Podcasts about disc one

Send us a textGeorge Feltenstein of the Warner Archive and animation historian Jerry Beck introduce the Looney Tunes Collector's Vault, Volume 1, featuring 50 beautifully restored in High Definition classic cartoons across two discs. Hear directly from the two men who curated this collection about what makes this new Blu-ray series of cartoons for collectors the logical next step in their ongoing attempts to bring all of the Looney Tunes cartoons to HD.• Evolution from single-disc Collector's Choice to the two-disc Collector's Vault format, offering twice the content for just a few dollars more• Disc One features 24 cartoons never before included in a Warner Brothers cartoon collection in remastered form• Disc Two presents 25 classic character cartoons making their HD/Blu-ray debut• Stunning restoration quality, particularly visible in 1934's "Beauty and the Beast" in two-color Cinecolor• Chuck Jones' "Good Night Elmer" reveals beautiful lighting and color work previously impossible to appreciate• Complete alphabetical listing of all 50 cartoons spanning from 1934 to 1963• Announcement that Looney Tunes Platinum Collections 1 & 2 will be returning to print in June at reasonable prices• Confirmation that Collector's Vault Volume 2 is already in developmentPre-orders for Looney Tunes Collector's Vault, Volume 1 should be available at major online retailers very soon, with official release scheduled for June 17th.DISC ONE-25 all never before included remastered in any DVD or Blu-ray Looney Tunes collection:BARS AND STRIPES FOREVER (1939)BEAUTY AND THE BEAST (1934)A DAY AT THE ZOO (1939)THE DIXIE FRYER  (1960)DOUBLE OR MUTTON (was on LTCC V. 4)EACH DAWN I CROW (1949)EASY PECKIN'S (1953)FEATHER DUSTED (1955)FOX IN A FIX (1951)GOOD NIGHT ELMER (1940)THE GOOFY GOPHERS (1947)I'D LOVE TO TAKE ORDERS FROM YOU (1936)KIDDIES KITTY, A (1955)LET IT BE ME (1936)OF FOX AND HOUNDS (1940)QUACKODILE TEARS (1962)READY, WOOLEN AND ABLE (1960)ROBIN HOOD MAKES GOOD (1939)SQUAWKIN' HAWK, THE (1942)TERRIER-STRICKEN (1952)TWEET AND LOVELY (1959)TWEETY'S CIRCUS (1955)TWO'S A CROWD (1950)WILD ABOUT HURRY (1959)ZIP 'N SNORT (1961)DISC TWO-25 all never before included remastered in HD as part of any Blu-ray Looney Tunes collection:AIN'T SHE TWEET (1952)BANTY RAIDS (1963) BIRTH OF A NOTION  (1947)BYE BYE BLUEBEARD (1949)CAT-TAILS FOR TWO  (1953)DAFFY DILLY (1948)DAFFY DUCK AND EGGHEAD (1938)GEE WHIZ-Z-Z-Z-Z-Z-Z  (1956)GONZALES' TAMALES (1957)HARE CONDITIONED  (1945)HARE TRIGGER  (1945)HARE TRIMMED  (1953)HORTON HATCHES THE EGG (1942)LITTLE BOY BOO (1954)MUCH ADO ABOUT NUTTING (1953)ODOR-ABLE KITTY  (1945)PAST PERFUMANCE ( REVIEW - THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE with Tim Millard, host of The Extras Podcast.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Marv and I sit down to talk the first disc of the new 2024 edition of the Internet favorite "Spot the Looney".    Ever wondered where you could find those rarities George Harrison played on that are not readily available from Apple (records or Music)?     Try this box.     Harry, Derek and the Dominoes, the Remo Four, the Silkie, Bobby Whitlock, Ashton Gardner & Dyke and MORE can be found on just the first disc of this set      Nine more to come, but don't worry, they will be spread out over the next year or maybe more!

Marv and I are joined by Eoghan Lyng and Ken Michaels to discuss the "Living in the Material World" album with an emphasis on the 50th Anniversary remix as found on the "Super Deluxe Edition".     Ken rates the record at the very top, but in general the reviews over the years have been on the positive side, but perhaps less than ecstatic.     

Lonnie Pena, Jon Stone and I sit down to discuss the first disc of the "Mind Games: Ultimate Collection" Deluxe Box set.           When asked about the release, Sean Lennon says: "People were having trouble adjusting to the 'new' John Lennon. So, I think Mind Games fell through the cracks for a number of reasons. The fact that the mixes were a bit thin didn't help either."     Does that apply to Jon, Lonnie (who picked up the disc at release) and me (who didn't get turned on to it until the early eighties and the half-price bin)?    Tune in and find out!

Lonnie and I review the first disc of the "One Hand Clapping' set (available on Vinyl, Vinyl + single, CD and streaming), the new mix of the 1974 Paul McCartney and Wings Favorite.     Just how good a drummer was Geoff Britton?  

PoshLo and FabLeck are back in the Regularverse to endure the 2024 Regular Opus that is This is Me... Now, a sequel to the underwhelming 2002 album This is Me... Then. Have the two intervening decades seen any improvement in Her LoNess? And will there finally be agreement on whether things are ProLo or NoLo? Hosted on Acast. See acast.com/privacy for more information.

PoshLo and FabLeck return to The Regularverse expecting to enjoy JenReg singing in languages other than English, but they may be in for a surprise. Plus, the latest ProLo moments, which are not that Pro for poor Lo. Hosted on Acast. See acast.com/privacy for more information.

Digital Album - Disc Two"The Heavens Declare the glory of the Lord" (Psalm 19: 1)A 80 minute electronic journey telling the story of the race to the Moon.In July 2019 I presented a special two night event in the amazing space of St Annes Baptist Church in Lancashire. This was a special event to celebrate the 50th Anniversary of the moon landing.Both events used 100's of samples of recently released NASA recordings which had been placed in the public domain by NASA to celebrate these landmark events.Commencing with the 1961 announcement of John F Kennedy's goal to put a man on the moon within the next decade. To the completion of that amazing journey by the NASA and the crew of Apollo 11 in 1969.This project as well as focusing on the amazing scientific achievement of the all involved in this epic undertaking but also focuses on the spiritual experience of many of the astronauts involved.These live events placed these recordings within my own electronic music and soundscapes and were accompanied by bible reading and contemporary Christian worship music and samples using the Ising worship software .I have now remastered these recording used from those two 120 minute concerts/events into 90 minutes of original music. I have also kept and used the public domain NASA and news media material when creating the original  2CD Set. Realesed under my artist name.All electronic samples used are either my own manipulated found sounds and field recordings, alongside loops purchased from the Loopmasters catalogue.  [1. | Apollo 1 - Disaster (1967) 09:25 |2. | Apollo 8 - Lunar Orbit (1968) 14:04 | 3. | Apollo 11 - Part One - We Have Lift Off (1969) 09:00 | 4. | Apollo 11 - Part Two - Touchdown, The Eagle Has Landed (1969) 07:20 | 5. | Apollo 11 - Part Three - One Small Step (1969) 03:54 | 6. | Apollo 11 - Part Four - Communion (1969) 02:08 | 7. | Apollo 11 - Part Five - Home Safe (1969) 02:54 | 8. | Sunrise  01:06 CreditsOriginally released March 3, 2022NASA Public Domain SamplesFound Sounds, Field recording and samples by Jeremy McCandless (Bonadventure)(c) All rights reserved.https://bonadventure.bandcamp.comSupport the showJeremy McCandless is creating podcasts and devotional resources | PatreonHelp us continue making great content for listeners everywhere.https://thebibleproject.buzzsprout.com

Digital Album"The Heavens Declare the glory of the Lord" (Psalm 19: 1)A 80 minute electronic journey telling the story of the race to the Moon.In July 2019 I presented a special two night event in the amazing space of St Annes Baptist Church in Lancashire. This was a special event to celebrate the 50th Anniversary of the moon landing.Both events used 100's of samples of recently released NASA recordings which had been placed in the public domain by NASA to celebrate these landmark events.Commencing with the 1961 announcement of John F Kennedy's goal to put a man on the moon within the next decade. To the completion of that amazing journey by the NASA and the crew of Apollo 11 in 1969.This project as well as focusing on the amazing scientific achievement of the all involved in this epic undertaking but also focuses on the spiritual experience of many of the astronauts involved.These live events placed these recordings within my own electronic music and soundscapes and were accompanied by bible reading and contemporary Christian worship music and samples using the Ising worship software .I have now remastered these recording used from those two 120 minute concerts/events into 90 minutes of original music. I have also kept and used the public domain NASA and news media material when creating the original  2CD Set. Realesed under my artist name.All electronic samples used are either my own manipulated found sounds and field recordings, alongside loops purchased from the Loopmasters catalogue.  Testimonies (Bonus Track) 09:39| 1. | Introduction - The Dream 01:42  | 2. | Sputnik (1957) 03:58 | 3. | Vanguard (1957-59) 02:17 | 4. | Mercury (1961-62) 04:01 |  | | 5. | Gemini Part 1- The Race Begins (1961-63) 06:59 | 6. | Gemini Part 2 - Space Walking (1964-66) 13:06  | 14. | Testimonies (Bonus Track) 09:40 |  | CreditsOriginally released March 3, 2022NASA Public Domain SamplesFound Sounds, Field recording and samples by Jeremy McCandless (Bonadventure)https://bonadventure.bandcamp.comSupport the showJeremy McCandless is creating podcasts and devotional resources | PatreonHelp us continue making great content for listeners everywhere.https://thebibleproject.buzzsprout.com

