Podcast appearances and mentions of stella blue

Happy sixth of July! This week, our hosts FiG and Game are headed down to Washington DC. It's July 6th, 1986 and the Grateful Dead are playing at RFK Stadium. On the way, discussions abound about whether GD60 is streamed, Boss Baby Game, and the return of the West LA Giveaway. Hell In A Bucket > Sugaree Me & My Uncle > Big River Row Jimmy Cassidy Althea Let It Grow Saint Of Circumstance > Iko Iko Looks Like Rain > He's Gone > Drums > Space > Stella Blue > Throwing Stones > Not Fade Away Brokedown Palace

Go to Nassau! This week, our hosts FiG and Knob are heading to Uniondale, New York. It's May 8th, 1981 and the Grateful Dead are playing at Nassau Coliseum. Discussions abound about Ken Jennings' favorite Grateful Dead songs, the start of the Sphere run, and the platonic ideal of a Loser. Jack Straw Peggy-O Me and My Uncle > Big River Loser C.C. Rider > Althea Let It Grow > Don't Ease Me In Shakedown Street > Samson and Delilah Terrapin Station > Playin' in the Band > Drums > Space > Not Fade Away > Nobody's Fault But Mine Jam > Stella Blue > Sugar Magnolia US Blues   We recorded this too early for JWG3s comment!

86 those blues, June 86 that is. This week, our host Knob is heading to Berkeley, California. It's June 22nd, 1986 and the Grateful Dead are playing at the Greek Theatre. Along the way, discussions abound about the best year for Row Jimmy, what separates New Minglewood Blues, and the podcast becomes a true crime podcast about Terrapin Crossroads. Jack Straw It Must Have Been The Roses Cassidy Row Jimmy Minglewood Blues > Big Railroad Blues Mama Tried > Big River Stagger Lee Hell In A Bucket > Might As Well Fire On The Mountain > Samson & Delilah Ship of Fools > Women Are Smarter > Drums > Space > Truckin' > Goin' Down The Road Feelin' Bad > Stella Blue > Turn On Your Love Light U.S. Blues Box Of Rain

Happy Valentine's Everyone!  This week on the Deadpod we conclude the band's performance from February 19, 1982 in San Diego CA.  Again, this comes from an audience tape so while the fidelity isn't quite up to soundboard levels, it does give you a great sense of being there..  The pre-drums portion of the set is well played, with the highlight being a sweet Lost Sailor>Saint of Circumstance. The killer portion of this set comes as Drums ends, the band goes into a great Other One -- Phil really seems to be enjoying this one as he leads the charge throughout.. A sweet Stella Blue follows then an unusual ending as instead of Around and Around we get Man Smart, Woman Smarter into Johnny B. Goode not as the encore but as the set closer. The US Blues encore is a snappy ending to the enening..    Grateful Dead Golden Hall - San Diego Community Concourse San Diego, CA 2/19/1982 - Friday Two      Alabama Getaway [5:41] > The Promised Land [4:09] Ship Of Fools [7:39] Lost Sailor [6:54] > Saint Of Circumstance [6:44] > Jam [5:13] > Drums [10:55] > Space [8:05] > The Other One [10:33] > Stella Blue [9:47] > Man Smart (Woman Smarter) [5:27] > Johnny B. Goode [3:34] Encore      U.S. Blues [5:06]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod021425.mp3 Thanks for the love! 

Those cornfed fillies start looking good! This week, our hosts Game, FiG and Knob are heading to Iowa! Specifically, the Iowa Fieldhouse at Iowa University in Iowa City, Iowa. It's August 10th, 1982, and the Grateful Dead are wrapping up their summer tour! Discussions abound about skipping past technical difficulties, Bob Weir's recent career moves, and the power of dynamics.  Feel Like A Stranger Friend Of The Devil New Minglewood Blues Tennessee Jed Cassidy It Must Have Been The Roses Beer Barrel Polka >  On The Road Again >  Beat It On Down The Line Stagger Lee I Need A Miracle >  Bertha  China Cat Sunflower >  I Know You Rider Lost Sailor >  Saint Of Circumstance >  Eyes Of The World >  Drums >  Iko Iko >  Truckin' >  Stella Blue >  Sugar Magnolia It's All Over Now Baby Blue > Johnny B. Goode

This week's Deadpod features the second set from the band's performance at the Charlotte Coliseum in Charlotte, NC on October 10, 1989. A good example, I think, of why this was a high water mark in the band's performance history, this second set showcases their ability to improvise both in spots intended and unintended.  The latter I think, is shown in the opening 'Blow Away', which despite some forgotten lyrics and miscues turns into a fine opening number. The jamming in the 'Help>Slip>Frank', especially out of Franklins' and into a fine drums, is an example of some more expected, but nevertheless, successful creativity. Lastly I have to point out how good 'Not Fade Away is here.. far from being mailed in...   Grateful Dead Charlotte Coliseum Charlotte, NC 10/22/1989 - Sunday Two      Blow Away [10:00] Samson And Delilah [6:20] Help On The Way [3:44] > Slipknot! [6:33] > Franklin's Tower [9:40] > Jam [7:#17] > Drums [5:55] > Space [8:43] > I Need A Miracle [4:04] > Stella Blue [8:36] > Throwing Stones [9:11] > Not Fade Away [7:51#] Encore      Black Muddy River [5:53]   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod102524.mp3  Again, thanks for your well wishes and patience with my (typing) brevity!

We've gone about as far as we can go! This week, our hosts FiG and Knob are heading to Kansas City. They'll be listening to the Grateful Dead's October 28th, 1977 show at Soldiers & Sailors Memorial Hall. Along the way, discussions abound about MLB's Jerry Garcia nights, Dave's picks, and Knob's adventures in Asbury Park. Promised Land They Love Each Other Cassidy Tennessee Jed Mexicali Blues >  Big River Brown Eyed Women Lazy Lightning >  Supplication Deal  Samson & Delilah Candyman Sunrise Passenger He's Gone >  Drums >  Not Fade Away >  Stella Blue >  Goin' Down The Road Feelin' Bad >  Around and Around Casey Jones

Happy New… August. This week, our hosts FiG and Knob are heading to Oakland for the Grateful Dead's December 31st, 1979 show at the Oakland Auditorium Arena. Discussions abound about the Sphere, pitch wheels, and a Samson that just won't quit. Jack Straw >  Franklin's Tower Mama Tried >  Mexicali Blues Tennessee Jed Looks Like Rain >  Alabama Getaway >  Promised Land  Sugar Magnolia >  China Cat Sunflower >  I Know You Rider Samson & Delilah Ship of Fools Lost Sailor >  Saint Of Circumstance >  Deal  Althea >  Minglewood Blues Uncle John's Band >  Drums >  Space > Not Fade Away >  Stella Blue >  Sunshine Daydream Good Lovin'

