Podcast appearances and mentions of james l brooks

LexG with some new movie reviews for late December, including Rian Johnson's Wake Up Dead Man with Daniel Craig, Timothee Chalamet in Marty Supreme, Jessie Buckley in the Oscar hopeful Hamnet, James L. Brooks' Ella McKay, and the Brazilian political drama The Secret Agent.

Director and screenwriter James L. Brooks feels quizzical about being Conan O'Brien's friend. James sits down with Conan to discuss his journey from CBS usher to writing for the best of 70s and 80s television, creating The Mary Tyler Moore Show at exactly the right time, and returning to directing for the screen with his latest film Ella McCay. Plus, Aaron Bleyaert makes a return to expose a hygiene scandal in the studio. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sean and Amanda kick off the show by reacting to the brief teaser released for Alejandro G. Iñárritu's ‘Digger' starring Tom Cruise (1:08). They then cover two new releases that they found absolutely baffling in Bradley Cooper's ‘Is This Thing On?' (4:17) and James L. Brooks' ‘Ella McCay' (23:17). Finally, they share their top ten most underseen and overlooked movies of the year (45:01). Hosts: Sean Fennessey and Amanda Dobbins Producers: Jack Sanders and Jacob Cornett Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this latest episode of the Say Report we take a brief moment to inform everyone about our plans for Ninjativity 2025 and 2026 before using that as a platform to discuss the latest theatrically released SpongeBob Squarepants Film, The latest Teenage Mutant Ninja Turtles short film, and some fun emergences in the field of Artificial Intelligence, before settling into a look at the 2025 Box Office through the lens of James L. Brooks latest film… “Ella McCay

Ella McKay heads, stay in line! Critic Jesse Hassenger is back to talk all things James L Brooks with his late period rom com with HOW DO YOU KNOW! Together we discuss the careers of the three leads, the look of the movie, Brooks' legacy with film nerds, Jack Nicholson's final role and how the movie fails its joke writting 

Rob gives his thoughts on the brand-new film Ella McCay, playing in theatres now! He provides some of the key storylines, which include some spoilers, while also highlighting the incredible acting of newcomer and star Ella Mackey, while also praising the long-time consistency and versatility of the legendary Jamie Lee Curtis, who also stars in this movie directed by beloved figure James L. Brooks!Follow Us On Socials:IG & TikTok — @theflame_esHost: Rob Cao

James Cameron-Wilson says that box office is down 40% again, even though #1 Zootropolis 2 has become the biggest film of the year worldwide. #18 Ella McCay is from James L. Brooks, who brought us such movies as Broadcast News. It stars Emma Mackey as an aspiring politician, backed by a raft of great actors such as Jamie Lee Curtis and Albert Brooks. Full of terrific dialogue, it reminds James of the great screwball comedies of old. He loved every minute. He was also impressed by Netflix's Train Dreams, with Joel Edgerton as a logger and railroad worker. This is film as art and does require a degree of patience. He was bewitched by a film which reminded him of Days of Heaven. Also on Netflix is the third Knives Out movie, Dead Man Wake Up. Despite a great cast supporting Daniel Craig, James thought the murder plot was forced and, while there were some great moments, he was ultimately disappointed. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this bonus minisode, Nate asks Adam for his bite-sized review of Ella Mccay (2025), the first new film directed by Simpsons co-creator James L. Brooks in 15 years. Can Brooks recapture the magic of his ‘80s masterpieces and the early days of The Simpsons?Stay tuned next week for our full episode with Alan Siegel, author of a new book on The Simpsons called Stupid TV Be More Funny, as we unwrap A Charlie Brown Christmas (1965) and its Simpsons homage in “Miracle on Evergreen Terrace” (S9E11).Lobby Chats are short bonus episodes where Adam and Nate share their thoughts on new releases, what they're watching besides The Simpsons, and more.For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us at @simpsonsfilmpod on Instagram, TikTok, Threads, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

Pete and Hannah review this week's new releases, including James L. Brooks' Ella McCay and the Christmas slasher Silent Night, Deadly Night.#NewReleases #FilmReview #MoviePodcast #CinemaTalk #JamesLBrooks #EllaMcCay #SilentNightDeadlyNight #HorrorMovies #ChristmasHorror

I DON'T GET IT is the ironically named podcast which features the open-minded musings of two middle-aged curmudgeons (Noah Tarnow and Bill Scurry) who love pop culture, talking about a hot topic of the week. Bill and Noah don't watch James L. Brooks' latest movie to see what the connection is between the key art poster and the latest social media trend. @noahandbillshow.bluesky.social -- @billscurry.bluesky.social -- @noahtarnow.bluesky.social This week's theme: "Umbrella” by Rihanna and Jay-Z. New episodes every Monday morning on Youtube, Spotify, Soundcloud, iTunes, and GooglePlay!

