Podcast appearances and mentions of Kelly Reichardt

A Great American Film Artist made a movie about a liar trying to power through his banal midcentruy existence by grifting. It's not Marty Supreme, though, it's "The Mastermind" by Kelly Reichardt! We talk about it! Listen to KR on the LARB Radio Hour here! Check out the show on Letterboxd if you're into that thing. Matt is also on there. We also got a Bluesky going. Our next episode will be about, uhh... how about Escape from New York? We've never done Carpenter before. Watch it here. 

Felicia is joined by Josh Cooley to discuss Kelly Reichardt's exploration of a path to self sustenance and the journey of finding your best friend in Wendy and Lucy (2008). We chat about Portland and shooting films in the Pacific Northwest region of America, along with the different ways people show up for one another. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Josh here: IG: @_joshcooley_ LB: @movieunycorn Listen to our previous episodes here: Paterson (Jim Jarmusch 2016) Sources: https://cinemafromthespectrum.com/2018/08/24/wendy-and-lucy-is-one-of-the-most-shattering-films-of-last-decade/ https://www.cincinnatireview.com/talking-pictures/talking-pictures-on-wendy-and-lucy/ https://www.artforum.com/columns/online-only-interview-with-kelly-reichardt-189115/ https://www.slantmagazine.com/film/redefining-success-an-interview-with-kelly-reichardt/ https://www.intjournal.com/interview/tag/Wendy+and+Lucy https://www.interviewmagazine.com/film/30-minutes-with-filmmaker-kelly-reichardt https://www.indiewire.com/features/general/decade-kelly-reichardt-on-wendy-lucy-246069/ Outro Song: Goodbye Bread by Ty Segall

De zesde aflevering van het vijfde seizoen van Cinepraatjes, de podcast van Cinemaatjes. De laatste podcast van 2025 en zoals altijd zitten we weer poedeltje naakt aan de tafel. We staan uiteraard even stil bij het tragisch overlijden van Rob Reiner. Ook hebben we het over de eventuele overname van Warner Bros door Netflix en wat dat betekent voor de toekomst van film. Uiteraard is er ook weer een sonnet van Marino. William vertelt een korte anekdote over een sauna bezoek. JP keek naar de nieuwe ‘Knives Out' film ‘Wake Up Dead Man' met een flinke ensemble cast. William ontdekte onlangs de regisseur Kelly Reichardt en zag haar nieuwste film ‘The Mastermind', toevalligerwijs ook met Josh O'Connor in de hoofdrol. We trokken de Blu-Ray van ‘The Blues Brothers' uit de de kast. In onze Special bespreken we onze Top 5 van 2025, de films die dat jaar uitkwamen en ook de films die we dat jaar voor het eerst zagen en uiteraard beantwoorden we ook weer vragen van luisteraars over o.a. Gen X films, films die een vechtspel verdienen, fysieke media, wat we zouden dan als we kunnen tijdreizen, het pantheon van de cinematografie en een vraag die we eigenlijk al hebben beantwoord. Veel luisterplezier! www.youtube.com/@cinemaatjes www.instagram.com/cinemaatjes013 www.facebook.com/cinemaatjes www.patreon.com/cinemaatjes www.letterboxd.com/cinemaatjes

Sharply intelligent, dazzlingly analytical, & a genuinely kind soul, my gifted friend, freelance writer and Letterboxd editor Mitchell Beaupre is one of my favorite guests for a reason. Returning to the pod for the first time in a year, this episode kicks off the start of a new Watch With Jen miniseries covering some of our favorite westerns of the twenty-first century. Beginning with 2020-2025, Mitchell and I take a deeper look at Kelly Reichardt's FIRST COW, Jane Campion's THE POWER OF THE DOG, & Kevin Costner's HORIZON: AN AMERICAN SAGA - CHAPTER 1. Note: Unless a wild burst of inspiration suddenly strikes, this will most likely be the pod's season finale for '25. Fear not, Watch With Jen: Season 7 will launch in the new year. Sending best wishes to you and yours for a safe, happy, healthy, and peaceful holiday season.Originally Posted on Patreon (12/22/25) here: https://www.patreon.com/posts/146466616Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi & PayPalTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Felicia is joined by Frieda Beckerman to discuss eco activism vs eco terrorism in the eyes of Kelly Reichardt's Night Moves (2013). We chat about the way she brings characters to life without enforcing too much back story, along with the use of indoor vs. outdoor spaces. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes here: The Green Ray (Éric Rohmer 1986) Sources: https://www.splittoothmedia.com/night-moves/ https://www.standbyformindcontrol.com/2014/09/night-moves-jesse-eisenberg-2013-review/ https://filmmakermagazine.com/86114-why-dont-we-all-go-blow-stuff-up-kelly-reichardt-on-night-moves/ https://fourthreefilm.com/2014/08/night-moves-an-interview-with-writerdirector-kelly-reichardt/ https://anarchistagency.com/margaret-killjoy-night-moves-2013-and-an-interview-with-jonathan-raymond/ https://tribecafilm.com/news/interview-kelly-reichardt-night-moveshttps://wakeupscreening.wordpress.com/recent-interviews/kelly-reichardt-interview-for-night-moves/ https://www.npr.org/2014/06/03/318575932/in-night-moves-filmmaker-dredges-the-tension-that-lives-in-quiet Outro Song: Night Moves by Bob Seger