Posh and Fab return to the matrimonial disharmony of The Regularverse to examine the soundtrack to the film Marry Me, plus some Pro Lo moments catching up on Jen's self-financed movie, and the making of the movie, which is longer than the movie. Buddha Nature Wisdom. Regular. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck get the Down Lo (on the Lo Down) on all Jen Reg's orphan singles that never quite made it to an album, and are sitting loose in the world, including about three hundred and seventeen featuring Pitbull. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck return to the dreary Regularverse to listen to Jennifer 'Regular' Lopez's 2014 album A.K.A. plus the latest on Jen Reg's happenings in ProLo Moments and On the JBlog. Plus, they dig up some on-brand song thievery in Lo and Order: Regular Victims Unit. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck return to Regularverse to attempt to answer the musical question posed by Jennifer Lopez's 7th studio album, Love? Plus, in ProLo Moments, 'On the JBlog' takes a festive turn. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck return to The Regularverse for the Jennifer Lopez album Brave, which is neither Sade nor Jamiroquai, despite someone's insistence on the contrary. Also, how long does it take a bride to walk down a flight of steps? All this and less in The Regularverse. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck return to the Regularverse to listen to J-Reg's first album entirely in Spanish, and controversially, they don't entirely hate it. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck return to the Regularverse where Posh gets in an astrology feud, and they attempt to listen to the 2005 Jennifer Lopez album Rebirth. Hosted on Acast. See acast.com/privacy for more information.

Posh and Fab return from their Christmas hangover hiate to assemble their ultimate compilation of Mariah Carey songs. First up is Fab's turn to choose 12 songs from Mariah's entire discography, and a further three for a deluxe edition. Play along while you listen with the Ultimate MC playlist on Spotify or YouTube Music. Hosted on Acast. See acast.com/privacy for more information.

Poshlo and Fableck re-enter The Regularverse for the twentieth anniversary of the very regular album This is Me... Then, a product of regular love for Ben Affleck, from the first time they got engaged. Hosted on Acast. See acast.com/privacy for more information.

We'd like to be ... under the sea ... in a Yellow Submarine, with you.      Week four of our look at the Revolver Super Deluxe Editions.    This week, sessions disc two.       Picking up from Disc One last week, we discuss even more "And Your Bird Can Sing" through to "She Said, She Said", and wonder how song choices were made by Giles, The Beatles and UMe.

Posh endures Fab's favourite Mariah dance mixes, including one that is so hectic, it almost induces a panic attack. Listen along with the songs on Spotify. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of 36 From The Vault, we celebrate the Series Finale of Dick's Picks as well as the Series Finale of 36 From The Vault. Featuring a complete show from Philadelphia, PA on 9/21/72, we also hear segments of 9/3/72 from Boulder, CO. One of the greatest Dick's Picks of all time, it's a fitting conclusion to the series and yet another showcase of the brilliance of September 1972.Disc One features the majority of Set One from 9/21/72 which includes a brilliant “Bird Song” as well a stunning take on “Loser.” A loose and vibey “China Cat Sunflower>I Know You Rider” showcases the standards heavy Set I played with exceptional verve. Disc Two straddles Set One and Two from 9/21/71 and is highlighted by an outstanding “Playing In The Band” closer before “He's Gone>Truckin'” brings us into the second frame. An elongated 4+hr show, the staple of Disc Three is an absolutely incredible “Dark Star>Morning Dew.” Nearly 50min of stunning music, including 35+min of deep 1972 jamming, this is one of the greatest pieces of music released in the entire Dick's Picks series. Disc Four closes out the Spectrum show before giving us a three song snapshot from Folsom Field with “He's Gone> The Other One> Wharf Rat.” And with that, we've finally reached the end of the Dick's Picks series. Thank you to everyone who has joined us for this long, strange trip.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to join us for our next deep dive, sometime in the not too distant future… Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

In this week's episode of 36 From The Vault, we visit 1971 for the very first time since Dick's Picks Vol. 2, for a very special set of shows, unheard of by any fan until 2005. Featuring the complete shows from 8/7/71 in San Diego, CA and 8/24/71 in Chicago, IL, along with snippets of 8/6/71 in Hollywood, CA, it's a fascinating peek into the evolving nature of The Dead on the cusp of their 1972 renaissance period.Disc One features the complete first set from 8/24 + the “Truckin'” Set II Opener. Disc One is highlighted by a brilliant “Hard To Handle,” making its Dick's Picks debut. On Disc Two we hear a tight take on “China Cat Sunflower -> I Know You Rider” plus a stunning “Sing Me Back Home.” The highlight might very well be the incredible jam out of “Going Down The Road Feelin' Bad” which then segues into “Johnny B Goode.”Disc Three picks up the thread in Chicago and features a gorgeous cut of Pigpen's “Empty Pages,” alongside a still-in-progress “Brown-Eyed Women.” Later, “Not Fade Away -> GDTRFB -> NFA” shines in the fusion between country jammin' and punkish psychedelia. Disc Four closes the set with a segment from the 8/6 show in Hollywood and features some of the only improv of the set in the way of “The Other One -> Me & My Uncle -> The Other One.” A haunting “Morning Dew” leads to a 25min “Lovelight” closer which shines a light on the wonders of Pigpen in the twilight of his life. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 36 in anticipation of our SERIES FINALE episode which will drop on Monday, August 15! See acast.com/privacy for privacy and opt-out information.

In this eighth chapter of the journey, Zed and Adam go to Wutai (sorry Adam) and reach the end of disc one (SORRY ADAM). If you want to play along while you listen to the podcast journey, “Final Fantasy VII” is available on various platforms: Nintendo Switch, PS4, Steam and even the original PSX version, assuming you, like Zed, still have an old-school system. Coming up next week, we beat the summer heat with a trip to Icicle Inn and the Great Glacier. The post Final Fantasy 7 Again Part 8: End of Disc One appeared first on PostShowRecaps.com.

In this eighth chapter of the journey, Zed and Adam go to Wutai (sorry Adam) and reach the end of disc one (SORRY ADAM). If you want to play along while you listen to the podcast journey, “Final Fantasy VII” is available on various platforms: Nintendo Switch, PS4, Steam and even the original PSX version, assuming you, like Zed, still have an old-school system. Coming up next week, we beat the summer heat with a trip to Icicle Inn and the Great Glacier. The post Final Fantasy 7 Again Part 8: End of Disc One appeared first on PostShowRecaps.com.

In this week's episode of 36 From The Vault, we dip into the Fall of 1977, because we haven't explored enough of 1977 in this series. Featuring the complete show from Rochester, NY on 11/5/77, we also hear segments of 11/2/77 from Toronto. A volume that puzzles Rob and Steve, we wonder a bit about why this show was selected in the series, while also admiring the subtle shifts we hear from the band between May and November 1977.Disc One features the complete first set from 11/5 and is highlighted by a stunning “Mississippi Half-Step Uptown Toodeloo” alongside a vibrant “Big River” which features some stunning leads from Jerry before Mickey & Billy push it into a disco space. Disc Two features the first half of S2 from 11/5 before providing snippets of 11/2. In the 11/5 half we hear one of the best “Take A Step Back's” ever alongside a gorgeous “Eyes Of The World.” The 11/2 half showcases “St. Stephen” alongside a ripping “Around & Around.” (That was not a typo)Finally, Disc Three is highlighted by the back half of 11/5's S2 with a mellow take on “Estimated Prophet>He's Gone>Rhythm Devils>The Other One>Black Peter>Sugar Magnolia.” We close with “Lazy Lightning>Supplication Blues” from 11/2. It's a confounding release - especially this deep in the series - but Rob and Steve provide the kind of insight needed to make it shine.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 35 in anticipation of our next (and penultimate) episode which will drop on Monday, August 1! See acast.com/privacy for privacy and opt-out information.

