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2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
2 episodes with Exterminating Angel
HERE WE ARE, the final ever musical to feature a score from the legendary composer lyricist Stephen Sondheim, is currently receiving its European premiere with a run at the National Theatre in London. The musical, which features a book by the playwright David Ives, was originally seen Off-Broadway at The Shed in 2023, and is based on two films by Luis Buñuel, The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972).The London production features a star-studded cast including Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Harry Hadden-Paton, Paulo Szot, Richard Fleeshman, Chumisa Dornford-May, Tracie Bennett, Cameron Johnson, and Denis O'Hare.Having felt strongly about the production when Mickey-Jo first saw it in New York, check out this full review to find out why he's changed his mind about this musical...•00:00 | introduction 03:11 | overview / adaptation11:07 | the score17:42 | successes25:10 | shortcomings30:12 | performances•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
In Locust Radio episode #30, Tish Turl interviews fellow Locust comrade, Adam Turl, on their new book, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press, May 2, 2025). You can order the book from Revol Press, Amazon, or find it at other booksellers.Artists, ideas, books, writers, artworks and other stuff discussed in this episode: Adam Turl, Gothic Capitalism: Art Evicted from Heaven and Earth (Revol Press 2025); Ernst Fischer, The Necessity of Art (Verso, 2020); Boris Groys, “The Weak Universalism,” e-flux (2010); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); Walter Benjamin, “Theses on History” (1940); John Berger, Ways of Seeing (1972); Mark Fisher, Capitalist Realism: Is There No Alternative (2009); Mark Fisher, Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction (2018); Donna Harraway, “A Cyborg Manifesto” (1985); Karl Marx and Friedrich Engels, The Communist Manifesto (1848); Rena Rädle & Vladan Jeremić; Joseph Beuys; John Heartfield; Anupam Roy; Richard Hamilton; R. Faze; Born Again Labor Museum; Amiri Baraka; Omnia Sol; Sister Wife Sex Strike; Dada; Judy Jordan; Bertolt Brecht; Claire Bishop; The Sublime; “Third Places;” Fluxus; Abstract Expressionism; The Sopranos; The Wire; Surrealism; Charlie Jane Anders; Emily St. John Mandel; Pier Paolo Pasolini, La Ricotta (1963) and The Hawks and the Sparrows (1966); Boots Riley; Federal Arts Project; Luis Buñuel, The Exterminating Angel (1962); The Artists Union; Voltaire, Candide (1759); Gabriel García Márquez, One Hundred Years of Solitude (1967); Public Enemy, Fear of a Black Planet (1989); Beethoven, Symphony #9 (1822-1824); Sam Esmail, Leave the World Behind (2023); David Cronenberg, Videodrome (1983); Richard Seymour, Disaster Nationalism (2024)Produced by Tish Turl, Adam Turl, Omnia Sol and Alexander Billet. Theme by Omnia Sol, Drew Franzblau and Adam Turl. Hosts include Tish Turl, Laura Fair-Schulz and Adam Turl.
The Man with No Name is back and this time his name is Manco and he has a friend Morty (played by Chief Van Cleef). They are in love and express that love by shooting each other's hats!FOR A FEW DOLLARS MORE is the bigger, better, and richer sequel to last week's A FISTFUL OF DOLLARS. Your hosts are joined by a special guest, friend of the pod Max. Max rode into town on a pale horse, joined us at the campfire, ate some beans, and spun us an old cowboy tune.We also talk about Alex and Max's favourite film THE BIKERIDERS, and some other stuff we've been watching like CABARET, THE EXTERMINATING ANGEL, and PRIME CUT (RIP Gene Hackman)Join us next for week for the exciting conclusion of the Dollars Trilogy, THE GOOD, THE BAD AND THE UGLY. Perhaps another lonesome cowboy will drift into our ranch and join us for an impromptu Sergio Leone filmography ranking. You'll have to listen to see who (it's Jordan)You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com
Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club. Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Google Play!
On Truth & Movies this week, we discuss the unpredictable satire of apocalyptic black comedy Rumours and spoke to one of its directors, Guy Maddin. We also reviewed the wonderful feminist tale of On Becoming A Guinea Fowl and finally, for film club, we revisit 1962's The Exterminating Angel.Joining host Leila Latif are film critics Justine Smith and Josh Slater Williams.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
Send us a textWe've reached a milestone, and what better way to celebrate our 100th episode than with a deep dive into a true classic of horror? Join Lauren and Jared as we explore the chilling legacy of Night of the Living Dead (1968).This iconic film not only redefined the zombie genre but also pushed the boundaries of social commentary in horror. We'll dissect its unforgettable characters, groundbreaking visuals, and the cultural impact that continues to resonate today.Plus, we'll call the Negronomicon off the shelf to share our must see horror movies for 2024. So grab your favorite snacks, turn up the volume, and get into our 100th episode celebration!We don't have a newsletter anymore but...! You can find us on Instagram @ScaryCritPodGems from E100Night of the Living Dead (1968)John Wick 4 (2023)Evil Dead Rise (2023)The Substance (2024)The Boy and the Heron (2023)The Super Mario Bros. Movie (2023)Robot Dreams (2023)Terrifier 3 (2024)Terrifier (2016)Terrifier 2 (2018)Scooby Doo! and Batman: The Brave and the Bold (2018)Trick r' Treat (2008)House of a 1,000 Corpses (2003)The Evil Dead (1981)Rocky Horror Picture Show (1975)Revenge (2017)The Fall of Porcupine (2023, video game)Little Nightmares (2017, video game)Little Nightmares II (2021,video game)Oddity (2024)Spongebob Squarepants (1997, animated television series)Insidious (2010)Nosferatu (2024)Bottoms (2023)Fright Krewe (2023)The First Omen (2024)Possession (1981)Degrassi: The Next Generation (2001, television series)The Omen (1976)Alien: Romulus (2024)Evil Dead (2013)Don't Breathe (2016)Don't Breathe 2 (2021)Beetlejuice (1988)Paranormal Activity (2007)Paranormal Activity 3 (2011)Late Night with the Devil (2024)Ghostwatch (1992)The Tonight Show Starring Jimmy Fallon (2014, television series)In a Violent Nature (2024)The Texas Chainsaw Massacre (1974)Strange Darling (2024)Perfect Stranger (2008)Barbarian (2022)The Front Room (2024)I Know What You Did Last Summer (1997)I Still Know What You Did Last Summer (1998)Dawn of the Dead (2004)Deep Blue Sea (1999)Jurassic Park (1993)Night of the Living Dead (1990)28 Days Later (2004)The Purge (2013)The Twilight Zone (1959) [The Shelter (S3, Ep. 3)]The Exterminating Angel (1962)The First Purge (2018)Attack of the 50 Foot Woman (1958)Planet of the Apes (1968)The War Game (1966)Leave the World Behind (2003)Shaun of the Dead (2004)Pretty Woman (1990)Artist Unknown (2023)Tell Me Lies (2022, television series)Support the show
Thomas Adès is one of the UK's foremost and most successful composers. His first opera, Powder Her Face, was premiered in 1995, when he was just 24. With its racy subject matter, based on the life of the Duchess of Argyll, it put him squarely on the musical map, winning widespread critical acclaim. His catalogue now includes almost 90 works, with commissions from the world's leading orchestras and festivals, two further operas, The Tempest and The Exterminating Angel, and an epic ballet score for Wayne McGregor, Dante, based on the Divine Comedy.To anticipate the UK premiere of his new work, Aquifer, at the 2024 BBC Proms, Thomas Adès talks to Michael Berkeley about his musical inspirations and passions, including works by Schubert, Chopin, Walton, Stravinsky, Berg and Harrison Birtwistle.Producer Graham Rogers
When 20 or so upper class reveler's end up at a post-opera gathering hosted by one of their peers, everything seems perfectly… polite. But then director Luis Buñuel imparts upon them the one unbreakable rule of the film: no one can ever leave the well-appointed drawing room. Ever. What follows is a study in the logistics of human survival, depravity, and an allegory of the lies we tell ourselves as we sink into fascism. Join our Patreon and support the podcast! Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing's Tsui Hark's Once Upon a Time in China (1991).
“Bowie to Bowie… Come in Bowie…” So begins a completely unrelated piece of Bowie-related media that one of us wishes he watched instead. Come have a listen to find out which of us has the appetite (or patience?) for a Nicolas Roeg-directed 1970s dystopian science fiction film starring a beguiling and beloved pop star at the top of his game. Join our Patreon and support the podcast! Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Luis Buñuel's The Exterminating Angel (1962).
