Podcasts about greatest hits vol

This week, we're throwing it back to an episode celebrating our rebel minds ones. And yes - that means we're celebrating YOURS, too! We'll jam on some of my fave concepts and teachings from past episodes and why each one is a rebellious act on its own. Plus, we'll review some of the most counter-culture concepts of all.You will learn:// Why the consumerist, materialistic world can never free us from unnecessary suffering// Some of the most rebellious ideas and teachings from the past 200 episodes, including:> Impermanence & non-attachement> Non-dual perspective> Compassion> Mindfulness> Ehipassiko> Unnecessary suffering> Curing vs Healing// Why the world needs each of us – in all of our wild, rebellious, crazy gloryResources:// Episode 9: Impermanence, Death, and Other Sexy Things// Episode 51: Self-Compassion// Episode 60: How to Avoid Unnecessary Suffering// Episode 82: How to Live in Polarity// Episode 122: Come See for Yourself – Ehipassiko// Episode 161: Healing vs Curing// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.  // Want something more self-paced with access to weekly group support and getting coached by yours truly? Check out Freedom School – the community for ALL things related to freedom, inside and out. We dive into taking wisdom and applying it to our daily lives, with different topics every month. Learn more at JoinFreedomSchool.com. I can't wait to see you there! // Have you benefited from even one episode of the Rebel Buddhist Podcast? I'd love it if you could leave a 5-star review on iTunes by clicking here  or on Spotify by clicking here.

I've been doing soundwalks for three years now, but it feels like longer. Crane Lake Soundwalk is officially #64.I remember the day my dad told me he listened to The Beatles' “When I'm Sixty-Four” on the morning of his 64th birthday. He expressed a certain disbelief that he caught up to the song he first encountered as a twenty-year-old. He didn't feel sixty-four, he said. I even remember the day he repurchased the Sgt. Pepper's Lonely Hearts Club Band album as a CD in his forties. He picked me up at Dudley's Records in downtown Portland, Oregon, and on a whim did some used CD shopping. In addition to the aforementioned Beatles, he picked up Cat Stevens' Tea for the Tillerman and James Taylor's Greatest Hits Vol. 1. Quite the haul, and ultimately not lost on me, even though I was in the thrall of New Wave. I spent my money on New Order and The Smiths. Anyway, I suppose that's just to say, time has a way of sneaking up on all of us. And it leads me to ask, as one does occasionally, how did I get here? Luckily I'd been doing some thinking on it recently and. Here is why I'm still making soundwalks: * These soundwalk environmental recordings—rendered while moving through the landscape at the human scale—possess an intimacy that a fixed position soundscape does not have. In the same way that a human photographed in front of a redwood tree helps communicate the grandeur of the tree, footsteps, and the passing of sounds in and out of the audible horizon lend dimensionality and scale. * It's so much easier to get “good tape”, when you just roll all the time.* It gets me outside. * There's room to grow. I'm getting better.Crane Lake Soundwalk is an interesting addition to the catalog. It's stimulating. There's a lot of wildlife to hear. And if you have the time to spare, you can compare this soundwalk to my debut Listening Spot release, Crane Lake Suite, made on the same day, in the same place, but from a fixed position. It does illustrate differences in the approach.It's just not every day you find yourself next to a shallow body of water roiling with carp.Now, if you just tuned in to the soundwalk without reading this, and didn't know about the carp, you might think it was me sloshing through the water, before realizing the splashes had a fishiness to them. I can imagine it being a little puzzling to the uninitiated.To get to Crane Lake you walk down a grassy lane on a seldom visited quarter of Sauvie Island, just north of Portland, Oregon.Soon enough you come to the lake. There are no official trails. Just slightly trampled lanes in the grass. Here we hear Cedar Waxwing, Black-headed Grosbeak, Tree Swallow, Song Sparrow, Western Wood Pewee, Yellow Warbler, Swainson's Thrush… We also hear the swish of grass underfoot and the cottonwoods quaking in the breeze.At the lake Great Blue Herons stand statuesque. They occasionally erupt from the grass thickets with Cretaceous croaks, ranging around for a new fishing spot. This is like a fast food drive thru for Bald Eagles. Easy pickings in the shallow lake.Juveniles have dark head feathers. They remain silent for the duration of my visit. You will, however, hear a Stellar's Jay mimic a Red-tailed hawk call (28:20). The Red-tailed Hawk call has long been a stand-in for an eagle call in Hollywood movie sound design. Fine sheets of rain fall in waves. The drops sound like little pin pricks, falling on the brim of my recording hat. I walk along the western perimeter of the lake on a little lane. Gentle sounds abound. I walk slowly. This is not the oldest composition I'm sharing this year, but it was tracked a year ago. It's a little surprising to me that I've stuck with a lot of these instrument voices since then. My general drift, I would say, is toward a more electrified palette. But finding the electric sounds that are expressive is time consuming, so I guess it makes sense that when I find a few, I'm going to use them for a while. That's about all I have to say about this one. I hope it adds a little something to your corner of the world. Thanks for listening and reading!Crane Lake Soundwalk is available on all music streaming services today, June 6. Have a listen, and if you enjoy what you hear, please consider telling just one person about it. Thank you! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

Worum es geht? Wissen wir auch nicht so genau… aber genau das macht's doch aus, oder? Connys legendärer Besuch beim Bergdoktor wird endlich aufgearbeitet – Mischa hat ein Apothekenkonzept entwickelt, das so ausgeklügelt ist, dass selbst Doc Morris neidisch werden könnte – zumindest fast. Und weil wir natürlich mit der Zeit gehen, reden wir ein bisschen über KI… also gerade so viel, dass es nicht langweilig wird. Außerdem: Mischa outet sich – und zwar als treuer Fan der guten alten Videotheken-Zeit.

