Podcasts about first cow

A Filmklub podcast szezonális minisorozatában magyar filmkritikusok mesélnek a munkájukról, az életükről, az ars poeticájukról, a hozzáállásukról, az ízlésükről, az álmaikról és vágyaikról. "Számomra kínkeserves az írás, gyűlöletes minden perce, néha meg nagyon jó a végén" - mondja az adásban Incze Kata, aki filmrendezésből diplomázott a kolozsvári Sapientia egyetemen, szkriptesként dolgozott az Árniban és a két utolsó Hajdu Szabolcs-filmben (Kálmán-nap, Egy százalék indián), illetve írt és rendezett négy kisfilmet: Small Talk (⁠⁠⁠YouTube⁠⁠⁠), Csendet kérünk (⁠⁠⁠YouTube⁠⁠⁠), Jobb levegő és Kézcsók, Kicsi. A kritikaírásba véletlenül sodródott bele, jelentek meg írásai a ⁠⁠⁠Filmtettben⁠⁠⁠, a Filmhun, a ⁠⁠⁠Filmtekercsen⁠⁠⁠ és az ⁠⁠⁠Országútban⁠⁠⁠ is, frusztrált kritikusnak tartja magát, a szerkesztők meg annyira tehetségesnek tartják őt, hogy nem engedik kiszállni. Az ELTÉ-n doktorizik forgatókönyvírásból, a Mozinet munkatársa, legutóbb a Fekete pont kampányán dolgozott. 165 centi magas (ezt majd érteni fogjátok, hogy miért írtam), érdemes követni ⁠⁠⁠a Letterboxdon⁠⁠⁠ és ⁠⁠⁠az Instagramon⁠⁠⁠. Dolgok, amikről szó esett az adásban: ⁠⁠⁠Újra nagyvásznon Hollywood egyik legőszintébb pillanata⁠⁠⁠ - Kata szövege az Éjféli cowboy-ról, ami szerinte az egyetlen igazán jó írása ⁠⁠⁠A szegény ember David Attenborough-ja⁠⁠⁠ - Kata írása a John Wilson tanácsairól, ami az első kritikája, amibe bele tudta rakni magát ⁠⁠⁠Harmincéves az álmodozók hongkongi bibliája⁠⁠⁠ - Kata Csungking expressz-kritikája, amit elbaltázott lehetőségnek tart ⁠⁠⁠Ez a film rendre mereven visszanéz a nézőjére⁠⁠⁠ - Nagy V. Gergő írása a Viszlát, Sárkány fogadóról (Kata az utolsó mozielőadásként utalt erre a műsorban) ⁠⁠⁠Érezni kell, nem érteni⁠⁠⁠ - Gyöngyösi Lilla Tenet-kritikája ⁠⁠⁠A barátkozás lehetőségei⁠⁠⁠ - Jakab Benke Nándor kritikája a First Cow-ról ⁠⁠⁠Sean Baker a Letterboxdon⁠⁠⁠ ⁠⁠⁠Itáliai utazásom⁠⁠⁠ - Scorsese dokumentumfilmje az olasz filmművészetről Jó szórakozást az adáshoz, és ha tetszik, kérlek ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

31 days until September! Are you ready? Want to learn how to become a more proficient elk caller? In this episode, Dirk dives deep into making elk vocalizations. He starts with fundamental sounds, then shifts into turning those sounds into cow calls and bugles. Link to see videos of Dirk making these calls: https://youtube.com/playlist?list=PLmts0qLfo7ZzXMW-ssBUr7gful9S6cT1A&si=-Z4Eaf7-cOROFhhI Connect with Jason, Dirk, and Phelps Game Calls MeatEater on Instagram, Facebook, Twitter, Youtube, and Youtube Clips Subscribe to The MeatEater Podcast Network on YouTube Shop Phelps MerchSee omnystudio.com/listener for privacy information.

This week in the studio, Jack Ralph and Kelsey Pettifer join Flick Ford in the 3RRR studio to delve into the subtle yet profound body of work created by Kelly Reichardt.They discuss films such as First Cow (2019), the political thriller Night Moves (2013), and Wendy and Lucy (2008). The conversation covers Reichardt's challenges in getting her films made, her resistance to mainstream conventions, and her ability to develop indie films with strong casts delivering natural performances. They also explore the recurring actors and the themes that weave through each of her films.The discussion features the 2016 film CERTAIN WOMEN, a triptych of stories centred on women leading local lives in middle America, based on the writing of Maile Meloy. The Guardian's Wendy Ide describes Reichardt's approach in Certain Women as going ‘beyond naturalism and landing somewhere between painful introversion and acute empathy.'They also touch on Reichardt's 2022 film SHOWING UP, which follows Portland-based sculptor Lizzy as she prepares for an upcoming show. The film is celebrated by die-hard Reichardt fans for its strong adherence to the director's signature anti-dramatic style. Showing Up presents an artist working in real-time, without her process being filtered through a romanticised lens, resulting in a very grumpy yet authentic Michelle Williams comedy-drama.Website: https://www.rrr.org.au/explore/programs/primal-screen Facebook: https://www.facebook.com/primalscreenshow/ Instagram: https://www.instagram.com/primal_screen_show/ Twitter: https://twitter.com/primal_screen

Susanne Williamson previews Firts Cow, screening at State Cinema at 6pm on Wednesday June 12th.

