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By Davy Crockett In part one, “Old Sport” Peter Napoleon Campana (1836-1906), of Bridgeport, Connecticut, a poor street vendor, and talented runner, wanted to become a professional pedestrian/ultrarunner. At age 42, he was viewed as very elderly, a strange anomaly on the track. It was said that it looked like he had been run through a threshing machine. “He looks like a physical wreck and every stranger expects to see him collapse momentarily. His shriveled, shrunken, crooked figure is one of the marvels of pedestrianism.” In early 1879, he had a poor reputation, and his integrity was questioned. But during the coming 15 months, as he ran more miles in races than anyone in the world, he would win over the hearts of the public. He would be called “perhaps one of the best-known athletes in the country.” He became a crowd favorite to watch in 1879 when the six-day race was the most popular spectator sporting event to watch in America. Learn about the rich and long history of ultrarunning. There are now twelve books available in the Ultrarunning History series on Amazon, compiling podcast content and much more. Learn More. Despite the six-day race loss to Daniel O'Leary, in December 1878, Campana, now wealthy and newly married, sought to further profit from his newfound notoriety. He was now mentioned in newspapers every week across the country. Some of the press was negative, as word spread that his Bridgeport six-day world record run of 521 miles in November 1878 was a fraud. He stated that the accusations came from disgruntled men who wanted more money from him. The New York Sun looked deeply into the matter and concluded that “the fraud was inspired by a wish to make a big record, arouse public interest, and thereby bring in gate money.” The scheme had succeeded. What was the reaction to the bombshell news in Campana's hometown? “Bridgeport had freely given Campana their confidence and their backing. Now there is surprise that the community could have been sold so cheaply and completely. As a pedestrian, Campana is looked upon as a dead duck.” Still, there were those who believed his effort was legitimate. A reporter from another newspaper, who witnessed the last day of that event and interviewed witnesses stated, “I gained a firm impression that the walk had been honestly conducted, and that Campana had really passed over the number of miles with which he was credited. No one whom I met in Bridgeport appeared to have any doubt about the matter.” He believed there was a conspiracy against Campana. (Author's note: Given that Campana never exceeded 521 miles in all his future 40+ six-day races that he competed in, I believe that the effort involved fraud and should be discounted. It is likely that Campana was naïve and wasn't involved in the fraud that was conducted by his backers.) Campana had a trial in late January for physically abusing his new young wife, Jennie A. (Dalton) Campana (1853-). She returned to her father's home and took her new wardrobe and $100. “In court he showed a big roll of bills and said that he was in the hands of men who had hired him for a year, and he couldn't walk anywhere without their permission.” He had argued with his wife when two other women came into their new house in Waterbury, Connecticut, who he didn't want there. He suspected that she had him arrested so she could strip the house of costly things while he was in jail. Despite this terrible incident, the two were reconciled and Jennie moved back to their home. On the Road Campana was not a “pedestrian dead duck.” His career was just beginning, with the help of his dominating backers. At that time, professional pedestrians were not kicked out of the sport for perceived fraud or misbehavior. First, he tried to issue challenges against other runners for large amounts of money. Those went without responses. Next, he went on the road to give running exhibitions. Boston Music Hall
Here is the second set from the band's performance at the Boston Music Hall on June 10, 1976. Samson always seemed like a favorite to break out in Boston, and revs things up for a fine 'Help>Slip>Frank' here. Nice harmonies here, and the Slipknot features some upfront work by Keith. Bobby does a fine 'Let It Grow', then we have a mid-set 'Friend of the Devil' - a bit more spacey than usual, but that leads into the highlight of the set, a 'Playin' In The Band' which leads into an excellent 'Space jam'. That eventually goes into 'Dancin' In The Streets' and the band closes out the set with a rocking 'U.S. Blues'. Grateful Dead Boston Music Hall Boston, MA 6/10/1976 - Thursday Two Samson & Delilah Help On The Way > Slipknot > Franklin's Tower Let It Grow Friend Of The Devil Playing In The Band > Dancin' In The Streets > U.S. Blues You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod061424.mp3 This space is geting Hot!