This week we conclude the band's performance on July 26, 1972 at the Paramount Theater in Portland, Oregon.  Clearly the 'Dark Star' we open with is the highlight of this set, if not the show. It traverses the heavens for over half and hour and features some excellent improvisational displays (see the Dark Star map below). It leads into a lovely and soulful 'Comes A Time'. 'Sugar Mag' follows to get things rockin' again, and that leads into a 'Brown Eyed Women' which is unfortunately cut on the tape. Another Jerry ballad  - 'Stella Blue' follows and then the band revs it up for a fine 'Not Fade Away>Going Down the Road>Not Fade Away' conclusion to this epic set.  'One More Saturday Night' is the encore, although this one was played on Wednesday :)   Grateful Dead Paramount Theatre Portland, OR 7/26/1972 - Wednesday Two (con't): Dark Star [31:13] (5) > Comes A Time [7:03] Sugar Magnolia [7:56] Brown Eyed Women [3#:38] Beat It On Down The Line [3:06] Stella Blue [8:06] Not Fade Away [5:15] > Goin' Down The Road Feeling Bad [8:20] > Not Fade Away [3:22] Encore      One More Saturday Night [5:32] (5) Dark Star Map: Dark Star theme/Jam [9:22] > theme/Verse one [1:49] > Spacy Jam [1:08] > Bass and Drums [1:05] > Bass, Drums and Piano [1:10] > All but Jerry Jam [0:30] > Jam [3:45] > Spacier [1:15] > Space [4:05] > tiger [1:00] > Uptempo Spacy Jam [2:50] > theme/Verse 2 [2:53] > Comes a time.   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod080224.mp3  hard to believe it's time for another 'Days Between'.... hope you are well and thanks  for your kind support. 

"Deadhead Adventures: From Minneapolis to Alpine Valley"Larry Mishkin delves into a nostalgic recount of a Grateful Dead concert he attended on June 17, 1988, in Minneapolis, part of their Midwest Summer Tour. He reminisces about attending the show with friends Mikey and JT, detailing their travel adventures and the concert's setlist, which included memorable performances of "Hell in a Bucket" and "Far From Me."Larry also shares personal anecdotes about his experiences following the Grateful Dead, including the challenges of balancing concert trips with his professional life and the thrill of attending multiple shows in a short span. He transitions into discussing the significance of the song "Hell in a Bucket," its debut, and its frequent performance as a show opener. He explains the concept of "Mondegreens," humorous misheard lyrics, using an example from a Grateful Dead song review.The show revisits a story about a Phish fan who was initially banned from all Madison Square Garden Entertainment venues for smoking a bong at the Sphere. MSG later rescinded the ban, citing an internal error. Larry expresses surprise and amusement at the quick reversal and discusses the implications for fans.Finally, Larry discusses the resale of Dead & Company tickets for their Las Vegas Sphere shows, noting that many are being sold at face value or below on cashertrade.org. He expresses mixed feelings about fans having to sell tickets at a loss but appreciates the platform's role in preventing scalping.  Grateful DeadJune 17, 2024 (36 years ago)Met CenterMinneapolis, MNGrateful Dead Live at Metropolitan Sports Center on 1988-06-17 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape First show of the 1988 Midwest Summer TourWith my good buddies Mikey and JT – weekend in Minny, Friday night show but had to stay until Sunday to fly home because if you stayed over a Saturday night, round trip airfare was much less expensive.  Got home on Sunday and headed straight for Alpine Valley for the first of four shows S, M, W, Th.  Each night headed home, slept for 4 hours, got up for work, left work at 3 p.m., ride the El to the middle of the Kennedy Expressway at Addison, hop in a car and drive straight up.  Fight the crazy post show traffic in that horridlbe parking lot (unless you have one-armed Lary as your driver).  Hardcore.  My law firm didn't know what to make of it.  I got in four shows at home with no vacation days taken! INTRO:                                 Hell In A Bucket                                                Track #2                                                0:00 – 1:34                [From David Dowd]:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs.           “Bucket” debuted on May 13, 1983, at the Greek Theater in Berkeley. Alice Kahn wrote a review of the show, in which she promulgated one of the best-ever Mondegreens, referring to the song as “Police on a Joy Ride.” The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance. It was performed by the Dead for the final time on June 30, 1995, at Three Rivers Stadium in Pittsburgh, Pennsylvania.“Hell in a Bucket” appeared on In the Dark, released in July 1987 (aka Touch of Grey album).Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:    June 30, 1995, at Three Rivers Stadium in Pittsburgh, PennsylvaniaSHOW No. 1:                    Far From Me                                                Track #6                                                3:18 – 4:45Brent MydlandGo To Heaven (April 28, 1980)Strong Brent tune.  I saw them open the second set with it a my second show ever (also with my buddy Mikey) in the Carrier Dome on September 24, 1982, the night I got on the bus forever.Played: 74 timesFirst:  March 30, 1980 at Capitol Theatre, Passaic, NJ, USALast:  July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (the night before Brent's last show).  It died with him.MUSIC NEWS:MSG ENERTRAINMENT REDACTS INDEFINITE VENUE RESTRICTION FOLLOWING PHISH FAN BONG/SPHERE CONTROVERSY 2.     Dead & Company Sphere Tickets Listed for Face Value or Below on CashorTrade! Dead & Company announced 24 dates at the Las Vegas Sphere, and many fans eagerly bought tickets. Now, some can't attend and are selling their tickets at face value or less on CashorTrade.org. Built by fellow Deadheads in 2009 to protect fans from scalped tickets, 3.     Roger Daltrey Shares Thoughts on Sharing Setlists Online and More, Ahead of The Voice of The Who Tour - Touching on his feeling toward revealing the contents of a performance online, Daltrey asserted, “I'm not gonna talk about songs.” Providing reasoning, he added, “Too many people reveal songs. There's no surprises left with concerts these days, 'cause everybody wants to see the setlist. I'm f–king sick of it. The Internet's ruined the live shows for me. Who wants to know what's coming next? People forget about surprises. I can't stand it.  Here's an idea for Roger – don't play the exact same show every night!  Mix up your songs and then set lists can only give you probabilities of what might get played.  See the Grateful Dead, Phish and every other jam band ever. 4.     As promised last week, here are the deets on Trey playing with Billy Joel in MSG last week:  Madison Square Garden residencies have long been a career-defining staple of the New York City live entertainment location, with names like Billy Joel and Phish dominating multi-night show cycles, making the venue a known place to catch a memorable Big Apple performance. However, last night's performance was a truly unique event, a planned convergence for the two title-holders, Joel and Phish's Trey Anastasio. They teamed up on select songs, including “Sleeping With the Television On,” a cover of Derek and the Dominos' “Layla” and night closing “You Might Be Right,” featuring a Led Zeppelin “Rock and Roll” insert, sung by Mike DelGuidice.                                                 SHOW No. 2:                    Victim Or The Crime    (First time played)                                                Track #9                                                0:00 – 2:13 (long clip but it's the first time played so I had to run with it)                 Written by Bob Weir and Gerrit Graham                               Garcia – “It's one of Weir's stunningly odd compositions, but it's also very adventurous. It's uncompromising; it's what it is, and the challenge of coming up with stuff to play that sounds intelligent in the context has been incredible, but also appropriately gnarly. I really wanted that part of it to work.I think we did a nice job on the record with it. It works. Whatever it is, it works. I'm real happy with it because it was one of those things that was like, "What are we going to do with this?" It's like having a monster brother that you lock in the attic. It's like a relative that you -- "God, I hope nobody comes over when he's eating...." But that's one of the things that makes the Grateful Dead fun.”             “The text of it -- I don't believe I've ever actually listened to all the words to it. Ever. I have the gist of it; by now I probably could recite it if I really had to, but the text of it is more of the same in a way, it doesn't have a whole lot of light in it. It's very dense, and it's angst-ridden to boot.”             Played 96 times, “Victim” debuted on June 17, 1988, at the Metropolitan Sports Center in Bloomington, Minnesota THIS SHOW. It remained in the rotation thereafter, and was played for the final time on July 2, 1995 at Deer Creek Music Center in Noblesville, Indiana.    SHOW No. 3:                    All Along The Watchtower                                                Track #19                                                1:22 – 3:22  (another long one but could not break up the jam)                 "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston.             Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. The singer has performed the song live more than any of his other ones, with over 2,250 recitals.             I always loved the Dead's cover of this tune.  As you heard in the clip, it is a rocking tune and Jerry would really jam hard on it.  Great snappy second set tune that would always get the crowd moving in the next gear.  Played:  118 timesFirst:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  MJ NEWS 1.        Biden Admin Is ‘Mischaracterizing' Marijuana Rescheduling Impact As Big Pharma Is ‘Waiting In The Wings,' Former Massachusetts Regulator Says (Marijuana Moment) 2.       GOP Congressman Says ‘Millions Of Marijuana Users' Own Guns And Shouldn't Face Prosecution Like Hunter Biden Did 3.    Marijuana Rolling Paper Company Will Pay $4.20 To Volunteers To ‘Smoke Joints For Science'  SHOW No. 4:                    Black Peter                                                Track #20                                                1:36 – 3:11                 Garcia/Hunter tune released on Workingman's Dead in 1970.                  Robert Hunter was not afraid of death; he experienced it a thousand times over. The American musician composed the lyrics to many of The Grateful Dead's most successful songs and played an essential role in curating the band's mythos, one that saw the psychedelic rock outfit earn hordes of dedicated fans, or ‘deadheads'. One such song was ‘Black Peter' – written for the band's 1970 album Workingman's Dead.          By 1969, The Dead were practically synonymous with the liberal drug culture of the hippie era. In the June of that year, Robert Hunter and the gang were given a glass of apple juice laced with “probably a full gram of crystal LSD … worth perhaps $50,000.” The intense trip that followed would completely reinvigorate Hunter's understanding of death and influence his subsequent lyrics for ‘Black Peter'. Bassist Phil Lesh would later recall tasting the LSD in the juice after a single sip: “I wish you could be where I am right now—it's so beautiful,” he told drummer Mickey Hart, “but I couldn't possibly play music now. I don't even know what music is.” Still, there was a job to do, so the band played anyway. In the ‘80's and ‘90's, one of Jerry's rotating post-drums second set ballads along with Morning Dew, Wharf Rat and Stella Blue. This version was one of the highlights of this show.  Jerry's voice is strong if not a bit “ragged” around the edges just the way Deadheads liked it, with just enough emotion to really convey the song's meaning and its statement about the end of life. Played: 351 timesFirst: December 4, 1969 at Fillmore West, San Francisco, CA, USALast:  June 22, 1995 at Knickerbocker Arena in Albany, NY  OUTRO:                               Black Muddy River                                                Track #23                                                4:09 – 5:55  Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, Il – looked like it was going to the last song of the show (encore) and the last song of the difficult summer tour.  Turns out, it could have been the last song ever played in concert by the Dead, until Phil stepped in to leave everyone with a smile on their face and no bad taste in their mouths with a great second encore Box of Rain which then became the last song ever played by the Dead in concert. By contrast, this version is outstanding with strong playing and singing by Jerry.  And, with the show practically on the banks of the Mississippi, it was a geographically appropriate song for the venue. Mikey, JT and I rolled off into the night, a crazy weekend in Minny, and then the next four shows on the tour at Alpine.  Ah, to have the kind of energy again, even if just for a night.  Thank you psychedelics!! Enjoy the Summer Solstice and the beginning of summer. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