Ep. 241: Kelly Reichardt on Alain Delon, David Lean's Passionate Friends, Recreating Rear Window, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With a retrospective of Kelly Reichardt's work starting at Metrograph, I had the honor and pleasure of sitting down with Reichardt in one of the Metrograph theaters to talk about... the last things she saw! The director of (most recently) Showing Up discussed a run of Alain Delon movies she saw in the theater—starting with Purple Noon—and also films she uses in her teaching at Bard College, in coursework that involves students re-creating the filmmaking of certain scenes. “American Landscapes: The Cinema of Kelly Reichardt” begins May 11 at Metrograph, screening her first feature, River of Grass, to Old Joy, Wendy and Lucy, Meek's Cutoff, Night Moves, Certain Women, First Cow, and her most recent, Showing Up, plus two shorts streaming on Metrograph at Home. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Sixty-nine episodes in and John Magaro may be the best example of a Don't Know Her? actor... We had seen him in the likes of Orange Is the New Black (2015-2019), Carol (Todd Haynes, 2015) and The Big Short (Adam McKay, 2015) but hadn't properly noticed him until First Cow (Kelly Reichardt, 2019) and Past Lives (Celine Song, 2023). And wow! His soulful performances are the stuff of magic and we are still surprised how John (along with his co-stars Greta Lee and Teo Yoo) were not Oscar nominated for their work. Join us as we go to the start of John's career starring alongside Jodie Foster in The Brave One (Neil Jordan, 2007) and award-winning lead performance in Not Fade Away (David Chase, 2012) though to Past Lives. As always, you can follow on us on⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @dontknow_her --- Send in a voice message: https://podcasters.spotify.com/pod/show/dontknowherpod/message

"I was so beaten down by the system. I remember thinking I need to rethink this whole thing. I'm just gonna be honest, I'm just gonna be real, I have nothing to lose at this point.”- John Magaro TODAY'S EPISODE OF 10,000 NOs Podcast is rife with takeaways for actors, from the craft of acting to the approach to auditions to the ups and downs of a long career, even for someone as well-respected as John Magaro. John was one of the leads of last year's Best Picture Academy Award nominee, Past Lives. For his performance, he was on the short list for Best Supporting Actor. He has also consistently worked with prestigious filmmakers like Adam McKay ( in The Big Short), Todd Haynes (in Carol), Kelly Reichardt (in First Cow) and David Chase (in Not Fade Away).John and I spend time breaking down his extremely honest approach to character, inspired by his work with famed acting coach Harold Guskin. And we discuss his role as a producer of Laroy, Texas as well as being the lead of our little indie that has made waves at festivals and with critics. Actors, you don't want to miss this one.10,000 NOs podcast is now in it's 2.0 phase: after a long pause from late 2021 to late 2023, it has returned in a more raw format: shorter episodes, like the Monday Morsels of yesteryear (they may be short, solo riffs by Matt on central themes of the pod, excerpts from Matt's 10,000 NOs Insiders Community Zooms, or excerpts from Insiders VIP sessions with VIPs from the entertainment interview and beyond). Be on the look out as, every now and then, we will likely drop some old school, long-form, classic 10,000 NOs interviews as bonus episodes. Prefer to WATCH (versus listen)? SUBSCRIBE to 10,000 NOs YouTube Channel HEREThe intent of this podcast is to remind people that they are not alone in their struggles. We aim to educate & inspire you with stories and conversations with others who have traveled a path that may look enviable now, but it was not always that way. It is not the critic who counts. If you've been knocked down... get up, dust yourself off, and get back in the arena. If you want to give back, share this with someone who could use it and leave a 5-star review on Apple Podcasts, or wherever you listen, so more people find this show and benefit from these conversations.If you dig the show, CLICK HERE to learn how you can make this experience 3D by joining our 10,000 NOs Insiders Community: access to a members-only Facebook group, intimate, weekly Live video calls with Matt, including monthly drop-ins with some of his badass past-guests & VIP friends and more.SHOW LINKS:10,000 NOs: THE BOOKSUBSCRIBE TO OUR (WEEKLY) NEWSLETTERFOLLOW MATT ON SOCIALFIND OUT HOW YOU CAN BE A 10,000 NOs INSIDER

This week, we talked to Jon Raymond (author of Denial, Freebird; screenwriter of Old Joy, First Cow & Showing Up w/ Kelly Reichardt, Mildred Pierce w/ Todd Haynes) about The Source Family documentary, which follows the rock n' roll hippie California cult of the same name. We also talk about Jon's work with Kelly Reichardt, why so many cult leaders also want to be rock n' roll stars, the legacy and legitimacy of Yahowa 13's music recordings & how The Source Family might have been The Monkees of the California cult scene.So get your stars aligned and your multidimensional soup ready for this week's episode of Revolutions Per Movie.JON RAYMOND:https://www.simonandschuster.com/books/Denial/Jon-Raymond/9781982181840https://plazm.com/bios/jon-raymond/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieX, BlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

EPISODE #411-- We return to the 80's to celebrate a life and to commemorate Black History Month (sorry for the delay) with the pulpy actioner ACTION JACKSON (1988) from Craig R. Baxley. Importantly, though, RIP to the lengend himself, Carl Weathers (1948 - 2024). It's a good one, come listen. We also talk about RAN (1985) from Akira Kurosawa, as well as Kelly Reichardt's FIRST COW (2019), Vittorio di Sica's THE BICYCLE THIEVES (1948), and Paul Thomas Anderson's HARD EIGHT (1997). A good little group of films. Donate to the cause at Patreon.com/Quality. Follow the show on Twitter @AQualityInterruption, and James on Twitter @kislingtwits, on Bluesky at kislingconnection.bsky, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com). The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Mike and Nick review Kelly Reichardt's last two films: First Cow and Showing Up.Kelly Reichardt is a major cinematic voice in today's film landscape. She creates nuanced work with texture and insight. Nick fawns over the Capitalist critiques of First Cow and Mike praises Showing Up. Listen to find out how Reichardt's talents consistently show up in her films while offering something very unique in each one.