A fine show from the comeback year of 1976 graces this week's Deadpod. This is from June 10, 1976 at the Boston Music Hall in Boston. The thirteen song first set should provide plenty of chances to reflect on how fortunate we hare to have this music after all these years.. In general this set, as most from this time period, shows the band concentrating on tight arrangements with powerful singing, perhaps at the expense of more free-flowing jamming. Some of the highlights here include a great 'Music Never Stopped', a short but sweet 'Sugaree', and of course a lovely 'Mission In the Rain', a song that did not last long in the Dead's rotation, but of course did more so in Jerry's solo work. I'd be remiss to not point out the lovely harmony on 'Looks Like Rain' with Bobby and Donna, as well as Keith's up front piano throughout. The closing 'Might As Well' is notable for Phil's unique bass.. Grateful Dead Boston Music Hall Boston, MA 6/10/1976 - Thursday One The Promised Land Sugaree Cassidy They Love Each Other The Music Never Stopped Brown-Eyed Women Lazy Lightning > Supplication Row Jimmy Big River Mission In The Rain Looks Like Rain Might As Well You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod060724.mp3 I hope you enjoy the music, and thank you for your kind support!
In the latest episode of None But The Brave, co-hosts Hal Schwartz and Flynn McLean talk to Cliff B., one of the earliest Springsteen tapers. Cliff first saw Bruce in 1974 and attended shows at the Bottom Line and Roxy stands in 1975, as well as the Boston Music Hall stand in 1977. Cliff also tells Hal and Flynn about taping the early shows and how a small group of men made It possible for fans to hear many amazing performances that unfortunately don't exist in Springsteen's own archives. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
לכבוד יום הולדתו המתקרב של בוב דילן נ"י נחזור ונעיין מחדש בשנת 1975. 1. The Ballad of Ira Hayes (S.I.R. Studio Rehearsals) 2. Dark as a Dungeon (S.I.R. Studio Rehearsals) 3. Romance In Durango (Live at Boston Music Hall, Boston, MA - November 21, 1975 - Evening) 4. The Lonesome Death of Hattie Carroll (Live at Memorial Auditorium, Worcester, MA - November 1975) 5. Isis (Live at Memorial Auditorium, Worcester, MA - November 1975) 6. Knockin' on Heaven's Door (Live at Memorial Auditorium, Worcester, MA - November 1975)7. The Water Is Wide (Live at Boston Music Hall, Boston, MA - November 21, 1975 - Evening)8. Ballad of a Thin Man (Seacrest Motel Rehearsals)9. Idiot Wind (05-16-76)
Wicked. This week, our hosts Game, FiG, and Knob are shipping up to Boston for the Grateful Dead's December 1st, 1973 show at the Boston Music Hall. Discussions abound about Bob Weir w/ JRAD, why Dick picked the way he did, and the joys of Big River. The Promised Land Sugaree Mexicali Blues Tennessee Jed Looks Like Rain China Cat Sunflower -> I Know You Rider Big River Brokedown Palace Weather Report Suite Prelude -> Weather Report Suite Part -> Let It Grow Casey Jones Around And Around They Love Each Other Me And My Uncle Don't Ease Me In Me And Bobby McGee Mississippi Half-Step Uptown Toodeloo Playing In The Band -> Uncle John's Band -> Playing In The Band Row Jimmy Greatest Story Ever Told Not Fade Away -> Goin' Down The Road Feeling Bad -> One More Saturday Night
Dead Heads Alex and Dave--joined by special guest Dave Davis (gratefulseconds.com)--discuss the Grateful Dead's unique, smooth, all-timer of a show at the Boston Music Hall on June 9, 1976. This was Dave's first Grateful Dead show, so he kindly spent some time with us to talk about it. The interview begins at 17:30 and is definitely not one to miss. Get on the bus with Workingman's Pod!Links:Dave's Article on this show - http://www.gratefulseconds.com/2016/06/my-first-show-june-9-1976-boston-music.htmlDave's Article about 1976, in general - http://www.gratefulseconds.com/2018/03/spirit-of-76-my-top-76-moments-about.htmlSilver convention - Get Up and Boogie (https://www.youtube.com/watch?v=hKGrfC1860o&ab_channel=Betopubs)Natalie Portman rap (SNL) - https://www.youtube.com/watch?v=-A0iftflme4&ab_channel=SaturdayNightLiveKingfish - Big Iron (2/7/1976 at Winterland) - https://www.youtube.com/watch?v=v_9x4MeZAKs&ab_channel=GratefulDeadonMV
