Podcasts about Nashville Skyline

This is an Encore Presentation of my July 2024 ROCK PHOTOGRAPHER SUMMIT. It features five of the greatest rock n' roll photographers of the era and the subjects they are known for: Ebet Roberts - Downtown NYC punk and New Wave scene. Television, Talking Heads, Blondie, Miles Davis.Bob Gruen - John Lennon, Yoko Ono, Tina Turner, Led Zeppelin, NY Dolls, The Clash, The Ramones.Jay Blakesberg - The Grateful Dead, Joni Mitchell, U2, Santana.Elliott Landy - Album covers: Bob Dylan's “Nashville Skyline”, The Band's “Music From Big Pink”, Van Morrison's “Moondance”. Jimi Hendrix, Eric Clapton.Gered Mankowitz - Album Covers by The Rolling Stones: “Out Of Our Heads”, “Between The Buttons”, “Got Live If You Want It”. Elton John, Traffic, Yardbirds.                                      ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Ebet Robertswww.ebetroberts.comBob Gruenwww.bobgruen.comElliott Landywww.elliottlandy.comJay Blakesbergwww.rockoutbooks.comGered Mankowitzwww.mankowitz.com—---------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Bob Peterson joins Patrick to induct Dylan's left-turn into country music – the short but oh-so-sweet Nashville Skyline – into the Bob Dylan Album Hall of Fame.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

MONOLOGUE Randy Hillier's Triumph: How One Man's Defiance Smashed Ontario's COVID Tyranny  NEWSMAKER   Chinese Interference, polling manipulation https://www.junonews.com/p/ccp-election-interference-campaign   https://www.thestar.com/politics/federal/mark-carneys-liberals-open-up-a-larger-lead-over-pierre-poilievres-conservatives-poll-analysis-suggests/article_71a708df-534f-4787-a86d-99b2e68f99c0.html   Jasmin Laine Host of Over Opinionated with Jasmin Laine OPEN LINES THE CULT OF CLIMATE CHANGE REPLAY FROM MARCH 26th, 2025 MONOLOGUE Poisoned Taps and Gutless Bureaucrats: Why Canada Needs an RFK Jr. to Slay the Fluoride Dragon NEWSMAKER Pierre Poilievre and the Conservative's drug policy vs. the NDP/Liberal policies https://www.rebelnews.com/poilievre_slams_radical_liberal_policies_vows_to_defund_drug_dens_and_restore_hope_through_recovery_model   Drea Humphrey Rebel News Reporter, BC Bureau Chief OPEN LINES THIS DAY IN ROCK HISTORY Audio: Lay Lady Lay – Bob Dylan Let's Dance – David Bowie  April 9, 1969, folk star Bob Dylan reinvented himself with the release of his ninth studio album, Nashville Skyline. The album was a sonic and stylistic pivot from his earlier work and found Dylan immersing himself in country music.   In 1983, David Bowie's “Let's Dance” became the shapeshifting artist's first single to top the charts on both sides of the Atlantic. The funky track, which was produced by Chic's Nile Rogers and featured guitarist Stevie Ray Vaughan, rebooted Bowie's career with a new generation of fans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shortly after he recorded “Peggy Day” — exactly 56 years ago today, in fact, an appropriate choice for Valentine's Day! — Bob Dylan told Rolling Stone magazine, “I kind of had The Mills Brothers in mind when I did that one.”A laugh was shared by Dylan and RS Editor Jann Wenner over that thought. However, the remark later really would resonate in the world of The Flood, which has taken much musical inspiration from The Mills Brothers, on everything from “Up a Lazy River” and “Lulu's Back in Town” to “Am I Blue?” and “Opus One.”In other words, Floodsters heard in Bob's little-loved love song a kind of pastiche of the 1930s and ‘40s, its rhythms recalling that era's classic swing thing.StepchildStill, "Peggy Day" remains one of the stepchildren in the Dylan oeuvre. In fact, the tune's only claim to fame is that it was the B-side when Bob released "Lay, Lady, Lay" as a hit single in the summer of '69. Unlike a lot of Dylan songs, "Peggy Day" has no intriguing backstory or associated legend, no deep, nuanced lyrics to invite exegesis by college graduate seminars.As a result, some Dylanologists seem to actually hate the tune. “Frankly, embarrassing,” Clinton Heylin once said of it, while Billboard magazine was even cheekier about the entire Nashville Skyline album from which it came: “The satisfied man speaks in clichés,” the magazine purred with a pucker.Shout-Out to The FloodNo wonder “Peggy Day” is so seldom performed by other artists. A few years ago, Tony Attwood started covering Dylan covers in a series of articles for his fascinating Untold Dylan web site. When Tony turned to “Peggy Day,” he located only one non-Dylan recording of the song: The Flood's version on its 2013 Cleanup & Recovery album.Attwood was complementary of The Flood's performance on the album, which featured the call-and-response vocals by Charlie Bowen and Michelle Hoge. (Click here to hear it, complete with solos by Sam St. Clair, Dave Peyton and Doug Chaffin.)“It's a jolly bit of fun,” Attwood wrote, “which shows this is certainly a song that has cover possibilities — in terms of a second vocalist — the harmonies in the middle 8 are gorgeous as is the instrumental break.”A Little Sumpin' Sumpin' from The VaultActually, a decade before that the song almost made it onto an earlier Flood album. “Peggy Day” was among the dozens of numbers the band recorded during a 10-hour marathon studio session with the late, great George Walker, an evening that yielded 2003's I'd Rather Be Flooded.The tune didn't make the cut for the album, but since things don't get thrown away much around here, the rendition has been patiently passing its time in The Flood Files, just waiting for this moment to arise.Click the button below to hear this archival “Peggy Day” treatment with Sam's harmonica and Charlie's vocals along with a bevy of late Flood tribal elders, including Joe Dobbs on fiddle, Chuck Romine on tenor banjo, Dave Peyton on Autoharp and Doug Chaffin on bass:Our 2025 Take on the TuneSo, this bit of fluff from Bob's fat and happy country squire days of the late 1960s is one of his least-recorded song, but The Flood obviously has always enjoyed playing it over the decades. Here's a joyous take on the tune from a recent rehearsal, featuring solos from everyone in the room, Danny and Randy, Sam and Jack. Happy Valentine's Day, dear ones!And Speaking of Love…Finally, if you'd like a little more Flood in your day of love, remember The Valentine Blend playlist in the free Radio Floodango music streaming service. Click below to read all about it! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

We've been waiting to do a Bob Dylan episode for years and the film A Complete Unknown is just the excuse we were looking for! This week Danny and Tyler discuss the late 60's era of Dylan's career where he became a country crooner. Post-electric and pre-religious, this is a beautiful time in Dylan's eclectic catalog."Country Pie" from Nashville Skyline has been added to our Ultimate Country Playlist! Follow the link below to keep up with which songs are being added to our Ultimate Country Playlist on Spotifyhttps://tinyurl.com/takethispodplaylist And on TIDAL!https://t.co/MHEvOz2DOACheck out our Patreon!Check out our new merch store!Instagram: @TakeThisPodandShoveItFor everything else click HERE!Want to create your own great podcast? Why not start today! We use BuzzSprout for hosting and have loved it. So we suggest you give them a try as well! Buzzsprout gets your show listed in every major podcast platform, and makes understanding your podcast data a breeze. Follow this link to let Buzzsprout know we sent you—you'll get a $20 credit if you sign up for a paid plan, and it helps support our show.

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1969 “Lay Lady Lay”  from Nashville Skyline released on Columbia. Written by Bob Dylan. Produced by Bob Johnston.Personel:Bob Dylan - guitar harmonica, keyboards, vocalsPete Drake - pedal steel guitarCharlie Daniels - guitarCharlie McCoy - bassKenny Buttrey - drumsBob Wilson - organ, pianoCharlie Bragg - engineerNeil Wilburn - engineerCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bob Dylan “Blonde on Blonde”Bob Dylan “Visions of Johanna”Bob Dylan “I Want You”Bob Dylan “Just Like a Woman”Bob Dylan “Greatest Hots Vol 1”Bob Dylan “Bootleg Series”Bob Dylan “Hard Times in New York Town”Bob Dylan “Talking Bear Mountain Picnic”Bob Dylan “Let Me Die in My Footsteps”Bob Dylan “Moonshiner”Bob Dylan “The Times They Are A Changing”Bob Dylan “Last Thoughts on Woody Guthrie”Bob Dylan “Highway 61 Revisited”Bob Dylan “Blood on the Tracks”Bob Dylan “Simple Twist of Fate”Bob Dylan “Shelter From the Storm”Bob Dylan “Bringing It All Back Home”Bob Dylan “Subterranean Homesick Blues”Bob Dylan “She Belongs to Me”Bob Dylan “Love Minus Zero”Bob Dylan “Maggie's Farm”Bob Dylan  “Gates of Eden”Bob Dylan “Greatest Hots Vol 3” Bob Dylan “Planet Waves”Bob Dylan “Going Going Gone”Bob  Dylan “Tough Mama”Bob Dylan “Hazel”Ani DiFrancoBob Dylan “Walking Down the Line”Chronicles Vol 1Merle HaggardWilcoMy Morning JacketThe EaglesThe Guess WhoFargoBob Dylan “Before the Flood”The BandJimmie RodgersThe BeatlesJimi HendrixThe Wknd “Blinding Lights”Bill MaherJohnny CashJoni Mitchell“Don't Look Back”DonovanBob Dylan “Tangled Up In Blue”Bob Dylan “It's All Over Now, Baby Blue”Barbara StreisandBob Dylan “Country Pie”Bob Dylan “Girl From the North Country”Midnight CowboyHarry Nilsson “Everybody's Talkin' At Me”Jerry GarciaCharlie Daniels   Leonard CohenSimon and GarfunkelThe Grateful DeadRadiohead Paul McCartney “Let Em In”MadonnaBob Dylan “Greatest Hits No 2”Bob Dylan “Greatest Hits No 3”MagnetJose FelicianoSteve BuschemiFargoBob Dylan “Bootleg Series”Isaac HayesThe Isley BrothersMinistryThe ByrdsPete YornDuran Duran “Thank You”Neil DiamondCherBen E King Inside Llewynn DavisGeorge Jones