It's pretty hard being the governor of an unnamed state when you're a 34-year-old woman with a husband who's the heir to a local pizza empire and you've got a brother who has agoraphobia and your sleazy dad keeps leaving you weird voicemails and Julie Kavner is narrating your entire life story! Wooo, that was a lot. James L. Brooks' Ella McCay is A LOT. Richard Lawson joins us to chat about this very strange movie that feels like a real outlier at contemporary multiplexes. If anything, Ella McCay is a refreshing throwback. Kind of. Minus a few glaring, mind-boggling missteps. Anyway, join us for a fun conversation about this latest Brooksian offering, and stick around for a very exciting announcement about the expansion of Blank Check Productions!  Subscribe to Richard's newsletter Premier Party Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Travis Hopson reviews James L. Brooks' political comedy ELLA MCCAY starring Emma Mackey, Jamie Lee Curtis, Albert Brooks, Woody Harrelson, Jack Lowden, and Ayo Edibiri. SYNOPSIS: An idealistic young woman juggles her family and work life in a comedy about the people you love and how to survive them.ELLA MCCAY is in theaters now. All of this and more can be found at www.punchdrunkcritics.com!Subscribe to Punch Drunk Critics on YouTube:    / @punchdrunkcritics1  Follow Punch Drunk Critics on Twitter:   / pdcmovies  Follow Punch Drunk Critics on Facebook:   / pdcmovies  You can also subscribe to our podcast Cinema Royale anywhere you get your podcasts!#EllaMcCay #emmamackey #JamesLBrooks

Denise Nicholas joined me to discuss watching the Ed Sullivan Show; living on the same block as Hitsville, USA; not fitting in with her family; joining the Free Southern Theater and performing Waiting for Godot; Roscoe Orman; her part in the Civil Rights Movement; Negro Ensemble Company leads to It Takes a Thief with Robert Wagner; loving 2 1/2 Men; Room 222, the first "dramedy"; James L. Brooks; episodes were taken from the headlines; going on game shows with Karen Valentine; Hollywood Squares; injuring herself on Battle of the Network Stars; singing on The Tonight Show starring Johnny Carson in 1971; being the mystery guest on What's My Line; Match Game; Dinah Shore Show; having to prove herself to Sidney Poitier to cast her in Let's Do it Again; fighting to play Carroll O'Connor's girlfriend on In the Heat of the Night; asking for black writers; Redd Foxx; Baby, I'm Back; guesting on Diff'rent Strokes; her sisters gruesome murder; being in the pilot for Masquerade; guesting on Magnum, PI; getting an NAACP nomination for telefilm Mother's Day; joining the cast and writing staff of In the Heat of the Night; Ghost Dad; Richard Roundtree; her novel Freshwater Road; her second novel turning into her memoir deciding whether to work or not; 23 and me saying she is 64% European and 34% Nigerian; going to Nigeria and no one there believing she's Nigerian; Blacula; too much television shows

Adam discusses James L. Brooks' latest movie, Ella McCay.

The penultimate regular Empire Podcast of the year is here, folks (don't worry, there are specials galore on the way), and it's a belter. Guest-wise, we have more goodies under the tree, as Jamie Graham talks to longtime collaborators Shih-Ching Tsou and Sean Baker (the director of Anora) about Tsou's directorial debut, Left-Handed Girl, which can be seen on Netflix; [25:27 - 41:51 approx] and Chris Hewitt has lovely chats with Wake Up Dead Man suspects, Daryl McCormack and Cailee Spaeny, [1:04:42 - 1:19:44 approx] and the legendary James L. Brooks, who returns to directing this week with Ella McCay. [1:40:42 - 1:54:01 approx] Either side of that little lot, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Beth Webb for more Christmas movie shenanigans, including a discussion of their favourite Christmas movie songs, and where they'd like to spend Christmas if they were in a movie. You'll be staggered to know that a certain plaza in LA gets a mention. The team also talk about the Golden Globe nominations and the potential Netflix acquisition of Warner Bros. (this episode was recorded before the Supergirl trailer launched, sadly), and they review Wake Up Dead Man (again), Eleanor The Great, Goodbye June, and Fackham Hall, which sees an Empire Podcast first. You'll have to listen to find out what that is. Enjoy!

We're holding it together with ribbons and Scotch tape this week on Breakfast All Day. Alonso is off promoting the new edition of his book, "Have Yourself a Movie Little Christmas," so here's what we've got for you: ELLA McCAY: Yes, it is as baffling as you've heard. Thankfully, Tim Grierson from Screen International returns to help try and make sense of it. The latest film from Oscar-winner James L. Brooks stars Emma Mackey as a young lieutenant governor who must step up and lead her state, but various personal and professional crises get in the way. Jamie Lee Curtis, Albert Brooks and Woody Harrelson are among the impressive supporting cast. In theaters. DUST BUNNY: Writer-director Bryan Fuller (TV's "Pushing Daisies," "Hannibal") makes his feature debut with this delightfully dark tale. A precocious girl (Sophie Sloan) hires a hitman (Mads Mikkelsen) to kill the monster beneath her bed. But is the creature real, or just in her imagination? Sigourney Weaver and David Dastmalchian co-star. In theaters. If you're looking for Alonso's Christmas movie livestream, here it is, free to view on our Patreon. Thanks for spending some of your time with us during the busy holiday season! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

