Podcast appearances and mentions of Kelly Reichardt

De Michel Delage an d'Valerija Berdi beschwätzen: "Marty Supreme" (Josh Safdie), "The Mastermind" (Kelly Reichardt), "Is this Thing On" (Bradley Cooper) a "Scarlet" (Mamoru Hosoda).

Bonus podcast! To celebrate the release of MUBI Editions' The Mastermind, a new book documenting the making of Kelly Reichardt's 2025 film, Lara Peters talks to director of photography Christopher Blauvelt about his work as Reichardt's long-time cinematographer. A  brilliant  look  at  the  folly  of  man, The Mastermind stars an unforgettable Josh O'Connor as unemployed family man and amateur art thief J.B Mooney, who sets out on his first heist in a sedate Massachusetts suburb circa 1970.  With  the  museum  cased  and  accomplices  recruited,  he  has  an  airtight  plan.  Or  so  he  thinks. Find out more about The Mastermind at mubieditions.com, or follow Picturehouse on Instagram @picturehouses for your chance to win a copy of the book, signed by Kelly Reichardt.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Adam and Josh return to Danny Boyle’s drug-addled Edinburgh for TRAINSPOTTING’s 30th anniversary, then bring Producer Sam on to unveil the 2026 nominees for the Filmspotting Pantheon. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:49) Trainspotting at 30 (00:01:50-00:47:32) Filmspotting Family (00:47:33-00:52:41) Next Week / Notes (00:52:42-00:56:34) Massacre Theatre (00:56:35-01:04:43) Pantheon Nominees (01:04:44-01:48:04) Credits / New Releases (01:48:05-01:53:10) Notes/Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Rob, Doug, Andy, and Sarah chat with Gabe Cuzzillo (Ape Out, Despelote) and Bennett Foddy (Getting Over It with Bennett Foddy, QWOP) about their (with Maxi Boch) latest game, the multi-IGF-nominated open-world hard-walking manchild simulator Baby Steps. We discuss the game's in-house approach to voice acting, balancing challenge with humor, creating (and hiding) a looping environment, telling an honest story about masculinity, including explicit content without getting banned from Steam, rock curation, secrets, and so much more! Audio edited by Dylan Shumway Discussed in this episode: Baby Steps https://www.babystepsgame.com/ Dr. Katz, Professional Therapist https://www.imdb.com/title/tt0111942/ My Summer Car https://store.steampowered.com/app/516750/My_Summer_Car/ zk map (for stranger) https://www.glorioustrainwrecks.com/node/11388  La belle noiseuse (1991) https://www.imdb.com/title/tt0101428/ Kelly Reichardt https://www.imdb.com/name/nm0716980/ Perfect Days (2023) https://www.imdb.com/title/tt27503384/ The Taste of Things (2023) https://www.imdb.com/title/tt19760052/ NYU Game Center Lecture Series Presents Jane Ng https://www.youtube.com/watch?v=3yWIoRuwpm0  DESPELOTE: FIFTH TRAILER (now on nintendo switch) https://www.youtube.com/watch?v=_MXKlgMZ3Jc The Love That Remains (2025) https://www.imdb.com/title/tt33381401/ Solo (Australian ad) 1983 https://www.youtube.com/watch?v=CCkz0JsaU8k Solo Man ad, Australia 1986 https://www.youtube.com/watch?v=6T3RS78Tp58 Solo (Australian ad) 1984 https://www.youtube.com/watch?v=N_1nZZrv8aU  Frog Detective 3 https://store.steampowered.com/app/1171320/Frog_Detective_3_Corruption_at_Cowboy_County/  https://secretlives.games  https://discord.gg/tslog https://www.patreon.com/tslog

Présenté par Théo Ribeton avec Jérôme Momcilovic, Guillaume Orignac et Laura Tuillier, réalisatrice et critique à Libération :- Dreams de Michel Franco (à partir de 02'23)- The Mastermind de Kelly Reichardt (à partir de 22'12)- Ella McKay de James L. Brooks (à partir de 42'07)Enregistré le 11 février 2026 à Paris.

