Podcasts about Carol Reed

El 'Cinema a la Xarxa' d'aquesta setmana est

Our hopes were so high for Ministry of Fear (1944). Sure, Carol Reed is the best at adapting Graham Greene novels, but Fritz Lang? He's just one of the best European directors there is. Lang adapting Greene? Making a movie called Ministry of Fear in 1944? We didn't think anything could go wrong. Enter Seton I. Miller, executive producer and screenwriter, a dangerous combination in normal circumstances, but when dealing with a director who famously had little regard for the script, the end result is...not great?

Pablo Pombo analiza la película dirigida por Carol Reed, elegida expresamente para una semana en la que la Iglesia católica tiene un nuevo santo padre, León XIV.

Today we're talking about a real Cold War gem - Carol Reed's 1953 film noir thriller “The Man Between”. It's a great showcase of one of the most tense times and places in the Cold War, Berlin in the early 50's. It kept me on the edge of my seat and was also loaded with Cold War themes and imagery. The big question- was Ivo Kern, the antihero, a metaphor for Germany looking to atone for the past? Do we trust them? It's easy for us to answer now, but not so much then. I hope you check it out, I assume most of us haven't seen it since it was new to me.

Für die Stadt Wien war Mitte April 1945 der Zweite Weltkrieg zu Ende. In der düsteren Nachkriegskulisse der geteilten Stadt drehte Carol Reed seinen Film "Der dritte Mann" - weltberühmt durch die Musik von Anton Karas. Von Alfred Treiber und Richard Goll.

Für die Stadt Wien war Mitte April 1945 der Zweite Weltkrieg zu Ende. In der düsteren Nachkriegskulisse der geteilten Stadt drehte Carol Reed seinen Film "Der dritte Mann" - weltberühmt durch die Musik von Anton Karas. Von Alfred Treiber und Richard Goll.

In our penultimate Diana Wynyard Acteurist Oeuvre-view episode, our acteur supports two of the greats of her age, John Gielgud as Benjamin Disraeli in Thorold Dickinson's The Prime Minister and Michael Redgrave as the titular innocent of Carol Reed's Kipps, based on the novel by H.G. Wells. We discuss 19th century British politics (enfranchisement vs. empire), Wells' hope and despair for humanity, and the qualities that suit Wynyard to play women who are motivated to improve their partners. And in Fear and Moviegoing in Toronto, we wrap up March's TIFF Lightbox retrospectives with a viewing of Binka Zhelyazkova's The Tied-Up Balloon.     Time Codes: 0h 00m 25s:    THE PRIME MINISTER (1941) [dir. Thorold Dickinson] 0h 32m 44s:    KIPPS (1941) [dir. Carol Reed] 0h 48m 27s:    FEAR & MOVIEGOING IN TORONTO: The Tied-Up Balloon (1967) by Binka Zhelyazkova +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Der in der Nachkriegszeit an Originalschauplätzen in Wien gedrehte Film besticht vor allem durch eine hochwertige und detailverliebte Inszenierung sowie eine packende Geschichte um die faszinierende Figur des Harry Lime, die von Orson Welles ideal verkörpert wird. Zum Kult machte den Film nicht zuletzt auch die Zithermusik von Anton Karas.Kontakt zu uns: podcast(at)retroboost.de

