Podcasts about Ingmar Bergman

To cineastes of the 20th century, Ingmar Bergman was a fixture on the Mount Rushmore of World Cinema. His cultural presence receded in the decades following his death but Gen Z interest in his films, driven by streaming and Letterboxd, is suddenly on the rise. We couldn't wait to pick one of his most challenging movies to see how it plays to a younger audience. Persona (1966), made smack-dab in the middle of Bergman's career, has delighted and perplexed audiences from the day it was released. Some of the issues it tackles — identity, motherhood, sexuality — are perennial. Others -- Jungian duality and the artificiality of filmmaking — seem ripe for a comeback. Hearing different generations of film lovers grapple with this masterpiece illuminates how our culture has changed and what continues to endure. Listen in for the surprising results.   Hosts: Mark Netter & David Tausik  Panelists:  Guy Lewis, Kylee LaRue, Olive Goldberg & Brennan Guntang An ElectraCast Production  Trailer: https://www.youtube.com/watch?v=YEfJopPIbQg&t=163s Wikipedia: https://en.wikipedia.org/wiki/Persona_(1966_film) IMDB: https://www.imdb.com/title/tt0060827/ Rotten Tomatoes: https://www.rottentomatoes.com/m/persona Learn more about your ad choices. Visit megaphone.fm/adchoices

Watch the full episode here: https://renderingunconscious.substack.com/p/ru402-mani-king-sharpe-on-psychoanalytic RU402: DR. MANI KING SHARPE ON PSYCHOANALYTIC FILM THEORY Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Rendering Unconscious welcomes Dr. Mani King Sharpe to the podcast! Rendering Unconscious episode 402. On this episode, Mani discusses his research in film studies, highlighting the importance of psychoanalytic concepts like castration anxiety and the mirror stage in understanding cinema. He reviews his work on psychological trauma as portrayed in films, such as Alain Resnais' Muriel, or The Time of Return (1963) and Ingmar Bergman's Hour of the Wolf (1968). He also looks at the work of Laura Mulvey and her concept of the male gaze, and explores the use of psychoanalysis in non-Western cinema, including Algerian national cinema. Mani emphasizes the relevance of psychoanalytic theories in film studies despite criticisms, and the potential of psychoanalysis to engage students and promote public understanding. Mani King Sharpe, PhD is Lecturer in Film Studies / Director of Film Studies at the University of Leeds. https://ahc.leeds.ac.uk/languages/staff/2142/dr-mani-sharpe Facing the Mind: https://facingthemind.leeds.ac.uk New edited collection: War Faces on Screen: https://www.bloomsburycollections.com/monograph?docid=b-9798765129227 RU News & Events: Sunday, June 7th, Emmalea Russo will continue her wildly popular series on poetry and psychoanalysis with REPETITION, RETURN, REBIRTH: On the psychoanalytic poetry of Cynthia Cruz and the Summer Solstice. https://www.tickettailor.com/events/renderingunconsciouscenterforpsychoanalysis/2152623 Saturday, June 13th, my Introduction to Psychoanalysis course continues! n the previous class, we reviewed Freud's later works, including Group Psychology and Civilization and its Discontents. In this next class, we'll be looking at Anna Freud, Melanie Klein, and the Controversial Discussions, as well as revolutionary psychoanalysts Wilhelm Reich and Otto Fenichel. On Wednesday, June 24th, join Freudian cinephile Mary Wild for The Man Who Fell Into Himself: David Bowie's 1970s Transformations. https://www.eventbrite.co.uk/e/the-man-who-fell-into-himself-david-bowies-1970s-transformations-tickets-1986912621136 All paid subscribers to RU Center for Psychoanalysis will receive the zoom links to attend these events live and the recordings will be archived at Substack. https://rucenterforpsychoanalysis.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

Dmitri Mugianis is a psychedelic practitioner, musician, and space creator. In this episode, we explore addiction, psychedelics, music, culture, modernity, space, healing, community, and religion, topped off with some coffee, cigars, and Harlem fried chicken. Connect and Learn MoreWebsites: dimitrimugianis.com  ·  cardea.netInstagram: @dimitrimugianisResourcesBooks: How to Change Your Mind, Virtue HoardersPeople: Allen Ginsberg, Alexandre Tannous, Andrew Huberman, Catherine Liu, Deacon Seraphim, Federico Fellini, Glenn Johnson, Herbert Hunkie, Joe Rogan, Ingmar Bergman, John Sinclair, Lou Reed, Martin Buber, Martin Luther King Jr., Michael Pollan, Michel Foucault, Michel Negroponte, Peter Attia, Pier Pablo Pasolini, Ralph Waldo Emerson, Randy Polumbo, Richie Ogulnick, Robert F. Kennedy, Ross Ellenhorn, Sara Glatt, Walter CronkiteFilms: Frostbiter, I'm Dangerous with LoveMusicians: Fela Kuti, Leisure Class, MC5, Sun Ra, The Stooges , The Velvet UndergroundPodcasts: Huberman Lab, This American Life, The Peter Attia Drive, The Joe Rogan Experience, The Symbolic World

Personas reales convertidas en personajes por su obra, por su cine, sus interpretaciones o sus escritos. Hoy les proponemos otra forma de mirar vida y personajes que tal vez ya conociéramos. Luis Carlos Marco Bruna, presenta “Pasión”, una novela epistolar basada en el rodaje de la película del mismo título de Ingmar Bergman que publica con Prames Editorial. A través de textos breves, cartas y las ilustraciones de Emilio Amella Luis Carlos completa la historia que la película no cuenta en un paisaje de blancos y emociones subterráneas.Mar Mata revive y reconstruye la complicada relación de Ted Hughes y Sylvia Plath en “El búho grande y poderoso” que publica Olifante ediciones de poesía. No es una biografía, es la investigación sobre las causas y motivos de una relación mítica que terminó trágicamente.