Josh O’Connor is having a bit of a moment. He’s been in four movies this year. On December 12, two of them became available to watch at home, including the biggest movie of his career so far, the new Knives Out mystery, Wake Up Dead Man. On December 13, O’Connor hosted Saturday Night Live. On December 16, the first trailer dropped for the soon-to-be biggest movie of his career so far, Steven Spielberg’s Disclosure Day. Not too bad. So The Nose is looking at the other new Josh O’Connor movie from last week: The Mastermind, written, directed, and edited by Kelly Reichardt. It’s a slow-cinema kind of heist movie set in 1970 and also starring Alana Haim, Hope Davis, John Magaro, Gaby Hoffman, and Bill Camp. And: Sorry, Baby is a black comedy-drama written by, directed by, and starring Eva Victor. According to A24’s logline, “Something bad happened to Agnes. But life goes on … for everyone around her, at least.” Eva Victor, who plays Agnes, is nominated for the Golden Globe for Best Actress in a Motion Picture — Drama. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Carolyn Paine: An actress and comedian; she’s the founder and director of CONNetic Dance and the creative producer and choreographer for The Bushnell’s Digital Institute Irene Papoulis: Taught writing for a long time at Trinity College Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Eugene Amatruda, and Dylan Reyes contributed to this show. Our programming is made possible thanks to listeners like you. Please consider supporting this show and Connecticut Public with a donation today.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The NYTimes just named Kelly Reichardt's THE MASTERMIND one of the top 10 films of 2025... and in this episode she looks back on the career that led up to it. From her debut RIVERS OF GRASS to the Oscar-nominated MEEK'S CUTOFF and beyond, it's a trip through the indie wilds with one of America's best filmmakers — taped before a live audience at MUBIFest Berlin.THE MASTERMIND is now streaming exclusively on MUBI almost globally. To stream more films of Kelly Reichardt, check out the American Outsider: The Films of Kelly Reichardt collection. Availability of films varies depending on your country.Pre-order your copy of The Mastermind book, featuring photographs, essays, and reflections on the making of Kelly Reichardt's film.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Felicia is joined by Marc Basque to discuss male bonding in the eyes of Kelly Reichardt's Old Joy (2006). We chat about the nature of a quiet road film and how Reichardt paces her stories. Along with the importance of the outdoors to characters with different life paths. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Sources: https://www.criterion.com/current/posts/6728-old-joy-northwest-passages https://filmdaze.net/old-joy-the-nature-of-friendship/ https://www.zekefilm.org/2017/04/25/52filmsbywomen-old-joy/ https://www.cineaste.com/winter2006/old-joy-review https://inreviewonline.com/2021/08/25/old-joy/ https://www.deepfocusreview.com/reviews/old-joy/ https://reverseshot.org/interviews/entry/804/kelly-reichardt https://mubi.com/en/notebook/posts/a-completely-false-security-an-interview-with-kelly-reichardt https://filmmakermagazine.com/archives/issues/fall2006/features/sound_silence.php https://brightlightsfilm.com/time-and-friendship-in-old-joy-kelly-reichardt-2006-or-how-we-age-with-film/ https://www.stopsmilingonline.com/story_detail.php?id=655%3E Outro Song: Carefree Highway by Gordon Lightfoot

Arriva su Mubi il nuovo film di Kelly Reichardt, oggi parliamo di The Mastermind.

On this episode, JD and Brendan discuss Kelly Reichardt's new film THE MASTERMIND, starring an incredible Josh O'Connor! Visit https://insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

We're here to cross the streams and discuss the amazing work of Kelly Reichardt, featured on MUBI, with the terrific, wise, and funny Brandon Streussnig. Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

If there's one filmmaker who has left a mark more than any other on my life, it's been Kelly Reichardt. Through her work, I've gleaned an understanding of what American life through the ages is like. From the pioneer days captured with a desolate despair in Meek's Cutoff, to the heart shattering singularity of Wendy and Lucy, to the manner that taste and fortune appear in opportunistic ways in First Cow, and now, with her latest film The Mastermind, we see a nation at another nexus point, pushed by the Vietnam War and a changing society to be something different, something possibly more equal.The Mastermind is a bit of a heist film, but it's a heist film in the way that First Cow was a heist film, meaning, the nature of the heist is almost perfunctory in that while it's the instigating action for the film, it's the outcomes of the heist that throws Josh O'Connor's James Blaine Mooney life into disarray. Not that his life wasn't in some level of disarray with the feckless out of work father mooching off his parents, all the while his loving wife Terri (another great turn from Alana Haim) has to look after their kids while also working a full time job.James comes up with the idea to steal four abstract paintings from the local art gallery. What he intends to do with the paintings once he has them, we never find out. But it's also quite likely he has no idea too. Josh O'Connor is easy to watch here, so captivating as someone who thinks he's smarter than he is, but really just needs to be nudged along to make something of his life.Yet, for me, he's not the interesting part of The Mastermind. Instead, I found Kelly Reichardt's interest in the bystanders of the 1972 Worcester Art Museum robbery to be more fascinating. Kelly has talked in the past about her fascination with people stealing art, but what drew her to this robbery in particular was the schoolgirls who were bystanders and observed it happen. She plants similar girls as observers of James Blaine Mooney's heist, and it's through their brief perspective that we're also invited to see the film from the viewpoint of the women of the story.It's an idea which I asked Kelly about in the following interview, which talks about the viewpoints of The Mastermind, while also discussing how Kelly's films view the changing state of America. We close by talking about the importance of accessible art, and what it means to be able to see art in rural or remote areas.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