Waffle On about The Third Man Hello and welcome to this months edition of Waffle On in which Meds and Kell chat away about this brilliant 1949 film The Third Man. Directed by the legendary Carol Reed and starring Joseph Cotten, Alida Valli, Trevor Howard and scene stealing legend Orson Welles this film has become a must study in any film class.  For anyone wishing to join in on our forum chat you can by going to Facebook and searching for Waffle On Podcast and so we will have a Discord account once Meds figures it out.  As usual please share our little podcast.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es The Third Man, es una película de film noir de 1949 dirigida por Carol Reed, escrita por Graham Greene y protagonizada por Joseph Cotten, Alida Valli, Orson Welles y Trevor Howard. Ambientada en la Viena ocupada por los Aliados después de la Segunda Guerra Mundial. Plot: El Novelista Holly Martins viaja a Viena de la posguerra, solo para encontrarse investigando la misteriosa muerte de un viejo amigo, Harry Lime. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Welcome to a delayed Film Club and it's The Third Man, Carol Reed's 1949 masterpiece starring Joseph Cotton, Alida Valli, Trevor Howard and of course, Orson Welles from a script by Graham Greene. Joining Ollie we have director Tim Hewitt and historian Roger Moorhouse. There are plenty of links in the show notes including Tim's film based on the Greene short story A Little Place on the Edgware Road which you can watch for free. Links A Little Place Off the Edgware Road, directed by Tim Hewitt The Third Man Special Collector's Edition The Third Man Touch of Evil Journey Into Fear The Criterion Collection Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Erik Childress and Peter Sobczynski run down titles you can get on physical media this week and, not gonna lie, there's a lot of baggage. There's the Mick Jagger film that say on the shelf for two years along with Lindsay Lohan's collaboration with Paul Schrader and William Friedkin's infamous Al Pacino murder mystery set within the gay community. Not to mention John Wayne playing Genghis Khan and the poor timing for an Eric Red horror film. But even controversy can be put aside for cinema sunshine. You can now get Milos Forman's Mozart film in its original theatrical incarnation. Maybe you don't even remember the issue parents had with one of the loveliest coming-of-age films of the ‘90s. And why would you say anything controversial about Carol Reed's masterpiece? All that plus Guillermo Del Toro's debut and the genius of poking fun at documentaries on this week's Blu-ray show. 0:00 – Intro 3:13 - Criterion (Performance 4K, Cronos 4K) 22:43 - Vinegar Syndrome (The Joy of Sex, Virtuosity 4K, The Canyons) 48:18 - Arrow (Cruising 4K) 1:05:54 - Kino (The Conqueror, Graveyard Shift 4K, Body Parts 4K) 1:24:14 - Sony (My Girl 4K) 1:37:39 - LionsGate (The Third Man 4K) 1:44:22 - Warner (Amadeus 4K) 1:55:51 – New Television on Blu-ray (Noble House, Documentary Now: The Complete Series) 2:01:01 - New Theatrical Titles On Blu-ray (Hard Truths) 2:05:13 – New Blu-ray Announcements

Random movie number 43 on Metacritic's all time movie list, The Third Man (1949), directed by Carol Reed, is a classic film noir set in post-World War II Vienna. Starring Joseph Cotten, Alida Valli, and Orson Welles, it follows an American writer unraveling the mystery of his friend's suspicious death amid the shadowy ruins of the city. What secrets lurk in the cobblestone alleys and beneath the haunting zither score? Listen on and find out! Want to contact us? 15krandommoviereviews@gmail.com Follow, rate, and review our podcast on all audio platforms here: https://linktr.ee/15krandommoviereviews Follow us on Tiktok to see our favourite (and least favourite) scenes: https://www.tiktok.com/@15krandommoviereviews We are Colin and Niall, two movie enthusiasts from Ireland who wanted to take a different approach to movie watching and reviewing. So we came up with the idea to randomly choose a movie from Metacritic's all time movie list (which at the time of starting our podcast was over 15,000 movies, hence the title!). We take pleasure in bad movies as well as good! We hope you enjoy our podcast and follow us on your favourite podcast platform (or Youtube). See all our review ratings for all our movies in all our episodes in spreadsheet form! https://docs.google.com/spreadsheets/d/1BLin0MnPslu13i003F9PE9c6CBOCs4RQfWcblt65PhI/edit?usp=sharing Our list of movies reviewed on IMDB: https://www.imdb.com/list/ls526575109/ Our list of movies reviewed on Letterboxd: https://letterboxd.com/15krandommovier/list/15k-random-movie-reviews-1

Roma by Laura Biagiotti (1988) + The Agony and the Ecstasy by Irving Stone (1961) + Carol Reed's The Agony and the Ecstasy (1965) with Kylie White 2/4/25 S7E6 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Pierce and Justin begin a several year project of making their way through the Palme d'Or winners. We start our journey with a certified cinephile classic in Carol Reed's The Third Man. ▶ JOIN OUR PATREON for bonus content and our gratitude buymeacoffee.com/NotJustAnypod ▶ We are available on all major podcasting platforms and YouTube! YouTube: https://www.youtube.com/@NotJustAnyPod ▶ FOLLOW US ON TWITTER! Twitter: @NotJustAnyPod ▶ FOLLOW US ON TIKTOK! TikTok: @NotJustAnyPod

The new executive director of Tennessee Corn has been announced, Amy Brundige McNeil takes over for their retiring Carol Reed.