On this episode Matt and Jon discuss The Mandalorian and Grogu, I Love Boosters, Obsession, The Boys, Spider-Noir, Rick and Morty & Hacks while Jon checked out Marty, Life is Short, The Last Kings of Hollywood by Paul Fischer, Beef, Night Patrol and Milk and Serial while Matt saw a few movies and continued his Ingmar Bergman retrospective and Six Feet Under rewatch. Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

In the eleventh episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with editor Kristi Shimek to discuss the abstract and personal depiction of the road movie traversing the subconscious in Ingmar Bergman's meditative and probing deconstruction of legacy, love, and meaning in Wild Strawberries (1957).

durée : 00:18:04 - Les émissions culturelles de France Culture - par : Marie Labory - Le metteur en scène Markus Öhrn s'attaque à l'œuvre de son compatriote suédois Ingmar Bergman en adaptant pour le théâtre "Scenes of a marriage" portée par deux comédiens masqués. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Victor Inisan docteur en études théâtrales, dramaturge et critique Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:25 - Les émissions culturelles de France Culture - par : Marie Labory - Au menu de la critique, du théâtre avec : "Scenes from a marriage" de Markus Ohrn, adapté de la série crée en 1973 par Ingmar Bergman ; et "Edith Beale au Reno Sweeney" de Pierre Maillet. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Marie Sorbier Productrice du "Point Culture" sur France Culture, et rédactrice en chef de I/O, Victor Inisan docteur en études théâtrales, dramaturge et critique Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

En el antiguo teatro griego, los actores utilizaban unas pesadas máscaras de madera llamadas prosopon —la raíz de la palabra "persona" o "personalidad"—. Su único propósito era que la voz del actor resonara y que el público identificara rápidamente su función: la madre abnegada, la heroína, la esposa incondicional.Hoy, un par de milenios después, el escenario ha cambiado, pero el guion se siente inquietantemente familiar. Nos levantamos y nos colocamos la máscara de la profesional resolutiva; a media tarde la cambiamos por la de la cuidadora perfecta, y en la noche... cuando el ruido por fin cesa, a veces nos damos cuenta de que hemos olvidado cómo desatar los nudos que sostienen esas máscaras.En su obra maestra cinematográfica, Persona, el director Ingmar Bergman nos muestra cómo el silencio y la presión pueden hacer que nuestras identidades colapsen y se fracturen. Y no es solo poesía visual; la neurociencia respalda esta ruptura. Sostener identidades fragmentadas o fabricadas para complacer al entorno consume una cantidad masiva de energía cognitiva. Lo que tú llamas "estar agotada" al final del día, tu cerebro lo procesa como una fatiga identitaria crónica. Es el agotamiento de sostener un edificio entero sobre tus hombros.Hoy vamos a hacer una autopsia a esa estructura. Vamos a explorar La Arquitectura de Nuestros Roles.No vamos a hablar de cómo "gestionar mejor tu tiempo" para seguir cumpliendo con todos. Vamos a ir más profundo, a las grietas de esa fachada, para intentar responder a la pregunta que el mundo nos ha enseñado a evadir: Cuando nadie te exige nada, cuando nadie te mira... ¿Quién eres debajo de la máscara?

Zwischen NBA-Nostalgie, Kino-Hypes und verstörendem Horror hangeln wir uns diese Woche von Antoine Fuquas MICHAEL über Kristoffer Borglis THE DRAMA bis hin zu Ingmar Bergmans legendärem PERSONA. Außerdem sprechen wir über Sandra Hüller in ROSE und entdecken mit der starbesetzten Horror-Anthologie UNCANNY aka DAS UNHEIMLICHE einen wunderbar schrägen Genretrip aus den 70ern...(00:00:22) Wir schwelgen kurz in NBA-Nostalgie und Playoff-Wahn(00:02:25) Ist MICHAEL (2026) von Antoine Fuqua so schlecht, wie alle berichten? [Kino](00:17:52) ROSE (2026) und die Frage, ob Sandra Hüller wirklich in jedem Film mitspielt?! [Kino](00:27:01) Ist der 4. Film THE DRAMA von Kristoffer Borgli wieder großartig? [Kino](00:37:08) Starbesetzte Horror-Anthologie UNCANNY aka DAS UNHEIMLICHE (1977) [Prime, AppleTV](00:44:45) Patreon-Pick der Woche: PERSONA (1966) von Ingmar Bergman [Prime, AppleTV]Viel Vergnügen!THURSDAY NIGHTMARES: https://www.kinopolis.de/bn/events/detail/thursday-nightmares-filme-+-talk/5688Wir freuen uns über Unterstützung: Patreon - https://www.patreon.com/filmfressen Paypal - kontakt@filmfressen.de Merch - https://www.shirtee.com/de/catalogsearch/result/?q=filmfressen Feedback und Koop-Anfragen: kontakt@filmfressen.de Filmfressen auf Facebook: https://www.facebook.com/Filmfressen-904074306371921/Instagram: https://www.instagram.com/filmfressen Letterboxd: https://letterboxd.com/ManuFilmfressen Letterboxd: https://letterboxd.com/PeterFilmfresse Cineviel: https://podriders.de/podcast/cine-viel-podcast

Episode 162: We dive into the ghostly CARNIVAL OF SOULS (1962), a cult classic that fused low-budget horror with the existential art-house sensibilities of Ingmar Bergman and Jean Cocteau. Beneath its eerie imagery and abandoned carnival landscapes lies a deeply personal meditation on death, alienation, and the terrifying feeling of no longer belonging to the world around you. If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: http://patreon.com/onefuckinghour VOTE HERE – WHAT MOVIE FROM 1963 SHOULD WE COVER FOR NEXT EPISODE?: https://www.youtube.com/post/UgkxB-hww_Q3zL8NF-6WarM61OoclcX2hYO-

Peter Birro och Gustaf Skarsgård ska göra film tillsammans. Filmen ska heta Kannibalen på Fårö och innehålla mycket - hjärta, skräck och skratt. Lyssna på alla avsnitt i Sveriges Radios app. ”Gustaf Skarsgård regidebuterar med Kannibalen på Fårö, en totalt gränsöverskridande historia om filmskapandets möjligheter och irrvägar med manus av Peter Birro.” Så beskriver filmbolaget filmplanerna som presenterades på Film i Västs pressträff i Cannes.Björn Jansson har träffat de två för att höra mer om planerna, där Ingmar Bergman figurerar både som geni och demon. Och vi får också reda på vad som skrämde livet ur de två när de var åtta-åringar.

