Podcasts about Get Carter

JAMIE KIRSTEN HOWARD lost her credit card and the clerk is CHECKIN IT TWICE (2023), but... We've already got the furry erotica! THEME: "Fuck You If You Don't Like Christmas," from Crudbump, by Drew Fairweather PART ONE  Glitterburrito ... Georgia championship hockey ... How Hallmark casting works PART TWO   Jamie's Christmas credentials ... Mariah-Grinch Continuum ... Is the Grinch horny? Furry? ... Cast Rundown ... The Expositional Challenge ... Plot Mop-Up: Deal-stealing boyfriend; Team Christmas Week; French-Canadian players ... Just settle! Like the rest of us! ... Covid-fueled throwback ... The Thee/Thou Threshold ... How do you act a story like this well? ... A "being adult and normal" fakeout ... Brain damage       PART THREE  Spot the Angel: Ashley's dad and Scott's coach ... A literal bible ... Eat Your Heart Out: Grandma's dire eggnog; The Cider Social; awful pastries, sugar drinks; Barbie food; stadium peppermint tea; Sleepytime mascot, pajama gun, candlelit ushers; the Drunken Puck; airport chocolates, airport beer ... Clear hotel lobby store ... Zamboni driving in the Richard Scarry region of the brain ... The Hallmark Expanded Universe: French 85 Magazine, "How to Survive Christmas Alone"; hockey tournament/goon clash    PART FOUR  Overdetermined: Forced credit-card fussiness; "But I'm different"; plot-end collision and bastard father ... False Ray Bourque information ... Scott, winter ignorant ... Crossover: Scott, Deadpool adjacency and sassy Kristen Bell; money and a rewrite away from a real rom-com; Alex Garland's Civil War; LA to Vegas, Idaho Falls to Spokane ... The Hallmark Voight-Kampff Test: Dave, rowdy child, good eater ... Great Moments in Moppetry: Googe-sound boy; 3 ... Who's the Real Villain: Ambition, cruel fatherhood, misogyny/the bar is THAT low       PART FIVE Rating: 3 (non-derogatory) ... "Honestly, I'm fine with this" ... The Leftovers: Non-interruptive work-from-home ... Protagonist's dream/career age ... "Those who can't play, coach" ... A smooth 84 ... Pod Yourself The Wire namedrops ... Gretzky 3:16 ... Plus/Minus and stats annoyance ... Kevin Fair, Get Carter, Josie and the Pussycats, and The Core ... Saw 3-D ... "Idaho Falls" ... Postgame interview BS ... You know how to ruin a cider social ... Merry Christmas!   All other music by Chris Collingwood of Look Park and Fountains of Wayne, except: "Orchestral Sports Theme" by Chris Collingwood and Rick Murnane. Jamie's Bluesky HERE

Reel Britannia podcast - a very British podcast about very British movies...with just a hint of professionalism. Scott and Steven are joined this week by their dear friend Mark, host of The Good, The Bad and The Odd podcast, to discuss an overlooked movie from 1972 starring Oliver Reed, Edward Woodward, Ian McShane, Frank Finlay, Freddie Jones and Jill St John. Revenge, car chases, prison escapes...what more you could ask for?   Sitting Target (1972) A killer has one more victim on his hit list – his faithless wife! Oliver Reed snarls and seethes his way through a brute-force 70's crime thriller in the tradition of Get Carter. Douglas Hickox, who would go on to helm such memorable films as Theatre of Blood and Zulu Dawn, brings his filmmaking intensity to a story of revenge set in a London as bleak and brooding as the prison from which convicted killer Harry Lomart (Reed) and his fellow inmate (Ian McShane) escape. Once free, Harry sets out to exterminate his seductive wife (Jill St. John), who carries another man's child. Armed with a handgun, fueled by rage, Harry draws closer to his sitting target. Also closing in: a police inspector (Edward Woodward), who's determined to protect the hunted woman.  Reed and McShane – one grim, one voluble, and both steeped in violence -- make an intimidating tough-guy team.   "Bastard must be made out of concrete!" You can find this and all our previous episodes everywhere you download your podcasts Follow us on Twitter @rbritanniapod email: reelbritannia@gmail.com #britmovie #reelbritannia #oliverreed #ianmcshane #edwardwoodward #frankfinlay #jillstjohn #sittingtarget #1972 #movie #podcast Thanks for listening! Scott and Steven

We get caught reviewing M. Night Shyamalan's Trap and also talk Get Carter, Door, Deadpool & Wolverine and Arrival. Follow the show on X: @thecinemaspeak Follow the show on Instagram: cinemaspeakpodcast Subscribe on Youtube: Cinema Speak Intro: 0:00 - 2:26 Review - Trap: 2:26 - 29:36 Movie Roulette - Get Carter: 29:36 - 46:39 Micro-Reviews - Deadpool & Wolverine, Door, Longlegs, Arrival: 46:39 - 1:13:47 This week in new releases/Outro: 1:13:47 - 1:17:21 Spoiler Discussion - Trap: 1:17:21 - 1:40:13

Send us a Text Message.Quite a complicated story which I have tried to simplify. This is a well known case in the North East, still just about in living memory (1967). It is a case of miscarriage of justice, organised crime and corruption in the Newcastle, County Durham area.This podcast is one man in his office putting out a story the way he understands it. I know that I am not very good at presenting but thank you to those who have contacted me to make sure that I know this.