John Magaro has been delivering consistently stellar performances in films like “Not Fade Away,” “The Big Short,” “Carol,” “First Cow,” and “Showing Up,” to name a few. This past year he played Arthur, husband of Greta Lee's character Nora, in “Past Lives.” On this episode he talks, spoiler-free, about the last scene of that film, and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, and talks about how newfound freedom in the work has changed everything. Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

"Vidas Passadas" é um daqueles filmes raros de diretor (no caso diretora) estreante que, mesmo com um orçamento acanhado e ausência de nomes de peso no elenco, consegue a façanha de ser ovacionado por grande parte de público e crítica. Pra vocês terem uma ideia, o filme custou módicos 12 milhões de dólares e conquistou 66 vitórias em impressionantes 193 indicações, incluindo as duas que recebeu para o Oscar 2024. ::E a grande responsável por isso é Celine Song, uma sul-coreana de apenas 36 anos que foi uma das responsáveis pelo roteiro da série da Prime Video "Roda do Tempo" e que já disse em algumas entrevistas que seu filme tem muito de autobiografia.::Entrando aqui na história de Vidas Passadas ou Past Lives, o negócio é o seguinte:::Ao longo de duas décadas, acompanhamos a história de Nora e Hae Sung, dois amigos de infância com uma conexão profunda, mas que acabam se separando quando a família de Nora decide sair da Coréia do Sul e se mudar para a cidade de Toronto, no Canadá. Vinte anos depois, os dois amigos se reencontram em Nova York e vivenciam uma semana inesquecível enquanto confrontam suas noções de destino, amor e também as escolhas que compõem isso que chamamos de vida.::O elenco é curtinho e conta com 3 grandes destaques: Greta Lee e Teo Yoo, que dão vida a Nora e Hae Sung e também John Magaro, que vive o Arthur e sabe escolher seus filmes: antes desse aqui, ele esteve nos excelentes "Carol", "A Grande Aposta" e em mais uma pequenagema da A24, "First Cow".::E se a gente destacou Justine Triet, precisamos falar da alemã Sandra Hüller, a força motriz desse filme. Também com 45 anos, ela esteve em produções de sucesso de seu país, como “Toni Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Actor John Magaro joins Mase & Sue to discuss his role in the Oscar-nominated film, PAST LIVES. They talk about his shared personal connection with director Celine Song, her brave filmmaking debut, rules she laid out on set, the complex relationship between the main characters, the challenges of shooting an indie film, working with minimalist director/screenwriter Kelly Reichardt on FIRST COW, the tricks of cinematographer Chris Blauvelt's trade, what all great auteurs have in common, and the importance of awards shows. Plus, the new season of TRUE DETECTIVE on HBOMax, the powerful series A SMALL LIGHT, a review of MJ THE MUSICAL, a missing down vest caper, being more like Usher in 2024, TM meditation, mantras, sleep and anxiety aids.

Cade and Diane discuss two films directed by Kelly Reichardt: First Cow (2019) and Certain Women (2016). Watch the video version at: ⁠⁠⁠⁠⁠⁠YouTube.com/@CadeThomas/streams⁠⁠⁠⁠⁠⁠ Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Two hosts. One rambling conversation. Each film is our first time watching them. We often go off-topic. First Cow is a 2019 American drama film directed by Kelly Reichardt, from a screenplay by Reichardt and Jonathan Raymond based on Raymond's 2004 novel The Half-Life. It stars John Magaro, Orion Lee, Toby Jones, Ewen Bremner, Scott Shepherd, Gary Farmer, Stephen Malkmus, Alia Shawkat, and Lily Gladstone. Certain Women is a 2016 American drama film edited, written, and directed by Kelly Reichardt. Based on "Native Sandstone", "Travis, B." and "Tome"—three short stories from Maile Meloy's collections Half in Love and Both Ways Is the Only Way I Want It—it stars Laura Dern, Kristen Stewart, Michelle Williams, Lily Gladstone, James Le Gros, and Jared Harris.

This week, Caroline and Carson are joined by JJ Bersch, researcher for Blank Check with Griffin and David, to discuss Kelly Reichardt's hit film, First Cow. Is this the ultimate guys being dudes movie? Is John Magaro one of our best mumblers? Would a vegan be able to survive this movie?? We cover all of this and so much more this week. It's a REAL good time!  A special thank you to our patrons- Lola Lirola, Carrie Betts, Sherry Betts, J.D. Smith, Matt Brown, Darrin Freeborn, & Stephen Woosley.  If you'd like a shoutout on the show and bonus content, head over to our Patreon- patreon.com/hhynspod. The patreon contains series on all of our favorite films & specialized film festival programming just for you! Our Mel Brooks series is coming soon, beginning with 1967's The Producers.  We'd love to have you over on the Patreon, where you can get all of our content for just $3/month!  Buy Liquid IV w/our discount code- https://zen.ai/6Afiz7b7zEdKu8Dx6yuFNvGpotsaFcq401mgAuGlCAQ

Mike Burdge and Diana DiMuro discuss Kelly Reichardt's latest contemplation on life, friendship, art and loneliness, Showing Up, starring teen-heartthrobs Michelle Williams, Hong Chau, André Benjamin, A. Pigeon, Ricky and Judd Hirsch. Along the way they chat about their opinions on past Reichardt projects, the similarities this film shares with aspects of First Cow and Michelle Williams' ability to go big or keep it low. Listen on....