If there's one filmmaker who has left a mark more than any other on my life, it's been Kelly Reichardt. Through her work, I've gleaned an understanding of what American life through the ages is like. From the pioneer days captured with a desolate despair in Meek's Cutoff, to the heart shattering singularity of Wendy and Lucy, to the manner that taste and fortune appear in opportunistic ways in First Cow, and now, with her latest film The Mastermind, we see a nation at another nexus point, pushed by the Vietnam War and a changing society to be something different, something possibly more equal.The Mastermind is a bit of a heist film, but it's a heist film in the way that First Cow was a heist film, meaning, the nature of the heist is almost perfunctory in that while it's the instigating action for the film, it's the outcomes of the heist that throws Josh O'Connor's James Blaine Mooney life into disarray. Not that his life wasn't in some level of disarray with the feckless out of work father mooching off his parents, all the while his loving wife Terri (another great turn from Alana Haim) has to look after their kids while also working a full time job.James comes up with the idea to steal four abstract paintings from the local art gallery. What he intends to do with the paintings once he has them, we never find out. But it's also quite likely he has no idea too. Josh O'Connor is easy to watch here, so captivating as someone who thinks he's smarter than he is, but really just needs to be nudged along to make something of his life.Yet, for me, he's not the interesting part of The Mastermind. Instead, I found Kelly Reichardt's interest in the bystanders of the 1972 Worcester Art Museum robbery to be more fascinating. Kelly has talked in the past about her fascination with people stealing art, but what drew her to this robbery in particular was the schoolgirls who were bystanders and observed it happen. She plants similar girls as observers of James Blaine Mooney's heist, and it's through their brief perspective that we're also invited to see the film from the viewpoint of the women of the story.It's an idea which I asked Kelly about in the following interview, which talks about the viewpoints of The Mastermind, while also discussing how Kelly's films view the changing state of America. We close by talking about the importance of accessible art, and what it means to be able to see art in rural or remote areas.Sign up for the latest interviews, reviews, and more via https://www.thecurb.com.au/subscribe/ Hosted on Acast. See acast.com/privacy for more information.

2025 touche bientôt à sa fin, mais il y a encore plein de films vus à traiter dans 24FPS, le podcast ciné avec ou sans spoiler ! Voici les 23 films abordés sans spoiler par Jérôme et Julien dans cet épisode : Dalloway de Yann Gozlan (à partir de 0:02:57) In Whose Name ? de Nico Ballesteros (à partir de 0:07:35) Marche Ou Crève de Francis Lawrence (à partir de 0:15:39) Chien 51 de Cédric Jimenez (à partir de 0:37:21) Bone Lake de Mercedes Bryce Morgan (à partir de 0:48:58) TRON Arès de Joachim Rønning (à partir de 0:51:58) L'Homme Qui Rétrécit de Jan Kounen (à partir de 1:34:59) Good Fortune de Aziz Ansari (à partir de 1:47:40) Good Boy de Ben Leonberg (à partir de 1:57:50) Black Phone 2 de Scott Derrickson (à partir de 2:11:58) Smashing Machine de Benny Safdie (à partir de 2:18:10) Roofman de Derek Cianfrance (à partir de 2:41:13) Arco de Ugo Bienvenu (à partir de 2:48:51) The Mastermind de Kelly Reichardt (à partir de 2:54:50) Predator - Badlands de Dan Trachtenberg (à partir de 2:59:46) La Voisine Idéale de Geeta Gandbhir (à partir de 3:20:58) Insaisissables 3 de Ruben Fleischer (à partir de 3:29:20) Frankenstein de Guillermo del Toro (à partir de 3:36:55) Sisu - Le Chemin De La Vengeance de Jalmari Helander (à partir de 3:57:38) Zootopie 2 de Byron Howard et Jared Bush (à partir de 4:01:43) Running Man de Edgar Wright (à partir de 4:06:34) Rental Family de Mitsuyo Miyazaki (à partir de 4:37:44) A House Of Dynamite de Kathryn Bigelow (à partir de 4:45:57) Et ils abordent des spoilers sur House Of Dynamite à partir de 5:09:55 ! Bonne écoute, et n'hésitez pas à donner votre avis sur la défense française ! Crédits musicaux : Broadcast Attack de Harold Faltermeyer, issu de l'album The Running Man - Original Motion Picture Soundtrack (1987), et Keep On Running de Tom Jones, issu de l'album 13 Smash Hits (1967)

Felicia is joined by Peter Merriman to discuss the quiet beauty in everyday life through Kelly Reichardt's Certain Women (2016). We chat about the importance of shooting locations in Reichardt's films, as well as letting the actor's faces carry the weight of the story. This is the series opener and I'm very excited to chat about a director whose voice is so distinct and welcome in modern cinema. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes here: The American Friend (D.O.P. Robby Müller) Tokyo Story (Yasujirō Ozu 1953) Peter's alt Reichardt double bill: First Cow (Kelly Reichardt 2019) Cloud (Kiyoshi Kurosawa 2024) Sources: https://www.criterion.com/current/posts/4941-certain-women-trapped-under-the-big-sky https://www.anothergaze.com/review-certain-women-kelly-reichardt-sophie-mayer/ https://www.theringer.com/2025/10/03/movies/certain-women-best-movies-21st-century https://seventh-row.com/2017/02/10/kelly-reichardt-certain-women-interview/ https://www.independent.co.uk/arts-entertainment/films/features/certain-womens-kelly-reichardt-interview-michelle-williams-laura-dern-kristen-stewart-lily-gladstone-a7615271.html https://www.refinery29.com/en-gb/2017/02/142090/certain-women-kelly-reichardt-film-director-interview https://thefilmstage.com/lily-gladstone-talks-certain-women-kelly-reichardts-genius-and-native-american-roles/ https://www.nylon.com/articles/kelly-reichardt-certain-women-interview https://www.theupcoming.co.uk/2017/03/03/certain-women-an-interview-with-director-kelly-reichardt/ Outro Song: The Night They Drove Old Dixie Down by Joan Baez Films Mentioned: The American Friend (Wim Wenders 1977) Tokyo Story (Yasujirō Ozu 1953) Old Joy (Kelly Reichardt 2006) Wendy and Lucy (Kelly Reichardt 2008) Night Moves (Kelly Reichardt 2013) River of Grass (Kelly Reichardt 1994) First Cow (Kelly Reichardt 2019) The Mastermind (Kelly Reichardt 2025) Meek's Cutoff (Kelly Reichardt 2010) Elephant Man (David Lynch 1980) No Country for Old Men (Joel & Ethan Coen 2007) Chungking Express (Wong Kar-wai 1994) Paris, Texas (Wim Wender 1984) May December (Todd Haynes 2023) Carol (Todd Haynes 2015) Collateral (Michal Mann 2004) Face/Off (John Woo 1997) Cloud (Kiyoshi Kurosawa 2024) Killers of the Flower Moon (Martin Scorsese 2023) Breaking The Waves (Lars von Trier 1996) Desert Hearts (Donna Deitch 1986)