Cette semaine, c'est le cutlissime Christophe Gans qui était notre invité. Vingt ans après son « Silent Hill », le cinéaste signe une suite au film avec « Retour à Silent Hill ».

durée : 00:05:21 - Le Masque et la Plume - Le nouveau film de Kelly Reichardt transporte le spectateur dans les années 1970 avec l'histoire d'un homme ordinaire qui tente un vol de tableaux. La réalisatrice s'intéresse à un anti-héros, loin des clichés du cinéma américain. Un long métrage qui a séduit les critiques du Masque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:34 - Plan large - par : Antoine Guillot - Ce samedi nous recevons les cinéastes Valérie Donzelli et Kelly Reichardt pour la sortie de leurs films "A pied d'oeuvre" et "The Mastermind", et aussi le réalisateur irakien Hasan Hadi, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel - invités : Kelly Reichardt Réalisatrice; Valérie Donzelli Actrice, scénariste et réalisatrice française; Hasan Hadi cinéaste irakien; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

durée : 00:58:34 - Plan large - par : Antoine Guillot - Ce samedi nous recevons les cinéastes Valérie Donzelli et Kelly Reichardt pour la sortie de leurs films "A pied d'oeuvre" et "The Mastermind", et aussi le réalisateur irakien Hasan Hadi, et encore Sophie-Catherine Gallet. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Kelly Reichardt Réalisatrice, Valérie Donzelli Actrice, scénariste et réalisatrice française, Hasan Hadi cinéaste irakien, Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:56 - Le Regard culturel - par : Lucile Commeaux - L'Américaine Kelly Reichardt livre un film d'une beauté absolument bizarre, au bord du film de casse et de la contre-culture, sur un braqueur un peu nul qui se trouve contraint de fuir dans l'Amérique des années soixante-dix.

durée : 00:03:56 - Le Regard culturel - par : Lucile Commeaux - L'Américaine Kelly Reichardt livre un film d'une beauté absolument bizarre, au bord du film de casse et de la contre-culture, sur un braqueur un peu nul qui se trouve contraint de fuir dans l'Amérique des années soixante-dix.

SEASON 2 - EPISODE 179 - Kelly Reichardt & Christopher Blauvelt - Director & Cinematographer In this episode of the Team Deakins Podcast, we speak with director Kelly Reichardt and cinematographer Christopher Blauvelt. Kelly and Christopher started working together on MEEK'S CUTOFF, and they've continued their partnership through films such as FIRST COW, SHOWING UP, and THE MASTERMIND. During the conversation, Kelly (from Miami) shares how she made it out of Florida to join the film community in New York City, and Chris (from Los Angeles) reveals how he found himself following his filmmaking family into the business after a youth of truancy and rebellion. Later, we discuss their working relationship, and we learn why they  ended up meeting in the first place. We also spend much of the conversation discussing the making of their latest film, THE MASTERMIND, and we discuss the film's pacing and our changing relationship to time as an audience. Plus, Kelly reveals how long it took her to pay off the credit card she used to fund her first feature, and we stumble upon alternative titles to her films. - Recommended Viewing: THE MASTERMIND - This episode is sponsored by Aputure & Picture Shop

durée : 00:46:00 - La 20e heure - par : Eva Bester - La réalisatrice américaine Kelly Reichard présente son nouveau film "The Mastermind". Une plongée dans le Massachusetts des années 1970, aux confins du polar et de la psychologie des personnages. - invités : Kelly REICHARDT - Kelly Reichardt : Réalisatrice - réalisé par : Lola COSTANTINI Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:24 - Les Midis de Culture - par : Marie Labory - Après "Showing Up", Kelly Reichardt reste dans le milieu de l'art mais sous un tout autre angle : il ne s'agit plus de créer, mais de voler les œuvres. - réalisation : Laurence Malonda - invités : Murielle Joudet Critique de cinéma au Monde; Philippe Azoury Journaliste, critique et auteur

durée : 00:27:44 - Les Midis de Culture - par : Marie Labory - Aujourd'hui au menu de notre débat critique, on parle de cinéma, avec la sortie en salle du dernier film de la réalisatrice de "Wendy et Lucy" et la diffusion du Disney+ du dernier bébé du cinéaste, scénariste et producteur James L. Brooks. - réalisation : Laurence Malonda - invités : Murielle Joudet Critique de cinéma au Monde; Philippe Azoury Journaliste, critique et auteur