Grateful Dead Live at Boston Music Hall on 12-02-1973 The exciting news that Martin Scorsese will produce a Grateful Dead biopic is being overshadowed by who will play Jerry Garcia. With Jim Marty away, Larry Mishkin and Rob Hunt share their opinions about Jonah Hill playing the Dead's spiritual leader. They also talk about adult use coming to the District of Columbia and Larry sparks up some Garcia's Hand Picked Flower and gives his immediate review.Produced by PodConXDeadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinJim Marty - https://podconx.com/guests/jim-martyRob Hunt - https://podconx.com/guests/rob-huntDeadhead Cyclist - https://deadheadcyclist.com/Photo courtesy of Jay Blakesberg
Hoy Bob Dylan cumple 80 años. Semana Dylan que remataremos este vienes con Black Dylan, o versiones por grandes artistas de la música negra. He aquí una lista de las miles que podía haber seleccionado para hoy. Cada una de las canciones elegidas tienen jun sentido en mi vida de melómana y mi carrera periodística. No es Stevie Nicks, Dylan hecha reina del rocanrol. Guitarristas que hay que reivindicar: David T. Walker, Eric Johnson, Dave Mason… Rick Nelson dulcificando a Dylan. Quique González transportando a Dylan a la lengua de Cervantes sin perder un ápice de su identidad ni de la del propio Dylan. Maria Muldaur, Edie Brickell, Steve Forbert, Rick Nelson. DISCO 1 DAVID T. WALKER Lay Lady Lay (4). Nashville Skyline 1969 DISCO 2 BOB DYLAN Black Crow Blues (ANOTHER SIDE… - 2) DISCO 3 STEVE FORBERT Dignity (FORBERT - 11) Greatest Hits Vol. 3 1994 DISCO 4 MARIA MULDAUR You Ain't Goin' Nowhere (12) DISCO 5 STEVIE NICKS Just Like a Woman (11) Blonde On Blonde 1966 DISCO 6 RICK NELSON & The Stone Canyon Band Love Minus Zero/No Limit (21) Bringing It All Back Home 1965 DISCO 7 QUIQUE GONZÁLEZ ¿Es tu amor en vano? (Is your love in vain?) (12) Street-Legal1978 DISCO 8 BOB DYLAN & THE BAND All You have To Do Is Dream (CD 2 - 5) DISCO 9 EDDIE BRICKELL & The New Bohemians A Hard Rain’s Gonna Fall (BORN 4th Of JULY - Cara 2 Corte ) DISCO 10 THE DEL McCOURY BAND The Times They Are A Changin´ (SONG OF AMERICA - CD 3 - 3) DISCO 11 ERIC JOHNSON My Back Pages (3) Another Side Of Dylan 1964 DISCO 12 DAVE MASON All Along The Watchtower (4) John Wesley Harding 1967 DISCO 13 BOB DYLAN & JOAN BAEZ I Shall Be Released Live (THE BOOLEG SERIE Vol. 5 - Cd 1 - 11) Boston Music Hall, November 21, 1975 (first show) Escuchar audio
Often, when people think of Bob Dylan, what comes to mind is the image of the lone troubadour playing his guitar in the spotlight - but in reality, an integral part of Bob Dylan’s art is his shifting sound, which he in no small part owes to the many excellent bands that have accompanied him through the decades. Each of them would be worth their own episode, but this week Laura and Robert are zeroing in on the singers whose harmonies have allowed Dylan to explore and expand his own vocal abilities. From The Band to the Rolling Thunder Revue, to Dylan’s gospel backing choir, to the Never Ending Tour: we’re talking Dylan’s Background Vocals!Here’s a link to Ray Padgett’s excellent Substack, “Flagging Down The Double E” where you can find his interviews with Alan Pasqua and Larry Campbell which I mention in the episode.You can now support Definitely Dylan on Patreon.Playlist:Somebody Touched Me (Live in Portsmouth, UK, 25 September, 2000)Dear Mrs. Roosevelt - Bob Dylan and the Band (Woody Guthrie Tribute Concert, 20 January, 1968)Just Like a Woman (Live at Boston Music Hall, Boston, MA, 21 November, 1975 - Evening)Going, Going, Gone (Live at Budokan)Ninety Miles An Hour (Down A Dead End Street)Key West (Philosopher Pirate)