"Ich mache Filme über Leute ohne Sicherheitsnetz", sagt Kelly Reichardt selbst über ihr Kino. Irgendwie sitzen ihre Außenseiter immer am nächsten Plan, der dann doch nie so richtig gelingt. Nach Alaska soll es gehen, ein Damm gesprengt, Kunstwerke geklaut werden. Dabei steht ihnen oft eine brutale Welt im Weg, über deren Binsenweisheiten man sich erst hinwegsetzen muss. "Hier darf man nicht parken", "So geht das doch nicht", "Wer kein Geld hat, soll auch keinen Hund haben". Aber manchmal reicht einem jemand die Hand und man schafft es doch, sich über einen Zaun zu wuchten. Aber was wartet auf der anderen Seite? Meist die schier endlose Natur. JE Thomberg, Lucas und Christian sprechen im neuen Special über das Kino von Kelly Reichardt. Das ist aber nur der Teaser. Unterstützt uns auf https://steadyhq.com/cuts um die ganzen drei Stunden zu hören.

This week, Megan watches REBUILDING (2:30), writer-director Max Walker-Silverman's follow-up to A LOVE SONG (which Megan loves), about a cowboy putting his life back together after a fire destroys his home and land, and the homes of many people in his community. Then Megan and Dave discuss THE SECRET AGENT (22:14), a Brazilian film by Kleber Mendonça Filho about political violence and corruption that's receiving accolade after accolade this year. (Wagner Moura won Best Actor at Cannes, for one.) Over on Patreon, we cover Kelly Reichardt's 2010 film MEEK'S CUTOFF.

For their fourth film together, Yorgos Lanthimos and Emma Stone get weird and go bald in BUGONIA with Jesse Plemons as Stone's conspiracy-obsessed kidnapper. Adam and Josh discuss, along with reviews of Lynne Ramsay's DIE MY LOVE starring Jennifer Lawrence, Kelly Reichardt's THE MASTERMIND with Josh O'Connor, and film-of-the-year candidate IT WAS JUST AN ACCIDENT, the latest from Jafar Panahi.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:02:36) Bugonia (00:02:37-00:30:40) Die My Love (00:30:41-00:48:44) Filmspotting Family (00:48:45-00:51:48) The Mastermind (00:51:49-01:14:08) Mastermind Prize (01:14:09-01:17:49) It Was Just an Accident (01:17:50-01:34:18) Next Week / Notes (01:34:19-01:45:55) Polls (01:45:56-01:56:08) Credits / New Releases (01:56:09-02:00:04) Links: -Poll: Actor/Director Duos Since 2000 https://poll.fm/16260111 -Siskel & Ebert at 50: Lone Star with Adam and Michael https://luma.com/pwlqid75 -Fear Not! (50% Off + Free Shipping; code CONFSHIP, select Media Mail) https://wipfandstock.com/9781666738520/fear-not/ -London Meetup w/Josh on Dec. 11 https://forms.gle/rUcgUKicTddzwFBs5 RSVP:  Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠  https://www.instagram.com/larsenonfilm  ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Začel se je 36. ljubljanski mednarodni filmski festival - LIFFe, ki mu oddajo namenjamo skoraj v celoti. Napovedujemo najbolj pričakovane filme festivala in ocenjujemo Belo se pere na devetdeset, ki je na festivalu v rekordnem času razprodal štiri projekcije. Ljubiteljem kinotečnih filmov pa sta namenjena retrospektiva filmov ameriške neodvisne filmarke Kelly Reichardt in izbor filmov ukrajinske filmske ustvarjalke Julije Solnceve. Pozabili pa nismo niti na druge filme: v kinu je znanstvenofantastična akcijska srhljivka Tekač, posneta po distopičnem romanu Stephena Kinga, ki je bil dogajalno postavljen prav v leto 2025.

On October 19th, a group of masked men broke into the Louvre in broad daylight and made off with some of France's crown jewels. Suspects are now in custody, but the online fervor is still going strong. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the sordid satisfaction of watching a heist play out, both onscreen and off. They dive into the debacle at the Louvre, along with a range of fictional depictions, from the fantasy of hyper-competence in “Ocean's Eleven” to the theft that goes woefully awry in Kelly Reichardt's new film, “The Mastermind.” Part of the fun, it seems, lies in rooting for those who identify and exploit the blind spots of an institution. “Someone else, just like me, is seeing that everybody is an idiot. But, unlike me, they're able to best those people in charge,” Fry says. “It's an alternative morality—a morality of wits.”Read, watch, and listen with the critics:“The Mastermind” (2025)“Ocean's Eleven” (2001)Stella Webb's impression of “the Louvre heist Creative Director”Jake Schroeder's “Ballad for the Louvre”“Showing Up” (2022)“The Italian Job” (1969)“How to Beat the High Cost of Living” (1980)“Drive” (2011)“Le Cercle Rouge” (1970)“This Is a Robbery: The World's Biggest Art Heist” (2021)“Good Time” (2017)“George Santos and the Art of the Scam” (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Con un Picasso, un Gauguin y un Rembrandt bajo el brazo. Asi escaparon del Museo Worcester de Massachusetts dos hombres con pasamontanas en el ano 1972. Spoiler: no acabo bien. Se inspira en este hurto historico la directora Kelly Reichardt para rodar 'The Mastermind', ganadora de la Espiga de Oro en la Seminci de Valladolid y mucho mas que una pelicula de robos (de arte). La comentamos, como siempre, con Carlos Alsina, Ruben Amon, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Ademas, debatimos sobre el concurso de ideas lanzado para preservar (quiza cubrir) el Templo de Debod de Madrid.