"From Morning Dew to Dark Star: The Grateful Dead's Masterpiece Concert in 1973"Larry Mishkin's featured concert is the Grateful Dead's legendary performance at Robert F. Kennedy Stadium on June 10, 1973. This show is celebrated as one of the band's greatest, partly because of its remarkable opening with "Morning Dew," a song that symbolized the special nature of the event. The concert, part of a two-day festival with the Allman Brothers Band, included an extraordinary setlist and performances that have become iconic.The show started with "Morning Dew," a rare and significant opener, setting the tone for the night. The first set included 13 songs, ending with an 18-minute "Playing in the Band." The second set opened with a 22-minute "Eyes of the World," followed by Jerry Garcia singing "Morning Dew," "Stella Blue," and "Warfrat," which was a rare combination for a single show. The set also featured a 12-minute "Bird Song" and an 11-minute "Here Comes Sunshine," showcasing the band's range and intensity.A highlight of the concert was a 26-minute "Dark Star" that led into a sequence of "He's Gone," "Warfrat," "Truckin'," and "Sugar Magnolia," making for an over-hour-long jam to close the second set. The encore was equally impressive, featuring eight songs with guest performances by Dicky Betts and Butch Trucks from the Allman Brothers Band. This show exemplified the Grateful Dead's ability to create a transcendent musical experience.Larry also discusses the song "Wave That Flag," played for the last time at this concert, which evolved into "US Blues." This track, notable for its evolving lyrics and style, was a precursor to a fan-favorite encore tune.In music news, Larry highlights the release of Widespread Panic's new LP, "Snake Oil King," their first in nine years, set to be released on June 14, 2024. The band, known for their jam band status, recorded the album at John Keane Studio in Athens, Georgia, and it features six tracks with high-quality vinyl mastering.The discussion also touches on Dead and Company's recent performances at the Sphere in Las Vegas, noting the innovative visuals and varied setlists. The band continues to break out new tunes and maintain the excitement of live shows.Finally, a humorous note mentions a Phish fan who was banned from all MSG venues for posting a video of himself taking a bong hit inside the Sphere during a concert, highlighting the strict enforcement of venue policies. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week's Deadpod takes us back to Irvine California for the second set of the show from April 23, 1988. This second set is well-executed, tight yet containing several delightful spacey interludes. The opening 'Playin In the Band', while short, is quite interesting and gives way to an excellent 'Crazy Fingers'. That leads into 'Uncle John's Band', afterwards the band goes into a rather extended Drums and Space, whcih are quite high powered and interesting.  Post-Drums highlights include a powerful 'Going Down the Road' and an  excellent 'Dear Mr. Fantasy> Hey Jude reprise'. Jerry's ballad slot gives us a sweet 'Stella Blue' and they close the set with a nice 'Lovelight'. A 'Knockin' On Heaven's Door' encore ends the festivities.    Grateful Dead Irvine Meadows Amphitheatre Irvine , CA 4/23/1988 - Saturday Two     Playing In The Band [7:38] > Crazy Fingers [8:04] > Uncle John's Band [8:39] > Drums [10:05] > Space [13:09] > Goin' Down The Road Feeling Bad [6:02] > I Need A Miracle [3:32] > Dear Mr. Fantasy [5:14] > Hey Jude Reprise [1:27] > Stella Blue [8:07] > Turn On Your Love Light [5:32] Encore     Knockin' On Heaven's Door   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod050324.mp3   Sorry - no 'The Race is On' this year, but nevertheless I hope you have a wonderful Derby weekend .. May is a month worth celebrating and enjoying...

