dailycast--3276210/support.

Lukas Haas Gets Real About Hollywood, Child Fame & Spider-Noir What's it really like to grow up in Hollywood, become a star as a kid, and still keep evolving as an artist decades later? In this episode of Reza Rifts, Keith Reza sits down with Lukas Haas for a candid, funny, and surprisingly deep conversation about his upcoming role in Spider-Noir, the pressure of self-tape auditions, playing darker characters, and what it takes to survive a lifetime in the entertainment industry. Lukas opens up about landing Spider-Noir, stepping into a stylized noir comic-book world, and why filming in both black-and-white and color gave the project such a unique feel. He also talks about the freedom of playing a villain, the art of instinctive acting, and how costumes, tone, and physicality all help shape a memorable performance. But this episode goes far beyond one role. Keith and Lukas also dive into Lukas's early rise as a child actor, learning lines before he fully knew how to read, working through the highs and lows of a long Hollywood career, and the reality of constantly reinventing yourself as you grow older in the industry. They also talk about Mars Attacks!, creative burnout, rewriting dialogue, difficult personalities in Hollywood, and Lukas's passion for music including his upcoming release of "Ramblin' Man." If you love Hollywood stories, acting insights, behind-the-scenes film talk, child star journeys, and honest conversations with real artists, this is one of the most revealing Reza Rifts episodes yet. Guest Bio Lukas Haas is an actor and musician whose career began in childhood and has spanned decades across film and television. In this conversation, Keith references credits including Witness, Lady in White, The Wizard of Loneliness, Mars Attacks!, and Inception. Lukas also discusses his role in the upcoming series Spider-Noir, where he plays the right-hand man to Brendan Gleeson's character, as well as his passion for writing and recording music. Follow Lukas Haas: Instagram: @lukashaas… https://www.instagram.com/lukashaas/  Episode Chapters 00:00 Introduction to Lukas Haas 01:50 Spider-Noir and landing the role through self-tape 06:20 Building a noir gangster character 08:30 Filming Spider-Noir in black and white and color 14:20 Playing villains and leaning into physicality 16:10 Costumes, style, and character choices 19:50 Lukas Haas and music as a second creative life 22:00 Recording "Ramblin' Man" and covering Hank Williams 24:10 Writing music vs. acting in film 27:20 Performance anxiety, creativity, and artistic process 30:20 Starting as a child actor and becoming obsessed with acting 34:10 Learning scripts before knowing how to read 39:10 The Ryan White Story and emotional early-career experiences 44:00 Mars Attacks! and working with Tim Burton 50:10 Meth Head and performances Lukas is proud of 52:50 Growing up in Hollywood and adapting as an actor 64:10 What Lukas would tell his younger self Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #LukasHaas #SpiderNoir #RezaRifts #KeithReza #Hollywood #ChildStar #Acting #ActorInterview #Podcast #MoviePodcast #EntertainmentPodcast #MarsAttacks #Inception #Witness #SelfTape #Filmmaking #BehindTheScenes #HollywoodStories #ComicBookSeries #Music #ArtistLife #Noir #TVSeries #CreativeProcess #ChildActor  

What does it actually mean to care about your couples? Not in a vague, wholesome sense - but practically, between the booking email and the wedding day? This week the four of us are back together after a busy stretch of weddings (and one very long drive to Skye), and this question pops up in most of what we're talking about today.Liam kicks things off with tales from the road - a 22-hour round trip to the Isle of Skye for a four-hour elopement, accommodation that shared a building with a funeral director, and a mid-ceremony nature emergency that he handled with more resourcefulness than dignity. There's also the heartwarming news that Bee's daughter Betty shot her very first wedding and, by all accounts, absolutely smashed it.Pete and Laura relive their Paris trip - a 1920s indoor fairground, a ringmaster officiant, Britney-soundtracked backup dancers, and the "Inception bridge" - before the whole group spirals into debating whether they should all move to Scotland (Pete: no; midges: also no).From there, things get deep: a recent opinion arguing that photographers and videographers should position themselves as "creative leads" on wedding days. The group picks that apart honestly - where the idea has merit, why it mostly doesn't work (for us), and what actually happens when the makeup artist is still doing BTS portraits while you're trying to shoot. Pete raises something that's been coming up in consults lately: couples are booking "editorial" photographers thinking the word signals a natural, unposed approach - because "documentary" now sounds old-fashioned to them - when editorial often means the opposite. The terminology has become almost meaningless. It's the same problem that existed when everyone called themselves documentary photographers but still whisked couples away for two hours of portraits.And then: a TikTok from a wedding-industry bride saying no vendor made her feel cared about. Do we? Should we be doing more between booking and the big day - automated check-ins, WhatsApp groups, gifts? Or does showing up fully and delivering exceptional work speak louder than any amount of pre-wedding communication?Honest, warm, and occasionally extremely disgusting - this is a good one.Timestamps00:00 Intro & welcome back Liam 03:45 How long can you leave an inquiry unanswered? 04:10 Isle of Skye elopement - the drive, the cost, the hostel 07:00 The wilderness incident (you'll know when you get there) 09:25 Betty's first wedding shoot12:30 Paris Musee des Arts Forains wedding - fairground, ringmaster, Britney17:50 Filming vs. photography - why variety makes both better 18:35 Should we all move to Scotland? 20:00 Stefan sells up and goes full Viking 21:30 Should photographers be "creative leads" on wedding days? 27:00 The rise of content creators at weddings & its knock-on effects 30:00 Editorial vs. documentary - the language is broken33:30 The wonky camera trend & the Adlington Flip 37:00 Do our couples feel cared for? 38:50 Automated check-ins, WhatsApp groups 42:00 The photographer who delivers nothing for months44:00 Highs & lows of the past few weeks 46:30 A funeral & finding joy in hard days 48:00 What's coming up - Devon, Scotland, and Liam's eight-day gauntletSay hi on Instagram @ourcreativecommuneGet a free 14 day trial of Musicbed: https://www.musicbed.com/invite/935CyThe British Wedding Film Festivalhttps://www.britishweddingfilmfestival.com/Lawson Film School: https://www.lawsonfilms.co.uk/lawson-film-schoolliamandbee.comlawsonfilms.co.uklawsonphotography.co.uk#weddingphotography #weddingvideography #filmphotography #creativepodcast #weddingindustry #ourcreativecommune Hosted on Acast. See acast.com/privacy for more information.

After ImCheck's inception in 2015, Pierre took the helm through clinical development and guided the startup to a $1.2B buyout by Ipsen last year.In a session at the Kadans Oncology Summit, he talks about how the exit materialised and about the oncology space, including highlights from ASCO 2026, ADCs, in vivo CAR-T and checkpoint inhibitors. He also reveals some of the most shocking lessons he learned from his time at Imcheck.---Learn more about Kadans' Oncology Clusters, where oncology biotechs grow from start-up to global player: https://bit.ly/kadans-oncology---⭐️ ABOUT THE SPEAKERPierre has 30 years of experience in the biopharmaceutical industry, including 9 years at ImCheck and more than 3 years as EVP, Chief Strategy Officer at Theravectys. Prior to this, he also spent 10 years in senior roles in Sanofi and Baxter Healthcare.