Johnny Cash had a long-time affinity for the work of — and for his friendship with — Bob Dylan.In his book Cash: The Autobiography, Johnny wrote of being on the road in the early ‘60s. “I had a portable record player that I'd take along on the road, and I'd put on Freewheelin' Bob Dylan backstage, then go out and do my show, then listen again as soon as I came off.“After a while at that, I wrote Bob a letter telling him how much of a fan I was,” he said. “He wrote back almost immediately, saying he'd been following my music since I Walk the Line, and so we began a correspondence.” The two finally met in person during the 1964 Newport Folk Festival. They remained close friends for the remaining 40 years of John's life. When his friend died in 2003, Dylan wrote, “In plain terms, Johnny was — and is — the North Star; you could guide your ship by him, the greatest of the greats, then and now.”“Truly he is what the land and country is all about,” continued Dylan, “the heart and soul of it personified and what it means to be here; and he said it all in plain English. I think we can have recollections of him, but we can't define him, any more than we can define a fountain of truth, light and beauty.”Despite their mutual admiration, Dylan and Cash collaborated only one time. That was on Dylan's landmark 1969 recording of the Nashville Skyline album, produced by Bob Johnston.Johnston also had produced Cash's At Folsom Prison the year earlier, and he hoped he could get the two artists to record an entire album together. To that end, Cash and Dylan recorded 15 songs together at the Nashville sessions, but ended up keeping only one of those tracks, “Girl from the North Country.”About This SongAmong those 15 tracks was one of Cash's all-time favorite Dylan compositions, the wistful “One Too Many Mornings,” which Bob wrote for his third studio album, The Times They Are a-Changin'.As noted here recently, the song was famously among a series of tunes Dylan wrote after his breakup with his lover Suze Rotolo. After its album release in 1964, the song sometimes pops up on Dylan's set lists, notably during his 1966 world tour and then, 10 years later, in his second Rolling Thunder Revue tour.But Johnny Cash embraced the song even more, covering it numerous times, including on the album Johnny & June in 1978.He recorded it again in 1986 as a duet with Waylon Jennings for their Heroes album. In 2012, a remix combining Cash's original vocals with new recordings by the Avett Brothers was included on the benefit album Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International.Meanwhile, Johnny and Waylon's vocals on that original Heroes rendition later were augmented by Willie Nelson and Kris Kristofferson when the four of them created the supergroup The Highwaymen in the 1990s.Our Take on the TuneCharlie Bowen started doing this song back in college to have something to sing and play to the jam sessions in the dorms. It then was one of the songs Charlie brought along in that summer and fall of 1974 when Dave Peyton, Roger Samples and he started The Flood. And this lonely, lovely Dylan tune is still welcome at Flood gatherings, as you can heard on this track from last week's rehearsal.Want More Bob?By the way, if you'd like a little more Dylan in your diet, The Flood has an entire Bob-centric playlist set in up the free Radio Floodango music streaming service. Click here to read all about it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

This is a Special Episode of the podcast that I call a Rock Photographers Summit. It features five of the best rock n' roll photographers of the era: Ebet Roberts - Downtown NYC punk and New Wave scene. Television, Talking Heads, Blondie, Miles Davis.Bob Gruen - John Lennon, Yoko Ono, Tina Turner, Led Zeppelin, NY Dolls, The Clash, The Ramones.Jay Blakesberg - The Grateful Dead, Joni Mitchell, U2, Santana.Elliott Landy - Album covers: Bob Dylan's “Nashville Skyline”, The Band's “Music From Big Pink”, Van Morrison's “Moondance”. Jimi Hendrix, Eric Clapton.Gered Mankowitz - Album Covers by The Rolling Stones: “Out Of Our Heads”, “Between The Buttons”, “Got Live If You Want It”. Elton John, Traffic, Yardbirds.                                      ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Ebet Robertswww.ebetroberts.comBob Gruenwww.bobgruen.comElliott Landywww.elliottlandy.comJay Blakesbergwww.rockoutbooks.comGered Mankowitzwww.mankowitz.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Album Anniversaries for the week 4/8 - 4/14. The last couple weeks have been pretty CCM centric but mixing it up a little this week. Bob Dylan's Nashville Skyline celebrates a 55 year anniversary. Reckoning by R.E.M. celebrates a 40 year anniversary and Smash by the Offspring celebrates a 30 year anniversary. Plus a ton of other albums and a preview of next week's posts. CalebTheSpy on Twitter Caleb_The_Spy on Instagram CalebTheSpyPodcasts@gmail.com Music by: Peg and The Rejected "Sing It Out At Street Level"

In this episode, we discuss Bob Dylan's 'Nashville Skyline' album in celebration of the 55th anniversary of its April 9, 1969 release. I've always loved his uncharacteristically warm, smooth vocals on this album, as well as the 'Blonde On Blonde'-descendant sonic palette...Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Les festivals Werchter Boutique et TW Classic ne seront pas organisés cette année annonce l'organisateur Live Nation, Rock Werchter lui aura bien lieu avec Classic 21 début juillet à l'affiche : le Boss, Maneskin , les Foo Fighters… De grandes retrouvailles pour les Doobie Brothers et Michael McDonald sur scène et en studio pour travailler sur un nouvel album après 4 décénnies. La Marque d'instruments de musique Fender célèbre le 70ème anniversaire de la guitare Stratocaster avec un clip montrant une multitude de musiciens : Nile Rodgers, Jimmie Vaughan, Rebecca Lovell, Tyler Bryant … Bryan Ferry, le chanteur de Roxy Music, vend la moitié de son catalogue musical, tout comme Michael Jackson et Rod Stewart, à la firme Iconic Artists Group. 2 Bob Dylan reprend "Big River" de Johnny Cash pour la première fois en 21 ans, déjà repris sur les ‘'Basement Tapes'' en 1967 et l'avait ensuite chanté en duo avec l'homme en noir deux ans plus tard lors des sessions "Nashville Skyline". AC/DC : l'acteur qui jouera le rôle de Bon Scott dans le biopic du chanteur a été dévoilé, il s'agit du jeune acteur Lee Tiger Halley qui a été choisi pour incarner l'icône du rock dans le film, intitulé ‘'The Kid From Harvest Road''. Mots-Clés : guitariste, chanteur, Pat Simmons, Facebook, John Shanks, tonalité, guitaristes, monstres sacrés, Jimi Hendrix, David Gilmour, Jeff Beck, Ritchie Blackmore, Stevie Ray Vaughan, Andy Gill, Gang of Four, Brother Wayne Kramer, MC5, fondateur, Chic, The Hitmaker, célèbre, instrument, chansons, succès, dance, disco, funk, pop, jazz, country, folk, société, production, australien, Halo Films, Protocol Pictures, histoire, magie, passion Fremantle, série, Boy Swallows Universe, roman, Trent Dalton, comique, Crazy Fun Park, Belgique, Dessel, propriétaires, actif, carrière musicale, solo, héritage, génération, fans, président, Jimmy Edwards, art, mode, tournée, Ruth Eckerd Hall, Clearwater, Floride, passion, enfance, tourne-disque, portable, route, autobiographie, coulisses, spectacle, tournée, Amérique, monde. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Bob Dylan closes out the decade he became the voice of with Nashville Skyline - a rustic masterpiece about happiness and contentment that goes in the opposite direction of 1969's explosive social pulse.

Intro song: All Along the Watchtower by The Jimi Hendrix ExperienceAlbum 9: John Wesley Harding (1967)Song 1: The Ballad of Frankie Lee and Judas PriestSong 2: I Pity the Poor ImmigrantSong 3: Drifter's EscapeAlbum 10: Nashville Skyline (1969)Song 1: Peggy DaySong 2: Country PieSong 3: One More NightBonus song: Lay, Lady, LayOutro song: Lay Lady Lay by Buddy Guy