"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago. Grateful DeadApril 30, 1977  (47 years ago, tomorrow)PalladiumNYCGrateful Dead Live at The Palladium on 1977-04-30 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape This is another good show from 1977, but the recording quality is actually not bad considering this is an audience recording.  Since then the show has been commercially released as the first volume of the Grateful Dead Download Series if you want to hear the crisper soundboard recording.Highlights from this show are the first set Mississippi Half Step and even Looks Like Rain is played with a passion that is moving even if the song always is not. In the second set, the Dead start off with a Scarlet Begonias>Fire on the Mountain (pretty good), swing into a fun mid-set Good Lovin (common for that time, but for the last 15 years, it was almost always a set closer as an alternative to Sugar Mag) or an encore tune (send everyone home with a smile), Friend of the Devil , Estimated Prophet.  And then they blow the doors off the place with a St. Stephen>Not Fade Away>Stella Blue>St. Stephen sandwich that must be heard in full to be truly appreciated.  It's pretty awesome to hear Stella Blue transition back into the St. Stephen, an unusual pairing to say the least. Close with a Saturday Night and then yet another 1977 Terrapin Stationencore.   INTRO:                                 Music Never Stopped                                                Track #2                                                0:00 – 1:26                 Hunter Weir tune, released on Blues For Allah (Sept. 1,1975). Bob:  As a lyricist I'm glacially slow. I can generally get the job done, but it takes too damned long. So I like to work with people who have a little more facility with that—you know, John Barlow, Garrett Grant, Robert Hunter.Or I may have a general notion of the color of the rhythm and the harmonic or melodic development, and I'll sit with a guy and we just fire blank verse at each other until we start to corner that color—and then often the song will fall right out of the sky. Other times, I may have no notion of where the song wants to go, in which case I'll let whoever I'm working with surprise me. . . .“The Music Never Stopped” is a song that we wrote over the telephone. I had this business going [plays opening guitar riff, Example 13 below]. So I played this over the phone to John, and he just started spitting stuff at me. The first line came out, “There's mosquitoes on the river / Fish are rising up like birds.” He was living in Wyoming at the time on a ranch, and he started describing a situation that I'd seen with him, where it was late summer on a dry year and things were hot and kind of dull and dead.So where are we going to take this? Well, first I figured the verse is going to have to be twice as long as I originally figured, because if you're starting with an image that thick, you have to get into some detail about it. “It's been hot for seven weeks now / Too hot to even speak now / Did you hear what I just heard?” That last line came after some deliberation. It's a pregnant line, sort of like a leading tone in a harmonic development.The success of the endeavor, if you're working with a lyricist, depends on how closely the lyric marries the music. With Barlow or Gerrit Graham or whoever, there's a lot of back and forth. I guess I get to be the decider, because the words are going to have to come from my lips. And so I have to be able to tell the story.I have to be that character, because my job is to get the hell out of the way and let the character tell the story, musically and lyrically. When I'm standing in front of the microphone, I may look like me, but I'm not.If the character arrives with a really defined face and features, then it's easy for me to do my job.Fun version because almost always a first set closer and here it is opening the show.  Love that.            236 times            First:  August 13, 1975 at Great American Music Hall, San Francisco, CA, USA            Last:  June 28, 1995 at The Palace of Auburn Hills                      The Palladium:  The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue.Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the academy operated as a cinema through the early 1970s.Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with the Band live radio broadcast,[1] and continued to serve as a concert hall into the following decade.In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club.[2]Peter Gatien owned and operated the club from 1992 until 1997.The Palladium closed in August 1997 following its purchase by New York University.[3] In August 1998, the building was demolished in order to build a twelve-story residence hall that students affectionately referred to as Palladium HalThe Dead also played there when it was called the Academy of Music in a series of seven shows on their way to Europe for the '72 tour.  One of the those shows, the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972 were released as Dick's Picks Vol. 30This five night Palladium run, of which today's show was the second, is famous for a lot of reasons including the part of 1977 when the Dead put together a string of some of their best shows ever, peaking on May 8, 1977, just over one week later, at Barton Hall in Ithaca, NY.  All five of these shows are well played, great tunes, and a very grooving feel that you can still pick up off of the CD or down load 47 years later.  I had most of these shows on tape and wore them out from so much playing.  Love that they previously released this show as Download Series Vol. 1 and the new Dave's Picks release, No. 50!!, is the May 3, 1977 show including some extra songs from the next night as well as the annual Dave's Picks Bonus Disc that is even more songs from the May 4th show).  If you are not listening to Dave's Picks, you are missing out on quality recordings of some of the best shows ever.How hot was the band, check out this extended jam at the end of ½ Step, the second to last song of the first set (ending with a great Promised Land) and be sure to listen for Jerry and Keith going back and forth throughout this clip:                                             SHOW No. 1:                    Mississippi ½ Step                                                Track #11                                                7:06 – 9:29 Garcia/Huner tune released on Wake of the Flood in 1973.  Also live versions included on Steal Your Face, Dick's Picks Vol. 1, Without a Net and who knows how many other Dick's/Dave's Picks releases, etc.  If you want to hear it, you can find it, easily. First performed July 16, 1972 at Dillon Stadium in Hartford, Connecticut. Followed "Me and My Uncle" and led into "Sing Me Back Home," which closed out the first set. A staple of the repertoire ever since. 236 times (exact same as Music Never stopped!)First:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at Riverport Amphitheater Maryland Heights, MO Music News: Neil Young Tour  SHOW No. 2:                    St. Stephen                                                Track #1                                                              0:00 – 1:49 Blah Blah Blah, everyone knows about St. Stephen.  Dead's Fluffhead apparently.  Because of its true melodic nature and strong lyrics, it existed long outside and after the end of Primal Dead.  Still only played a total of 187 times:                 First:  May 24, 1968 at National Guard Armory, St. Louis, MO, USA            Last:  October 31, 1983 at Marin Veteran's Memorial Auditorium, San RafaelBut post Dead hiatus year, they started making song sandwiches often based around this song.  This four song sandwich at the end of the show is so good that I had to feature all of it at the expense of some other really great tunes like Bertha, Peggy O, Looks Like Rain, Promised Land, and any tune in the second set.  This sandwich is just too cool to ignore or not give it proper due. Here is the first layer change: SHOW No. 3:                    St. Stephen>Not Fade Away                                                St. Stephen                                                Track #19                                                4:10 – end                                                INTO                                                Not Fade Away                                                Track #20                                                0:00 – 1:15 Great switch out of St. Stephen and into an amazing opening jam of NFA. I wanted to try and catch the opening lyrics but the jam went on for almost 4 minutes which is too long even for these extended clips. MJ News Check out this next transition that they pull off seamlessly: SHOW No. 4:                    Not Fade Away>Stella Blue                                                Not Fade Away                                                Track #20                                                14:15 – end                                                INTO                                                Stella Blue                                                Track #21                                                0:00 – 1:30 Beautiful how they downshift on cue from the raucous NFA into the gentle and beautiful ballad mode required for Stella Blue.  Jerry's voice is so strong and clear.  Really a treat. Not even getting to the last tune of the encore today.  Not enough time but had to close out the episode with the final sandwich transition, from Stella back into an immediate upbeat St. Stephen that is so strong I told Dan we could not edit out any of it!  What a great (almost ending) to such a great show.   Deadheads walked out knowing there were still 3 more to go!  Like going to bed and already being told the next day is a snow day! Thank you all for listening.  Please be sure to join us next week when I am joined by Rob Bleetstein of Grateful Dead Radio (show host), Pearl Jam radio and he is also the Curator for the New Riders of the Purple Sage.  He is joining us to discuss, among other things, the newly released NRPS live album “Hempsteader”.  If you haven't heard it yet, check it out.  I'm looking forward to hearing from Rob how this was all put together and what the NRSP are up to these days. Also, a Birthday shoutout to very good buddy, Sam who is turning old tomorrow.  At his age, the actual number doesn't matter but we love him anyway. ENCORE:                            Stella Blue>St Stephen                                                Stella Blue                                                Track #21                                                7:50 – end                                                INTO                                                St. Stephen                                                Track #22                                                Start - end .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