In this week's episode of 36 From The Vault we explore the world of Mr. Sob Rock himself, John Mayer. Focusing on the peak of his solo career, we discuss the backstory of the future Dead & Co. lead guitarist, and try to better understand his path from pop rock to The Dead. Focusing on his 2008 LP of the December 8, 2007 show in LA, Where The Light Is, we hear his DMB side, his Blues Trio side, and his full band, Sob Rock side. Disc One highlight's Mayer's origins with a focus on his original hits through solo acoustic performances. “Neon” stands out as one of the best cuts of the record. In addition, we hear samples of Mayer's Blues Trio with “Who Did You Think I Was” and “Vultures” showcasing depth to Mayer's Blues interests.On Disc Two we hear Mayer's performance with this larger live band. Running through some of his biggest songs from Continuum, we hear the differences between Mayer's experimental ambitions and his more produced solo approaches. Figuring out the path from here to Dead & Co. is one of the special aspects of this episode.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 33 in anticipation of our next episode which will drop on Monday, July 4! See acast.com/privacy for privacy and opt-out information.

Posh and Fab assess the first half of the 2014 Mariah Carey album Me. I Am Mariah... The Elusive Chanteuse. More Nick Cannon shade, a motorbike ride to Da Brat's grandma's house, and a rare occurrence of The Elusive Poshfinity! See acast.com/privacy for privacy and opt-out information.

In this week's episode of 36 From The Vault we traverse to the heartland of America for a banner show from the wild Summer of 1982 at Alpine Valley Music Theater in East Troy, WI. Featuring a hammy Bob, some heavy playing from Brent, and a lyrical albeit haggard Jerry, it's one of the best pictures we have of what made the 80's such a compelling and confounding time for The Dead. Disc One begins with a jamband staple, the sandwich jam, wherein “The Music Never Stopped” segues in and out of “Sugaree.” Elsewhere Jerry shines again on “Big River,” Brent beams through his Hammond on “CC Rider,” and the whole band connects on “Let It Grow.” While there are arguments to be made that aspects of other shows in the larger Summer ‘82 tour should have been included instead, getting a full First Set from The Dead showcases the highs and lows of the eras. On Disc Two we hear a very typical 80s/90s set two in the sense that “Playing In The Band” bookends a segment of “Drums/Space” and a gorgeous version of “The Wheel” emerges from the interstellar jamming. We close with a stunning take on “Morning Dew” before “One More Saturday Night” & “US Blues” takes us home. It's a breezy and summery cut from the larger series, and one that showcases an era often overlooked in Dead history but clearly has some gems to mine. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to John Mayer's Where The Light Is - Live In Los Angeles in anticipation of our next episode - our Season 4 Curveball - which will drop on Monday, June 20! See acast.com/privacy for privacy and opt-out information.

In this week's episode of 36 From The Vault we find the band playing a Sunday - Tuesday run in late-Summer 1974. The jams are deep, the country is in turmoil, and idiots are climbing the fence. This volume hears The Dead at perhaps their most exhausted, two months shy of their hiatus, but willing to explore the outer realms of their musical ideas. Like two of the three previous ‘74 Dick's Picks, this one works like a playlist, capturing some of the best - and some of the most questionable moments - of the mid-Atlantic run.Disc One begins with a wild 25min dive into expansive 70's Miles jamming by way of “Playin' In The Band” before moving into a groovy “Scarlet Begonias.” Elsewhere “China Cat Sunflower -> I Know You Rider” shows off its 1974 breezy jamming. Disc Two is highlighted by a mellow “Weather Report Suite” which then moves into a jam proper that, while not as extended as the Dick's Picks 12 version, still highlights the sense that anything could be jammed amidst the Watergate scandal. On Disc Three we hear a stunning “Mississippi Half-Step Uptown Toodeloo -> It Must Have Been The Roses” segue. Later, we hear “Truckin'” take over the set through a vast jamming segment that touches on “The Other One” and “Space” before moving into a gorgeous “Stella Blue.” Disc Four is in the running for the best Discs of the entire Dick's Picks series. One of the greatest “Eyes Of The World” ever kicks us off before moving into a 38min “Playin' In The Band -> Scarlet Begonias -> Playin' In The Band” and then finally, “Uncle John's Band” closes us out. It's a stunning release for jamheads and a vivid picture of The Dead at the end of their hallowed 1972-1974 single drummer run.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 32 in anticipation of our next episode, which will drop on Monday, June 6! See acast.com/privacy for privacy and opt-out information.

This time on Midnight Social Distortion, I'll be discussing the first four episodes - basically Disc One - of the 80s horror cult classic Friday the 13th: The Series also known as Friday's Curse in Canadian Markets. Please take time and check out Alyse Wax's 'Curious Goods: Behind the Scenes of Friday the 13th: The Series' Here's Where You Can Order the Complete Series for a reasonable price. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this week's episode of 36 From The Vault we find the band prepping for their Europe ‘72 tour with a run of shows at the Academy of Music in New York City. Featuring a set with Bo Diddley, this volume highlights the emergence of Keith Godchaux in the band + showcases some of the best Pigpen we've ever heard through the Dick's Picks series. Disc One features the majority of The Dead's set with Bo Diddley on March 25. Showcasing their brilliance as a backing band, we hear them dip into the Blues for perhaps the last time in the 70s. Highlighted by a stunning “Jam” between Diddley and The Dead we see an alternate path for the band + their ability to linger in a variety of American styles throughout their career. The disc ends with a few one-off covers for the band + an excellent “Playin In The Band” from March 27.The final three discs encompass the entire May 28th show. Featuring a number of rarities through the Dick's Picks series, it's a great peek into the band during this period. On Disc Two, Pigpen shines on “Chinatown Shuffle, “Mr. Charlie,” and “Next Time You See Me.” Jerry's vocals on “You Win Again” showcase his ability to be as much a Blues man as he is a psych master, and “Cumberland Blues” rivals the version on the Europe ‘72 release. On Disc Three we hear perhaps the greatest “Looks Like Rain” ever played, plus we hear another excellent, early cut on “Playin In The Band,” before Pigpen highlights his emotional side with “The Stranger (Two Souls In Communion).” Disc Four displays the band's experimentation with a lengthy “The Other One,” before closing the set out with a laid back “Not Fade Away -> Going Down The Road Feelin Bad -> Not Fade Away.” It's a great snapshot of The Dead ahead of a transformative period in their career. By year's end they'd be a completely different band. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 31 in anticipation of our next episode, which will drop on Monday, May 23! See acast.com/privacy for privacy and opt-out information.

In this week's episode of 36 From The Vault we return to the hallowed month of May 1977 for two complete shows, and the only six-CD set of the Dick's Picks series. With two shows that prelude the stunning Dick's Picks 3 set, we hear the sleek brilliance of 1977 Dead across 6+hrs of music.The May 19 side of the release is highlighted by some of the Dead's best song's utilized throughout 1977 with a particularly stunning “Peggy-O” on Disc One. The magic is found throughout Disc Three where “Terrapin Station” > “Playin' In The Band” -> “Uncle John's Band” -> “Drums” > “The Wheel” > “China Doll” -> “Playin' In The Band” showcases seamless creativity and exceptional flow throughout. While May 21 shares many of the same songs with the famed Cornell set from May 8, it's bolstered by an outstanding “Jack-A-Roe” on Disc Four as well as a top tier “Scarlet Begonias” -> “Fire On The Mountain” on Disc Five. Disc Six features the entire second set of 5/21 with “He's Gone” -> “Drums” -> “The Other One” showcasing the evolving improvisational approach of The Dead during this period. Of note, “One More Saturday Night” makes its long-awaited DP debut during this set. Finally, Rob & Steve discuss the bonus tracks included from October 11, 1977's show in Norman, OK. If you ever needed convincing of why May 1977 is so highly regarded by GD fans, this extended set should be all you need for convincing. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 30 in anticipation of our next episode, which will drop on Monday, May 9! See acast.com/privacy for privacy and opt-out information.

Welcome to Season 4 of 36 From The Vault! We begin our final season before the vault closes with a peek back into the world of 1973 Dead. Joining them for their midwest/west tour through the frigid US, we hear the band at the peak of their powers. Capable of transitioning from cowboy rock to show-stopping ballads to deeply psychedelic jazzy jamming, it's one of the most complete Dick's Picks released thus far and a fitting kick off to the season. Disc One opens features some great playing in “Loser” and “Jack Straw” before “Playing In The Band” gives us the first taste of experimental Dead of the set. Disc Two is in strong competition for the best of the set with “Dark Star” -> “Eyes Of The World” > “Mississippi Half Step” going deep. Disc Three is another classic set of some of the best Dead songs ever written played by one of the greatest versions of The Dead. However it's in Disc Four where the true magic strikes again. “Row Jimmy,” “Truckin'” -> “The Other One”> “Eyes Of The World>” “Morning Dew” is close to an hour of brilliant and fluid Dead. A great reminder why we all listen to this band so much, and why Rob & Steve dedicate 2hrs to chatting about them every other week. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 29 in anticipation of our next episode, which will drop on Monday, April 25! See acast.com/privacy for privacy and opt-out information.