Though this episode brings talk of the gloom of covid lockdown, we still get to talk about one of our favorite films of the last several years. The story of two men who become friends in the harshness of the 19th century Pacific Northwest and start a business by stealing the milk of the area's … Continue reading "246 – First Cow"

We dive back into the A24 catalog this week and cover the first Kelly Reichardt/A24 collab in 'FIRST COW'. We break down the serene & naturalistic style of the movie, talk about how great John Magaro is, come up with a *lengthy* list of movie titles with animals in them, and MORE! 0:00 - Intro 2:42 - Movie Nickname Hall Of Fame 4:18 - General Review 18:00 - True Cinema 33:16 - A1 Acts 41:05 - A24 Ranking 43:59 - Closing Thoughts

Citadel Ep. 5, Joe, Synchronic, Fired on Mars, Upgrade, and First Cow. Tuned In! is the side podcast of the PixelSplitters Universe. Listen in as Josh and Willis talk about the movies they watched this week.

Join Mike Cow in this audio and video podcast as he discusses the challenging and ongoing effects of Long Covid and the urgent need to tackle racism in Britain First. Mike engages with the live stream community via the comments and shares his insights on the impact of Long Covid on individuals and communities and the ways we can address racism in society. Tune in for an informative and engaging conversation about these important topics. If you would like to support our work by becoming a Patron via: www.patreon.com/cowdaily    Make a one off contribution to our work: https://tinyurl.com/y5ctx4ja    You can tune into the Cow Daily livestream everyday via Youtube by subscribing here

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today.  In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn't the Pacific Northwest). “Showing Up” is in theaters this Friday, April 7th.

In this episode, it's time for our monthly roundup episode where we go around the room and discuss the other movies we saw this month. March included "Tombstone" (1993), "First Cow" (2019), "The Tragedy of Macbeth" (2021), "Nashville" (1975), "Love & Mercy" (2014) and more! Listen now!

Moitié en France, moitié aux US, on parle de 5 films et une série télé dans cet épisode : Une comédie policière : Mon crime (1min08) Un western dramatique : First Cow (3min04) Une comédie : Hommes au bord de la crise de nerf (5min53) Une comédie dramatique : A good person (8min41) Un film d'action : Athena (11min43) Une série : The White Lotus (14min44) 

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Elm Farm Ollie gave a total of 24 quarts (23 litres) of milk which was then packed into paper cartons and dropped by parachute to the crowds at the St Louis International Air ...

Set in the early days of European settlement in the Oregon territory, First Cow offers an interesting perspective on the basics we take for granted. The post A007b: First Cow (2020) appeared first on .

Kylie and Elliott talk about the movies they watched over the past week while searching for better cinematic dads. Along the way, they discuss how powerful it is to spend time with children (and then give them back to their guardians), the intrigue of molasses cinema, Kylie's crush on Wayne Campbell (schwing!), and the importantly difficult work of learning (and unlearning). Also, Kylie mystery picks a nostalgic film to mark the eleventh anniversary of her dad's death. This week's movies are: C'mon C'mon (2021), A Little Princess (1995), First Cow (2019), Wayne's World (1992), Women Talking (2022).Follow along onInstagram: @baddad.raddadLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

This is an excerpt of a members only episode. To listen to the full episode, become a member at http://seventh-row.com/join One of the best movies of 2022, Jerzy Skolimowski's visually and aurally inventive Eo, is now in cinemas for a limited time. The film is about injustice in the animal world seen through the eyes of a donkey. It's a great big screen experience (for sound and image) so we're going deep on the film this week. Editor-in-Chief Alex Heeney and Executive Editor Orla Smith are joined by Associate Editor Dr. Brett "Empathy" Pardy.  About the excerpt In this excerpt, we discuss whether Eo is presented as an "exceptional" animal/donkey in the film. Many films about animals depict them as exceptional, like Air Bud the golden retriever who can play basketball or Okja the superpig. In many ways, Skolimowski's film bucks convention here by making Eo a fairly normal donkey whose experiences (and the way he's depicted) render him a subject of interest rather than because he's a particularly special donkey.  We ask, why do we care about animals on screen (in general) and why do we care about Eo? Does a home exist for a donkey like Eo? Become a member to listen to the rest of the discussion, which includes: In the full episode, we go even deeper on how the film creates empathy for a donkey and give a donkey the appearance of a full emotional inner-life. We also compare Eo to other recent films about (or featuring) animals — including White God, Lean on Pete, Cow, and Gunda — to help us understand how empathy is usually extended toward on-screen animals. Finally, we discuss how some of the best politically conscious films being made today, with youthful exuberance, are coming from directors over 70.   01:51 Why are we talking about Eo? 09:18 Placing Eo within the canon of donkey stories 13:53 Exceptional donkeys (this section is the only one available free)32:00 Anthropomorphising animals  46:56 An older generation of political filmmakers Show Notes Become a member for access to all of our upcoming episodes Listen to our previous podcast season on Women at Cannes Read Alex Heeney's review of Eo Get your copy of our ebook on Lean on Pete, a film about an unexceptional horse Read Alex Heeney's White God interview with the film's director and animal trainer Get your copy of our ebook Road to nowhere: Kelly Reichardt's broken American dreams. It features an interview with the First Cow and Lean on Pete animal trainer. Watch the 2009 Sam Mendes Charlie Rose interview referenced in the episode. He discusses the differences between directing film and theatre Related episodes Ep. 11: Mike Leigh's Peterloo (Free) - on the film and what we learned about Leigh's process and the film from writing the book Peterloo in process: A Mike Leigh collaboration Ep. 32: Sorry We Missed You and Peterloo (Members only) - we discuss creating empathy for characters navigating an unjust world Ep 93: The films of Agnieszka Holland (Members Only) - we discuss Europa Europa, Washington Square, and Charlatan and how Holland depicts life under totalitarian states (which has similarities what Eo experiences as a lower class donkey) Ep. 104: Agnieszka Holland on directing (Members Only) - an in-depth interview with the director about bucking convention from early on in her career, and how she continues to do so now Ep. 7: Andrew Haigh's Lean on Pete (Free) - we discuss the film and its depiction of an unexceptional horse, as well as insights gleaned from our ebook on the film (Lean on Pete: A Special Issue), including how it was made Where to find us Follow Seventh Row on Twitter and Instagram @SeventhRow. Follow Alex Heeney @bwestcineaste, Orla Smith @orlamango, and Dr. Brett Pardy @DrAntiqueiPod on Twitter. 