Harvey Brownstone conducts an in-depth Interview with Andrew Stevens, Actor, Producer, Director & Author About Harvey's guest: Today's guest, Andrew Stevens, is a highly respected actor, writer, songwriter, producer, director, author, educator and film company executive.    The fact that he has show business in his blood comes as no surprise, given that he's the son of screen legend Stella Stevens.   On the big screen, you've seen him in “The Boys in Company C”, which earned him a Golden Globe Award nomination for Best Male Newcomer, and he also received the Star of Tomorrow award from the National Association of Theatre Owners.  He also appeared in “Shampoo”, “The Fury”, “Death Hunt”, “The Seduction”, “Double Threat”, “Pop Star”, “Missionary Man”, and many more.    On TV he appeared in dozens of shows and movies including “Once an Eagle”, “Topper”, “Code Red”, “Hollywood Wives”, “Hotel”, “Dallas”, and many more.  He's also written many screenplays and composed numerous songs for movies and TV shows.  He's directed over a dozen feature films, including world premieres on HBO and SHOWTIME, as well as multiple episodes of popular TV series.    But beyond all of that, our guest is one of the most prolific and successful producers in Hollywood.  He has co-founded and run numerous film production companies, and is currently President and CEO of Andrew Stevens Entertainment and Stevens Entertainment Group.   He's produced hundreds of enormously successful feature films including “The Whole Nine Yards”, “Angel Eyes”, “The Pledge”, “City by the Sea”, “The Big Kahuna”, “Green Dragon”, “Get Carter”, “The Marksman”, “Black Dawn”, and dozens more.     As an educator, he created a fully accredited Associate of Applied Arts college degree program in Motion Picture Production, which formed the basis of an online certificate program called “Foolproof Film School”, based on his best selling 2014 book entitled, “Foolproof Filmmaking: Make a Movie That Makes a Profit”.  His other books are “Producing for Profit: A Practical Guide to Making Independent and Studio Films”, and “Screenwriting for Profit: Writing for the Global Marketplace.”   And if all of that weren't enough, our guest also serves on the board of directors of the International Film and Television Alliance, and until recently served as Chairman of the Independent Producers Association. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Andrew Stevens, go to:https://andrewstevens.info/https://www.facebook.com/andrewstevensffilmhttps://twitter.com/astevensenthttps://www.youtube.com/user/astevensent/videos #AndrewStevens   #harveybrownstoneinterviews

Welcome back to Not A Bomb! This is the podcast where we dive into some of cinema's biggest box office failures and explore whether they deserve a second chance. “Re-May-ke” month is still rolling on as we peel back the layers on the darkly entertaining and tightly wound revenge story from 2000, Get Carter. Based on the novel “Jack Returns Home,” Get Carter failed to reach the heights of the 1971 version and only made back roughly 33% of its production budget. Sylvester Stallone was definitely trying to do something new with his career in 2000, but the film didn't resonate with critics or the general audience. Does this 2nd remake of the famous British crime film deserve all the hate? Grab your trench coat, put on your best brooding face, and join us as we dissect this gritty gem on Not a Bomb!Get Carter is directed by Stephen Kay and stars Sylvester Stallone, Miranda Richardson, Rachael Leigh Cook, Alan Cumming, Mickey Rourke, and Michael Caine.This week, we can be found guesting all over the internet. Be sure to check us out over on YouTube - Crying Freeman on Episode 35 of And Now for Something A Little Bit Different. Also, check out Episode 82 of Moviestruck, where we join Sophia to discuss M. Night Shyamalan's The Happening. Should you wish to provide feedback or suggest a cinematic flop for discussion, please reach out to us at NotABombPod@gmail.com or through our contact page. If you enjoy our content, consider leaving a review on Apple Podcast.Cast: Brad, Troy

Dans cette nouvelle affaire on revient sur un véritable diamant noir enragé et incontrôlable porté par un Oliver Reed au sommet de son charisme avec La Cible Hurlante de Douglas Hickox. Un polar carré, sec et à l'os qui ne s'embête pas du superflu à la lisière du fantastique par moment pour mieux retracer le parcours d'un lion en cage qui se transforme en bête blessée. Et cette fois ci c'est au tour d'Aurélien Gouriou-Valès, auteur pour la chaîne youtube Le Ciné-Club de Monsieur Bobine et co-animateur du podcast La 36ème chambre du cinéphage, de se prêter au jeu de l'interrogatoire et de nous évoquer cette pépite malheureusement trop méconnue. Retrouvez la photo signalétique de l'invité en début d'émission ainsi que les complices (un film dans le même giron) en toute fin de podcast. Avec dans cet épisode un retour sur La Poursuite Implacable (Revolver) de Sergio Sollima (1973) l'autre grand polar à la même époque mettant en vedette Oliver Reed.    Un dossier rondement mené par Rafael Lorenzo.

Heading back to remake country! We do spend a lot of time there, come to think of it. Big thanks to Jason Krawczyk (@every1question) for picking a flick with a strong ensemble. That does help a lot. Be sure to check out Jason's movie He Never Died (from 2015) as soon as possible, especially if you love Henry Rollins. Thanks for listening to Overhated! There are 100+ more episodes at patreon.com/scottEweinberg. Subscribe to hear them all now! Check out the list of episodes here: bit.ly/3WZiLFk. Subscribe wherever you get your podcasts: Apple Podcasts, Spotify, etc.    Overhated is now proudly sponsored by those Effin' Birds.com, the award-winning comic strip by Aaron Reynolds.     

This week – Get Carter, Alton Towers, Dinsdale Landen, Paddy McGuinness, da footy, Fawlty Towers, Hitchhikers Guide, taking LSD, Countdown, Big Bang Theory, 3 Body Problem, Mark Strickson, and all the usual bollocks.

For this interview special of Electric Friends, I'm speaking to Andy Gray, one of the most sought-after DJs, songwriters, producers and composers of the last few decades.Andy made a name for himself in the early 90s in the growing dance music scene, with his remixes and work with his group Amoeba Assassin, and for his work with Paul Oakenfold's Perfecto label. He has gone on to produce or remix music by a wide range of artists such as The Human League, Tori Amos, New ORder, Tears for Fears, Moby, U2, John Foxx and many more.He is also a prolific film and TV soundtrack composer, on projects such as Swordfish, Get Carter and Hunters, and he also composed and produced the iconic Big Brother theme in the UK.He has also had a long association with Gary Numan, whom he counts as a good friend. He has collaborated and remixed Gary's music many times, including appearances on the Hybrid, Jagged and Dead Son Rising albums. In particular, he remixed the brilliant version of A Prayer for the Unborn, which we hear at pretty much every Gary Numan gig today.I caught up with Andy to talk about his career, how Gary's music inspired him as a youth, and what his experiences of working with Gary have been, and what we can look forward to in the future. Clips used:Tubeway Army - Are Friends Electric?Amoeba Assassin - RollercoasterThe Human League - Tell Me WhenElementfour - Big Brother ThemeGary Numan - Listen to My Voice (Andy Gray remix)Gary Numan - A Prayer for the Unborn (Andy Gray remix)Gary Numan - Are Friends Electric (Andy Gray remix)Gary Numan - AncientsAndy Gray & Gary Numan - For YouPlease get in touch on Twitter, Facebook, TikTok and Instagram, or email at numanpodcast@gmail.com.