When people purchase a home, they will often get a building inspection, which will check for evidence of the quality of its foundations. But when was the last time you checked the foundations on which you build your life? Today, we are encouraged to go a bit deeper than what's on show for others to see.A message by Samantha Barlow

This week I reflect on a recent visit to Hanoi, Vietnam, and how a simple experience of crossing the street turned into a very healing and eye-opening lesson in trust and interdependence. We'll talk about how in the US, when it comes to navigating traffic and driving, we are taught to assume we are invisible. Drive defensively. Cross streets assuming no one sees you. In Hanoi, it was the opposite. If you wanted to do something as basic as cross the street, you have to assume you would be seen, and that people cared and would take care. I was able to literally walk into oncoming traffic amongst strangers - something we can't do in many industrialized growth societies like the US. We explore the vulnerability and beauty of how humans can move through chaos together when we come from a place of interdependence and interbeing.You will learn:// What is possible when we embrace interdependence and the fact that we are connected to everything// The gifts that taking risks by being vulnerable and trusting others can bring to us (while using discernment, of course!)// How we can find healing in interdependence and trust in one another// Why so many industrialized growth societies are so far from interdependent interbeing, and how we can offset thatResources:// Episode 190: Islands of Sanctuary – Being a Refuge for Your People// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics. // Want something more self-paced with access to weekly group support and getting coached by yours truly? Check out Freedom School – the community for ALL things related to freedom, inside and out. We dive into taking wisdom and applying it to our daily lives, with different topics every month. Learn more at JoinFreedomSchool.com. I can't wait to see you there!// Have you benefited from even one episode of the Rebel Buddhist Podcast? I'd love it if you could leave a 5-star review on iTunes by clicking here  or on Spotify by clicking here.

According to Nell DeBevoise from Forbes, “We make 35,000 decisions every day (on average). That is a huge number of choices to make, and of course, they range from micro (which socks) to mundane (what to eat) to life-changing (take the job or not). Each has a varied level of pressure associated with it, depending on the gravity, and also the personality of the decider.” (27/10/2023)But what if one simple decision could be so pivotal that it helps every other decision take shape?A message by David Toscano

The Los Angeles Diversity Film Festival will return to the big screen this August. Save the dates: August 22nd - 24th, 2025. Visit LADFF.com to join the festival's mailing list and stay current with venues and programs.On today's episode of the Gimme Three Podcast, we revisit some of the greatest hits from LADFF's 10-year history.  First, a flashback to our interview with actress/comedian Shannon DeVido, during which she discussed her romantic-comedy musical Best Summer Ever.  The powerful short film 1, 2, 3, All Eyes On Me won Best of the Fest and Best Performance at LADFF in 2020. Here is our discussion with the film's incredible filmmaker, Emil Gallardo.   Finally, we revisit the powerful documentary Bubjan and discuss the deft his history of the film with producer Rostam Zafair and director Nicholas Mihm.All of these films screened with The Los Angeles Diversity Film Festival, so you don't wanna miss this year's event. LADFF.com is the place to go for more updates.❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

YUH 201 - Album Forensics - Tango returns to break down Billy Joel's classic, Greatest Hits 1 and 2! #billyjoel #greatesthitsoneandtwo #pianoman #scenesfromanitalianrestaurant #onlythegooddieyoung #stillrockandrolltome #alwaysawomantome #mylife #glasshouses #thelongesttime #the100clubYUH Theme by David T and Mojo 3 https://www.amazon.com/Insanity-Sobriety-Blues-David-Mojo3/dp/B091N8BJNBPurchase Billy Joel's Greatest Hits Vol 1 and 2https://www.amazon.com/Billy-Joel-Greatest-Hits-Vol/dp/B00000DCHIYeah Uh Huh Social Stuff: Yeah Uh Huh on TikTok https://www.tiktok.com/@yeahuhhuhpodYeah Uh Huh on Facebookhttps://facebook.com/YeahUhHuhPodYeah Uh Huh on Twitterhttps://twitter.com/YeahUhHuhPodYeah Uh Huh on Spotifyhttps://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aaYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611Yeah Uh Huh Website:https://yeah-uh-huh.wixsite.com/yeahuhhuhpod

This week we talk about the importance of showing up authentically in relationships… even when we are afraid the other person won't accept us for who we are. I'll share my own story about how my husband and I could have ended it… and how my choice to speak and act wisely changed the course of our relationship and our parenting forever (and for good)! Things you will learn:// The truth behind why we fear being our true selves with others // How we can finally find out if we should stay or go // How wise speech and action help us get clear // How to manage our own resistance to speaking and living our truth Resources:// Episode 5: True Allyship and the Willingness to Be Uncomfortable// Episode 118: Devotion// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics. // Want something more self-paced with access to weekly group support and getting coached by yours truly? Check out Freedom School – the community for ALL things related to freedom, inside and out. We dive into taking wisdom and applying it to our daily lives, with different topics every month. Learn more at JoinFreedomSchool.com. I can't wait to see you there!// Have you benefited from even one episode of the Rebel Buddhist Podcast? I'd love it if you could leave a 5-star review on iTunes by clicking here  or on Spotify by clicking here.