More than half of IVF patients never complete treatment. Stress, finances, and relationship strain may play a role, but are fertility workflows optimized for cycles completed over families built also to blame?In this episode, leaders from Inception Fertility share how they're using technology, workflow design, and operational strategy to improve the patient journey from first inquiry through graduation.What Inception uncovered by integrating their EMR with SalesforceInsights into no-shows and cancellations from patient data analysisWorkflow improvements being implemented across staff and physiciansHow to evaluate which solutions can scale network-wideThe build vs. buy debate around automation & moreHow much friction still exists in your patient journey, and where could better systems make the biggest difference?

As always there are spoilers ahead! Blade Runner was not a huge hit in 1982 but it did gain a fair few fans on its initial release. One of those fans was a teenager from Cheshire by the name of Paul Franklin who would go on to work on numerous big budget films and win two Oscars for his work as a Special Effects Supervisor on Interstellar and Inception. I spoke to Paul about his first impressions of the film, what makes it special and how it influences Batman Begins and The Dark Knight Rises.   Apologies for the abrupt ending to this episode. It is late, I've been quite busy and I have other work I really must tend to. Details of the next episode at the bottom of the show notes.  You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to support the podcast you can become a patron and for £3 or $3 a month you can get ad free versions of the show. https://www.patreon.com/everyscififilm   Chapters 00:00 Intro 01:47 Paul's first impressions 07:11 Influences on Blade Runner 14:01 Syd Mead's design 17:52 A future without Blade Runner 21:28 PK Dick & Do Androids Dream of Electric Sheep 23:36 The plight of the androids 27:18 Deckard as replicant 32:01 Influence of Blade Runner on Paul's work 40:45 Vangelis 41:58 ET vs Blade Runner NEXT EPISODE! Next episode we will be discussing the rather striking and uncomfortable 1966 Japanese film The Face of Another. The film is available on Criterion Channel in the US and Canada and on YouTube.  You can check the Just Watch website to see where the film is available in your region.

On episode 157 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by founder and podcast host at InSession Film JD Duran and Editor-In-Chief of InSession Film Dave Giannini discuss the next film in their Christopher Nolan series, The Dark Knight (2008). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. In what might be the single most important film of the 21st century for blockbuster filmmaking, The Dark Knight turned Christopher Nolan into the legend, iconic filmmaker he is today, creating a comic book, action packed crime thriller that elevated the entire genre, creating a film that audiences would obsess over for decades to come; the definitive comic book movie. With an all-time performance from the late Heath Ledger, Nolan upped the stakes of this second Batman film to be more about the fight to save soul of Gotham City, and gain hope in the future beyond the capes and clowns, and created a epic masterpiece. Ryan, Jay, JD, and Dave break down their thoughts on the film, the action set pieces, the battles for Gotham with our flawed heroes, Ledger's iconic Joker, the special effects work on Two-Face, the legacy of this film and why it's (more or less) aged so well. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h53m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, Inception. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In this episode of Popcorn & Catch-Up, we continue the 2026 season with a discussion of Inception.We'll be discussing the film in depth, so be sure to watch it before listening to the episode. And don't forget to let us know what you think on X/Facebook/Bluesky!Tell your friends about Popcorn & Catch-Up!Thanks for listening!

The Road to The Odyssey continues...today with Christopher Nolan's dream-scape heist movie INCEPTION. Joining the discussion is Phil's friend Ian Hart, who happens to be a big fan of the mind-bending movie. Follow Ian on Instagram here and here!Follow Phil here and Subscribe to his Substack here!CREDIT: "Cloud Dancer " Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Das vielleicht meistgefeierte Nolan-Werk im FFK-Check. Plus: Die neue „Masters of the Universe“-Verfilmung.

Kurz vor Christopher Nolans Die Odyssee schauen wir zurück auf seine bisherige Filmografie. Wir ranken alle Filme von Christopher Nolan in einer großen Tierlist: von seinen Anfängen mit Following, Memento und Insomnia über seine Entwicklung zum Blockbuster-Regisseur mit The Prestige, der Dark Knight Trilogie und Inception bis hin zu seinen späteren Werken Interstellar, Dunkirk, Tenet und Oppenheimer.In unserem Christopher Nolan Ranking suchen wir den besten und den schwächsten Nolan-Film: erst innerhalb seiner eigenen Filmografie, danach mit Blick auf den größeren Filmkontext._______________________________________GoFundMe: https://gofund.me/b572006ffPatreon: https://www.patreon.com/jahierfilme_______________________________________(00:00) Cold Opener, Intro & Moin(04:10) Following(10:25) Memento(17:50) Insomnia(29:54) Batman Begins(35:46) The Prestige(45:22) The Dark Knight(54:39) Inception(01:06:24) The Dark Knight Rises(01:15:06) Interstellar(01:26:51) Dunkirk(01:39:15) Tenet(01:51:58) Oppenheimer(02:04:52) Finale Nolan-interne Tierlist(02:07:03) Social Media(02:11:40) Bonustierlist: Nolan im gesamten Filmkontext

Le temps s'écoule-t-il différemment dans les rêves ? Peut-on s'empêcher de dormir pendant des jours ? Thomas Andrillon, expert en sommeil, note et commente des scènes de film sur le sommeil.

For episode 740 of the BlockHash Podcast, host Brandon Zemp is joined by Kenny Wood, CEO of Sleepagotchi, a next-generation AI health data platform that started with sleep and is rapidly expanding into the broader wellness economy.The company just closed a $6.5M raise backed by Sfermion, Inception, 6th Man, and 1kx and launched its first personalised AI Sleep Coach on 19 May. Before joining Sleepagotchi, Kenny was CTO at Moonlander, a next-generation game creation studio successfully acquired by Alpha 3D. His career began in AAA games, shipping chart-topping franchises including Transformers (#1 in the UK console charts), Formula 1, and World Rally Championship. A builder and technologist with rare breadth, spanning AAA studios, R&D labs, defence simulation, and applied AI, Kenny brings a perspective on behaviour change and AI-driven systems that most founders in the wellness space simply don't have. 

We're taking a break from our break (insert "Inception" horn) to check out "The Mandalorian and Grogu", the latest theatrical "Star Wars" outing! Everyone's favorite buckethead and baby are back, hunting down war criminals and fighting CG monsters. SO. MANY. CG monsters. Also this week: a hot Hutt (?), almost Minioning, and bringing back the board! [Mando and Grogu: 1:08] [Classic Board: https://sshbpodcast.tumblr.com/post/666252313160286208/star-war-films-ranked ] [New Board: https://sshbpodcast.tumblr.com/post/818430559275597824/star-wars-big-board-now-featuring-the-mandalorian ]

Nouveaux pilotes, un brin déjantés, à bord de la Libre Antenne sur RMC ! Jean-Christophe Drouet et Julien Cazarre prennent le relais. Après les grands matchs, quand la lumière reste allumée pour les vrais passionnés, place à la Libre Antenne : un espace à part, entre passion, humour et dérision, débats enflammés, franc-parler et second degré. Un rendez-vous nocturne à la Cazarre, où l'on parle foot bien sûr, mais aussi mauvaise foi, vannes, imitations et grands moments de radio imprévisibles !