References Int J Mol Sci. 2019 Oct; 20(20): 5028 Nutrition. 2021-11-01, Volume 91, Article 111388 Bach, JS. 1720. "Brandenburg Concerto No. 6" in B Flat Major. BMV. 1051. https://youtu.be/_tr_uYEQkrs?si=rXXWMBAnWGbEuAOk Hunter-Garcia. 1970. "Stella Blue". [Wake of the Flood;lp] https://youtu.be/VKsWDyvWaL4?si=DnHgzSEiiKeUOXbj --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Are you ready to rock?? Red rocks!! This week, our hosts FiG and Knob are heading to Morrison, Colorado for the Grateful Dead's July 27th, 1982 show at Red Rocks Ampitheatre. Discussions abound about what makes "On the Road Again" work, what shows we would time travel to, and what Jerry's favorite reality show would've been. Jack Straw > Sugaree On The Road Again It Must Have Been The Roses Me And My Uncle > Big River Peggy-O > Little Red Rooster China Cat Sunflower] > I Know You Rider Playin' In The Band  > Terrapin Station > Playin' In The Band Jam > Drums > Space > The Wheel > The Other One > Stella Blue > Playin' In The Band (Reprise) U.S. Blues

The world needs a lot of things, but what it really needs is a show from Dylan. As a Millennial, he feels the world needs more of him. He will even add a third sentence in the description revealing the need for him. Today, I review Stella Blue coffee, Dr. Richie stops by to talk about stretching, and we draft the best movies villains of all time. #movies #movie #moviereview #villains #moviepodcast #filmpodcast #film #acting #actors #funny #debate #stretching #fitness #healthandwellness #comedy #coffee #stellablue #barstoolsports #bigcat #pardonmytake 0:00 - Intro 2:25 - Stretching 10:20 - Richie's Dune: Part 2 Review 12:20 - Best Movie Villian Draft 32:00 - Stella Blue Coffee Review 38:00 - Outro

There are few Huntington families that are as musically gifted and universally loved as the Campion family.  In Episode 2, I'm privileged to sit down with Kevin Campion, lifelong Deadhead and current lead singer for Huntington's own Soghat.  Kevin takes us back to the late 70's when he got on the bus, and explains how today he pays tribute to his late brother, “Hollywood Bob”, by sitting in as the front man in Bob's Grateful Dead cover band, Skeleton Crew, in Southern California.  We paint the picture of just how much a select few Jerry ballads mean to each of us, including Black Peter, Wharf Rat, Stella Blue and Attics of My Life.  We share how each of us treasure the memories of our beloved brothers and recall how each of them paved the way for us by breaking in our parents ;)  The episode is the first of two conversations that will include the Campion brothers.  Next up, younger brothers Chris and Billy of the Knockout Drops and Bogmen, respectively.  Join us, and let's see where the energy takes us! #IFEhttps://music.apple.com/us/album/dicks-picks-vol-10-12-29-77-winterland-arena-san-francisco-ca/307801079 https://youtu.be/5Ms0COQQbE4?si=KOy8MiwIvUMBceeU

Bob Dylan's Extended Tour and Upcoming Phil Lesh and Friends ConcertLarry Michigan relives a classic Grateful Dead show from exactly 37 years ago on January 29th, 1987, at the San Francisco Civic Center. The performance marked the middle night of a three-night run celebrating the Chinese New Year.Larry delves into the opening song, "Hell in a Bucket," reminiscing about the quirky banter and Bobby's guitar troubles. Larry shares amusing anecdotes, including the infamous "Police on a Joyride" mix-up in a Chicago Tribune article. The podcast crew laughs about past experiences and the unique anticipation of a Grateful Dead show.He also reflects on the significance of the Chinese New Year celebration during the shows and the dragon dance that captivated the audience. The conversation shifts to Jerry Garcia's remarkable comeback after a diabetic coma in 1986, making these shows even more special.As they discuss the performances of "Hell in a Bucket" and "Sugaree," the hosts highlight Jerry's exceptional guitar playing and the overall energy of the band during this period. Larry also shares the latest cannabis news and provides with updates on upcoming music events, including Phil Lesh and Bob Dylan's tours, and a nod to the Live Dead and the Brothers tour. Grateful DeadJanuary 29, 1987  (37 years ago)San Francisco Civic CenterS.F., Ca CHINESE NEW YEARS SHOW with the Dragon Dance during DrumsThis three night run (Jan. 28 – 30) were the last shows played by the band within S. F. city limits, after this, shows at Shoreline, Oakland Auditorium, Oakland Stadium, Greek Theater, maybe Berkeley Community Theater or Henry J. Kaiser.Barely one month since Jerry returned from his diabetic coma on Dec. 15, 1986.Bobby's dog, Otis, died earlier in the day before the show.  Best known from Reckoning, Ripple when in the middle of a verse the dog walks on stage and Jerry says, “that's Otis”.  Good stuff.I was at this show and the next nightWent with my good buddy Tommy who lived in the area Grateful Dead Live at San Francisco Civic Auditorium on 1987-01-29 : Free Borrow & Streaming : Internet Archive  INTRO:              Hell In a Bucket                           Track #1 (Don't be fooled by Finiculi Finicula intro - the song starts after a brief noodle, this is the correct track)                           1:55 – 3:33 SHOW No. 1:    Sugaree                           Track #2                           1:19 – 3:02 SHOW No. 2:    Drums                           Track # 13                           2:30 – 4:00                            Features the Chinese Dragon Dance portion of the Drums  SHOW No. 3:    Scarlet>Fire                           Track #9:   7:50 – end                            Track #10:    Start 0:41                           This is the transition between the two songs just keep taping from the end of Scarlet through the beginning of Fire  SHOW No. 4:     Stella Blue                           Track # 14 (On the Archive page for this track it shows I Need A Miracle > Stella Blue, just use the time signatures below to get to the Stella Blue part                           7:06 – 8:44  OUTRO:             Going Down The Road Feeling Bad                           Track #15                           1:23 – 2:53 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Wave that flag! This week on the Help on the Way pod, our hosts FiG and Knob are celebrating the fourth of July six months early! They're heading to Bonner, Kansas, for the Grateful Dead's July 4th, 1990 show at the Sandstone Ampitheatre. Discussions abound about Just a Little Light, the triumphant return of Scarlet > Fire, and Knob reads some comments in an award-winning British accent. Cold Rain and Snow > Walkin' Blues Mississippi Half-Step Uptown Toodeloo Queen Jane Approximately Loose Lucy It's All Over Now Loser Promised Land Victim Or The Crime Foolish Heart Just A Little Light Scarlet Begonias > Fire On The Mountain Drums > Jam > The Wheel > Gimme Some Lovin' > Stella Blue > Sugar Magnolia U.S. Blues 