This month's film club is Apocalypse Now, Francis Ford Coppola's 1979 masterpiece. For next month's movie listeners have an opportunity to vote on the poll via the Spotify app, it's either Salvador directed by Oliver Stone or Carol Reed's The Third Man. Links Apocalypse Now on IMDB Apocalypse Now on Wikipedia Hearts of Darkness: A Filmmaker's Apocalypse Heart of Darkness by Joseph Conrad Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of What a Picture, Bryan and Hannah chase you through the sewers to share their feelings about The Third Man, the 1949 movie directed by Carol Reed that ranks #63 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Tickets to our live show on December 29th at Central Cinema are now available! Buy them here. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

9:00 to 9:30Stephen HeffernanNew elected Senator Addison County9:30-10:30Lausanne AllenLausanne is a weaver, spinner and dyer who continues to juggle her passion for fiber arts alongside her love of playing & teaching music.Va-et-vientVermont Female Trio – Québecois, French and Cajun tunes!Lausanne Allen, Suzanne Germain, Carol Reed 10:30 to 11:00Leslie WrightShelburne MuseumDirector of Advancement at Shelburne MuseumShelburne MuseumWinter Lights at Shelburne Museum is a brilliant and beautiful display of colorful light installations with musical moments throughout the Museum's campus.

Writer and comedian Robin Ince (The Infinite Monkey Cage, Cosmic Shambles Network) talks about the comforts of Carol Reed's masterpiece The Fallen Idol, the beautiful film he made between Odd Man Out and The Third Man, and touches on the links between film and our memories of loved ones. Hosted on Acast. See acast.com/privacy for more information.

Everyone at Goon Pod Towers is very excited this week as this is the first time we've ever covered a Best Picture Oscar winner on the show, and this one features everybody's favourite beadle Harry Secombe who's in fine voice for this tremendous 1968 film based on the hit Lionel Bart stage musical! Joining Tyler are those incorrigible urchins Chris Webb & Robert Johnson from Still Any Good podcast and among other things they discuss: The magnificent Ron Moody The novel vs the film Harry hits it out of the park That villainous Bill Sikes The wonderous Oliver! set Jack Wild's tragic life Max Bygrave's nice little earner The songs they dropped Carol Reed's Flap! Fagin puts in his 10,000 hours Leonard Rossiter's drunken turn Corrie does Oliver! Bullseye the dog in makeup Mark Lester's gift to Jacko Brucie as Fagin? Catflap's nod Plus much much more! Consider yourself entertained! STILL ANY GOOD: https://stillanygood.buzzsprout.com/

In this episode, Zef sits down with Bobby Perretti, founder of Wheelhouse Films and an emerging filmmaker who began his journey studying screenwriting at Johns Hopkins University where he made his debut short film, The Cyclist. With experience as a director's assistant, script doctor, writer, and coordinator for NYC's Directors' Collective workshop, Bobby shares insights into his work in film. Together, Zef and Bobby dive into the artistry of two cinematic classics: Carol Reed's 1949 British noir THE THIRD MAN and Alfred Hitchcock's masterpiece VERTIGO.  Originally recorded for FilmSEEN in June 2020. Hosted by Zef Cota  

Agents Scott and Cam, along with guest operative Lachlan Page, author of Magical Disinformation, slam back shots and play a high stakes game of checkers against Alec Guinness while decoding the 1959 Graham Greene adaptation Our Man in Havana.   Directed by Carol Reed. Starring Alec Guinness, Burl Ives, Maureen O'Hara, Ernie Kovacs, Noël Coward, Ralph Richardson, Jo Morrow and Grégoire Aslan.  Learn more about Lachlan's work over at his website. All of his books, including Magical Disinformation, are available on Amazon.  You can also follow Lachlan on Twitter, Facebook and Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Episode 403: The Crew's lost in the sewers while watching Carol Reed's The Third Man. This film was voted Best British film of all time by the BFI, and the direction and photography are really strong. But the plot is thin, don't think about it and stare at the pretty pictures. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

En una nueva edición del programa "El Cine de LoQueYoTeDiga" Mary Carmen Rodríguez (también editora del podcast) dedica reportaje a todo un clásico como "El tercer hombre" de Carol Reed por su 75º aniversario. Un clásico del cine negro asociado también a la inabarcable figura de Orson Welles. Hacemos balance del Festival de Toronto 2024 y en Leer cine, la biblioteca sonora de Carlos López-Tapia, "Ritual" de Sandrine Destombes. In Memoriam para la voz y presencia de James Earl Jones, las recomendaciones en Colgados de la plataforma y la crítica de las favoritas "No hables con extraños", "Sidonie en Japón" y "El 47". ¡Muchas gracias por escucharnos!

