Podcast appearances and mentions of Kelly Reichardt

On this episode, JD and Brendan discuss Kelly Reichardt's new film THE MASTERMIND, starring an incredible Josh O'Connor! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

We're here to cross the streams and discuss the amazing work of Kelly Reichardt, featured on MUBI, with the terrific, wise, and funny Brandon Streussnig. Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If there's one filmmaker who has left a mark more than any other on my life, it's been Kelly Reichardt. Through her work, I've gleaned an understanding of what American life through the ages is like. From the pioneer days captured with a desolate despair in Meek's Cutoff, to the heart shattering singularity of Wendy and Lucy, to the manner that taste and fortune appear in opportunistic ways in First Cow, and now, with her latest film The Mastermind, we see a nation at another nexus point, pushed by the Vietnam War and a changing society to be something different, something possibly more equal.The Mastermind is a bit of a heist film, but it's a heist film in the way that First Cow was a heist film, meaning, the nature of the heist is almost perfunctory in that while it's the instigating action for the film, it's the outcomes of the heist that throws Josh O'Connor's James Blaine Mooney life into disarray. Not that his life wasn't in some level of disarray with the feckless out of work father mooching off his parents, all the while his loving wife Terri (another great turn from Alana Haim) has to look after their kids while also working a full time job.James comes up with the idea to steal four abstract paintings from the local art gallery. What he intends to do with the paintings once he has them, we never find out. But it's also quite likely he has no idea too. Josh O'Connor is easy to watch here, so captivating as someone who thinks he's smarter than he is, but really just needs to be nudged along to make something of his life.Yet, for me, he's not the interesting part of The Mastermind. Instead, I found Kelly Reichardt's interest in the bystanders of the 1972 Worcester Art Museum robbery to be more fascinating. Kelly has talked in the past about her fascination with people stealing art, but what drew her to this robbery in particular was the schoolgirls who were bystanders and observed it happen. She plants similar girls as observers of James Blaine Mooney's heist, and it's through their brief perspective that we're also invited to see the film from the viewpoint of the women of the story.It's an idea which I asked Kelly about in the following interview, which talks about the viewpoints of The Mastermind, while also discussing how Kelly's films view the changing state of America. We close by talking about the importance of accessible art, and what it means to be able to see art in rural or remote areas.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

2025 touche bientôt à sa fin, mais il y a encore plein de films vus à traiter dans 24FPS, le podcast ciné avec ou sans spoiler ! Voici les 23 films abordés sans spoiler par Jérôme et Julien dans cet épisode : Dalloway de Yann Gozlan (à partir de 0:02:57) In Whose Name ? de Nico Ballesteros (à partir de 0:07:35) Marche Ou Crève de Francis Lawrence (à partir de 0:15:39) Chien 51 de Cédric Jimenez (à partir de 0:37:21) Bone Lake de Mercedes Bryce Morgan (à partir de 0:48:58) TRON Arès de Joachim Rønning (à partir de 0:51:58) L'Homme Qui Rétrécit de Jan Kounen (à partir de 1:34:59) Good Fortune de Aziz Ansari (à partir de 1:47:40) Good Boy de Ben Leonberg (à partir de 1:57:50) Black Phone 2 de Scott Derrickson (à partir de 2:11:58) Smashing Machine de Benny Safdie (à partir de 2:18:10) Roofman de Derek Cianfrance (à partir de 2:41:13) Arco de Ugo Bienvenu (à partir de 2:48:51) The Mastermind de Kelly Reichardt (à partir de 2:54:50) Predator - Badlands de Dan Trachtenberg (à partir de 2:59:46) La Voisine Idéale de Geeta Gandbhir (à partir de 3:20:58) Insaisissables 3 de Ruben Fleischer (à partir de 3:29:20) Frankenstein de Guillermo del Toro (à partir de 3:36:55) Sisu - Le Chemin De La Vengeance de Jalmari Helander (à partir de 3:57:38) Zootopie 2 de Byron Howard et Jared Bush (à partir de 4:01:43) Running Man de Edgar Wright (à partir de 4:06:34) Rental Family de Mitsuyo Miyazaki (à partir de 4:37:44) A House Of Dynamite de Kathryn Bigelow (à partir de 4:45:57) Et ils abordent des spoilers sur House Of Dynamite à partir de 5:09:55 ! Bonne écoute, et n'hésitez pas à donner votre avis sur la défense française ! Crédits musicaux : Broadcast Attack de Harold Faltermeyer, issu de l'album The Running Man - Original Motion Picture Soundtrack (1987), et Keep On Running de Tom Jones, issu de l'album 13 Smash Hits (1967)