Barbra Streisand kommer till Cannes Filmfestival i år för att ta emot en Hedersguldpalm. Hon inledde sin karriär i filmens värld som en superstjärna. Lyssna på alla avsnitt i Sveriges Radios app. I motiveringen till hederspriset beskrivs hon som en internationell ikon. "Hon är den legendariska sammansmältningen mellan Broadway och Hollywood, mellan varieté- scen och storfilmsduken" står det bland annat i motiveringen.P1 Kulturs Björn Jansson tecknar hennes porträtt med intervjuer från genombrottet, musik och filmklipp. Och så en intervju med Ingmar Bergman från 80-talet.

Prinz Tamino ist auf der Flucht vor einem schrecklichen Ungeheuer. Gott sei Dank wird er von drei mysteriösen Kriegerinnen und ihrer Anführerin, der Königin der Nacht, gerettet. Und diese hat auch gleich einen Auftrag für ihn: Er soll ihre Tochter Pamina aus den Händen des tyrannischen Herrschers Sarastro befreien. Unterstützung erhält er durch eine magische Flöte und den fröhlichen Vogelfänger Papageno, der sich nichts sehnlicher wünscht, als seine Papagena zu finden. Mit der Hilfe von drei Knaben gelangen sie in das Reich von Sarastro: Doch Oh Plottwist, oh Wunder: Dieser entpuppt sich als Vater von Pamina und weiser König eines aufgeklärten Geheimbundes. Er hält Pamina nur bei sich, um zu verhindern, dass die Königin der Nacht die ganze Welt vernichten kann. Tamino, der sich mittlerweile natürlich unsterblich in Pamina verliebt hat, soll beweisen, dass er würdig ist, diese zu heiraten und mit ihr zusammen die Nachfolge Sarastro anzutreten. Drei Prüfungen warten auf ihn und seinen Gefährten Papageno. Aber die Königin der Nacht ruht nicht in ihrem Groll und bedroht mit der Unterstützung des verräterischen Dieners Monastros das junge Glück und das Schicksal der Welt. Die Zauberflöte, Libretto Emanuel Schikaneder, Musik Wolfgang Amadeus Mozart, einer der großen Klassiker der Operngeschichte aus dem Jahr 1791, hier inszeniert von Ingmar Bergman 1975 auf schwedisch und mit ein paar kleinen - aber feinen - Eigenheiten. Auch wenn er sich inhaltlich sehr nah am Original orientiert, öffnet Bergman das Singspiel auf gleich mehrfache Weise: Richtung Theaterpublikum, dessen Reaktionen wir als Zuschauer beiwohnen dürfen, Richtung Film, indem er mit einer ausgeklügelten Kameraarbeit und so manchen cineastischen Special Effects arbeitet. Und nicht zuletzt Richtung Backstage, indem er die Mechanismen des Theaters transparent macht und die Besetzung in ihrer Pause beobachtet. Und so entsteht eine irgendwie traditionelle, irgendwie auch sehr moderne Inszenierung und einer meiner liebsten Filme von der schwedischen Regielegende, obwohl er als TV-Produktion und Mozart-Exegese aus seinem sonstigen Werk heraussticht. Johannes, ich weiß, du bist kein großer Bergman-Fan. Wolfgang Amadè kannst du aber durchaus was abgewinnen. Und dass du die Zauberflöte magst, hast du letzte Woche ja auch schon durchblicken lassen. Also dann… hinein ins Vergnügen mit der Frage: Was zur Hölle ist das für ein absurdes, inkonsistentes, von offenen Fragen durchlöchertes Libretto?

Woody Allen's "Interiors" is a poorly understood film, in part because it deals with artists and their foibles for a non-artistic audience. There are misunderstandings about Woody Allen's POV vs. the POV of his characters, misunderstandings about the nature of art and aesthetics, and even the role of cinematic influences on Allen, such as through Ingmar Bergman. In this episode of the ArtiFact Podcast, the world's leading Woody Allen critic, Alex Sheremet, discusses "Interiors" with other film critics and artists, bringing the deepest and broadest conversation on the film. You can also watch this discussion on YouTube: https://www.youtube.com/watch?v=pbZPk64mmTw Subscribe to Patreon and get the full show ad-free: https://www.patreon.com/c/automachination Read Alex Sheremet's essay on "Interiors": https://www.automachination.com/interiors-woody-allen-analysis-review Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Learn about our debut film, "From There To There: Bruce Ario, the Minneapolis Poet": https://www.automachination.com/cityboy-bruce-ario-great-american-novel/ Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination Bonus show topics: ranking Woody Allen films; differentiating Woody making fun of pseudo-intellectualism vs. critics' pseudo-intellectualism; nitpicking "Husbands & Wives"; John Ashbery's "Self-Portrait in a Convex Mirror"; Alex discusses opening up new emotions in his poetry; "Grandma": Bruce Ario's poetry on grief; Alex's triptych of autobiography, novella, and book-length poem; Enneagram Type 5 vs. astrological Libra; why Alex's first film felt so magical; why Alex doesn't want to do fictional films; is pure writing more satisfying than filmmaking; Jessica Schneider's grave mishap; Zeke's conspicuous tattoo; "Blue Lagoon" discourse; why writing sucks now while photography/filmmaking is having a moment; AI hack-poetry is STILL better than academic hack-writing; why the HELL did Woody Allen destroy his life via Jeffrey Epstein; how kids get destroyed through private schooling; Jessica Schneider on PLAYGIRL; and much more...Timestamps: 0:42 -- the world's foremost Woody Allen expert chimes in; Woody's use of three sisters plays with viewer expectations; Joey (Mary Beth Hurt) as a non-creative archetype; Flyn as the self-aware "empty vessel"; Renata (Diane Keaton) as the viewer's perception; Frederick as the self-loathing hack; Geraldine Page is great as Eve 8:10 -- "Interiors" is very much a Woody Allen film, not an Ingmar Bergman one; Eve's fascination with artists; Eve represents the tension between art and aesthetics; Eve's use of purely aesthetic language hides her inability to really discuss art; why the $400 vase is barely shown on-screen 17:42 -- art seems to offer nothing to these characters; why would Michael stay with Joey?; the use of family members as meat-shields against one another; Michael's nurturing political side is desirable to Joey; the wounded-bird complex for men; relationships & passivity 28:40 -- all 3 men depicted are passive or weak; money does not buy self-respect; Renata is with Frederick because he is not as talented; Renata might not believe her own self-conception about art; Renata speaks to her therapist as if he is not even there 33:30 -- Woody Allen's nuanced characters; Flyn is both more self-aware and interesting than first assumed; Frederick isn't wrong, just wrong in his approach; deep down, these people are all superficial; Flyn's underlying sadness; we hear comments about Flyn only from others; Flyn has the purest reaction to Eve's death 44:30 -- Eve has problems, but Arthur is quite flawed too; "Interiors" & Former Gifted Kid Syndrome; Arthur marries Pearl after only a few weeks, but Pearl wants this too; what is Pearl hiding; everyone gets something out of dysfunctional relationships; Woody Allen was ready to compromise his own film! 53:53 -- is Woody Allen a people-pleaser; the film's color and cinematography; Woody Allen's underrated use of audio even without music; "September" vs. "Interiors"; Ezekiel Yu's comments on the film's composition; connections to "Long Day's Journey Into Night" 1:02:30 -- the film's ending: was that really Eve's final suicide attempt; Joey's potential fantasy; can Eve actually drive that far into Long Island; the death scene as an anti-symbol 1:08:05 -- the Joey archetype: emotional and expressionistic but uncreative; art as self-esteem; Joey's final journal entries are hopeful, as she is now expressing basic emotions; artists who can't create art; Renata's dishonesty with Joey; art vs. belonging 1:17:10 -- many "artists" just want validation, not great art; PATRON show preview...