ELLA MCCAY MOVIE REVIEW Writer/Director/Sitcom creating legend James L. Brooks is back with his first feature film in fifteen years with Ella McCay. Emma Mackey plays the titular role and she is a force of nature. When we meet her in the film, she's a schoolgirl telling off her dad (Woody Harrelson) for being a […]

Welcome to The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we celebrate filmmaker James L. Brooks! His new movie Ella McKay is in theaters now! Our returning guest is very good friend Adam Drosin, and together we are The Brooks Brothers. Our B-Sides today are I'll Do Anything (musical cut included), Spanglish, and Are You There God? It's Me, Margaret. We discuss Brooks' impossibly successful career as a producer of both film and television, his keen eye for talent (his support of superb filmmaker Kelly Fremon Craig), and, of course, his reckoning with failure. There's also the recipe for that sandwich in Spanglish, Julia Roberts' feelings about Nick Nolte on the set of I Love Trouble (which came out the same year as I'll Do Anything, a rough year for Nolte professionally), and that Gracie Films fanfare. We also give The Critic some deserved love. We ponder the editing choices in Brooks' 2010 debacle How Do You Know and celebrate his acting in the masterpiece Modern Romance (directed by Albert Brooks!). Cinematographer John Seale also said in an interview that the movie he shot that he used the most film on was Spanglish!

James L. Brooks, director of classics like Terms of Endearment, Broadcast News and As Good as it Gets, returns to form with Ella McCay, his first film in 15 years. Newsweek's H. Alan Scott chatted with Brooks about the inspiration behind the story and how the women in his life inspired so many of his iconic female characters. Later in the chat Scott chatted with Jamie Lee Curtis about what it's like to be asked to be in a Brooks film and Emma Mackey on the stress of playing the title character. Watch the video: https://youtu.be/9plwtg4aemo Read the feature in the latest issue of Newsweek: https://www.newsweek.com/entertainment/james-l-brooks-returns-to-form-with-ella-mccay-11183470 Subscribe to my newsletter: https://link.newsweek.com/join/for-the-culture Follow me: https://linktr.ee/halanscott Subscribe to Newsweek's YouTube: https://www.youtube.com/newsweek See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

ELLA MCCAY MOVIE REVIEW Writer/Director/Sitcom creating legend James L. Brooks is back with his first feature film in fifteen years with Ella McCay. Emma Mackey plays the titular role and she is a force of nature. When we meet her in the film, she's a schoolgirl telling off her dad (Woody Harrelson) for being a […]

As we approach the end of the year, Erik Childress and Steve Prokopy still have six reviews for this week. They include a documentary about the inventor of Pantone (The King of Color) as well as Mamoru Hosoda's anime about a princess avenging her father's death (Scarlet). The Ripley-like influencer from a 2022 thriller is on the prowl again (Influencers) as is the guy from the ‘80s who dressed like Santa Claus and killed a bunch of people but this time with a derivative twist (Silent Night, Deadly Night). The creator of Pushing Daisies and Hannibal makes his debut about a girl who hires a hitman to take care of the monster under her bed (Dust Bunny). Finally, the legendary James L. Brooks' returns with his first film in 15 years and the guys have very different takes on it.1:38 - The King of Color9:09 - Silent Night, Deadly Night18:46 - Scarlet26:02 - Influencers36:59 - Dust Bunny45:36 - Ella McCayCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Hope Hopkinson talks to filmmaker James L. Brooks about his new film, Ella McCay.  An idealistic young woman juggles her family and work life in a comedy about the people you love and how to survive them. Ella McCay features an all-star cast including Emma Mackey, Jamie Lee Curtis, Jack Lowden, Kumail Nanjiani, Ayo Edebiri, Spike Fearn, Rebecca Hall, Julie Kavner, Becky Ann Baker, Joey Brooks with Albert Brooks and Woody Harrelson.  Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Film producer Jason Solomons and literary journalist Suzi Feay join Tom Sutcliffe to discuss the contemporary thriller Lurker which shows what happens when the line between popstar and fan gets blurred.They also talk about The Pelican Child a short story collection by Pulitzer Prize-nominated author Joy Williams.And the film Ella McCay is reviewed; a political comedy-drama that follows an idealistic woman juggling being state governor with a complicated family life. Tom also speaks to the film's director James L. Brooks, whose Oscar-winning work includes Terms of Endearment and As Good as It Gets. Brooks also co-created the Simpsons. Presenter: Tom Sutcliffe Producer: Claire Bartleet