Our Alternate Oscars episodes, based on Danny Peary's fantastic 1992 book of the same name, have always been among our most popular. Over the course of the podcast, we've covered the 1930's, 1950's, 1970's, 1980's, 1990's, and the 2000's. Comparing what films actually won Best Picture to what we believe should have won is always a fun challenge, and it has given us a chance over the years to open or reopen some doors for our listeners to movies that are overlooked and forgotten. When we came to the 1950's episode, in an (eerily prophetic) split decision, we chose to include only English-language works, since the sheer volume of brilliant films from around the world in that decade would overwhelm both us and you, dear listeners. As we approached the 1960's for this episode, however, we reasoned that the relative lack of great American films from the decade suggested that this time around, we should open our tent to the entire world. We could not stand idly by, for instance while "A Man for All Seasons", lovely though it is, walked away with Best Picture in the year of films like "Persona", "Masculin/Feminin" and "Blow-Up". Our worries about the length of the episode, however, turned out to be justified and then some; therefore, we needed to split the episode into two parts. So with that, we are thrilled to present our first episode(s) since our triumphant, celebratory live recording of Episode 50 in March: thus Episodes 51A (1960-1964) and 51B (1965-1969), Alternate Oscars: The 1960's Edition. There were a couple of things that really hit us as we were creating this entry in the Vintage Sand catalogue. The first is that an unexpectedly high number of our choices were, in fact, American films, suggesting that while common wisdom avers that Hollywood suffered a creative decline in the 60's, there were a lot of great things happening just below the surface that were, unwittingly perhaps, paving the way for the revolution of the American New Wave that would come in the early 1970's. And the deeper we dove into the cinema of the 60's, we came to really understand the fundamental difference between those works and film today. Simply put, it was a time when directors really seemed to trust their audience's intelligence and imagination. This is most obvious in structurally elliptical puzzle films like Resnais' "Last Year at Marienbad", Buñuel's "The Exterminating Angel", Antonioni's "L'Avventura" and "Blow-Up", Bergman's "Persona" and even Kubrick's "2001: A Space Odyssey". But in ways big and small, and in terms both of performance and filmmaking technique, there is in 60's film a refreshing absence of rat-on-the-balcony-rail-at-the-end-of-"Departed" heavy-handedness that seems to be a common thread in the work of even our greatest directors today. So with all this in mind, strap in and join us for our odyssey through 60's cinema. It promises to be highly irregular, Dave…
Our Alternate Oscars episodes, based on Danny Peary's fantastic 1992 book of the same name, have always been among our most popular. Over the course of the podcast, we've covered the 1930's, 1950's, 1970's, 1980's, 1990's, and the 2000's. Comparing what films actually won Best Picture to what we believe should have won is always a fun challenge, and it has given us a chance over the years to open or reopen some doors for our listeners to movies that are overlooked and forgotten. When we came to the 1950's episode, in an (eerily prophetic) split decision, we chose to include only English-language works, since the sheer volume of brilliant films from around the world in that decade would overwhelm both us and you, dear listeners. As we approached the 1960's for this episode, however, we reasoned that the relative lack of great American films from the decade suggested that this time around, we should open our tent to the entire world. We could not stand idly by, for instance while A Man for All Seasons, lovely though it is, walked away with Best Picture in the year of films like Persona, Masculin/Feminin and Blow-Up. Our worries about the length of the episode, however, turned out to be justified and then some; therefore, we needed to split the episode into two parts. So with that, we are thrilled to present our first episode(s) since our triumphant, celebratory live recording of Episode 50 in March: thus Episodes 51A (1960-1964) and 51B (1965-1969), Alternate Oscars: The 1960's Edition. There were a couple of things that really hit us as we were creating this entry in the Vintage Sand catalogue. The first is that an unexpectedly high number of our choices were, in fact, American films, suggesting that while common wisdom avers that Hollywood suffered a creative decline in the 60's, there were a lot of great things happening just below the surface that were, unwittingly perhaps, paving the way for the revolution of the American New Wave that would come in the early 1970's. And the deeper we dove into the cinema of the 60's, we came to really understand the fundamental difference between those works and film today. Simply put, it was a time when directors really seemed to trust their audience's intelligence and imagination. This is most obvious in structurally elliptical puzzle films like Resnais' Last Year in Marienbad, Buñuel's The Exterminating Angel, Antonioni's L'Avventura and Blow-Up, Bergman's Persona and even Kubrick's 2001: A Space Odyssey. But in ways big and small, and in terms both of performance and filmmaking technique, there is in 60's film a refreshing absence of rat-on-the-balcony-rail-at-the-end-of-Departed heavy-handedness that seems to be a common thread in the work of even our greatest directors today. So with all this in mind, strap in and join us for our odyssey through 60's cinema. It promises to be highly irregular, Dave…
Greg screens Luis Buñuel's 1962 surrealist claustrophobic house party "The Exterminating Angel."
durée : 00:05:30 - Classic & Co - par : Anna Sigalevitch - Aujourd'hui, Anna Sigalevitch, nous parle ce matin d'un opéra contemporain "The Exterminating Angel" de Thomas Adès d'après le film de Luis Buñuel, ça se joue à l'Opera Bastille jusqu'au 23 mars prochain…
durée : 00:14:45 - avec Jules Cavalié - par : Philippe Venturini - Jules Cavalié rédacteur en chef d'Avant-Scène Opéra est invité au micro de Philippe Venturini à l'occasion du 338 numéro. Au programme : The Exterminating Angel de Thomas Adès, opéra à l'affiche dès le 29 février à l'opéra Bastille à Paris - réalisé par : Laurent Lefrançois
durée : 00:57:45 - Affaires culturelles - par : Arnaud Laporte - Il a beau être l'un des compositeurs contemporains les plus installés, Thomas Adès continue de surprendre. Son opéra, The Exterminating Angel, adapté d'un film de Luis Buñuel, est présenté à l'Opéra Bastille. Rencontre avec un musicien qui porte le surréalisme en héritage. - invités : Thomas Adès Compositeur anglais (Londres 1er mars 1971 - …)
durée : 02:04:53 - Musique matin du jeudi 29 février 2024 - par : Jean-Baptiste Urbain - C'est une première en France : Thomas Adès présente, dès ce jeudi à Paris, "The Exterminating Angel", son troisième opéra tiré du film éponyme de Luis Buñuel. Egalement pianiste et chef, celui que l'on compare souvent à Benjamin Britten est sans doute l'un des grands compositeurs de notre temps. - réalisé par : Yassine Bouzar
Luis Buñuel was a master at creating lasting images that stay in the viewers brain long after the film is over. He had a career that spanned multiple decades and working in multiple countries, yet he consistantly took aim at political and social elites. In his 1962 masterpiece, The Exterminating Angel, the acclaimed filmmaker crafts an allegorical comedy that confronts the socio-political realities of Franco's Spain. Infused with a surrealistic touch and a substantial dose of satire, the film allows for a multi-layered interpretation. Plus, it's just plain funny to watch the rich fall apart and destroy themselves. Follow us at: Patreon / Twitter / Instagram / Letterboxd / Facebook
On today's episode of Gaybros Let the Rich Eat, we talk about The Exterminating Angel (1962) by Luis Buñuel.
Dare Daniel Presents: Canon Fodder – Episode 3 The Exterminating Angel (1962; Dir.: Luis Buñuel) Daniel and Corky enjoy their descent into madness and despair courtesy of Luis Buñuel's surrealist satire The Exterminating Angel. THE EXTERMINATING ANGEL (1962) FACTS & FIGURES Cannes Film Festival debut: May 16, 1962 Sight […] The post Canon Fodder Episode 3 – “The Exterminating Angel” appeared first on Dare Daniel & Canon Fodder Podcasts.
https://notesonfilm1.com/2023/10/08/el-esqueleto-de-la-senora-morales-the-skeleton-of-mrs-morales-rogelio-a-gonzalez-mexico-1960/ A taxidermist is married to a wife who constantly nags, feigns illness and tells neighbours he's is abusing her whenever he doesn't do what she wants. What do you think will happen? EL ESQUELETO DE LA SEÑORA MORALES/ THE SKELETON OF MRS MORALES (Rogelio A. Gonzalez. Mexico, 1960) was voted 19th in a list of the top 100 films in the history of Mexican cinema and currently on MUBI as part of the ‘Spectacle Every Day: The Many Seasons of Mexican Cinema'. Based on a short story by Arthur Machen, ‘The Islington Mystery, the film stars Arturo de Córdova, Amparo Rivelles and Elda Peralta and is written by Luis Alcoriza, who that year also wrote Buñuel's THE EXTERMINATING ANGEL'. In the podcast we discuss all of this plus the film's visuals, pacing, tone, whether it's macabre rather than Surrealist…and more. Our favourite in the series thus far. Rogelio A. González is a director we'd never heard of. This film makes us want to see more of his work.