In aflevering 62 kiest regisseur Dries Vos (Allemaal Familie, Bad Trip, De Dag,...) drie films uit de kast: The NeverEnding Story (1984, Wolfgang Petersen) Inception (2010, Christopher Nolan) Whiplash (2014, Damien Chazelle) Komt ook ter sprake: Britse series, La La Land, Babylon & de nooit afgewerkte film 'Ibiza'. Veel luisterplezier!

Kenny Wood is the newly appointed CEO of Sleepagotchi, the Solana-based platform building what it calls the intelligence layer for the wellness economy. A two-decade veteran of the games industry, Wood cut his teeth as an artist on Mattel's Barbie titles before working on chart-topping franchises including Mat Hoffman's Pro BMX, Transformers, Formula 1 and World Rally Championship, later moving into ship-simulation work at VSTEP in the Netherlands and serving as CTO of AI world-generation startup Moonlander prior to its acquisition by Alpha 3D. Why you should listen Sleep is the foundation almost every other health metric rests on, and that is precisely why Wood argues it is the right wedge into a much larger market. Fix sleep and mood, energy and recovery tend to follow; neglect it and the deficit cascades through everything else. Sleepagotchi began life as a gamified sleep-to-earn app, but under Wood the thesis has sharpened: the real prize is not the streak mechanic but the data exhaust it generates. The company reports that roughly three-quarters of users open the app within ten minutes of waking, and its Telegram-based Lite version has touched two million all-time users, the kind of daily habit loop most wellness startups never achieve. The question Wood keeps returning to is who should capture the value of all that biometric signal. The product architecture he describes is ambitious. Rather than a single sleep score, Sleepagotchi runs four cooperating AI agents: a sleep coach that explains causally why a night went the way it did, a wellness agent that checks in on mood, diet, caffeine and alcohol through the day, a meal planner that turns those insights into recipes, and a shopping agent that sources the ingredients or supplements and can have them delivered. If you are tired despite doing everything right, the system might infer low iron and nudge you toward leafy greens, then route that recommendation downstream into an actual basket. A built-in marketplace lets vendors offer supplements, courses and the like, knitting recommendation and commerce into one loop. It is a bold attempt to make wellness advice actionable rather than merely informational, and it leans on integrations with Whoop, Oura and Apple Watch to pull in the raw signal. The thornier and more interesting argument is about ownership. Wearable terms of service generally bar reselling raw device data, a constraint Wood acknowledges candidly, but he draws a line between that raw feed and the processed, AI-derived record of a person's life built on top of it, which he believes the user should own and, eventually, permission or monetize on their own terms via the platform's $SLEEP token. Wood inherits the company from founding CEO Anton Kraminkin, now a strategic advisor, and a cap table that includes Sfermion, 6th Man Ventures, Inception and others. In a relaxed closing stretch, he talks up the strength of the underlying game IP, its outsized following across Japan, the Philippines and Korea, and the new levels arriving in the months ahead, while staying refreshingly honest about the work still to do. The result is a conversation that doubles as a preview of where the AI agent economy and personal health data may be heading. Supporting links Stabull Finance Sleepagotchi Sleepagotchi on Twitter Andy on Twitter Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.

Frederic Laluyaux is a French-American enterprise software executive, entrepreneur, and investor known for his work in analytics, automation, and decision intelligence. Fred is the Co-founder, President, and CEO of Aera Technology, where he leads the development of AI-driven systems designed to automate enterprise decision-making. Under Fred's leadership, Aera has enabled more than 50 million optimized enterprise decisions, driving measurable impact.Read more about Frederic Laluyaux: https://businessabc.net/wiki/fred-laluyauxFrederic Laluyaux Interview Questions00:00 - Intro03:07 - Inception of Aera Technology06:47 - An experienced leadership in Agentic AI18:02 - What is Decision Intelligence23:12 - Agentic AI for adaptive and autonomous operations27:45 - A true Decision Intelligence framework32:31 - Decision Intelligence for smarter business decisions37:10 - Optimising enterprise efficiency41:50 - How can C-level leaders be prepared?48:07 - Self-Driving enterprise54:15 - Tech Bottlenecks01:01:00 - Adopting Decision Intelligence01:07:00 - ClosureAbout Aera TechnologiesAera Technology is the decision intelligence company and creator of Aera, the first agentic decision intelligence. Aera unifies data, analytics, AI, and automation to continuously optimize and execute decisions at scale across the enterprise. Aera helps organizations anticipate change, respond with confidence, and create lasting value.Read more about Aera Technology: https://businessabc.net/wiki/aera-technologyUseful Links and Resourceshttps://vimeo.com/1167825943/20db0ccee2?fl=tl&fe=echttps://www.aeratechnology.com/what-is-decision-intelligence/https://www.linkedin.com/in/flaluyaux/https://councils.forbes.com/profile/Frederic-Laluyaux-Co-Founder-President-CEO-Aera-Technology/6ce2448a-ea0a-4a07-a953-76443c92f6f9https://www.aeratechnology.com/news/aera-technology-named-leader-2026-gartner-magic-quadrant-decision-intelligence-platforms/About businessabc.nethttps://www.businessabc.net/About citiesabc.comhttps://www.citiesabc.com/​​​​​​​​​​​ About Dinis Guardahttps://www.dinisguarda.com/https://businessabc.net/wiki/dinis-guardaBusiness Inquiries- info@ztudium.comSupport the show

The countdown to the MLB All-Star Game has begun, so the guys take a look at a few players who might be on their way to their first All-Star appearance on the latest episode of Wax Packs & Warning Tracks! Bubba & Cody talk about a pair of young pitchers who might start the Midsummer Classic and the huge gap in their Bowman card values. Plus a pair of young outfielders having breakout seasons that could be a fantastic buy right now. And the guys look ahead to a packed month of new releases in June including Dynasty Baseball, Inception and more! Go to Mojobreak.com to get a spot in all the latest baseball breaks & more! Visit our shop in Santa Clara or order online at mojobreakshop.com Watch this episode on our Mojobreak Media YouTube channel - https://youtu.be/MVKbqV1ltg0 Learn more about your ad choices. Visit megaphone.fm/adchoices