VP of Interns Christopher joins Pat and Clayton in studio for the first time! They're previewing the opening weekend of James L. Brooks' ELLA MCCAY starring Woody Harrelson, Jamie Lee Curtis, Ayo Edebiri and Albert Brooks. Can this legendary director survive both the opening weekend and The Ella Shoe Challenge meme? We break down what's at stake. Plus we talk long range prospects for the movies PRIMATE and THE SIMPSONS MOVIE PART 2. Has our intern ever heard of The Simpsons or the phrase "weezin' the juice"? It's a shocking new episode. Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648 E-mail us: theboboyspodcast@gmail.com   Subscribe on Youtube: https://www.youtube.com/@theboboyspodcast   Follow us on TikTok and Instagram: @TheBOBoysPod   Subscribe to us on Substack: https://substack.com/@theboboys Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/ Thanks to WannaBO VP of Interns Christopher for running our social media! ---

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall On this episode of Fancy Movie Time with Brian and A.J., the Fancy Lads unplug their phones and have a good cry as they cover James L. Brooks' 1987 ode to the joys of work: Broadcast News. Does the electric chemistry of the three leads make this movie a Fancy Feast? Or does its overlong runtime make it a Failure to Fancy? One thing's for sure: that Gracie Films' tune sure is catchy.   Next episode: Ordet (1955).

Legendary director/producer James L. Brooks and Woody Harrelson talk with Ted Danson about working together on Jim's first feature film in 15 years, "Ella McCay." Jim shares about the family turmoil that influenced the script, how he got his first break in the news business, casting “Broadcast News,” the time he lit a fire under Ted on “Taxi,” memories of John Cassavetes, and more.  Ella McCay hits theaters on December 12th. Like watching your podcasts? Visit http://youtube.com/teamcoco to see full episodes.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There was originally a plan to bring the much-loved Christmas book The Polar Express to the big screen in live action, with Rob Reiner potentially directing. But eventually, the project ended up with Robert Zemeckis. Looking for something between live action and animation, a different kind of technology was to be used for the film - but would audiences respond to it? Especially when they tried to look the characters in the eye... The second part of this episode is a return to the podcast for writer/producer/director James L Brooks, chatting about his new film, Ella McCay. Plus, getting films for grown-ups made, Mike Nichols, previewing his movies and a whole lot more. Ella McCay is in UK cinemas from 12th December 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

James L. Brooks - How to Live an Artful Life -The Spy Who Came in from the Cold at 60

Jamie Lee Curtis is an Academy Award and Emmy winning actress, author, and producer best known for Everything Everywhere All at Once, the Halloween franchise and her acclaimed guest role in The Bear. Curtis sits down with Willie Geist to discuss her late career hot streak, embracing aging and authenticity, and her role as Aunt Helen in James L. Brooks's new film Ella McCay. Plus, she reflects on the woman who first saw her potential, the hustle behind building her Comet Pictures production company, and why she believes the most important moments in life hinge on a few unexpected seconds. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nick brings film critics Erik Childress and Steve Prokopy back for a run through several major new releases, including James L. Brooks' comedy drama “Ella McCay,” the animated sequel “Zootopia 2,” the latest “Knives Out” mystery “Wake Up Dead Man,” and the follow up to the video game horror hit “Five Nights at Freddy's 2.” Their conversation moves quickly, mixing sharp reactions with the kind of easy back and forth that comes from years of arguing about movies together. Esmeralda Leon joins Nick later for a round of holiday chatter, which turns into a story about a South Side spot that sells great Christmas trees and also lets you recycle them by feeding them to a herd of very enthusiastic goats. That leads to a tour of strange Christmas trees from around the world, including one built entirely from full bottles of Heineken. The holiday spirit takes on some unusual shapes, and Nick and Esma have plenty of fun with it. [Ep 409]

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo.  Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor's Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.  We have a bonafide film and TV legend in our midst this week: director of ‘Broadcast News', ‘Terms of Endearment' and ‘As Good As It Gets'—not to mention co-creator of The Simpsons—James L Brooks. He talks to Simon about his new comedy drama ‘Ella McCay'—his first film in 15 years. He unpacks the movie starring Emma Mackey (yes, the names are confusing), Jamie Lee Curtis, Woody Harrelson and Jack Lowden—and tells us why he's nostalgic for 2008. Plus a bit of Simpsons chat—there are a few very familiar voices in this movie!   Mark reviews Eternity—the new A24 afterlife romcom that sees Elizabeth Olsen torn between two dead husbands, played by Miles Teller and Callum Turner. Plus we've got his verdict on the new film from exiled Iranian filmmaker Jafar Panahi too--'It Was Just an Accident'. This latest daring project has seen the banned filmmaker issued a jail sentence from the Iranian government. And finally, Five Nights at Freddy's 2....You might remember how much Mark loved the first one (not)... but could the sequel win him over? Spoilers: it doesn't—but strap in for a review that might be more entertaining than the movie.  All the box office top 10 news for you too, plus the weekly hilarity of the laughter lift. Enjoy!   Our LIVE Christmas Extravaganza at London's Prince Edward Theatre is this weekend! Join us on 7th December—with special guest Nia DaCosta, and Jason Isaacs beaming in from the USA. Tickets here: fane.co.uk/kermode-mayo      Timecodes (for Vanguardistas listening ad-free)  Eternity review: 09:10  BO10: 19:50  James L Brooks Interview: 37:10  It Was Just An Accident review: 52:30 Laughter Lift: 1:02:32  Five Nights at Freddy's 2 review: 01:07:32 Jay Kelly review: 01:14:41      You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