Den 87-åriga skådespelaren och regissören Liv Ullmann har i vår tilldelats European Lifetime Achievement Award. P1 Kulturs Lisa Bergström träffade Ullmann i samband med en blixtvisit i Stockholm. Lyssna på alla avsnitt i Sveriges Radios app. Ullmann filmdebuterade redan 1957 och har gått till filmhistorien inte minst för sina samarbeten med Ingmar Bergman (”Persona”, ”Viskningar och rop” och ”Scener ur ett äktenskap”) och Jan Troell (”Utvandrarna”).Som regissör har Liv Ullmann fortsatt att tolka sin gode vän Ingmar Bergmans berättelser för filmduken.Följ med på en resa in i ett helt liv på den vita duken...

Möt Elin Grelsson, vars dokumentärroman Vi behöver inte vara rädda följer paret Lotte och Stefan Zweig in i döden den senare världskänd författare av judisk börd. Hans sista verk, Världen av igår från 1942, når ständigt nya läsare. Lyssna på alla avsnitt i Sveriges Radios app. LIV ULLMANN OM ETT HELT LIV PÅ DEN VITA DUKENI vår tilldelades Liv Ullmann hederspriset European Lifetime Achievement vid European Film Awards gala. Ullmann filmdebuterade redan 1957 och har gått till filmhistorien inte minst för sina samarbeten med Ingmar Bergman (”Persona”, ”Viskningar och rop” och ”Scener ur ett äktenskap”) och Jan Troell (”Utvandrarna”). Som regissör har Liv Ullmann fortsatt att tolka Ingmar Bergmans berättelser för filmduken. P1 Kulturs Lisa Bergström passade på att sitta ned med Liv Ullmann i samband med en blixtvisit i Stockholm.KERAMIK ÖVER GRÄNSERNA – SVENSK OCH JAPANSK MÄSTARE PÅ NATIONALMUSEUMTvå av 1900-talets främsta keramiker förenades i kärleken till lera och glasyr. På Nationalmuseum i Stockholm möts svensken Wilhelm Kåge (1889–1960) och japanen Shōji Hamada (1894–1978) i en konsthantversksutställning om socialt engagemang och kulturutbyten som mjuk makt. P1 Kulturs Gunnar Bolin gick till Nationalmuseum med kollegan Nina Asarnoj för att titta närmare på detta mästarmöte.ESSÄ: ”SEKTEN ÄR CENTRAL I USA:S SJÄLVA VÄSEN”Vad är det som gör USA så unikt? Det förlovade landets förtrollande kraft står sig stark än idag. Finns svaret i hyperreliteten: det tillstånd där gränsen mellan fantasi och verklighet suddas ut? Det frågar sig författaren och journalisten Göran Rosenberg när han återvänder till en modern klassiker.Programledare: Gunnar BolinProducent: Henrik Arvidsson

Zašto je Viktor platio neverovatnih 300 evra za rani pristup seriji "Senke nad Balkanom 3" i šta se desi kada čovek sa najlepšim glasom Jugoslavije, Igor Brakus i polovina @ObneobRadio ,donese preporuke za najdepresivnije serije na Balkanu? U 79. epizodi Njuz POPkasta donosimo vam ultimativne filmske (muzičke i književne) preporuke! Od maestralne i mračne Pejakovićeve trilogije "Meso, Kosti, Koža", preko novog SF hita "Hail Mary" sa Rajanom Goslingom i brutalnog filma Park Čan Vuka, pa sve do skandala zvanog "Beogradsko poselo na Zappa barci"! Igor Brakus objašnjava zašto nije pročitao knjigu od 12. godine, dok vas mi učimo kako da postanete milioneri preko Indeks fondova. Obavezno ostavite lajk i napišite u komentarima - koja domaća serija je po vama najmračnija?