This week: Kem is a bit too inquisitive, Corday makes friends with a fellow single parent, Susan is knocked up, Luka tries his hand at teaching, the nurses are horny for Pratt, and Gallant nearly gets shot during a paramedic ride-along. Buy our merch and support LGBT healthcare! https://www.bonfire.com/store/setting-the-tone-store/?fbclid=IwAR0NUrCgiz9TK8XzheoV9t2zCMw1nJueGFX15jkmGnjE5ZaLD2aDRUkrrBQ

What was up yesterday? No 5-star additions for Ohio State? Weak. But seriously folks ... things are crazy good. Bill Kurelic and Mark Porter last joined us on Thursday? Has anything happened since then? Uhh ... yeah. We attempt to put all of the overflow good news into perspective. It was an enjoyable exercise. Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

1971er-Retrospektive, Teil 2 FFK bespricht folgende Filme: „The Last Picture Show“, „Shaft“, „The Beguiled“, „The Anderson Tapes“, „A Clockwork Orange“, „Get Carter“, „THX-138“, „Straw Dogs“ und „The French Connection“ Learn more about your ad choices. Visit megaphone.fm/adchoices

FFK bespricht folgende Filme: „The Last Picture Show“, „Shaft“, „The Beguiled“, „The Anderson Tapes“, „A Clockwork Orange“, „Get Carter“, „THX-138“, „Straw Dogs“ und „The French Connection“

It's a new year and the Butt Man is back with a round-up of 2023 and and the traditional SLY GUY New Year death pool! SLY GUY Podcast Live, Strand Arts Centre 19/01/24: https://www.strandartscentre.com/events/dave-elliott-podcast/ Patreon: www.patreon.com/slyguypodcast Video Podcast: https://youtu.be/wdckjPz-hKE Modest Beer: www.modestbeer.co.uk- SLYPA15 @ check-out for 15% off your Modest purchase!

In today's episode I talk to the award winning Film Maker Tony Klinger. Tony is an international film maker of inspiring documentaries, rockumentaries and films. He is also an acclaimed author, a screenplay writer and a playwright. He began his career as Assistant Director on The Avengers in the 1960s. He has made over one hundred films worldwide ranging from documentaries to cinema feature films and TV movies in more than thirty countries. Tony worked in partnership with his father, the legendary film producer, Michael Klinger, who made such films as Get Carter, Repulsion and Cul-de-Sac as well as other major productions. He has worked with major stars from the film and music industries such as The Who, Michael Caine, Lee Marvin, Roger Moore, Deep Purple, Peter Ustinov, Jack Nicholson and many other notable figures. His work has won him many international awards, among which are The Queen's Anniversary Prize for Education, The London Film Festival and the San Sebastian Film Festival. Tony talks about his fascinating life openly and humbly, from how in early childhood he knew what his vocation was and how his sheer belief in himself gave him the ability to achieve great success. We talk about his life changing Near Death Experience that brought him to the brink and changed his life forever. He is in essence a true story teller that captures his audience with his charming and endearing stories, from working with major film stars to his life's adventures and much more. For information on Tony Klinger please visit: https://www.tonydklinger.com

Oh god, Graham's shining the spooky light under his face again - sounds like time for a Halloween special. And it is, with Mark Cunliffe of We Are Cult joining the show once again to talk about The Haunted House of Horror, a 1960s British horror movie with an all-bases-covered title. It's the familiar tale of a group of horny and stupid teens who go to an old house for a seance and end up beset by entities even older and more sinister than Frankie Avalon, the Beach Blanket Bingo star who plays a character described as the essence of Swinging London. So, not entirely persuasive casting in the lead role, but there's an impressive supporting cast including Jill Haworth and Get Carter's George Sewell, who does not play one of the teens, as he was never young. Aside from exploring the varied CVs of cast and crew, Graham and Mark also appreciate the movie's surprisingly nasty kills, the reshoots that led to the ending making no sense at all, and the time when Mark accidentally went to a Chesney Hawkes concert. If you want to keep us buying clothes at the Men's Shop, you can donate to our Patreon where Mark and Graham are about to reteam and tackle Taylor Swift's Eras concert film in a Pop Screen exclusive. You'll also find regular written reviews of classic British sci-fi television and our favourite Asian genre movies, the monthly movie miscellany podcast Last Night..., and cult franchises reviewed in From the Video Aisle. Follow us on Instagram, Twitter and Facebook for more news. www.patreon.com/thegeekshow --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message

Join us in this week's Team Never Quit Podcast, as Marcus takes a deep dive into the extraordinary career of Johnny Strong – actor, director, martial artist, and filmmaker. His journey is a testament to the power of dedication, creativity, and the relentless pursuit of one's passions. Don't miss out on this inspiring conversation a behind-the-scenes look into the multifaceted world of entertainment and creativity. Johnny discusses the inspirations behind his projects and how his diverse skill set shapes his storytelling. Johnny's Film credits include; Get Carter, The Fast and Furious, Black Hawk Down, to Sinners and Saints, Daylight's End, and now in his directorial debut in Warhorse One. He also shares some very interesting on-location adventures you'll find very interesting. Johnny is joined by Marine Samantha Bonilla, and Mikey Sauers, U.S. Navy SEAL, co-founder of Forged, as well as the Mike Murphy challenge.    Watch 'Warhorse One' Here: - https://tv.apple.com/us/movie/warhorse-one/umc.cmc.2vhqxk1ta9v0vzsw9liztev8x Socials: - operator_films_warhorse_one - samantha_r_bonilla - forgedmike Sponsors: - Navyfederal.org - policygenius.com  - factormeals.com/TNQ50 - 4Patriots.com/TNQ In this episode you will hear: • For anybody that wants to be good at anything, you always want to maintain a humble state of “I'm a learner.” (16:40) • The goal is to find the truth. The goal is to remove all the affectation and barriers we create to protect the self. (20:05) • At 40, you almost begin a second life. (36:49) • A man has 2 lives – the one he lives, and then the one he lives when he realizes he only has one. (37:03) • As an actor, you are waiting for other people to give you an opportunity to do what you want to do. (37:22) • [When my daughter was] two and a half years old, I had this moment and we made a conscious connection. It's eternal. My thought was: How do I share that with the world? (44:33) • The story of Warhorse One is kind of a metaphor for becoming a father. (45:45) • The man you are before that, and the life you live, and the things that are important to you, after that moment when you have that profound connection [with your child] – your child is all that matters. (45:52) • Everybody can be good at something. (68:39) • In as much as we think we're in control, there's only a small amount that we can actually control. (73:15) • If you could be that beacon for somebody out there, even if somebody watches a movie and says, “That's awesome I'm moved to be a Navy SEAL.” How many people have said to me, “I watched Blackhawk Down, and I joined the Army.” (97:14) • My Type A personality is that I'm not gonna quit. (105:17) •  I'm not doing it for money –this is just my offering to God, the Creator. (111:17)