Kate MacKay. Photo: BAMPFA Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. Recorded at BAMPFA July 7, 2023. Special thanks to AJ Fox. Pacific Film Archive film series listing. The post Kate MacKay: The Films of Luis Bunuel, 2023 appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Two from Berkeley Art Museum Pacific Film Archive Preston Sturges A scene from “The Miracle at Morgan's Creek.” Stuart Klawans, author of “Crooked but Never Common: The Films of Preston Sturges,” in conversation with host Richard Wolinsky. Stuart Klawans was film critic for the Nation from 1988 to 2021, and before that wrote a small press and poetry column for the magazine. His previous books were Film Follies: The Cinema Out of Order, and a collection of his reviews and essays from 1988 to 2001, Left in the Dark. Preston Sturges was the first in the Hollywood sound era to write and direct his own films, creating a series of movies, from The Great McGinty in 1940, through The Lady Eve, Sullivan's Travels, The Miracle of Morgan's Creek and other classics to Unfaithfully Yours in 1948, that still resonate today. A retrospective of the films of Preston Sturges runs at Pacific Film Archive July 27th through August 26th, and Stuart Klawans will be on hand to introduce The Great McGinty on July 27th, The Lady Eve on July 29th and The Miracle of Morgan's Creek on July 30th. You can find out more at bampfa.org. All the films mentioned in the interview are available streaming either for rental via Amazon or Apple, or in the case of Unfaithfully Yours, The Sin of Harold Diddlebock and The Great Moment, free on YouTube. Recorded via Zencastr July 6, 2023. Complete 52-minute interview. Luis Bunuel A scene from “The Discreet Charm of the Bourgeoisie.” Kate MacKay, Associate Film Curator at Berkeley Art Museum Pacific Film Archive, discusses a retrospective of the films of the great Spanish director Luis Bunuel playing through November 19, 2023, with host Richard Wolinsky. Luis Bunuel began his career working with Salvador Dali on the film “Un Chien Andalou,” a masterpiece of the Surrealist movement. After working on another film with Dali, “L'Age d'Or,” and creating a documentary known today as “Las Hurdes” (Land Without Bread), he spent nearly two decades in the Mexican film industry before coming to Hollywood first, and then working with European producers to create masterwork after masterwork, from Viridiana to Belle du Jour to Tristana, The Exterminating Angel, TheDiscreet Charm of the Bourgeoisie through to The Phantom of Liberty and That Obscure Object of Desire. The retrospective contains all the later films plus several rarely seen films from his Mexican period. All photos courtesy Berkeley Art Museum Pacific Film Archive. Pacific Film Archive film series listing. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival Event calendar and links to previous events. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). See website for past streams. Alter Theatre. See website for upcoming productions. Actor's Reading Collective (ARC). See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre The Hippest Trip: The Soul Train Musical, August 25 – October 1, 2023. Aurora Theatre Hurricane Diane by Madeleine George, June 16 – July 16. Streaming July 12 -16. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Out of Character, written and performed by Arfel Stachel, June 23 – July 30, Peets Theatre. Boxcar Theatre. See website for calendar listings. Brava Theatre Center: See website for events. BroadwaySF: Les Miserables, July 6 – 23, Orpheum. Tina: The Tina Turner Musical, August 1-27, 2023, Golden Gate. Broadway San Jose: Beetlejuice, August 1 – 6. California Shakespeare Theatre (Cal Shakes). No 2023 season scheduled. See website for events calendar. Center Rep: Crowns by Regina Taylor, September 9 – October 6, 2023. Central Works The Dignity Circle a new scheme by Lauren Smerkanich June 24 – July 23. Cinnabar Theatre. The Sound of Music, September 8 -24. Contra Costa Civic Theatre 2023-2024 season: Sondheim on Sondheim; Tintypes. Curran Theater: See website for upcoming events and streaming interview. Custom Made Theatre. Tiny Fires by Aimee Suzara, postponed to a later date in 2023. Cutting Ball Theatre. See website for upcoming season. 42nd Street Moon. See website for upcoming shows. Golden Thread New Threads staged reading series, August 20 and August 27. Landmark Musical Theater. My Unauthorized Hallmark Movie Musical, July 6 – July 30. Lorraine Hansberry Theatre. In The Evening By The Moonlight by Traci Tolmaire, co-created and directed by Margo Hall, June 15 – July 9, Young Performers Theatre, Fort Mason, San Francisco. Magic Theatre. Josephine's Feast by Star Finch, August 2 – 20, Campo Santo at the Magic. See website for other events at the Magic. Marin Theatre Company Odyssey written and directed by Lisa Peterson, August 31 – September 24. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Drag Queen Storytime Gone Wild starring the Kinsey Sicks, July 5 -16. Oakland Theater Project. Gary, a sequel to Titus Andronicus by Gaylor Mac, September 1 – 24. Pear Theater. Falsettos, June 30 – July 23. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening, streaming through July 30. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6 – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. A Chorus Line runs through September 16, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company:Sex with Strangers by Laura Eason, October 12 – 30. Shotgun Players. Summer Salon: Various artists, July 23 – August 19. Wolf Play by Hansol Jung, Performances start September 2, 2023. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. New Works Festival, August 11 – 20, Lucie Stern Theatre, Palo Alto. Word for Word. See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – July 13, 2023: Stuart Klawans – Kate MacKay appeared first on KPFA.
Kathrine Barnes Co-Stars in the New BET+ Series, 'Average Joe', which premiered last night following the BET Awards. The BET Awards aired on almost every single Paramount Global owned cable station, including Nickelodeon, which was quite confusing, but what wasn't confusing is that Barnes had such an impact on the BET executives that her character was extended to 7 or the 10 episodes during the first season. Barnes has been seen on such TV shows like, 'Queer As Folk', 'Candy' and the Sundance film, 'The Glorias', as well as, 'Moonshot: Faceless After Dark and Walden.' She has also appeared on Cartoon Network's Adult Swim, Christmas Special, 'Adult Swim Yule Log.' A mega Julie Andrews fan, Barnes was only slightly impressed that I knew of Andrews' film, 'SOB', which shed her Mary Poppins image in the early 1980s. However, she did talk about her architect sister and where she would throw a, "Don't you know who I am?" celebrity style tantrum once she is more readily recognized. Barnes is also a Co-founder & Producing Partner at Vernal & Sere Theatre, she recently partnered with the Luis Buñuel Film Institute to mount the world-premiere stage adaptation of Buñuel's 1962 surrealist masterpiece, The Exterminating Angel, in which she played Silvia, the Duchess of Avila. In the series 'Average Joe',Barnes co-stars with leading man, Deon Cole, Tammy Townsend, Cynthia McWilliams, Malcolm Barrett and many others. Kathrine plays the recurring role (7-8 episodes out of 10) of 'Arina' which is nicknamed, "The Chameleon," a former KGB assassin and enforcer for the Russian mob who is dragged out of retirement and back into the world of fighting for her life in Pasha Lychnikoff's world. 'Average Joe', which premiered on BET's new streaming service BET+ last night following the BET Awards. 'Average Joe' will stream once a week for the next 10 weeks on Sunday nights. Follow Kathrine Barnes on Twitter @kathrinebarnes. #KathrineBarnes #AverageJoe #BET #BETPlus #Interview
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217 SAY, SAY, SEANCE!The gang sits in a circle and summons movie-demons! And then they talk about seance movies. Also discussed: The Mandalorian, Servant, The Exterminating Angel.Support the show
David discusses the movies he's been watching, including The Exterminating Angel, Dark Glasses, Crouching Tiger, Hidden Dragon, The Civil Dead, One Fine Morning, Is That Black Enough for You?!?, Leonor Will Never Die, Consecration, Joyland, Cinema Sabaya, Emily, Pearl, All Quiet on the Western Front, The Batman, Ponniyin Selvan: Part I, Return to Seoul, Alienoid and Cocaine Bear.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
https://notesonfilm1.com/2023/02/11/thinking-aloud-about-film-el-castillo-de-la-pureza-castle-of-purity-arturo-ripstein-mexico-1972/ I've been wanting to see Arturo Ripstein films for decades and never had the opportunity. Now MUBI is showing five of his films and, on the basis of El Castillo de la pureza/ The Castle of Purity, I plan to see them all. The film is based on a real story – not unlike that of the Wests or Joseph Fritzl – of a man who keeps his family locked in the house to protect them from the perversions of the world even as he – the only one allowed outside – indulges in every perversion the outside world allows him. When he comes home – the family, who've been working all day manufacturing the poison that is their living – gets all his self-hatred projected onto them, keeping them off-balance and under his thumb. The shadow of Buñuel overhangs this film – Ripstein had been his assistant on The Exterminating Angel, which bears some resemblance to this film, and Claudio Brook (Simon of the Desert) and Rita Macedo (The Criminal Life of Archibaldo de la Cruz) – the stars – also performed for Buñuel. A beautifully designed film, with a textured creepiness that envelops the family, one that is not just due to rain and shadows that seep right into the home (the outside world is always sunny and bright) but a moral murkiness, a perversion that is the result of that imperious patriarchal insistence on ‘purity'. A marvellous film. We discussed all the above and more in the podcast.
This episode of the B-Movie Cast, Mary and Nic are joined by Juan to take a look at a classic of Mexican Cinema, that somewhat defies description: “The Exterminating Angel” (Spanish: El ángel exterminador). It's a 1962 Mexican surrealist film written and directed by Luis Buñuel. It tells a story we can all identify with,
Garret and Nicole discuss Triangle of Sadness. We disagree on the value of the movie and about anti-capitalism. We get into a generational debate about what it means to eat the rich. Nicole recommends The Exterminating Angel and Garret recommends The Square, After the Dark, and Anne Frank's poetry. Website Store YouTube Twitter Facebook Group Page
In honor of Anna's birthday, she and Krista talk about all the good, bad and funny WTF moments and productions they've encountered in their opera learnings. They revisit Munich's production of Yeet the Baby, Coney Island Cosi and of course The Exterminating Angel. So many moments!
In the seventeenth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, novelist Samuel Cullado, fellow cinephile Jordan Berry, and filmmaker Alejandro Etcheagaray, to discuss Luis Buñuel's embittered and nasty dissection on the illusion of upper class mores and stature in the famous surrealist work The Exterminating Angel (1962).
Oh noes, Anna has The Rona! Since she's not feeling well, Krista decided to give you all a look back at what was, at that point, the worst opera they'd seen. Prokofiev snatched that title away from Thomas Ades, but The Exterminating Angel made them want to, to use the word of the day, scromit.
Is there an opera worse than The Exterminating Angel? Anna and Krista found it in The Ghosts of Versailles. How was such a good play ruined, and how can its wretchedness be used as punishment? Find out in this episode dedicated to two wonderful people and featuring a review of Faust from Covent Garden.
durée : 00:25:13 - Thomas Adès, compositeur (5/5) - par : Thomas Vergracht - Dernier épisode de nos Grands Entretiens avec le compositeur Thomas Adès, dans lequel on pénètre les arcanes de ses trois opéras : Powder Her Face (1995), The Tempest (2004) et The Exterminating Angel (2016). - réalisé par : Gilles Blanchard
Welcome to series 7 of Projections Podcast. This week Mary and Sarah kick off The Uncanny with a look at two domicile-based films by masters of cinema: Luis Buñuel's The Exterminating Angel (1962) and Roman Polanski's The Tenant (1976).