Religious Month continues with one of the most iconic and philosophical films ever made — The Seventh Seal by Ingmar Bergman.Set during the Black Death, the film follows a knight who returns home only to encounter Death himself — and challenges him to a game of chess in a desperate search for meaning. Through striking imagery and quiet conversations, Bergman explores faith, doubt, mortality, and the silence of God.We dive into the film's unforgettable symbolism, its lasting impact on cinema, and why its questions about life and belief still resonate today. From its haunting visuals to its existential core, The Seventh Seal is as thought-provoking as it is timeless.Bleak, beautiful, and deeply human — this is cinema wrestling with the biggest questions of all.#WatchTowerFilmPodcast #ReligiousMonth #SeventhSeal #IngmarBergman #ClassicCinema #ExistentialFilm #FaithAndFilm #FilmPodcast #CinephileTalk

Dans cet épisode, nous nous entretenons avec Héloïse Ferlay, réalisatrice de films en stop-motion. On parle entre autres de l'aspect technique de ce type d'animation, de ses missions en tant qu'intermittente et du choix des sujets qu'elle aborde dans les différents courts-métrages qu'elle réalise. Je vous laisse découvrir notre échange. Bonne écoute Dans cet épisode, vous entendez parler de : Caïmans Production : https://www.caimans-prod.com/Ecole des arts décoratifs : https://www.ensad.fr/frA la mer poussière : https://vimeo.com/905277654Studio Aardman : https://www.aardman.com/Studio laika : https://www.laika.com/Logiciel DragonFrame : https://www.dragonframe.com/frEnto.incognito : https://www.instagram.com/ento.incognito/Charlotte Arène : https://vimeo.com/charlottearene/videosLa mer à boire : https://vimeo.com/382338145Chloé Mazlo : http://www.chloemazlo.com/courts-metrageWallace et Gromit : https://www.allocine.fr/film/fichefilm_gen_cfilm=300228.htmlChicken Run : https://www.allocine.fr/film/fichefilm_gen_cfilm=27791.htmlZélie Durand : https://www.zeliedurand.com/Gon, the little Fox : https://www.imdb.com/fr/title/tt11802968/l'île aux chiens : https://www.allocine.fr/film/fichefilm_gen_cfilm=241680.htmlHedgehog in the fog (le hérisson dans le brouillard) : https://www.imdb.com/fr/title/tt0073099/?ref_=fn_t_1Emma De Sweaf et Marc James Roels : https://www.marcandemma.com/Orelsan - Défaite de famille : https://www.youtube.com/watch?v=wRQEfN8PGYI&list=RDwRQEfN8PGYI&start_radio=1Orelsan - La Quête : https://www.youtube.com/watch?v=rXF1Si3LEEU&list=RDrXF1Si3LEEU&start_radio=1Atomik Tour (teaser) - Bruno Collet : https://www.youtube.com/watch?v=3K0ih4u-xV0Niki Lindroth Von Bahr : http://www.nikilindroth.com/Tricky Women : https://trickywomen.at/enTricky Women Trailer : https://vimeo.com/664236132Séraphine : https://doghousefilms.eu/project/seraphine/AFCA : https://www.afca.asso.fr/Chaîne YouTube d'AFCA : https://www.youtube.com/@festivalafca/videosCourt-Circuit sur Arte : https://www.arte.tv/fr/videos/RC-014513/court-circuit/Short Cuts sur Arte : https://www.arte.tv/fr/videos/RC-015454/short-cuts/Talons Aiguilles de Pedro Almodovar : https://www.allocine.fr/film/fichefilm_gen_cfilm=1992.htmlCharlotte Le Floch : https://www.instagram.com/charlotte.le.floch/?hl=frStop Motion Studio sur Google Play : https://play.google.com/store/apps/details?id=com.cateater.stopmotionstudio&hl=frStop Motion Studio sur App Store : https://apps.apple.com/fr/app/stop-motion-studio/id441651297Inceste d'état de Romane Brisard : https://www.editions-stock.fr/livre/inceste-detat-9782234098398/Sonate d'Automne de Ingmar Bergman : https://www.allocine.fr/film/fichefilm_gen_cfilm=27604.htmlCe que Cécile sait de Cécile Cée : https://www.marabout.com/livre/ce-que-cecile-sait-9782501189651/Cécile Cée : https://www.instagram.com/cecilcee/Retrouvez Héloïse Ferlay ici :Instagram : https://www.instagram.com/heloiseferlay/ Vimeo : https://vimeo.com/heloiseferlay/videos---Le MoDCast est un format de discussion ouverte avec des professionnels du #motiondesign.Au fil de nos discussions, découvrez les parcours, les process, le quotidien de créatifs francophones.

Levi from the Well-Adjusted Horror Podcast joins us for an episode of Short Ends that is a bit silly and odd. We're talking De Düva from 1968, an Oscar nominated black & white short film that parodies the work of Ingmar Bergman. Will it turn out to be a hit with the fellas or will it just a pundent avian turd of a film? Tune in to find out!

Il lavoro creativo può aiutarci a restare in equilibrio e ricaricarci.Una volta a settimana ascoltiamo la pratica creativa di un grande artista: oggi è la volta de leggendario regista Ingmar Bergman, in un brano tratto da “Rituali quotidiani” di Mason Currey, edizioni Vallardi.“RESPIRO” è la rubrica giornaliera del podcast “Il Mondo Invisibile”, dedicata ad artisti, creativi e non solo.Se trovi questo podcast interessante, parlane e condividilo con qualcuno a cui tieni. Ti auguro una buona giornata.A presto!Alessandro#ilmondoinvisibilepodcast #respiropodcast #arte #creatività #ispirazione #podcastitaliani #respiro 

We're kicking off a month of "cream of the crop" films with an arthouse flick that continues to be studied and criticized. Levi from the Well-Adjusted Horror Podcast joins us as our Ingmar Bergman expert as we chat about Persona from 1966. Will the enigmatic dive into the self click for the fellas or will they be left unable or unwilling to put the pieces together? Does any of it matter when things look so beautiful? Tune in to find out!

On this episode, host Dr Pasquale Iannone marks the centenary of one of the towering figures of world cinema, the Polish filmmaker Andrzej Wajda. Born in 1926, Wajda was a clear-eyed and sensitive chronicler of Polish history, literature and culture in a film career spanning more than 65 years. He is probably best known for his war trilogy of the mid to late 1950s - A Generation (1955), Kanał (1957) and Ashes and Diamonds (1958) - politically-committed, formally daring films which chronicled Polish experience of WWII and its aftermath. Joining Pasquale to discuss Wajda is film scholar, critic and programmer Michał Oleszczyk. Based in Warsaw, Michał has written extensively on Wajda and earlier this year he programmed a special strand for the Kinoteka Polish Festival focusing on the artistic kinship between Wajda and one of his former assistants Andrzej Żuławski. Michał also contributed to a major Wajda season at BFI Southbank.Michał and Pasquale position Wajda in the context of post-war Polish cinema, they look at the three films in his war trilogy and they also explore some of his later features, including one lesser-known title starring Sir John Gielgud that was in Ingmar Bergman's Top 10 Films of All Time.