Paul and Erin review more new releases, including Kathryn Bigelow's A HOUSE OF DYNAMITE, Yorgos Lanthimos' BUGONIA, Kelly Reichardt's THE MASTERMIND, Richard Linklater's BLUE MOON and Nia DaCosta's HEDDA, and look back at Ingmar Bergman's "Faith Trilogy," Dario Argento's DEEP RED and Ethan Hawke's new TV series THE LOWDOWN.

The Mastermind is a 2025 heist film written and directed by Kelly Reichardt. The film stars Josh O'Connor, Alana Haim, Hope Davis, John Magaro, Gaby Hoffmann and Bill Camp. Set in 1970, the film follows a struggling family man who secretly plots to steal art from a sleepy suburban museum while the nation rages over the Vietnam War. Reichardt described the film as a struggle between the allure of individualism and the necessity of collective action. The film was inspired by a mixture of real-life events and classic films, including the 1972 robbery of the Worcester Art Museum and the films of Jean-Pierre Melville.The film had its world premiere at the main competition of the 2025 Cannes Film Festival on May 23, where it was nominated for the Palme d'Or, and was released in the United States by Mubi on October 17. Hosted on Acast. See acast.com/privacy for more information.

Kelly Reichardt's genre-defying heist movie, The Mastermind, is in cinemas, so we're taking the opportunity to discuss our favourite capers. We also pay tribute to the longest running cinema release of all time  (from 1975 to present day), The Rocky Horror Picture Show, on its 50th anniversary.ReferencesDogma: The Resurrection Tour-----------If you love what we do, please like, subscribe and leave a review!Edited and produced by Lily Austin and James BrailsfordOriginal music by James BrailsfordInstagram TikTokLetterboxdEmail us

Original Release Date: Monday 3 November 2025    Description:   After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari's Good Fortune. The topic then turns to Paul Thomas Anderson's 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil's thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

La Semana Internacional de Cine de Valladolid, la SEMINCI, cerró ayer su 70ª edición en el Teatro Calderón, consolidándose como un referente del cine de autor. Por su alfombra azul desfilaron decenas de cineastas, intérpretes y productores que presentaron sus obras: 225 películas en total.La Espiga de Oro, máximo galardón del festival, fue concedida ex aequo a Magallanes, del filipino Lav Díaz, y The Mastermind, de la estadounidense Kelly Reichardt. Las Espigas de Honor reconocieron a Mia Hansen-Løve, Luis Callejo y a las escuelas de cine ECAM y ESCAC.Hoy, 2 de noviembre, Día de los Difuntos, recordamos a quienes ya no están, pero siguen vivos en nuestra memoria y en las historias que el cine sabe contar con ternura, misterio, nostalgia… y a veces, incluso con humor. Hacemos un maratón de películas de directores que encontraron en la muerte el hilo principal de sus historias con José Luis Garci, Andrés Aberasturi y Fernando Guillén Cuervo.Escuchar audio

Los hermanos Dardenne siguen demostrando su capacidad para mirar a la clase obrera, la familia y los marginados en 'Recién nacidas', un relato coral de madres adolescentes en un centro de acogida. Otra directora con una sensibilidad especial es Kelly Reichardt, autora de 'The Mastermind', una película de atracos inusual que protagoniza un gran Josh O'Connor. Además hay cine de terror, 'Los tigres' de Alberto Rodríguez y analizamos el final de la Seminci. En media hora os ponemos al día de todo el cine y las series.

Cerramos una semana en la que hay títulos para todos los gustos, thriller, drama íntimo, biopic, viajes en el tiempo y hasta experimentos artísticos, Comenzamos con una película muy esperada Los tigres, el último trabajo de Alberto Rodríguez que nos lleva a los fondos marinos. Con él y los actores protagonistas Antonio de la Torre y Bárbara Lennie charlamos esta madrugada. Recién Nacidas de los hermanos Dardenne es otra de las películas que no podíamos perdernos, pone el centro de mira en un centro maternal y en la historia de cinco adolescentes, de todo ello hablamos con sus directores. Recién Nacidas es la cinta internacional que destacamos junto a The Mastermind de Kelly Reichardt y el biopic Monsieur Aznavour que nos acerca nuestra colaboradora Ángeles González Sinde.Nos metemos en el mundo de Andy Warhol y celebramos un cumpleaños muy esperado, los 40 que cumple Regreso al futuro.Todo esto además de las series con Pedro Calvo, el resto de la cartelera donde nos detenemos en La sabana y la Montaña y Las guerreras K-Pop.Escuchar audio

Yorgos Lanthimos's Bugonia follows two conspiracy-obsessed men who kidnap a powerful CEO, convinced she's an alien bent on destroying Earth. Emma Stone and Jesse Plemons shine, but while host Laura Gommans revels in their performances, Elliot Bloom questions whether Lanthimos's satire lands in the world we live in today.Plus, Kelly Reichardt joins Hugo Emmerzael to discuss The Mastermind — a stripped-down art heist film set in 1970s suburban America — and her collaboration with Josh O'Connor.Get tickets to Bugonia @ LAB111