Lords: Lena Cory Topics: Re: Cory's teeth topic, there's so many artists making teeth It would actually rule to be immortal, and all those stories about how it's not are just cope How committed to the bit is committed to the bit enough? A poem by Evan Balster, shared with us at GDC: A shapeless figure, locked away Inside a realm she godly sways; To weave in light and shadow, there, A living, breathing world from air. And nightly does she host a guest Who comes and goes at own behest, And time to time might take the throne To make the place a toy his own And on the morn to leave the mess Its keeper cleans, without protest. For lonely is the weaving-hand, The breaking-one's its only friend. Microtopics: Topic Lords-themed hangouts. Indie City Games. Two Truths and a Lie, a science fiction detective story. A disgusting old man using an army of combat drones to find out what happened to his ex-boyfriend. Two topics for the price of one. Tooth dreams. Considering what to do about your teeth as you go through various phases of having or not having teeth. What people say if your femur is yellow. People dying from mouth problems. Going to the tooth artists and customizing your new teeth, just like Build-a-Bear. Reaching into your mouth and pushing the button on your artificial tooth that plays your catchphrase. The artist who illustrates your subject in stages as you dissect it. Illustrating gross health things in a way that people can understand. The cartoon amoeba that teaches you how to not get salmonella. The kind of people who comment on Fecal Transplant Explainer videos. Teeth: you chew with them. Hitting up your dentist for extra teeth because the last ones were delicious. The thing you have in your mouth the most that you're not allowed to eat. (Your teeth.) Gradually eating your own teeth because you grind your own teeth at night. Different sets of dentures for different vibes. How to get glow in the dark teeth. Discovering the hard way that your fake teeth don't fluoresce under UV light. An entire generation of Americans going into the dentist together, like Hands Across America, to get all their teeth pulled so they can get dentures. Losing all your teeth just in time for COVID. Learning to not feel like you have to explain why you don't have any teeth. Depressing people with possible existences that your mind can create. What to do with the people who get too old to have good opinions. Trying to maintain a continuous personality day to day. Immortality vs. just living a really long time. Burning it all down for the sake of your legacy. Continuing to try to save people's lives and eventually inventing immortality. Death: it's really cool actually. Coming face to face with death and realizing it's not scary at all. A Satanist and his wife selling everything to open a shop where they refuse to sell you human skulls and serial killer memorabilia. Not needing a Memento Mori room because you already think about death all the time. Transferring a marble from the future jar to the past jar to remind yourself not to waste this day. Having a child and tossing it on the pile of existing children that everyone's already taking care of. All there is to learn in the universe. The Sword in the Stone. Working all of physics out from first principles because it's fun and you have that kind of time. Deciding to spend 100 years just hanging out with a tree and you don't even have podcasts. Icehenge. Associated Press title capitalization rules. A decision that is awesome for everything except your wallet. Artists who don't like what they make and don't enjoy the process, they just have to do it. Not doing art for long enough to realize how unhappy you are because you're not doing art. Making games because it's cool and fun to make games. Making yourself happier by pretending to be happy. What's bad about being too happy? Oh thank God, a crisis! A series of dreams in which the dream world is aware of you and hates you. Lonely is the weaving hand, the breaking one its only friend. Why you should be grateful when your son throws his trash on the floor. The most mystical thing that we get to regularly experience. Déjà rêvé. One of the worst ways to determine whether you're dreaming. Morpheus refusing to explain the Matrix in words even though he could describe it in 30 seconds. Spoilers: the events of Inception did not actually occur.

As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast and help an indie podcaster out, you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm An extra huge thank you to my wonderful guests as this episode had to be re-recorded due to a major problem with the audio file the first time. You can find the synopsis of the film on Wikipedia here: https://en.wikipedia.org/wiki/Fantastic_Voyage#Plot In 1966 20th Century Fox chose a steady pair of hands in Richard Fleischer (the son of animation superstar Max Fleischer) to helm what at the time was both the tiniest and the biggest science fiction adventure. Tiny because of the nano science storyline and biggest because of it being the most expensive science fiction film ever made (at that time) costing over five million dollars.   I talk to two top tier guests about the film. Jay Telotte is Professor Emeritus of film and media studies at Georgia Tech. He has written/edited numerous books and articles about science fiction film including his upcoming books Before Trek: Building American Science Fiction Television. Lisa Yaszek is Regents' Professor of Science Fiction Studies at Georgia Tech and has written/edited multiple books on science fiction including her upcoming book Mothership Rising: Afrofuturism in the Radium Age. Chapters 00:00 Introduction 01:40 Big budget scifi 05:45 Richard Fleischer 09:10 The history of Nanotech sci-fi 16:41 Sci-fi and scale in cinema 19:42 Richard Feynman and small science 22:55 1950s influences 25:53 James Bond and Spy-fi 27:05 Psychedelic scifi 31:22 Harper Goff, Disney and design 33:36 1960s crew dynamics 42:48 Asimov's novelisation 44:24 Secularism vs religion 46:52 Legacy 52:57 Recommendations   Recommendations: The Diamond Lens by Fitz-James O'Brien (which can be found here) Surface Tension by James Blish Microcosmic God by Theodore Sturgeon   Dr Cyclops (1940) The Incredible Shrinking Man (1957) Honey I Shrunk the Kids (1989)   NEXT EPISODE! Next episode I will be speaking with Oscar winning Special Effects Supervisor Paul Franklin to discuss his favourite sci-fi film Blade Runner (1982). Paul has worked on an array of blockbusters including The Batman Begins trilogy, Venom (2018), Inception (2010) and Interstellar (2014).