Forging a singular path as an independent filmmaker whose minimalist, bucolic style has impressed the critics at the Berlin and Cannes film festivals, Kelly Reichardt shows us another America: a land of wondering outsiders and protagonists plagued by doubts. For arts24, she discusses her latest film, "The Mastermind", a timely heist movie starring Josh O'Connor as the unsuspecting orchestrator of a robbery in an art gallery.

Emma Jones takes us through the nominations for France's upcoming "Césars" cinema awards, with American filmmaker Richard Linklater picking up 10 nods for "Nouvelle Vague". In this week's film releases, Emma tells us why the Russell Crowe-led Nazi courtroom drama "Nuremberg" is worth checking out. Emma also reviews Kelly Reichardt's offbeat drama "The Mastermind", in which Josh O'Connor shines as a clueless art thief in the 1970s.

Hello, Hello, Hello!This episode is courtesy of PPC (Purush Pradhan Committee), a QID initiative. This second (of three) English-Language Features Round-Up is mainly focused on covering films about men, for(?) men, by* men (except when it is not). This includes fairly in-depth discussions on Clint Bentley's "Train Dreams," Richard Linklater's "Blue Moon," Derek Cianfrance's "Roofman," Kelly Reichardt's "The Mastermind," Guillermo del Toro's "Frankenstein," and Edgar Wright's "The Running Man."Listen to the full episode to hear more about our bafflement at the popularity of "Train Dreams," surprise at the pleasantness of "Roofman," utter despondence at the quality of "The Running Man," and more!TIME CODESIntro (and Misc Thoughts) – [00:00 - 13:20]“Train Dreams” – [13:20 - 38:50]“Blue Moon” – [38:50 - 01:15:08]“Roofman” – [01:15:08 - 01:38:32]“The Mastermind” – [01:38:32 - 01:53:46]“Frankenstein” – [01:53:46 - 02:13:04]"Jay Kelly" – [02:13:04 - 02:25:02]"The Running Man" – [02:25:02 - 02:44:00]Outro (aka More Recommendations!) - [02:44:00 - 02:57:08]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcastSupport this podcast: https://anchor.fm/queenisdead/supportYou can also follow us on Letterboxd at -AMARTYA: https://letterboxd.com/amartya/VARUN: https://letterboxd.com/varunoakbhakay/ARJUN: https://letterboxd.com/arjun_skumar1/DHRUV: https://letterboxd.com/aterminalcinema/ Audio Excerpts are taken from the respective trailers (promotional material) of Train Dreams, Blue Moon, Roofman, The Mastermind, Frankenstein, Jay Kelly, and The Running Man.

The Mastermind is writer-director Kelly Reichardt's take on a heist film, starring Josh O'Connor, I talk about it on this podcast, enjoy!

A Great American Film Artist made a movie about a liar trying to power through his banal midcentruy existence by grifting. It's not Marty Supreme, though, it's "The Mastermind" by Kelly Reichardt! We talk about it! Listen to KR on the LARB Radio Hour here! Check out the show on Letterboxd if you're into that thing. Matt is also on there. We also got a Bluesky going. Our next episode will be about, uhh... how about Escape from New York? We've never done Carpenter before. Watch it here. 