The Los Angeles Diversity Film Festival will return to the big screen this August. Save the dates: August 22nd - 24th, 2025. Visit LADFF.com to join the festival's mailing list and stay current with venues and programs. On today's episode of the Gimme Three Podcast, we revisit some of the greatest hits from LADFF's 10-year history. First, a flashback to our interview with filmmaker Anna Baumgarten as she discussed her breathtaking feature film Disfluency. Adamma and Adanne Ebo joined us in 2019 to discuss the short film version of Honk For Jesus. Save Your Soul. The film would later become a theatrically released feature film, executive-produced by Jordan Peele. Finally, composer Emily Greene discusses her incredible work on the feature film All The World Is Sleeping. All of these films screened with The Los Angeles Diversity Film Festival, so you don't wanna miss this year's event. LADFF.com is the place to go for more updates. ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

When Jesus said, “Do to others what you would have them do to you,” He wasn't offering a nice suggestion—He was summing up the heart of God's law. In this message, we unpack the power and challenge of the Golden Rule. From historic acts of heroism to everyday choices, discover how this simple yet radical teaching invites us into deeper love, justice, and grace in every part of life.A message by Janet Dougherty

In our world today, applause and approval are often seen as the greatest achievements. Social media thrives on likes and shares, and we naturally seek affirmation from others. But Jesus calls us to something different—a life where our audience is not the crowd, but God alone.A message by Samantha Barlow.

What does it mean to truly connect with the Divine, rather than just recite a routine prayer? This week, we delve into the Lord's Prayer, discovering how it guides not only what we say but also how we live. Join us to explore a deeper, more authentic path to intimacy with God that reshapes our hearts, priorities, and daily actions.A message by Matt Pepall

This week we revisit a sermon from 2019 preached by Dr. Mark Gignilliat titled The End of Wisdom: Ecclesiastes and Life Under the Sun! JM's Album Of The Week: Brian Eno & Peter Chilvers - Bloom: Living World - Single Bradford's Book Club (JM's Pick): Useless Beauty: Ecclesiastes Through The Lens Of Contemporary Film by Robert K. Johnston

How do we move beyond routine, scripted prayers into something that actually transforms us? This message delves into the heart of genuine prayer – one that invites us into a real connection with the Divine. Join us as we explore why a personal, honest conversation with God can change our rhythm and breathe new life into our everyday.A message by David Toscano

How does giving shape our lives, and what does it mean to give with integrity? In this message, we explore the heart behind our generosity and how it ties into a life of genuine impact. Join us as we unpack why giving is rewarding—and how it can transform not just the recipients, but the giver as well.A message by David Toscano

In a world where our pursuit of power, success, and happiness often leaves love feeling out of reach, this week we explore the truth that love isn't always easy. We'll delve into how our default approach to relationships can leave us feeling stuck—and how rethinking love can transform our lives. Join us as we uncover timeless insights that inspire a deeper, more authentic connection with those around us.A message by Sam Barlow.

This show is our amazing interview with Rick Springfield. You may remember Rick who played Dr. Noah Drake on General Hospital, Pastor Charles on American Horror Story or even playing himself (naked) on Californication. But did you know he is also an amazing musician, singer & songwriter??? There is WAY more to Rick than "Jessie's Girl".  Hang tight for a great ride with this show. We talk about how he coped with the recent fires in Los Angeles, his new CD/vinyl box set: BIG HITS: RICK SPRINGFIELD'S GREATEST HITS, VOLUME 2, along with plans for his future and his most prized collectibles. 

It is said that revenge is sweet. Elsewhere, it is said that revenge is a dish best served cold. As a result, some have concluded that revenge must taste like ice cream.But despite the allure of seeking justice, defending one's honour, or just getting even – is this the best we can do in the world? A message by David Toscano

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 243 - Brad saw his second real time show of 2025...and again, it was a tribute show.  He saw the Kings of Queen: Tribute to Queen on 2/1/25 at the Palladium - Allied Solutions Center for the Performing Arts in Carmel, IN with his daughter, Elsa.  He welcomes his daughter back to the podcast to recap this show.  For the Band on the Bill Spotlight, he puts songs from Queens Greatest Hits Vol. 1 up against songs from their Greatest Hits Vol. 2 and chooses his favorites.  After a Slamfest Tip of the Week, he is faced with a variation of the "Which Side are you On?" segment...he puts the five singles, Side A & B, from Queen's 8th studio album, The Game, up against each other and chooses his favorite.Music in this episode by:QueenVanilla IceBon JoviMotorheadBlack SabbathKissOzzyShout it out Loudcast ARC clips from Episode 22 and 23.  Visit Shout it out Loudcast at: www.shoutitoutloudcast.comVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