Part 2 of our look at the definitive song for each letter from A to Z, this is M to Z. Some great stuff in part 2 including wild card selections for the letters X and Z. Coming to soon to YouTube as well so follow The I of The World Channel on that platform! Morning Dew 7.22.72 Paramount Theater, Seattle WA NotFadeAway 6.20.80 West High School, Anchorage AK Other One 10.4.81 Rainbow Theater London UK Playin' in the Band 5.7.72 Bickershaw Fest, Wigan UK QueenJane Approximately 5.31.92 Silver Bowl, Las Vegas NV Ripple 9.20.70 Filmore East, NY NY St Stephen 6.9.76 Boston Music Hall, MA Truckin' 8.6.71 Hollywood Palladium. CA UncleJohn'sBand 8.6.74 Roosevelt Stadium, Jersey City. NJ ViolaLeeBlues 3.20.70 Capitol Theater, Port Chester, NJ Wharf Rat Skull & Roses X-Peggy-O 10.30.77 Assembly Hall. Bloomington, IN You win Again 4.14.72 Tivoli Theater Copenhagen Denmark Z-Terrapin Station 12.31.87 Oakland, CA
There's a lot of incredible stuff this week, and we hope you all get to listen to all of these amazing episodes. Peter Shapiro on Eric Krasno Plus One. This week Eric welcomes venue owner, concert promoter, festival creator, entrepreneur and all around cool guy Peter Shapiro, owner of Brooklyn Bowl and the Capitol Theatre as well as the force behind the Lockn' Festival, The Jammys, and Fare Thee Well. Eric and Peter have known each other for a long time, they talk about the Wetlands days with Soulive, the Brooklyn Bowl, taking big risks to create amazing new concert experiences, and what they expect for the future of live music.Dick's Picks 14 on 36 From the Vault. Rob and Steven jump into Dick's Picks Vol. 14, from the Boston Music Hall on November 30 and December 2, 1973. The first ever four-disc Dick's Picks, this dives back into the world of 1973. They discuss these four discs in detail, including a wonderful Weather Report Suite > Dark Star Jam > Eyes of the World, and about this era in general and their appreciation for Dick Latvala. Bob Lefsetz on Under the Scales. On this new episode, Tom talks with Bob Lefsetz, music industry analyst, author, podcaster and Phish fan about the state of music in the world today. If you're not familiar, Bob has a newsletter, called the Lefsetz Letter, that's prolific and smart and controversial, and a must-read in my opinion. He also has a podcast about the music industry. Kenny Roby on No Simple Road. You might remember my brief conversation with Kenny Roby on this show recently, when we talked about his new album, The Reservoir. The NSR crew goes into depth with Kenny about his first solo album in seven years, befriending and working with Neal Casal, Dave Schools stepping in to help manifest the vision of the new tunes, dealing with loss and struggle, and more. See acast.com/privacy for privacy and opt-out information.
In this week’s episode we explore Dick’s Picks Vol. 14, from the Boston Music Hall in Boston, MA on November 30 and December 2, 1973. The first ever four-disc Dick’s Picks, this dives back into the world of late-1973 - a particularly brilliant period in Dead history - for the first time since Dick’s Picks Vol. 1. It is also the last volume in the series that Dick Latvala was alive for its release. Please take a moment to remember the man who brought us this incredible peek into the world of the greatest band in the land. Across four discs we hear a great representation of two different shows from the era. Disc One opens with “Morning Dew” before seeing strong takes on “Dire Wolf,” “Black Throated Wind” and “Big River.” The first of two “Playin’ In The Band’s” closes out. In Disc Two we’re treated to a phenomenal suite of GD jamming in “Weather Report Suite -> Dark Star Jam> Eye’s Of The World” while the disc’s opener, “Here Comes Sunshine” is the first we’ve heard since DP1. Disc Three mirrors the first, however goes a touch deeper in a phenomenal “Weather Report Suite> Wharf Rat -> Mississippi Half Step Uptown Toodelo.” The volume closes with a killer Fourth Disc highlighted by an incredible 25+min “Playin’ -> He’s Gone> Truckin’> Stella Blue>Morning Dew.” Overall, it matches Dick’s Picks Vol. 7 and 12 in its ability to showcase what made the 1973/74 peak of The Dead so strong. Steven and Rob focus on their appreciation for Dick Latvala, the ability for The Dead to jam as one during this period, the slippery slope of Dead Fandom, the copisms of Phil, and the brilliant moments of Jerry’s slide.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 15 in anticipation of our next episode which will drop on Monday, September 21. See acast.com/privacy for privacy and opt-out information.