In the winter of 1969, Bob Dylan arrived in Tennessee with only four songs completed for his Nashville Skyline recording sessions. Over the next few days at the Columbia studio and in his rooms at the Ramada Inn, he composed another five pieces, including this stunning tune that he used as the album's closing track.“Tonight I'll be Staying Here with You” was the third single to be released from Nashville Skyline (after “I Threw It All Away” and “Lay Lady Lay.”) It reached #50 on the US Billboard Hot 100 chart and the top 20 in other countries.Critical response was positive. Cash Box said that, unlike previous Dylan singles, "this ballad is honed to a fine edge and further sharpened through excellent production touches.” Record World concurred, calling it “another classic from the master.”MilestoneDylanologists, meanwhile, found the song insightful, because the lyrics seemed to mark a change from the angst of Bob's earlier love songs, many of which told of restless searches.In contrast, "Tonight I'll Be Staying Here with You" finds Dylan devoted to his lover and willing to settle down (at least for the nonce). Some fans waxed poetic at the thought of Bob as a family man, happy to be quietly living with Sara and the kids.Dylan himself seemed to like that image. Soon after Nashville Skyline's release, he told Rolling Stone‘s Jann Wenner, “I was on the road for almost five years. It wore me down. I was on drugs, a lot of things. … I don't want to live that way anymore.” TrainsTrain imagery, by the way, runs throughout the song.But unlike his earlier lyrics, in this song, even though he "can hear that whistle blowin'," he wants to "throw my ticket out the window" and let "a poor boy on the street" have his seat.On the album, the song showcases Dylan's then-new smooth country croon between twangy guitar fills. A more raucous version, though, became a live highlight a few years later when Bob was — yes — back on the road with the Rolling Thunder Revue. Our Take on the TuneThere's a reason why The Flood's rendition of this Dylan classic sounds different from Bobby's version (or from anyone else's take on the tune, for that matter). That's because back in the early 1980s, when Roger and Charlie started playing around with opening chord progression here, they thought they were writing an original song of their own. But then Rog and the Samples family moved away — leaving West Virginia for the green hills of Kentucky — and the piece they were working on was left an orphan. It didn't even have a name or the first hints of a lyric. Only a year or so later, when Charlie was noodling with it during the warmup at a jam session, did Dave Peyton say, “Hey, you know what? If you tweaked the chords a bit and added the bridge, you could sing that Dylan thing over that!” Right there and then an arrangement was born, and we've been playing it like this ever since.Meanwhile….By the way, if you'd like more Floodified Dylan tunes, check out this special playlist we constructed for Bobby's birthday a Spring or two ago: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Rullväskan duger inte symbol för lycka eller olycka. Thomas Steinfeld belyser den djupa skillnaden mot den klassiska resväskan. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Om det någon gång skulle skrivas en historia om den moderna konstens mest använda föremål, så skulle den handla om resväskan. Inte den moderna sorten, den som har hjul, så att man kan dra den efter sig som en följsam hund, utan den gamla, fyrkantiga resväskan, den som tillverkats av någon sorts härdad kartong som klätts med plast eller läder, den som har ett handtag, två snäpplås och kanske ett snöre bundet runt mitten. En hel vägg av sådana väskor kan beskådas på ett museum i Gdansk, som är tillägnat minnet av andra världskriget, en hög av sådana väskor ligger i “Mémorial de la Shoah“ i Paris, och i Liverpool finns ett konstverk bestående av väskor i betong, till åminnelse av alla som lämnat staden, mestadels för USA. Och så kan man fortsätta, med hundratals exempel från konsten, men också från litteraturen. Vad vore Karl Rossmann, hjälten i Franz Kafkas ofullbordade roman ”Den försvunne”, även känd som Amerika, utan sin resväska? Och vilket slags väska hade „the Rolling Stones“ i sinnet, när de år 1971 framförde: “Well, I followed her to the station, with my suitcase in my hand”, i en låt som bär titeln “Love in Vain” och som ursprungligen sjöngs av bluesmusikern Robert Johnson? “Jo, jag följde henne till stationen, med min resväska i min hand.“Väskan, som måste bäras, är en symbol för själva resan, både den lyckliga och den olyckliga. I den lyckliga versionen bär den klistermärken från hotell i fjärran länder, och skrapmärkena berättar om allehanda äventyr som berikade livet. I den olyckliga varianten står resväskan för flykt och fördrivning, för de få ägodelar som möjligen kunde räddats ur en förstörd tillvaro, för nöd och förtvivlan. Båda varianter förenas i sin melankoli, men också i det att de uppstod i samband med resans mekanisering. På den gamla tiden, när man reste med en droska, red på en häst eller gick till fots, hade man inga resväskor, utan olika säckar, och för de större förflyttningarna användes kistor. Resväskan kom med tåget, den följde med bilen – och så förblev det, så länge de mer välmående kunde ropa till tjänstefolk och de fattiga inte hade något annat val än att bära väskan själv. Rullväskan uppfanns först under sjuttiotalet, och de dröjde flera decennier innan den blev populär, inte minst för att den i början brukade tippa åt sidan. Rullväskan blev dock aldrig ikonisk, som den gamla väskan, den rektangulära med handtag och lås. Men hur kunde det dröja så länga innan rullväskan tog över? En väska som bär sig själv – idén är ju lysande men knappast hisnande innovativ. Väskan fanns, hjulet fanns. Men rullväskan blev en av de där uteblivna uppfinningarna, de man tycker att någon borde ha tänkt på, men inte gjorde. Som stigbygeln, som varken de gamla grekerna eller romarna kände till, så som lien, som uppfanns först under medeltiden, så som hjulet, som nådde den amerikanska ursprungsbefolkningen först med den europeiska kolonisationen? Det har sagts att den burna väskan var ett uttryckt för ett samhälle dominerat av män. De förmådde att bära väskan, de förväntades att kunna bära sitt öde själva. Kvinnan däremot behövde hjälp med den tunga lasten. Och så ansågs rullväskan vara ett feminint redskap. Insikten bär dock inte långt, inte bara för att det fanns stora och små resväskor, inte bara för att också männen insåg rullväskans fördelar, utan framför allt för att den burna väskan och rullväskan har olika ursprung: Den första modellerades efter skåpet, den andra efter säckkärran. Den burna väskan står för ett undantag. Hela tillvaron skall rymmas i en låda, I förminskad form, med en mer eller mindre strikt begränsning av det nödvändiga och enbart för en begränsad tid. Den franske konstnären Marcel Duchamp skapade under sena trettiotalet „la boîte en valise“, en resväska som innehöll små reproduktioner av alla verk som han hade arbetat med. Denna låda är ett mönster för alla burna resväskor, de lyckliga liksom de olyckliga. Annorlunda är det med rullväskan. Den står inte för ett undantag, utan för mobiliteten själv. Den formar en enhet med människan, gemensamt vandrar, går, springer de genom flygplatser och tågstationer, hotellhallar och konferenslokaler med väskan släpandes efter sig med den ena handen och mobiltelefonen i andra handen. Eller är det tvärtom, så att rullväskan puttar människan framför sig, över släta stengolv, asfalt och mattor? Ty också underlaget tillhör rullväskans symbolik: Den fungerar bara på banade vägar, bara på ställen, som har byggts för att användas av otaliga i ohindrade framfart. Varje försök att dra en rullväska över kullerstensgator, grusvägar eller till och med över en gräsmatta mynnar ut i ofrivillig komik. Övergången från den burna väskan till rullväskan är därför inte bara ett ergonomiskt framsteg eller ett uttryck för en förändring i förhållandet mellan könen. Den är ett tecken på att själva tillvaron förändrats, för en stor del av mänskligheten.Den gamla resväskan hade en motpart. Den var hemmet, och den oändliga sorgen som ligger i de många konstverken som består av väggar eller högar av gamla väskor grundar sig i vetskapen att de som en gång ägde dessa medtagna föremål, hade förlorat sin plats i livet. Rullväskan saknar en sådan motpart. De står för en livsform där resan och uppehållet går in i varandra, utan avbrott eller paus. Var man än är, så är man redan nästan borta, och vart man än kommer, så når man aldrig dit. Och så fortsätter det, från ort till ort, från station till station, från land till land, i en ström utan strand. Ty människan med rullväskan är aldrig ensam. Den är enbart en del av en gigantisk rörelse av likartade nomader, som alla drar sin bullrande tillvaro med sig. Aldrig kommer rullväskan i hårdplast att utvecklas till ett konstens favoritföremål så som den gamla resväskan blivit. Den duger inte som en symbol för lycka eller olycka, för hopp eller förtvivlan. Den får inte ens skrapmärken, för att inte tala om bucklor, och när den går sönder, så knäcks den med en gång, i stället för att långsamt falla isär så som den gamla resväskan gjorde, som ett tecken också för hur minnen blir suddiga ju längre tiden går.“Tonight I'll be staying here with you”, sjöng Bob Dylan någon gång I slutet av sextiotalet, på ett album med titeln “Nashville Skyline“, “ikväll skall jag stanna här med dig”. Texten börjar med att sångaren slängar sin resebiljett ut genom fönstret, sedan följer resväskan. Aldrig skulle han gjort detsamma med en rullväska.Thomas Steinfeld, författare och professor i kulturvetenskap

In the recently released Travel + Leisure rankings of "The 24 Best New Luxury City Hotels Around the World,” readers likely nodded at Xenodocheio Milos in Athens.; however, #2 was likely to come as something of a surprise: Four Seasons Hotel Nashville.  In the words of Travel + Leisure, “It wasn't that long ago that a pairing of the Four Seasons and Nashville would've seemed unlikely.  But times have changed for both the iconic hotel brand and Music City.” The Four Seasons Nashville is not just a luxury hotel, however.  The tower also has 144 private residence, luxury condominums.  Many local real estate observers were skeptical that Nashville had a deep enough luxury market to support this sort of project, a project where a handful of units had listing prices in the eight figure ranges.  Spoiler alert—all the Four Seasons Residences were sold before construction was even complete.   So, how was Four Seasons persuaded to plant a flag in Nashville, and how did Nashville attract Four Seasons? On this very special episode of Climbing the Charts, we sit down with Dean Stratouly.  He's the CEO of the Congress Group, based in Boston, and has been, for almost a decade now, the driving force behind the answers to those questions.  Dean shares with us how he went from selling nuclear power plants to developing skyline shaping properties – like the Four Seasons Nashville.  And Dean isn't done in Nashville; he's just getting started.  Dean offers unvarnished takes on today's real estate market, explains how Nashville can ensure better and smarter development, and offers his assessment of the current state of Music City: “I'm as bullish on Nashville today as I was seven years ago when I got here. It continues to have all the potential, more potential than just about any other market that I've seen in the last three or four years.” Join us for a conversation that will raise your real estate IQ and inspire you as to what's possible on one's professional journey, including the role of chance encounters and self-manufactured luck.  

New YouTube Channel - https://www.youtube.com/channel/UCKjWKXfpjtNL0oL2R6MKSxwToday's Sponsors:XPLR Tourshttps://xplrtours.com/Use ND10 for 10% off the History of Nashville Walking TourBlessed Day Coffeehttps://www.blesseddaycoffee.com/Use Code "XPLR20" for 20% off at checkoutNashville Daily Artist of the Day Playlisthttps://open.spotify.com/playlist/51eNcUWPg7qtj8KECrbuwx?si=nEfxeOgmTv6rFUyhVUJY9AFollow us @ XPLR NASHWebsite - https://nashvilledailypodcast.com/YouTube Channel - https://www.youtube.com/c/xplrnashInstagram - https://www.instagram.com/xplr.nash/Twitter - https://twitter.com/xplr_nashNASHVILLE & XPLR MERCH - https://www.xplrnash.com/shopMedia and other inquiries please email hello@xplr.life

On this day in 1969, Bob Dylan released Nashville Skyline. It came as a shock to fans and critics, with it's simplistic songs, full-on country sound and different singing voice. With me to dissect what was happening with Bob, the album and society is author of "About Man and God and Law: The Spiritual Vision of Bob Dylan" and podcast host of the show of the same name, Dr Stephen Arnoff. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elliott Landy is a renowned rock photographer particularly covering the classic rock period of the 1960s. He's responsible for a number of iconic album cover photos including Bob Dylan's "Nashville Skyline", The Band's "Music From Big Pink", Janis Joplin's "Cheap Thrills", and Van Morrison's "Moondance". Plus he shot Jimi Hendrix, Jim Morrison, Joan Baez, Eric Clapton and many more. And then there are his iconic photographs of Woodstock. He's authored a number of books and won many awards.My featured song is “Annie And Leni” from my new album, Bobby M and the Paisley Parade. Spotify link.—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Elliott and I discuss the following:His start in photographySeeing Country Joe and the FishPhotographing Janis JoplinThe BandBob DylanVan MorrisonHis Kickstarter campaign. Click here “BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here.LIVE AT STEELSTACKS is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.ALL OF THE TIME is Robert's recent single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.THE SHAKESPEARE CONCERT is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. THE FALL OF WINTER is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with Elliott at:www.elliottlandy.comwww.landyvision.comHttps://www.kickstarter.com/projects/thebandbook2/elliott-landys-the-band-photographs-book-volume-2?ref=project_link Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.com Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

With cameras and photos everywhere ready at hand, what gives iconic photography the staying power to influence new generations?  This week on How to Tickle Yourself we explore this question with Elliott Landy, one of the first music photographers to be recognized as an artist. His celebrated works include portraits of Bob Dylan (the cover of Nashville Skyline), The Band (Music from Big Pink and the Band), Janis Joplin, Van Morrison (he took the photos on the cover of Moondance), Jim Morrison, Jimi Hendrix, and many others.