Felicia is joined by Josh Cooley to discuss Kelly Reichardt's exploration of a path to self sustenance and the journey of finding your best friend in Wendy and Lucy (2008). We chat about Portland and shooting films in the Pacific Northwest region of America, along with the different ways people show up for one another. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Josh here: IG: @_joshcooley_ LB: @movieunycorn Listen to our previous episodes here: Paterson (Jim Jarmusch 2016) Sources: https://cinemafromthespectrum.com/2018/08/24/wendy-and-lucy-is-one-of-the-most-shattering-films-of-last-decade/ https://www.cincinnatireview.com/talking-pictures/talking-pictures-on-wendy-and-lucy/ https://www.artforum.com/columns/online-only-interview-with-kelly-reichardt-189115/ https://www.slantmagazine.com/film/redefining-success-an-interview-with-kelly-reichardt/ https://www.intjournal.com/interview/tag/Wendy+and+Lucy https://www.interviewmagazine.com/film/30-minutes-with-filmmaker-kelly-reichardt https://www.indiewire.com/features/general/decade-kelly-reichardt-on-wendy-lucy-246069/ Outro Song: Goodbye Bread by Ty Segall

Sharply intelligent, dazzlingly analytical, & a genuinely kind soul, my gifted friend, freelance writer and Letterboxd editor Mitchell Beaupre is one of my favorite guests for a reason. Returning to the pod for the first time in a year, this episode kicks off the start of a new Watch With Jen miniseries covering some of our favorite westerns of the twenty-first century. Beginning with 2020-2025, Mitchell and I take a deeper look at Kelly Reichardt's FIRST COW, Jane Campion's THE POWER OF THE DOG, & Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1. Note: Unless a wild burst of inspiration suddenly strikes, this will most likely be the pod's season finale for '25. Fear not, Watch With Jen: Season 7 will launch in the new year. Sending best wishes to you and yours for a safe, happy, healthy, and peaceful holiday season.Originally Posted on Patreon (12/22/25) here: https://www.patreon.com/posts/146466616Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi & PayPalTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt's Night Moves (2013). We chat about the way she brings characters to life without enforcing too much back story, along with the use of indoor vs. outdoor spaces. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes here: The Green Ray (Éric Rohmer 1986) Sources: https://www.splittoothmedia.com/night-moves/ https://www.standbyformindcontrol.com/2014/09/night-moves-jesse-eisenberg-2013-review/ https://filmmakermagazine.com/86114-why-dont-we-all-go-blow-stuff-up-kelly-reichardt-on-night-moves/ https://fourthreefilm.com/2014/08/night-moves-an-interview-with-writerdirector-kelly-reichardt/ https://anarchistagency.com/margaret-killjoy-night-moves-2013-and-an-interview-with-jonathan-raymond/ https://tribecafilm.com/news/interview-kelly-reichardt-night-moveshttps://wakeupscreening.wordpress.com/recent-interviews/kelly-reichardt-interview-for-night-moves/ https://www.npr.org/2014/06/03/318575932/in-night-moves-filmmaker-dredges-the-tension-that-lives-in-quiet Outro Song: Night Moves by Bob Seger