Back in Town und Taschen voller Geld begibt sich der frisch gebackene Milliardär Guess trotzdem in unsere Banausen-Kellerstudios um mit Lee frech und wirr diverse Rezensionen von Gesehenem auf euch loszulassen. Ding Ding Ding!

In this delayed episode, Luke Annand and returning guests John Johnstone V and Jordan Ferguson discuss Luke Annand's Best Films of 2020 and Best Films of 2021 lists.  Along the way, they rave about a future cult horror classic, nitpick action sequences involving transit buses and admit to film study screw ups.Best Films of 20201.  Minari2.  Nomadland3.  Da 5 Bloods4.  David Byrne's American Utopia5. The Nest6.  First Cow7.  Promising Young Woman8.  The Father9.  Another Round10.  Pieces of a WomanBest Films of 20211.  The Green Knight2.  The Power of the Dog3.  Dune4.  The Tragedy of MacBeth5.  Drive My Car6.  Nightmare Alley7.  Licorice Pizza8.  Flee9.  The French Dispatch10.  Last Night in Soho

First Cow is a 2019 American western drama film about the life of two pioneers seeking their golden fortune in America. Life is hard for the two as like most they live in a small shack together. Determined to increase their status and lot in life they come up with a scheme to sell oily cakes, but they are missing one key ingredient; which they do find in a single lone cow.Directed by Kelly Reichardt, from a screenplay by Reichardt and Jonathan Raymond based on Raymond's novel The Half Life. It stars John Magaro as Cookie, Orion Lee as King-Lu, Toby Jones as the Chief and Elie the cow.

Did Joey smell a strangers breath? Plus, forgetting your own kids birthday, Make Up or Break Up, the good stuff, and who milked the first cow!?

in which poet Dara Barrois/Dixon (formerly Wier) and i talk poetic process, poetic experience, and the difference between real and true... where to find Dara: instagram - darabarroisdixon twitter - @darawier Tolstoy Killed Anna Karenina - https://www.wavepoetry.com/products/tolstoy-killed-anna-karenina other things referenced: Mary Ruefle - http://www.maryruefle.com/menu.html James Tate - https://www.poetryfoundation.org/poets/james-tate Hyperallergic - https://hyperallergic.com/ Haiku: The Everyman's Library Pocket Poets Series edited by Peter Washington - https://www.penguinrandomhouse.com/books/186005/haiku-by-edited-by-peter-washington/ The Poetics of Space by Gaston Bachelard - https://www.penguinrandomhouse.com/books/316841/the-poetics-of-space-by-gaston-bachelard/ First Cow - https://a24films.com/films/first-cow The Ruth Stone House Poetry Podcast - https://podcast.ruthstonehouse.org/

Today on the Podcast we discuss our favorite films from 2020.   RUNNER UP'S  (2:30) OUR TOP 10-6  (18:00) OUR TOP 5-2  (36:25) OUR NUMBER ONE PICKS  (53:20)   RON'S LIST Class Action Park / The Way I See It / Never Rarely Sometimes Always / Possessor / Mank / The Platform / His House 10) The King of Staten Island 9) Da 5 Bloods 8) First Cow 7) Nomadland 6) Minari 5) One Night In Miami 4) The Trial of the Chicago 7 3) The Father 2) The Sound of Metal 1) Hamilton   DARREN'S LIST Uncle Frank / I'm Thinking of Ending Things / The Rental / The Trip To Greece / The Go Go's / Never Rarely Sometimes Always / Alone / A Quiet Place 2 / Palm Springs / The Invisible Man 10) The Trial of the Chicago 7 9) The Father 8) The King of Staten Island 7) News of the World 6) Class Action Park 5) Welcome To Chechnya 4) All In: The Fight For Democracy 3) Borat: Subsequent Moviefilm 2) Boys State 1) Minari   PAUL'S LIST Onward / Extraction / The Social Dilemma / The Last Blockbuster 10) Justice League Dark: Apokolips War 9) Tenet 8) Soul 7) Locked Down 6) The Invisible Man 5) Love And Monsters 4) Emma 3) Nomadland 2) Wolfwalkers 1) Palm Springs   IVAN'S LIST 10) Sonic The Hedgehog 9) The Hunt 8) Fatman 7) Tenet 6) Vivarium 5) Justice League Dark: Apokolips War 4) Bill & Ted: Face The Music 3) Boss Level 2) Palm Springs 1) The Gentlemen   WORST FILMS OF THE YEAR - MUST MISS!  (1:01:00) Eurovision Song Contest / WW84 / Fantasy Island / Doolittle / Promising Young Woman / Birds Of Prey / She Dies Tomorrow / Barb & Starr Go To Vista Del Mar / Artemis Fowl / Monster Hunters  