In this episode of Rock is Lit, Richard Fulco, author of the new novel ‘We Are All Together', is here to take us on a rockin' jaunt through the late 1960s, where we'll encounter several iconic players on the music and literature scene from that era. If you're a fan of the Summer of Love and all the trimmings that go with it, you'll love his novel and this episode. Later, Elliott Landy drops by to talk even more about the 1960s music scene, a period he should know a lot about since he's been photographing rock stars since the mid-60s. Best known for his classic rock photographs, Elliott Landy was one of the first music photographers to be recognized as an “artist.” His celebrated works include album cover photographs for Bob Dylan's ‘Nashville Skyline', The Band's ‘Music From Big Pink' and ‘The Band' album, and Van Morrison's ‘Moondance'. He's also taken portraits of such rock icons as Janis Joplin, Jimi Hendrix, Jim Morrison, etc. He was the official photographer of the 1969 Woodstock Festival. And . . . Elliott has a new book out, entitled ‘Photographs of Janis Joplin On the Road & On Stage', featuring 129 photos, including 100 unpublished, accompanied by Janis's own words from recorded interviews by David Dalton of ‘Rolling Stone' magazine. HIGHLIGHTS:Richard Fulco and I talk about Syd Barrett's descent into mental illness and his exit from Pink Floyd1967: The Summer of Love—music, culture, vibe—but for African Americans, 1967 was known as The Long Hot SummerRichard's music career when he was in his twentiesThe story and characters in ‘We Are All Together'—Syd Barrett as inspiration behind the character DylanThe Beatles' performance on the ‘Ed Sullivan Show' in 1964The quest for fame and having “IT”The American Dream and racism and toxic ChristianityCharles MansonThe Merry PrankstersThe significance of the title of the novel and its connection to The BeatlesAndy Warhol, The Factory, The Velvet Underground with Nico, Lou Reed and their role in the novelThe depiction of the Monterey Pop Festival in the story, especially the performance of Janis Joplin with Big Brother and the Holding CompanySome of the other icons who make cameos in the novel: Pete Townshend, Eric Burdon, Jann Wenner, Neal Cassady, William S. BurroughsWhat the Jack Kerouac classic novel ‘On the Road' means to Richard and meThe Monkees as a gateway drug to The BeatlesElliott Landy and I talk about How Elliott's concern about the Vietnam War brought him from a job as a photographer on a Danish film set back to America in the mid- to late 1960s to photograph peace demonstrationsHow a Country Joe and the Fish light show at The Anderson Theater in NYC's East Village started Elliott on a new career path photographing musiciansSeeing Janis Joplin, Tim Buckley, and Albert King perform the very first show at the Fillmore East on March 8, 1968Hanging out with Janis Joplin after a NYC gigElliott's style as a “fly on the wall” photographerShooting the album covers of The Band's ‘Music From Big Pink' and ‘The Band', Bob Dylan's ‘Nashville Skyline', and hanging out with guys in the town WoodstockHis experience as the official photographer at Woodstock in 1969 and the spirit of Woodstock and the 1960s MUSIC AND MEDIA IN THE EPISODE IN ORDER OF APPEARANCE:(Royalty Free Music) “Summer of Love” by Roy Edwin Williams“The King is Half-Undressed” by Jellyfish“Dock of the Bay” by Otis Redding“See Emily Play” by Pink FloydRoger Waters talks about Syd Barrett on the Joe Rogan Experience“Four” by Sonny RollinsClip of Muhammad Ali explaining his anti-draft, anti-Vietnam War stance“I Am the Walrus” by The Beatles“Ball and Chain” performed by Janis Joplin with Big Brother and the Holding Company at Monterey Pop Festival“Heroin” by The Velvet Underground with Nico‘The Monkees' Theme Song“Itchykoo Park” by The Small Faces“I Feel Like I'm Fixin' to Die Rag” by Country Joe and the Fish“Morning Glory” by Tim BuckleyCountry Joe and the Fish chant at Woodstock 1969“To Be Alone With You” by Bob DylanWavy Gravy at Woodstock“Woodstock” by Crosby, Stills, Nash & Young“Down on Me” Janis Joplin with Big Brother and the Holding Company LINKS: Richard's website, www.richardfulco.comRichard on Twitter and Instagram, @RichardFulco Link to clip of Roger Waters talking about Syd Barrett on the Joe Rogan Experience, https://www.youtube.com/watch?v=0BcKrk5tFnE&t=66s Elliott's website, www.elliottlandycomElliott on Instagram, @elliott_landy_photography Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/Christy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg YouTube, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqagLink to Christy Alexander Hallberg's short story on Janis Joplin, “Third Party,” published by ‘Eclectica', https://www.eclectica.org/v20n4/hallberg.html

In this episode of Rock is Lit, Richard Fulco, author of the new novel ‘We Are All Together', is here to take us on a rockin' jaunt through the late 1960s, where we'll encounter several iconic players on the music and literature scene from that era. If you're a fan of the Summer of Love and all the trimmings that go with it, you'll love his novel and this episode. Later, Elliott Landy drops by to talk even more about the 1960s music scene, a period he should know a lot about since he's been photographing rock stars since the mid-60s.   HIGHLIGHTS: Richard Fulco and I talk about  Syd Barrett's descent into mental illness and his exit from Pink Floyd 1967: The Summer of Love—music, culture, vibe—but for African Americans, 1967 was known as The Long Hot Summer The story and characters in ‘We Are All Together'—Syd Barrett as inspiration behind the character Dylan The American Dream and racism and toxic Christianity Charles Manson The Merry Pranksters The significance of the title of the novel and its connection to The Beatles Andy Warhol, The Factory, The Velvet Underground with Nico, Lou Reed and their role in the novel The depiction of the Monterey Pop Festival in the story, especially the performance of Janis Joplin with Big Brother and the Holding Company Some of the other icons who make cameos in the novel: Pete Townshend, Eric Burdon, Jann Wenner, Neal Cassady, William S. Burroughs What the Jack Kerouac classic novel ‘On the Road' means to Richard and me Elliott Landy and I talk about  How a Country Joe and the Fish light show at The Anderson Theater in NYC's East Village started Elliott on a new career path photographing musicians Seeing Janis Joplin, Tim Buckley, and Albert King perform the very first show at the Fillmore East on March 8, 1968 Hanging out with Janis Joplin after a NYC gig Elliott's style as a “fly on the wall” photographer Shooting the album covers of The Band's ‘Music From Big Pink' and ‘The Band', Bob Dylan's ‘Nashville Skyline', and hanging out with guys in the town Woodstock His experience as the official photographer at Woodstock in 1969 and the spirit of Woodstock and the 1960s   MUSIC AND MEDIA IN THE EPISODE IN ORDER OF APPEARANCE: (Royalty Free Music) “Summer of Love” by Roy Edwin Williams “The King is Half-Undressed” by Jellyfish “Dock of the Bay” by Otis Redding “See Emily Play” by Pink Floyd Roger Waters talks about Syd Barrett on the Tonight Show Starring Jimmy Fallon “Four” by Sonny Rollins Clip of Muhammad Ali explaining his anti-draft, anti-Vietnam War stance “I Am the Walrus” by The Beatles “Ball and Chain” performed by Janis Joplin with Big Brother and the Holding Company at Monterey Pop Festival “Heroin” by The Velvet Underground with Nico ‘The Monkees' Theme Song “Itchykoo Park” by The Small Faces “I Feel Like I'm Fixin' to Die Rag” by Country Joe and the Fish “Morning Glory” by Tim Buckley Country Joe and the Fish chant at Woodstock 1969 “To Be Alone With You” by Bob Dylan Wavy Gravy at Woodstock “Woodstock” by Crosby, Stills, Nash & Young “Down on Me” Janis Joplin with Big Brother and the Holding Company   LINKS:  Richard's website, www.richardfulco.com Richard on Twitter and Instagram, @RichardFulco   Link to clip of Roger Waters talking about Syd Barrett on the Tonight Show, https://www.youtube.com/watch?v=QXSHZQ0AEqE   Elliott's website, www.elliottlandycom Elliott on Instagram, @elliott_landy_photography   Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg Twitter, @ChristyHallberg Christy Alexander Hallberg Instagram, @christyhallberg Christy Alexander Hallberg YouTube, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag Link to Christy Alexander Hallberg's short story on Janis Joplin, “Third Party,” published by ‘Eclectica', https://www.eclectica.org/v20n4/hallberg.html Learn more about your ad choices. Visit megaphone.fm/adchoices

The Jokermen are joined by journalist and broadcaster extraordinaire Jenny Eliscu for a look back at the John Wesley Harding, Nashville Skyline, and Johnny Cash sessions that make up the 15th volume of the Bootleg Series. LISTEN TO JENNY'S PODCAST + FOLLOW HER ON TWITTER NEW MERCH NOW AVAILABLE ON JOKERMEN.NET JOKERMEN x MOUNTAIN BREWS // LIVE @ GOLD-DIGGERS // 11/18 LISTEN TO OUR BEST OF JOHN + BEST OF LOU 70s PLAYLISTS FOLLOW JOKERMEN ON TWITTER, INSTAGRAM, AND YOUTUBE

Dylan goes country, sort of! We take a look at 1969's Nashville Skyline. Written, produced and narrated by Ben Burrell. Don't forget to leave a review, it helps!  Support the show! Join Bob Dylan: Album by Album Extra on Patreon: www.patreon.com/BDABAE   Another podcast: I had so much fun being the lead writer on the latest season of Blood On The Tracks, a fictionalised account of Bob's life from '66 to now. Listen here: https://podfollow.com/1523712095 Disclaimer: I do not own any music used in this podcast. It is used for education and discussion purposes under fair use law.

De 1969, Bob la histórica sesión de grabación de Bob Dylan y Johnny Cash que se convirtió en Nashville Skyline, el noveno disco de Dylan, un álbum cien por ciento country, hoy en día considerado como una rareza que ha envejecido mucho mejor que cientos de discos considerados vanguardia musical a fines de los 60.