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt's Certain Women (2016). We chat about the importance of shooting locations in Reichardt's films, as well as letting the actor's faces carry the weight of the story. This is the series opener and I'm very excited to chat about a director whose voice is so distinct and welcome in modern cinema. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes here: The American Friend (D.O.P. Robby Müller) Tokyo Story (Yasujirō Ozu 1953) Peter's alt Reichardt double bill: First Cow (Kelly Reichardt 2019) Cloud (Kiyoshi Kurosawa 2024) Sources: https://www.criterion.com/current/posts/4941-certain-women-trapped-under-the-big-sky https://www.anothergaze.com/review-certain-women-kelly-reichardt-sophie-mayer/ https://www.theringer.com/2025/10/03/movies/certain-women-best-movies-21st-century https://seventh-row.com/2017/02/10/kelly-reichardt-certain-women-interview/ https://www.independent.co.uk/arts-entertainment/films/features/certain-womens-kelly-reichardt-interview-michelle-williams-laura-dern-kristen-stewart-lily-gladstone-a7615271.html https://www.refinery29.com/en-gb/2017/02/142090/certain-women-kelly-reichardt-film-director-interview https://thefilmstage.com/lily-gladstone-talks-certain-women-kelly-reichardts-genius-and-native-american-roles/ https://www.nylon.com/articles/kelly-reichardt-certain-women-interview https://www.theupcoming.co.uk/2017/03/03/certain-women-an-interview-with-director-kelly-reichardt/ Outro Song: The Night They Drove Old Dixie Down by Joan Baez Films Mentioned: The American Friend (Wim Wenders 1977) Tokyo Story (Yasujirō Ozu 1953) Old Joy (Kelly Reichardt 2006) Wendy and Lucy (Kelly Reichardt 2008) Night Moves (Kelly Reichardt 2013) River of Grass (Kelly Reichardt 1994) First Cow (Kelly Reichardt 2019) The Mastermind (Kelly Reichardt 2025) Meek's Cutoff (Kelly Reichardt 2010) Elephant Man (David Lynch 1980) No Country for Old Men (Joel & Ethan Coen 2007) Chungking Express (Wong Kar-wai 1994) Paris, Texas (Wim Wender 1984) May December (Todd Haynes 2023) Carol (Todd Haynes 2015) Collateral (Michal Mann 2004) Face/Off (John Woo 1997) Cloud (Kiyoshi Kurosawa 2024) Killers of the Flower Moon (Martin Scorsese 2023) Breaking The Waves (Lars von Trier 1996) Desert Hearts (Donna Deitch 1986)

"Ich mache Filme über Leute ohne Sicherheitsnetz", sagt Kelly Reichardt selbst über ihr Kino. Irgendwie sitzen ihre Außenseiter immer am nächsten Plan, der dann doch nie so richtig gelingt. Nach Alaska soll es gehen, ein Damm gesprengt, Kunstwerke geklaut werden. Dabei steht ihnen oft eine brutale Welt im Weg, über deren Binsenweisheiten man sich erst hinwegsetzen muss. "Hier darf man nicht parken", "So geht das doch nicht", "Wer kein Geld hat, soll auch keinen Hund haben". Aber manchmal reicht einem jemand die Hand und man schafft es doch, sich über einen Zaun zu wuchten. Aber was wartet auf der anderen Seite? Meist die schier endlose Natur. JE Thomberg, Lucas und Christian sprechen im neuen Special über das Kino von Kelly Reichardt. Das ist aber nur der Teaser. Unterstützt uns auf https://steadyhq.com/cuts um die ganzen drei Stunden zu hören.

This week, Megan watches REBUILDING (2:30), writer-director Max Walker-Silverman's follow-up to A LOVE SONG (which Megan loves), about a cowboy putting his life back together after a fire destroys his home and land, and the homes of many people in his community. Then Megan and Dave discuss THE SECRET AGENT (22:14), a Brazilian film by Kleber Mendonça Filho about political violence and corruption that's receiving accolade after accolade this year. (Wagner Moura won Best Actor at Cannes, for one.) Over on Patreon, we cover Kelly Reichardt's 2010 film MEEK'S CUTOFF.

Brekky host Pam Boland can't believe her luck, because this week, Blockbuster Babe Tristan Fidler is joined by Bonus Babe Laura Blundell! First up, Laura reviews Mistress Dispeller, the stunning new documentary about the professionals in China hired to break up cheating husbands with their lovers. It's now showing in Perth cinemas. The, Tristan reviews Kelly Reichardt's '70s-set heist flick The Mastermind, starring one of the Challengers himself, Josh O'Connor. It's playing as part of the Perth Festival Lotterywest Film season. Be sure to catch up with Movie Squad's chat with the Fest's Film Curator Madeline Bates here! Stay tuned for a pod-exclusive chat as Tristan reviews George Clooney and Adam Sandler's new Netflix comedy, Jay Kelly, from director Noah Baumbach. It's in select cinemas before heading to streaming next month. Catch Tristan and Simon at the Accent: Music and Sound in Australian Cinema Conference this Sunday 30 November. Find out more and get your tickets here! Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam! And find out more about Tristan's Trash Classics screenings at Luna Cinemas on the last Friday of every month here. Movie Squad is sponsored by Luna Palace Cinemas, WA's premiere independent cinemas, bringing the best film content and cinematic events to Perth.

Cette semaine, Simon nous parle des sorties Blu-ray de la semaine de Severin pour le Vendredi fou, des films de ninjas pour agrémenter son mois de novembre, de la refonte de « Deathstalker » et de la télésérie « The Chair Company ». Laurent pour sa part nous parle longs métrage « The Librarians » de Kim A. Snyder, « The History of Sound » de Oliver Hermamus », « The Mastermid » par Kelly Reichardt et de la BD « On les appelle Junior & Senior » par Jean-Baptiste Hostache et Robin Recht. Pour sa part, Benoit revient sur les annonces entourant le développement d'un nouveau film de Star Trek par les cinéastes derrière « Dungeons & Dragons : Honor Among Thieves », le retour de Brian Michael Bendis chez Marvel Comics, le premier numéro de la nouvelle mouture de « Youngblood » qui fait beaucoup parler, ainsi que sur les démarches d'amateurs de Star Wars qui tente d'interpeler les dirigeants de Disney. En dernière partie d'émission, nous discutons de « Ultimate Wolverine Vol. 1: The Winter Soldier » de Christopher Condon et Alessandro Cappuccio. Laissez-nous un message vocal: https://www.speakpipe.com/mysterieuxe Devenez membre de la communauté Patreon: https://www.patreon.com/MysterieuxE Diffusion originale : 17 novembre 2025 Site web : MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés

For their fourth film together, Yorgos Lanthimos and Emma Stone get weird and go bald in BUGONIA with Jesse Plemons as Stone's conspiracy-obsessed kidnapper. Adam and Josh discuss, along with reviews of Lynne Ramsay's DIE MY LOVE starring Jennifer Lawrence, Kelly Reichardt's THE MASTERMIND with Josh O'Connor, and film-of-the-year candidate IT WAS JUST AN ACCIDENT, the latest from Jafar Panahi.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:36) Bugonia (00:02:37-00:30:40) Die My Love (00:30:41-00:48:44) Filmspotting Family (00:48:45-00:51:48) The Mastermind (00:51:49-01:14:08) Mastermind Prize (01:14:09-01:17:49) It Was Just an Accident (01:17:50-01:34:18) Next Week / Notes (01:34:19-01:45:55) Polls (01:45:56-01:56:08) Credits / New Releases (01:56:09-02:00:04) Links: -Poll: Actor/Director Duos Since 2000 https://poll.fm/16260111 -Siskel & Ebert at 50: Lone Star with Adam and Michael https://luma.com/pwlqid75 -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ -London Meetup w/Josh on Dec. 11 https://forms.gle/rUcgUKicTddzwFBs5 RSVP:  Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠  https://www.instagram.com/larsenonfilm  ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Začel se je 36. ljubljanski mednarodni filmski festival - LIFFe, ki mu oddajo namenjamo skoraj v celoti. Napovedujemo najbolj pričakovane filme festivala in ocenjujemo Belo se pere na devetdeset, ki je na festivalu v rekordnem času razprodal štiri projekcije. Ljubiteljem kinotečnih filmov pa sta namenjena retrospektiva filmov ameriške neodvisne filmarke Kelly Reichardt in izbor filmov ukrajinske filmske ustvarjalke Julije Solnceve. Pozabili pa nismo niti na druge filme: v kinu je znanstvenofantastična akcijska srhljivka Tekač, posneta po distopičnem romanu Stephena Kinga, ki je bil dogajalno postavljen prav v leto 2025.

On October 19th, a group of masked men broke into the Louvre in broad daylight and made off with some of France's crown jewels. Suspects are now in custody, but the online fervor is still going strong. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the sordid satisfaction of watching a heist play out, both onscreen and off. They dive into the debacle at the Louvre, along with a range of fictional depictions, from the fantasy of hyper-competence in “Ocean's Eleven” to the theft that goes woefully awry in Kelly Reichardt's new film, “The Mastermind.” Part of the fun, it seems, lies in rooting for those who identify and exploit the blind spots of an institution. “Someone else, just like me, is seeing that everybody is an idiot. But, unlike me, they're able to best those people in charge,” Fry says. “It's an alternative morality—a morality of wits.”Read, watch, and listen with the critics:“The Mastermind” (2025)“Ocean's Eleven” (2001)Stella Webb's impression of “the Louvre heist Creative Director”Jake Schroeder's “Ballad for the Louvre”“Showing Up” (2022)“The Italian Job” (1969)“How to Beat the High Cost of Living” (1980)“Drive” (2011)“Le Cercle Rouge” (1970)“This Is a Robbery: The World's Biggest Art Heist” (2021)“Good Time” (2017)“George Santos and the Art of the Scam” (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

Dit zijn onze shownotes:Abonneer je gratis op onze podcast via jouw favoriete podcast-app (zoals Google Podcasts, Spotify of Apple Podcasts), dan valt de eerstvolgende aflevering van het derde seizoen automatisch in je podcastbibliotheek.Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 11 van het derde seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:30 - 21 uur in Studio Kookhaven in Amsterdam Oost. Wil je erbij zijn? Aanmelden kan via de mail: alles@balletkroket.nlOngeveer 1 keer per maand maken we een heel evenement van de opname, dan is de Bar Van Dick geopend en kun je Aan Tafel Bij Lone een heerlijke vegetarische maaltijdsalade eten (E 17,50). Het eerstvolgende evenement is op maandag 15 december. Aanmelden voor opname en/of eten kan via alles@balletkroket.nlof stuur ons een DM op Instagram @balletkroket.Host Francien Knorringa zag de film The Mastermind van Kelly Reichardt. https://www.filmladder.nl/film/the-mastermind-2025Host Jannekee Kuijper zag de voorstelling Brabo Leone van Sarah Janneh. https://nite.nl/voorstelling/braboleone/ En zij interviewde Sarah ook voor het radioprogramma Kunststof. https://npo.nl/luister/podcasts/2-kunststof/132932Floor Rieder was te gast over het door haar geïllustreerde boek Peter Pan van J.M. Barrie in een herziene vertaling door Esther Ottens. https://gottmerkinderboeken.nl/product/peter-pan/Gids Helena Hilgerdenaar zag de tentoonstellingTilda Swinton in het Eye Filmmuseum in Amsterdam. https://www.eyefilm.nl/programma/tilda-swinton/1473850 En ze zag de tentoonstelling Shima no Ama van fotograaf Kusukazu Uraguchi in museum Huis Marseille in Amsterdam. https://huismarseille.nl/tentoonstellingen/kusukazu-uraguchi En ze zag daar ook de tentoonstelling Rooms we made safe van Michelle Bredahl. https://huismarseille.nl/tentoonstellingen/michella-bredahl/Kok van de Week Lone Poulsen besprak haar bedrijfs- of familie-uitje in aanloop naar kerst: De nordic kersttafel. Een workshop met heerlijk eten en drinken. https://www.shecamefromnorth.com/nordic-kersttafel/Onze Adverteerders:Onze technicus Reinder Van der Put doet de nabewerking van onze opname. Daardoor klinkt deze als een klok. Een even betaalbare als onmisbare dienst voor podcastmakers. http://putintomedia.nlSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nl. Zoek Kookhaven ook op Instagram, daar vind je alle informatie over de komende oester- en scheermes pop up.Don Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nl Don Ostra is ook te vinden op Instagram. Daar is de informatie over de komende oester- en scheermes pop up te vinden.Lone Poulsen, de kok die uit het noorden kwam en private dinings en workshops verzorgt in het teken van de nordic cuisine. Je kan ook vers Deens roggebrood bij haar bestellen. En ze maakt likeur van de bladeren van je vijgenboom als je dat wil. Op evenement-dagen van Ballet Kroket kun je Aan Tafel bij Lone (E17,50). Neem contact op via: www.shecamefromnorth.comJachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Bijvoorbeeld op maandag 15 december 2025. Mail alles@balletkroket.nl of stuur ons een DM op Instagram @balletkroket.Kijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nlalles@balletkroket.nl