An episode in which Andrew, Iain and Eddie go deep on senior's golf, slow play and strangely smooth calves. Iain also becomes greatly agitated by almost everything and in the absence of DP World Tour events, Eddie lets us know that he's been to a petrol station. Meanwhile, having joined a dog-friendly club, Andrew has begun training his two dogs to sit obediently by the tee and also not judge him while he snap-hooks a driver. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Schmidt and Elijah Herbel open this Tuesday show by reacting to the commitment of Husker legacy Quinn Clark, a WR from Montana, as well as their thoughts on the looming commitment date of Carter Nelson. Mitch Sherman joins the show to discuss Nebraska's recruiting momentum since the commitment of Daniel Kaelin, as well as his thoughts on the 2023 CWS. Later, Charlie McBride joins for his weekly segment, and Matt Schick joins for an extended chat to discuss what made the 2023 CWS so great, why the Big Ten has fallen behind the rest of the country in baseball, and the summer of recruiting for Husker Football. Hail Varsity Radio is brought to you by Currency. An Exclusive Offer For Hail Varsity Radio Show Podcast Listeners! Get your subscription to Hail Varsity at a discount! Use Coupon Code: GBR A Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com. (00:00) - Discussing Quinn Clark and Carter Nelson (16:27) - Mitch Sherman (29:18) - Discussing how Nebraska can lock down the borders (42:18) - Charlie McBride (58:45) - Matt Schick Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Da Bear Essentials Podcast, we discuss the premium Draft positions of need for the Bears and much more.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Long Good Friday elevated the British gangster film to a level not seen for a decade since Get Carter, and sees London gangster Harold Shand (Bob Hoskins) and his girlfriend Victoria (Helen Mirren) embroiled in a scheme to redevelop parts of London's Docklands with finance from a New York mafia boss. The film features some prophetic scenes in which Harold espouses a new future for London, a London at the centre of Europe, with opportunity to create incredible wealth - a wealth he would most likely have made had the IRA not started interfering in his affairs. In this episode of Screenshot, Mark Kermode speaks to Dame Helen Mirren about the changes she made to the script and to her character's role, and also about how her uncle's connections to the London underworld helped her in the part. Mark also talks to tour guide Rob Smith, who leads a tour of the film's locations around London's Docklands. Exploring the world of the British gangster film further, Ellen E Jones meets author Kim Newman who talks us through the changing nature of these films from the 1930s to the present day, and Louis Mellis who, alongside David Scinto, wrote a triptych of British gangster films including 2000's Sexy Beast. Lynda La Plante, creator of the seminal British gangster crime drama Widows, drops in with a Viewing Note in which she makes an offer you can't refuse. Producer: Tom Whalley A Prospect Street production for BBC Radio 4

Episode 173 - Michael Caine: A British Icon (Part 2 of 2) We complete our Michael Caine tribute, a joint presentation of the ‘Film Gold' and ‘The Stinking Pause' podcasts, as the great man turns 90. Antony Rotunno and Scott Phipps count down their top 5 Caine performances and also discuss his ultimate legacy after 60 years as a film star. There are audio clips galore to complement the conversation, including Michael reading from the first of his many memoirs and also offering a few acting tips!   'Film Gold' is on all the main podcast platforms.   Feedback to contrafib2001@gmail.com   Facebook page- https://www.facebook.com/filmgoldpod   Twitter- https://twitter.com/FilmGold75   Antony's website (blog, music, podcasts) https://www.antonyrotunno.com   Antony's John Lennon podcast https://glassoniononjohnlennon.com/   links to Scott's podcasts https://rainbowvalley.libsyn.com/podcast https://directory.libsyn.com/shows/view/id/reelbritannia https://directory.libsyn.com/shows/view/id/stinkingpause   show links Scott's podcast on the making of Zulu https://directory.libsyn.com/episode/index/show/rainbowvalley/id/23567510   Sleuth (complete film- must watch!) https://www.youtube.com/watch?v=NjRCnwNR0yk   Our ‘Film Gold' review of Sleuth https://podcasters.spotify.com/pod/show/filmgold/episodes/Episode-13--Sleuth-1972-e1afv44   Michael Caine's film acting masterclass (1980s) https://www.youtube.com/watch?v=bZPLVDwEr7Y   Michael Caine top 50 performances (worst to best) https://www.theguardian.com/film/2019/jun/14/michael-caine-best-films-ranked   Michael talks about his 5 favourite films (of his) https://www.youtube.com/watch?v=m8h9vDpK88s   Roy Budd plays his ‘Get Carter' theme https://www.youtube.com/watch?v=8kMhcf8eyiA