[A crosspost with Hollywood Woketopia, my other Substack]Every so often, a moment in culture arrives, a Sydney Sweeney ad, or Project Hail Mary. Every time, we hear that the Woke fever has finally broken. Hollywood cares about the people again. Right?The same reason Kamala Harris is likely to be the nominee in 2028, the same reason the Democrats are still selling the lie that any kind of attempt by Republicans to even out the redistricting is “Jim Crow 2.0,” is proof enough that on the Left, Woke is not going anywhere. It is who they are now. Not all of them, but the most powerful among them.Early on, when Mark Halperin and others were insisting Gavin Newsom would be the nominee in 2028, I said there was no way the Democrats would get behind a white guy, no matter how passionately he genuflects to the Woke (“Anti-woke is anti-black!”). I know the Democrats. I was one. I helped build the modern-day party of the Great Feminization and the Great Awokening. I know what fires them up every day, and it isn't just taking back power; it's foisting their religion upon the rest of us.They think it's the opposite, that it's the Right that is foisting their “Christian Nationalism” upon them. While it's true that a faction of the Right has unmasked to become the very thing Rob Reiner warned about in his movie, God and Country, they aren't the majority. Perhaps that's true on the Left. But look around. Their religion is the dominant culture in America.When news got out that Christopher Nolan had cast Lupita Nyong'o as Helen of Troy, the “most beautiful woman in the world,” whose face launched a thousand ships, it ignited yet another culture war. How you reacted was like whether or not you wore a mask outside in 2020. It was a test. You're on one side, or you're on the other. Notice it, comment on it, object to it, criticize it, and you're one of the bad people to be purged. And if that weren't enough, Nolan brought back Ellen Page from Inception, now recast as Elliot Page, the male, as an act of affirmation and yet another test. These are Orwellian 2+2=5 and force people to choose between ignoring it and going to see a big-effects movie in IMAX, or not buying a ticket and boycotting the film. Elon Musk took the bait, becoming the villain Hollywood needed to turn seeing The Odyssey into a righteous and political act. You can see them now: the bearded male feminists buying tickets ten times in a row. “Take that, Elon Musk!” The ladies of Blue Sky will go in groups, then fawn over how beautiful Lupita Nyong'o is and overuse the male pronoun for Ellen/Elliot Page. “Wasn't he great?”The game is becoming exhausting by now, as Hollywood demands the hard-working American public be impressed by them, lectured by them, and corrected by them. All audiences really want is the one thing Hollywood seems unable to accomplish: entertain them.It isn't that Nyong'o isn't pretty. She is. It's that Helen of Troy was white, famously so, even if Greek. Nyong'o is a unique beauty, not a universal one, a reality the Left wants to force, because Hollywood doesn't care about its audience. They want to look good.Probably the worst thing about the game Hollywood plays with the movie fans they helped raise is that Lupita Nyong'o is held out as a sacrificial lamb. She isn't pushing any ideology, unlike Ellen/Elliot Page. They are putting her out there and expecting her to absorb criticism about herself, including whether she is pretty enough. I met her once, back in 2013 in Telluride, before her career took off. She was too young to know how to act like a celebrity. She was so nice, I was won over. She would win an Oscar that year and become a big star in Hollywood. Is it fair to put her in this position just so they can feel good about themselves? No. Does it change anything? No. There is still such a thing as truth and reality, even if that is the thing that is unfair. The Woke Code and the Hays CodeThe Hays Code (1930-1968) represented an era wherein decency and morality were mandated in all Hollywood films. The Christian conservatism/morality mandated by the Hays Code reflected less a separation between art and governance and more a united effort toward a utopian society of goodness, especially as we moved through the last Fourth Turning, the Great Depression, and World War II, a time where the world saw true evil in Hitler and Stalin, not to mention the nuclear bomb.That isn't all that different from what the Woke Code is now. It's roughly the same kind of thing: rigid rules to depict an ideal society. The difference is that Christian advocates have been replaced by progressive activists, and the villain is the white male patriarchy. What is different now, amid our current Fourth Turning, is that the Woke Code includes only half of America. To the Left, they would rewrite this narrative to say that Hollywood depicted mostly White America, and that is what has changed. But really, if you respond to the box office, as Hollywood doesn't anymore, you will always default to the majority. It isn't rocket science — beautiful, sexy women and masculine men and a great story.The end of the Hays Code was entirely due to economics. Television became so popular in the 1950s that there wasn't much of a need to go to the movies if all you saw was the same kind of buttoned-up themes you could see on TV. That's true now, too. Movies, then, had to break out of the Hays Code and become much more subversive, leading into the 1970s, which saw some of the best films ever made. While it's true that The Odyssey will be eligible to win Oscars under the new rules, it's also true that the criteria could have been met in a way that didn't make audiences play this same exhausting game that has alienated them from everything Hollywood puts out. The casting of Nyong'o and Page is less about Oscars and more about status. Perhaps Nolan was under pressure to cast a non-white woman as Helen, or maybe he wants to be seen as a good person using his wealth and fame to make change, as the most famous white male directors reach for things money can't buy, like Martin Scorsese making Killers of the Flower Moon, Steven Spielberg making West Side Story with a real Latina, and Paul Thomas Anderson's Peak Woke Best Picture winner, One Battle After Another.No film has better exemplified Hollywood in the Trump era than this one. It says it all. ICE as the Gestapo, check. America is run by a cabal of wealthy white Nazis, check. A woman of color must save herself, check. All of it is held together by a hapless white man, Leonardo DiCaprio, who represents the film's beating heart. He's the only good white guy, which is how those in Hollywood who make these kinds of choices would like to be seen. One Battle is actually a movie about them.Had Nolan cast a blue-eyed blonde woman as Helen of Troy, all hell would have broken loose. When you go against the rules of the Woketopia, you aren't just getting hit on X with lots of angry tweets by loyal fans who continually feel betrayed; they bring out the big guns - agonizing op-eds in the New Yorker, for instance. If you obey the rules, then you are praised. The problem is that it all feels so artificial, so pre-planned, so inorganic.I used to write the Oscars report for Jane Fonda's Women's Media Center (who fired me after they found out I voted for Trump), counting the number of female nominees and winners. The statistics were always grim. Every year, it was bad news. As things began to change for women after the Academy announced its DEI mandate in 2020, that change was forced. If before merit had made too many white men winners, now we were seeing something a little closer to gender parity. So then the line moved back, and it became not just about women but women of color and trans women. Now, it's all about Marxism disguised as art. If life isn't fair, movies will make it fair. It isn't just because the Oscars have it written into their new rules, and it isn't just because activist groups like GLAAD breathe down the neck of every Hollywood studio, counting heads and making reports. It's that this is a deeply felt belief system that isn't going anywhere anytime soon. I have no doubt The Odyssey will make money. It's a Christopher Nolan film, after all. Who doesn't want to go see a giant visual effects epic filmed entirely on IMAX? If you can ignore the elephant in the room, the performative casting, you might have a great time. But if you were hoping that Woke is over, well, I think that was its own Hollywood fairy tale. It's why Kamala Harris was the nominee in 2024 and why she will once again be the nominee in 2028. This is how the ruling class in America wants to be represented. They want to force change, and they do that by elevating minority groups to high-status positions as symbols for the mostly white people who run things.Culture, like the Democratic Party, will have to be built anew. That, more than anything, explains why AI is about to completely consume the business, becoming the subversive counterculture revolution Hollywood never saw coming. They can do it all and more without the millions of dollars necessary to mount a production. AI artists don't have to be held to the same rigid standards. They can be purely about bringing in eyeballs by showing what people most want to see, rather than what Hollywood wants them to want to see. In other words, they can make the women as beautiful as they want, and no one can cancel them for it. I spent my life in movie theaters gazing up at the big screen and watching some of the best films ever made. The only way that makes sense is if you are escaping real life and finding your way into a fantasy world, and maybe for the Woke, seeing Lupita Nyong'o cast as the most beautiful woman in the world is its own kind of fantasy fulfillment. After the movie comes out, we'll have to see whether it works or not. At the moment, it feels like just another test to decide who gets to stay and who has to go. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Starting it’s inception as a horror film about “dream thieves”, Nolan would write and rewrite the screenplay for his dream heist film dozens of times over the course of a decade until a vacation with his family would inspire the … Continue reading →

Topics:  Don't Give Up, Psalm 94, Jesus The Way, Shame, Masterclass, Wisdom, Shock Jock, What Not To Do, Childlike, Treasure In Heaven BONUS CONTENT: Back To School   Quotes: "Some of the most mature people are childlike." "Ask God to show you what reality really is." "God knows. So we wait. We trust." . . . Holy Ghost Mama Pre-Order! Want more of the Oddcast? Check out our website! Watch our YouTube videos here. Connect with us on Facebook!