Josh O’Connor is having a bit of a moment. He’s been in four movies this year. On December 12, two of them became available to watch at home, including the biggest movie of his career so far, the new Knives Out mystery, Wake Up Dead Man. On December 13, O’Connor hosted Saturday Night Live. On December 16, the first trailer dropped for the soon-to-be biggest movie of his career so far, Steven Spielberg’s Disclosure Day. Not too bad. So The Nose is looking at the other new Josh O’Connor movie from last week: The Mastermind, written, directed, and edited by Kelly Reichardt. It’s a slow-cinema kind of heist movie set in 1970 and also starring Alana Haim, Hope Davis, John Magaro, Gaby Hoffman, and Bill Camp. And: Sorry, Baby is a black comedy-drama written by, directed by, and starring Eva Victor. According to A24’s logline, “Something bad happened to Agnes. But life goes on … for everyone around her, at least.” Eva Victor, who plays Agnes, is nominated for the Golden Globe for Best Actress in a Motion Picture — Drama. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Carolyn Paine: An actress and comedian; she’s the founder and director of CONNetic Dance and the creative producer and choreographer for The Bushnell’s Digital Institute Irene Papoulis: Taught writing for a long time at Trinity College Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Eugene Amatruda, and Dylan Reyes contributed to this show. Our programming is made possible thanks to listeners like you. Please consider supporting this show and Connecticut Public with a donation today.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The NYTimes just named Kelly Reichardt's THE MASTERMIND one of the top 10 films of 2025... and in this episode she looks back on the career that led up to it. From her debut RIVERS OF GRASS to the Oscar-nominated MEEK'S CUTOFF and beyond, it's a trip through the indie wilds with one of America's best filmmakers — taped before a live audience at MUBIFest Berlin.THE MASTERMIND is now streaming exclusively on MUBI almost globally. To stream more films of Kelly Reichardt, check out the American Outsider: The Films of Kelly Reichardt collection. Availability of films varies depending on your country.Pre-order your copy of The Mastermind book, featuring photographs, essays, and reflections on the making of Kelly Reichardt's film.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt's Old Joy (2006). We chat about the nature of a quiet road film and how Reichardt paces her stories. Along with the importance of the outdoors to characters with different life paths. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Sources: https://www.criterion.com/current/posts/6728-old-joy-northwest-passages https://filmdaze.net/old-joy-the-nature-of-friendship/ https://www.zekefilm.org/2017/04/25/52filmsbywomen-old-joy/ https://www.cineaste.com/winter2006/old-joy-review https://inreviewonline.com/2021/08/25/old-joy/ https://www.deepfocusreview.com/reviews/old-joy/ https://reverseshot.org/interviews/entry/804/kelly-reichardt https://mubi.com/en/notebook/posts/a-completely-false-security-an-interview-with-kelly-reichardt https://filmmakermagazine.com/archives/issues/fall2006/features/sound_silence.php https://brightlightsfilm.com/time-and-friendship-in-old-joy-kelly-reichardt-2006-or-how-we-age-with-film/ https://www.stopsmilingonline.com/story_detail.php?id=655%3E Outro Song: Carefree Highway by Gordon Lightfoot

On this episode, JD and Brendan discuss Kelly Reichardt's new film THE MASTERMIND, starring an incredible Josh O'Connor! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

We're here to cross the streams and discuss the amazing work of Kelly Reichardt, featured on MUBI, with the terrific, wise, and funny Brandon Streussnig. Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If there's one filmmaker who has left a mark more than any other on my life, it's been Kelly Reichardt. Through her work, I've gleaned an understanding of what American life through the ages is like. From the pioneer days captured with a desolate despair in Meek's Cutoff, to the heart shattering singularity of Wendy and Lucy, to the manner that taste and fortune appear in opportunistic ways in First Cow, and now, with her latest film The Mastermind, we see a nation at another nexus point, pushed by the Vietnam War and a changing society to be something different, something possibly more equal.The Mastermind is a bit of a heist film, but it's a heist film in the way that First Cow was a heist film, meaning, the nature of the heist is almost perfunctory in that while it's the instigating action for the film, it's the outcomes of the heist that throws Josh O'Connor's James Blaine Mooney life into disarray. Not that his life wasn't in some level of disarray with the feckless out of work father mooching off his parents, all the while his loving wife Terri (another great turn from Alana Haim) has to look after their kids while also working a full time job.James comes up with the idea to steal four abstract paintings from the local art gallery. What he intends to do with the paintings once he has them, we never find out. But it's also quite likely he has no idea too. Josh O'Connor is easy to watch here, so captivating as someone who thinks he's smarter than he is, but really just needs to be nudged along to make something of his life.Yet, for me, he's not the interesting part of The Mastermind. Instead, I found Kelly Reichardt's interest in the bystanders of the 1972 Worcester Art Museum robbery to be more fascinating. Kelly has talked in the past about her fascination with people stealing art, but what drew her to this robbery in particular was the schoolgirls who were bystanders and observed it happen. She plants similar girls as observers of James Blaine Mooney's heist, and it's through their brief perspective that we're also invited to see the film from the viewpoint of the women of the story.It's an idea which I asked Kelly about in the following interview, which talks about the viewpoints of The Mastermind, while also discussing how Kelly's films view the changing state of America. We close by talking about the importance of accessible art, and what it means to be able to see art in rural or remote areas.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