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

The Mastermind is a 2025 heist film written and directed by Kelly Reichardt. The film stars Josh O'Connor, Alana Haim, Hope Davis, John Magaro, Gaby Hoffmann and Bill Camp. Set in 1970, the film follows a struggling family man who secretly plots to steal art from a sleepy suburban museum while the nation rages over the Vietnam War. Reichardt described the film as a struggle between the allure of individualism and the necessity of collective action. The film was inspired by a mixture of real-life events and classic films, including the 1972 robbery of the Worcester Art Museum and the films of Jean-Pierre Melville.The film had its world premiere at the main competition of the 2025 Cannes Film Festival on May 23, where it was nominated for the Palme d'Or, and was released in the United States by Mubi on October 17. Hosted on Acast. See acast.com/privacy for more information.

Kelly Reichardt's genre-defying heist movie, The Mastermind, is in cinemas, so we're taking the opportunity to discuss our favourite capers. We also pay tribute to the longest running cinema release of all time  (from 1975 to present day), The Rocky Horror Picture Show, on its 50th anniversary.ReferencesDogma: The Resurrection Tour-----------If you love what we do, please like, subscribe and leave a review!Edited and produced by Lily Austin and James BrailsfordOriginal music by James BrailsfordInstagram TikTokLetterboxdEmail us

Original Release Date: Monday 3 November 2025    Description:   After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari's Good Fortune. The topic then turns to Paul Thomas Anderson's 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil's thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

La Semana Internacional de Cine de Valladolid, la SEMINCI, cerró ayer su 70ª edición en el Teatro Calderón, consolidándose como un referente del cine de autor. Por su alfombra azul desfilaron decenas de cineastas, intérpretes y productores que presentaron sus obras: 225 películas en total.La Espiga de Oro, máximo galardón del festival, fue concedida ex aequo a Magallanes, del filipino Lav Díaz, y The Mastermind, de la estadounidense Kelly Reichardt. Las Espigas de Honor reconocieron a Mia Hansen-Løve, Luis Callejo y a las escuelas de cine ECAM y ESCAC.Hoy, 2 de noviembre, Día de los Difuntos, recordamos a quienes ya no están, pero siguen vivos en nuestra memoria y en las historias que el cine sabe contar con ternura, misterio, nostalgia… y a veces, incluso con humor. Hacemos un maratón de películas de directores que encontraron en la muerte el hilo principal de sus historias con José Luis Garci, Andrés Aberasturi y Fernando Guillén Cuervo.Escuchar audio

Los hermanos Dardenne siguen demostrando su capacidad para mirar a la clase obrera, la familia y los marginados en 'Recién nacidas', un relato coral de madres adolescentes en un centro de acogida. Otra directora con una sensibilidad especial es Kelly Reichardt, autora de 'The Mastermind', una película de atracos inusual que protagoniza un gran Josh O'Connor. Además hay cine de terror, 'Los tigres' de Alberto Rodríguez y analizamos el final de la Seminci. En media hora os ponemos al día de todo el cine y las series.

Cerramos una semana en la que hay títulos para todos los gustos, thriller, drama íntimo, biopic, viajes en el tiempo y hasta experimentos artísticos, Comenzamos con una película muy esperada Los tigres, el último trabajo de Alberto Rodríguez que nos lleva a los fondos marinos. Con él y los actores protagonistas Antonio de la Torre y Bárbara Lennie charlamos esta madrugada. Recién Nacidas de los hermanos Dardenne es otra de las películas que no podíamos perdernos, pone el centro de mira en un centro maternal y en la historia de cinco adolescentes, de todo ello hablamos con sus directores. Recién Nacidas es la cinta internacional que destacamos junto a The Mastermind de Kelly Reichardt y el biopic Monsieur Aznavour que nos acerca nuestra colaboradora Ángeles González Sinde.Nos metemos en el mundo de Andy Warhol y celebramos un cumpleaños muy esperado, los 40 que cumple Regreso al futuro.Todo esto además de las series con Pedro Calvo, el resto de la cartelera donde nos detenemos en La sabana y la Montaña y Las guerreras K-Pop.Escuchar audio