Posh and Fab continue to make their way through Mariah Carey's discography, reaching the 2009 album Memoirs of an Imperfect Angel, and their scores divert in a very different direction than usual, and in a special Mimi Moments about Mariah's Anniversary, Fab sets the record straight on the date of birth. See acast.com/privacy for privacy and opt-out information.

Posh and Fab get re-emancipated as they listen to Mariah Carey's hit album E=MC2, featuring many Poshnopses, controversial use of autotune and more Nick Cannon than anybody wants or needs. See acast.com/privacy for privacy and opt-out information.

This week we start a periodic (i.e.: not contiguous) series covering the Beatles at the BBC, using the Lord Reith "BBC Archives" series (available at finer Internet sites everywhere) as our basis.      We run through the first volume of this 24-disc set (which roughly corresponds with their first year) watching the drummers change.

After reading the chapter in The Meaning of Mariah Carey about the huge number of hits on The Emancipation of Mimi album, Posh and Fab are going through them all one by one. This is disc one of three dealing with all the hits. So many hits. See acast.com/privacy for privacy and opt-out information.

Now that we're through Disc One and Squall is dead, we're going to try a little something different by bringing on some persons of lordly caliber to do some high-level recapping and high level bullshitting: Curtis and Karl from the Every F'n FF podcast, purveyors of everything Final Fantasy and staunch defenders of Final Fantasy VIII. Discussed: the Final Fantasy with Blackwater; Squall is an asshole, but that's okay; Rinoa is good; more Laguna should exist; exploitation of FFVIII's mechanics, Final Fantasy VIII is the best one; big dumb bullshit; fuckboi energy; and more! Listen to Every F'n FF at everyfnff.com or where ever podcasts are found. Find us on Patreon at patreon.com/retroAM, on Twitter at @retroamnesiapod and through e-mail at podcast@retrogradeamnesia.com.  www.retrogradeamnesia.com

In this week's episode, our Season 3 Finale, we wrap things up in December 1992 in Oakland, CA, with a show from the larger returning run following Jerry's health crisis during the summer/fall. Featuring a unique setlist filled with songs of every era, the lone Vince solo show of the series, and perhaps the most bizarre song pairing in Dick's Picks history, it's a wild and fitting closure to S3 of our show.Disc One opens with the song we've all been waiting for since the series began: “Feel Like A Stranger.” While we don't get the Brent growl throughout, we get the silky silky reprise all the same, and it leads to a larger conversation within the show. Elsewhere we hear an updated take on “The Main Thing,” where Bob's “De Men's” line clashes heavily with the barroom swirl of Pigpen. “Loose Lucy” makes its DP debut in a sultry groove before a fantastic “Let It Grow” closes it out. In Disc Two we hear some of the 90's jamming applied to “Shakedown Street” before Bob's grunge inspired guitar tones take over “Ship Of Fools.” More 90's jamming invades “Playing” which moves into an inspired “Drums -> Space.” Finally, in Disc Three, we get a rare 90's “Dark Star” alongside the groove of “Throwing Stones” from 12/17. The volume ends with the most bizarre pairing of songs in DP history with “Baba O'Rielly -> Tomorrow Never Knows.” Vince takes the lead here and the band somehow stumbles through the Boomer Anthem pairing. There's truly nothing like it, and it's a perfect way to close the volume and Season 3 of 36 From The Vault.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.We're grateful to be sponsored by Garcia Cannabis. Discover Garcia Hand Picked at GarciaHandPicked.com, and connect with Fellow Fans at @garciahandpicked on Instagram---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 28 in anticipation of our next episode, OUR SEASON FOUR DEBUT which will drop in the near future! See acast.com/privacy for privacy and opt-out information.

In this week's episode we hop back to 1969 to hear two shows from the spring that showcase The Grateful Dead in significant transition. We hear two Midwestern shows: April 26, 1969 from Chicago, IL and April 27, 1969 from Minneapolis, MN. Hearing the band shift between the summer of love English Folk of their late-60's output to Pigpen bar blues to the Live Dead inspired suite from Minneapolis, is a revealing insight into who The Dead were & who they could've become.Disc One opens with a string of songs the band would essentially leave in the 60's, highlighting the Garcia/Hunter penchant for pastoral lyrics & fitting 3-4 songs together into one. The highlight is undeniably the “Mountains Of The Moon” which fades into a “Dark Star” jam. The disc ends with a stunning jam from 4/27 out of “Turn On Your Lovelight -> Me & My Uncle” which showcases the looseness the band could play with during this period. Disc Two continues on 4/27 with a suite based around “Dark Star” that essentially mimics the Live Dead release, showcasing a similar selection of songs through different passages of improvisation. On the whole, the set proves to be a controversial one for Rob & Steve as the two find numerous disagreements with Disc One, as well as with the place The Dead find themselves in early 1969. The Velvet Underground co-headlined the 4/26 show with The Dead, offering another avenue for discourse on this release.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessonsWe're grateful to be sponsored by Garcia Cannabis. Discover Garcia Hand Picked at GarciaHandPicked.com, and connect with Fellow Fans at @garciahandpicked on Instagram---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 27 in anticipation of our next episode, OUR SEASON FINALE which will drop on Monday, July 26! See acast.com/privacy for privacy and opt-out information.

In this week's episode we celebrate 25 volumes of the Dick's Picks series. A monumental moment in the series, as it showcased the viability of a single band releasing a trove from their archives over a significant period in time. We're treated to two Spring 1978 shows from the NE, May 10, 1978 from New Haven, CT and May 11, 1978 from Springfield, MA. Two archetypal Spring ‘78 shows, we hear the band engage in tight interplay around fairly standard setlists, while showcasing some of the best parts of their 77/78 period, while also pointing the way towards the future of the band in the 1980s.Disc One features quality song selection with an excellent “Jack Straw” opener, a sultry “They Love Each Other,” and a gorgeous “Peggy-O.” A wild “Deal” showcases the interplay between Donna & Bob which would be a major theme of the overall volume. Disc Two picks up midway through Set II of 5/10 with a seedy “Estimated Prophet” before a massive “Drums” jam. The disc closes with a stunning “The Other One” into an impassioned “Wharf Rat” that showcases the power of the Garcia outro solo. Disc Three opens on 5/11 with a more laid back approach, showcasing some of the more standard Set I tunes in Dead History. The disc concludes with a very solid “Scarlet -> Fire.” Disc Four is a wild party. Rumors abound about mescaline intake, we hear one of the best “Dancing In The Streets” of all time followed by a massive “Drums -> NFA,” and concluded with a gorgeous “Stella Blue.” The volume concludes with a Double-Barry bookending a fantastic take on “Werewolves Of London.” It's a full-scale dive into Spring ‘78 Dead, seedy, tight, wild, and grooving. Dive in.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 26 in anticipation of our next episode, which will drop on Monday, July 12! See acast.com/privacy for privacy and opt-out information.

On another sidestep from The Meaning of Mariah Carey memoir, Posh and Fab take a trip to the other side of Mariah Carey's Rainbow album, featuring more than one video Poshnopsis, font chat and Fab's ideal duet. See acast.com/privacy for privacy and opt-out information.

In this week's episode we join the Dead in early 1974 for the very first Wall of Sound show. Just five shows removed from the Dick's Picks one selection, we hear the band in a loose, soundchecky vibe, as they work through the kinks of their revolutionary PA, and begin to dip their toes in the wild and exploratory sounds of 1974. One of the most laid-back Dick's Picks ever, it's a great warts & all peek into the Dead on the cusp of one of their most experimental & challenging years. Disc One is a trot through some DP standards, here played with space and patience in a way that fits the airiness of the Wall Of Sound they were plugged into. We hear the big machine slowly turn on in a choogly “US Blues” before great takes on “Brown-Eyed Women” and “Black-Throated Wind” settle everyone in. The debut of “Scarlet Begonias” and “Cassidy” prelude a truly 1974 take on “China Cat Sunflower > I Know You Ride” before a gorgeous “Weather Report Suite” closes out the set. Disc Two is anchored by an emotive, 45min palindrome segment which reads: “Playing In The Band -> Uncle John's Band -> Morning Dew -> Uncle John's Band -> Playing In The Pand.” The raw power of the band in 1974 is heard clearly here, while their sectional jamming of Fall 1973 is on full display as well. The set ends with some standard takes on out of place tunes, while “Wharf Rat” serves as the emotional climax we all needed during the set. The seeds of the band we'd hear on full display in Dick's Picks 7 and 12 is here in its earliest origins. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 25 in anticipation of our next episode, which will drop on Monday, June 28! See acast.com/privacy for privacy and opt-out information.