Neste podcast conversamos sobre Ataque dos Cães (Power of the Dog, 2021), filme mais recente da cineasta neozelandesa Jane Campion, indicado a 12 Oscars. Nessa adaptação da novela de mesmo nome escrita por Thomas Savage, dois irmãos rancheiros, Phil (Benedict Cumberbatch) e George (Jesse Plemons) conhecem Rose (Kirsten Dunst), uma viúva com quem o segundo se casa, mas que o primeiro hostiliza. O filho dela, Peter (Kodi Smit-McPhee) resolve proteger a mãe. Discutimos sobre as masculinidades mediadas pela figura de Rose na narrativa, a relação estética estabelecida com faroestes clássicos, a fotografia e o figurino, entre outros temas. Também comentamos o documentário Lucy e Desi (2022), de Amy Poehler, disponível no Prime Video. O programa é apresentado por Isabel Wittmann, Camila Vieira e Lorenna Montenegro. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-161-ataque-dos-caes Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Isabel Wittmann, Rosana Íris e Bianca Zasso Produção: Isabel Wittmann Edição: Domenica Mendes Arte da capa: Isabel Wittmann Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata e Tiago Maia Assine nosso Padrim http://www.padrim.com.br/feitoporelas Assine nosso Patreon http://www.patreon.com/feitoporelas Assine nosso Catarse https://www.catarse.me/feitoporelas Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] A Filha Perdida, de Elena Ferrante https://amzn.to/3psk80s Mencionados: [TWITTER] Lorenna Montenegro https://twitter.com/lorenmonte [INSTAGRAM] Lorenna Montenegro https://www.instagram.com/lorennmontenegro/ [SITE] Cenas de Cinema https://cenasdecinema.com/ [FILME] Rastros de Ódio (The Searchers, 1956), dir. John Ford [FILME] O Piano (The Piano, 1993), dir. Jane Campion [FILME] O Brilho de uma Paixão (Bright Star, 2009), dir. Jane Campion [FILME] Melancolia (Melancholia, 2011), dir. Lars von Trier [FILME] O Jogo da Imitação (The Imitation Game, 2014), dir. Morten Tyldum [FILME] Doutor Estranho (Doctor Strange, 2016), dir. Scott Derrickson [FILME] Mudbound: Lágrimas Sobre o Mississippi (Mudbound, 2017), dir. Dee Rees [FILME] First Cow - A Primeira Vaca da América (First Cow, 2019), dir. Kelly Reichardt [FILME] Amor, Sublime Amor (West Side Story, 2021), dir. Steven Spielberg [FILME] Ataque dos Cães (The Power of the Dog, 2021), dir. Jane Campion [FILME] A Filha Perdida (The Lost Daughter, 2021), dir. Maggie Gyllenhaal [FILME] Spencer (2021), dir. Pablo Larraín [SERIADO] Sherlock (2010–2017), criado por Mark Gatiss e Steven Moffat [SERIADO] Top of the Lake (2013–2017), criado por Jane Campion e Gerard Lee [LIVRO] Grande Sertão Veredas, de João Guimarães Rosa [ENTREVISTA] Bate-papo promovido pela Netflix de Jane Campion com o Ang Lee https://film.netflixawards.com/the-power-of-the-dog/watch/conversations-qas/in-conversation-with-jane-campion-and-ang-lee?utm_id=48855&sfmc_id=4337751 [VÍDEO] Kirsten Dunst fala de sua carreira, de Jumanji a Homem-Aranha, para Vanity Fair https://www.youtube.com/watch?v=SOzoNKWrsKU&t=2s COMPLETO NO SITE

Joe Gawler is the senior colorist and partner at The Harbor Picture Company in New York City. Joe and Lee go back a very long time. When Lee first started mastering movies in New York City, there weren't a lot of colorists who could work on feature films outside Hollywood. Most colorists in the city were only doing commercials or music videos and the emphasis was on the 30 second spot or the 3 minute MTV special. Joe could do these of course, but Lee quickly learned that Joe could handle the long form movie re-master very well. With the advent of high definition and the needed content to supply broadcasters with HD versions of classic films, Lee and Joe spent a lot of time together moving through dozens of films including Bergman, Fellini, Tarkovsky and countless others. Cut to 2022 and Joe is one of the leading feature film Digital Intermediate colorists in the world. In this episode, Ryan and Lee go back to Joe's humble beginnings, share some great stories, and talk about the evolution of the telecine transfer up to the digital camera and the changes in technology. It's a fun and fast paced conversation. ———————————— Over the years, Joe has built long- standing collaborations with respected cinematographers including Ellen Kuras, Harris Savides, Ed Lachman, Bradford Young, and Florian Ballhaus. Gawler's recent work includes Disney's "Hamilton," Kelly Reichardt's "First Cow," Ron Howard's "Solo: A Star Wars Story," Greta Gerwig's "Little Women," Robert Eggers' "The Lighthouse," and FX's "Fosse/Verdon." In 2020, "The Lighthouse and" "Little Women" earned nominations at the 92nd Academy Awards for ‘Best Cinematography' and ‘Best Picture', respectively. “Finding the bespoke look for a project drives my process,” says Gawler. He finds that the art of color grading is “a balancing act to push the most compelling images while staying true to the creative intent for all filmmakers involved.” His subtle art of ensuring that every filmmaker in the room is happy with the final image, and delivering a signature look, is what has given him the reputation of a trusted collaborator.