Guillermo del Toro is back, with his long-gestating Frankenstein! Kelly Reichardt is back, with Josh O'Connor-starring art heist drama The Mastermind! The gang is back, and we're in a new office! What a time to be alive on this, The Cineskinny podcast. Oh, and before we forget, listen to our *other* podcast, Music Now – we spoke to Andrew Wasylyk and Tommy Perman about their new score for the Lon Chaney 1925 Phantom of the Opera (https://open.spotify.com/episode/1JjZNhEPJ5bPezB2MNPTWH?si=1ac9ad32df1a43d8) TIMESTAMPS: What We've Been Watching: London geography and capsule hotel reviews (4:55) Frankenstein review (17:10) The Mastermind review (32:15) Heists on film – Inception, Charley Varrick, The Wrong Trousers and more (49:20) Recorded at The Skinny office at Outerspaces, outerspaces.org Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Intro and interstitial music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Yorgos Lanthimos's Bugonia follows two conspiracy-obsessed men who kidnap a powerful CEO, convinced she's an alien bent on destroying Earth. Emma Stone and Jesse Plemons shine, but while host Laura Gommans revels in their performances, Elliot Bloom questions whether Lanthimos's satire lands in the world we live in today.Plus, Kelly Reichardt joins Hugo Emmerzael to discuss The Mastermind — a stripped-down art heist film set in 1970s suburban America — and her collaboration with Josh O'Connor.Get tickets to Bugonia @ LAB111

Sean and Amanda start the show by covering the major box office success of ‘Chainsaw Man,' reacting to the news that Cinemark is opening myriad new 70 mm IMAX screens across the country, and discussing what it represents for the future of moviegoing (2:00). Then, they deep dive into Kathryn Bigelow's new film, ‘A House of Dynamite,' starring Rebecca Ferguson. They unpack their very complicated feelings by highlighting what they found successful, including a titillating first act and some strong performances, and they address its major flaws, most notably a wild third act that features a deeply unsuccessful performance from Idris Elba (12:59). Finally, Adam Nayman joins the show to discuss Kelly Reichardt's new film, ‘The Mastermind,' starring Josh O'Connor as an outcast loner (1:07:46). They talk about Reichardt's ability to identify this type of character and give credit to her and O'Connor for crafting such a wonderful performance. Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week – baby, we were born to review music biopic SPRINGSTEEN: DELIVER ME FROM NOWHERE (08:22), alongside Nia DaCosta's new twist on Ibsen, HEDDA (28:58), and Kelly Reichardt's heist film, THE MASTERMIND (52:08). Plus, in our HOT TAKE (01:08:20), we discuss Disney's scrapped plans for a Star Wars sequel, titled THE HUNT FOR BEN SOLO. If you would like to donate directly towards humanitarian aid in Gaza please visit:https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

Josh O'Connor stars in a heist movie to end all heist movies – or at least end our illusions that the person pulling the heist is pretty cool and awesome. Comedian and friend Myq Kaplan is along to watch things unfold, and unravel, in THE MASTERMIND. Then we take a Hotline question about what film school courses we'd like to teach.What's GoodAlonso - Programme 4   Drea - First women to cross the Atlantic unsupported (in their girthy canoe)Myq - Communing with friends [Rini (and Rini), John Fugelsang appearance, Separation of Church and Hate, tea with Abby Wambaugh] Kevin - new mic cable and arm; guesting on How to SurviveBernie & Phyl's ad ITIDICPenske Reportedly Offers Golden Globe Bribe Opportunity to Right-Wing PodcastersBUGONIA Offering Free Screening for Bald AudienceStaff PicksDrea - La ChimeraAlonso - A House of DynamiteMyq - The Life of ChuckKevin - Roofman10/25: American Cinema Editors Short Film Showcase – The First Day of Your Last Period11/2: Myq at Dynasty TypewriterAlonso's book: Have Yourself a Movie Little Christmas Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, The Mastermind, out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history. 

Dave is back this week but, bum that he is, didn't get a chance to watch either film this week. So that leaves Megan flying solo on FRANKENSTEIN (3:00), writer-director Guillermo del Toro's take on Mary Shelley's classic novel. Short version: Megan loooooooved it and particularly enjoyed that this version portrays Victor Frankenstein (Oscar Isaac) as a complete bastard, and it gives the Creature (Jacob Elordi) a humanity and depth that other versions don't. Then Evan joins Megan for THE MASTERMIND (17:04), writer-director Kelly Reichardt's latest, about an art heist gone wrong - largely because its planner (or mastermind, ha) is a terrible planner. Over on Patreon, Dave, Megan, and Evan talk about the 1977 film LOOKING FOR MR. GOODBAR in honor of the late Diane Keaton.