Dylan goes country! We talk about Dylan's foray into country music, and this short but sweet album is one of his greats. Dylan's tenure as a Wilbury, and Dean and Erik's odd concert experience with Dylan in 2017 are also covered as well.LinksInstagramFacebook

The guys welcome Ric Robertson to talk about “Nashville Skyline” from Mr. Bob Dylan.  Plenty of other discussion including Ric's new album “Carolina Child,” the Greensboro Grasshoppers, Po Boys and the music scene in New Orleans, Dylan has been punking his audience for over 50 years, Jerry Reed, shouldn't Johnny Cash make your song better, and who is Bob Wilson…because he's great and we need to know.  Who is Bob Wilson?  Oh, and how can you list plum in a list of pies and NOT list chocolate or banana cream?Check out Ric at: http://www.ricrobertsonmusic.com/Check out Bob at: http://www.bobdylan.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Out on the road driving through the mountains rambling about these past couple shows on the road and the Mets finally starting to win. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/richard-colado/support

Bob Dylan: American Shakespeare takes a look at the Dylan canon in an album-by-album approach and considers not only the music but also the politics and culture that surround his recordings. The ninth episode puts the ninth album - 1969's Bob Dylan: Nashville Skyline under the microscope.

Long time Jagbags listener Bruce Hollett joins Len and Beave to lend his EXPERTISE to a discussion of Bob Dylan's albums, songs, lyricism and overall cultural impact. We provide our respective lists of Top Five Dylan albums, songs, and cover versions. You don't need to be a Dylan fan to enjoy this hour of back-and-forth. Plus, the guys talk Lollapalooza, sports, music, and hawk their incredibly popular T-shirts. Tune in now and tell five friends!!

Taking Debra's advice "STephy" throws an afterparty for the McCulloughs only "Kyle McCullough" attends his father went back to his luxury condo overlooking Nashville Skyline, but "Lady F, "Erica", "Miss X" especially "Lady F" decides to turn what is suppose to be a business/afterparty to seal the deal for "Artie & Roddy" for the two contracts in Tennessee & KY. "STephy" hosts the party and both "Artie nor Kyle" can't take their eyes off her.

The Boys (played by Craig Calcaterra, Mike Ferrin & Steven Goldman) are Back in town! But, instead of hanging out at Geno's, they're breaking down Bob Dylan's Country tinged 1969 almost LP Nashville Skyline. It's short (The album, not the podcast), fun, and an arrow towards New Morning.

Writer Robert Daniels joins me to talk about Bob Dylan's album "Nashville Skyline"

What are the top five albums that changed your life?What about your top five books? Movies? People?Gay and Mike share what THEIRS are and they'd love for you to share yours with them.You'll also hear the reason WHY these are their top, life-changing choices.Gay says his “top 5's” are all about genius and the people behind them releasing their pure creativity into the world. We want EVERYONE to get in touch with their OWN genius so that we live in a world of pure genius.This is a really fun conversation that we know you're going to enjoy, so make sure to listen and watch this episode. Let's start with Gay's top 5 albums: The first Elvis Presley album (the one with Heartbreak Hotel.) Abbey Road by The Beatles. Nashville Skyline by Bob Dylan.  Dark Side of the Moon by Pink Floyd. (Gay learned how to dance listening to this one) Barcelona, by Freddie Mercury.  BONUS ALBUM: The Third Symphony by Henryk Gorecki. All of these albums came at significant points in Gay's life and hold a special place in his heart. Here are Mike's top 5 albums while I was growing up: The Wall by Pink Floyd. On the Threshold of A Dream by The Moody Blues. The Pros and Cons of Hitchhiking by Roger Waters. Synchronicity by The Police. Joe's Garage by Frank Zappa. BONUS ALBUM: Kind of Blue by Miles Davis Mike doesn't have big specific favorites anymore. He's a variety junkie. We recommend looking up Rolling Stone's 500 Greatest Albums of All Time. There are definitely albums that you may have forgotten about. Maybe it'll inspire you to re-listen to some of your forgotten favorites.Tune in and watch the whole episode to hear the rest of our top 5 lists including concerts, books, and people. We'll give you a hint… some of them include Jimmy Hendricks, Led Zeppelin, Tinker “Tailor Soldier Spy” by John le Carré, “Awaken the Giant Within” by Tony Robbins, Jack Canfield, and Darren Hardy.Gay and Mike can't WAIT to hear your top 5's! Make sure to send them a message. They read them ALL!

Hoy Bob Dylan cumple 80 años. Semana Dylan que remataremos este vienes con Black Dylan, o versiones por grandes artistas de la música negra. He aquí una lista de las miles que podía haber seleccionado para hoy. Cada una de las canciones elegidas tienen jun sentido en mi vida de melómana y mi carrera periodística. No es Stevie Nicks, Dylan hecha reina del rocanrol. Guitarristas que hay que reivindicar: David T. Walker, Eric Johnson, Dave Mason… Rick Nelson dulcificando a Dylan. Quique González transportando a Dylan a la lengua de Cervantes sin perder un ápice de su identidad ni de la del propio Dylan. Maria Muldaur, Edie Brickell, Steve Forbert, Rick Nelson. DISCO 1 DAVID T. WALKER Lay Lady Lay (4). Nashville Skyline 1969 DISCO 2 BOB DYLAN Black Crow Blues (ANOTHER SIDE… - 2) DISCO 3 STEVE FORBERT Dignity (FORBERT - 11) Greatest Hits Vol. 3 1994 DISCO 4 MARIA MULDAUR You Ain't Goin' Nowhere (12) DISCO 5 STEVIE NICKS Just Like a Woman (11) Blonde On Blonde 1966 DISCO 6 RICK NELSON & The Stone Canyon Band Love Minus Zero/No Limit (21) Bringing It All Back Home  1965 DISCO 7 QUIQUE GONZÁLEZ ¿Es tu amor en vano? (Is your love in vain?) (12) Street-Legal1978 DISCO 8 BOB DYLAN & THE BAND All You have To Do Is Dream (CD 2 - 5) DISCO 9 EDDIE BRICKELL & The New Bohemians A Hard Rain’s Gonna Fall (BORN 4th Of JULY - Cara 2 Corte ) DISCO 10 THE DEL McCOURY BAND The Times They Are A Changin´ (SONG OF AMERICA - CD 3 - 3) DISCO 11 ERIC JOHNSON My Back Pages (3) Another Side Of Dylan 1964 DISCO 12 DAVE MASON All Along The Watchtower (4) John Wesley Harding 1967 DISCO 13 BOB DYLAN & JOAN BAEZ I Shall Be Released Live (THE BOOLEG SERIE Vol. 5 - Cd 1 - 11) Boston Music Hall, November 21, 1975 (first show) Escuchar audio

POD DYLAN Episode 165 - Tonight I'll Be Staying Here With You Rob welcomes back fellow Bobcat Jason Emde to discuss "Tonight I'll Be Staying Here With You", the closing track to 1969's NASHVILLE SKYLINE. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan You can find POD DYLAN on these platforms: Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Spotify Stitcher Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs Buy this song on Apple Music: https://music.apple.com/us/album/nashville-skyline/177980677 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

POD DYLAN Episode 165 - Tonight I'll Be Staying Here With You Rob welcomes back fellow Bobcat Jason Emde to discuss "Tonight I'll Be Staying Here With You", the closing track to 1969's NASHVILLE SKYLINE. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan You can find POD DYLAN on these platforms: Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Spotify Stitcher Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs Buy this song on Apple Music: https://music.apple.com/us/album/nashville-skyline/177980677 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Front Row joins Radio 4's celebration of Bob Dylan, who will be 80 on Monday. John Wilson joined by Bob Geldof, to consider the art and influence of Bob, on Bob. Ann Powers, music critic for National Public Radio joins from somewhere on the Nashville Skyline. On Bob Dylan's first trip to Britain, in the winter of 1962, he and the great English folk singer Martin Carthy, met, became friends and performed together in small clubs such as the Troubadour (still going!). Bob Dylan acknowledges the influence of Carthy, whose versions of Scarborough Fair and Lord Franklin, for instance, inform songs of his such as Bob Dylan's Dream and Girl From the North Country. It will be Martin's 80th birthday on Friday, he's three days older than Dylan. Front Row drags him away from his celebration (and a rehearsal - Carthy, like Dylan, is still a hardworking musician) to remember those early days, and a winter so cold he and Bob chopped up an old piano for firewood. Kerry Shale stars with Richard Curtis, Lucas Hare and Eileen Atkins in Dinner with Dylan, the afternoon drama on Radio 4 on Saturday. Shale,a famously versatile voice actor, is intrigued by Dylan's voice and how it has changed or, rather, he has changed it. Using songs recorded over decades Kerry analyses how folky young Bob becomes hip, sneery Bob, then mellow country Bob, dangerous angry Bob finally exhausted Ancient Mariner Bob. 'I Contain Multitudes', Dylan says, using the famous phrase of Walt Whitman as the title of one of his songs. Poet Caroline Bird does some close reading of 'Visions of Johanna' and the writer Fred D'Aguiar, esonance of Dylan's early work in the wake of the murder of George Floyd Presenter: John Wilson Producer: Julian May

 Two of our all-time favorite musicians — Doug Chaffin and Bob Dylan — both turn 80 this year, Bob next week and Doug in August, and both are still going strong. Well, shoot, more than just going strong, these octogenarians-to-be are both still finding new ideas and inspiring everybody around them to do the same. For instance, check this out. To celebrate this momentous year, last night we dusted off this old Bob Dylan tune off the great “Nashville Skyline” album of 50 years ago. Listen how right from the start, Doug’s guitar work prompts his bandmates — first, Veezy Coffman, then Sam St. Clair — to find interesting new nooks and crannies in their own solos.