Danny, Proto, and Slim chat about The Exterminating Angel (1962). Other topics include The Matrix movies coming for Patrons, Harry Potter updates, Blood Simple, Vanilla Sky, The Long Goodbye, Dreams, Persona, Hot Rod, The Human Condition, and more. Support the 70mm Patreon to join our VHS Village Discord, listen to exclusive episodes, get your own membership card, use member-only discounts on merch, and vote on future episodes! Subscribe on Spotify for access to exclusive episodes! Episode transcriptions are available thanks to Soph from Film Hags! Don't forget you can visit our website to shop our storefront to buy prints and merch, read episode transcriptions, check out upcoming movies, email the show, upgrade to Letterboxd Pro/Patron at 20% off, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER, The Letterboxd Show, Dune Pod, FILM HAGS, Will Run For... and Lost Light. Episode artwork by our sweet boi Danny Haas.
Claustrophobic, paranoia and confrontations with mortality: the mental and material barriers on the enclosed settings of Luis Buñuel's The Exterminating Angel (1962) and M. Night Shyamalan's Old (2021) make them the ultimate lockdown movies. But what else might this surrealist classic and tonally weird mainstream horror have in common? How do their performances of intimate, domestic space map onto our own age of digital surveillance? And what have the rich learned (or not learnt) in their period of insular isolation?
We are now in August and with holidays coming hard and fast we return with a discussion of Australian westerns and Mexican satires. We discuss The Furnace where an Afghanistan native is in Australia and gets…Read More
In this first edition of the Director's Highlight series, Aric and Marisa take on selected films of the controversial juggernaut Luis Buñuel. They spotlight three memorable periods of his long career: his surrealist origins in Paris, his filmmaking in Mexico, and his great late career run of films produced in France.These eras of Buñuel's career are examined through six films: UN CHIEN ANDALOU (1929), Buñuel and Salvador Dali's surrealist experimental short, VIRIDIANA (1961), the acclaimed Palme d'Or winning critique of religous charity, THE EXTERMINATING ANGEL (1962), an absurd satire of aristocratic norms, THE MILKY WAY (1969), a spiritual road film questioning the significance of religious virtues, THE DISCREET CHARM OF THE BOURGEOISIE (1972), a film about an illogical dinner party that turns catastrophic, and THE PHANTOM OF LIBERTY (1974), a film arranged by dream-logic that passes through episodes of history. Please consider supporting this show through our Patreon!Keep up with us on Instagram and Twitter: @filmchatterpod.Check out the films mentioned in this episode on our Letterboxd.Thanks for tuning in!Powered and distributed by Simplecast
Luis Buñuel was a man who absolutely loved a metaphorical dinner party. I believe The Exterminating Angel is our fourth encounter with one in one of the man's films, and it may be one of my favorites, though they are all amazing in their own right. This week Criterion also provides us with some bonus biographical material on Buñuel that includes a story about ruining a Christmas dinner at Charlie Chaplins house and calling it "praxis". This week is also the first of a one-two punch of Buñuel's final Mexican films. While this week focuses on the aristocracy (and a little on religion), next week swings hard at organized Christianity and I can't wait to share that episode with you as well.
Luis Buñuel was a man who absolutely loved a metaphorical dinner party. I believe The Exterminating Angel is our fourth encounter with one in one of the man's films, and it may be one of my favorites, though they are all amazing in their own right. This week Criterion also provides us with some bonus biographical material on Buñuel that includes a story about ruining a Christmas dinner at Charlie Chaplins house and calling it "praxis".This week is also the first of a one-two punch of Buñuel's final Mexican films. While this week focuses on the aristocracy (and a little on religion), next week swings hard at organized Christianity and I can't wait to share that episode with you as well.
This week: Disney & Pixar's Luca (2021) and Iliza Shlesinger's Good on Paper (2021). Plus, The Little Mermaid (1989), The Exterminating Angel (1962), Ladybugs (1992), Twilight Zone: The Movie (1983), Clue (1985), Orca (1977), The Night Porter (1974), and The Master (2012). This episode is sponsored by FNX Fitness (Use the Discount Code: fourseasonsoffilm and receive 15% off your order). Podcast App: https://playpodca.st/fourseasons Spotify: http://bit.ly/4SOFspotify Check out our latest episodes, digital shorts, movie reviews and more: fourseasonsoffilm.com Where to Find Nathan and Andy: @fourseasonspod on Twitter @fourseasonsoffilm on Instagram @NateRBlackburn on Instagram & Twitter @AJPesa on IG & Twitter Facebook: http://facebook.com/fourseasonsoffilm YouTube: http://youtube.com/fourseasonsoffilm Vimeo: https://vimeo.com/fourseasonsoffilm @fnx_fit Keep Film Alive!
Rod Gilfry is a professional opera singer, two-time Grammy nominee, actor, and voice teacher, and is acclaimed world-wide in opera, musicals, recitals and cabaret. He has performed in all the world's music capitals, and appears on over 30 recordings. An important part of his 75-role repertoire are the 12 leading roles he has created in new operas. These include David Lang's solo opera the loser with The Los Angeles Opera, and the Metropolitan Opera’s production of Thomas Adés’s The Exterminating Angel. Despite cancellations due to COVID, Rod has upcoming performances with Renee Fleming, the Metropolitan Opera, and more. Rod is in his 12th* year as a Professor of Vocal Arts at the University of Southern California Thornton School of Music in Los Angeles. Outside of the musical world, Rod has become a true renaissance man, cultivating the skills of mixology with his full-scale home-bar, and he has even learned how to weld and shape metal. Rod was my voice teacher at USC for two years, and it was both a joy and an honor to work with him. Despite being an absolute master of his craft, he wouldn’t hesitate to strike up a conversation about a NASA space-launch, and all the sophisticated science that goes into it. He is truly one-of-a-kind. Please welcome Rod Gilfry.
Barrett Fisher and Sam Mulberry meet up in the video store to talk about the 1962 film The Exterminating Angel and to get Barrett's film recommendation for next week. For more information about Video Store or to find all of our episodes, check out our website: https://videostorepodcast.wordpress.com/
Jana, Dylan, and Nick get stuck inside a podcast discussing the movie The Exterminating Angel where people get stuck inside and can't get out and can't get out.
In lieu of the annual Best of two parter, in this episode, Luke Annand, John Johnstone V and Jordan Ferguson discuss the various old and new films and TV shows that got them through the year that was 2020. Along the way, they compare and contrast Christopher Nolan with David Lynch and Alfonso Cuaron, recount a moviegoing experience with Roger Ebert and discuss final episodes of animated Netflix series that devastated them.Older Films and Filmmakers Discussed: Police Story, Police Story 2, Old Joy, A Face in the Crowd, Black Girl, The Exterminating Angel, True Stories, Desert Hearts, Twin Peaks: Fire Walk With Me, Memento, Mulholland Drive, Cameraperson, Samuel Fuller, MacBeth, Children of Men, Gravity, Roma, 12 Angry Men, Orson Welles, The Life and Death of Colonel Blimp, A Matter of Life and Death, Mishima: A Life in Four Chapters, Some Like it Hot, Terrence Malick, The Great Escape, Two-Lane Blacktop, Tokyo Story, The Passion of Joan of Arc, Akira Kurosawa's Dreams, The Apu Trilogy, Godzilla films, The Planet of the Apes films, Silence of the Lambs, Philadelphia, Stop Making SenseNewer Films: Da 5 Bloods, The Nest, Minari, Never Rarely Sometimes Always, Unpregnant, On the Rocks, I'm Thinking of Ending ThingsOlder TV Shows: Superstore, You're the Worst, Star Trek, Star Trek: EnterpriseNewer TV Shows: The Midnight Gospel, Star Trek: Picard, Star Trek: Lower Decks, Star Trek: Discovery, Lovecraft Country, Norsemen, Better Call Saul, Dispatches from Elsewhere, What We Do In The Shadows, BoJack Horseman
On the March 24, 2021 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to discuss what they’ve been up to at the Water Cooler. At The Water Cooler: What we’ve been Doing:Peter went to Disney California Adventure for the Taste of Disney. Jacob attended the online SXSW. Brad and his family had the memorial service for his Dad.Memorial Fund for The Family of Glenn Oman, organized by Pat Rhew Ben got the first dose of the vaccine. What we’ve been Reading:Jacob is reading The Butchering Art and Leonardy Nimoy’s I Am Spock. He’s also bingeing the podcast Dead Eyes. Chris read Volker Ullrich’s two volume biography of Hitler, and also Stephen King’s Later. What we’ve been Watching:Jacob and HT watched Zack Snyder’s Justice League. Chris and Ben watched Nobody. Peter and Brad both saw Disney+’s The Mighty Ducks: Game Changers, although Peter only saw the first episode. Jacob and Chris watched Sasquatch. Peter watched The Last Blockbuster on Netflix. Jacob watched Made for Love, Them, Confronting a Serial Killer, Night Stalker, Murder Among the Mormons, and Good Burger. Chris watched Aquaman, In the Mood For Love, and Stanley Tucci: Searching for Italy. Brad watched the rest of Ted Lasso. Hoai-Tran watched Bombay Rose, finally caught up with The Crown. Ben watched Godzilla vs. Kong, Guess Who’s Coming to Dinner, Waffles + Mochi, and The Exterminating Angel. What we’ve been Eating:Brad tried new Chili Cheese Nacho Doritos 3D, delicious Easter candy from Aldi’s, and is happy the Quesalupa is back at Taco Bell. All the other stuff you need to know: You can find more about all the stories we mentioned on today’s show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word! Thanks to Sam Hume for our logo.