We're reviewing the situation. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

It's the season five return of my good friend & longtime Watch With Jen fan-favorite guest, cinephile, Hardboiled Wonderland blogger, & author Jed Ayres. This time, Jed & I journey into stealthy mid-twentieth-century international spy terrain via four noir war films from the masterful British director Carol Reed. Kicking things off with the incredible classic THE THIRD MAN, we then join the pursuit of James Mason in Reed's expressionistic ODD MAN OUT & THE MAN BETWEEN before we let Graham Greene show us the ridiculous side of espionage in the humorous yet darkly clever OUR MAN IN HAVANA. A thoughtful evaluation of not only Reed's work as a director but also the way his filmmaking techniques & emphasis on everything from great production design to Dutch angles, even Christian symbolism, surprising musical counterpoints, & trust in his collaborators crafted four remarkable works, this is an episode that classic movie fans will love.Originally Posted on Patreon (9/4/24) here: https://www.patreon.com/posts/111371653Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fi

Steve and Alejandro head to post-World War II Allied-occupied Vienna for a film that the British Film Institute voted the greatest British film of all time (no pressure). They go down some dark alleys for this 1949 film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli and THE Orson Welles. Will Steve convince Alejandro that this film, a huge part of his childhood, is the best thing since bangers and mash? Listen and find out. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit rememberthatmovie.substack.com

Le Troisième homme, The Third Man, est celui qui apparaît mystérieusement cité par les protagonistes du film de Carol Reed sur un scénario de Graham Greene. Le Troisième Homme est un film tourné à Vienne en 1948 sur les ruines encore fumantes laissées par la seconde guerre mondiale. A lʹécran : Joseph Cotten, Orson Welles, et Alida Valli, qui jouent dans une Vienne, véritable nid dʹespion à lʹépoque, rongée par le marché noir, loin très loin des froufrous des valses de Strauss. Les rues sont bordées de ruines, le Danube grisâtre, la population maigrichonne, peureuse, et il flotte dans les airs une odeur de gravats et de poussières. Des détails dʹambiance mais qui donnent toutes ses lettres de noblesse à ce film noir, passé à la postérité pour sa photographie incroyable, son style inspiré par lʹexpressionnisme allemand, un courant cinématographique, ses effets dʹombre et de lumière, pour le personnage dʹHarry Lime incarné par Orson Welles et pour sa musique à la cithare signée Anton Karas. On a tout dit ou presque sur le Troisième Homme, palme dʹor à Cannes en 1949. Cʹest le presque qui nous intéresse aujourdʹhui dans Travelling. Nous allons évoquer Graham Green, écrivain, qui donne à son scénario une irone acerbe. Nous allons évoquer Alexander Korda producteur anglais, Carol Reed, Orson Welles, nous plongeons dans une Vienne qui nʹexiste plus que dans les archives cinématographiques. Ne tardons pas. Harry Lime a rendez-vous devant la Grande Roue du Prater. La projection va commencer….attention, ça peut mal se terminer. REFERENCES Interview de Graham Greene PANGON Gérard, HERPE Noël, Le Troisième Homme, Les années Festival, Arte Editions, mille et une nuits. 1997 Moi Orson Welles - Un livre d'entretiens par Peter Bogdanovitch - Belfond

Christiana and Mike pull another pair of classics from the Sight & Sound list, Akira Kurosawa's "Rashomon" (1950), and Carol Reed's "The Third Man" (1949)

First, it was the famous novel by Charles Dickens back in 1838, then it hit the silver screen with many silent and sound ones.  Then it hit Broadway with the well-known musical version ... until finally it came back to theatres and won the Oscar for Best Picture of 1968. Oliver! is the fourth musical of the 1960s to win the top prize.  Its mixture of the dark story of a young boy escaping an orphanage, and wonderful music delighted audiences worldwide.  But does this film still resonate with movie lovers today? Looking back, does this Carol Reed directed film still deserve to be regarded as the best of that year?  Listen to film critic Jack Ferdman's take on it as he analyzes everything about Oliver!, as well as many other films from that year, and hear what film he gives his Rewatch Oscar of 1968 to.Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, InstagramShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Tags: OscarsAcademy AwardsBest PicturewinnermoviesfilmreviewRewatching Oscarpodcast