This week's episode is an extra special one, as we talk about how we can help each other during a crisis or disaster. I'm sure you agree this is a good time to learn these skills! I'll teach you some super practical tools to use when others are processing a recent crisis, and I'll tell you some things NOT to do - and why. In this episode, you will learn:// Ways we can all help one another stabilize and heal from disaster or crisis of any kind - even when you're not a therapist// What NOT to do when helping others process their trauma… and why// How Ring Theory helps in the immediate hours and days // Practical tools you can start using today Resources:// Episode 50: When Someone You Love Has a Mental Illness// Episode 164: Stopping Anxiety in its Tracks - learn additional techniques not reviewed in this podcast// Introduction to Havening video: https://www.youtube.com/watch?v=PmrvGEJuCxY// The Worst is Over: What to say when every moment counts (book)// If you would like donate to help victims of the Southern California Wildfires, here are a few vetted charities:American Red CrossPasadena HumaneCalifornia Community Foundation

Happy New Year's Eve! This week, Danielle and Carolyn reflected on the first year of Women's Sports Weekly and highlighted some of their favorite memories from 2024. Tune in to hear Danielle speak French and pronounce all the words. Deep dive into some of the most listened to topics including mental health, fell running, and pride. Danielle and Carolyn laugh, Carolyn cries, and Danielle shows all her love for Candace Parker. It is the best of the best so tune in. Enter our giveaway by 1/7 for a chance to win an Everyone Watches Women's Sports T-shirt. Follow us on Instagram @WomensSportsWeeklyPod to enter.

On today's episode, we revisit John's favorite calls of the year, including: ·      A husband hoping to rebuild his marriage after a one-night stand  ·      A wife who found out her husband is the sole owner of their business  ·      An interview with Dr. Arthur Brooks about why sex isn't enough for a happy marriage

In our final episode of 2024 we discuss our upcoming Christmas plans, the Christmas Spectacular and hear a sermon that Brad preached during Advent 2018 called "Work as Witness". Merry Christmas and Happy New Year! Make sure to email us midweek@shadesvalley.org JM's Album Of The Week: Young Oceans - Songs Of Christmas Bradford's Book Club: Christmas: The Season of Life and Light by Emily Hunter McGowin, Epiphany: The Season of Glory by Fleming Rutledge

This is a replay of one of my favorite episodes, because if you're anything like me and you have a tendency toward some major FOMO with a dash of perfectionism, you can spend some serious energy debating all the options for any decision that comes your way. And we have a lot of decisions to make this time of year!In this episode you'll learn:// The key differences between maximizing and satisficing// Why too many choices can be a bad thing// How to make decisions and avoid regret// Why satisficing ultimately makes you happier than maximizing// Tips to get started satisficing todayResources:// Episode 69: Having Enough - Finding Your Balance// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.    // Want something more self-paced with access to weekly group support and getting coached by yours truly? Check out Freedom School – the community for ALL things related to freedom, inside and out. We dive into taking wisdom and applying it to our daily lives, with different topics every month. Learn more at JoinFreedomSchool.com. I can't wait to see you there! // Have you benefited from even one episode of the Rebel Buddhist Podcast? I'd love it if you could leave a 5-star review on iTunes by clicking here.

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 227 - Brad saw Journey, Foreigner and Night Ranger on 7/31/11 at the DTE Energy Music Theatre in Clarkston, MI and he recaps the show.  For the Band on the Bill Spotlight, he dissects Journey's compilation album from 2001, The Essential Journey, and puts songs from Side 1 (Greatest Hits Vol 1) up against songs from Side 2 (Greatest Hits Vol 2) and also discusses highlights from Arnel Pineda's first two studio albums with Journey, Revelation, from 2008 and Eclipse from 2011.  After a Slamfest Tip of the Week, he is faced with a "Which Side are you On?", side 1 or side 2 from Foreigner's third studio album, Head Games, from 1979.Music in this episode by:ForeignerNight RangerJourneyBon JoviMotorheadBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

In this week's episode, I share my story of when I got diagnosed with kidney cancer and what it was like having to face the reality that we all will die, and we NEVER know when. I'll also give you some ways we can stop putting off the things that give our life meaning and a sense of integrity, and start living a life of no regrets, making the most of whatever time we have. For some this means more adventure. For some it means forgiving (including ourselves). There are so many ways this can look. But for all of us, it means more freedom. In this Episode you will learn:// The one thing I need the world to know before I die (hint: it's to wake the f*ck up!) – and why // Why you shouldn't wait for something like the Big C (cancer, or an accident or severe illness etc.) before doing the soul work. // Why knowing we are only here for an undetermined amount of time is not scary – it's enlivening. // How my cancer diagnosis taught me to let go of the sh*t that doesn't matter // How you can wake the f*ck up… and why you need to do it RIGHT NOW Resources:// Episode 9: Impermanence, Death, and Other Sexy Things// If you're ready to wake the f*ck up and stop putting off what really matters - and get more clear about what really matters to YOU - come join me and a group of like-minded souls in living the next 9 months as if they are our last. Remembering our limited time here on Earth creates clarity and inspires action like nothing else. Dive more deeply into practices that help create a life of inner and outer freedom - come join me in my NEWEST program, called No Regrets. It's an exploration into our own life legacy, the gift of impermanence, intimacy with death + life, and living a life of no regrets.// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.// Have you benefited from even one episode of the Rebel Buddhist Podcast? I'd love it if you could leave a 5-star review on iTunes by clicking here.