We complete our Michael Caine tribute, a joint presentation of the ‘Film Gold' and ‘The Stinking Pause' podcasts, as the great man turns 90. Antony Rotunno and Scott Phipps count down their top 5 Caine performances and also discuss his ultimate legacy after 60 years as a film star. There are audio clips galore to complement the conversation, including Michael reading from the first of his many memoirs and also offering a few acting tips! 'Film Gold' is on all the main podcast platforms. Feedback to contrafib2001@gmail.com Facebook page- https://www.facebook.com/filmgoldpod Twitter- https://twitter.com/FilmGold75 Antony's website (blog, music, podcasts) https://www.antonyrotunno.com Antony's John Lennon podcast https://glassoniononjohnlennon.com/ links to Scott's podcasts https://rainbowvalley.libsyn.com/podcast https://directory.libsyn.com/shows/view/id/reelbritannia https://directory.libsyn.com/shows/view/id/stinkingpause show links Scott's podcast on the making of Zulu https://directory.libsyn.com/episode/index/show/rainbowvalley/id/23567510 Sleuth (complete film- must watch!) https://www.youtube.com/watch?v=NjRCnwNR0yk Our ‘Film Gold' review of Sleuth https://podcasters.spotify.com/pod/show/filmgold/episodes/Episode-13--Sleuth-1972-e1afv44 Michael Caine's film acting masterclass (1980s) https://www.youtube.com/watch?v=bZPLVDwEr7Y Michael Caine top 50 performances (worst to best) https://www.theguardian.com/film/2019/jun/14/michael-caine-best-films-ranked Michael talks about his 5 favourite films (of his) https://www.youtube.com/watch?v=m8h9vDpK88s Roy Budd plays his ‘Get Carter' theme https://www.youtube.com/watch?v=8kMhcf8eyiA

Welcome to Movie Homework, presented by Binge Media!Your hosts, Jack and Chad, are here to take you on a journey through the world of film, one movie at a time. Each episode, they will review a movie in depth, diving into the themes, performances, and technical aspects that make it a cinematic masterpiece (or not!) Along the way, they'll award the film superlatives for Most Entertaining Scene, Favorite Quote, Best Use of Music and many more.So grab your popcorn, sit back, and join Jack and Chad as they take you on a journey through the movies.This episode the boys are discussing Get Carter (1971), the Mike Hodges-directed Michael Caine British crime "masterpiece".Want us to talk about YOUR favorite movie on an upcoming show? Email us at BingeMovieHomework@gmail.com!Support Binge Media!Leave a voicemail for The BingeCast at 708-406-9546Subscribe to The Full Binge on PatreonFollow Binge Media on FacebookJoin the Binge Media Facebook GroupFollow Binge Media on InstagramGo to ParkScents.com and use the discount code BINGE20 at checkout for 20% off your entire orderAdditional music by Karl Casey @ White Bat AudioNext week on Movie Homework, Lost Highway (1997). Hosted on Acast. See acast.com/privacy for more information.

This week, Eric, and Josh are joined by Lee, to chat about his new movie - Enter The Drag-Dragon! They also discuss: dog walking, the Norman McLaren short film Neighbours, Cooley High, spotting old movie posters in movies and tv shows, video store movie posters, expensive VHS movies, The Bad News Bears, the lack of city specific film critics, the Get Carter remake, and more! Plus, they mention the movies screening from Friday January 20 - Thursday January 26: Broker, You People, Bones And All, Get Carter, and The Room!

Mike and Adam kick off Season 3 with a look back at the very British double feature of Ken Russell's THE BOY FRIEND (1971) and Michael Caine in GET CARTER (1971) that premiered at the Olympic Theater on March 31, 1972. They're joined by historian, author, raconteur, and returning champion, Justin Humphries.

Here at 1001 by 1, we're picking up exactly where we left off: talking about Mike Hodges iconic British crime film “Get Carter” starring Michael Caine. The crew dissect the film from all angles: the treatment of female characters, when you did not have to be “ripped” to have your shirt off as an actor, the editing/score, the source material, and so much more. Also, this week Britt recommends “Cyberpunk Edgerunners” (currently on Netflix), Joey recommends “The Prestige” (available to rent on all major platforms), and Adam recommends “Croupier” (on Netflix, Prime, Kanopy, and/or VUDU). You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Facebook at facebook.com/1001by1. You can find us on Twitter at twitter.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann. 0:00 – Intros 2:18 – Britt's Recommend “Cyberpunk: Edgerunners” 6:46 – Joey's Recommend “The Prestige” 8:40 – Adam's Recommend “Croupier” 12:00 – “Get Carter”: Stats/History 23:50 – “Get Carter”: Plot/Thoughs 1:28:28 – Final Questions/Replacements?

We're SO CLOSE to the launch of our new season and we are so excited. In fact, we're too excited to just make you wait for our episode on “Get Carter”, so the three of us got together to give you a list of recommends. That's right – Adam, Britt, & Joey team up and each give a list of the top 5 first watches from 2022. They run the gamut in terms of style and genre, but a great conversation is had. You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Facebook at facebook.com/1001by1. You can find us on Twitter at twitter.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann. 0:00 – Intros & Lists 3:54 – “The Incredible Melting Man” 6:29 – “School Ties” 8:14 – “Warrior” 10:34 – “Popstar” 11:49 – “Summer of Soul” 14:57 – “Nope” 16:54 – “Pearl” 18:27 – “Barbarian” 21:00 – “Top Gun: Maverick” 22:50 – “Andor” 24:56 – “The Best Years of Our Lives” 26:40 – “Censor” 28:06 – “The Worst Person in the World” 29:52 – “Vengeance” 31:08 – “The Killing of a Sacred Deer” 33:58 – Outros  