We're nearing the end of our Classic Noir themed month we're calling THE LEFT HAND ENDEAVOR and it's just banger after banger each week and our last week is no different. Today's classic noir is one that might show up on several “Best Movie” top 20 lists. One of the few classic noir that seem to shine beyond it's genre. Chock full of stunning, shadowy, shots seared into the annals of film history and appreciation. A western writer by the name of “Holly” strolls into Vienna not long past the end of WWII to meet an old friend who he discovers is dead. The case seems to be officially closed but Holly finds conflicting information outside of the official narrative of Harry Lime's death. Meanwhile, Lime's girlfriend is fraught with her own issues but is bonding with Holly over their mutual connection with Harry. The interaction has Holly smitten with his dead friend's gal but is she down? Of course, we're talking about Carol Reed's 1949 classic “THE THIRD MAN” starring Joseph Cotton, Valli, Trevor Howard and Orson Welles as the ultimate irredeemable charmer that appears in the movie for, maybe, 7 minutes. Half of that because he didn't want to do the sewer scenes. You better believe we got a link for it. Hope it still works: https://archive.org/details/the-third-man-1949 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

In Cineversary podcast episode #68, host Erik Martin celebrates the diamond anniversary of Carol Reed's The Third Man with two outstanding guests: David Thomson, renowned film critic, cinema historian, and author of The Fatal Alliance: A Century of War on Film; and Charles Drazin, film historian and author of In Search of The Third Man. Together, they scour the streets and sewers of Vienna on the trail of Harry Lime and the truths behind this now 75-year-old masterwork. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com. --- Support this podcast: https://podcasters.spotify.com/pod/show/cineversary/support

Carol Reed and Graham Greene's iconic post-war neo noir classic 'The Third Man'. A perfect movie. Steven Soderbergh calls it the only movie you need to watch in order to learn how to make a movie. In this episode I cover the making of, the battles between David O. Selznick, Alexander Korda, Reed and Orson Welles, the happenstance score to end all film scores and MORE.

Dana and Tom discuss the noir mystery thriller, The Third Man (1949): directed by Carol Reed, written by Graham Greene, music by Anton Karas, starring Joseph Cotten and Orson Welles.Plot Summary: "The Third Man" is a cinematic masterpiece that seamlessly blends noir intrigue with post-war disillusionment, creating a gripping tale of mystery and moral ambiguity. Set against the atmospheric backdrop of post-World War II Vienna, the film follows pulp novelist Holly Martins as he investigates the suspicious death of his old friend Harry Lime. Director Carol Reed masterfully crafts a world of shadowy alleys and crumbling architecture, enhancing the film's sense of unease.Joseph Cotten delivers a compelling performance as Martins, an everyman caught in a web of deception and betrayal. However, it's Orson Welles who steals the show as the enigmatic Harry Lime, a charismatic and morally complex figure whose presence looms large over the narrative. The iconic zither score by Anton Karas adds a haunting and distinctive layer to the film's atmosphere, creating an unforgettable sonic backdrop.As the narrative unfolds, "The Third Man" becomes more than a mere whodunit by delving into the moral ambiguity of its characters and the bleak aftermath of war. Reed's masterful use of light and shadow, coupled with Graham Greene's sharp screenplay, elevates the film beyond the confines of traditional noir, making it a timeless classic that continues to captivate audiences with its gripping storytelling and cinematic brilliance. In the hands of Reed and his talented cast, "The Third Man" remains a haunting exploration of loyalty, deception, and the shadows that linger in the aftermath of conflict.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-third-man-1949For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios

In the first episode of the podcast in 2024, I bring back Phil Fasso to discuss an actor he has always loved, Joseph Cotten. As we went through George Cukor's "Gaslight", Carol Reed's "The Third Man" and Alfred Hitchcock's "Shadow of a Doubt", we get an idea of his full range as an actor, and wonder further why he feels so underrated. I hope you enjoy!