I studion: Fredrik Söderholm, Per Ragnar, Sanna Dollan, August Bohlin

I studion: Fredrik Söderholm, Per Ragnar, Sanna Dollan, August Bohlin

Roku 1956, právě před 70 lety, natočil švédský režisér Ingmar Bergman kultovní film Sedmá pečeť, ve kterém vystupuje postava smrti. (Přesněji řečeno smrťáka, v germánských jazycích totiž tato bytost má obvykle pohlaví mužské.) Hraje tu šachy s rytířem Antoniem Blockem, vracejícím se z nepříliš uspokojivé křížové výpravy do Svaté země.Všechny díly podcastu Ranní úvaha můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Roku 1956, právě před 70 lety, natočil švédský režisér Ingmar Bergman kultovní film Sedmá pečeť, ve kterém vystupuje postava smrti. (Přesněji řečeno smrťáka, v germánských jazycích totiž tato bytost má obvykle pohlaví mužské.) Hraje tu šachy s rytířem Antoniem Blockem, vracejícím se z nepříliš uspokojivé křížové výpravy do Svaté země.

Ryan, John, and Dixon grapple with mortality, divinity, and the meaning of life as they piece together Ingmar Bergman's inconic masterpiece The Seventh Seal (1957).  Join us in our futile search for purpose as we await our inevitable dance with Death.

On this episode Matt and Jon send well wishes to Bruce Campbell, then discuss DTF St. Louis, The Pitt and Shrinking, while Jon checked out Monarch: Legacy of Monsters, The Bluff and Matt Fraction's Batman, and Matt saw Modern Times, The General and continues his Ingmar Bergman watch! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Author and broadcaster Samira Ahmed used to watch A Hard Day's Night once a week and she's just written an enthralling account of the shoot and its impact for the BFI's Classic Films series. A movie, she points out, that celebrates Britishness and suburbia made largely by immigrants that broke every Hollywood rule, a film made to capture the essence of the Beatles before the bubble burst “which turned out to be the start of something not the end”. She talks to us here about … … the film's connections with the Goons, the Young Ones, Dr Strangelove, Star Wars, Billy Liar, It's Trad Dad and the Nouvelle Vague … and its influence - from the Dave Clark Five's Catch Us If You Can and Paul Jones' Privilege to Charlie XCX and the Moment … how the train sequence for I Should Have Known Better invented pop video … the play John and Paul wrote (Pilchard!) that was a homage to its scriptwriter Alun Owen … Paul's two-day solo shoot with Isla Blair and other (mercifully) deleted scenes ... Profumo, pirate radio, the changing Britain of 1964 … Pattie Boyd, Anna Quayle, Alison Seebohm and other stand-out female stars … Wilfred Brambell's gigantic fee and how badly his part has aged … why George and Ringo emerged as the stars … surely the greatest scene? – “She's a drag, a well-known drag. We turn the sound down on her and say rude things” … “hair that moved!”: the film's impact in the USA … “beat-up and depraved in the nicest possible way” … and how the dubbed-on dialogue about Ingmar Bergman made the German version “a film for cineastes”. Order Samira's book here: https://www.bloomsbury.com/uk/hard-days-night-9781839029394/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE After years of working in different cutting rooms across Montreal, Heated Rivalry editors Arthur Tarnowski and Véronique Barbe are finally skating on the same line for showrunner Jacob Tierney. But bringing the "spicy" subject matter of Rachel Reid's book series to tv audiences would be no small feat. It required the editors to find the right balance of tension, chemistry and character within and around the steamy sexual encounters of the shows main characters. Heated Rivalry follows the lives of two budding hockey superstars, Canadian Shane Hollander and Russian Ilya Rozanov.  Before becoming pro hockey players, the two meet as competitors at an international hockey competition.  Six months later they would be drafted by two rival teams, the Montreal Metros and the Boston Raiders.  Although their on-ice rivalry is amplified by media coverage and public perception, the two develop a private, initially casual sexual relationship that continues intermittently over several years as they pursue their hockey careers.  Keeping this relationship hidden from the world is a challenge greater than either would ever have on the ice. ARTHUR TARNOWSKI ACE, CCE Arthur Tarnowski is an award-winning editor who grew up loving James Bond and Ingmar Bergman films (thank you PBS). Editor of over 40 features, in both English and French, his eclectic filmography encompasses everything from broad comedies like the Canadian box-office hits Father and Guns 2 and Compulsive Liar to auteur cinema like Drunken Birds (Canada's Academy Awards submission, 2022), Kidnapping Inc.(Sundance 2024; Haiti's Academy Awards submission, 2026), Irena's Vow (TIFF 2023) and The Hummingbird Project(TIFF 2018). He also enjoys cutting action pictures such as Deadfall (Tribeca 2013), Brick Mansions and The Decline. His television work includes The Sticky, DMV, 19-2, Bad Blood, Being Human, The Art of More, and The Moody's. He has also created trailers for over 150 films. His most recent project, Heated Rivalry—a Crave/HBO series created with frequent collaborator writer-director Jacob Tierney—has become a global television phenomenon. VÉRONIQUE BARBE CCE Aside from her work on Heated Rivalry, Vero's credits include HBO's Big Little Lies and Sharp Objects, both directed by Jean‑Marc Vallée — a cherished creative partner and mentor whose impact continues to guide her work. She has edited TV series and films across Canada, the U.S., Europe, and Japan, and has earned nominations from the Emmys, ACE, CCE, and CSA.   Visit Extreme Music for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

On this episode Matt and Jon disucss Sentimental Value, Shrinking, The Pitt, Wonder Man and A Knight of the Seven Kingdoms, while Jon saw Mel Brooks: The 99-Year-Old Man! and Matt saw Bone Lake, Fargo, Hard Boiled, began an Ingmar Bergman watch and nears the end of Ghost of Yotei! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Finbesök i Inaktuelltstudion när komikern och manusförfattaren Svea Sigmond gästar Jonas Nilsson och Hasse Brontén. Innehållet i Katja Nybergs berömda påse, Dermot Clemengers löpsteg och Ingmar Bergmans förflutna får sig en omgång.Följ oss på Instagram: @inaktuelltpoddMejla in dina frågor till: inaktuellt@podplay.seLyssna på Inaktuellt VARJE måndag och torsdag i Podplay-appen med Jonas Nilsson, Hasse Brontén och Dawwas vikarie Jeff Keff.