*PLEASE LEAVE A REVIEW YOU WONDERFUL MOANERS!* My Godddddd! The final episode of series 5. I can't quite believe it. I'm joined by Chris this week. We discuss: Victor takes on the role of Chauffeur for local businessman Lewis Atterbury Love could be in the air for Nick Swainey The return of the infamous Ronnie and Mildred You really are a star for downloading and listening - I don't ask for much in life but I do politely request a review and rating via whichever form of platform you use to listen to your podcasts. Thank you. The pod will be back soon later in 2021. Email: onefootinthepodcast@gmail.com Twitter: @onefootinthepod Facebook: One Foot in the Podcast Instagram: Onefootinthepod *The additional content used in this episode is not owned by' One Foot in the Podcast'. Please get in touch if BBC/Chuck Berry content should be removed*
How do music, plot, staging, action, dance and performance combine to produce meaning for an opera audience? Taking a close look at Thomas Adès's The Tempest, Professor Edward Venn of the University of Leeds and choreographer and director Aletta Collins – who choreographed the opera's premiere in 2004 – explore the conversation between different elements in opera. They also consider the notions of confinement and restricted movement in all three of Adès's operas: The Tempest, Powder Her Face (1995), and The Exterminating Angel (2016), which take on a new significance in the COVID-era. Musical excerpts Overture from The Tempest: Orchestra of the Royal Opera House conducted by Thomas Adès, from the 2009 EMI release The Tempest ‘Five Fathoms Deep’ from The Tempest: Cyndia Sieden with the Orchestra of the Royal Opera House conducted by Thomas Adès, from the 2009 EMI release The Tempest Overture A Midsummer Night's Dream, London Symphony Orchestra conducted by Claudio Abbado, from the 1985 Deutsche Grammophon release Mendelssohn: 5 Symphonies / 7 Overtures 'When I Am Laid In Earth' from rehearsals for Opera North’s 2013 production of Purcell's Dido & Aeneas. Pamela Helen Stephen with the Orchestra of Opera North conducted by Wyn Davies ‘Dov'è Minnie?’ from rehearsals for Opera North’s 2014 production of Puccini’s The Girl of the Golden West. Bonaventura Bottone as Nick, Robert Hayward as Jack Rance and the Orchestra and Chorus of Opera North conducted by Richard Farnes
Trevor and Raul dive back into 1960's weirdness with 1962's The Exterminating Angel. An iconic work by the Spanish/Mexican director Luis Buñuel, The Exterminating Angel follows the events of an uppity dinner party as it devolves into chaos... for pretty much no reason at all. Have you ever had the experience of guests overstaying their welcome and your hospitality by not going home even though it's 3AM!? What's that? You've forgotten what a party is, and you haven't left your home in 9 months? Fair enough, but thankfully Luis Buñuel has, on this weeks... Film Hole.
Merry Christmas from the Crabs! We're getting into the scariest things to wake up to, sus girlfriends, and whether or not Muppets and Sesame Street are the same thing as we discuss the 2020 queer romcom HAPPIEST SEASON. After dark, we get into the Fast and the Furious, Freaked, Eyes Without a Face, Two Weeks Notice, Morning Show, On Becoming a God In Central Florida, and the Exterminating Angel, and we also drop a few recs for our favorite holiday movies. Find us everywhere @screenvomit, or email screenvomitpod@gmail.com!
Bart & Jenna investigate the surreal and Catholic-guilt ridden world of atheist filmmaker Luis Buñuel, who with a string of masterpieces–Viridiana, Exterminating Angel, Diary of a Chambermaid and Belle De Jour–positively came into his own in the 1960s.
ANNOUNCEMENT: Every now and then, I host a sale, or give my books away for FREE! Until July 15, 2021, you can grab free copy of Apartment by filling out this survey on enhanced ebooks to help me out with some academic research. --- In which I introduce my eerie suspense novella, Apartment, again, after a long hiatus. It's scheduled to launch in 2021, so keep an eye out for more info! Leave me your comments, thoughts, and Qs at my blog, my Twitter, my IG, or my Tumblr. TRANSCRIPT EXCERPT: "...So, essentially the story started out as pure suspense. That's all I wanted with this book - a deep, suffocating, lingering feeling of suspense that never quite gets satisfied. As I worked on it more and more, I realized that I could do much more with a book like this, and I took a very literary route. I added layers upon layers to this book, with message after message and theme after theme, and sprinkled it with symbolism galore. There's a lot of peel back with this book, and if you read the book at face-value without really taking the time to mull it over and dig a little deeper, you might find it a completely absurd read - which, to be fair, it is! The story's main genres are suspense, magical realism, and psychological drama. There's some surrealism in there, but I place that in magical realism. If you don't know what magical realism is, you might be interested in checking out the works of Gabrial Garcia Marquez - I strongly recommend Chronicle of a Death Foretold, which does lend some inspiration to some parts of this book - and to those of Haruki Murakami - especially his book, After Dark, which also inspired me greatly as I wrote this book. Magical realism, to put it briefly, is when magical or extraordinary things happen in books but they're treated as normal happenings. For example, a painting could start talking to a character, and the book would never mention how strange that was, or treat it as anything out of the ordinary at all! It's a really interesting story mechanic, and I had a lot of fun working with it in Apartment. The book also pays homage to a lot of other works - including Chronicle of a Death Foretold and After Dark. For example, it gives a nod to The Exterminating Angel, a film by Luis Bunuel that makes use of a particularly surrealist form of huis clos. As for psychological drama, this is where the book can get a bit suffocating. It throws you right into the deep end with its narration, telling the story from the perspectives of each of the three main characters - and their minds are not always the best places to be! It also takes the perspectives of a few other characters throughout the story, and in some places takes on a mysterious perspective that seems to be that of the narrator, or perhaps the apartment building itself. Sometimes, the narration and internal thought processes of the characters almost bleed together, making it difficult to identify what is being shared by who, exactly...." You can read the full transcript over at my blog! It should be out soon - I've been trying my best to catch up with all the transcripts of the episodes leading up to this one. --- Send in a voice message: https://anchor.fm/hyba/message
Falamos sobre a impossibilidade de ver filmes diversificados no norte e interior do país, fotografar nudez, estudar cinema e fotografia, entre outras coisas. Falamos também sobre filmes como Twin Peaks: Fire Walk With Me, All About Lily Chou Chou, The Exterminating Angel, Listen, (...) [Este e outros eps, em video e sem cortes, em www.patreon.com/dava1filme]
Mike Madrid has been a lifelong fan of comic books and pop culture. Four years ago, he left a successful career as an advertising executive to pursue a more personally fulfilling way of life. In 2006, he began writing a series of articles on the history of comic book heroines for the online magazine Exterminating Angel. These articles became the nucleus for Madrid's first book, "The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines", published this year by Exterminating Angel Press. The San Francisco native is currently Pop Culture Editor and Creative Director for Exterminating Angel Press, an independent publisher which offers "Creative Solutions for Practical Idealists". - www.heaven4heroes.com
In the third episode of FilmCastPodScene, FilmScene Programming Director Rebecca Fons and University of Iowa Professor Nathan Platte are joined by architect Chucho Loria to discuss his love of STALKER, and how the films of Andrei Tarkovsky have a special relationship with space and architecture. Plus, remember dinner parties? Well, you've never seen one quite like Luis Buñuel's THE EXTERMINATING ANGEL.
podcast episode link In our first episode, Rob and Matt torture each other by discussing Luis Buñuel’s 1962 surrealist arthouse masterpiece The Exterminating Angel and Tom Green’s 2001 gross-out magnum opus Freddy Got Fingered.
podcast episode link In our first episode, Rob and Matt torture each other by discussing Luis Buñuel’s 1962 surrealist arthouse masterpiece The Exterminating Angel and Tom Green’s 2001 gross-out magnum opus Freddy Got Fingered.
Nathan and Andy review two different movies this week and both of them are CAPONE (2020). This episode is sponsored by Philz Coffee. PODCAST APP: https://playpodca.st/fourseasons Spotify: http://bit.ly/4SOFspotify Check out our latest episodes, digital shorts, movie reviews and more: fourseasonsoffilm.com Where to Find Nathan and Andy: @fourseasonspod on Twitter @fourseasonsoffilm on Instagram @NateRBlackburn on Instagram & Twitter @AJPesa on IG & Twitter Facebook: http://facebook.com/fourseasonsoffilm YouTube: http://youtube.com/fourseasonsoffilm Vimeo: https://vimeo.com/fourseasonsoffilm Keep Film Alive! Show Notes: 00:40 Start of the Show 00:50 Johnny Dangerously (1984) 01:33 Mafia! (1998) 02:35 But, we are talking about Capone (2020) 04:30 Actor Island, Ray Romano, and Matt Dillon 05:10 Josh Trank 06:22 Why is Andy a big Tom Hardy fan? 07:22 Steve McQueen, James Dean, and Andy Pesa 08:05 Tom Hardy and Method Acting 11:45 Tom Hardy as Capone 12:55 The Capone Marketing Campaign & Untouchables 2 14:40 Risky Move to focus on the last year of Capone’s life 15:15 De Nero vs. Hardy 17:00 Rod Steiger, Al Capone (1959) 18:40 Critics on Capone (2020) 20:00 The Ganster audience will be mad 22:50 Andy vs. Red Wine 24:20 Wheel of Impersonations: Tom Hardy addition 26:46 Locke (2013) 28:05 Andy loves movies about The Mafia 29:03 Dr. Mabuse the Gambler (1922) 31:42 Luis Buñuel & The Exterminating Angel (1962) 33:40 Similar Movies 34:57 Movie Recommendations: Secret Honor (1984) and Cobb (1994) 38:14 Stanley Kubrick and White Men Cant Jump (1992)
Matt and Rob have the first episode of their spinoff podcast here for you: You're Gonna Hate It, in which they torture each other by assigning each other movies they know the other will hate. In this episode, Rob tortures Matt with Luis Buñuel's 1962 surrealist arthouse masterpiece The Exterminating Angel and Matt returns the favor with Tom Green's 2001 gross-out magnum opus Freddy Got Fingered. You can find future episodes on iTunes at You're Gonna Hate It.