James L. Brooks (Ella McCay, The Simpsons, Taxi) is an Emmy, Golden Globe, and Academy Award-winning screenwriter, director, and producer. James joins the Armchair Expert to discuss being an industrious high school reporter interviewing Louis Armstrong and Anne Bancroft, his lucky break as a studio page bringing Edward R. Murrow coffee, and co-creating the Mary Tyler Moore Show with Alan Burns. James and Dax talk about why there's no better job in the world than on a television show that's working, seeing Andy Kaufman perform as the vile Tony Clifton for the first time, and that he thinks you go legally insane when directing. James explains what it was like giving notes to Jack Nicholson, starting The Simpsons which is still the longest-running scripted show in history, and what makes a contemporary female heroine in his new screwball comedy Ella McCay.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

James L. Brooks joins Crew Call to discuss 'Ella McCay.' Learn more about your ad choices. Visit megaphone.fm/adchoices

Our time with James L. Brooks comes to a close as we look at his third Best Picture nominee: As Good As It Gets. Jack Nicholson won his third Oscar for playing irascible, OCD-afflicted writer Melvin Udall, with Helen Hunt also winning and Greg Kinnear also nominated. We break down their performances and characters and whether or not they work, while also answering an important question: what the hell is this movie? Plus, our thoughts on The Running Man, Now You See Me Now You Don't, and more! What's your favorite James L. Brooks movie? Let us know at cinemaontappodcast@gmail.com

James L. Brooks continues as we look at the second film he directed, Broadcast News! This film also received a Best Picture nomination, and may be his most beloved film. Starring Holly Hunter, William Hurt, and Albert Brooks, this film centers on a love triangle that forms between three people working at a news network, while also featuring commentary on the state of journalism circa 1987 that has remained relevant over the years. Our hosts are both watching for the first time, and we break down the performances, the themes, and why this film is still so enjoyable almost 40 years later. Plus, Christian's thoughts on Train Dreams and Scott's thoughts on Predator: Badlands! What's your favorite James L. Brooks film? Let us know at cinemaontappodcast@gmail.com

We've turned the page on spooky season and it's time for a new monthly theme. With his first film in 15 years releasing in theaters later this year, we're taking a look at the films of James L. Brooks! To start, Terms of Endearment. This Best Picture-winning film netted Brooks 3 Oscars for his feature directorial debut, also earning Shirley MacClaine and Jack Nicholson awards for their performances. Our hosts at crossing a Best Picture blindspot off their watchlist as they watch one of the most famous mother-daughter films ever made. Plus, our thoughts on the worst box office weekend of 2025 so far! Do you think Debra Winger should have won the Oscar over MacClaine? Let us know at cinemaontappodcast@gmail.com

Yeni sezonda da her hafta Canlı Yayında sinema ve televizyon gündemini konuşuyoruz, haftanın öne çıkan dizi ve filmlerini yorumluyoruz, ilgimizi çeken konuları tartışıyoruz, listeler yapıyoruz, goygoydan geri kalmıyoruz...00:00 | Giriş01:25 | Konuk: Sinema Yazarı Aslı Ildır06:15 | The Smashing Machine14:50 | Mr. Scorsese18:40 | The Perfect Neighbor27:20 | Good News32:25 | Mekanın Ana Karakter Olduğu En İyi 10 Film1:06:30 | Adile'nin Afişi1:11:05 | Bong Joon-jo'nun Hayalindeki Proje1:14:05 | James L. Brooks 15 Yıl Sonra Döndü1:18:20 | Charlotte Wells'in Yeni Projesi1:20:35 | David Fincher ve Haber Sağanağı1:22:45 | Soderberg & Star Wars?1:24:55 | Warner Bros'un Talibi Çok1:28:35 | Hızlı Haber Turu1:41:00 | Criterion Closet: Adam Asmaca1:43:20 | Hızlı Haber Turu1:47:15 | Sürpriz Sonlu İlginç Bir Hikaye1:56:05 | Hasan Programı Kapatamıyor

Matt Groening discovered the things that helped shape his artistic sensibility when he was 12 years old: psychedelia, the Grateful Dead, Catch-22, and of course cartooning. Matt explains to Marc how the road to creating The Simpsons started in Portland, Oregon and had stops in New York City, Los Angeles, the Licorice Pizza record store, the LA Reader and the office of James L. Brooks. They also talk about The Simpsons becoming a breeding ground for comedy writing talent and Matt reveals, for the first time, who was the real inspiration for Homer Simpson. Hosted on Acast. See acast.com/privacy for more information.