If there's one filmmaker who has left a mark more than any other on my life, it's been Kelly Reichardt. Through her work, I've gleaned an understanding of what American life through the ages is like. From the pioneer days captured with a desolate despair in Meek's Cutoff, to the heart shattering singularity of Wendy and Lucy, to the manner that taste and fortune appear in opportunistic ways in First Cow, and now, with her latest film The Mastermind, we see a nation at another nexus point, pushed by the Vietnam War and a changing society to be something different, something possibly more equal.The Mastermind is a bit of a heist film, but it's a heist film in the way that First Cow was a heist film, meaning, the nature of the heist is almost perfunctory in that while it's the instigating action for the film, it's the outcomes of the heist that throws Josh O'Connor's James Blaine Mooney life into disarray. Not that his life wasn't in some level of disarray with the feckless out of work father mooching off his parents, all the while his loving wife Terri (another great turn from Alana Haim) has to look after their kids while also working a full time job.James comes up with the idea to steal four abstract paintings from the local art gallery. What he intends to do with the paintings once he has them, we never find out. But it's also quite likely he has no idea too. Josh O'Connor is easy to watch here, so captivating as someone who thinks he's smarter than he is, but really just needs to be nudged along to make something of his life.Yet, for me, he's not the interesting part of The Mastermind. Instead, I found Kelly Reichardt's interest in the bystanders of the 1972 Worcester Art Museum robbery to be more fascinating. Kelly has talked in the past about her fascination with people stealing art, but what drew her to this robbery in particular was the schoolgirls who were bystanders and observed it happen. She plants similar girls as observers of James Blaine Mooney's heist, and it's through their brief perspective that we're also invited to see the film from the viewpoint of the women of the story.It's an idea which I asked Kelly about in the following interview, which talks about the viewpoints of The Mastermind, while also discussing how Kelly's films view the changing state of America. We close by talking about the importance of accessible art, and what it means to be able to see art in rural or remote areas.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

"Ich mache Filme über Leute ohne Sicherheitsnetz", sagt Kelly Reichardt selbst über ihr Kino. Irgendwie sitzen ihre Außenseiter immer am nächsten Plan, der dann doch nie so richtig gelingt. Nach Alaska soll es gehen, ein Damm gesprengt, Kunstwerke geklaut werden. Dabei steht ihnen oft eine brutale Welt im Weg, über deren Binsenweisheiten man sich erst hinwegsetzen muss. "Hier darf man nicht parken", "So geht das doch nicht", "Wer kein Geld hat, soll auch keinen Hund haben". Aber manchmal reicht einem jemand die Hand und man schafft es doch, sich über einen Zaun zu wuchten. Aber was wartet auf der anderen Seite? Meist die schier endlose Natur. JE Thomberg, Lucas und Christian sprechen im neuen Special über das Kino von Kelly Reichardt. Das ist aber nur der Teaser. Unterstützt uns auf https://steadyhq.com/cuts um die ganzen drei Stunden zu hören.

This week, Megan watches REBUILDING (2:30), writer-director Max Walker-Silverman's follow-up to A LOVE SONG (which Megan loves), about a cowboy putting his life back together after a fire destroys his home and land, and the homes of many people in his community. Then Megan and Dave discuss THE SECRET AGENT (22:14), a Brazilian film by Kleber Mendonça Filho about political violence and corruption that's receiving accolade after accolade this year. (Wagner Moura won Best Actor at Cannes, for one.) Over on Patreon, we cover Kelly Reichardt's 2010 film MEEK'S CUTOFF.