06 May 2026. The Emirates Growth Fund (EGF) has launched the National Champions Programme to identify, prepare and lend to UAE manufacturers with the potential to become local and international leaders. CEO Khalifa Al Hajeri joins us on what he’s looking for. Abu Dhabi Investment Office (ADIO) on a new car assembly facility and Emirati talent programmes at Make it in the Emirates. G42 company Inception has launched InceptionClaw - an agentic AI super assistant built for enterprises and governments, and we speak to the CEO. And Mercer on when to activate remote work, when to restrict travel and how UAE employers should be making those calls right now.See omnystudio.com/listener for privacy information.

Upside down. Three levels down. A dream within a dream within a podcast as #NolanClub continues with Christopher Nolan's 2010 black slate smash hit that redefined films, Inception! Jason and Ashley explore the dream-bending tale of a man fighting his dreams (or nightmares?), played by Leonardo Dicaprio and series of Dark Knight trilogy staples: Joseph Gondon-Levitt, Tom Hardy, Marion Cotillard, Michael Caine, and Ken Wantanabe, who take Nolan's affection for a non-linear storyline to new heights. Together we unpack the layers of this cinematic dream and examine why Inception has been copied for years to come.For more exclusive bonus podcasts like our Justice League Review show, our Teen Titans Podcast, and our GHL Exclusive Discord, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!

The Daily Shower Thoughts podcast is produced by Klassic Studios. [Promo] Check out the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ [Promo] Like the soothing background music and Amalia's smooth calming voice? Then check out "Terra Vitae: A Daily Guided Meditation Podcast" here at our show page [Promo] The Daily Facts Podcast. Get smarter in less than 10 minutes a day. Pod links here Daily Facts website. [Promo] The Daily Life Pro Tips Podcast. Improve your life in less than 10 minutes a day. Pod links here Daily Life Pro Tips website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. Shower thoughts are sourced from reddit.com/r/showerthoughts Shower Thought credits: Jonnydrama2, ArmedAsian, Fleeblorp, Tern_Larvidae-2424, Bjarki56, off-and-on, AJFiveOnes, alyssaoftheeast, SaintHuck, Electronic_Lobster, alfooboboao, Idontseenothing, unhip1, distributionpea, Text_Taxer, CheckoTP, KudosOfTheFroond, ChamoneLee, Zeaus03, , Scallywhompus, NotSoul1, water__flower, greenteaicedtea, duaneap, ImLostInTheForrest, primekibbles, djsedna, thedudeguy420 Podcast links: Spotify: https://open.spotify.com/show/3ZNciemLzVXc60uwnTRx2e Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-shower-thoughts/id1634359309 Stitcher: https://www.stitcher.com/podcast/daily-dad-jokes/daily-shower-thoughts iHeart: https://iheart.com/podcast/99340139/ Amazon Music: https://music.amazon.com/podcasts/a5a434e9-da18-46a7-a434-0437ec49e1d2/daily-shower-thoughts Website: https://cms.megaphone.fm/channel/dailyshowerthoughts Social media links Facebook: https://www.facebook.com/DailyShowerThoughtsPodcast/ Twitter: https://twitter.com/DailyShowerPod Instagram: https://www.instagram.com/DailyShowerThoughtsPodcast/ TikTok: https://www.tiktok.com/@dailyshowerthoughtspod Learn more about your ad choices. Visit megaphone.fm/adchoices

Time to go down a rabbit hole as we discuss this mind bender from Tony's shelf! Can you imagine always having to question what is real life? Is the whole movie a dream? Have you ever wondered how they accomplished the effects in this film? Join us and find out now!

LINKS:Jim Haslam's Substack: https://jimhaslam.substack.com/Jim Haslam on Twitter/X: https://x.com/jhas5Jim Haslam's background: https://brownstone.org/author/jim-haslam/Jim Haslam's article "Did Ralph Baric at UNC Create SARS-CoV-2?": https://brownstone.org/articles/did-ralph-baric-at-unc-create-sars-cov-2/Jim Haslam's book: https://www.amazon.com/COVID-19-Mystery-Solved-leaked-Chinese/dp/B0DLVDB9CLWATCH THE VIDEO:YouTube: https://youtu.be/muhaENfRz9o

I talk NASCAR, NHL Playoffs, and brainstorm future events. Cheers!

Let's explore the surreal world of Paprika, the visionary anime film directed by Satoshi Kon. Known for its dream-within-a-dream storytelling and groundbreaking animation, Paprika delivers a visually stunning and psychologically complex experience that continues to stand out in the world of anime films.This movie is wild, but we did our best to try and break down the film's plot, ending, and that killer soundtrack by Susumu Hirasawa.This film has a lasting influence, which instantly made us think of Inception.With its bold animation, unique narrative, and lasting cultural impact, Paprika is a must-watch for fans of anime, psychological thrillers, and mind-bending films.Stick around until the end for a round of movie trivia around Dreams!Safe dreams, nomads.

Send us Fan MailWhat separates the leaders who scale from the ones who stall? According to Dave Martin — CEO, tech entrepreneur, investor, and coach to elite executives worldwide — it's not IQ, it's not hustle, and it's definitely not the framework on your whiteboard.It's how they think.In this episode, Al sits down with Dave to unpack Mega Thinking — his simple, powerful process for making better leadership decisions under pressure. Dave has coached CEOs from Silicon Valley to boardrooms worldwide, and the patterns he's identified in top performers are both counterintuitive and immediately actionable.If you lead a team, run a company, or are building toward either — this one is worth your full attention.⏱️ Episode Breakdown02:38 – Meet Dave Martin: From tech entrepreneur to investor coach—Dave's leadership journey05:27 – Silicon Valley Secrets: What makes this innovation hub tick?08:17 – The Inception of Mega Thinking: Where breakthrough leadership strategies begin10:57 – Startups Unfiltered: What it really takes to succeed (and survive)14:00 – What is Mega Thinking?: The simple yet powerful framework to level up your leadership21:05 – Mega Thinking in Action: How top performers apply it daily24:07 – What Holds People Back?: The hidden barriers between you and your next big idea27:26 – Mega Thinking Summary: Your rapid-fire leadership playbook33:06 – Reminiscing IBM: Timeless leadership lessons from a tech giant34:28 – The Most Powerful Leaders: How they think differently—and why it works36:42 – Final Thoughts: Dave's rapid-fire leadership advice you can apply today38:46 – How to Reach Dave Martin: Continue the conversation and go deeper

Send us Fan MailWhat separates the leaders who scale from the ones who stall? According to Dave Martin — CEO, tech entrepreneur, investor, and coach to elite executives worldwide — it's not IQ, it's not hustle, and it's definitely not the framework on your whiteboard.It's how they think.In this episode, Al sits down with Dave to unpack Mega Thinking — his simple, powerful process for making better leadership decisions under pressure. Dave has coached CEOs from Silicon Valley to boardrooms worldwide, and the patterns he's identified in top performers are both counterintuitive and immediately actionable.If you lead a team, run a company, or are building toward either — this one is worth your full attention.⏱️ Episode Breakdown02:38 – Meet Dave Martin: From tech entrepreneur to investor coach—Dave's leadership journey05:27 – Silicon Valley Secrets: What makes this innovation hub tick?08:17 – The Inception of Mega Thinking: Where breakthrough leadership strategies begin10:57 – Startups Unfiltered: What it really takes to succeed (and survive)14:00 – What is Mega Thinking?: The simple yet powerful framework to level up your leadership21:05 – Mega Thinking in Action: How top performers apply it daily24:07 – What Holds People Back?: The hidden barriers between you and your next big idea27:26 – Mega Thinking Summary: Your rapid-fire leadership playbook33:06 – Reminiscing IBM: Timeless leadership lessons from a tech giant34:28 – The Most Powerful Leaders: How they think differently—and why it works36:42 – Final Thoughts: Dave's rapid-fire leadership advice you can apply today38:46 – How to Reach Dave Martin: Continue the conversation and go deeper