This week's Nose wants you to stop runnin' away like some fool of a moody school child. Could it be that the market for highbrow movies is drying up? Some of the numbers ain't great. Could it be that the golden age of streaming is coming to an end? Well, maybe. But it's not like we'll be starved for prestige TV next year. And: The Banshees of Inisherin is the fourth feature film written and directed by Martin McDonagh. It's nominated for eight Golden Globe Awards, including Best Picture — Comedy or Musical, Best Director, and Best Screenplay. It's the most nominations for any movie (or TV show, for that matter). The Banshees of Inisherin stars Colin Farrell, Brendan Gleeson, Kerry Condon, and Barry Keoghan. Some other stuff that happened this week, give or take: Terry Hall, Lead Singer of the Specials, Dies at 63 The ska vocalist and two-tone icon died following a “brief illness” Mike Hodges, British Director of ‘Get Carter,' ‘Croupier,' Dies at 90 Cecily Strong says farewell to Saturday Night Live An All But Definitive Guide to the Hollywood Nepo-Verse Actors, singers, directors who just happen to be the children of actors, singers, directors. Here Are the Nepo Babies We Love The term gets thrown around like it's a bad thing, but the world runs on nepo babies Netflix's Film Chief on Glass Onion and the Future of Theaters Netflix's film chief Scott Stuber says the company expects the sequel to Knives Out will reach more than 80 million accounts. The Seeds Of Avatar: The Way Of Water Were Planted In James Cameron's First Film James Cameron aims to finally put that ‘Titanic' door debate to rest, 25 years later Everything Is ‘30 Rock' Now From politics to TV, we are living in Liz Lemon's world Toward a unified theory of “millennial cringe” Remember when “epic bacon” was the height of comedy? An Unpublished Poem by Paul Newman Previously uncovered words from the eminent late actor, director, and philanthropist. Ana de Armas Fans' Lawsuit Puts Studios at Risk Over Deceptive Trailers Television Academy Reveals Emmy Rule Changes for 2023, Including New Replacements for Variety Talk and Sketch Categories The Christmas Movie That Became a Classic Because of a Mistake The role of accidents, chance and serendipity can be crucial to success. It's the reason people still watch a black-and-white film every year. Empire's 50 Greatest Actors Of All Time List, Revealed [Ed. note: Just at first glance, this list, voted on by readers, omits the likes of James Cagney and Charlie Chaplin and Henry Fonda and Jane Fonda and Cary Grant and Audrey Hepburn and Jack Lemmon and Steven McQueen and Spencer Tracy and Orson Welles. To name a few. I mean. Cary Grant! Charlie Chaplin!] The Best LGBTQ TV Shows and Movies of 2022 And what a queer year it was! The 20 Best Home Video Releases of 2022 You should buy a ticket at your local rep house for each title you buy, lest we run out of titles to laud here in the future. Best of Late Night 2022: A Rebuilding Year After a year of significant change, as hosts like Trevor Noah and Samantha Bee signed off, the future of late-night TV has never seemed more uncertain. The Best TV Title Sequences of 2022, Ranked The best movies and TV of 2022, picked for you by NPR critics GUESTS: Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Irene Papoulis: Teaches writing at Trinity College Bill Yousman: Professor of Media Studies at Sacred Heart University Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Film director Marie Kreutzer on her new period drama film, Corsage, about the rebellious Elisabeth, 19th-century empress of Austria and queen of Hungary. Matthew Sweet joins Front Row to mark the work of Mike Hodges, the celebrated director of the classic films Get Carter and Flash Gordon, whose death has just been announced. When does an 'art-speak' buzzword, such as 'immersive' or 'liminal,' add to our aesthetic landscape and when does it get in the way? Times critic James Marriott and the artist Bob and Roberta Smith discuss how words shape our experience of art. And, ahead of the announcement of the T.S. Eliot Prize for Poetry in January, we hear a poem from nominee Fiona Benson's shortlisted collection Ephemeron. Presenter: Tom Sutcliffe Producer: Jerome Weatherald Image: Vicky Krieps as Empress Elisabeth of Austria in the film Corsage Photographer credit: Felix Vratny

Thanksgiving comes early this week as Neo Noirvember continues and the lads take the train headed for Newcastle to stir up some trouble with Mike Hodges' 1971 stone-cold classic: Get Carter! It's Michael Caine's show, we're just along for the ride - hop in! Questions, comments or a quick coffin shave? therealoutofthepodcast@gmail.com SNAP SNAP: instagram.com/outofthepodcast

Recapping a 13 game Wednesday where the Jazz keep winning, the Lakers keep losing, Luka's streak doesn't keep going and no one can stop Jevon CarterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE. THE SON ALSO RISES: Join me and movie hyphenate writer, filmmaker, academic, businessman and coach Tony Klinger (The Who: The Kids Are All Right; Dirty, Sexy and Totally Iconic; Solo2Darwin and many, many others) as we talk about Monty Python's Life of Brian and The Gospel According to Matthew, two films that take, let us say, different approaches to the story of Christ. You preach love and peace. You try to get people to think for themselves. You try to create a better world. And what do you get for your trouble? You get crucified. What's a Messiah to do?…Sounds like it's time for Episode 86 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. Today, I am happy to welcome back as my guest, movie hyphenate writer, filmmaker, academic, businessman and coach Tony Klinger, who has chosen as his film, the satire of religion and Biblical epics, Monty Python's Life of Brian, while I have chosen Pier Paolo Pasolini's austere, neorealist The Gospel According to St. Matthew, both films revolving around messiahs. Tony also joined me previously for Episode 57 where we talked his father's film Get Carter with Bad Day at Black Rock. We also covered Monty Python and the Holy Grail on Episode 3 with my guest Jay Cluitt where we combined it with The Seventh Seal. And in this episode, we answer such questions as: What is the difference between British and American humor? What is the correct translation of the title of Pasolini's movie? Who is Loretta? What is the difference between a European and American approach to spiritual subject matter? Why did the Pythons lose funding two days before leaving for Tunisia to start filming? Why did it take three years to get Matthew into a theater in England? What was the world's most expensive cinema ticket? Indiana Jones and the Last Crusade? How did the Pythons use Norway's ban to promote the film? What did the Vatican City newspaper L'Osservatore Romano call Matthew? Who is Mary Whitehouse and would you want to be one? How well would Pasolini do today in regards to the metoo movement? Who is Otto? How did the Tunisian extras criticize the directing of Life of Brian? Was there a doctor in the house? Check out Tony's website for more information about his films and projects https://www.tonydklinger.com/ Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss Meanwhile, like, follow or comment on my podcast. I'd love to know what you think. And check out the other episodes. --- Support this podcast: https://anchor.fm/howard-casner/support

Today I'm talking about Get Carter (1971) starring Michael Caine. His 3 piece Doug Hayward suit has often been cited as one of the best in cinematic history. I'm joined by menswear critic and king of the big white telephone, Matt Spaiser of Bond Suits. Also Ocean's Obsessive Ken Stauffer of OceansOgrapher. Lastly Bespoke tailor and someone that worked under Doug Hayward, Delroy Smith. Their handles respectfully: https://www.instagram.com/bondsuits/ https://www.instagram.com/delroysmith... https://www.instagram.com/oceansograp... This interview can also be found on the From Tailors With Love podcast. Catch the interviews before they're published on YouTube on the podcast, released every Friday. iTunes: http://apple.co/2KNnMPq Stitcher: http://bit.ly/2PcwoSx Spotify: http://spoti.fi/2TDr9dD More giveaways and info can be found on my blog: https://fromtailorswithlove.co.uk/about From Tailors With Love is not represented, endorsed, sponsored or supported by EON, MGM, Danjaq or any other 3rd party.