Critique cinéma par François Bégaudeau du film "First Cow" réalisé par Kelly Reichardt. Au début du XIXe siècle aux Etats-Unis, l'état de l'Orégon attire des individus en quête de fortune. Otis Figowitz, dit Cookie, cuisinier itinérant, accompagne plusieurs d'entre eux. Lors d'un trajet en forêt, il vient en aide à King-Lu, chinois lui-même à l'affût d'opportunités lucratives dans la région. De cette rencontre fortuite, ce western en format carré s'attarde sur l'amitié de ces deux prolétaires. Une amitié sur fond de larcin laitier et de beignets au miel, dans un Orégon couleur d'automne aux prémices du capitalisme mondialisé. Date de sortie : 27 octobre 2021 © 2021 – Condor Distribution Musique : © William Tyler - Cookie's Theme

durée : 00:52:36 - L'Heure bleue - par : Anne-Sophie DAZARD, Laure Adler - Kelly Reichardt est dans l'Heure Bleue à l'occasion de la sortie de "First Cow" et d'une grande rétrospective dont elle fait l'objet au Centre Georges Pompidou.

In the 4th episode of The Neon Crew Podcast, Kyle, Mac, and special guest Gideon talk about their top A24 movie lists, as well as the proper smell for a good podcast. Films talked about: Uncut Gems, Hereditary, Green Room, The Witch, Swiss Army Man, Ex Machina, The Killing of a Sacred Deer, Under the Silver Lake, First Cow, Eighth Grade, Mississippi Grind, Lamb Hosts: Kyle Yates, McClain Parker, & Gideon Hunter Music: Gideon Hunter Gideon's Instagram: https://www.instagram.com/wakerisefall/?hl=en Logo design: Lauren Sander Lauren's website: https://www.pineandsun.com/

After three straight episodes in the barrios and freeways of L.A., Sean and Cody sample some slow living in the early 19th century Pacific Northwest as they examine this quirky and unusual 2020 indie Western. In First Cow, frontier cook Otis “Cookie” Figowitz (John Magaro) gets fired and chased through the forest by his former employers, and is fortunate to hook up with Chinese immigrant King-Lu (Orion Lee) who's similarly down on his luck. When they spot a single cow wandering through the Oregon forest they hatch a scheme to milk it and use the dairy to make tasty oily cakes to sell at the local trading post. Unfortunately their best customer, the Chief Factor (Toby Jones), is also the owner of the cow. Environmental issues discussed include the role of cows and cattle in European settlement of the West, how cattle was a harbinger of colonialism, and the environmental history of Sauvie Island, Oregon where the movie was filmed and presumably takes place. Why would a single cow be such a valuable resource in Oregon Territory in 1820? Who owned Oregon Territory at that time anyway, and why is it so hard to tell? Why did a British Navy captain deliberately import cows into Hawaii in 1792, and why was the King of Hawaii so jazzed about the arrangement? What's “cattle colonialism”? How come Westerns usually focus on the stories of white men with guns “taming” the West, and how does this film present a different story? Why would this movie make John Wayne really, really mad? Which racist trope which has appeared in numerous other Green Screen films is refreshingly absent from this one? How do you pronounce “clafoutis”? How about “Auberjonois”? Which That Guy in this film is the son of another That Guy who appeared in a previous film profiled on the podcast? Why does Amazon think anyone in their right mind would watch reruns of Murder, She Wrote with commercials? All these questions and more are ready for milking in this decidedly bovine episode of Green Screen. First Cow (2020) on IMDB: https://www.imdb.com/title/tt9231040/ First Cow (2020) on Letterboxd: https://letterboxd.com/film/first-cow/ Next Movie Up: 55 Days at Peking (1963) Additional Materials About This Episode

This week the boys take a look at 2017's absolute banger of a movie starring Robert Pattinson directed by the Safdie Brothers: Good Time. A movie about a brother willing to go to nearly any length to break his brother out of prison. Where does this movie rank in the "bleach blonde hairstyles" list? And is this really Robert Pattinson's A1 act, or does that inevitably belong to his role as Cedric Diggory in Harry Potter? Find out full thoughts on the movie, favorite scenes, A1 Acts, and our A24 ranking. Is Good Time up to snuff to be a "First Cow" pick? Tune in to find out! What are your thoughts on Good Time? Let us know at @24minutesofA24 on Twitter and Instagram! Twitter - https://twitter.com/24minutesofA24 Instagram - https://www.instagram.com/24minutesofa24

History isn't here yet. It's coming, but we got here early this time. Maybe this time, we can be ready for it. We can take it on our own terms. This week we're joined by Saoirse (@TheSaoirseBlog) to talk about Kelly Reichardt's most recent film FIRST COW. --- Comfort - A Short Film - https://igg.me/at/mKO1-OXxUww/x#/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/otherfilmguys/message Support this podcast: https://anchor.fm/otherfilmguys/support

We are back with another Director Spotlight pick! This week, we are discussing an oft mentioned filmmaker (no not Zack Snyder) Kelly Reichardt, of Sam's favorite movie of all time Meek's Cuttoff! This time around, Chrystine picked Reichardt's most recent release FIRST COW, and engrossing tale of two friends battling for survival in 1820's Oregon Country. Listen to the Butter Crew discuss the subtle performances, gorgeous cinematography, and those delicious oily cakes!