In this special quarantine lock-down edition of the podcast, we discuss the classic Luis Buñuel film from 1962, The Exterminating Angel. (El ángel exterminador. ) Because of the current pandemic, this film has become very relatable to our lives, but that doesn't make it any less weird.
For this week's double feature, I chose The Exterminating Angel and Grey Gardens. Both of these movies deal with ideas of class and confined spaces. I thought it would be topical. Hear our big brains discuss these movies.
This week Chip Oscarson hosts special guests to analyze the films playing at BYU’s IC during the week 25-28 March including: Part 2: The Exterminating Angel a surrealist biting social...
Cerise and Vicky attempt to stave off encroaching madness by talking about cabin fever movies. They fail, but they have a good time nonetheless. 7:05 Freaks (2020)- Prepare for a future where every entertainment option is a pilot for a superhero tv show masquerading as a movie - the Netflix future. 18:50 The Exterminating Angel (1961) - All the worst people in Spain get exactly what's coming to them, no matter how many rules of nature have to be broken in the process. 29:39 The Shining (1980) - Cerise and Vicky get into a good old fashioned Movie Fight. Two podcasters enter; two podcasters leave, because they're not barbarians. 50:10 Ravenous (1999) - What if we kissed? While eating each other's flesh? And we were both dudes? 1:05:23 Dogtooth (2010) - Family is its own form of quarantine, but with more violence.
In this episode we preview the IC films for 25-28 March including: Varda by Agnès (1:55) the last film written and directed by the great French filmmaker Agnès Varda before she passed...
How have we got this far without discussing anything by the original film surrealist, Luis Buñuel? Well, today we rectify the situation and discuss not one but four films from the Spanish exile / expatriate moviemaking legend. In this episode, your hosts examine the previously promised UN CHIEN ANDALOU (1929), THE EXTERMINATING ANGEL (1962), and THE DISCREET CHARM OF THE BOURGEOISIE (1972), plus one of his more accessible films, BELLE DE JOUR (1967) with Catherine Deneuve. Among the topics for discussion: Buñuel's peripatetic life and unpopular politics, his roles in both the Surrealist and French New Wave movements, his use of dreams and the subconscious, the targets of his satire, and connections to the works of David Lynch and Last Year at Marienbad. Episode links: Luis Buñuel on IMDb Luis Buñuel on Wikipedia Surrealism on Wikipedia French New Wave on Wikipedia J. Hoberman on Buñuel's politics in The Nation Un Chien Andalou on IMDb Un Chien Andalou on Wikipedia Un Chien Andalou on YouTube Roger Ebert review of Un Chien Andalou The Exterminating Angel on IMDb The Exterminating Angel on Wikipedia Roger Ebert review of The Exterminating Angel Criterion essay on The Exterminating Angel Senses of Cinema on The Exterminating Angel The Take on The Exterminating Angel The Cinephile Fix on The Exterminating Angel Belle de Jour on IMDb Belle de Jour on Wikipedia Roger Ebert review of Belle de Jour The Discreet Charm of the Bourgeoisie on IMDb The Discreet Charm of the Bourgeoisie on Wikipedia Roger Ebert review of Discreet Charm Pauline Kael review of Discreet Charm Celluloid Wicker Man on walking in Discreet Charm The Outline on DFW and literary journalism S9E5: JOHNNY GOT HIS GUN Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm
How have we got this far without discussing anything by the original film surrealist, Luis Buñuel? Well, today we rectify the situation and discuss not one but four films from the Spanish exile / expatriate moviemaking legend. In this episode, your hosts examine the previously promised UN CHIEN ANDALOU (1929), THE EXTERMINATING ANGEL (1962), and THE DISCREET CHARM OF THE BOURGEOISIE (1972), plus one of his more accessible films, BELLE DE JOUR (1967) with Catherine Deneuve. Among the topics for discussion: Buñuel's peripatetic life and unpopular politics, his roles in both the Surrealist and French New Wave movements, his use of dreams and the subconscious, the targets of his satire, and connections to the works of David Lynch and Last Year at Marienbad. Episode links: Luis Buñuel on IMDb Luis Buñuel on Wikipedia Surrealism on Wikipedia French New Wave on Wikipedia J. Hoberman on Buñuel's politics in The Nation Un Chien Andalou on IMDb Un Chien Andalou on Wikipedia Un Chien Andalou on YouTube Roger Ebert review of Un Chien Andalou The Exterminating Angel on IMDb The Exterminating Angel on Wikipedia Roger Ebert review of The Exterminating Angel Criterion essay on The Exterminating Angel Senses of Cinema on The Exterminating Angel The Take on The Exterminating Angel The Cinephile Fix on The Exterminating Angel Belle de Jour on IMDb Belle de Jour on Wikipedia Roger Ebert review of Belle de Jour The Discreet Charm of the Bourgeoisie on IMDb The Discreet Charm of the Bourgeoisie on Wikipedia Roger Ebert review of Discreet Charm Pauline Kael review of Discreet Charm Celluloid Wicker Man on walking in Discreet Charm The Outline on DFW and literary journalism S9E5: JOHNNY GOT HIS GUN Show links: Subscribe: Apple Podcasts Discuss: ETV Podcast Club Follow: Facebook + Twitter Archive: enterthevoid.fm
Sometimes Thanksgiving dinner can feel like you're trapped in a room, unable to escape. But at least there is turkey. With The Exterminating Angel, the upper class are physically (mentally?) unable to leave a home and quickly start going mad. They could have calmed down by listening to some Dennis Wilson but they didn't. They could have felt motivated by listening to Slade BUT THEY DIDN'T. And if they wanted to feel even weirder about their circumstances they could have watched It's Garry Shandling's Show. They had so many opportunities (including cannibalism) but they just decided to complain. Sigh. Intro 0:00 -- 13:00 The Exterminating Angel 13:00 -- 35:43 Pacific Ocean Blues 35:43 -- 51:45 Cum on Feel the Noize 51:45 -- 58:05 It's Garry Shandling's Show 58:05 -- 1:07:25 Outro 1:07:25 -- 1:11:13 --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review Twitter iTunes YouTube Join us next time as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!) Artwork by Ray Martindale Opening tune and clips by Adam Lord
Movies discussed in this episode include…The Meg, Winter Light, Mr. Turner, Exterminating Angel, Lord of the Flies, Carnival of Souls, Belle Du Jour, And God Created Woman, Ikuru, Mutiny on the Bounty, Bohemian Rhapsody, Chungking Express, In the Mood for Love, and our top 5 Comfort Films.
How does removing character and plot questions force your audience to engage with theme? Chas and Stu are joined, once again, by the inestimable Stephen Cleary. This episode is a spiritual sequel to our last episode with Stephen on sequence structure. That episode explored how sequences could be broken into plot, character, and plot/character sequences. Well, Stephen’s back to talk about a different type of sequence: the thematic sequence. By limiting (or removing all together) questions related to character or plot, filmmakers can force their audience to engage with the deeper, underlying meaning of the story. Our deep dive onto this topic focuses on LOVE ACTUALLY, THE EXTERMINATING ANGEL, APOCALYPSE NOW, and IN THE BEDROOM. But it wouldn’t be a Draft Zero without numerous digressions including into HUNGER, GET OUT, INFINITY WAR, and THE THIN RED LINE. As always: SPOILERS ABOUND! Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Watch it on on YouTube. Read the transcript on GitHub or in HTML. Special thanks to our Patreon supporters. If you would like more Draft Zero episodes more often, click here! EPISODE LINKS DRAFT ZERO RELATED EPISODES DZ-43: Driving Sequences – Character and Plot Intensity DZ-41: Theme and Worldview DZ-45: Arguments of the Scene INTRODUCTION: Thematic Sequences Sequence Structure Refreshed [@ 1m 51s] What is a Thematic Sequence? [@ 10m 21s] LOVE ACTUALLY written by: Richard Curtis [@ 13m 33s] JustWatch: https://www.justwatch.com/us/movie/love-actually THE EXTERMINATING ANGEL story by: Luis Alcoriza & Luis Buñuel, screenplay: Luis Buñuel [@ 42m 29s] JustWatch: https://www.justwatch.com/us/movie/the-exterminating-angel GET OUT(briefly) written by: Jordan Peele [@ 1 h 13s 28s] Watch: Get Out - Dinner Party Scene JustWatch: https://www.justwatch.com/us/movie/get-out APOCALYPSE NOW written by: John Milius and Francis Ford Coppola, narration by: Michael Herr [@ 1h 17s 10s] Watch: “Because it’s judgement that defeats us” JustWatch: https://www.justwatch.com/us/movie/apocalypse-now-redux IN THE BEDROOM screenplay: Robert Festinger and Todd Field [@ 1h 57s 04s] WRAP UP AND KEY LEARNINGS [@ 2 h 42m 41s] Watch: The Thin Red Line - Opening Scene Please considering rating or subscribing to us on Apple Podcasts! or sharing us on the Social Medias! We like finding new listeners. Many thanks to Murirb, Sandra, Paul, Rob, Christopher, Joakim and Khrob for being top-level patrons. They’re good humans.