VISIT OUR SPONSORS The Louisiana Renaissance Festival https://www.larf.org/ The Ren List http://www.therenlist.com/ Happy To Be Coloring Pages https://happytobecoloring.justonemore.website/ RESCU https://rescu.org/ The Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Come 'n Be A Pirate performed by Crimson Pirates from the album Come 'n Be A Pirate www.crimsonpirates.com/ Welcome to Tortuga performed by Ye Banished Privateers from the album Songs and Curses www.yebanishedprivateers.com/ Hollywood Pirate performed by The Musical Blades from the album Pieces of Eight www.musicalblades.com Buccaneer Rap performed by Boogie Knights from the album Hysterically Inaccurate www.sites.google.com/site/boogieknightsmd/ A Drop of Nelson's Blood[1] performed by Captain Black Jack Murphy from the album Pogue Mahone Means Kiss My Arse www.irishsong.net/ Tall Ships performed by Tom Mason and the Blue Buccaneers from the album Sail Again www.tommason.net Skeleton Crew performed by Alestorm from the album Tales of the Black Dog www.alestorm.net/ Buccaneer performed by Library Bards from the album Bardcore www.librarybards.com Pirate's Love Song performed by Mallory & McCall from the album Kings of the Sea Went Sailing (Pirate Love Song) performed by Pirates Inc from the album Fools Gold www.facebook.com/WeArePiratesInc/ Blackbeard's Last Battle performed by Pair of Pirates from the album Not Playing with a Full Deck www.pairofpirates.com Buccaneer City performed by The Bilge Pumps from the album Greatest Hits Vol. VIII www.thebilgepumps.com/ Down Among the Dead Men[1] performed by Boom Pirates from the album Prepare To Be Boarded www.facebook.com/boompirates/ Derelict[2] performed by Captain John Stout from the album Songs From the Water's Edge disc 1 www.porterstout.com/ No Quarter Given[2] performed by Crossed Cannons from the album Skull And Crossed Cannons www.facebook.com/crossedcannons/ Pirate Song[1] performed by Dogs in Doublets from the album Dogs In Doublets Sing www.facebook.com/33276488067 The Beast Of Pirate's Bay performed by Voltaire from the album To the Bottom Of The Sea www.voltaire.net High Barbaree[2] performed by Bounding Main from the album Lost at Sea - Sea Shanties and Nautical Ballads www.boundingmain.com 20,000 Rubber Duckies performed by Henry Martin from the album Around the Bay Pirate Lullabye performed by Whiskey Bards from the album The Recruiter...Free Rum Ain't Free www.facebook.com/whiskeybards/ Dark Lady[9] performed by LandLoch'd from the album Whiskey'd Out to Sea www.landlochd.com Pirate Ship the Diamond performed by Majestic Reign from the album Renaissance Steel www.matthughesmusic.com Modern Pirates[1] performed by Barleyjuice from the album A Night At The Pub www.barleyjuice.com Wicked performed by The Jolly Rogers from the album Cutlass Cannon and Curves www.jollyrogerskc.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora https://www.pandora.com/podcast/renaissance-festival-podcast/PC:1139 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

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"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week is a Greatest Hits throwback to one of my fave topics: death and impermanence! We're gonna jam on why we often avoid thinking about death… and what acknowledging it can teach us about living now. I'll also open up about one of my own biggest regrets in life and how it pushed me to create the life I wanted and live in integrity.In This Episode You'll Learn:// How to stop avoiding thinking about death – and how to instead acknowledge what facing it can teach you about living now// A few ways to shift your mindset about impermanence + use it to mentally reframe your own narrative // About one of my biggest regrets in life and some life-altering decisions I made along the way – how they pushed me to create the life I wanted and live in integrity// Why your fear of death is actually your deeper fear that you have not lived your truest life (Steve Chandler)// How to stop putting off the things that make us happy for ‘another time' and start living fully now// Why we must recognize the preciousness of human life in order to take real action toward making the most of the time we haveResources:// Episode 93: Wake The F*ck Up// Episode 110: The Miracle of Being Alive// Read this Elephant Journal piece I wrote about The Buddhist Way to Wake the F*ck up & Really Live your Life// My brand new program is HERE! I created the No Regrets experience to help you actively live with fewer regrets and more authentic living, full of deep soul work. Let's not wait to live our life fully, putting things off until “later”… After all, we don't truly know how long we have, right? In this transformative program we'll do a deep dive into exploring our relationship with our own impermanence so that when our time comes - no matter when that might be - we can genuinely feel we are proud of how we lived our life. Our greatest masterpiece. Join the waitlist now and be the first to learn about all the juicy details in the coming weeks.// I'd love to hear from you! You can leave a review on the Rebel Buddhist Podcast on iTunes by clicking here// If you want to dive deeper into this Soul-level work and create a life of more freedom, adventure and purpose, head over to JoinFreedomSchool.com. It's got everything you need in one place to build a foundation for a lifetime of self-exploration and freedom.// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.