 In the first episode of GD&F, I'm honored and proud to welcome my friend, fellow Deadhead, and all around amazing human being, Fred Weiss.  Join us as Fred takes us back to the early 70's when he got on the bus.  He shares his memories of a firsthand encounter with promotor, Bill Graham.  He brings us inside Winterland in the Fall of ‘78 with the Dead in a post-Egypt groove, and describes Jerry's “pure beauty” on a Stella Blue that he'll never forget.  He shares what matters most to him in life and offers some insights into what's next on his long strange trip.  Join us, and let's see where the energy takes us!  Links: https://relisten.net/grateful-dead/1978/10/21/stella-blue?source=91384

The Deadcast finishes its season by examining Bob Weir's ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band's own label with company president Ron Rakow, plus Yo La Tengo's Ira Kaplan, Erik Davis, & more.Guests: Eric Andersen, Ron Rakow, Steve Brown, Ira Kaplan, Gary Lambert, Michael Parrish, David Lemieux, Brian Kehew, Erik Davis, Scott Metzger, Shaugn O'Donnell, Carey ColesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

FOR THE CHATYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/barstoolyak

The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song's evolution (yes, including that cool 7/8 ending).GUESTS: Ron Rakow, Ned Lagin, David Lemieux, Brian Kehew, Holly Bowling, Erik Davis, Shaugn O'Donnell, Brian Schiff, Jay Kerley, Mike Dolgushkin, Danno Henklein, Lippy, Peter Egart, Davis Schneiderman, Mike Ruggieri, Charlie FrazierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Wake Of The Flood 50: Here Comes SunshineWe explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood. GUESTS: Donna Jean Godchaux-MacKay, Bruce Hornsby, Steve Parish, David Lemieux, Alex Bleeker, Scott Metzger, Shaugn O'Donnell, Bill Polits See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York's fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.GUESTS: Elvis Costello, Bruce Hornsby, David Lemieux, Nick Paumgarten, Scott Metzger, Shaugn O'Donnell, Nick BushSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grab your acoustic guitars, because we're heading to the Warfield! This week on the Help on the Way pod, our hosts FiG and Knob are headed to San Francisco, California to discuss the Grateful Dead's September 27th, 1980 show. Discussions abound about the history of the Warfield run, our love of Monkey and the Engineer, and which Grateful Dead song our hosts would marry. Dire Wolf The Race is On Jack-a-Roe Monkey and the Engineer It Must Have Been the Roses Dark Hollow Bird Song To Lay Me Down On the Road Again Oh Babe it Ain't No Lie > Ripple Mississippi Half-Step > Franklin's Tower Mama Tried > Mexicali Blues Row Jimmy Little Red Rooster Althea > Let it Grow > Deal Cold Rain and Snow > C.C. Rider Ramble on Rose He's Gone > The Other One > Drums > Space > Stella Blue > I Need a Miracle > Goin' Down the Road Feelin' Bad > Johnny B. Goode One More Saturday Night

 TFTL Ep17 Super Hippie Dippy - 5/27/1989 - Oakland ColiseumMy guest, Michael Leube, is here from Budapest, Hungary to discuss seeing Grateful Dead at the Oakland Coliseum in 1989, the 80/20 Rule, a heartbreaking Stella Blue, and why Billie Jean is the best pop song.#GratefulDead #OaklandColiseum #MusicMemories #StellaBlue #BillieJean #Podcast This episode is sponsored by ShakedownTshirts.com with unique lot-style T-shirts and gifts for Grateful Dead, Phish, Zappa, Panic, and more. All US orders over $35 Ship Free. Use code "Lot20" for 20% off any order. Support the show

Wake Of The Flood 50: Row JimmyThe Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977. GUESTS: Donna Jean Godchaux-MacKay, Robert Hunter, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A massive second set of classic Grateful Dead for your listening pleasure this week on the Deadpod. We present the second set from September 9, 1972 at the Hollywood Palladium.  There is a whole lot of beautiful music here, starting with a fine China>Rider with a great transition. The 'Friend of the Devil' is nicely done, and its nice to hear the faster original tempo. I also welcome hearing the fine contribution here and thorughout from Keith whose keyboards meld so well. The first of many melting moments happens in the fine 'He's Gone' into 'Truckin' transition. while there is a cut here this is an wonderful version. What is completely off the hook though is 'The Other One'. This is about a 34 minute excursion into the far reaches of space, with Lesh and Garcia leading the way to previously unknown plateaus.  I think you'll love this.. and it goes into a very sweet 'Stella Blue'.  Be sure and check out the announcements after the 'Stars and Stripes Forever' for a good laugh...      Grateful Dead Hollywood Palladium Hollywood, CA 9/9/1972 - Saturday      Two     China Cat Sunflower [7:57] > I Know You Rider [5:23] Friend Of The Devil [3:58] Jack Straw [4:41] He's Gone [11:18] > Truckin' [14:#17] > Drums [2:#43] > The Other One [35:06] Stella Blue [6:28#] El Paso [4:40] Casey Jones [6:40] Sugar Magnolia [8:09] Encore     One More Saturday Night Stars and Strips Forever  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod091523.mp3  my thanks for listening and your kind support. 

The Deadcast explores Keith Godchaux's only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Steve Brown, Howard Wales, Marty Weinberg, Les Kippel, Harvey Lubar, Howie Levine, Jim Cooper, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'Donnell, Marc Masters, Dave MandlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast begins our deep dive into Wake of the Flood, including multi-track breakdowns for Mississippi Half-Step, never-heard outtakes, studio memories from Donna Jean Godchaux-MacKay, & the origins of Grateful Dead Records with co-founder Ron Rakow.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Alan Trist, Steve Brown, David Lemieux, Brian Kehew, Nick Paumgarten, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

These little town blues are melting away! This week, our hosts Game and FiG are heading to New York, New York to discuss the Grateful Dead's September 23rd, 1988 show at Madison Square Garden. Discussions abound about the life and legacy of Jerry Garcia, I Will Take You Home, and a game show about Grateful Dead hot takes! Let The Good Times Roll Hell In A Bucket Cold Rain & Snow Walkin' Blues Loser Memphis Blues Dupree's Diamond Blues Promised Land Samson & Delilah Ship of Fools Victim Or The Crime > Foolish Heart > Drums > Space > I Will Take You Home > The Other One > Stella Blue > Sugar Magnolia U.S. Blues 

Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Birmingham they love the governor, but here on Help on the Way they love The Dead. Our hosts Game and FiG are heading down to Alabama for the Grateful Dead's December 15th, 1978 show. Discussions abound about Phil Lesh & Friends, Crossword Puzzles, and which is the best Donna song: From the Heart of Me vs. Sunrise. Promised Land Shakedown Street Minglewood Blues Friend Of The Devil El Paso From The Heart Of Me Brown Eyed Women Cassidy Deal I Need A Miracle > Bertha > Good Lovin' It Must Have Been The Roses Terrapin Station > Playin' In The Band > Drums > Stella Blue > Truckin' > Playin' In The Band U.S. Blues 