Guillermo del Toro is back, with his long-gestating Frankenstein! Kelly Reichardt is back, with Josh O'Connor-starring art heist drama The Mastermind! The gang is back, and we're in a new office! What a time to be alive on this, The Cineskinny podcast. Oh, and before we forget, listen to our *other* podcast, Music Now – we spoke to Andrew Wasylyk and Tommy Perman about their new score for the Lon Chaney 1925 Phantom of the Opera (https://open.spotify.com/episode/1JjZNhEPJ5bPezB2MNPTWH?si=1ac9ad32df1a43d8) TIMESTAMPS: What We've Been Watching: London geography and capsule hotel reviews (4:55) Frankenstein review (17:10) The Mastermind review (32:15) Heists on film – Inception, Charley Varrick, The Wrong Trousers and more (49:20) Recorded at The Skinny office at Outerspaces, outerspaces.org Get us on Twitter, Bluesky, Instagram and Letterboxd  @thecineskinny, email us at cineskinny@theskinny.co.uk Intro and interstitial music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Sean and Amanda start the show by covering the major box office success of ‘Chainsaw Man,' reacting to the news that Cinemark is opening myriad new 70 mm IMAX screens across the country, and discussing what it represents for the future of moviegoing (2:00). Then, they deep dive into Kathryn Bigelow's new film, ‘A House of Dynamite,' starring Rebecca Ferguson. They unpack their very complicated feelings by highlighting what they found successful, including a titillating first act and some strong performances, and they address its major flaws, most notably a wild third act that features a deeply unsuccessful performance from Idris Elba (12:59). Finally, Adam Nayman joins the show to discuss Kelly Reichardt's new film, ‘The Mastermind,' starring Josh O'Connor as an outcast loner (1:07:46). They talk about Reichardt's ability to identify this type of character and give credit to her and O'Connor for crafting such a wonderful performance. Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Jack Sanders Unlock an extra $250 at linkedin.com/thebigpicture Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week – baby, we were born to review music biopic SPRINGSTEEN: DELIVER ME FROM NOWHERE (08:22), alongside Nia DaCosta's new twist on Ibsen, HEDDA (28:58), and Kelly Reichardt's heist film, THE MASTERMIND (52:08). Plus, in our HOT TAKE (01:08:20), we discuss Disney's scrapped plans for a Star Wars sequel, titled THE HUNT FOR BEN SOLO. If you would like to donate directly towards humanitarian aid in Gaza please visit:https://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowPre-Order Clarisse's Wes Anderson book ⁠here⁠Tweet us @FadetoBlackPod on Twitter or DM @FadeToBlackPodcast on Instagram, Blue Sky and Reddit: https://www.reddit.com/r/fadetoblackpodcast/Don't forget to subscribe, rate and review the podcast - it makes a difference! AMON: ⁠@Amonwarmann ⁠CLARISSE:  ⁠@clarisseloughrey⁠HANNA: ⁠@hannainesflint⁠Music by ⁠The Last Skeptik⁠

Josh O'Connor stars in a heist movie to end all heist movies – or at least end our illusions that the person pulling the heist is pretty cool and awesome. Comedian and friend Myq Kaplan is along to watch things unfold, and unravel, in THE MASTERMIND. Then we take a Hotline question about what film school courses we'd like to teach.What's GoodAlonso - Programme 4   Drea - First women to cross the Atlantic unsupported (in their girthy canoe)Myq - Communing with friends [Rini (and Rini), John Fugelsang appearance, Separation of Church and Hate, tea with Abby Wambaugh] Kevin - new mic cable and arm; guesting on How to SurviveBernie & Phyl's ad ITIDICPenske Reportedly Offers Golden Globe Bribe Opportunity to Right-Wing PodcastersBUGONIA Offering Free Screening for Bald AudienceStaff PicksDrea - La ChimeraAlonso - A House of DynamiteMyq - The Life of ChuckKevin - Roofman10/25: American Cinema Editors Short Film Showcase – The First Day of Your Last Period11/2: Myq at Dynasty TypewriterAlonso's book: Have Yourself a Movie Little Christmas Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week's Empire Podcast sees Chris Hewitt struggle with the enunciation of one word in particular (you'll have to listen to find out which). Incredibly, it's not 'Howl-o-ween', which is just one of the many things discussed by Chris and his three colleagues of such lethal cunning, Helen O'Hara, James Dyer, and Ben Travis. They get their teeth into movies in which a main character is ill, talk about the shock revelation that Adam Driver and Steven Soderbergh had developed a literal Solo movie for Kylo Ren, and review Springsteen: Deliver Me From Nowhere, Nia DaCosta's Hedda, and Kelly Reichardt's The Mastermind. Guest-wise, we have a veritable bounty as Helen has a lovely chat with Nia DaCosta, and Chris talks to Jeremy Strong, star of the Springsteen flick; and has a joyous natter about the end of the world with Rebecca Ferguson and Kathryn Bigelow, star and director respectively of A House Of Dynamite, which is now out on Netflix. No timecodes yet, as the guy who writes this blurb has to leg it to a screening. But they're roughly 23 minutes, one hour and three minutes in, and one hour and 38 minutes in. Enjoy!

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, The Mastermind, out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history. 

Dave is back this week but, bum that he is, didn't get a chance to watch either film this week. So that leaves Megan flying solo on FRANKENSTEIN (3:00), writer-director Guillermo del Toro's take on Mary Shelley's classic novel. Short version: Megan loooooooved it and particularly enjoyed that this version portrays Victor Frankenstein (Oscar Isaac) as a complete bastard, and it gives the Creature (Jacob Elordi) a humanity and depth that other versions don't. Then Evan joins Megan for THE MASTERMIND (17:04), writer-director Kelly Reichardt's latest, about an art heist gone wrong - largely because its planner (or mastermind, ha) is a terrible planner. Over on Patreon, Dave, Megan, and Evan talk about the 1977 film LOOKING FOR MR. GOODBAR in honor of the late Diane Keaton.