fWotD Episode 3059: Homer Simpson Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 19 September 2025, is Homer Simpson.Homer Jay Simpson is the main protagonist of the American animated television series The Simpsons. Part of the titular family, Homer made his television debut in the short "Good Night" on The Tracey Ullman Show on April 19, 1987. Cartoonist Matt Groening created and designed Homer while waiting in the lobby of James L. Brooks's office. Initially called to pitch a series of shorts based on his comic strip Life in Hell, Groening instead developed a new set of characters. After two years on The Tracey Ullman Show, the Simpson family received their own series, which premiered on Fox on December 17, 1989.Homer is the patriarch of the family; he is married to Marge, with whom he has three children, Bart, Lisa, and Maggie. As the family's primary provider, Homer primarily works as a safety inspector at the Springfield Nuclear Power Plant. He embodies numerous American working-class stereotypes: he is overweight, balding, immature, unintelligent, outspoken, aggressive, lazy, ignorant, unprofessional, and deeply fond of beer, junk food, and television. Despite these flaws, Homer is fundamentally a good-hearted man and fiercely protective of his family, especially during critical moments.In the shorts and early episodes of The Simpsons, Dan Castellaneta voiced Homer with a loose impression of Walter Matthau. However, starting with the second season of the full-length series, Homer's voice evolved into a more robust tone to better convey a broader range of emotions. Homer has also appeared in various Simpsons-related media, including video games, The Simpsons Movie (2007), The Simpsons Ride, commercials, and comic books, and has inspired a wide range of merchandise. His iconic catchphrase, the annoyed grunt "D'oh!", has been recognized in linguistics, appearing in The New Oxford Dictionary of English since 1998 and the Oxford English Dictionary since 2001.Homer is regarded as one of the most iconic and influential television characters of all time and is widely recognized as an American cultural icon. In 2007, Entertainment Weekly ranked Homer ninth on their list of the "50 Greatest TV Icons", and in 2010, placed him first on their list of the "Top 100 Characters of the Past Twenty Years". The Sunday Times referred to him as "the greatest comic creation of [modern] time", while TV Guide, in 2002, called him the second-greatest cartoon character (after Bugs Bunny). Castellaneta has received four Primetime Emmy Awards for Outstanding Voice-Over Performance, along with a special-achievement Annie Award. In 2000, Homer and the family were honored with a star on the Hollywood Walk of Fame.This recording reflects the Wikipedia text as of 00:07 UTC on Friday, 19 September 2025.For the full current version of the article, see Homer Simpson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

This week, James L Brooks talked about The Simpsons, Mary Tyler Moore ,Terms of Endearment, having a million lunches to cast parts,  his difficult beginnings and how the fear of survival and women's shoes drove him to his success. We also talk about what an amazing mentor he is, incredible writer, the worst notes he's ever gotten from a network, and now he likes to have drool days.Bio:James L. Brooks is a three-time Academy Award®-winner and eighteen-time Emmy® Award-winner.  He began his television career as a writer who also produced such beloved television hits as Taxi, The Mary Tyler Moore Show, The Tracy Ullman Show, and The Simpsons. Brooks began working in film in 1979 when he wrote the screenplay for Starting Over which he co-produced with Alan J. Pakula. In 1983, Brooks wrote, produced and directed Terms of Endearment for which he won three Academy Awards. In 1987, he wrote, produced and directed Broadcast News, which was nominated for seven Academy Awards® including Best Screenplay and Best Picture. Brooks then directed I'll Do Anything starring Nick Nolte, Albert Brooks, and Julie Kavner.  In 1997, Brooks co-wrote, produced, and directed As Good As It Gets, starring Jack Nicholson, Helen Hunt, and Greg Kinnear. The film was nominated for seven Academy Awards® including Best Picture, and both Nicholson and Hunt won Oscars® for their performances. In 2004, Brooks wrote and directed the film Spanglish, starring Adam Sandler, Tea Leoni and Paz Vega. In 2010, Brooks wrote and directed the film How Do You Know, starring Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson.Brooks's company, Gracie Films has produced numerous films and television shows since it was formed in 1990. On the television side, the company produces the long-running hit, The Simpsons, as well as producing the Tracey Ullman Show, What About Joan?, and The Critic. On the feature side – Brooks has executive produced the feature film, Say Anything, produced War of the Roses, and co-produced Big. In 1996, Brooks executive produced the film Bottle Rocket, directed by Wes Anderson, and produced Cameron Crowe's Oscar®-winning Jerry Maguire, starring Tom Cruise, Cuba Gooding Jr., and Renee Zellweger. In addition, Brooks produced Penny Marshall's Riding in Cars with Boys, starring Drew Barrymore, and produced the film Edge of Seventeen, written and directed by Kelly Fremon Craig for STX Productions. In addition, Brooks co-wrote and produced The Simpsons Movie, the movie version of the Fox hit.