In this week's episode we return to the Dick's Picks cannon for our second of three shows in the set from the hallowed month of September 1972. Just ten days prior to the Dick's Picks Vol. 11 show from 9/27/72 in Jersey City, NJ, we hear the band play a similar setlist while highlighting a different centerpiece jam. It's a classic example of The Grateful Dead in a peak month, which showcases the best of the band while highlighting the subtle differences between the band at their best. Disc One is a standard ride through ‘72 dead with staples like “Sugaree,” “Black-Throated Wind,” and “Tennessee Jed” scattered throughout, all played standard-great. The peak of the disc is found in “Bird Song,” that, while it doesn't reach its heights of the DP11 or (coming soon) DP36 versions, is still quite blissful. One Disc Two we're treated to a 20min exploration of “Playing In The Band” before excellent takes off “Truckin'” and “Loser” kick off Set II. Disc Three is highlighted by a monster “He's Gone -> The Other One.” The former caps off at 39 min, it's the longest jam in the entire DP Set and showcases a band on a musical high, shifting gears, embracing risk, weaving in and out of ideas, and displaying their overall penchant for exploration during this period. Like so much of September 1972, we hear two versions of The Dead. One is still breaking out of its shell, reveling in the post-European Tour bliss, moving forward as the unit we'd know through the 70s. The other is already looking ahead to the acid jazz explorations that would define their best experimentations until their hiatus in 1974. 36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseCheck out the Nugs Live Stream of Bob Weir & Wolf Bros at Red Rocks from June 8-12. Visit Nugs.net/36 for tickets---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 24 in anticipation of our next episode, which will drop on Monday, June 14! See acast.com/privacy for privacy and opt-out information.

久石讓作曲的 「One Fine Morning」、「Here Come the Higgledies!」公開 奇幻冒險RPG，二之國6月10日正式開放！

In this week’s episode we take a momentary pause from our march through the Dick’s Picks series to discuss one of the best (some would say the best) live performance of all time: Bob Dylan & The Hawks 05/17/1966 concerts from the Free Trade Hall in Manchester, UK, known throughout history as the “Royal Albert Hall” Concert. Catching Dylan in the midst of a creative peak, just weeks prior to the release of his monumental album, Blonde On Blonde, and just months before he’d disappear from live performances for 8 years, it’s an incredible peek into an artist challenging the norms of his era, battling with an audience of imbeciles, and playing some of the best rock & roll ever made with The Hawks.Disc One is a complete acoustic set, which shows Dylan playing songs from Bringing It All Back Home, Highway 61 Revisited, and the yet-unreleased Blonde On Blonde. Every song has a claim for The Greatest Dylan Song of All Time, but highlights are found in the languid “Visions Of Johanna,” the haunting “It’s All Over Now, Baby Blue,” the wild and atonal “Desolation Row,” and the stunning energy in “Mr. Tambourine Man.” Disc Two opens with stray guitar riffs before launching into “Tell Me, Momma.” From there we’re off. One of the greatest sets of rock & roll ever played. Reworking old songs like “I Don’t Believe You (She Acts Like We Never Have Met,” “Baby Let Me Follow You Down,” and “One Too Many Mornings” as well as blasting tunes from his latest releases, “Just Like Tom Thumb’s Blues” and “Leopard Skin Pill-Box Hat,” Dylan battles his audience for the whole set, chastising them “It used to be like this….now it goes like that….” “...If only you wouldn’t clap so loud…” and forcing some of the best rock music ever played upon their ears. The boo’s are hurtled from afar from a crowd of fucking morons who want Dylan to be the Dylan they want them to be, and all the while the band plays louder and tighter and groovier. The set peaks following a searing “Ballad Of A Thin Man” with an audience member calling Dylan “Judas!” before Dylan responds with: “I don’t believe you….you’re a liar,” before instructing The Hawks to “Play it fucking loud!” They do just that, and one of the greatest versions of “Like A Rolling Stone” is unleashed on the world. The show is an absolutely stunning picture of Dylan, who, at 24, was at an early creative peak - some would say his highest - and on the tail end of a 18mo dive into amphetamine abuse. Strung out, exhausted, angry, but writing some of the best music he ever will, he combines all of this into a dual performance, acoustic/electric, that showcases the sheer genius of Dylan, and the lasting legacy of his craft.36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. Special Curveball logo design by Mark Dowd. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on

In this week’s episode we jump back in time to February 1968 for a pair of shows - unheard prior to their Dick’s Picks Release - from the King’s Beach Bowl in King’s Beach, California. Primordial Dead. We hear the band working through a number of tunes that would find their way onto Anthem Of The Sun while experimenting with dynamic-less jamming. As Steve notes at the top, this show kicks off at 11 before ending up at 35. It’s a wild ride. Disc One opens with a near-20min jam off “Viola Lee Blues” and doesn’t look back. Both discs in this set flow with thematic precision & youthful vigor that defines the overall period for the dead. From there, we hear Pigpen croon on “Hurts Me Too” before segues take over in “Dark Star -> China Cat Sunflower -> The Eleven> Turn On Your Lovelight” and finally a wild “Born Crosseyed -> Spanish Jam.” In Disc Two we hear the early power of “Morning Dew” before Pigpen lets loose again in a massive “Good Morning Little School Girl.” From there we’re back into the segues, as we hear part of the band’s Anthem Of The Sun segment in “That’s It For The Other One -> New Potato Caboose -> Alligator -> China Cat Sunflower -> The Eleven -> Alligator> Caution -> Feedback.” The volume closes with noise & sonic energy as the visceral power of the Grateful Dead comes through with tape hiss, piss, and vinegar. We’re not yet at the foundation of The Dead, we’re somewhere just before the Live Dead/Workingman’s Dead/American Beauty era that would set the band up for their 25yr period of greatness. The sounds are weird, the jams are heavy, and the songs aren’t fully formed. We can hear The Dead in there, ready to break out of their shell. 36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to our Curveball Show in anticipation of our next episode, which will drop on Monday, May 17! See acast.com/privacy for privacy and opt-out information.

In this week’s episode we dive into the heart of the 1980s for a complete show at the Richmond Coliseum in Richmon, VA on November 1, 1985, as well as a segment of the September 2, 1980 show at Community War Memorial in Rochester, NY. The main show finds the band competing with the intense vibe of the scene and working to will the crowd back from the brink. As a result, it features some of the most unique setlisting we’ve heard featured on a Dick’s Picks release, regardless the era. In the 1980’s segment, we hear the band toying with “Space.” before showcasing Brent’s initial impacts on the band, through a stunning “Morning Dew.”Disc One gives us our third “Dancing In The Streets” in the last two releases. The remainder of the set is upbeat, and updated takes on 70’s Dead classics here with their full band from the 80’s. Disc Two might be the most mellow set in Dick’s Picks history as “Samson & Delila” is really the only upbeat song of the night. What follows is an hour of deeply methodical and meditative music that only makes sense when one knows the intensity of the events of the night. “High Time>He’s Gone -> Spoonful>Comes A Time>Lost Sailor>Drums -> Space -> Saint Of Circumstance” bridges the second and third discs in stunning fashion. In Disc Three we move from the contemplative to the wedding party as “Gimme Some Lovin’,” “She Belongs To Me” and “Gloria” cap off a weird set that has to be heard. Finally, the set ends with a segment from 9/2/80 with a deeply engaged “Space” fading into “Iko Iko” before a stunning “Morning Dew” and “Sugar Magnolia” closes things down. It’s a wild and unique release in the overall catalogue, one that showcases The Dead at their most 80’s in 1985.This episode is dedicated to Thoughts On The Dead.36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 22 in anticipation of our next episode, which will drop on Monday, May 3! See acast.com/privacy for privacy and opt-out information.

In this week’s episode we explore 1976 for the first time in the series with two shows culled together from the Fall of 1976: September 25, 1976 from the Cap Centre in Landover, MD, and September 28, 1976 from the Onondaga County War Memorial in Syracuse, NY. Offering a peek into the transition the Dead was embarking on as they returned to the road, we hear new songs debut, old songs return, the band tighten up, and jams flow with more song-oriented focus, rather than atmospheric jamming.Disc One, in Landover, hears the band showcase energy and tightness as “Bertha” and “New Minglewood Blues” hit on a high. “Let It Grow” features the jamming peak of the disc. Disc Two provides insight into what 1971 Dead would sound like mid-decade as older tunes return, while in the midst of a fluid set. Highlights include a pre-77 “Dancing In The Streets” groove, a “Scarlet Begonias” with a “Fire” jam, some five months before the debut of “Fire On The Mountain,” and a languid “St Stephen/NFA” suite. Disc Three kicks us up to Syracuse with a few repeats, and great playing in “New Minglewood Blues” + another killer “Let It Grow,” this time segueing into “Going Down The Road Feelin’ Bad.” Disc Four might be the peak of the whole release with a transcendent segment that reads: “Playing In The Band -> The Wheel -> Samson & Delila -> Comes A Time> Drums -> Eyes Of The World -> Orange Tango Jam -> Dancing In The Streets -> Playing In The Band.” A full “Playing” suite Set II, a great preview of the highs of 77/78.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 21 in anticipation of our next episode, which will drop on Monday, April 19! See acast.com/privacy for privacy and opt-out information.