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, "The Mastermind," out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

On Truth & Movies this week, we discuss Kelly Reichardt's The Mastermind, Springsteen: Deliver Me From Nowhere, and finally, for film club, Two Lane BlacktopJoining host Leila Latif are David Jenkins and Lillian Crawford.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Erik Childress and Steve Prokopy have another 11 reviews for you this week. It starts all the way back at last year's Toronto Film Festival with Crispin Glover finding no way out of a mysterious hotel (Mr. K). Justin Lin adapts the true story of a young missionary and a lost tribe (Last Days). A ‘90s thriller gets updated (The Hand That Rocks The Cradle), an imaginary demon terrorizes people (Shelby Oaks) and zombies go after drag queens (Queens of the Dead). Kelly Reichardt tells the story of the man behind a ‘70s art heist (The Mastermind) and Richard Linklater returns with Ethan Hawke on a notable night for a songwriting legend (Blue Moon). Jesse Plemons kidnaps Emma Stone in the latest from Yorgos Lanthimos and Kathryn Bigelow returns after eight years to put us on the brink of WWIII (A House of Dynamite). The author of It Ends With Us gets her latest melodramatic adaptation (Regretting You) while The Boss finally gets a crucial part of his journey told (Springsteen: Deliver Me From Nowhere)3:56 - Mr. K11:34 - Last Days17:48 - The Hand That Rocks the Cradle27:32 - Shelby Oaks33:28 - Queens of the Dead45:42 - The Mastermind55:03 - Blue Moon1:08:16 - Bugonia1:20:32 - Regretting You1:34:14 - A House of Dynamite1:48:00 - Springsteen: Deliver Me From Nowhere2:01:13 – Next WeekCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Lara Peters talks to filmmaker Kelly Reichardt about her new film, The Mastermind, in cinemas now.  In a sedate corner of Massachusetts circa 1970, JB Mooney (Josh O'Connor) an unemployed carpenter turned amateur art thief, plans his first big heist. When things go haywire, his life unravels. If you'd like to stay in the world of The Mastermind once the credits roll, make space on your bookshelf for MUBI Editions' upcoming release: a beautifully-designed, in-depth record of the film's creation. Learn more here. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

This Week on the Show: Josh O'Connor, Kelly Reichardt & the Art of the Heist Fresh off the headlines of a real-life Louvre robbery, indie auteur Kelly Reichardt and breakout star Josh O'Connor join Simon to talk about their buzzy new film, The Mastermind—a stylish 70s-set art-heist drama that's suddenly feeling very timely. O'Connor plays JB, a slacker dad whose low-stakes gallery theft spirals into something far more chaotic. Expect Nixon-era nostalgia, vintage fashion deep-dives, and awkward ovation etiquette. Plus, Josh spills on his upcoming Spielberg project—yes, that Spielberg. Mark Reviews: The Mastermind – Does Reichardt's latest live up to the hype? Regretting You – A romantic drama with a title tailor-made for snark. Mark's rant radar is fully activated. Sketch – A family film where kids' drawings come to life. But does the magic hold up? Springsteen: Deliver Me From Nowhere – Jeremy Allen White stars as The Boss in this hotly anticipated biopic. Does it rock or roll off the rails? Whether you're here for reviews, behind-the-scenes stories, or just want to know what's worth your cinema ticket this week, we've got you covered. And some exciting news: The Take is now on Patreon! Find our page here: www.patreon.com/kermodeandmayo You can now become a Vanguardista—or join the new ranks of the Ultra Vanguardistas, on our Patreon page. Get a whole extra show with Take 2 every week, plus... Access to our new member-only Patreon chat rooms Polls & submissions — vote on the films we cover, send us questions to answer, and try your best (or worst) jokes for the Laughter Lift. Behind-the-scenes photos and videos you won't find anywhere else. Video versions of ALL upcoming Take Two bonus episodes A new monthly newsletter called The Redactor's Roundup And, most excitingly... A whole brand new fortnightly LIVE show from the Good Doctors – and the chance to message on the live chat during the show AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December. Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Regretting You Review: 10:51 Box Office Top Ten: 19:54 Josh O'Connor & Kelly Reichardt Interview: 33:31 The Mastermind Review: 48:15 Laughter Lift: 57:40 Springsteen: Deliver Me From Nowhere Review: 1:01:04 Sketch Review: 01:15:57 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bestselling thriller writer John Grisham on his latest book, The Widow, in which a smalltown lawyer from Virginia finds himself accused of a serious crime after he develops a professional relationship with a wealthy woman who may not be all that she seems. We hear from writer-director Kelly Reichardt and from actor Josh O'Connor who plays an art thief in her latest film The Mastermind. Dutch art historian and detective Arthur Brand gives an update on the real-life robbery of France's crown jewels from The Louvre in Paris at the weekend, and tells us about the broader spate of museum thefts across Europe right now. And as arts organisations come together in Glasgow for a State of the Nation culture summit, we ask why now, and what might it achieve? Presenter: Kirsty Wark Producer: Mark Crossan

An IndieWire favorite, director Kelly Reichardt returns to Toolkit with her new film The Mastermind. Reichardt told us about working with Josh O'Connor, putting her own spin on the heist genre, and the cast-and-crew road trip it took to get the movie made. Learn more about your ad choices. Visit megaphone.fm/adchoices

No Cinemático 565, Carlos Merigo, Bia Fiorotto, Ronald Villardo e Hiago Vinícius conversam sobre "The Mastermind", novo filme dirigido por Kelly Reichardt.Pauta: 06:11Spoilers: 45:29---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join Hosted on Acast. See acast.com/privacy for more information.

In a new film from writer and director Kelly Reichardt, actor Josh O'Connor stars as a man planning an art heist at a local museum. But very quickly, everything that can goes wrong, does go wrong. Reichardt and O'Connor discuss "The Mastermind," in theaters now.

As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude's Kontinental '25, Noah Baumbach's Jay Kelly, Kelly Reichardt's The Mastermind, Lav Diaz's Magellan, Mary Bronstein's If I Had Legs I'd Kick You, Alexandre Koberidze's Dry Leaf, and many other selections.