For their fourth film together, Yorgos Lanthimos and Emma Stone get weird and go bald in BUGONIA with Jesse Plemons as Stone's conspiracy-obsessed kidnapper. Adam and Josh discuss, along with reviews of Lynne Ramsay's DIE MY LOVE starring Jennifer Lawrence, Kelly Reichardt's THE MASTERMIND with Josh O'Connor, and film-of-the-year candidate IT WAS JUST AN ACCIDENT, the latest from Jafar Panahi.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:36) Bugonia (00:02:37-00:30:40) Die My Love (00:30:41-00:48:44) Filmspotting Family (00:48:45-00:51:48) The Mastermind (00:51:49-01:14:08) Mastermind Prize (01:14:09-01:17:49) It Was Just an Accident (01:17:50-01:34:18) Next Week / Notes (01:34:19-01:45:55) Polls (01:45:56-01:56:08) Credits / New Releases (01:56:09-02:00:04) Links: -Poll: Actor/Director Duos Since 2000 https://poll.fm/16260111 -Siskel & Ebert at 50: Lone Star with Adam and Michael https://luma.com/pwlqid75 -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ -London Meetup w/Josh on Dec. 11 https://forms.gle/rUcgUKicTddzwFBs5 RSVP:  Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠  https://www.instagram.com/larsenonfilm  ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On October 19th, a group of masked men broke into the Louvre in broad daylight and made off with some of France's crown jewels. Suspects are now in custody, but the online fervor is still going strong. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the sordid satisfaction of watching a heist play out, both onscreen and off. They dive into the debacle at the Louvre, along with a range of fictional depictions, from the fantasy of hyper-competence in “Ocean's Eleven” to the theft that goes woefully awry in Kelly Reichardt's new film, “The Mastermind.” Part of the fun, it seems, lies in rooting for those who identify and exploit the blind spots of an institution. “Someone else, just like me, is seeing that everybody is an idiot. But, unlike me, they're able to best those people in charge,” Fry says. “It's an alternative morality—a morality of wits.”Read, watch, and listen with the critics:“The Mastermind” (2025)“Ocean's Eleven” (2001)Stella Webb's impression of “the Louvre heist Creative Director”Jake Schroeder's “Ballad for the Louvre”“Showing Up” (2022)“The Italian Job” (1969)“How to Beat the High Cost of Living” (1980)“Drive” (2011)“Le Cercle Rouge” (1970)“This Is a Robbery: The World's Biggest Art Heist” (2021)“Good Time” (2017)“George Santos and the Art of the Scam” (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

La Semana Internacional de Cine de Valladolid, la SEMINCI, cerró ayer su 70ª edición en el Teatro Calderón, consolidándose como un referente del cine de autor. Por su alfombra azul desfilaron decenas de cineastas, intérpretes y productores que presentaron sus obras: 225 películas en total.La Espiga de Oro, máximo galardón del festival, fue concedida ex aequo a Magallanes, del filipino Lav Díaz, y The Mastermind, de la estadounidense Kelly Reichardt. Las Espigas de Honor reconocieron a Mia Hansen-Løve, Luis Callejo y a las escuelas de cine ECAM y ESCAC.Hoy, 2 de noviembre, Día de los Difuntos, recordamos a quienes ya no están, pero siguen vivos en nuestra memoria y en las historias que el cine sabe contar con ternura, misterio, nostalgia… y a veces, incluso con humor. Hacemos un maratón de películas de directores que encontraron en la muerte el hilo principal de sus historias con José Luis Garci, Andrés Aberasturi y Fernando Guillén Cuervo.Escuchar audio

Los hermanos Dardenne siguen demostrando su capacidad para mirar a la clase obrera, la familia y los marginados en 'Recién nacidas', un relato coral de madres adolescentes en un centro de acogida. Otra directora con una sensibilidad especial es Kelly Reichardt, autora de 'The Mastermind', una película de atracos inusual que protagoniza un gran Josh O'Connor. Además hay cine de terror, 'Los tigres' de Alberto Rodríguez y analizamos el final de la Seminci. En media hora os ponemos al día de todo el cine y las series.