What does having a "sense of place" mean in wine-speak and movie-talk? How poorly will Scott handle learning what “native yeast” really means? Will Jamie finally play by the rules in our comparative tasting notes guessing game? (No.) All these questions and more answered in our continued trek into this synesthetic abstraction we call a podcast! FIRST COW is directed by Kelly Reichardt. As of the time of this episode's release, it is available in the US to rent from MUBI and to purchase wherever you get movies digitally.  The 2018 Corte Gardoni, ‘Pradica', Bardolino Superiore Corvina Blend is available for $19 at Moore Bros. Wine Co. Follow the show on Instagram, Twitter, and Facebook @BiggerBottlePod.

"First Cow" is currently nominated for three Film Independent Spirit Awards including Best Feature, Best Director and Best Supporting Male for breakout star, Orion Lee. Lee was kind enough to spend some time talking about his work on the film, what it was like working with writer/director Kelly Reichardt and his co-star John Magaro. Voting for the Independent Spirit awards has begun as of today and we ask that you consider Lee's work in the film. Take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Our guest is Neil Kopp, producer of Kelly Reichardt's latest film First Cow. He chose Janet Weiss, the Location's Manager (and indie-drummer extraordinaire) as his co-star. Neil & Janet discuss the importance of locations and settings for filmmaking and the unique challenges they both faced in recreating early 19th century Oregon. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/screenradar/support

"History isn't here yet. It's coming, but maybe this time we can take it on our own terms." Today's episode centers around the latest from director Kelly Reichardt, a lovely film called First Cow. The film stars John Magaro and Orion Lee as a pair of friends in pioneer days who sell baked goods....using stolen ingredients. It's a film about friendship, history, opportunity and capitalism, and it's one of Arthouse Garage's best of 2020. Today's guest is filmmaker Connor Allen Smith, who brings his wonderful perspective on the film and gives some behind-the-scenes filmmaking knowledge about his own work. Also in this episode: a brand new segment called the "snob-free glossary" which breaks down films, filmmakers and filmmaking terms we mention in the episode so you have the full context of what we're talking about. Read the full episode transcript here. LINKS Connor Allen Smith on Instagram Prairie Creek Productions Crowdfunding Page for Happy Birthday, Jimmy! CONNECT WITH US Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the monthly email newsletter: arthousegarage.com/subscribe Theme music by Apauling Productions

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This is the 20th episode of the podcast, and we'll be sharing our highlights from the year in movies. You might notice a few likely candidates are missing, such as First Cow or Time, but that's because we tried to talk about movies that haven't been covered as much on this podcast, though a few old favorites do sneak in. It's been a long year so I got some brilliant critics to share their picks: Amy Taubin, contributing editor at Artforum; Eric Hynes, curator of film at Museum of the Moving Image; Beatrice Loayza, a widely published freelance critic; and for the first time, Jessica Kiang, a veteran of Variety and other publications. For complete show notes with links, sign up for my newsletter at rapold.substack.com Photo by Steve Snodgrass

Murtada and Nathaniel discuss the Gotham Award Nominations with First Cow leading before discussing two new Netflix films, Ron Howard's loud overacted Hillbilly Elegy and Sophia Loren's comeback vehicle The Life Ahead.

On the October 2, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, and writers Hoai-Tran Bui and Chris Evangelista to discuss what they've been up to at the Water Cooler.   Opening Banter: Ben is in Hawaii.   At The Water Cooler: What we've been Doing:Jacob wants to give a shout-out to the readers and listeners who said hi at Fantastic Fest. Brad wrecked his car, which is not cool. What we've been Reading:Peter has been reading Bob Iger's book A Ride Of A Lifetime. Jacob read Horrorstor by Grady Hendrix. What we've been Watching:Jacob, Hoai-Tran, Chris, and Brad watched the season premiere of The Good Place. Hoai-Tran and Chris watched The Irishman. Chris and Jacob watched Hell House LLC 3. Peter has been watching Years and Years on HBO and has been binge watching a YouTube channel called Potato Jet. Chris watched Spider-Man: Far From Home. Jacob watched the season finale of Battlebots, Hatchet, Hatchet II, and the first episode of Creepshow. Brad watched the available episodes of the new season of Great British Baking Show, has been watching Good Talk with Anthony Jeselnik, rewatched Cabin in the Woods, Hoai-Tran saw Ad Astra, Lucy in the Sky, The Lighthouse, Inside Llewyn Davis, saw First Cow and Varda by Agnes at NYFF and has revisited an old favorite anime Inuyasha. What we've been Eating:Jacob and Chris enjoyed some Gourdoughs. Brad tried Apple Cider cookies from 7-11 and Arby's S'mores Shake, and Cheez-It Pizza from Pizza Hut.  Is enraged to learn that the VooDew Mountain Dew flavor was Candy Corn. What we've been Playing:Jacob has been playing Untitled Goose Game.   Other Articles Mentioned: Daily Podcast: Spider-Man: Far From Home Spoiler Discussion    All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word!  Thanks to Sam Hume for our logo.