Nashville musician Charlie McCoy's Dylan-related achievements include those distinctive guitar licks on Desolation Row, that blues harmonica on Obviously Five Believers (a rare example of another person playing harp on a Dylan session) and the inventive bass lines on John Wesley Harding, Nashville Skyline and Self Portrait. His motto: “Say yes - and then figure it out!” On his work as a session musician: “The song is the picture and we are the frame”. On Dylan's harmonica style: “I've tried to do it like that and it doesn't sound as good”. On waiting until 4:00 in the morning to record Sad-Eyed Lady of the Lowlands: “How much coffee can you drink?”Charlie has played with them all: Elvis (13 albums), Jerry Lee Lewis, Roy Orbison, George Jones, Dolly Parton, Johnny Cash, Ringo Starr, Paul Simon, Kris Kristofferson, Robbie Robertson, Linda Ronstadt; even the rockers known as Ween. His tale of Leonard Cohen and the horsewhip is worth the price of admission. Any regrets? “I never played bass for Elvis” (only harmonica, organ, vibes and guitar). We are honoured to welcome the Nashville cat who has been there and done pretty much everything.In addition to being a fixture in Nashville recording studios for almost 60 years, Charlie McCoy has released 35 solo albums and served as music director for the long-running television series, “Hee Haw”. Charlie is member of the Country Music Hall of Fame. His session work includes Oh Pretty Woman by Roy Orbison, Simon and Garfunkel's The Boxer, George Jones's He Stopped Loving Her Today and Johnny Cash's Orange Blossom Special. He has played harmonica for Waylon Jennings, Steve Miller, Gordon Lightfoot, Loretta Lynn, Leon Russell, Rodney Crowell and countless others. Charlie won a Grammy for his album, The Real McCoy. He has won the CMA's Instrumentalist of the Year Award two times and the Academy Of Country Music's Specialty Instrument Award seven times. Charlie was a member of legendary Nashville band Area Code 615, whose song Stone Fox Chase was the theme tune for the BBC's Old Grey Whistle Test TV series.WebsiteTrailerSpotify playlistListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 19th February 2021This show is part of Pantheon Podcasts

Nashville musician Charlie McCoy’s Dylan-related achievements include those distinctive guitar licks on Desolation Row, that blues harmonica on Obviously Five Believers (a rare example of another person playing harp on a Dylan session) and the inventive bass lines on John Wesley Harding, Nashville Skyline and Self Portrait. His motto: “Say yes - and then figure it out!” On his work as a session musician: “The song is the picture and we are the frame”. On Dylan’s harmonica style: “I’ve tried to do it like that and it doesn’t sound as good”. On waiting until 4:00 in the morning to record Sad-Eyed Lady of the Lowlands: “How much coffee can you drink?” Charlie has played with them all: Elvis (13 albums), Jerry Lee Lewis, Roy Orbison, George Jones, Dolly Parton, Johnny Cash, Ringo Starr, Paul Simon, Kris Kristofferson, Robbie Robertson, Linda Ronstadt; even the rockers known as Ween. His tale of Leonard Cohen and the horsewhip is worth the price of admission. Any regrets? “I never played bass for Elvis” (only harmonica, organ, vibes and guitar). We are honoured to welcome the Nashville cat who has been there and done pretty much everything. In addition to being a fixture in Nashville recording studios for almost 60 years, Charlie McCoy has released 35 solo albums and served as music director for the long-running television series, “Hee Haw”. Charlie is member of the Country Music Hall of Fame. His session work includes Oh Pretty Woman by Roy Orbison, Simon and Garfunkel’s The Boxer, George Jones’s He Stopped Loving Her Today and Johnny Cash’s Orange Blossom Special. He has played harmonica for Waylon Jennings, Steve Miller, Gordon Lightfoot, Loretta Lynn, Leon Russell, Rodney Crowell and countless others. Charlie won a Grammy for his album, The Real McCoy. He has won the CMA’s Instrumentalist of the Year Award two times and the Academy Of Country Music’s Specialty Instrument Award seven times. Charlie was a member of legendary Nashville band Area Code 615, whose song Stone Fox Chase was the theme tune for the BBC’s Old Grey Whistle Test TV series. Website Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 19th February 2021 This show is part of Pantheon Podcasts

Nashville musician Charlie McCoy's Dylan-related achievements include those distinctive guitar licks on Desolation Row, that blues harmonica on Obviously Five Believers (a rare example of another person playing harp on a Dylan session) and the inventive bass lines on John Wesley Harding, Nashville Skyline and Self Portrait. His motto: “Say yes - and then figure it out!” On his work as a session musician: “The song is the picture and we are the frame”. On Dylan's harmonica style: “I've tried to do it like that and it doesn't sound as good”. On waiting until 4:00 in the morning to record Sad-Eyed Lady of the Lowlands: “How much coffee can you drink?”Charlie has played with them all: Elvis (13 albums), Jerry Lee Lewis, Roy Orbison, George Jones, Dolly Parton, Johnny Cash, Ringo Starr, Paul Simon, Kris Kristofferson, Robbie Robertson, Linda Ronstadt; even the rockers known as Ween. His tale of Leonard Cohen and the horsewhip is worth the price of admission. Any regrets? “I never played bass for Elvis” (only harmonica, organ, vibes and guitar). We are honoured to welcome the Nashville cat who has been there and done pretty much everything.In addition to being a fixture in Nashville recording studios for almost 60 years, Charlie McCoy has released 35 solo albums and served as music director for the long-running television series, “Hee Haw”. Charlie is member of the Country Music Hall of Fame. His session work includes Oh Pretty Woman by Roy Orbison, Simon and Garfunkel's The Boxer, George Jones's He Stopped Loving Her Today and Johnny Cash's Orange Blossom Special. He has played harmonica for Waylon Jennings, Steve Miller, Gordon Lightfoot, Loretta Lynn, Leon Russell, Rodney Crowell and countless others. Charlie won a Grammy for his album, The Real McCoy. He has won the CMA's Instrumentalist of the Year Award two times and the Academy Of Country Music's Specialty Instrument Award seven times. Charlie was a member of legendary Nashville band Area Code 615, whose song Stone Fox Chase was the theme tune for the BBC's Old Grey Whistle Test TV series.WebsiteTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 19th February 2021This show is part of Pantheon Podcasts

Remfry and Steve are looking at another big artist, as they delve into Bob Dylan's 10th studio album Self Portrait (originally aired on https://podcasts.apple.com/gb/podcast/89-a-blanket-of-nihilism/id1417888519?i=1000471741113 (Riot Act #89) 17th April 2020). Released 8th June 1970, Self Portrait was Dylan's second double album (after Blonde on Blonde), and features many cover versions of well-known pop and folk songs. Also included are a handful of instrumentals and original compositions. Most of the album is sung in the affected country crooning voice that Dylan had introduced a year earlier on Nashville Skyline. Seen by some as intentionally surreal and even satirical at times, Self Portrait received extremely poor reviews.

We continue our twelve-part series featuring the cities where Dylan recorded his studio albums over the decades. Part seven features Nashville, Tennessee -- Music City, USA. Here Bob Dylan recorded BLONDE ON BLONDE (1966), JOHN WESLEY HARDING (1967), NASHVILLE SKYLINE (1969), and part of SELF PORTRAIT (1970). You'll hear about the famous Nashville sidemen, dubbed the Nashville Cats, and -- for once -- they will take the spotlight. In "20 Pounds of Headlines," we round up news from the world of Bob Dylan and in "Who Did It Better?" we ask you who did "Temporary Like Achilles" better: Bob Dylan, as recorded in Nashville for BLONDE ON BLONDE, or Nashville string band, Old Crow Medicine Show, as recorded on the stage of Nashville's Country Music Hall of Fame, fifty years to the month after BLONDE ON BLONDE.

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1969 “Lay Lady Lay”  from Nashville Skyline released on Columbia. Written by Bob Dylan. Produced by Bob Johnston.Personel:Bob Dylan - guitar harmonica, keyboards, vocalsPete Drake - pedal steel guitarCharlie Daniels - guitarCharlie McCoy - bassKenny Buttrey - drumsBob Wilson - organ, pianoCharlie Bragg - engineerNeil Wilburn - engineerCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bob Dylan “Blonde on Blonde”Bob Dylan “Visions of Johanna”Bob Dylan “I Want You”Bob Dylan “Just Like a Woman”Bob Dylan “Greatest Hots Vol 1”Bob Dylan “Bootleg Series”Bob Dylan “Hard Times in New York Town”Bob Dylan “Talking Bear Mountain Picnic”Bob Dylan “Let Me Die in My Footsteps”Bob Dylan “Moonshiner”Bob Dylan “The Times They Are A Changing”Bob Dylan “Last Thoughts on Woody Guthrie”Bob Dylan “Highway 61 Revisited”Bob Dylan “Blood on the Tracks”Bob Dylan “Simple Twist of Fate”Bob Dylan “Shelter From the Storm”Bob Dylan “Bringing It All Back Home”Bob Dylan “Subterranean Homesick Blues”Bob Dylan “She Belongs to Me”Bob Dylan “Love Minus Zero”Bob Dylan “Maggie’s Farm”Bob Dylan  “Gates of Eden”Bob Dylan “Greatest Hots Vol 3” Bob Dylan “Planet Waves”Bob Dylan “Going Going Gone”Bob  Dylan “Tough Mama”Bob Dylan “Hazel”Ani DiFrancoBob Dylan “Walking Down the Line”Chronicles Vol 1Merle HaggardWilcoMy Morning JacketThe EaglesThe Guess WhoFargoBob Dylan “Before the Flood”The BandJimmie RodgersThe BeatlesJimi HendrixThe Wknd “Blinding Lights”Bill MaherJohnny CashJoni Mitchell“Don’t Look Back”DonovanBob Dylan “Tangled Up In Blue”Bob Dylan “It’s All Over Now, Baby Blue”Barbara StreisandBob Dylan “Country Pie”Bob Dylan “Girl From the North Country”Midnight CowboyHarry Nilsson “Everybody’s Talkin’ At Me”Jerry GarciaCharlie Daniels   Leonard CohenSimon and GarfunkelThe Grateful DeadRadiohead Paul McCartney “Let Em In”MadonnaBob Dylan “Greatest Hits No 2”Bob Dylan “Greatest Hits No 3”MagnetJose FelicianoSteve BuschemiFargoBob Dylan “Bootleg Series”Isaac HayesThe Isley BrothersMinistryThe ByrdsPete YornDuran Duran “Thank You”Neil DiamondCherBen E King Inside Llewynn DavisGeorge Jones

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hoy os dejamos un nuevo programa de La Gran Travesía, y viajamos en el tiempo hasta el año 1969, uno de los años más fructíferos de la Historia del Rock. 1969...tal vez uno de los años más importantes y definitivos en muchos sentidos. Un año que dio a luz discos como el Let It bleed de los Rolling Stones, los dos primeros discos de Led Zeppelin, Tommy de los Who, el debut de King Crimson, MC5 y The Stooges también debutaba...From Elvis in Memphis, Willy and The Poor boys, Bayou Country y Green River de la Creedence Clearwater Revival, Nashville Skyline de Bob Dylan, el directo en San Quentin de Johnny Cash, Abbey Road de los Beatles… En los dos programas que tenemos previstos podréis repasar todo ello y mucho más. Y recordad que la mejor música rock la tenéis en https://radiofreerock.comEscucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