The boys have an early review of Cate Blanchett's powerful performance in TAR, but does the movie itself hold up? Then they try and find out why Guy Ritchie and Quentin Tarantino fawn over the 1971 Michael Caine flick, Get Carter. Also, Jackson talks Improv, is Top Gun STILL in the Box Office Top 10?, and what the hell went wrong with the now official flop, Amsterdam? Listen up!

The boys get wistful with Wong Kar Wai’s classic In the Mood for Love and then blow some shit up with the dark-as-night Michael Caine revenge flick Get Carter.

Join our Discord  https://discord.gg/jDrUtNcRq2  We continue on our 90s Stallone journey with the 1991 disaster that is "Stop! OR My Mom Will Shoot." A film that even Stallone himself considers to be the worst of his career (That is right even worse than "Rhinestone", "Driven" or "Get Carter"). Is it that bad? Well yeah, it pretty much is. But just like last week that doesn't mean we don't have a fun episode for you. Even if most of that fun will probably stem from listening Scott and Craig losing their minds as they try to comprehend how anyone wrote this. Moreover, how anybody wrote this and thought it was funny! Elsewhere in the episode, Scott and Craig discuss how this might be the most generic movie ever made, how it is visible watching the film Stallone does not want to be there and just how hard Estelle Getty works to try and save the film (it doesn't work but it is still a worthy effort - the only worthy effort in the movie). Plus, we talk about the original darker draft of the script, the wild character inconsistencies and how this film is connected to the other worst film we have covered ,"The Patriot."

One of the most prolific actors of our time, Michael Caine survived the Blitz of London in WW2 as a child, fought in the Korean War himself and then spent years struggling to make it as an actor. Here's the story of how a plain-spoken cockney boy became one of the world's greatest headliners. 

Comedy writer Jordan Morris (Bubble; Jordan, Jesse Go!) joins to discuss the 1971 British crime film, GET CARTER, starring Michael Caine. This ruthlessly violent drama, directed by Mike Hodges, follows the eponymous gangster Jack Carter (played by Caine) on a quest to avenge his brother's murder. The movie has long been a benchmark in the genre of underworld sleaze, but how does its bleak worldview compare to living in 2022, (not to mention the year 2000 remake starring Sylvester Stallone)? The lively discussion also spans Jordan's early moviegoing in Orange County, formative Jurassic Park obsession, Fuddruckers video games, '80s sex thrillers, smells of the '60s, Paul Schrader, stick shift driving, body horror, and yes... movie theater parking. GET CARTER is currently available to stream on HBO Max.

Get Carter is our first entry into the weird middle era of 2000s Stallone! We also get Michael Caine Stallone. We get very closely cropped goatee Stallone. Pacific Stallone. Gen X relevant Stallone. Friends with his niece Stallone. Music Video Stallone. It is very turn of the century film making. Fun movie. Fun conversation! get into it!!

he film starring Michael Caine was adapted from a 1970 Ted Lewis novel set in an underworld of gangsters and teenage pornography. Mike Hodges, Nick Triplow, Pamela Hutchinson and John Gray talk with Matthew Sweet about the influence of the book and re-watch the film, which has just been restored in 4k and returns to UK cinemas this summer. Originally set in Scunthorpe, Lewis' novel Jack's Return Home was relocated to Newcastle/Gateshead for the film which Mike Hodges adapted and directed. Jack's Return Home (1970) was published in 1971 as Carter and later re-published as Get Carter after the film was made. Nick Triplow is the author of a biography Getting Carter: Ted Lewis and the Birth of Brit Noir Get Carter is screening in early June at the BFI and then at selected regional cinemas. It is being released on UHD & Blu-ray on 25 July. Producer: Torquil MacLeod You can find discussions about films and TV including Tarkovsky's Stalker, This Sporting Life, Man with a Movie Camera, Quatermass, and Jaws in a collection of Landmark programmes https://www.bbc.co.uk/programmes/p01jwn44

"Carter! That's my name!" And Hodges! That's his name! Get Carter, the 1971 film that marked Mike Hodges' directorial debut on the big screen and which launched a career that would take in the likes of Flash Gordon and Croupier, has been re-released and remastered (in glorious 4K) by the BFI. It looks and sounds better than ever, so now you can bask in the bleakness of this revenge thriller, which sees Michael Caine go to Newcastle and wreak havoc. Hodges is now 89, and retired from filmmaking, but he took time out to have a chat with Chris Hewitt in which they talk about the enduring appeal of Get Carter, and run through some of the more eclectic entries in Hodges' career. It's a candid and insightful chat with one of Britain's greatest filmmakers, and we hope you enjoy.

The Alan Cox Show

Jack Carter's brother is dead and he isn't buying the story. Carter travels the criminal underworld uncovering the secrets of his bother's murder in Get Carter (1971 & 2000). Invasion of the Remake compares the Michael Caine classic crime movie to the Sylvester Stallone remake, plus the blacksploitation, grindhouse version Hit Man (1972) starring Bernie Casey and Pam Grier! Promo: Shoot the Flick Podcast @ShoottheFlick on Twitter Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Spotify, Google Podcasts, Stitcher, PlayerFM, Tune In Radio, PodChaser, Amazon Music, Audible, Libsyn, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com Buy a cool t-shirt, PPE masks and other Invasion of the Remake swag at our TeePublic Store!