In this first volume of GREATEST HITS, we dig into the archives of the Somewhere in the Skies podcast to bring you some of our most popular interviews with a wonderfully diverse list of guests, including:- The Navajo Paranormal Rangers (Stanley Milford and Jonathan Dover)- Henry Zebrowski - Co-host of Last Podcast on the Left- David Marler - UFO historian and archivist- Christ Bartel - Former employee at Area 51 and Skinwalker Ranch- Mario Woods - Former USAF Sergeant and UFO witness- Zelia Edgar - UFO and paranormal researcher and author- Fred Andersson - Swedish UFO Researcher and authorPatreon: www.patreon.com/somewhereskiesPayPal: Sprague51@hotmail.comWebsite: www.somewhereintheskies.comStore: http://tee.pub/lic/ULZAy7IY12UYouTube Channel: CLICK HERETwitch: https://www.twitch.tv/somewhereskies/videosOrder Ryan's new book: https://a.co/d/4KNQnM4Order Ryan's older book: https://amzn.to/3PmydYCTwitter: @SomewhereSkiesRead Ryan's Articles by CLICKING HEREOpening Theme Song, "Ephemeral Reign" by Per KiilstofteProduced by LIONSGATECopyright © 2024. Ryan Sprague. All rights reserved.Support this show http://supporter.acast.com/somewhere-in-the-skies. Hosted on Acast. See acast.com/privacy for more information.

This week we talk about why we feel obligated to finish everything we start - even if we're miserable in it. Careers, relationships, even small things like movies and a bad meal. Often it's because we think changing our minds equals failure or some sort, but there are many others I'll cover in this episode. I also share how we can make every choice worth it... even when that means walking away from something we've put a lot of time, money, and energy into.You will learn:// Why we force ourselves to complete something we've started – even if we hate it // How to decide whether to stick with it something // Whether the “right” decision exists (hint: no) // How to make every choice worth it – even if that choice is to walk away Resources:// Episode 8: How to Get Clear About What You Want// Episode 66: How to Fail Perfectly// Episode 121: Clarity Is a Decision// I'd love to hear from you! You can leave a review on the Rebel Buddhist Podcast on iTunes by clicking here// If you want to dive deeper into this Soul-level work and create a life of more freedom, adventure and purpose, head over to JoinFreedomSchool.com. It's got everything you need in one place to build a foundation for a lifetime of self-exploration and freedom.// If you're new to the squad, grab the Rebel Buddhist Toolkit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll also get access to the Rebel Buddhist private group, and tune in every Wednesday as I go live with new inspiration and topics.

We reach deep into the Jehovah's Witness historical grab bag to look at how Jesus' handpicked guy in New York voiced his tacit support for a certain German dictator's ideologies, as well as a closer look at the first man Adam's journey from lonely bachelor, surrounded by animals, to his first date with Eve. There are a few 'surprises!'TWITTER: @exjwpodcastINSTAGRAM: survivingparadisepodcast

Twitter: @podgaverockInsta: @podgaverock1Wilco 1999 “Via Chicago”  from Summerteeth released on Reprise. Written by Jeff Tweedy. Produced by Wilco.Cover:Performed by Josh Bond and Neal Marsh2The Pixies “Where Is My Mind?” from the 1988 album "Surfer Rosa" released on Rough Trade. Written by Black Francis and produced by Steve Albini.Cover:Performed by Neal Marsh, and Josh Bond3Jimi Hendrix 1967 “The Wind Cries Mary” single released on Track Reprise. Written by Jimi Hendrix and produced by Chas Chandler.Cover:Performed by Josh Bond and Neal Marsh4Motorhead “Ace of Spades” from the 1980 album "Ace of Spades" released on Bronze. Written by  Eddie Clarke, Lemmy, and Phil Taylor  and produced by Vic Maile.Cover:Performed by Josh Bond and Neal Marsh5The Cure “Pictures of You" from the 1990 album "Pictures of You" released on Fiction. Written by Boris Williams, Simon Gallup, Roger O'Donnell, Robert Smith, Porl Thompson, and Lol Tolhurst and produced by Robert Smith and Dave Allen.Cover:Performed by Josh Bond and Neal Marsh

Twitter: @podgaverockInsta: @podgaverock1The Weeknd 2019  “Blinding Lights”  from "After Hours" released on XO/Republic. Written by Able Tesfaye, Ahmad Balshi, Jason Queeneville, Max Martin, Oscar Holter. Produiced by Max Martin, Oscar Holter, and The Weeknd.Cover:Performed by Josh Bond and Neal Marsh2Tears for Fears 1984 “Shout” from the album "Songs From the Big Chair" released on Phonogram/Mercury. Written by Roland Orzabal and Ian Stanley and produced by Chris Hughes.Cover:Performed by Scot Lang, Neal Marsh, and Josh Bond3Billy Idol “White Wedding” from the 1982 album "Billy Idol" released on Chrysalis. Written by Billy Idol  and produced by Keith Forsey.Cover:Performed by Josh Bond and Neal Marsh4Sharon Van Etten "Seventeen" 2019 from "Remind Me Tomorrow" released on Jagjaguwar written by Sharon Van Etten/Kate David and produced by John CongletonCover:Performed by Josh Bond and Neal Marsh5Neil Diamond's 1967 “Girl, You'll Be a Woman Soon” from the album "Just for You" released on Bang. Written by Neil Diamond and produced by Jeff Barry and Ellie Greenwich.Cover:Performed by Josh Bond and Neal Marsh

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Intro song: 100 Years by Five for FightingAlbum 14: Bob Dylan's Greatest Hits Vol. II by Bob DylanSong 1: Quinn the Eskimo (The Mighty Quinn)Song 2: Tomorrow is a Long PlaceSong 3: Down in the FloodAlbum 13: Beneath These Fireworks by Matt NathansonSong 1: SuspendedSong 2: Little VictoriesSong 3: Sing Me Sweet