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, "The Mastermind," out in theaters now. Josh O'Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

On Truth & Movies this week, we discuss Kelly Reichardt's The Mastermind, Springsteen: Deliver Me From Nowhere, and finally, for film club, Two Lane BlacktopJoining host Leila Latif are David Jenkins and Lillian Crawford.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Erik Childress and Steve Prokopy have another 11 reviews for you this week. It starts all the way back at last year's Toronto Film Festival with Crispin Glover finding no way out of a mysterious hotel (Mr. K). Justin Lin adapts the true story of a young missionary and a lost tribe (Last Days). A ‘90s thriller gets updated (The Hand That Rocks The Cradle), an imaginary demon terrorizes people (Shelby Oaks) and zombies go after drag queens (Queens of the Dead). Kelly Reichardt tells the story of the man behind a ‘70s art heist (The Mastermind) and Richard Linklater returns with Ethan Hawke on a notable night for a songwriting legend (Blue Moon). Jesse Plemons kidnaps Emma Stone in the latest from Yorgos Lanthimos and Kathryn Bigelow returns after eight years to put us on the brink of WWIII (A House of Dynamite). The author of It Ends With Us gets her latest melodramatic adaptation (Regretting You) while The Boss finally gets a crucial part of his journey told (Springsteen: Deliver Me From Nowhere)3:56 - Mr. K11:34 - Last Days17:48 - The Hand That Rocks the Cradle27:32 - Shelby Oaks33:28 - Queens of the Dead45:42 - The Mastermind55:03 - Blue Moon1:08:16 - Bugonia1:20:32 - Regretting You1:34:14 - A House of Dynamite1:48:00 - Springsteen: Deliver Me From Nowhere2:01:13 – Next WeekCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

This Week on the Show: Josh O'Connor, Kelly Reichardt & the Art of the Heist Fresh off the headlines of a real-life Louvre robbery, indie auteur Kelly Reichardt and breakout star Josh O'Connor join Simon to talk about their buzzy new film, The Mastermind—a stylish 70s-set art-heist drama that's suddenly feeling very timely. O'Connor plays JB, a slacker dad whose low-stakes gallery theft spirals into something far more chaotic. Expect Nixon-era nostalgia, vintage fashion deep-dives, and awkward ovation etiquette. Plus, Josh spills on his upcoming Spielberg project—yes, that Spielberg. Mark Reviews: The Mastermind – Does Reichardt's latest live up to the hype? Regretting You – A romantic drama with a title tailor-made for snark. Mark's rant radar is fully activated. Sketch – A family film where kids' drawings come to life. But does the magic hold up? Springsteen: Deliver Me From Nowhere – Jeremy Allen White stars as The Boss in this hotly anticipated biopic. Does it rock or roll off the rails? Whether you're here for reviews, behind-the-scenes stories, or just want to know what's worth your cinema ticket this week, we've got you covered. And some exciting news: The Take is now on Patreon! Find our page here: www.patreon.com/kermodeandmayo You can now become a Vanguardista—or join the new ranks of the Ultra Vanguardistas, on our Patreon page. Get a whole extra show with Take 2 every week, plus... Access to our new member-only Patreon chat rooms Polls & submissions — vote on the films we cover, send us questions to answer, and try your best (or worst) jokes for the Laughter Lift. Behind-the-scenes photos and videos you won't find anywhere else. Video versions of ALL upcoming Take Two bonus episodes A new monthly newsletter called The Redactor's Roundup And, most excitingly... A whole brand new fortnightly LIVE show from the Good Doctors – and the chance to message on the live chat during the show AND Don't miss our upcoming LIVE Christmas Extravaganza at London's Prince Edward Theatre on 7th December. Tickets here: fane.co.uk/kermode-mayo Timecodes (for Vanguardistas listening ad-free) Regretting You Review: 10:51 Box Office Top Ten: 19:54 Josh O'Connor & Kelly Reichardt Interview: 33:31 The Mastermind Review: 48:15 Laughter Lift: 57:40 Springsteen: Deliver Me From Nowhere Review: 1:01:04 Sketch Review: 01:15:57 You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bestselling thriller writer John Grisham on his latest book, The Widow, in which a smalltown lawyer from Virginia finds himself accused of a serious crime after he develops a professional relationship with a wealthy woman who may not be all that she seems. We hear from writer-director Kelly Reichardt and from actor Josh O'Connor who plays an art thief in her latest film The Mastermind. Dutch art historian and detective Arthur Brand gives an update on the real-life robbery of France's crown jewels from The Louvre in Paris at the weekend, and tells us about the broader spate of museum thefts across Europe right now. And as arts organisations come together in Glasgow for a State of the Nation culture summit, we ask why now, and what might it achieve? Presenter: Kirsty Wark Producer: Mark Crossan

An IndieWire favorite, director Kelly Reichardt returns to Toolkit with her new film The Mastermind. Reichardt told us about working with Josh O'Connor, putting her own spin on the heist genre, and the cast-and-crew road trip it took to get the movie made. Learn more about your ad choices. Visit megaphone.fm/adchoices

No Cinemático 565, Carlos Merigo, Bia Fiorotto, Ronald Villardo e Hiago Vinícius conversam sobre "The Mastermind", novo filme dirigido por Kelly Reichardt.Pauta: 06:11Spoilers: 45:29---SIGA @CINEMATICOPODTwitterInstagramCRÉDITOSApresentação: Carlos MerigoPauta e Produção: Bia FiorottoEdição: Gabriel PimentelAtendimento e Comercialização: Camila Mazza e Telma ZennaroTorne-se membro do B9 e ganhe benefícios: Braincast secreto; grupo de assinantes no Telegram; e mais!https://www.youtube.com/channel/UCGNdGepMFVqPNgaCkNBdiLw/join Hosted on Acast. See acast.com/privacy for more information.