Esta semana en Islas de Robinson, clásicos norteamericanos en cruce de caminos entre el folk, el country y el rock. Tiempos inciertos, 1967-69, con música a paso seguro: calidad indiscutible. Suenan: BREWER & SHIPLEY - "I CAN'T SEE HER" ("DOWN IN L.A.", 1968) / NEIL YOUNG - "I'VE BEEN WAITING FOR YOU" ("NEIL YOUNG", 1968) / THE EVERLY BROTHERS - "TURN AROUND" ("ROOTS", 1968) / BEAU BRUMMELS - "CHEROKEE GIRL" ("BRADLEY'S BARN", 1968) / HEARTS & FLOWERS - "SECOND-HAND SUNDOWN QUEEN" ("OF HORSES, KIDS AND FORGOTTEN WOMEN", 1968) / ERIC ANDERSEN - "MISS LONELY ARE YOU BLUE" ("MORE HITS FROM TIN CAN ALLEY", 1968) / BUFFY SAINTE- MARIE - "SUMMER BOY" ("FIRE & FLEET & CANDLELIGHT", 1967) / TIM BUCKLEY - "PLEASANT STREET" ("GOODBY AND HELLO", 1967) / DILLARD & CLARK - "SOMETHING'S WRONG" ("THE FANTASTIC EXPEDITION OF DILLARD & CLARK", 1968) / THE DILLARDS - "NOBODY KNOWS" ("WHEATSTRAW SUITE", 1968) / THE BYRDS - "ONE HUNDRED YEARS FROM NOW" ("SWEETHEART OF THE RODEO", 1968) / JOAN BAEZ - "ONE TOO MANY MORNINGS" ("ANY DAY NOW", 1968) / BOB DYLAN - "TELL ME THAT IT ISN'T TRUE" ("NASHVILLE SKYLINE", 1969) / Escuchar audio

Today we bring you the second part of Bob Dylan's 60s career from Another Side of Bob Dylan to Nashville Skyline. (Part 2 of 2)

Episode 17: Hometown WeirdosWe’re back with a brand new episode featuring our friend Stefan Adcock, and his new book “Tales from a Northern California Bumpkin”. We discuss growing up in suburban Anytown, USA, the process of compiling the memoir, public access TV memories, and a look at what life was like in the mid-20th century and beyond. We also rundown a quick recap on the insurrection and Inauguration Day, Bernie memes, WandaVision, and a WYLT segment featuring Rush, Devin Townsend, Thirteen & Pharaoh Monch, Easy Rider & Dylan’s Nashville Skyline!

Elton John [00:32] "Honky Cat" Greatest Hits MCA Records MCA-3007 1974 (1980 reissue) Funky feline fun! Loretta Lynn [05:46] "Wine Women and Song" Greatest Hits MCA Records MCA-1 1968 (1973 reissue) Loretta's 3rd top ten single on Decca, reaching number 3 on the country charts in 1964. Dawn [07:48] "Candida" Greatest Hits Arista AL-4045 1975 This first outing from Tony Orlando and Dawn reached number 3 on the Hot 100 in 1970. Webb Pierce [10:53] "I Ain't Never" Greatest Hits MCA Records MCA-120 1968 Legend has it that Mel Tillis traded crediting Webb as a co-writer on this number for a pair of boots that Pierce was wearing at the time. Webb's 1959 version made it to number 2 on the country charts. In 1972, Tillis' version (https://youtu.be/S8npzNIbF14) made it to number 1. Diana Ross [14:32] "Upside Down" All the Greatest Hits Motown M13-960C2 1981 A great tune penned for Ms. Ross by Chic's Nile Rodgers and Bernard Edwards. Made it to number 1 on the charts of course. I dig the guitar work on the outro. Sly & the Family Stone [18:38] "Sing a Simple Song" Greatest Hits Epic KE 30325 1970 The b-side from the all killer no filler 1968 Sly single "Everyday People". War [22:35] "The Cisco Kid" Greatest Hits United Artists Records UA-LA648-G 1976 One of my favorite songs when I was a kid, and I still love it. Definitely an irresistable hook. Made it all the way up to number 2 on the Hot 100, but was held out of the number one spot by... Tony Orlando & Dawn's "Tie a Yellow Ribbon Round the Ole Oak Tree". Willie Nelson [26:20] "Good Hearted Woman" Greatest Hits (& Some that Will Be) Columbia KC2 37542 1981 Waylon Jennings wrote this inspired by a newspaper piece about Tina Turner's relationship with Ike. Purportedly written by Jennings and Nelson over a poker game. Jenning's version is quite excellent (https://youtu.be/bU7hic-KtVw). Petula Clark [30:37] "Call Me" Greatest Hits, Vol. 1 Warner Bros - Seven Arts Records WS1765 1968 Pretty snappy for what would become an Easy Listening standard. ABBA [33:24] "The Name of the Game" Greatest Hits, Vol 2 Atlantic SD 16009 1979 Not sure why I like the more dramatic ABBA songs like this (https://youtu.be/iJ90ZqH0PWI) and "Knowing Me, Knowing You (https://youtu.be/iUrzicaiRLU)", but I do. This one made it to number 12 on the Hot 100. The bass intro was inspired Stevie Wonder's "I Wish" (https://youtu.be/c7IYSAUj78g). Conway Twitty [38:13] "Hello Darlin'" Greatest Hits Vol. I MCA Records MCA-52 1972 (1973 reissue) Long associated with Conway Twitty, this single stayed at the top of the country charts for four weeks in the summer of 1970. Bob Dylan [40:38] "Tonight I'll Be Staying Here with You" Greatest Hits Volume II Columbia KG 31120 1971 The third single released from his 1969 album Nashville Skyline. Some pretty hot guitar licks. Elton John [45:57] "Lucy in the Sky with Diamonds" Greatest Hits Volume II MCA Records MCA-3027 1977 Released in 1974 and topping the pop charts in January of 1975, this Beatles cover features John Lennon himself joining in on guitar and backing vox under the pseudonym Winston O'Boogie. I am pretty sure was the first version I heard as a kid, thanks to pop radio. Definitely recall the Univibe guitar opening and the synth lead in the middle, and the odd but awesome reggae break. Marty Robbins [51:47] "El Paso" The Greatest Hits Columbia C2X-3 Please enjoy this Dudley (aka H.B. Barnum) spoof (https://youtu.be/-EVP_ISgPNk) of this 1959 song. Johnny Cash [56:27] "It Ain't Me, Babe" Greatest Hits Volume 1 Columbia CL 2678 1967 Great admirers of each other, Cash recorded this Dylan song for his 1965 Orange Blossom Special with June Carter helping out on vocals. Their single made it to number 4 in the country charts. Trini Lopez [59:29] "La Bamba" Greatest Hits! Reprise Records R 6226 1966 A live version from 1963 of this traditional Mexican folk song, non-traditionally credited to Lopez which would normally be credited as traditional. Perhaps it's due to Lopez's Beatles-esque break in the middle of the arrangement. Music behind the DJ: "Theme from a Summer Place" by Percy Faith & his Orchestra

 When Bob Dylan wrote this song 50 years ago, it was a matter of necessity. In the winter of ’69, he had arrived at the Columbia Records studio to record the great “Nashville Skyline” album having written only four of the songs he’d need to fill that record. So, over the next two days at the Ramada Inn where he was staying for the recording session, Bob wrote “Tonight I’ll be Staying Here with You,” a piece that worked so well it ended up being the beautiful final cut of the  album. In many ways, it was the signature tune for that whole project. The Flood started playing around with the song back in the ‘70s when Rog Samples and Charlie worked out this particular arrangement, and it seems to come back into our collective consciousness ever few decades or so. Here’s a ride we all took on that Dylan train at last night’s rehearsal.

Jeremy Davis fronts the Charlotte, NC band Elonzo Welsey. I lived in Charlotte for 5 years and Elonzo Wesley was one of my favorite bands from that city. Jeremy's soulful southern voice reminds me a little bit of My Morning Jacket with a hint of Bob Dylan during his "Nashville Skyline" phase. Having said that, he and the band truly have a sound all their own. Elonzo WesleyTools of Songwriting