We listen to tracks from Joe Maloney's excellent recording of Bad Company live at the Boston Music Hall, on May 31, 1975. This is their first headlining tour and they are on fire. It's a great setlist with a great recording. I hope you enjoy it.
A wonderful second set to celebrate the start of the Days Between on this week's Deadpod from 6/11/76 Boston Music Hall. What a way to open a set! St. Stephen! They step it up even more by following that with a unique jam into 'Dancing In the Streets' into 'The Music never Stopped.. As you might notice there is no real drums or space in this second set, but an abundance of great tunes and fine playing.. Grateful Dead Boston Music Hall Boston, MA 6/11/76 - Friday Two Saint Stephen [9:34] > Dancing In The Street [12:03] > The Music Never Stopped [4:33];[1:30] ; Ship Of Fools [6:53] % Samson And Delilah [5:50] % Sugaree [9:47] % Sugar Magnolia [6:05] > Eyes Of The World [13:10] > Stella Blue [8:#36];[0:04] ; Sunshine Daydream [2:40] Encore Johnny B. Goode [#3:40] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod080318.mp3 thank you so much for your support of the Deadpod!
The laid back rhythms of '76 make for a perfect compliment to the hot weather as we explore a wonderful show from June 11th, 1976 at the Boston Music Hall in Boston MA. A very clean recording and sweet solos by Garcia highlight this set. Love the pace of this Tennessee Jed.. Big River will definitely get you up after a sweet and sleepy Candyman.. you'll feel the power building in the Scarlet as the music sweeps you away. A pretty and soulful 'Looks Like Rain' follows. Garcia continues to create more beauty with his solos in the following 'Must Have Been the Roses'. I really enjoyed the 'Supplication' that follows.. Grateful Dead Boston Music Hall Boston, MA 6/11/76 - Friday One Might As Well [5:06] ; Mama Tried [2:42];[1:39] ; Tennessee Jed [8:03];[2:19] ; Cassidy [4:16];[1:51] ; Candyman [7:31];[1:50] ; Big River [5:16] % Scarlet Begonias [9#:39] > Looks Like Rain [7:46] It Must Have Been The Roses [6:24];[1:37] ; Lazy Lightnin' [2:58] > Supplication [4:19] Brown Eyed Women [4:46];[1:52] ; The Promised Land [2:#58] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod072718.mp3 A thank you and happy birthday wishes to Steve who requested this show.. and who has assisted with many inspired requests.. A big thank you to the kind friends whose support makes the Deadpod possible. peace
Johnny A has 3 top-selling signature guitars… a #1 Single… a Grammy nominated single… has won the Boston Blues Artist of the Year, and is in the Boston Music Hall of Fame. But on this call, you’ll learn that his journey was FAR from easy - as he shares the highs and lows he’s had to deal with… A GREAT story about how he got the gig working with J. Geils Band front man, Peter Wolf… playing with Aerosmith in high school… things he might have done differently… and a whole lot more in this revealing interview with a musician who doesn’t really do interviews like this, at all... Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar
This week's Deadpod features a one-set wonder (as it is only the 2nd set that we have a soundboard tape of) of a superb show from December 1st, 1971 from the Boston Music Hall in Boston MA. This is a beautiful recording of the young Dead and I'm quite certain you'll enjoy both the stand alone songs and the insane jamming of 'The Other One'. The ending 'Not Fade Away'>Going Down the Road Feelin' Bad'>'Not Fade Away' is wonderful as well. Grateful Dead Boston Music Hall Boston, MA 12/1/71 - Wednesday Two Ramble On Rose ; Me And Bobby McGee ; Big Boss Man [4:44] ; Cryptical Envelopment [1:47] > Drums [2:33] > The Other One (1) [14:08] > Me And My Uncle [2:01] > The Other One (2) [8:51] ; Not Fade Away [3:57] > Goin' Down The Road Feeling Bad [5:53] > Not Fade Away [2:40] You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod121517.mp3 My heartfelt thanks to the kind friends whose contributions allow me to produce the Deadpod.