The Big Mates discuss Tom Waits, Mysterons, Super Audio CDs, and disc one of Hullabaloo by Muse.Adam, Steve, and Lucas talk about the b-side collection released as part of the slightly confusingly released Hullabaloo package. They go track-by-track, discussing the music, lyrics, themes, and everything inbetween! What is a 'Hullabaloon?' What is a song? How many hats is Steve wearing? Find out on this episode of What Is Music?An audio commentary for the Hullabaloo DVD will come out next week - April 5th!You can now wear your fandom on your (literal) sleeve!What Is Music? now has a RedBubble shop with lots of cool and stupid designs. You can get the designs on basically any product you like, from t-shirts and mugs, to bath mats and jigsaws, via clocks and phone cases! Head to https://whatismusicpod.redbubble.comIf you'd like a different way to donate to usYou can do so at https://ko-fi.com/whatismusicAny donations very gratefully received and go towards our running costs!Join the conversation on:Twitter: https://twitter.com/whatismusicpodInstagram: https://www.instagram.com/whatismusicpodE-mail: whatismusicpod@gmail.comhttp://whatismusic.buzzsprout.com/Support the show (https://ko-fi.com/whatismusic)

In this week’s episode we dive back into Fall 1973 Dead for an exploration of Dick’s Picks Vol. 19 from October 19, 1973 at the Fairgrounds Arena in Oklahoma City, Oklahoma. A single-show snapshot of The Dead as they launched into their lauded Fall 1973 Tour, we hear the musical explorations and immediate brilliance which would lead to two previous Dick’s Picks releases in Vol. 1 and Vol. 14. Disc One features some quality, albeit slowed down, performances of some of the band’s favorite tracks from the era, with excellent takes on “Sugaree” and “Tennessee Jed.” Disc Two kick’s off with a wild, near-20min take on “Playin’ In The Band” alongside a fiery take on “China Cat Sunflower -> I Know You Rider.” Disc Three is the gem of the release, with a 25min “Dark Star -> Mind Left Body Jam” kicking things off before moving into “Morning Dew” and a hot “Sugar Magnolia''. A double encore closes out the release with a phenomenal ‘73 “Eyes Of The World” moving into “Stella Blue” before “Johnny B Goode” sends us on our way with a Berry Bookend. It’s a great way to jump back into Season 3 of 36 From The Vault!36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We are proud to be sponsored by The Latin Dead who seek to channel the music of The Grateful Dead through Latin & Jazz influences. Get on the bus at http://musicbenefactors.com/latindeadWe’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 20 in anticipation of our next episode, which will drop on Monday, April 5! See acast.com/privacy for privacy and opt-out information.

Frank, Harrison and Nan have made it to the final chapter of The Lord of the Rings. Buckle the hell up for next week. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi featuring Where the Shadows Lie by Sean Monahan

Harrison bites off more than he can chew with an intro, and takes the cheap way out. Frank and Harrison are once again joined by Harrison's Grandmother to talk the first half of the second chapter in THE LORD OF THE RINGS. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi

**Editor's Note: Mild swearing in this episode** Toly Vasilyev is a multi-time Russian and Canadian national champion representing both Team Canada and Team Russia in various world tournaments as well as playing for Toronto GOAT and Toronto Rush. Toly has won 6 Russian national championships with Jupiter and Shadows and two Canadian Ultimate Championships with Toronto GOAT. With Team Russia, he won a mixed championship at the 2019 European Championships of Beach Ultimate. With Team Canada, he won a world championship at the 2008 World Ultimate and Guts Championships defeating Team USA in the gold medal game in Vancouver. Toly has done multiple projects in the ultimate world including starting a lifestyle clothing brand (Flatball Collective) and the Disc One 4 One project which has brought ultimate to 2,400 kids in Russia and Ukraine. In this interview, hear Toly share about his beginning in ultimate in Russia and his move to Canada where we learn about some opportunities and stories he has playing for Toronto GOAT and Team Canada. Toly also shares some practical tips including how to get more hand blocks and we learn about Toly's various projects including Flatball Collective and the Disc One 4 One project. Segment #1: Toly's journey (3:49) Segment #2: Daily life in ultimate (31:35) Segment #3: Toly's memorable games as a player (42:10) Segment #4: Rapid fire questions (47:29) Toly's social media contacts: Instagram (@toll18) Flatball Collective social media contacts: Instagram (@flatballcollective) & Website (flatballcollective.com) Disc One 4 One Project: (https://www.indiegogo.com/projects/disc-one4one#/) 2008 World Ultimate and Guts Championships Open Final Team Canada vs Team USA: (https://www.youtube.com/watch?v=pHmTo9Ybp3o&ab_channel=DISCHighlights) 2017 Canadian Ultimate Championships Open Final GOAT vs Winnipeg General Strike: (https://www.youtube.com/watch?v=f5zYxK7g3rM&ab_channel=UltimateCanada) Photos: (photo on left) (Brian MacKenzie) (photo on right) (Focus Ultimate) This episode is brought to you by Away From Keyboard. AFK is a lifestyle brand that believes in reconnecting with humanity and our planet. Whether that's tossing a disc on the weekends or hanging out by a campfire, they're dedicated to getting you to explore and grow in your own backyard. Join the adventure and check out their website at www.awayfromkeyboard.co and @get_afk on Instagram. Keep an eye out for the next episode where I interview Dena Elimelech, Ultiworld's 2019 Female College Player of the Year and 2019 USA Ultimate Women's college champion with University of San Diego Dragon Coalition. In this interview Dena shares about the rise of the UCSD program and the beginnings of her ultimate career as well as the amazing ending to her college career when she won a national championship.

HOT DAMN. It's a new day! On this episode of THE BARACK OBAMA APPROVED WORLD'S GREATEST PODCAST, we go back in time! In September 2019, I was joined by Michael Lamerique and my semi-regular co-host Marcus Robinson to discuss Jay-Z's deal to work with the NFL. Before we got into the episode proper, however, Lam and I were talking with live mics, and then Marcus joined us, and then, with a resounding "'SUP JERKS?!", Errick Greenlee appeared out of nowhere! We talk about video games, wrestling, parenting, work... we're just all over the place. So I give you an inside look at Hyphen Podcast Group's Brain Trust. Over a year ago, with a pandemic the furthest thing from our minds. --- Support this podcast: https://anchor.fm/hyphen-nation/support

Frank and Harrison are joined by Harrison's Grandmother (affectionately known as "Nan") for a very special beginning to THE LORD OF THE RINGS Trilogy, Extended Editions! This is gonna take a few weeks, folks. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi

In this week’s episode we explore Dick’s Picks Vol. 18, a midwestern compilation from February 3, 1978 at the Dane County Coliseum in Madison, Wisconsin, February 4, 1978 at the Milwaukee Auditorium in Milwaukee, Wisconsin, and February 5, 1978, at the UNI-Dome in Cedar Falls, Iowa. Just six weeks on from the magical year of 1977, we find The Dead fusing their disco-dead sound with expert & lengthy jams, giving the run a mixed feeling of 1973 meeting 1977. Pieced together like a standard Set I for the era with a double-pack of Set II jam vehicles, this is a joyous compilation that gives one a true sense of what The Grateful Dead were up to in the Winter of 1978.Disc One opens with the back-to-back combo of “Bertha” and “Good Lovin’” before we dive into a seasonally appropriate “Cold Rain & Snow.” Elsewhere, “Deal” shines in the lively rock of late-70’s Dead. Disc Two is a masterpiece as the late-70’s combo of “Estimated Prophet> Eyes Of The World” before “Playin’ In The Band” jams for nearly 25min in a fusion of the late-70’s groove & early-70’s psychedilia. From there we hear the first “The Wheel” of the Dick’s Picks series before returning to “Playin’.” Disc Three provides a bonus Set II to the overall show, with a scorching “Scarlet -> Fire” that concludes with a jam heavy “Truckin’ -> Drums -> Other One> Wharf Rat.” All the flavors of Winter/Spring 1978 are represented here in a compilation that matches Dick’s Picks 4, 12 and 14 for its mastery of encapsulating an era.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---In honor of the Dicks Picks series’ first appearance of “The Wheel” in Volume 18, we have a very special sponsor for this episode, the Chicago-based On Tour Brewing Company! Chicago area locals can also order for pickup or no-contact delivery, and On Tour is extending the $5 off to online orders over $30 with the Promo Code: 36VaultOnTourPlease check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 19 in anticipation of our next episode - our SEASON THREE PREMIER - which will drop in early 2021! See acast.com/privacy for privacy and opt-out information.