This week we're revisiting a classic Rebel Buddhist episode on how to set healthy boundaries. I'll talk about the difference between a boundary and an ultimatum… and why a lot of us don't know what each one is. Plus I'll give you 5 questions you can ask yourself to ensure the boundaries you're setting are aligned and healthy.In this Episode you will learn:// What The Manual is and how to identify it in your life and relationships // 5 questions to ask yourself when setting a healthy boundary // The difference between a boundary and an ultimatum // What is “worthy” of a boundary vs something you could make a request for (and how to deal with it if they say, “No thanks.” // If and when to tell others about your boundary // How to enforce a boundary from a place of love and compassion and not anger and resentmentResources:// Episode 16: How to Improve Any Relationship // Want to know more about how to create boundaries like a Buddha? Grab my free training on how to set boundaries that actually work – and how to do this from a place of kindness and compassion. www.BoundariesTraining.com// If you're new to the squad, grab the starter kit I created at RebelBuddhist.com. It has all you need to start creating a life of more freedom, adventure, and purpose. You'll get access to the private Facebook group where you can ask me questions! Once you join, there's also a weekly FB live called Wake the F*ck Up Wednesday, where you can ask questions that come up as you do this work – in all parts of your life.// If you're interested in finding out more about how to free your mind and free your life, join Freedom School. Enrollment is open, and we are diving DEEP into ways to cultivate clarity and courage so you can create your best life. There are also some sweet bonus courses for you there. It will set you up to live the best version of you in the year to come. Learn more at JoinFreedomSchool.com

Today’s Broadcast April 30, 2024Fearless-Part CPsalm 27 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description We must resolve to be fearless as we utilize God's resources of prayer, worship, and fellowship, entrusting ourselves to God's care and provision. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

Today’s Broadcast April 29, 2024Fearless-Part BPsalm 27 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description We must resolve to be fearless as we utilize God's resources of prayer, worship, and fellowship, entrusting ourselves to God's care and provision. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

Today’s Broadcast April 25, 2024Fearless-Part APsalm 27 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description We must resolve to be fearless as we utilize God's resources of prayer, worship, and fellowship, entrusting ourselves to God's care and provision. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

Today’s Broadcast April 24, 2024Citizens of the King-Part CPsalm 24 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description Knowing that God is the sovereign owner of all things who will personally come to reign over his creation should motivate us now to live in submission to the King of kings. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

Today’s Broadcast April 23, 2024Citizens of the King-Part BPsalm 24 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description Knowing that God is the sovereign owner of all things who will personally come to reign over his creation should motivate us now to live in submission to the King of kings. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

Today’s Broadcast April 22, 2024Citizens of the King-Part APsalm 24 Listen Download Today's Message Purchase Message Download Worksheet From Series: Israel's Greatest Hits Vol. II Purchase Entire Series Broadcast Archive Message Description Knowing that God is the sovereign owner of all things who will personally come to reign over his creation should motivate us now to live in submission to the King of kings. Series Description The Old Testament Book of Psalms contains the most important song lyrics ever written. They are God's words expressed through the pen of his select poets who were chosen by him to sing about the trials and triumphs of life against the backdrop of God's eternal truth. Pastor Mike embarks on this motivating study through fifteen of the most prized Psalms found in God's inspired Psalter. What’s Next Pointing People to Christ Godly Confidence The Fear of God This Month’s ResourceTop Series Fatal Excuses Christianity In Real Life The Experience of Every Christian Receive Monthly Insight from Pastor MikeSign up to receive Pastor Mike Fabarez’s Monthly Ministry Update in your inbox. Contact Permission By clicking the “Subscribe” button above, I am requesting to receive e-mail communications from Focal Point Ministries, and I agree to allow my personal data to be processed according to their Internet Privacy Policy. Share This Message:

A bout of the flu hit Kevin's house making us unable to provide a full, brand new episode but GOOD NEWS! We have a best of DITD for you! Featuring: The One Chip Challenge Kevin eats a heaping spoon of his most hated food item, mayo A Trivia Time challenge where a wrong answer gets us Beanboozled A Breakdown of an 80's rap battle from the movie Teen Witch And the draft of the worst things about Easter. Magic Mind is DITD's newest sponsor! Go to www.magicmind.com and order the world's first productivity shot. Curb that caffeine and get the all natural boost from Magic Mind. Go to https://www.magicmind.com/digginginthedome for up to 56% off. Use the promo code THEDOME20. And check out SlackTide Beer at slacktidebrewingco.com and see where you can purchase their fine products. Come see Chris do standup! April 3rd - Well Crafted Brewery in Ambler, PA April 11th - Tired Hands Brewery in Ardmore, PA April 13th - Tuned Up Brewery in Spring City, PA May 2nd - PJ Ryan's in Phoenixville, PA and don't wait to get a ticket to The SlackTide Brewery Standup Spectacular June 1st at Slack Tide Brewery in Cape May Court House, NJ. https://www.eventbrite.com/e/the-slack-tide-stand-up-spectacular-tickets-859754066557?aff=oddtdtcreator Check us out every Thursday and Friday at 7PM on the PodNationTV on Roku. Make sure to check us out at our new website www.digginginthedome.com and join our mailing list. Go to our social media to follow, like, subscribe, like again and so on. YT: https://m.youtube.com/c/digginginthedome Twitter: @diggingdome FB/IG: @digginginthedome