VEM: Stefan SaukYRKE: SkådespelareAVSNITT: 713OM: Fysiken och åldrandet, skolan i Nairobi, filmklimatet i Sverige, Ingmar Bergman som höll sig på avstånd, karate, vari Sauks aktörsmässiga begåvning ligger, Ernst-Hugos plantskola, föräldrarnas skilsmässa, ensamma barndomen, det egna partiprogrammet, ilskan i Stockholmstrafiken, känslorna gentemot Alex & Sigge efter Mardrömsgästen, osvensk uppriktighet, konfliktryktet, känslan av att vara missförstådd och givetvis en hel del om idoga rättelser (fem, närmare bestämt) av K Triumfs eventuellt osanna, långlivade och märkligt konsekventa uppfattning om att Stefan Sauk skulle vara tio år äldre än vad han är.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Mattias ÅsénKONTAKT: varvet@triumf.se och Instagram Hosted on Acast. See acast.com/privacy for more information.

VEM: Stefan SaukYRKE: SkådespelareAVSNITT: 713OM: Fysiken och åldrandet, skolan i Nairobi, filmklimatet i Sverige, Ingmar Bergman som höll sig på avstånd, karate, vari Sauks aktörsmässiga begåvning ligger, Ernst-Hugos plantskola, föräldrarnas skilsmässa, ensamma barndomen, det egna partiprogrammet, ilskan i Stockholmstrafiken, känslorna gentemot Alex & Sigge efter Mardrömsgästen, osvensk uppriktighet, konfliktryktet, känslan av att vara missförstådd och givetvis en hel del om idoga rättelser (fem, närmare bestämt) av K Triumfs eventuellt osanna, långlivade och märkligt konsekventa uppfattning om att Stefan Sauk skulle vara tio år äldre än vad han är.SAMTALSLEDARE: Kristoffer TriumfPRODUCENT: Mattias ÅsénKONTAKT: varvet@triumf.se och Instagram Hosted on Acast. See acast.com/privacy for more information.

Episode 115 - Happy 2026! The first episode of the new year is our last Bergman discussion. This week we watch and discussed The Seventh Seal (1957) Arguably Bergman's most well-known film, the Seventh Seal follows a knight, his squire, a rag tag group of performers and others during the time of the black plague in Sweden. Those of you familiar with the film Bill and Ted's Bogus Journey might recognize the plot device of death playing a game for the life of the main character. Who borrowed from who? Tune in to find out. And tune in soon as we release our end of the year MRAC film club awards, where we reflect on the year past and all the films we watched.email us at mracfilmclub@gmail.com

Episode 114 - It is week 3 of Ignmar Bergman month here on MRAC, and for this week we watched and discussed To Joy (1950), a film that follows an orchestral musician couple through their turbulent relationship. It's a bit of a gut punch, so grab some tums and strap yourself in. QQ could not join us for this one but we got to meet Caifu, the newest member of the family. Tune in this week, and stay tuned for our final Bergman episode when we will be watching and discussing The Seventh Seal (1957). Pete will also be revealing next month's theme.And stay tuned soon after that for our end of the year MRAC awards ceremony.Email us at mracfilmclub@gmail.com

Episode 113 - Is Ingmar Berman's 1957 film Wild Strawberries a Christmas Carol story? Hold on tight because this along with a lot of other questions are raised during our two hour long double feature discussion of Wild Strawberries (1957) and Summer Interlude (1951). Both films feature main characters reflecting on the past, one an aging professor looking back on his life, and the other a less aging women looking back on a summer relationship. Join us for this off the walls discussion. And join us next week for To Joy (1950)And email us at mracfilmclub@gmail.com

Episode 112 - Pack your bags because we are headed to 1940's-50's Sweden to cover the early films of Ignmar Bergman. Bergman is considered one of the most important directors in the history of cinema so clearly we are not qualified to comment, but we are doing it anyway. You will get our initial reactions to Bergman through the first film he wrote and directed; Prison (1949), as well as some supplemental talk about Thirst (1949). Both films comment on marriage, faith and human nature... which we in turn comment on.Join us for the... fun?and join us next week as we watch an discuss Wild Strawberries (1957) and Summer Interlude (1951)email us at mracfilmclub@gmail.com

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

Our 2025 Halloween episode is a double feature in the "mentally disintegrating men" genre: in Ingmar Bergman's Hour of the Wolf, Max von Sydow is beset by some unusual vampires, and in Robert Bierman's Vampire's Kiss, Nicolas Cage becomes an even more unusual one. If people attempting to bite each other to death without proper vampire fangs is your idea of horror, this is the right Halloween film podcast episode for you. (And if it's not, watch these movies and you may change your mind.) If your idea of horror is desperately needing other people without being able to stand being around them then you've also come to the right Halloween episode.  Time Codes: 0h 00m 25s:    HOUR OF THE WOLF (1968) [dir. Ingmar Bergman] 0h 27m 18s:    KISS OF THE VAMPIRE (1988) [dir. Robert Bierman] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – "Making America Strange Again" * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