Sean and Amanda start the show by covering the major box office success of ‘Chainsaw Man,' reacting to the news that Cinemark is opening myriad new 70 mm IMAX screens across the country, and discussing what it represents for the future of moviegoing (2:00). Then, they deep dive into Kathryn Bigelow's new film, ‘A House of Dynamite,' starring Rebecca Ferguson. They unpack their very complicated feelings by highlighting what they found successful, including a titillating first act and some strong performances, and they address its major flaws, most notably a wild third act that features a deeply unsuccessful performance from Idris Elba (12:59). Finally, Adam Nayman joins the show to discuss Kelly Reichardt's new film, ‘The Mastermind,' starring Josh O'Connor as an outcast loner (1:07:46). They talk about Reichardt's ability to identify this type of character and give credit to her and O'Connor for crafting such a wonderful performance. Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

Josh O'Connor stars in a heist movie to end all heist movies – or at least end our illusions that the person pulling the heist is pretty cool and awesome. Comedian and friend Myq Kaplan is along to watch things unfold, and unravel, in THE MASTERMIND. Then we take a Hotline question about what film school courses we'd like to teach.What's GoodAlonso - Programme 4   Drea - First women to cross the Atlantic unsupported (in their girthy canoe)Myq - Communing with friends [Rini (and Rini), John Fugelsang appearance, Separation of Church and Hate, tea with Abby Wambaugh] Kevin - new mic cable and arm; guesting on How to SurviveBernie & Phyl's ad ITIDICPenske Reportedly Offers Golden Globe Bribe Opportunity to Right-Wing PodcastersBUGONIA Offering Free Screening for Bald AudienceStaff PicksDrea - La ChimeraAlonso - A House of DynamiteMyq - The Life of ChuckKevin - Roofman10/25: American Cinema Editors Short Film Showcase – The First Day of Your Last Period11/2: Myq at Dynasty TypewriterAlonso's book: Have Yourself a Movie Little Christmas Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, The Mastermind, out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history. 

Dave is back this week but, bum that he is, didn't get a chance to watch either film this week. So that leaves Megan flying solo on FRANKENSTEIN (3:00), writer-director Guillermo del Toro's take on Mary Shelley's classic novel. Short version: Megan loooooooved it and particularly enjoyed that this version portrays Victor Frankenstein (Oscar Isaac) as a complete bastard, and it gives the Creature (Jacob Elordi) a humanity and depth that other versions don't. Then Evan joins Megan for THE MASTERMIND (17:04), writer-director Kelly Reichardt's latest, about an art heist gone wrong - largely because its planner (or mastermind, ha) is a terrible planner. Over on Patreon, Dave, Megan, and Evan talk about the 1977 film LOOKING FOR MR. GOODBAR in honor of the late Diane Keaton.

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, "The Mastermind," out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

Bestselling thriller writer John Grisham on his latest book, The Widow, in which a smalltown lawyer from Virginia finds himself accused of a serious crime after he develops a professional relationship with a wealthy woman who may not be all that she seems. We hear from writer-director Kelly Reichardt and from actor Josh O'Connor who plays an art thief in her latest film The Mastermind. Dutch art historian and detective Arthur Brand gives an update on the real-life robbery of France's crown jewels from The Louvre in Paris at the weekend, and tells us about the broader spate of museum thefts across Europe right now. And as arts organisations come together in Glasgow for a State of the Nation culture summit, we ask why now, and what might it achieve? Presenter: Kirsty Wark Producer: Mark Crossan

An IndieWire favorite, director Kelly Reichardt returns to Toolkit with her new film The Mastermind. Reichardt told us about working with Josh O'Connor, putting her own spin on the heist genre, and the cast-and-crew road trip it took to get the movie made. Learn more about your ad choices. Visit megaphone.fm/adchoices

No Cinemático 565, Carlos Merigo, Bia Fiorotto, Ronald Villardo e Hiago Vinícius conversam sobre "The Mastermind", novo filme dirigido por Kelly Reichardt.Pauta: 06:11Spoilers: 45:29---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join Hosted on Acast. See acast.com/privacy for more information.

In a new film from writer and director Kelly Reichardt, actor Josh O'Connor stars as a man planning an art heist at a local museum. But very quickly, everything that can goes wrong, does go wrong. Reichardt and O'Connor discuss "The Mastermind," in theaters now.

As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude's Kontinental '25, Noah Baumbach's Jay Kelly, Kelly Reichardt's The Mastermind, Lav Diaz's Magellan, Mary Bronstein's If I Had Legs I'd Kick You, Alexandre Koberidze's Dry Leaf, and many other selections.