Episode 424: The Crew thinks Pedro Pascal is the clear choice in a love triangle while watching Celine Song's Materialists. Song's second feature as writer and director is just as layered, funny, heartbreaking, and joyous as her first film, Past Lives. She's able to weave all these emotions in a unique way that invites comparisons to James L Brooks and Woody Allen; her voice is that strong. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Owen Wilson has played a misfit, a cowboy, a robber, a male model and now he can add pro golfer to that list. In the new sports comedy series “Stick,” Owen plays Pryce Cahill, an ex-pro golfer with a dark past who ends up coaching a troubled teen prodigy. Owen joins guest host Gill Deacon to talk about the show, how his carefree nature seeps into his work, and what he learned from some of his earliest mentors and role models, including his dad, his football coaches and legendary film producer James L. Brooks.

On this episode Eric McClanahan (Ain't It Cool News, Cinema Scholars) and host Jason Godbey break down the most anticipated films of summer 2025 including: One Battle After Another starring Leonardo Di Caprio, Freakier Friday, Weapons, Nobody 2, Caught Stealing directed by Darren Aronofsky starring Austin Butler, Toxic Avenger starring Peter Dinklage, This Is Spinal Tap 2: The End Continues starring Michael McKean, Christopher Guest, and Harry Shearer, directed by Rob Reiner, and Ella McCay directed by James L. Brooks. Show theme by Christopher GillardProduced by Eric McClanahan & Jason GodbeyCreated & Hosted by Jason Godbey

Jason Fraley celebrates the 85th birthday of "Taxi" creator James L. Brooks by flashing back to this 2018 interview with actress Marilu Henner, who earned five Golden Globe nominations as Elaine Nardo on the iconic sitcom. She also discusses her Broadway show at the time called “Gettin' the Band Back Together.” (Theme Music: Scott Buckley's "Clarion")

Diane and Sean the James L Brooks' OCD classic, As Good as It Gets. Episode music is, "Days Like This", by Van Morrison from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

GGACP celebrates the birthday (January 23rd) of Emmy-winning comedy writer Arnie Kogen ("The Carol Burnett Show," "Newhart," "The Mary Tyler Moore Show”) by revisiting this 2018 father-son interview with Emmy-winning writer Jay Kogen (“Frasier,” “The Simpsons”). In this episode, the boys talk about failed pilots, cheesy variety shows, the outrageousness of Pat McCormick and the "unwritten rules" of writing for television. Also, Soupy Sales takes flight, Jackie Mason takes offense, Garry Shandling gripes about the sunset and the Kogens party with the Jackson 5. PLUS: "Monkey World"! The genius of James L. Brooks! “The World's Oldest Fireman"! Jay reinterprets "The Aristocrats"! And Gilbert and Arnie remember "Thicke of the Night”! Learn more about your ad choices. Visit megaphone.fm/adchoices

We talk with James Burroughs about his reign as hollywood's greatest sitcom director, being the son of the Abe Burrows In the genetics of comedy, his book “directed by James Burrows”, “Cheers”, “Will & Grace”, “Mary Tyler Moore”, “Taxi”, “Friends”, the scripps that make him want to direct, the ones that don't, his amazing memory, his humble beginnings, the decade it took him to learn how to direct, working with geniuses like James L. Brooks, Chuck Lori, and Kohan & Mutchnick, Andy Kaufman. And Jimmy explains how his two best friends are Al Michaels and Bruce Springsteen.Bio: James Burrows is one of television's most respected and honored creative talents. Over his distinguished career, Burrows has been the recipient of ten Emmys, five Directors Guild of America Awards, the 1996 American Comedy Awards' Creative Achievement Award, and in 2014 the Television Critics Association's Career Achievement Award in 2006 he was inducted into the Academy of Television Arts and Science's Hall of Fame and was honored by the US Comedy Arts Festival with their Career Tribute award. He has been the recipient of 22 nominations for the Director's Guild of America Award, thus bestowing him the honor of being the most nominated director in the history of television at the Guild. He was recently honored by the DGA with the Inaugural 2014 Lifetime Achievement Award in Television. In November of 2015 he directed his 1000 th episode which was recognized by a TV Special on NBC in January of 2016. Burrows' success as the director of television pilots is legendary. He just finished the first two episodes of Frasier re-boot season 2, and has wrapped up the pilot “Mid Century Modern” for Fox. He will be at the helm of “Mid Century Modern” this Fall as the show goes to series. The current primetime television schedule features one show “Neighborhood,”- whose pilot episode Burrows directed and one streaming show, the “Frasier Re-boot” which will begin airing Season 2 on Paramount + in mid-September 2024. In January of 2020, he received his fifth DGA Award for directing the Emmy award winning show “Live in Front of a Studio Audience #1: Norman Lear's All in the Family and The Jeffersons.” He was also asked back to direct “Live in Front of a Studio Audience #3: Different Strokes and The Facts of Life” in December of 2021. In June of2022, he embarked into a new market when he published his autobiography, “Directed by James Burrows.” It has received quite a bit of attention and praise from the industry. Burrows is probably best known as co-creator, executive producer and director of the critically acclaimed series, “Cheers.” The hit show, which aired for 11 seasons, is tied for the most nominated Comedy series in the Television Academy's history and is in third place for most Emmys received by a Comedy Series. Burrows has also received numerous awards for his work on “Will & Grace,” “Frasier,” “Friends,” “Wings,” “Night Court,” “Taxi,” and “Dear John.” For the first time in 25 years, he returned to the stage in the spring of 1998 to direct the highly acclaimed “Man Who Came to Dinner” at the Steppenwolf Theatre in Chicago, starring John Mahoney. Burrows learned his trade from the very best, the legendary writer/director Abe Burrows, whose noted career included such classics as “Guys and Dolls,” “How to Succeed in Business Without Really Trying” and “Cactus Flower.” Born in Los Angeles and raised in New York, Burrows graduated from Oberlin College and continued his education at Yale, where he earned a master's degree in fine arts. Burrows relocated to Hollywood to work as a dialogue coach for “O.K. Crackerby!,” a short-lived television series starring Burl Ives. When the show ended, he returned to New York and initially worked as a stage manager before directing several off-Broadway shows, such as “The Castro Complex,” and stock productions of “The Odd Couple” and “Never Too Late.” In 1974, Burrows moved back to the West Coast when he was invited to visit MTM Productions in Los Angeles and offered a job directing an episode of “The Mary Tyler Moore Show.” Mr. Burrows and his wife, Debbie, reside in Los Angeles and between them they have a quartet of daughters.