It's Awards Season yet again. Here on the Holmes Movies Podcast that means, it is time for the Alternative Oscars episodes! AKA the Anders and Adam-emy Awards: Each episode for this series we pick a different year in Oscars history and attempt to correct the record, stripping the undeserving of their garlands while recognizing those who were cruelly overlooked. This time, we will be casting our eye back to… the 41st Academy Awards, the year that honoured the best films of 1968. It was held April 14th 1969 for the first time at the Dorothy Chandler Pavilion. Carol Reed's Oliver! was nominated for 11 Academy Awards and won 5, including Best Picture and Best Director. Stanley Kubrick received the only Oscar over his entire career that night for Best Visual Effects (2001: A Space Odyssey). It was also the year where there was a tie for the Best Actress in a Leading Role category. Listen to the episode and find out who Anders and Adam believe should have won that night! Subscribe/Follow and check out the rest of the podcast!Listen to and check out all the episodes we recommended to each other during the Covid Lockdown here on Letterboxd. One of the films was Jules Dassin's film Uptight and you can listen to the Holmes Movies Recommends episode about the film here.Follow us on Instagram!Also check us out on Letterboxd!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

En nuestra tertulia de maduritos hablaremos sobre tres directores que fallecieron el 6 de enero, día de Reyes: Víctor Fleming,  Peter Bogdanovich y Sidney Poitier, con una invitada muy especial, la actriz de doblaje María Luísa Solà. Además, charlarán sobre la película que emitirá La 2 el lunes 8 en Días de cine clásico, El tormento y el éxtasis dirigida por Carol Reed con Charlton Heston,  Rex Harrison, Diane Cilento, Harry Andrews, en 1965.Escuchar audio

A top-notch film noir about a pulp novel writer (Joseph Cotten) searching post-war Vienna for clues about the mysterious death of his friend (Orson Welles).  Co-starring Trevor Howard and Alida Valli.  Directed by Carol Reed.

This week's Acteurist-Oeuvre-view shows us two sides of Lilli Palmer: Bad Lilli in a comic supporting role, brawling with fellow chorus girl Renée Houston and competing with a demure Margaret Lockwood over wealthy patrons in Carol Reed's A Girl Must Live (1939); and Good Lilli assuming the lead in B-mystery The Door with Seven Locks (1940), seeking adventure with comic sidekick Gina Malo. It ain't Noël Coward, but we had fun.  Time Codes: 0h 00m 45s:      A GIRL MUST LIVE (1939) [dir. Carol Reed] 0h 24m 30s:     THE DOOR WITH SEVEN LOCKS (1940) [dir. Norman Lee] 0h 42m 57s:      Listener mail from Richard +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

"They had 500 years of democracy and peace and what did that produce? The cuckoo clock." Carol Reed's The Third Man is a gorgeously photographed bit of post-war film noir that gave us one of the greatest grins in the history of cinema. It also gave us a ton of zither! Clint, Cal and Alex dive into the classic detective yarn that's not really about a detective at all. They discuss the dutch angles that kept Joseph Cotton on his heels for most of the film, just how bad a guy Orson Welles as Harry Lime really is and just how bad a guy Orson Welles was on set, as legends have it. It got booted off of AFI's Top 100 movies list but find out where it ranks on the CineFix Top 100! Meanwhile, producer Dan's algorithm is somewhere under the rubble of post-war Vienna… CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode on the Rebel WhiteCoat Podcast is all about energy, healing, and manifestation with guest Jennifer Smith! Jennifer is a wife of 20 years and mother of 2 teenage boys.  She transformed her life from corporate engineering marketing & business development leader into energy healer, teacher, and spiritual coach…. A leap of faith to uplift the consciousness of our planet and contribute to the “new earth” energy solutions. Highlights from this episode: how Jennifer got into energy work from an engineering/business background how to get connected with like minded healers how to start on your spirituality journey explaination of Avesa Quantum Healing where Jennifer starts with clients for healing work and what to expect explaining why quantum healing focuses on lower 3 chakras what victim consciousness mean and how it impacts your ability to heal yourself how to use your emotions to manifest your life and how vibrations can impact this basic tips to manifest and how to manifest what you really desire how to step into high vibrational states You can learn more about Jennifer here: www.naturalenergyhealing.life You can follow her on social media here: Youtube - @naturalenergyhealing, Facebook - @NaturalEnergyHealing  To hear more from Jennifer, you can find details on working with her and listening to her broadcasts here: Avesa Quantum Healing + Reiki Healing (Dr. Kunevich's in Smithton, IL and Dr. Hoover's in Bethalto, IL) “Jen & Geri Show, Cosmic Queens” Broadcasting on Oneness Talk Radio every Monday at 12pm CT.  Providing a weekly energy forecast along with inspiration for the week.  Geri Habstritt is an Avesa Quantum Healer & Medical intuitive from Boise, Idaho. “Living in the Fifth Dimension” series broadcasting on social media channels every Tuesday at 4pm CT.  Carol Reed and I discuss the insoulments and provide practical information for upliftment.  Carol Reed is an Avesa Quantum Healer from Syndey Australia   Thank you, Jennifer!             All podcast guest inquires can be emailed to kellyrompelcoaching@gmail.com