The famous Blyth Staithes (created for off-loading coal into ships) were the backdrop for one of the grimmest scenes in the Michael Caine classic Get Carter - the smoggy industrial view at the time described by the director as an "absolute vision of hell". Undaunted, comedian Mark Steel travels to this part of Northumberland and finds a fascinating industrial legacy, a posh pub, a very nice beach and prominent indications of its role in the first and second World Wars. Does a town blighted by so many closures show any evidence of green shoots? Mark presents his findings to a local audience at The Phoenix Theatre and as ever gets away with just the right amount of affection rudeness and we learn more about a very distinctive coastal town in the UK. The full box set of all episodes (with well over 50 towns visited) is available now wherever you get your podcasts. Written by and starring...Mark Steel With additional material from Pete Sinclair Production Coordinator...Beverly Tagg Producer...Julia McKenzie A BBC Studios Production.

This week Andrew pays homage to the legendary photographer Mick Rock with a replay of a wonderful, rambling chat the two had in 2018. The late Mick Rock, who left us last Thursday, is known for his extraordinary body of photographic work, including iconic images of David Bowie, Lou Reed, The Stooges, Blondie, Queen, and pretty much anyone else you can think of. His life adventure was immortalized in the must-see documentary film Shot! The Psycho-Spiritual Mantra of Rock, presently streaming on Kanopy and Pluto and available to rent digitally on most of the others. Sit back, listen, enjoy, and join us in appreciation of the wit and brilliance of the one who was — and is — Mick Rock. Show Notes:Mick Rock, Sought-After Rock Photographer, Dies at 72Pop is now too controlled to allow a maverick like Mick Rock to flourishShot! The Psycho-Spiritual Mantra of Rock (trailer)Ziggy and Roxy at the RainbowMeet LP, the LGBTI singer-songwriter behind hits for Rihanna, Cher and moreRichard Hamilton (British pop artist)Get Carter (trailer)Room at the Top (trailer)Expresso Bongo (trailer)Wolf Mankowitz - the man who did everythingLife at the Top (full movie)English Biscuit Vs. Cookies: What's the Difference?Barney Clay (film director)Lionel Richie and the CommodoresShutter MagazineThe Unintentional Lynchianism Of David Lynch CoffeeDavid Bowie & Lou Reed - "White Light, White Heat" (live 1997)Raw Power: Rare Iggy Pop photos by Mick RockRoyal Hairdresser Andre Mizelas Murdered in Hyde ParkThe Photography of George HurrellArt Zone: David Bowie as Seen by Mick RockDavid Bowie SmokingIs it worth $2500 to learn Transcendental Meditation?What John Lennon Told Maharishi While Leaving His Ashram After FalloutLeonard Cohen on Miami ViceSyd Barrett Rolling Stone interview by Mick Rock (1971)As Gucci turns 100, creative director Alessandro Michele is leading the fashion industry toward a different futureGucci Cruise 2018 Campaign: The Roman Rhapsody by Mick RockMick Rock: A photographic history of David Bowie's riseMick Rock Showing PhotosLong Live RockAndrew Loog Oldham's Sounds and Vision is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

Action Film Face-Off Episode 35: 2020's Bad Boys For Life vs. 2000's Get Carter For this episode, our randomizer - set to pick years in the range of 1970-current year - selected 2020 & 2000, so here are our contestants: Bad Boys For Life (2020) vs. Get Carter (2000) Who will win? Mike and Marcus, or Sly? Find out as they battle for 6 rounds in our videodome! Be sure to check out all the other Longbox Crusade shows at: www.LongboxCrusade.com Let us know what you think! Leave a comment by sending an email to: contact@longboxcrusade.com This podcast is a member of the Longbox Crusade Network: Follow on TWITTER: https://twitter.com/LongboxCrusade Follow on INSTAGRAM: https://www.instagram.com/longboxcrusade Like the FACEBOOK page: https://www.facebook.com/LongboxCrusade Subscribe to the YouTube Channel: https://goo.gl/4Lkhov Subscribe to the podcast on iTunes at: https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2 Thank you for listening and we hope you have enjoyed this episode of Action Film Face-Off. --- Send in a voice message: https://anchor.fm/longbox-crusade/message

On this episode of FIVE DOLLAR BUZZ, the Buzzards mix it up with legendary character actor Mark Boone Junior, or just "Boone" as he prefers to be called.   Boone's had a weird and storied career, from his improvisational cabaret beginnings with Steve Buscemi to early No Wave work with underground directors like Eric Mitchell (THE WAY IT IS OR EURYDICE IN THE AVENUES, UNDERGROUND, U.S.A.) and Lizzie Borden (BORN IN FLAMES) to indie darlings like LAST EXIT TO BROOKLYN, SLAVES OF NEW YORK, Buscemi's masterpiece TREES LOUNGE (among several films that Buscemi directed), and PETE SMALLS IS DEAD.    Hollywood came a-callin' and he caught a big role in Sam Raimi's western THE QUICK AND THE DEAD, did two for David Fincher, SEVEN and THE GAME, two for Christopher Nolan, MEMENTO and BATMAN BEGINS.  He was in ROSEWOOD, THE THIN RED LINE, GET CARTER, 2 FAST 2 FURIOUS, 30 DAYS OF NIGHT, FROZEN RIVER and so many more.   He has also been in quite a bit of television. The list includes "The Equalizer," "Law & Order," "Quantum Leap," "Seinfeld," "Curb Your Enthusiasm," "Flaked," "The Last Man on Earth" and recently in "The Mandalorian."   The list goes on.  However, it is his role as Bobby Munson on "Sons of Anarchy" for the full seven seasons that has gotten him the most recognition. The blessing and the curse of a high profile television show is brought to bear.   We get the full monty on our man Boone, from his childhood and time playing collegiate and professional soccer to the early beginnings in NYC with Buscemi and their experience with Martin Scorsese, Peter Gabriel, Roseanna Arquette and Nick Nolte on the film NEW YORK STORIES to the Fincher/Nolan days to "SOA" to now.    Boone is great fun to talk with and he is both reverential and candid in equal measure. So pull up a chair, have an oat soda, and listen to Boone wax on about a life in showbusiness, no matter how reluctant he may be about defining himself as such.   We are in Boonetown: population: 1.   Please remember to hit subscribe on our YouTube Channel or on Apple or Spotify. If you have questions, comments, ideas or guests for future shows, please email us at FIVEDOLLARBUZZ@gmail.com.  We;ll get back to you just as soon as we finish watching that new series "Paradise City" on Amazon. Just for the Boone parts, ya know.