It’s one minute past midnight on Monday September 4th 1995. All around the world recording studios are humming into life and some of the best bands of the era have just 24 hours to record a song intended for an album that could save lives. In this episode some those groups remember that day - including Portishead, The Charlatans, The Boo Radleys and Radiohead - and we hear some of their amazing music.

In this week’s episode we explore Dick’s Picks Vol. 15, from Raceway Park in Englishtown, NJ on September 3, 1977. One of the biggest Dead shows of all time, we dive back into the halcyon year of 1977, hearing the band play a greatest hits type of show following their cancelled Summer Tour after Mickey’s car accident. Highlighted by tight playing and a killer setlist, it’s one of the most popular Dick’s Picks ever released. Disc One is highlighted by a brilliant “Mississippi Half-Step Uptown Toodeloo” and a gorgeous “Friend Of The Devil.” On Disc Two “Bertha” and “Eyes Of The World highlight the first half of the second set,” while on Disc Three “He’s Gone” fades into a unique jam before easing into a stunning take on “Not Fade Away.” A jam that wouldn’t have felt out of place in 1970, it hears The Dead exploring the darker terrain that fit the early 1970’s more than the Disco era. It’s a great overall snippet of The Dead at another peak period just passed their first hiatus. 36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Radiohead’s Bonnaroo 2006 Performance in anticipation of our next episode which will drop on Monday, October 5. See acast.com/privacy for privacy and opt-out information.

Bob takes the stage in the land of the rising sun (Japan) to play reggae/disco/??? hybrid arrangements of classic songs. The Jokermen reappraise the much misunderstood live album Bob Dylan at Budokan. See acast.com/privacy for privacy and opt-out information.

In this week’s episode we explore Dick’s Picks Vol. 14, from the Boston Music Hall in Boston, MA on November 30 and December 2, 1973. The first ever four-disc Dick’s Picks, this dives back into the world of late-1973 - a particularly brilliant period in Dead history - for the first time since Dick’s Picks Vol. 1. It is also the last volume in the series that Dick Latvala was alive for its release. Please take a moment to remember the man who brought us this incredible peek into the world of the greatest band in the land. Across four discs we hear a great representation of two different shows from the era. Disc One opens with “Morning Dew” before seeing strong takes on “Dire Wolf,” “Black Throated Wind” and “Big River.” The first of two “Playin’ In The Band’s” closes out. In Disc Two we’re treated to a phenomenal suite of GD jamming in “Weather Report Suite -> Dark Star Jam> Eye’s Of The World” while the disc’s opener, “Here Comes Sunshine” is the first we’ve heard since DP1. Disc Three mirrors the first, however goes a touch deeper in a phenomenal “Weather Report Suite> Wharf Rat -> Mississippi Half Step Uptown Toodelo.” The volume closes with a killer Fourth Disc highlighted by an incredible 25+min “Playin’ -> He’s Gone> Truckin’> Stella Blue>Morning Dew.” Overall, it matches Dick’s Picks Vol. 7 and 12 in its ability to showcase what made the 1973/74 peak of The Dead so strong. Steven and Rob focus on their appreciation for Dick Latvala, the ability for The Dead to jam as one during this period, the slippery slope of Dead Fandom, the copisms of Phil, and the brilliant moments of Jerry’s slide.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 15 in anticipation of our next episode which will drop on Monday, September 21. See acast.com/privacy for privacy and opt-out information.

On this episode we review the albums "Disc One" by Jake Levi and  "Gemini" by Jermaine Elliott. We also talk about some news out there! Apple Music TRC 277 Playlist Subscribe To Prince Treysaun's Gaming World Subscribe To Welcome To The Wall Podcast YouTube Channel Subscribe To My Voice With Dara & Friends Podcast  Tirzah Bless Youtube Channel WANT YOUR PROJECT REVIEWED? EMAIL US trc@thereportcardlve.com Twitter The Report Card https://twitter.com/trcpodcastlive Ambitious Ace https://twitter.com/AmbitiousAce Instagram The Report Card https://www.instagram.com/trcpodcast/ Ambitious Image https://www.instagram.com/ambitiousimage/ Subscribe To The Podcast On All Platforms Itunes https://itunes.apple.com/us/podcast/the-report-card-podcast/id1091629614?mt=2 iHeart Radio https://www.iheart.com/podcast/the-report-card-podcast-27572876/ Google Play Music https://play.google.com/music/m/Ies7cjhislcwjbmqhbygpdbyepm?t=The_Report_Card_Podcast Also available On iHeart Radio Soundcloud Stitcher Libsyn TuneIn Facebook Tumblr Google+ Grade Scale Check Great project. Worth a check out. You will find songs you like. Dash The project is ok. Maybe more for the current fans. Not much replay value. X Do not waste your valuable time with this. Nothing redeemable about this project.   Like...Comment...Subscribe...Review Thank you to everyone who listens weekly.   

The Jokermen throw a 50th anniversary jamboree for universally beloved album "Self Portrait". There sure are a lot of songs on this album. See acast.com/privacy for privacy and opt-out information.

We're all bored in the house, cause we're in the house bored— so put the kids to bed, throw on your favorite band tee, pour yourself a cold one while charging yourself $11, and have a seat. It's episode 17, we're live and always 6 feet apart. This week is part one of a two-part discussion about live albums. A live album certainly has it's place in recorded music, but not everyone agrees on what that place is or even how important a live album is overall. If anything a live album gives you a window into a time and a place that you weren't able to be at, and if it's really good it might even feel like you're there while you listen. Or hey, maybe you were lucky enough to be at a show that was recorded for a live album, and now when you listen—it takes you straight back to that exact moment. We cover it all in this jam-packed two-parter! Disc 1 of 2, LET'S GO!!! #TellKyleWhatToDo --- Support this podcast: https://anchor.fm/infectiousgroovepodcast/support

Join us for our goodbye to Disc One, and a temporary hiatus as we enter REMAKE WEEKEND. It’s 4/10/2020 and we’re very excited to tear into FF7R, but not before we deal with the most iconic scene in the original game - the events in the forgotten capital of the Ancients. We discuss our doomsday prep for the upcoming video game marathon weekend, how tamales for Easter are way better than ham, and we try to do our best to add some levity to what is, inevitably, a heavy episode. Intro: Listen to the Cries of the Planet, by Kannibal Outro: Aerith's Theme, S Generation arrangement  

Intro; Development Details; Level Notes: Rocket Town to End of Disc One; Character Study - Aeris; Theme of Death is talked about in detail!

Jason Arriola and Dominic Chavez are going Falcom Sound Team jdk crazy for the next few episodes! Over the course of our next four episodes, we’ll be covering the soundtrack for The Legend of Heroes: Trails of Cold Steel III. Normally, this means this would be taking up two months of regular shows, but with the North American […]

Jason Arriola and Dominic Chavez are going back to something Jason covered on the first episode by himself. Since it only got a bit of attention, we’re going to spend two episodes digging into the soundtrack for Baten Kaitos: Eternal Wings and the Lost Ocean. Not only was this how both of us learned about Motoi Sakaruba (both […]

I’m going to go ahead and, if you will, break the fourth wall on this post. I tried writing this in the third-person like I normally do, but it just never felt right, no matter how many times I attempted to fix it. This episode is a little different. Dominic and I are not just […]

Faramir ponders the nature of war, and Gimli explains about dwarf women. GUEST: Rachel Gatlin Email us: contact@lordoftheringsminute.com Follow us on Facebook, Twitter, and Tumblr And be sure to join our listener group: Fellowship of the Mic! Special Thanks to Patreon Associate Producer: Ed Foster

This week we're joined by Dennis Talbot to have a track by track discussion of disc one of The Gene Simmons Vault. Check it out!