Rebecca Choltco is the primary artisan and owner of Stella Blue Home & Gift Boutique. Stella Blue is a small, independent online gift and home decor shop. Outside of creating her own items, Becky showcases specially curated, handcrafted items from other small businesses and local makers .Some of Stella Blue's offerings include farmhouse signs, fiber earrings, rustic trays, and customized prints of your pet! https://www.shopstellablue.com/ Facebook: https://www.facebook.com/stellabluepgh IG: @stellabluepgh

Brooks Koepka wins the PGA Championship but first the coin has decided to start with the Celtics being dead. Hank is struggling with his new reality as the Heat whomp Boston to go up 3-0 (00:00:00-00:13:38). Brooks Koepka wins the PGA Championship and we talk about the tourney, Michael Block, and Brooks being all the way back (00:13:38-00:29:02). The Nuggets beat the Lakers and the refs on Saturday and it may be over for Lebron (00:29:02-00:33:09). Who's back of the week including cold brew coffee coming for Stella Blue (00:33:09-00:50:39). Brooks Koepka calls in drunk while pounding beers out of the trophy and talks to us about how back he is (00:50:39-00:59:43). Anders Holm joins us in studio for a great interview about comedy, his new movie About My Father out this weekend, workaholics and his favorite bars in Madison (00:59:43-01:41:29). We finish with the lottery ball machine (01:41:29-01:44:30)You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/PardonMyTake

Doc Watson "Down In the Valley to Pray"Neko Case "Look For Me (I'll Be Around)"Steve Earle "Taneytown"Big Bill Broonzy "(In the Evening) When the Sun Goes Down"Big Maybelle "96 Tears"Mattiel "Looking down the Barrel of a Gun"Ry Cooder "Jesus On the Mainline"Ry Cooder "It's All Over Now"Glossary "The Natural State"Jimi Hendrix "Once I Had a Woman"Howlin' Wolf "Killing Floor"Valerie June "Heart On a String"Bob Dylan "Like a Rolling Stone"Sam Cooke "Bring It On Home To Me"George Jones "If Drinkin' Don't Kill Me (Her Memory Will)"Wanda Jackson "Whole Lot of Shakin' Goin' On"Wayne Shorter "Speak No Evil"Linda Lyndell "What A Man"D'Angelo "Untitled (How Does It Feel)"Drive-By Truckers "Sea Island Lonely"Humble Pie "30 Days In the Hole"Mike Watt &The Black Gang "30 Days in the Hole"Reverend Gary Davis "Samson and Delilah"Grateful Dead "Brown-Eyed Woman"Widespread Panic "All Time Low"The Dixie Cups "Iko Iko"Willie Nelson "Stella Blue"The Valentinos "It's All Over Now"Lucero "Nothing's Alright"Pavement "We Dance"Aimee Mann "Suicide is Murder"Waxahatchee "Lips and Limbs"Art Blakey and the Jazz Messengers "Those Who Sit And Wait"Cat Clyde "Papa Took My Totems"Wilco "Red-Eyed and Blue"Clem Snide "I Love the Unknown"Albert King "Don't Burn Down The Bridge"John Hammond "Down In the Bottom"Craig Finn "Rescue Blues"

This week we feature the second set from the band's performance at the Uptown Theater in Chicago Il. on January 30, 1978.  I'm quite impressed with this set. It starts off with a fine 'Bertha' which goes into an excellent 'Good Lovin', followed by 'Ship of Fools'. What follows however is over an hour of non-stop Dead magic.  'Estimated'>'Eyes' where Jerry has some interstellar noodling going into a sweet 'Stella Blue' . Then a rare triple-dose of Jerry as the band goes into a rare, late set 'Franklin's Tower' This combination of Stella>Franklins is a first and never repeated. A rockin' 'Around and Around' closes the set but they return for a signature 'Johnny B Goode' encore.    Grateful Dead Uptown Theatre Chicago, IL 1/30/1978 - Monday      Two      Bertha [6:33] > Good Lovin' [5:23] Ship Of Fools [7:34] Estimated Prophet [12:47] > Eyes Of The World [11:56] > Space [6:30] > Stella Blue [9:38] > Franklin's Tower [14:01] > Around And Around [8:08] Encore      Johnny B. Goode [3:57]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod011323.mp3  I hope this finds you safe and well.... thank you as always for your kind support of the Deadpod. 

The Dead played this second set 45 years ago today, on 10/28/77 at the Soldiers and Sailors Memorial Hall in Kansas City KS. This is a fine display of the rhythmic richness of the band at this high water mark of their career. The set starts with a high octane 'Samson & Delilah' then things slow down a bit for a sweet 'Candyman' and Donna Jean's 'Sunrise'. They start to rev back up with 'Passenger' then we get one of the real high water marks of this set with a great 'He's Gone'.  Following a very short Drums, we get a unusual 'Not Fade Away'>'Stella Blue'>'Goin' Down the Road Feelin' Bad' combination, one of only two the band every did. After the set-closing 'Around and Around' they return for an excellent 'Casey Jones', not to be missed.    Grateful Dead Soldier's And Sailors Memorial Hall Kansas City, KS 10/28/1977 - Friday     Two     Samson And Delilah [6:59] Candyman [6:44] Sunrise [3:49] Passenger [3:33] He's Gone [18:28] > Drums [3:14] > Not Fade Away [13:19] > Stella Blue [10:54] > Goin' Down The Road Feeling Bad [7:08] > Around And Around [7:32#] Encore     Casey Jones [8:00]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod102822.mp3  have a safe and HAPPY HALLOWEEN!   

This week's Deadpod continues the band's performance in Kansas City on August 3, 1982 at the Starlight Theater. This is a solid show, with a long, funky 'Shakedown Street' to kick things off. That flows into 'Samson', then a beautiful rendition of 'To Lay Me Down' follows.  Next up is a great version of 'Let It Grow', with some nice interplay between Jerry and Brent leading into the Rhythm Devils portion of the set. 'He's Gone' flows nicely out of 'Space', and is followed by a good 'Other One' and 'Stella Blue'. The boys close with a feel good 'Sugar Mag' and return with a 'Casey Jones' encore.   Grateful Dead Starlight Theatre Kansas City, MO  8/3/1982 - Tuesday     Two     Shakedown Street [14:09] > Samson And Delilah [8:10] ; To Lay Me Down [9:04] ; Let It Grow [13:25] > Drums > Space [#6:05] > He's Gone [12:42] > The Other One [8:18] > Stella Blue [10:44] > Sugar Magnolia [9:48] Encore     Casey Jones [4:50]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod081922.mp3 "August flies.... "  

This week's Deadpod features the continuation of the band's performance at the Orpheum Theater in San Francisco on July 13, 1976.  There are issues with the tape on 'Music Never Stopped' but this clears up quickly so please be patient.  'It Must Have Been the Roses' follows, then 'Samson' but the highlight here is a beautiful version of 'High Time'.  After some pause, they go into 'Saint Stephen' into 'Not Fade Away' , quite interesting at times..they then move into 'Sugar Magnolia' and you think that this must be the end of the set, but Jerry comes back with a stunning 'Stella Blue'. They do the 'Sugar Mag' reprise, but then return for a pretty outrageous encore - a long and funky 'Dancin' In the Streets'..    Grateful Dead 1976-07-13 Orpheum Theatre - San Francisco, CA Two     The Music Never Stopped [6:03] % It Must Have Been The Roses [6:50] % Samson And Delilah [7:12] % High Time [8:05] % Saint Stephen [10:55] (1) > Not Fade Away [4:35] > Drums [0:18] > Saint Stephen [0:46] > Sugar Magnolia [3:33];[2:36] ; Stella Blue [10:30] > Sunshine Daydream [3:17] Encore     Dancing In The Street [15:40] Comments     (1) {Saint Stephen [4:57] > 'transition' Jam [5:58] }  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod080522.mp3 Stay cool and listen to the music play! 