We are so excited to celebrate spooky season with our friends, Becky D'Anna & Jon Laubinger, as they launch their new show - DIRECTOR'S TAKE: A SONY PICTURES PODCAST! We got to chat with them about one of their favorite films of this last year, Steven Soderbergh's, PRESENCE (2024). Be sure to check out their New Podcast! Director's Take brings today's most acclaimed filmmakers into conversation with the films that shaped them. Each episode spotlights a director exploring a work they didn't make—but deeply admire—revealing how these stories continue to inspire new generations of artists and audiences. With fresh perspectives and cultural context, Director's Take reintroduces landmark titles as works worth rediscovering.Becky D'Anna has worked in the film industry for over two decades. She contributed to event marketing campaigns ranging from the X-Men franchise at Twentieth Century Fox to the Spider-Man franchise at Sony Pictures. Becky most recently worked on the third-party partnership campaigns for the Oscar-winning animated film, Spider-Man: Into the Spider-Verse, and Sony Picture's highest grossing film in its history, Spider-Man: No Way Home. When not at Sony, Becky loves sharing her film knowledge by writing and podcasting about her favorite movies, TV shows, and filmmakers. In addition, Becky is a guest instructor on film history and appreciation. She most recently taught a 6-hour lecture on the films of Ingmar Bergman at UC Riverside as part of their two week "Contemporary Approaches to Filmmaking" program, and was a guest panelist on the “Horror and the Inevitable Remake" panel at San Diego Comic Con 2022.Website: https://beckydanna.com/ Jonathan Laubinger is an avid movie lover and podcaster. He created, hosted, edited, and produced the Film Baby Film podcast, which primarily focused on deep-dive episodes of beloved art house film classics. Jonathan has also appeared on several other podcasts including WrongReel, Criterion Reflections, and others. He has appeared on multiple game shows, winning almost $90,000. For his day job, he is an executive at a start-up in the specialty insurance industry. Jonathan is a Fellow of the Casualty Actuarial Society and has his JD/MBA from Boston College. Spotify: https://open.spotify.com/episode/6H16LiwpgrEPQ8uhHE3FRU?si=5hilMRDWQHioGht6V29gVQ&nd=1&dlsi=7dd3dcf875154dd4Apple Podcasts:https://podcasts.apple.com/us/podcast/zach-cregger-adaptation/id1840753945?i=1000729183843Amazon Music / Audible: https://music.amazon.com/podcasts/08c227b8-ce1f-4817-9241-b11defb40a4c/directors-takePandora - https://pandora.app.link/Qs77bumo4WbTuneIn - http://tun.in/pxVVWSupport the show

After a "brief" interlude of toxic yuri, we return to CCC to find... toxic yuri???? Get ready to meet everyone's favorite babygirl since Takuji as she scrapes and stalks her way every closer to Hakuno. We can talk it out right? Right..? I'll cry if we can't...Next time, we'll be covering Chapter 4 of CCC, as well as Ingmar Bergman's "Wild Strawberries".Featuring co-hosts Benn Ends (@bennends.itch.io) and fen (@fenic.moe). Guest featuring Chris (tsukinomiko_).Support the show and get access to bonus episodes: https://www.patreon.com/cryingrulesLink to the Fate/Moon Archive new and improved schedule: http://moonarchive.art/scheduleSECTION TIMESTAMPS:intro - 0:00yuri teatime - 1:50uncle boonmee who can recall his past lives - 8:55fate/extra ccc - 40:50floor 7 - 47:56floor 8 - 2:06:47floor 9 - 3:05:22passionlip boss fight - 4:11:38outro - 4:50:27LIST OF NON TYPE-MOON WORKS REFERENCEDuncle boonmee who can recall his past livestoxic yuri jamThis episode carries content warnings for discussions of death, aging, stalking, sexual assault, having your cake and eating it too, big naturals Kokona, and Toxic Yuri Jam Winners.Email us at cryingrulesactually@gmail.com with questions, comments, and compliments.Cover art by Benn Ends, Intro music by Benn Ends, remaining music from works covered.

It's Ingmar Bergman week over on 'AnotherLook' - listen up as Corey's pick, Hour of the Wolf, has us examining all the usual stylistic characteristics of the famed auteur. Existentialism! Artistic malaise! Psychological torment! All this and more for Bergman's sole horror film on the spooky 7th season of 'AnotherLook'.

A government inquiry into family reunification rules includes a proposal that could allow some teenage children who have come here with their parents to stay after they have turned 18. We speak to some of those whose families have been affected. And the maybe most hotly debated topic of the week: the Swedish culture canon that has now been presented. No surprise it contains Ingmar Bergman, Astrid Lindgren and August Strindberg — but what is the tiled stove doing in there?And Alexander Isak's former Swedish football club is looking forward to some of the money from that record-breaking transfer sum to trickle down to them.

Live from the historic Djurgårdscirkus theater in Stockholm, join us as we dive headfirst into the frosty fjords of Sweden! From government-funded moose warning signs to the national obsession with fermented fish that smells like Satan's humidifier, it's a smörgåsbord of Scandinavian magic! The dolls dissect Sweden's bizarre love affair with coffee breaks (yes, “fika” is mandatory), their legally protected right to sunbathe naked on someone else's lawn, and the insanely scary haunted house at Gröna Lund where Trixie's screams may have summoned the ghost of Ingmar Bergman. Buckle up, as this is a Volvodyssey of Viking realness you won't soon forget. Start your free online visit today and find ED treatment that's up to 95% less than brand names at ⁠https://HIMS.com/BALD Work on your financial goals through Chime today! Open an account in 2 minutes at https://Chime.com/BALD Chime. Feels like progress. Get your gut going and support a balanced gut microbiome with Ritual's Synbiotic+. Get 25% off your first month at https://Ritual.com/BALD Need a website? Head to Squarespace.com for a free trial, and when you're ready to launch, go to https://Squarespace.com/BALD to save 10% off your first purchase of a website or domain! Start listening and discover what's beyond the edge of your seat with Audible! New members can try Audible now free for 30 days and dive into a world of new thrills. Visit https://Audible.com/BALD or text BALD to 500-500 Give your summer closet an upgrade with Quince! Go to https://Quince.com/BALD for free shipping on your order and three hundred and sixty-five -day returns! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠   Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠⁠⁠⁠⁠  TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠  Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠⁠⁠⁠⁠  Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠  Twitter (X): ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠    #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices

In front of an audience at the Karlovy Vary International Film Festival, the veteran Swedish actor reflects working with everyone from Ingmar Bergman to David Fincher, moving between art house projects (e.g. his five collaborations with Lars von Trier) and studio fare ('Dune,' 'Mamma Mia!,' 'Pirates of the Caribbean' and five MCU installments), and why he's particularly proud of his latest film, Joachim Trier's Cannes' Grand Prize winner in which he plays an aging filmmaker who has a complicated relationship with his two daughters. Learn more about your ad choices. Visit megaphone.fm/adchoices