After a 13-year-old girl is murdered on Valentine's Day, the investigation leads to a high-profile trial and a conviction. But to one veteran cold case detective, something didn't look right. Could the wrong person have been in prison? Keith Morrison reports in this Dateline classic. Originally aired on NBC on June 8, 2008.

It's just shy of 75 years since Carol Reed made The Third Man, an extraordinary thriller from a screenplay by Graham Greene that looks at the state of Europe in the immediate aftermath of the Second World War with something of concern The Third Man This episode presented by: J.R. Southall With: Jon Arnold

Greg screens Carol Reed's 1948 thriller "The Fallen Idol."

Jackie and Greg take chase in the sewers of post-war Vienna for Carol Reed's THE THIRD MAN from 1949. Topics of discussion include the famous zither score by Anton Karas, the allure of post-WWII cinema, the effect of unknowable characters, and the influence Orson Welles had on the finished film.#73 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#63 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Charles Dickens' hungry orphan was given the musical treatment in this Best Picture Oscar winner that came out more than a half-century ago. Homelessness and songs are a strange mixture, but Carol Reed (mostly) makes Lionel Bart's stage-show work as a movie...even though the director of The Third Man seemed to be out of his element. Oliver is an overlong, yet impressive production that represents the end of an era for these types of mega-films. We talked about what we felt was missing in Oliver and also how the current decline of superhero movies compares to big-budget musicals in the '60s...because there is something missing in recent MCU projects too. So, my dear, get ready to hear more of us talking about the Academy Awards this month in the 498th episode of Have You Ever Seen. If you drink coffee, make Sparkplug Coffee your brand. Go to "sparkplug.coffee/hyes" and use our "hyes" promo code to get a one-time 20% discount. Getting in touch with us is pretty easy. You can shoot us an email (haveyoueverseenpodcast@gmail.com) or use Twitter (@moviefiend51 and @Ryan Ellis Each of our podcasts in 2023 are on YouTube (@hyesellis) and our Monday shows even add some on-camera bonus content off the top. And hearing Ryan today makes you want more pedantry, look for the sports movie podcast known as "Scoring At The Movies"

durée : 00:04:52 - Le cinéma de Thomas Croisière - Aujourd'hui, Thomas Croisière nous parle du film "Le Troisième Homme" de Carol Reed.

Hello listeners! This on the Patreon week we continued our journey into the work of Graham Greene and Carol Reed with the 1949 British noir “The Third Man.” It suffices to say that this is one of the most famous and acclaimed movies of all time, so Jamelle and John had a lot to say about its production, its writing and its themes. They also spoke a great deal about Orson Welles, the politics of postwar Europe, existentialism, and the career of star Joseph Cotten.Connor Lynch produced this episode. Artwork by Rachel Eck.To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.

For this week's Patreon episode, Jamelle and John cover the 1959 film “Our Man in Havana,” an adaptation of a 1958 Graham Greene novel by the same name. We talk Graham Greene, director Carol Reed, and Alec Guinness, the star, as well as esoteric topics like motivated reasoning, the nature of intelligence work, and the power and peril of propaganda. We also, as always, looked at the news for the day the film was released, December 30, 1959.Connor Lynch produced this episode. Artwork by Rachel Eck.To hear the full episode, subscribe to the Unclear and Present Patreon and get access to our show on the films (and television) of the Cold War, as well special mailbag episodes, monthly entry into a movie raffle, and whatever else we can think of.