A group of dancers parties the night away, but someone has spiked the sangria with LSD. There are extraordinarily long takes, sex, drugs, violence, and horror. Yes, it's a Gaspar Noé film. Climax is a singular cinematic escape into a vision of Hell. Boy, there's a lot going on. We grapple with the film's themes of sex, violence, drugs, youth, dance, sexuality, nationality, culture, and whatever else we can remember of its insane 96 minutes. We discuss what we did and didn't like about the dancing - the pros and cons of the way it's shot - and what value there is in extraordinary cinematic violence in a world in which footage of horrific real-life violence is commonplace. We discuss the detail of Climax's cinematography and editing and the effects they have on our experiences, particularly shooting upside-down and inserting almost subconsciously brief flashes of black frames in otherwise normal cuts. We're reminded of Do the Right Thing, The Exterminating Angel, and Salò, and indeed Climax wears its influences on its sleeve. José reads it allegorically, finding reference to Europe, cultural power, and race, though so far adding it all up remains beyond us. It fired Mike up enough to have a go at a guy who'd had his phone on during the cinema, but it enveloped José so completely that he didn't even notice the distraction. And Mike made a film like this once! As he puts it, "Not as good as this, probably, but a lot shorter." You can see that here if you like: https://www.youtube.com/watch?v=DjsQl7T7qMo In short, Climax is certainly worth your time. There's so much going on and we'll be seeing it again when the mac screens it in November. Recorded on 30th September 2018.
I den moderne opera The Exterminating Angel lægger komponisten Thomas Adés arm med de fysiske love. Den højeste tone der nogensinde er skrevet i operahistorien, skalsynges af svenske Kerstin Avemo, i skikkelse af karakteren Leticia. Som en fysiker der opdager huller i tidligere teorier og åbner døre indtil det umulige, finder Avemo de uhyrligt høje toner frem i sig. I Næstved bor Annette. Annette har ligesom Avemo brudt hvad der egentligt burde være muligt for et menneske. Lyt med og hør hvad Kerstin Avemo og Anette fra Næstved har tilfælles. Dette er en ud af 12 unikke fortællinger, som løbende udgives henover sæsonen 17/18. Denne fortælling tager udgangspunkt i The Exterminating Angel, men kan sagtens høres, uden du har set forestillingen.
Welcome to episode #11 - #92 The Exterminating Angel (1962) with Silvia Pinal, Enrique García Álvarez and Jacqueline Andere. Keefe and Chris and once again Paxton as they bring you this dark comedy from Central Europe about the pitfalls and hidden secrets of the rich and elite as they try to understand the environment they are now trapped in.
Operaland was rocked over the weekend when allegations of sexual abuse were leveled against famed conductor James Levine. Michael Rice, the disgraced Godfather of opera podcasting (wait, sorry, the creator of the OperaNow! podcast) joins Oliver and Tobias live via phone with his take on this developing story... Then, George plays ‘Monday Evening Quarterback’ and reviews last week’s Met in HD Encore screening of Thomas Adès “The Exterminating Angel”... Plus, it’s ‘The Two Minute Drill’: all your opera headlines from the past week and our hot takes on them... www.facebook.com/OBSCHI1/
Thomas Adès’ new opera "The Exterminating Angel" is on stage at the Met, with an all-star cast including Amanda Echalaz, Alice Coote, Rod Gilfry, and Audrey Luna. In preparation for the Live in HD Broadcast this coming Saturday, November 18th, here is a pre-performance lecturer Dr. W. Anthony Sheppard, giving us a deeper look at this acclaimed new work and the surrealist movie that inspired it.
This episode features footage from Works and Process at The Guggenheim, where Met Opera General Manager Peter Gelb interviews the creative team and several cast members about Thomas Adès's opera "The Exterminating Angel," which makes its Met Opera premiere tomorrow, October 26th, 2017!
As part of the BBC's opera season, designer Hildegard Bechtler talks to Michael Berkeley about her favourite music and some of the twenty-seven operas she has worked on all over the world. Hildegard is one of our most prolific and successful theatre and opera designers. Born in Germany, she moved to Britain aged eighteen, and very quickly established herself first in film, then in theatre and opera. Her style combines wit and invention to deliver minimalist style with maximum impact. She has designed for every major theatre and opera company including the Royal Opera, ENO, Glyndebourne, and the Royal National Theatre. And the international nature of her work is typified by one of her most recent productions - Thomas Adès's new opera The Exterminating Angel - staged in Salzburg, Copenhagen, Covent Garden, and the Metropolitan Opera in New York. Hildegard chooses music from two operas she has worked on, The Ring Cycle and The Damnation of Faust; a Burns song which reminds her of her love of Scotland and her husband, the actor Bill Paterson; and a piece by her namesake, Hildegard of Bingen. Producer: Jane Greenwood A Loftus production for BBC Radio 3.
Welcome to 1.21 in Flux, our movie discussion show about movies from the past. Some will be classic films, others obscure and occasionally fun bad B-movies. This episode is about the allegorical classic 'The Exterminating Angel.' It's directed by Luis Buñuel and stars Silvia Pinal, Enrique Rambal and Claudio Brook. patreon: https://www.patreon.com/mildfuzztvtwitter: https://twitter.com/Mild_Fuzzfacebook: https://www.facebook.com/mildfuzznetwork
We return to the realm of societal allegory in our examination of Darren Aronofsky’s divisive horror-comedy-whatsit MOTHER! and how it relates to Luis Buńuel’s 1962 surrealist satire THE EXTERMINATING ANGEL, a film Aronofsky has cited as direct inspiration. After grappling with our reactions to MOTHER! and its abundance of malleable metaphors, we look at what the two films share — and what they don’t — in terms of their central allegories, their relationship with religion, their tone and style, and depiction of nightmares. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about THE EXTERMINATING ANGEL, MOTHER!, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: • Keith: JG Ballard’s HIGH RISE and David Cronenberg’s SHIVERS • Scott: David Gordon Green’s STRONGER • Tasha: Benjamin Renner and Patrick Imbert’s THE BIG BAD FOX AND OTHER TALES Outro Music: Kate Bush, “Mother Stands For Comfort” Learn more about your ad choices. Visit megaphone.fm/adchoices
In Darren Aronofsky’s MOTHER!, Jennifer Lawrence is stuck in a creepy old estate while a series of bizarre, inexplicable events drive her to the brink of madness — a premise and tone that’s surprisingly similar to the surreal black comedy of Luis Buñuel, in particular his 1962 classic THE EXTERMINATING ANGEL. In this half of the discussion, we dig into Buñuel’s film, its place in his filmography, and what the film's deadpan satire and surrealism reveal about its maker's opinion of human nature. Plus, some belated feedback from our recent episodes on OCEAN’S ELEVEN and LOGAN LUCKY. Please share your comments, thoughts, and questions about THE EXTERMINATING ANGEL, MOTHER!, or both by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: “Exterminating Angel” by The Creatures Learn more about your ad choices. Visit megaphone.fm/adchoices
Sup Doc kicks off the jams w ROCKTOBER a month long line-up of music docs and great guests. We hit the stage with The Devil and Daniel Johnston with our guest, musician Kip Uhlhorn!The Devil and Daniel Johnston is a 2005 documentary film about the noted American musician Daniel Johnston. It chronicles Johnston's life from childhood up to the present, with an emphasis on his experiences with bipolar disorder, and how it manifested itself in demonic self-obsession. The film was directed by Jeff Feuerzeig, edited by Tyler Hubby, and produced by Henry S. Rosenthal.Kip Uhlhorn formed Cloudland Canyon in 2002. The first Cloudland Canyon release, Requiems Der Natur, 2002-2004 was released by Tee Pee in 2006. Cloudland Canyon quickly set about releasing a number of other releases and touring that same year, most notably a single track collaboration 12”/LP entitled Exterminating Angel with Chicago musician Lichens in 2007 on Holy Mountain.In 2007, the band was signed to Kranky and released their first proper album Silver Tongued Sisyphus. In 2008, the band released another collaborative 12” with Mythical Beast on Not Not Fun, as well as their second full length, Lie in Light on Kranky. The latter was chosen as one of top 25 albums of the year 2008 by the Magnet magazine. Cloudland Canyon subsequently moved to Holy Mountain, where the band began their own imprint of Holy Mountain (Intercoastal Artists) for 2010’s album Fin Eaves, which has become their best-received work to date, landing on numerous year-end lists. They went on tour with the Flaming Lips (whom Uhlhorn has collaborated extensively with) as well as with Interpol and Bear in Heaven. Members of the Arcade Fire even name checked the band.Uhlhorn has also played in several other successful groups and bands during this time, including King Khan & the Shrines, Panthers (Dim Mak, Vice), Pharaohs (100% Silk, Stone's Throw, Intercoastal Artists), Eden Express (Holy Mountain), and Tav Falco's Panther Burns He has also played guitar live and on albums by Rhys Chatham and Glenn Branca, including Chatham's Crimson Grail, which was staged at Lincoln Center. Cloudland Canyon’s ranks have included close friend Jerry Fuchs (also drummer for !!!, LCD Soundsystem, Maserati, Turing Machine, Moby) who died in 2009. Most recently, memphis drummer Ross Johnson (Tav Falco's Panther Burns, Alex Chilton) has joined the band.
After returning from exile to his native Spain, director Luis Buñuel made one his greatest and most controversial films--Viridiana. After its release, he found himself back on the slow boat to Churubusco, Mexico, where he made this very surreal and angry film, no doubt venting his cinematic spleen towards his Spanish foes.
The last time we spoke about Luis Buñuel, he was making fun of rich hypocrites in The Exterminating Angel. In this earlier film, a far angrier diatribe on the destructive lives of Mexico City’s street children, Buñuel makes one of his most powerful social statements--and still manages to fit in a few surreal elements!!