In this episode, acclaimed director Kelly Reichardt joins us to discuss The Mastermind, a heist film with Josh O'Connor in the lead as a suburban father living a double life as an art thief.Cinematographer Maceo Bishop talks about shooting Benny Safdie's The Smashing Machine, a raw sports drama starring Dwayne 'The Rock' Johnson as MMA fighter Mark Kerr, and how his lens helped shape the film's emotional intensity.Australian screen legends Bruce Beresford and Bryan Brown discuss The Travellers, a family drama set in regional W.A. that explores love, legacy, and the messiness of returning home.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ross RichardsonEditor Arts, Rhiannon Brown

Eli joins the other boys hot off of his Lincoln Center press screenings to tell us the must-watches and the maybe-skip-overs of this year's New York Film Festival. But before that, Wilson and Ben briefly get their words in for the latest Paul Thomas Anderson joint, One Battle After Another. Catch Eli talk about other NYFF titles like Park Chan-wook's No Other Choice, Olivier Laxe's Sirāt, and possible film of the year: Bi Gan's Resurrection. Links:Secret Goldfish - Bi Gan short filmI'm walking here at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:46 One Battle After Another (2025, dir. Paul Thomas Anderson)13:32 No Other Choice (2025, dir. Park Chan-wook)16:58 Sirāt (2025, dir. Oliver Laxe)20:18 Queen Kelly (1932, dir. Erich von Stroheim)25:29 Angel's Egg (1982, dir. Mamoru Oshii)31:27 Japanese Film Festival (in Singapore)34:34 The Arch (1968, dir. T'ang Shushuen)35:09 The Mastermind (2025, dir. Kelly Reichardt)38:03 Mare's Nest (2025, dir. Ben Rivers)41:13 Jay Kelly (2025, dir. Noah Baumbach)42:22 Back Home (2025, dir. Tsai Ming-liang)44:49 Ecce Mole (2025, dir. Heinz Emigholz)48:15 Peter Hujar's Day (2025, dir. Ira Sachs)50:34 What Does That Nature Say To You? (2025, dir. Hong Sang-soo)53:10 A House of Dynamite (2025, dir. Kathryn Bigelow)57:40 Resurrection (2025, dir. Bi Gan)

Three films in this year's NYFF lineup explore the intersections of quotidian life and the arts, following artists whose efforts to make time and space for their creative passions are thwarted or frustrated by the grind of the everyday. In Kent Jones's Late Fame, adapted from an Arthur Schnitzler novella, a once-upon-a-time New York poet (and now a postal worker) is intoxicated by the sudden attentions of a coterie of twentysomething wannabe poets. In Kelly Reichardt's The Mastermind, set in the 1970s, an aimless art-school dropout executes a comically sloppy heist at a local museum, as if seeking escape from his banal, bourgeois family life. And in Lucio Castro's Drunken Noodles, an art student spends a summer in New York, having a series of serendipitous and erotic encounters around painting, poetry, and writing. Each film dwells in how both the making and consuming of art can force life into a pace incompatible with that of the modern world. Last Sunday at NYFF, Jones, Reichardt, and Castro joined Film Comment editors Devika Girish and Clinton Krute for a conversation exploring the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films.

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the opening weekend performance of Paul Thomas Anderson's One Battle After Another, cover the latest news in exhibition, and preview the October slate—including the surprise addition of Taylor Swift | The Official Release Party of a Showgirl.What to Listen For00:00 Intro 00:28 PTA's One Battle After Another01:02 Press Screening Reactions (Smashing Machine)02:11 PTA Box Office & Career High02:53 Warner Bros. Hot Streak04:22 Hollywood Tariff Threats07:55 Advisory Committee & Industry Response08:17 October Preview Kickoff09:07 Taylor Swift: Life of a Showgirl (AMC Event)10:56 A24's The Smashing Machine with Dwayne Johnson13:37 Avatar: The Way of Water Re-Release13:57 Daniel Day-Lewis in M&A15:12 Horror Spotlight: Bone Lake (Bleecker Street)16:22 Tron: Ares Preview18:14 Paramount's Ruman (Channing Tatum)19:07 A24's If I Had Legs I'd Kick You19:42 Sony Faith-Based Soul on Fire20:22 Netflix Thriller House of Dynamite21:03 Musical Adaptation Kiss of the Spider Woman21:54 Universal's Black Phone 223:47 Lionsgate's Good Fortune (Keanu Reeves)24:42 Angel Studios' Truth and Treason25:13 Amazon/MGM's After the Hunt26:42 Kelly Reichardt's The Mastermind27:22 Chainsaw Man: The Movie (Anime)28:23 Paramount's Regretting You (Colleen Hoover)29:02 Bruce Springsteen Biopic Deliver Me From Nowhere31:43 Richard Linklater's Rogers & Hart Film32:52 Yorgos Lanthimos Sci-Fi Remake

We were delighted to welcome Kelly Reichardt, Bill Camp, Hope Davis, Gaby Hoffman, and John Magaro to the 63rd New York Film Festival to discuss The Mastermind in a conversation with NYFF Artistic Director Dennis Lim. Reichardt's restrained and often funny anti-thriller is set against a Nixon-era backdrop of alienation and disillusionment, following a taciturn family man (Josh O'Connor) who makes the rash, largely inscrutable decision to orchestrate a heist at the local art museum. The 63rd New York Film Festival is presented in partnership with Rolex. The Mastermind opens at Film at Lincoln Center on October 17. Get tickets: https://www.filmlinc.org/nyff2025/films/the-mastermind/

This time on Projector Pod, we are talking about arthouse director Kelly Reichardt's latest film, The Mastermind. A 1970s period piece about an unemployed father's attempt to pull off an audacious and strangely specific art heist at the local gallery. It is a richly textured, slow, almost slapstick character study set against the backdrop of the Vietnam War and fading dreams of the counterculture about the dangers of being the main character when you're not quite up to the task.If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here. 