Nikki Gonzales has built a career at the intersection of industrial automation, software, and systems thinking, and in this episode, she makes the case that the next chapter of manufacturing won't be defined by AI alone. It will be defined by how well people understand process, data, machines, and the interfaces that connect them. The future of automation is as much about human judgment and lifelong learning as it is about smarter technology. A big part of that story runs through the human-machine interface. The HMI has evolved from a control screen into a communication layer between machines, operators, plant systems, and increasingly, AI-enabled tools. The conversation explores how open standards, AI assistants, scripting support, and emerging protocols like MCP could expand what industrial systems can do, while also lowering the barrier for more people to work with them. But the episode is not a story about technology replacing expertise. We also discuss technology raising the premium on real understanding. Gonzales argues that even as AI becomes more capable, foundational knowledge of physics, process, controls, and manufacturing systems still matters. She also makes the case that careers in this space are built not just through technical skill, but through curiosity, relationships, mentorship, and the willingness to keep learning.In this episode:How NVIDIA's Inception program is helping a 30-year-old HMI company innovate like a startupWhy HMIs are a great starting point for applied AI projectsWhat MCP can make possible in industrial automation that a standard API connection cannotHow AI could lower the barrier to entry in automation while raising the bar for process knowledgeWill the future of skills be more specialized, or more generalized?3 Big Takeaways:The HMI may be one of the best places to start with applied AI in manufacturing. The HMI already sits at the intersection of the machine, the PLC, plant systems, and operator decision-making, which makes it a natural place to aggregate data and connect AI tools. In that sense, the future of applied AI in manufacturing is about smarter interfaces that can translate, contextualize, and move information where it needs to go. AI will make automation more accessible, but not less demanding. Nikki argues that AI can reduce the barrier to entry by helping newer users with scripting, debugging, and development workflows, especially on the HMI side. But she is equally clear that these tools raise the premium on people who understand process, physics, controls, and how manufacturing systems actually work, because the consequences of getting it wrong are too high. The future automation workforce will be built as much through community as through technology. Through Automation Ladies and OT SCADA CON, Nikki makes the case that technical careers are shaped not only by tools and training, but also by mentorship, relationships, and exposure to the full range of roles in the industry.Resources in this Episode:Connect with Nikki on LinkedInLearn more about Automation LadiesMore links & resources: https://techeWe want to hear from you! Send us a text.Instagram - Facebook - YouTube - TikTok - Twitter - LinkedIn

VR27 - This week on Vapid Response Wednesday we take a look at the liars, losers, frauds, and suckers angling for a federal bench who have worked up, developed,  and sold the “other side” of the Fourteenth Amendment's simple guarantee of birthright citizenship, which failed so badly in front of the Supreme Court last week. What kinds of people are out there trying to say that “anyone born or naturalized in the United States” doesn't mean exactly what it says? We review and discuss how a Fox News talkshow host, a deeply unserious law professor, and the lawyer most responsible for the events of January 6th, 2021 all did their part to radically reshape the US Constitution and who will benefit from it going forward. Watch this episode on YouTube! The Fourteenth Amendment to the United States Constitution, Library of Congress (1868) “The Birthright Con,” Jamelle Bouie, The New York Times (April 1, 2026) (recommended reading!) “If SCOTUS upholds birthright citizenship it will be at its own peril,” Breccan Thies, The Federalist (April 1, 2026) Check out the OA Linktree for all the places to go and things to do!  

Jacks joins us this week to begin our journey into Hope Valley: 1874. ABOUT: HOPE VALLEY: 1874 (SEASON 1 EPISODE 2) When Tom refuses to provide lumber for the boardinghouse, Rebecca gets creative. AIR DATE & NETWORK FOR: HOPE VALLEY: 1874 (SEASON 1 EPISODE 2) March 26, 2026 | Hallmark Channel CAST & CREW OF: HOPE VALLEY: 1874 (SEASON 1 EPISODE 2) Bethany Joy Lenz as Rebecca Clarke Benjamin Ayres as Tom Moore BRAN'S HOPE VALLEY: 1874 (SEASON 1 EPISODE 2) SYNOPSIS The episode starts off in a pretty shocking way - Rebecca is met by her husband, Jim, who is supposed to be dead! Turns out, it was all a dream. Womp womp. But then she thinks her daughter is missing. Turns out, double dream! INCEPTION! The next day, Rebecca and Sarah get to work on the boarding house. It's actually going really well. But she needs lumber for sale. Unfortunately for her, the only one who has spare lumber is Tom who is still against the boarding house opening. She decides to give it a shot anyway and ask and it doesn't go well. While she was at Tom's, she left Sarah with another mom, Peggy & her daughter, Jenny. Sarah is shocked to find out that not everyone can read. Tom has to rush off though because he finds out that Doyal is encroaching on his property. He threatens him that if he doesn't skedaddle, he's gonna shoot him. But then his daughter comes out, so that complicates things, obviously. Rebecca has an idea to sell pies, so she goes to talk to Hattie about it. While in the boarding house, she sees Olivia drawing and it's really good. She asks her if she'd come and draw some ideas she has for the boarding house. Hattie is not thrilled about this. Doyal's had it with Tom's ish, so he goes to the new law in town, Alexander. He says he'll look into it. While on his horse, he comes up beside Rebecca and Sarah and he asks them about Tom. They tell him that Tom isn't a bad guy. He then goes to talk to Tom and he says unless he has documentation proving that this land is his, the prospectors can do whatever they want on his land. One night, Rebecca goes out to the prospector area and finds a ton of her wood from the boarding house that they've been taking to burn. She begs them to stop doing that. There's a bit of a love connection going on between Clayton (Tom's blacksmith guy) and Olivia, Hattie's daughter. But Olivia dreams of the big city. And when he sees her light up when Alexander brings up Toronto, he gets sad. Rebecca talks to the trading guy about getting lumber brought in. He tells her it's gonna likely be over $500 which is more than she has. She's looking at her ring and her daughter says whatever you do, don't sell your ring. Lars, Ned's dad, shows up with the wood from the prospectors. They wanted to return it to her. Tom is there when this happens and tells her it looks like she's making friends. He also insists that she not pay him for the carriage wheel. Instead, he wants her to teach Peggy how to read. The episode ends with Alexander writing a field report about this place. He says nothing of note except one woman who is a bit suspicious. Why would someone leave with her daughter to come to open a boarding house? UH OH! Watch the show on Youtube - www.deckthehallmark.com/youtubeInterested in advertising on the show? Email bran@deckthehallmark.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"Did you understand Inception?" - Luttsy Listen live on the Nova Player. Follow us on Facebook, Instagram & TikTokSee omnystudio.com/listener for privacy information.