Social conventions are broken and non-sequiturs abound in our movies this week as Alex and Jonathan discuss Luis Buñuel's L'Age d'or (1930), The Exterminating Angel (1962), and The Discreet Charm of the Bourgeoisie (1972), with Un Chien andalou (1929) thrown in for good measure. We talk the social temper tantrum of the Surrealists, scene-driven plots, and the ripple effect of surreal art. Skip to: 11:41 - Un Chien andalou 18:49 - L'Age d'or 32:32 - The Exterminating Angel 45:50 - The Discreet Charm of the Bourgeoisie 56:22 - Overall 1:05:05 - Coming Attractions Coming Attractions: Eraserhead (1977) Blue Velvet (1986) Mulholland Drive (2001) - Available on Netflix For links to things we talked about, and to find the video recording of this episode, visit the blog: thefilmlings.wordpress.com/2017/05/02/bougie-bunuel/
Thomas Ades, hailed as Britain's greatest composer since Benjamin Britten, on the premiere of The Exterminating Angel, his opera which is based on Louis Bunuel's 1962 surrealist film and features live sheep on the Royal Opera House stage. What if a deer did porn? Is it legal to marry a stuffed owl exhibit? Why is it so difficult to find a baby called Gary? American poet Patricia Lockwood ponders all of these in Motherland Fatherland Homelandsexuals, her new collection which also features the autobiographical poem Rape Joke, a viral hit on the internet. The poetry collection is published to coincide with her memoir Priestdaddy, which details growing up in a religious household with an ordained Catholic Priest as a father.The quirky superhero film Guardians of the Galaxy was the surprise hit of 2014. Cinema-goers loved the rag-tag group of lesser-known Marvel Comics characters, their bickering humour and the awesome mix tape that provided the soundtrack. Samira Ahmed talks to writer and director James Gunn about bringing the gang back together for Guardians of the Galaxy Volume 2 and creating another awesome mix tape of retro tunes to accompany their latest space adventure.Presenter: Samira Ahmed Producer: Jack Soper.
This week Alex and Jonathan cover the first true series of films on the podcast with the listener-suggested Toy Story trilogy: Toy Story (1995), Toy Story 2 (1999), Toy Story 3 (2010). We talk the evolution of computer animated film, children's entertainment that isn't childish, and sequels that build on the story advancements from the previous films. Skip to: 10:18 - The Shorts 19:36 - Toy Story 36:15 - Toy Story 2 53:16 - Toy Story 3 1:08:42 - Overall 1:23:00 - Coming Attractions Coming Attractions: L'Age d'Or (1930) The Exterminating Angel (1962) The Discreet Charm of the Bourgeoisie (1972) For links to things we talked about, visit the blog: https://thefilmlings.wordpress.com/2017/04/25/toy-story/
Editor's Note: Due to a technical issue, this is our first episode back. We recorded this episode as the second entry in the Anti-Trash Marathon, the first was to drop last week but the file messed up and we were unable to get that episode posted. It'll forever join a handful of other films as one of the few lost GoodTrash episodes. Welcome back dear listener! The Anti-Trash marathon continues this week on your favorite film analysis podcast, the GoodTrash GenreCast. This week, we take on Luis Bunuel's surrealist dinner party classic, The Exterminating Angel (1962). Dustin presents a quick rundown of Bunuel's career and what shaped this influential classic. Is it worth the wait time? Or should you cut out early? Find out as we apply our style of film criticism to The Exterminating Angel. This week's game provides a lot of laughs as we talk about 3 Movie Characters We Wouldn't Want to be Stuck with at a Dinner Party. We then move into the film analysis section to breakdown The Extermintating Angel. Dalton kicks things off by talking about Sartes' idea that "hell is other people". He examines the sociological factors of being stuck with other people and how those underlying tensions are cranked to 11 by Bunuel. Caleb presents his film analysis next by talking about the facade of appearances and the bourgeoisie. He talks about the economic history of the country. He argues that the context of putting it in Spain meant highlighting a country that didn't feel much of the same impact of World War II as other countries. Dustin piggybacks off the conversation before him and looks at the film's critique of fascism. He gives some more historical context of what was happening in Spain. Dustin argues that the bourgeoisie hold up the facade of capitalism. That's it for this week. Now, we've got to get ready for our upcoming dinner. The table is set, will you hang around? The Exterminating Angel Timestamps 00:38 - Welcome and Introductions04:45 - Synopsis and Review21:00 - The Game - Movie Characters You Wouldn't Want to Get Stuck at a Dinner Party With30:22 - Social Media32:11 - Analysis56:26 - Shelf or Trash/Else or Instead1:02:34 - Wrap Up
Bottle films are starting to get a little ridiculous. Annasthesia Suicide begrudgingly delivers the episode and a few updates. No one is allowed to talk about Rope’s camera work today. What actually happen in Alfred Hitchcock’s film Rope, besides close … Continue reading →
Julio Torres (Saturday Night Live, The Chris Gethard Show) comes on to talk about the state of Playboy, the problems with superhero movies, and Luis Buñuel's The Exterminating Angel.
Hey Munich: You're wrong about The Exterminating Angel...Singers gather around to create a better experience...San Diego Opera asks the community what they want...New marquee goes up at opera house in Travers City. Oliver's Corner closes out The Rakes Progress. Guess Who Died? This week features Michael, The OC, Doug Dodson, Kevin Kees and Roberta.
Mit einer Uraufführung des britischen Komponisten Thomas Adès wurden die diesjährigen Salzburger Festspiele eröffnet. Als Vorlage diente dem Komponisten Luis Buñuels surrealistischer Schwarz-Weiß-Film "Der Würgeengel".
So, let's get back to what we love talking about - MOVICINEFILMOGRAPHIA! Sorry, we sometimes do make up words... First, the guys start off with a discussion on the 3rd (and final) Star Wars trailer for Episode 7, and other episodes and their special editions. Then it's time for the 2 minute movie mile, where Jack and Andrew talk about the films they've seen in the past two weeks - some new releases from acclaimed/award-winning auteurs, horror movies that are obscure and well-regarded (and not), plus Andrew does a block of films directed by Luis Bunuel, and Jack looks at things wide-ranging as the final(?) Studio Ghibli feature and Roger Waters' Wall concert film. 2MMM starts at 11 minutes in: 1) CRIMSON PEAK (2015) 2) THE EXTERMINATING ANGEL (1962) 3) WHEN MARNIE WAS THERE (2015) 4) VIRIDIANA (1961) 5) THE DOUBLE LIFE OF VERONIQUE (1991) 6) THE DISCREET CHARM OF THE BOURGEOISIE (1972) 7) THE NAME OF THE ROSE (1986) 8) THAT OBSCURE OBJECT OF DESIRE (1977) 9) THE WALK (2015) 10) SINGLE WHITE FEMALE (1992) 11) ROGER WATERS THE WALL (2015) 12) SOMETHING EVIL (1972) 13) CHILDREN OF THE DAMNED (1963) 14) DEAD SILENCE (2007) 15) A BUCKET OF BLOOD (1959) 16) BAGHEAD (2008) Songs: Duke Ellington "Jubilee Stomp" and Iron Maiden "Children of the Damned" (live)
A delightful chat abruptly ended by an undercharged recorder. Rich people are discussed-including Mike's Bill Gates connection-as are Spike, Stalin and Mike's manager. Mike asks a couple science questions that we try our best to answer. We also cover a bunch of other stuff.Picking on puppets, Burger King moves to Canada, Rich people talk, Stalin's Koch connection, Mike is multi-tasking,The Bill Gates connection, The Libor scandal, ISIS, The Abrahamic god- he is who he is, Science question #1, Mike is an angst inducing loose cannon, Science question #2, Brian talks about his gonzo lawyer mentor. P.C. Mike joins to update us on Spike's social media activities, Watching people die, According to Cory, "Kormodd's the worst," Mike returns and movie talk ensues. Titles discussed include: Greed, Exterminating Angel, Anchor Man. Music talk: Records you've bought but don't listen to, Beating up Johnny Thunders, G.G. Allin, The battery dies.......
Three HEAVY hitters this week! Night of the Eagle, Creation of the Humanoids and The Exterminating Angel. So that's Witchcraft, Techcraft, and spicy Mexi/Spanishcraft. Prepare yourselves for maximum derp. Drunk dial us! - (510) 698-9066Drunk Email us! - CinemaDiabolica@gmail.com
We round out 2013 with coverage of our favorite films. This week, Rob picks The Discreet Charm of the Bourgeoisie, the surrealist masterpiece by director Luis Bunuel where a group of upper crust couples can't seem to ever finish a dinner party.
If there is one thing that has defined the New York Film Festival since its first year in 1963, the festival has always aligned itself with the most essential names in world cinema (the first film to play NYFF? Buñuel's Exterminating Angel). So as Peter closes out his coverage of the festival's 50th iteration, he brings on world cinema aficionado David Ehrlich from the Criterion Corner to discuss the biggest auteurs and their new ambitious movies. Included in this final dispatch are a story of love from Michael Haneke, a celebration of movement from Leos Carax, a cynical autobiography from Olivier Assayss, and a Tokyo-set puzzler from Abbas Kiarostami. 0:00-1:37 Opening 2:00-8:54 Amour (Michael Haneke) 9:01-15:33 Spoiler Discussion of Amour 16:08-26:59 Holy Motors (Leos Carax) 27:54-37:46 Something in the Air (Olivier Assayas) 38:01-52:45 Like Someone In Love (Abbas Kiarsotami) 52:46-54:46 Close/Outtake
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