For their third album, Rae Sremmurd have released a massive triple-disc of new music. Disc One, called Sr3mm, is a spiritual successor to the first two Rae Sremmurd albums, with the artful mix of catchy hooks and shout-along verses. Disc Two is a solo album from Swae Lee called Swaecation. Disc Three is a solo album from Slim Jxmmi called Jxmtro. All together it clocks in at a staggering hour and 40 minutes.An album review by Wren Graves.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

Square Roots really, officially has a Patreon now: https://www.patreon.com/squarerootspodcast We push forward with even more Grandia, finishing Disc One. But that means it's a jam packed episode full of tricky mermaids, confusing elevator puzzles, catapults, crying children, not knowing how to run, awkward dates, and villagers who lean on plausible deniability. This week: We play until the end of Disc One. Next week: We complete the Tower of Doom and find out Leen's secret! Level Up: 05:10 Quest Log: 16:05 Squarely Against: 01:50 Our opening theme is Charles Ritz’s awesome jazz cover of the Sandy Beach of Gambo featuring Alejandro Espinosa & Noah Benson. See the rest of Charles Ritz’s music on Youtube: https://www.youtube.com/user/charlesritzmusic. Our ending theme is that fantastic vocal cover by Cyril the Wolf - check out Cyril the Wolf on Youtube, https://www.youtube.com/user/CyrilRufus Twitter: @squarerootspod Facebook: https://www.facebook.com/groups/486022898258197/ Email: squarerootspodcast (at) gmail (dort) com

20 years later - A Modern Mix, Vol. 1

Welcome to a brand new sub-set of show exclusively looking at the Italian Collection releases of 88 Films. 88 Films have, for the last 2 years or so, have been on a tear releasing a torrent of Italian genre classics in high definition. I have been purchasing them and it should be no surprise to anyone, I have left them pretty much unwatched (what can I say...I'm a compulsive collector). In order to watch the movies I buy, and of course create some quality content for you all Under the Stairs, I will be running through each of the movies on this bonus series between 1-2 movies a month depending on the TPUTS schedule. So strap yourself in for a rollercoaster ride of alleged plagiarism, zombies, gore, rape, genital mutilation, sexism, revenge, gialli, cops and robbers, cannibalism, sci fi & more bush and titties than an annual subscription to Penthouse magazine. Disc One in the 88 Films Italian Collection is Aldo Lado's Video Nasty take on The Last House on the Left (on a train), Night Train Murders (1975) (aka L'ultimo treno della notte, Last Stop on the Night Train, The New House on The Left, Second House on The Left, Don't Ride on Late Night Trains,Late Night Trains, Last House Part II and Xmas Massacre). The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn’t Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It Night Train Murders: Duncan: 4 Up next on the Italian Collection Series is Disc 2 - Antonio Bido's The Bloodstained Shadow (1978). Our new A3 Baz v Horror Posters are available to purchase!! If you are interested in owning one then email podcastunderthestairs@gmail.com for details!! All prices include postage and packaging in special poster tubes with mail drops on Wednesdays and Saturdays each week until I'm sold out. Baz v Horror Poster: UK: £15 USA: $20 Baz v Horror & TPUTS The Void Poster COMBO UK: £20 USA $26 Paypal: gentik_tool@hotmail.com Check out the show on iTunes, TuneIn & on Stitcher Radio. The Podcast Under the Stairs is a proud member of Legion Podcasts. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

Mike leads us back, back, back into the wilds of pre-LP jazz as we discuss Bud Powell, Mary Lou Williams, and Tadd Dameron. Then Pat goes and ruins it with a selection from Ferit Odman, who at least had the decency to keep it all-analog. Mary Lou Williams – ZODIAC SUITE; Tadd Dameron – COMPLETE CAPITOL AND BLUE NOTE RECORDINGS OF FATS NAVARRO AND TADD DAMERON, DISC ONE; Bud Powell – COMPLETE VERVE RECORDINGS, DISC ONE (JAZZ GIANT & THE GENIUS OF BUD POWELL); Ferit Odman – DAMERONIA WITH STRINGS

La La Land Record's 50th Anniversary Collection. After fifty years, there have been many releases of Star Trek music from all across the franchise. La La Land Records had to create something very special in order to celebrate the monumental milestone for Star Trek, and they delivered it with their four disc set last December. Each disc is filled with rare music from all of the series including synth demo mock ups for main titles, bumpers, and new transfers of music from newly found first generation masters. Also inclusded on the set is an amazing disc of music from the animated series that many fans thought we would never get. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Neil S. Bulk, Associate Producer for La La Land Record's Star Trek 50th Anniversary Collection to discuss how new masters of the music were discovered, fixing previous errors, responding to fan criticism, and creating a music selection from stems. Chapters Opening (00:00:00)  News (00:01:16)  Charles-Henri Avelange's Star Trek Track (00:02:40)  "Act 1 Card" (from "Where No Man Has Gone Before" composed by A. Courage) (00:07:16)  Welcome, Neil! (00:07:52)  Scraping the Barrel (00:09:18)  Where Were the Tapes Found? (00:11:20)  Disc One (00:11:43)  "Captain Playoff No. 2 (New Set)" (composed by A. Courage) (00:15:35)  "Captain Playoff No. 2 (15 CD Set)" (composed by A. Courage) (00:15:45)  "Bumpers" (composed by W. Hatch) (00:17:17)  "Ship in Orbit (New Set)" (composed by A. Courage) (00:18:30)  "Ship in Orbit (15 CD Set)" (composed by A. Courage) (00:19:10)  Stems From the Animated Series (00:19:47)  "Sensor Data" (composed by Y. Blais and J. Michael) (00:27:43)  "Trouble in Engineering" (composed by Y. Blais and J. Michael) (00:28:46)  "Spock's Analysis" (composed by Y. Blais and J. Michael) (00:29:13)  The Rest of the Set (00:29:52)  "Main Title Demo (from Star Trek: Deep Space Nine)" (composed by D. McCarthy) (00:30:32)  "Main Title Demo (from Star Trek: Voyager)" (composed by J. Goldsmith) (00:31:35)  "Communique (C)" (composed by D. Reilly) (00:38:24)  Finding Neil and Current Projects (00:39:22)  Host Brandon-Shea Mutala Guest Neil S. Bulk Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

In this episode Matt and Andrew discuss their reactions to the Shenmue 3 announcement and their play through of Disc One of Shenmue.     Email: shenmueam2podcast@gmail.com Facebook: https://www.facebook.com/Shenmue-AM2-Podcast-674800979340892/ Shenmue Dojo Forum: http://www.shenmuedojo.net/forum/viewtopic.php?f=37&t=50310

In this week's shocking episode reality is shattered as Jim confesses that he likes Steiner. Meanwhile, the group ventures to Dali where, as Jim puts it, "all the townspeople are stupid." We confront the horror that is being trapped inside a coffin, Vivi has an existential meltdown, friendly black mages are literally melted down, there's about an hour of cutscenes and talking, John posits that not only do thousands seem to die every time there's a cutscene in the game, but that cutscenes involving explosions and massive damage have too much visual noise to be engaging. When we get control again there's The Hunt in Lindblum, we stalk an actor from I Want To Be Your Canary, John takes a dive to get Freya's accessory, and for once it's Zidane who gets roofied. Other highlights: Vivi has an a real Orphan Black situation; Vivi's head: a long black tube; Steiner yells at a senior citizen; Matthew reveals his true feelings about Zidane; John experiences human emotions; the morality and logistics of the Hunt; and Matthew and John both decide to have their own corners, complete with theme songs; letters from listeners, and much, much more! If you're playing along at home in this episode we cover from the village of Dali through until the end of the Hunt in Lindblum. Next week: we finish Disc One, or for you non-PlayStation 1 players, we get our butts handed to us in Burmecia.

Jason Arriola, Anthony Villanueva, and Luke Maxwell wrap up  the discussion on disc one of  Final Fantasy VII. We hit on the heavier moments, the silly side of this game, and how the remake might work. Also, Jason calls Red XIII a lion because he’s an idiot.

May and Jay watch Episodes 12 and 13 of Digimon Adventure where Elecmon punches gender roles in the face, Patamon is not a pig, and finally we see a pretty angel man. End of disc one. Please insert disc 2.

Disc One.       Flashback to 2003 - 2007 Day-club Vocal House.           For more in this series head to www.markalsop.com        . In 2003, a small club opened it's doors underneath the famed JBF building at Taylor Square, Sydney. It's name : Manacle. Within a few months the idea of a Day Club emerged. At first it was slow going and I remember playing to only a few people, but as word spread, all that was to change. Within the next six weeks it quickly became THE place to be. The name Manacle was on everybody's lips and the new Day Club "BENT" was born.People arrived after dancing all night in the nightclubs as well as those that would miss the Saturday nights entertainment along Oxford Street, so that they could awake at 6.30am and be fresh faced for the opening of BENT at 7am on the Saturday, Sunday and Monday mornings.Manacle not only saw the emergence of BENT, but also other regular events like D2D (Dusk@Dawn), Man Hole and Manoeuvres. Throughout the history of Manacle I also became the Friday night resident and saw the birth of an extremely popular night entitled BOYZONE and then the later famed GRUNT.I hope you enjoy this journey back to those days.  The double CD was originally entitled UNITY. The triple set was FAITH, HOPE & CHARITY. The earliest recording done in 2003/04 is called League. ALL these releases were only given to friends and the most loyal customers. This is the very first time that they have ever appeared digitally and available on the internet.I sincerely hope you enjoy this Flashback to the music that helped create the most popular and notorious Day Club in Australian history.A special thank you to Andrew Clarke & Stuart Fraser for creating such an amazing piece of Australian Gay history and for also providing the logo! For a complete listing of Podcasts please navigate to www.markalsop.com Join the MA15+ Facebook group click here For i-Tunes subscriptions click here