In this week's episode of 36 From The Vault we find the band playing a Sunday - Tuesday run in late-Summer 1974. The jams are deep, the country is in turmoil, and idiots are climbing the fence. This volume hears The Dead at perhaps their most exhausted, two months shy of their hiatus, but willing to explore the outer realms of their musical ideas. Like two of the three previous ‘74 Dick's Picks, this one works like a playlist, capturing some of the best - and some of the most questionable moments - of the mid-Atlantic run.Disc One begins with a wild 25min dive into expansive 70's Miles jamming by way of “Playin' In The Band” before moving into a groovy “Scarlet Begonias.” Elsewhere “China Cat Sunflower -> I Know You Rider” shows off its 1974 breezy jamming. Disc Two is highlighted by a mellow “Weather Report Suite” which then moves into a jam proper that, while not as extended as the Dick's Picks 12 version, still highlights the sense that anything could be jammed amidst the Watergate scandal. On Disc Three we hear a stunning “Mississippi Half-Step Uptown Toodeloo -> It Must Have Been The Roses” segue. Later, we hear “Truckin'” take over the set through a vast jamming segment that touches on “The Other One” and “Space” before moving into a gorgeous “Stella Blue.” Disc Four is in the running for the best Discs of the entire Dick's Picks series. One of the greatest “Eyes Of The World” ever kicks us off before moving into a 38min “Playin' In The Band -> Scarlet Begonias -> Playin' In The Band” and then finally, “Uncle John's Band” closes us out. It's a stunning release for jamheads and a vivid picture of The Dead at the end of their hallowed 1972-1974 single drummer run.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 32 in anticipation of our next episode, which will drop on Monday, June 6! See acast.com/privacy for privacy and opt-out information.

We continue this week with the second set from the band's performance on January 11, 1979 at the Nassau Coliseum.  They come out smoking with a hot version of 'I Need a Miracle'; Bobby is pretty amped up here and there is some very nice guitar work in this version. Ship follows and slows things down a bit, but the Estimated that follows gets things in the groove again, and leads into a long 'He's Gone'. Here the tempo slows down again, but still has some nice moment. Drums leads into a very short space, then a nice 'Truckin' which goes into a short 'Other One'. The highlight of the set, perhaps, is the long 'Stella Blue' that follows, and here Jerry hits the mood just exactly perfectly. 'Good Lovin' gets the crowd back up and a fine 'Casey Jones' ends the evening and sends everyone home smiling.     Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 1/11/79 - Thursday Two     I Need A Miracle [10:39] ; Ship Of Fools [8:24] ; Estimated Prophet [13:02] > He's Gone [16:42] > Drums [10:#25] > Space [2:31] > Truckin' [9:39] > The Other One [5:48] > Stella Blue [12:11] > Good Lovin' [6:33] Encore     Casey Jones [5:30]  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod011422.mp3  Hope this finds you well, warm and happy!  thanks for your kind support. 

Sean and Jess interview Rob Flynn CEO and owner of Flynn Stone Industries.  They discuss Rob's rise from being a humble dairy farmer in northeast Pennsylvania to being a world-wide supplier of top Blue Stone and his subsequent interactions and friendships with famous people as well as with American presidents.Sean and Jess also perform their renditions of The Grateful Dead's "Stella Blue" and Tedeschi Trucks' "Midnight In Harlem."Share

Solo trail run on the mountain of joy on a stunning Stella Blue crisp morning.

Esta semana en "Islas de Robinson", de nuevo en territorio familiar. Entre 1971 y 1973, recordamos algunos tesoros favoritos, entre ellos el "Low Spark of High Heeled Boys" de los grandísimos Traffic, un disco publicado ahora hace 50 años, en noviembre de 1971. Suenan: Esta semana en "Islas de Robinson", de nuevo en territorio familiar. Entre 1971 y 1973, recordamos algunos tesoros favoritos, entre ellos el "Low Spark of High Heeled Boys" de los grandísimos Traffic, un disco publicado ahora hace 50 años, en noviembre de 1971. Suenan: TRAFFIC - "MANY A MILE TO FREEDOM" ("THE LOW SPARK OF HIGH HEELED BOYS", 1971) / FREE - "SUNNY DAY" ("HIGHWAY", 1970) / JETHRO TULL - "WITH YOU THERE TO HELP ME" ("BENEFIT", 1970) / FAMILY - "SOME POOR SOUL" ("A SONG FOR ME", 1970) / KATHY SMITH - "IT'S TAKING SO LONG" ("2", 1971) / GARY OGAN & BILL LAMB - "KAC" ("PORTLAND", 1972) / DAVID CROSBY - "WHAT ARE THEIR NAMES" ("IF I COULD ONLY REMEMBER MY NAME", 1971) / GARY HIGGINS - "THICKER THAN A SMOKEY" ("RED HASH", 1973) / JOHN COMPTON - "SHORT LANDS" (TO LUNA", 1973) / GRATEFUL DEAD - "STELLA BLUE" ("WAKING OF THE FLOOD", 1973) / JOHN MARTYN - "WALK TO THE WATER" ("BLESS THE WEATHER", 1971) / Escuchar audio

Happy Halloween Weekend!  I think we have a great Deadpod to share this week with the second set from the show on October 28, 1979 at the Cape Cod Coliseum in South Yarmouth MA.  This one starts with a really great China>Rider, the energy is off the charts and I really love hearing the Phil bombs and the Jerry's fan outs in Rider. This one is bound to bring a smile and make you wish you were shaking your bones! They follow with a most excellent Samson and Delilah (being Sunday:) and only show it down a bit with the Ship of Fools that follows. Neverfear, a massive 'Playin In the Band' follows with plenty of intricate interplay and jamming.  A fairly short drums and space leads into a 'Stella Blue' then they close things out with a 'Sugar Magnolia' followed by a 'US Blues' encore.  Great stuff.. I hope you enjoy it!      Grateful Dead Cape Cod Coliseum South Yarmouth, MA  10/28/79 - Sunday      Two     China Cat Sunflower [7:20] > I Know You Rider [7:25] ; Samson And Delilah [7:35] ; Ship Of Fools [7:40] ; Playing In The Band [19:08] > Drums [7:#23] > Space [4:12] > Stella Blue [8:27] > Sugar Magnolia [8:27] Encore     U.S. Blues [5:26]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod102921.mp3    Have a safe and spectacular Halloween!  Be well and thank you for your kind support!