This is a greatest hits mashup of two of our most popular episodes with Kippy Kemp and Ryan Brasseaux.Thanks for listening, we hope you enjoy it !Special thanks to our sponsors that make this possibleChene Gear https://chenegear.comPurina https://www.purina.comKirk-Sullivan Motors and Accessories  https://kirksullivanmotorsandaccessories.com/Soggy Dog Gear https://soggydoggear.com/Campbell's Hillside Kennels https://www.facebook.com/campbellshillsidekennels/Mallard Run Kennels https://www.facebook.com/people/Mallard-Run-Kennels/100039873050738/www.doghousepod.comgoldnuggets@doghousepod.com https://www.facebook.com/profile.php?id=100094564418266

On today's show, we're looking back at some of the most epic calls in show history, including: - A wife reeling after discovering she's been lied to for almost 30 years - A couple unsure of how to recover after trying an open marriage - A woman wondering if she should tell her husband she was unfaithful Let us know what's going on by leaving a voicemail at 844.693.3291 or visiting johndelony.com/show.  Support Our Sponsors: BetterHelp Hallow Thorne Add products to your cart create an account at checkout Receive 25% off ALL orders Resources: Building a Non-Anxious Life Anxiety Test Own Your Past, Change Your Future Questions for Humans Conversation Cards John's Free Guided Meditation Listen to all The Ramsey Network podcasts anytime, anywhere in our app. Download at: https://apple.co/3eN8jNq These platforms contain content, including information provided by guests, that is intended for informational and entertainment purposes only. The content is not intended to replace or substitute for any professional medical, counseling, therapeutic, financial, legal, or other advice. The Lampo Group, LLC d/b/a Ramsey Solutions as well as its affiliates and subsidiaries (including their respective employees, agents and representatives) make no representations or warranties concerning the content and expressly disclaim any and all liability concerning the content including any treatment or action taken by any person following the information offered or provided within or through this show. If you have specific concerns or a situation in which you require professional advice, you should consult with an appropriately trained and qualified professional expert and specialist. If you are having a health or mental health emergency, please call 9-1-1 immediately. Learn more about your ad choices. https://www.megaphone.fm/adchoices Ramsey Solutions Privacy Policy

On today's show, we're looking back at some of the most memorable calls, including: - A mom-to-be keeping a MAJOR secret - A husband married to a 49-year-old virgin - A man having sexual fantasies about his mother-in-law To order John's new book Building a Non-Anxious Life click here. Let us know what's going on by leaving a voicemail at 844.693.3291 or visiting johndelony.com/show.  Support Our Sponsors: BetterHelp DreamCloud Hallow Thorne Add products to your cart create an account at checkout Receive 25% off ALL orders Resources: Anxiety Test Own Your Past, Change Your Future Questions for Humans Conversation Cards John's Free Guided Meditation Listen to all The Ramsey Network podcasts anytime, anywhere in our app. Download at: https://apple.co/3eN8jNq These platforms contain content, including information provided by guests, that is intended for informational and entertainment purposes only. The content is not intended to replace or substitute for any professional medical, counseling, therapeutic, financial, legal, or other advice. The Lampo Group, LLC d/b/a Ramsey Solutions as well as its affiliates and subsidiaries (including their respective employees, agents and representatives) make no representations or warranties concerning the content and expressly disclaim any and all liability concerning the content including any treatment or action taken by any person following the information offered or provided within or through this show. If you have specific concerns or a situation in which you require professional advice, you should consult with an appropriately trained and qualified professional expert and specialist. If you are having a health or mental health emergency, please call 9-1-1 immediately. Learn more about your ad choices. https://www.megaphone.fm/adchoices Ramsey Solutions Privacy Policy Lyrics of the Day: "The Wind Beneath My Wings" - Bette Midler Let us know what's going on by leaving a voicemail at 844.693.3291 or visiting johndelony.com/show.  Support Our Sponsors: BetterHelp DreamCloud Hallow Thorne Add products to your cart create an account at checkout Receive 25% off ALL orders Resources: Building a Non-Anxious Life Anxiety Test Own Your Past, Change Your Future Questions for Humans Conversation Cards John's Free Guided Meditation Listen to all The Ramsey Network podcasts anytime, anywhere in our app. Download at: https://apple.co/3eN8jNq These platforms contain content, including information provided by guests, that is intended for informational and entertainment purposes only. The content is not intended to replace or substitute for any professional medical, counseling, therapeutic, financial, legal, or other advice. The Lampo Group, LLC d/b/a Ramsey Solutions as well as its affiliates and subsidiaries (including their respective employees, agents and representatives) make no representations or warranties concerning the content and expressly disclaim any and all liability concerning the content including any treatment or action taken by any person following the information offered or provided within or through this show. If you have specific concerns or a situation in which you require professional advice, you should consult with an appropriately trained and qualified professional expert and specialist. If you are having a health or mental health emergency, please call 9-1-1 immediately. Learn more about your ad choices. https://www.megaphone.fm/adchoices Ramsey Solutions Privacy Policy