We went to Telluride! The 52nd annual Telluride Film Festival was an incredible experience. The festival had everything from Shakespeare to Springsteen. Christian and Scott are joined by new friend of the show Hunter Williams to discuss everything they saw, including new films from Chloe Zhao, Edward Berger, Guillermo del Toro, Yorgos Lanthimos, Kelly Reichardt, Richard Linklater, Noah Baumbach, and more.   Which Telluride movie are you most excited to see? Let us know at cinemaontappodcast@gmail.com

Summer Box Office Report Cards are the episode's centerpiece. Until then, we discuss Daniel Day-Lewis' return, JLO's latest musical and new animated feature contenders during our Trailer Reviews segment. We review new movies like K-Pop Demon Hunters, Honey, Don't, Relay and Eenie Meenie during our Box Office Report and What We're Watching segments. Plus, AlsoMike turns heel with a shockingly bad review of a beloved classic. Clayton Davis' latest piece on “No Kings” in the Race Thus Far - 1:50 TRAILER REVIEWS: Anemone, starring Daniel Day-Lewis - 5:04 Arco, a new animated feature contender from NEON - 9:04 The Mastermind, a future MMO classic from Kelly Reichardt - 12:26 Hedda, a new YouTube trailer hit gives us Saltburn & sexy Downton Abbey vibes - 15:14 Eleanor The Great, a hope that this movie might not actually be another Goldfinch - 17:31 Kiss of the Spider Woman, a JLO starrer with a 2nd trailer that gives us pause - 19:48 BOX OFFICE REPORT: K-Pop Demon Hunters, Also Mike's Review + Netflix's #1 Box Office Sing-A-Long - 23:20 Talking Weapons' holding strong and the rest of the Top 8 - 24:13 Reviewing Honey, Don't - 25:51 Reviewing Relay, starring Riz Ahmed and discussing the rest of the Top 15 - 27:28 SUMMER BOX OFFICE REPORT CARDS (BY GENRE & SINCE MAY): Superhero Films: Thunderbolts*, Superman & The Fantastic Four - 30:44 Pure Action like Mission Impossible, Ballerina, etc. + A Lone Sports Film Hit in F1 - 34:34 Comedies from Friendship to The Naked Gun - 37:01 Dramas like The Life of Chuck & Eddington + Romances like Materialists - 40:13 Horror is still crushing it at the box office from Clown in a Cornfield through Weapons - 44:06 Family Films are buoying it all from Lilo & Stitch through Jurassic World - 46:55 WHAT WE'RE WATCHING: Other than what we've reviewed already… Eenie Meenie + a Sinners rewatch - 50:35 The Conjuring: The Devil Made Me Do It + The Last Detail revisited by M1 - 52:34 M2's slander filled heel turn for a beloved classic. What has he done?! - 55:55 OUTRO: Make sure to throw your rotten vegetables at AlsoMike via social media. You can find all our links here https://linktr.ee/mikemikeandoscar Otherwise, if you're somehow still taken with us, do please support our show by liking, subscribing, rating, and reviewing our podcast favorably in the eyes of all the algorithms out there. We certainly thank you for sticking by us during these contemptible times.

Whether it be loneliness, solitude, finding sanctuary in a stifled relationship or waiting for a takeaway meal, or maybe one of the most precious things of all, the comfort in creating for ones self, Kaite Fitz is shifting how we see ourselves on screen. Her short film Smoke, which premiered at the St Kilda Film Festival, presents Lianne Mackessy's main character, a woman who moves through her day, quietly being hollowed out by a void that's emerging within her. Her relationship exists, but it's more of an idea than anything else, yoga becomes an event tinged with friction. Her work, restoring art, is a rare sanctuary.The title, Smoke, alludes to the lingering presence of something burnt, the smell of the past hanging into the future. Sometimes this is a comforting smell, like incense, or sometimes it's a smell that heralds a lie or the smothering of truth, like the lingering haze of cigarettes.Kaite is an emerging Australian filmmaker who presents women who live familiar lives, rolling forward on a continuing existence that persists in the face of stagnation. We rarely see these characters on screen because we're so rarely invited to hear from and engage with women storytellers who present real people on screen. It's no surprise then that Kaite looks to filmmakers like Kelly Reichardt or Alena Lodkina as inspirations for the work that she's doing.In the following interview, Kaite talks about her creative process, about having learned from filmmaker Michael Rowe, working with producer Miki Clarke, the notion of truth on screen, as well as exploring what her creative voice looks like on screen with films like Smoke, and in her as yet unproduced feature screenplay Peachy.This interview is part of the ongoing series of emerging filmmakers who are part of the rising swell of Australian filmmakers. These are storytellers who are collectively, yet singularly, shaping what the Australian film oeuvre looks like, feels like, and sounds like. In turn, they are forming a new language for Australian cinema, shaping what stories are being told, how they're being presented, and much more.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.