The frantic holiday season is upon us, but we are breaking from our seasonality trend for this special episode to celebrate our favorite soon-to-be college graduate. Broadcast News has long been a favorite film of ours, and it's a great feeling when a film can be handed down to the next generation and they love it as much as we do. Holly Hunter, William Hurt, Albert Brooks, Joan Cusack present a believable and engaging ensemble (supported by a deft cameo performance by Jack Nicholson). Written and directed by James L. Brooks, the film won critical praise and 7 Oscar noms, and was designated for preservation by United States National Film Registry by the Library of Congress, as well as making several of AFIs top lists since it's 1987 release. As our Information Age moves into uncharted territory with multiple social media platforms, streaming services, and the increased use of AI for media production, we think it's a film well worth revisiting, if only to remind ourselves (and hopefully our listeners) of the standards that constitute ethical, well sourced, and reliable journalism. “Vincit Omnia Veritas”

We were so excited to welcome author and journalist Emma Specter to the show, that we asked them if we could talk about their favorite movie. Join us as we traverse journalism onscreen in James L. Brooks' 1987 film Broadcast News, starring Holly Hunter, William Hurt, and Albert Brooks. We also ask Emma about the process of writing her reported memoir, More, Please, and what she might say about elements of the movie "as a private citizen," versus in her official capacity as culture writer for Vogue.Discussed in this episode:More, Please: On Food, Fat, Bingeing, Longing, and the Lust for EnoughEmma's review of She Said: https://dirt.fyi/article/2022/12/all-the-things-she-saidFind Emma:emmaspecter.comtwitter.com/EmmaSpecterinstagram.com/specteremmaFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Is there any upside to negative emotions? What can comedians teach us about dealing with pain? And why did Angela eat off of a stranger's plate at a sushi bar?  SOURCES:Ludwig van Beethoven, 18th-19th century composer and pianist.Jen Christensen, reporter and producer at CNN.Lauren Eskreis-Winkler, professor of management & organizations at Northwestern University.Sigmund Freud, neurologist and founder of psychoanalysis.Shirley MacLaine, actor.George Vaillant, professor of psychiatry at Massachusetts General Hospital.Ali Wong, comedian. RESOURCES:"The Sad Clown: The Deep Emotions Behind Stand-Up Comedy," by Jen Christensen (CNN, 2018)."Neuroticism," by Jennifer L. Tackett and Benjamin B. Lahey (The Oxford handbook of the Five Factor Model, 2017)."Thinking Too Much: Self-Generated Thought as the Engine of Neuroticism," by Adam M. Perkins, Danilo Arnone, Jonathan Smallwood, and Dean Mobbs (Trends in Cognitive Sciences, 2015)."Survivor Mission: Do Those Who Survive Have a Drive to Thrive at Work?" by Lauren Eskreis-Winkler, Elizabeth Shulman, and Angela Duckworth (The Journal of Positive Psychology, 2014)."Age Differences in Personality Traits From 10 to 65: Big Five Domains and Facets in a Large Cross-Sectional Sample," by Christopher J. Soto, Oliver P. John, Samuel D. Gosling, and Jeff Potter (Journal of Personality and Social Psychology, 2011)."Adaptive Mental Mechanisms: Their Role in a Positive Psychology," by George Vaillant (American Psychologist, 2000).The Harvard Study of Adult Development. EXTRAS:Big Five Personality Inventory, by No Stupid Questions (2024).“Personality: The Big Five,” series by No Stupid Questions (2024).Terms of Endearment, film by James L. Brooks (1983)."Invictus," poem by William Ernest Henley (1888).