In a new film from writer and director Kelly Reichardt, actor Josh O'Connor stars as a man planning an art heist at a local museum. But very quickly, everything that can goes wrong, does go wrong. Reichardt and O'Connor discuss "The Mastermind," in theaters now.

As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude's Kontinental '25, Noah Baumbach's Jay Kelly, Kelly Reichardt's The Mastermind, Lav Diaz's Magellan, Mary Bronstein's If I Had Legs I'd Kick You, Alexandre Koberidze's Dry Leaf, and many other selections.

Eli joins the other boys hot off of his Lincoln Center press screenings to tell us the must-watches and the maybe-skip-overs of this year's New York Film Festival. But before that, Wilson and Ben briefly get their words in for the latest Paul Thomas Anderson joint, One Battle After Another. Catch Eli talk about other NYFF titles like Park Chan-wook's No Other Choice, Olivier Laxe's Sirāt, and possible film of the year: Bi Gan's Resurrection. Links:Secret Goldfish - Bi Gan short filmI'm walking here at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:46 One Battle After Another (2025, dir. Paul Thomas Anderson)13:32 No Other Choice (2025, dir. Park Chan-wook)16:58 Sirāt (2025, dir. Oliver Laxe)20:18 Queen Kelly (1932, dir. Erich von Stroheim)25:29 Angel's Egg (1982, dir. Mamoru Oshii)31:27 Japanese Film Festival (in Singapore)34:34 The Arch (1968, dir. T'ang Shushuen)35:09 The Mastermind (2025, dir. Kelly Reichardt)38:03 Mare's Nest (2025, dir. Ben Rivers)41:13 Jay Kelly (2025, dir. Noah Baumbach)42:22 Back Home (2025, dir. Tsai Ming-liang)44:49 Ecce Mole (2025, dir. Heinz Emigholz)48:15 Peter Hujar's Day (2025, dir. Ira Sachs)50:34 What Does That Nature Say To You? (2025, dir. Hong Sang-soo)53:10 A House of Dynamite (2025, dir. Kathryn Bigelow)57:40 Resurrection (2025, dir. Bi Gan)

Three films in this year's NYFF lineup explore the intersections of quotidian life and the arts, following artists whose efforts to make time and space for their creative passions are thwarted or frustrated by the grind of the everyday. In Kent Jones's Late Fame, adapted from an Arthur Schnitzler novella, a once-upon-a-time New York poet (and now a postal worker) is intoxicated by the sudden attentions of a coterie of twentysomething wannabe poets. In Kelly Reichardt's The Mastermind, set in the 1970s, an aimless art-school dropout executes a comically sloppy heist at a local museum, as if seeking escape from his banal, bourgeois family life. And in Lucio Castro's Drunken Noodles, an art student spends a summer in New York, having a series of serendipitous and erotic encounters around painting, poetry, and writing. Each film dwells in how both the making and consuming of art can force life into a pace incompatible with that of the modern world. Last Sunday at NYFF, Jones, Reichardt, and Castro joined Film Comment editors Devika Girish and Clinton Krute for a conversation exploring the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films.

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the opening weekend performance of Paul Thomas Anderson's One Battle After Another, cover the latest news in exhibition, and preview the October slate—including the surprise addition of Taylor Swift | The Official Release Party of a Showgirl.What to Listen For00:00 Intro 00:28 PTA's One Battle After Another01:02 Press Screening Reactions (Smashing Machine)02:11 PTA Box Office & Career High02:53 Warner Bros. Hot Streak04:22 Hollywood Tariff Threats07:55 Advisory Committee & Industry Response08:17 October Preview Kickoff09:07 Taylor Swift: Life of a Showgirl (AMC Event)10:56 A24's The Smashing Machine with Dwayne Johnson13:37 Avatar: The Way of Water Re-Release13:57 Daniel Day-Lewis in M&A15:12 Horror Spotlight: Bone Lake (Bleecker Street)16:22 Tron: Ares Preview18:14 Paramount's Ruman (Channing Tatum)19:07 A24's If I Had Legs I'd Kick You19:42 Sony Faith-Based Soul on Fire20:22 Netflix Thriller House of Dynamite21:03 Musical Adaptation Kiss of the Spider Woman21:54 Universal's Black Phone 223:47 Lionsgate's Good Fortune (Keanu Reeves)24:42 Angel Studios' Truth and Treason25:13 Amazon/MGM's After the Hunt26:42 Kelly Reichardt's The Mastermind27:22 Chainsaw Man: The Movie (Anime)28:23 Paramount's Regretting You (Colleen Hoover)29:02 Bruce Springsteen Biopic Deliver Me From Nowhere31:43 Richard Linklater's Rogers & Hart Film32:52 Yorgos Lanthimos Sci-Fi Remake

We were delighted to welcome Kelly Reichardt, Bill Camp, Hope Davis, Gaby Hoffman, and John Magaro to the 63rd New York Film Festival to discuss The Mastermind in a conversation with NYFF Artistic Director Dennis Lim. Reichardt's restrained and often funny anti-thriller is set against a Nixon-era backdrop of alienation and disillusionment, following a taciturn family man (Josh O'Connor) who makes the rash, largely inscrutable decision to orchestrate a heist at the local art museum. The 63rd New York Film Festival is presented in partnership with Rolex. The Mastermind opens at Film at Lincoln Center on October 17. Get tickets: https://www.filmlinc.org/nyff2025/films/the-mastermind/