In this episode, Ned and Joe discuss Inception (2010).⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Now on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Where to watch?⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ned's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joe's Letterboxd

The Devil of Hell's Kitchen is BACK. In this episode, we break down Daredevil: Born Again Season 2 Episode 1 “Northern Star” with a full spoiler review, analysis, and theory discussion. From brutal fight choreography to shocking reveals, this premiere sets the tone for what could be Marvel's most intense Disney+ series yet. Main Review starts after the 30-minute cold open We dive deep into: • Full breakdown of Daredevil: Born Again S2 Ep.1 • The introduction of Mr. Charles and the standout performance by Matthew Lillard • Theories on who Mr. Charles really is and who he's working for • The gritty tone and brutal, street-level fight choreography • The shocking ending and what it means for the season • Connections to Season 1 and long-term MCU implications • Real-world parallels: corruption, power, and law enforcement themes • Minor pacing issues and where the episode could improve • Our predictions for the rest of Daredevil Born Again Season 2 If you're a fan of Daredevil, Marvel Studios, MCU Disney+ shows, street-level superheroes, and comic book adaptations, this is the breakdown you don't want to miss. Cold Open Topics (First 30 Minutes) Before diving into Hell's Kitchen, we discuss: Hail Mary (spoiler-free review) • Comparisons to The Martian and Interstellar • Why it's not quite on that level—but still an excellent sci-fi film “Perfect 10” Movies Debate • The Back to the Future trilogy • Films like Inception, The Dark Knight, The Prestige, and Interstellar • What truly makes a movie “perfect”? Harry Potter Series Casting Controversy • The debate around Snape's casting • Calling out bad-faith criticism • Legitimate concerns vs. toxic reactions About SuperHero Homies SuperHero Homies is a superhero and pop culture podcast covering Marvel, DC Comics, Star Wars, comic book movies, TV reviews, and nerd culture discussions. Expect deep dives, theories, debates, and plenty of laughs. Support the Homies! Our official merch store is LIVE! Grab t-shirts, hoodies, tote bags & more: https://superherohomies.printify.me/ If you enjoy: Marvel & MCU breakdowns Comic book discussions TV episode reviews Daredevil analysis Podcast-style conversations Make sure to LIKE, COMMENT, and SUBSCRIBE to help us grow the Homie-verse! #DaredevilBornAgain #Daredevil #Marvel #MCU #DisneyPlus #SuperHeroHomies #TVReview #EpisodeBreakdown #MarvelStudios #ComicBookPodcast

Martin Scorsese's Shutter Island is one of the most rewatchable psychological thrillers of the 2000s, and on this episode of How I Met Your Monster, we break down exactly why. Set in 1954 at Ashecliffe Hospital for the Criminally Insane, Shutter Island follows U.S. Marshal Teddy Daniels (Leonardo DiCaprio) as he investigates the disappearance of a patient from a remote island asylum and slowly loses his grip on what's real. It's a film built on clues hidden in plain sight, unreliable narration, and one of the most satisfying twist endings in modern horror and thriller cinema. We cover the film's five monster reveals, the symbolism of fire and water throughout the story, Scorsese's visual references to Gustav Klimt's "The Kiss," and the real history of trans-orbital lobotomies that gives the film's ending its gut-punch weight. We also dig into the film's place in the Scorsese/DiCaprio collaboration, how it compares to Inception (also released in 2010), and why Shutter Island deserves more awards recognition than it ever received. Other topics include the psychology of trauma and repressed memory, the history of mental health treatment in mid-century America, the true crime case of Andrea Yates, the literary legacy of Dennis Lehane (Mystic River, Gone Baby Gone), and how Scorsese uses classic filmmaking techniques — from Hitchcock-inspired direction to old-school rear projection — to build dread. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

We open on the Chimera f--kin'. In Episode 151, hosts Alyce and Laura enjoy* one last jaunt to Peridea, complete with TOE Fighters, Rebels Season 1 Ezra and Grand Admiral Cock a Doodle Blue! Let's catch up with Alyce's Marvel catch up. Catch up Inception! Speaking of, should we add a Marvel segment to our show when Daredevil comes back? What do we call it? Marvel Manor? Marvel, May I? Marvel Mountain Schlong, perhaps… Happy Belated Rebels Remembered Day to all who celebrated last week! A preview of the forthcoming May issue of Empire Magazine, featuring Mando and the BABAY Today's lesson in filmmaking no one asked for: the black and white clappy thing used on film sets Prediction: you won't be able to swing a light saber without hitting someone dressed as Rotta the Hutt at the next Star Wars Celebration Bae? Alyce's Bae? Obi-Wan? O-Bae-Wan? He's gonna be in Ahsoka season 2? Maybe? (via Bespin Bulletin) Step aside, Ewan. There's a new Bae in town! Ryan Gosling has a rule about franchises. His rule is confusing. But it's his world and we're just living in it. Did “Are You Afraid of the Dark” traumatize Millennials in childhood? Revisit 90s Nickelodeon with us! Maul has to be faster and more intense in the upcoming animated series. Also apparently he's going to be questioning everything he believed about the Jedi. Not about Obi-Wan though, he definitely still hates that b-tch. Recap on Tap: Our Ahsoka Again segment comes to an end as we re-watch the Season 1 finale, Part 8: The Jedi, The Witch, and the Warlord. Climb aboard the mountain where Morgan finally reveals her true badassery, Daniel aka Sabine's Force powers show up when it really counts, Ezra makes a big leap and trooper zombies are powerless without their heads! We hope you've enjoyed the ride. Now enjoy the 9- to 10-month (or more) wait for Season 2.   Twitter: @forcetoastpod | @sLeiaAllDay | @ShutUp_Laura Instagram: @forcetoastpod Bluesky: forcetoastpod.bsky.social Email: forcetoastpod@gmail.com Website: forcetoastpod.com *This podcast contains a sh!t ton of profanity and boozin. You can find a bleeped version of this podcast absolutely nowhere. Cheers!

In Christopher Nolan's 2010 blockbuster Inception, Leonardo DiCaprio's protagonist is paid to implant an idea into a target's subconscious. If you look the film up, its genre is listed as being ‘science fiction' - but could that soon have to be revised? Dream engineering is an experimental new field - with scientists, dream researchers and engineers pursuing the goal of influencing our thoughts as we sleep. For some, the idea holds the promise of a bright future, with benefits for our memories, creativity and wellbeing. On the other hand, though, the ethical issues it causes amid the unregulated world of an emerging technology have led to warnings of a future where our very dreams could be for sale. In The Dream Makers, Anand Jagatia investigates the fascinating potential and developing concerns over what the future of dream engineering could hold.