Charlie Daniels murió el pasado lunes por la mañana en el Summit Medical Center de Nashville tras sufrir un derrame cerebral. Tenía 83 años. El productor Bob Johnston, que le contrataría para CBS en Nashville, le llevó a la Music City, donde era fácil verle actuar en los más diversos clubs mientras se convirtió en músico de sesión, aunque siempre le dijeron que tocaba demasiado fuerte. Intervino en el Nashville Skyline, New Morning y Self-Portrait de Dylan, aunque nunca estuvo demasiado cerca de las composiciones ni de las posturas personales del genio de Minnesota. Por eso puede incluso extrañar la selección de algunas de las 10 canciones que en 2014 completaron un disco dedicado a versionar canciones del bardo bajo el título de Off the Grid - Doin' It Dylan. Durante una buena parte de los 60 y 70 participó en grabaciones de Marty Robbins, uno de sus favoritos, Michael Martin Murphey, Tanya Tucker, Earl Scruggs y sus amigos del sello Capricorn Records, especialmente la Marshall Tucker Band, Grinderswitch y Elvin Bishop. También estuvo con George Harrison y Ringo Starr en sus primeras grabaciones en solitario y fue miembro de la banda de acompañamiento de Leonard Cohen en sus giras. Incluso llegó a producir a Elephant Mountain y a los Youngbloods. Muy poco antes de cumplir 80 años, Charlie Daniels publicó Nighthawk (algo así como “chotacabras”), un disco acústico en homenaje a los vaqueros. Se trata de una colección de temas de cowboys que siempre quiso grabar sin ningún tipo de instrumentación eléctrica, tal y como pudieran cantarse en cualquier fogata nocturna tras una larga jornada de trabajo. Ávido lector, Charlie Daniels siempre se inclinó por los libros sobre el Oeste. De hecho, el título de este trabajo hacía referencia a la novela de Louis L’Amour de 1962. Night Hawk se convirtió en su último álbum en vida. “(Ghost) Riders In the Sky: A Cowboy Legend” es un tema que Stan Jones escribió en 1948 contando la historia de un cowboy que tiene la visión de ser perseguido por fantasmagóricos vaqueros malditos en el cielo. Uno de ellos le conmina a abandonar sus costumbres o será condenado a unirse a ellos para siempre “tratando de atrapar la manada del diablo por los cielos sin fin”. En 1970 apareció el primer trabajo en solitario, Charlie Daniels, publicado por Capitol. Fue cuando decidió formar la Charlie Daniels Band y empiezan a asentarse los cimientos del llamado Southern rock. Honey In The Rock llegó en 1973 y allí se incluyó el single "Uneasy Rider", que fue su primera aparición en las listas de country. Aquella canción es lo más parecido a un anticipo de las formas de "The Devil Went Down to Georgia". Charlie Daniels tomó el papel de un hippie de pelo largo que sufre un pinchazo y se encuentra en un bar de rednecks donde no es bienvenido. Una situación nada cómoda. Un año más tarde, apareció Fire On The Mountain, su álbum de debut para Epic, su nueva compañía. Con Dickey Betts de los Allman Brothers tocando el dobro, allí estaba "Long Haired Country Boy", toda una sorpresa para la escena de Nashville, donde se celebraba el fumar marihuana por la mañana y emborracharse por la noche. Cuando el single se reeditó en 1980, se suavizó la letra. Trabajando en aquel Fire On The Mountain, Charlie decidió grabar algunas canciones en directo en un auditorio de Nashville. Homenajeando a Tennessee, conocido como "The Volunteer State", la Charlie Daniels Band llamó al concierto "Volunteer Jam" e invitó a viejos amigos como los Allman Brothers o la Marshall Tucker Band. En las primeras ediciones del álbum Fire On The Mountain se incluyó un single con tres de aquellas grabaciones en directo. Aquel show pasó a celebrarse casi cada año y se convirtió en toda una institución. Con la presencia de los más diversos artistas. A finales de 1975 aparecía Nightrider que abría el adictivo “Texas”, una de las más fieras interpretaciones del Western swing tejano, que entendimos como un homenaje de la Charlie Daniels Band a la herencia de Bob Wills y sus Texas Playboys. Hoy estamos dedicando nuestro programa al carismático y controvertido Charlie Daniels, un mocetón nacido en Wilmington, North Carolina, que se trasladó con su familia a Georgia siendo muy pequeño. Alrededor de 1953 formó una banda de bluegrass, The Misty Mountain Boys, y empezó a escribir sus primeras canciones para, un poco más tarde, dedicarse a tocar rock'n'roll y al rhythm'n'blues con los Rockets en Washington D.C. y su área de influencia. En el 59 grabó con ellos "Jaguar", un single instrumental para Epic en Fort Worth, Texas, que les hizo cambiar el nombre precisamente al de Jaguars. Es el que estaba sonando de fondo. Pero al iniciarse los años 60, Charlie Daniels, criado en el country, un amante del del swing, del bluegrass de Benny Martin, y un notable cantante y guitarrista de rock'n'roll, descubrió el jazz, e hizo algunos intentos dentro del estilo que no fructificaron. De vuelta a sus géneros más cercanos, en 1964 compuso "It Hurts Me", que aparecería en la voz de Elvis Presley como cara B de "Kissin' Cousins". Y en el 66 volvió a grabar con los Jaguars. Fue la primera vez que escuchamos su voz en “In The Middle of the Heartache”, un tema compuesto por él y muy propio del llamado soul de los ojos azules de entonces. Fue grabado en Nueva Orleans y se editó en single en 1966. Diez años más tarde, la Charlie Daniels Band abría una etapa especialmente prolífica con grabaciones como High Lonesome, cuyo tema de apertura era “Billy The Kid”, una de sus mejores canciones y en la que contó con George McCorkle de la Marshall Tucker Band haciéndose cargo de la guitarra acústica. En aquellos momentos, sus lanzamientos como grupo fueron también acompañados de distintos volúmenes de Volunteer Jam, que se había convertido en uno de los puntos de encuentro inevitables. Siguiendo con algunos personajes legendarios, Charlie Daniels participó en un proyecto titulado The Legend of Jesse James, grabado en 1979 y publicado al año siguiente que daba continuación a White Mansions, que en 1978 documentaba la vida de los confederados durante la Guerra Civil Americana. Lo curioso es que todas las composiciones eran de Paul Kennerly, por entonces pareja de Emmylou Harris. Daniels intervino en tres cortes, dos de ellos instrumentales. Mientras en aquel proyecto Levon Helm tomaba el papel de Jesse James, Johnny Cash era su hermano Frank y Emmylou Harris su mujer Zerelda, Charlie Daniels representó a Cole Younger, el hermano mayor de los cuatro que formaron parte de la banda desde el comienzo. Bajo ese rol interpretó “Riding with Jesse James”, convertida en una de las curiosidades de su carrera. En el año en que grabó aquella colaboración, 1979, llegó “The Devil Went Down to Georgia”, una canción sobre un duelo de fiddles entre el diablo y un joven inexperto y presuntuoso. Supuso un cambio sustancial para la Charlie Daniels Band. Singles anteriores le habían hecho ganar aceptación en las emisoras de rock, pero los oyentes de country no respondían. Aunque siguieron siendo una de las bandas punteras en el movimiento del rock sureño, rompieron el mercado vaquero con la adaptación de un cuento clásico y la interpretación al fiddle de su líder. Consiguieron dos premios Grammy y el reconocimiento de todos gracias a un tema que en principio no estaba ni tan siquiera incluido en su álbum Million Mile Reflections, que tomo el título recordando que la banda había superado el millón de millas de recorrido en sus giras. Además, en 1980 participó en la película Urban Cowboy y dejó un par de temas en su banda sonora, “The Devil Went Down to Georgia" y "Falling In Love For The Night", aprovechando el éxito para seguir con su Volunteer Jam y editar un nuevo álbum, Full Moon. Aquel disco tuvo como como apertura una de sus canciones legendarias, "The Legend Of Wooley Swamp". Un tema que cuenta la historia de Lucius Clay, un viejo codicioso, más preocupado por el dinero que por los demás. Guardaba todo su dinero en viejos tarros enterrados alrededor de su jardín, que desenterraba durante las noches de verano para recontar su fortuna. Tres jóvenes, conocidos como los Cable Boys, se enteraron del asunto y decidieron ir una noche al pantano de Wooley Swamp y llevarse el dinero. Le encontraron desenterrando los tarros, le golpearon y arrojaron su cuerpo al pantano. Pero según escapaban con el dinero fueron hundiéndose en las arenas movedizas, mientras escuchaban reírse al viejo. En este recorrido por algunos de los momentos más relevantes y curiosos de la larga carrera de Charlie Daniels, no hemos ido a 1989, cuando añadió un tema a Next Of Kin, un thriller protagonizado por Patrick Swayze y Liam Neeson bajo la dirección de John Irvin. Aquella banda sonora nos permitió escuchar 10 canciones inéditas de Gregg Allman junto a Lori Yates, Rodney Crowell, Ricky Van Shelton, Ricky Skaggs, Sweethearts of the Rodeo, George Jones, Duane Eddy y nuestro protagonista de hoy, que aportó “My Sweet Baby’s Gone”. El disco se descatalogó rápidamente y se ha convertido en toda una pieza de coleccionista que hoy hemos querido recuperar. Pero 1990 apareció con mejor disposición y Simple Man estuvo a punto de alcanzar la cima de las listas de country. Era un disco casi conceptual que nos devolvió a un Charlie Daniels pletórico. Tanto, que un año más tarde anunció el regreso de Volunteer Jam. En aquel trabajo había temas tan melancólicos como “Mr. DJ”, donde un camionero pide al disc jockey que pinche una canción para un viejo que está lejos de casa, con mil millas por delante y mil millas por detrás, un dólar en el bolsillo y una mujer en la cabeza. Y aprovecha para recordar a Waylon, Willie, los Oak Ridge Boys Alabama, George Jones y Mickey Gilley, entre otros. Es una buena forma de recordar en la despedida del programa de hoy a Charlie Daniels, que moría el pasado lunes. Escuchar audio

There are numerous super-session musicians in Nashville, but very few with the longevity of West Virginia native Charlie McCoy. In addition to being a fixture in Nashville studios for over five decades, he has recorded almost 40 solo albums, and served as the music director for eighteen years for the syndicated television series, “Hee Haw”. Charlie became one of the in-demand session players in Nashville. His session credits are literally a who’s who of country music. For a fifteen-year stretch, he did more than 400 sessions a year. A grand total would number more than 12,000. (and he’s still going) In the last twenty years, he has been touring more with many appearances in Europe and Japan. In addition to country sessions, Charlie was a mainstay on Elvis Presley recordings both in Nashville and Los Angeles. When Bob Dylan recorded “Highway 61”, “Blond On Blond”, “John Wesley Harding”, and “Nashville Skyline”, Charlie was there, playing on these landmark recordings. He was also heard on Simon and Garfunkel’s “The Boxer”.  He won a Grammy in 1972 for his album, “The Real McCoy” and in 2009, Charlie was inducted into the Country Music Hall Of Fame along with Roy Clark and Barbara Mandrell.  Charlie still performs and records today, all over the world; he says "if you need a harp, I'm still harpin'!" Visit him online at www.charliemccoy.com.   Remember, you can ask Alexa to play the Big Time Talker with Burke Allen, or subscribe at iTunes or Stitcher so you don't miss a show. Thanks for listening!  

En Música de Contrabando , revista diaria de música en Onda Regional de Murcia (orm.es; 23,05h). Muere el músico de country Charlie Daniels .Comenzó su carrera como músico de estudio y llegó a tocar junto a artistas como Leonard Cohen y Bob Dylan, con este último en su disco «Nashville Skyline» de 1969. Tomorrowland Around The World es la versión virtual del que continúa siendo uno de los más grandes festivales de la electrónica internacional, además de posiblemente el más espectacular del mundo.A lo largo de los días 25 y 26 de julio se puede asistir hasta a veinte horas de sesiones a cargo de algunos de los más importantes DJ’s del mundo (Steve Aoki). Kraftwerk publica estos días nuevas ediciones digitales de parte de su influyente discografía. Bruce Springsteen ha publicado un nuevo álbum en directo titulado Streets of Philadelphia. El disco recoge el directo que el músico estadounidense y su mítica The E Street Band ofrecieron en el First Union Center de Philadelphia en 1998. La organización del festival Canela Party ha comunicado esta mañana la cancelación de su edición 2020. No obstante, el festival ya tiene fechas para su regreso a Málaga y celebrará su próxima edición del 11 al 14 de agosto de 2021, en Torremolinos (Carolina Durante). Second estrena nueva canción, En la cuerda fuerte. que ensalza la espontaneidad e invita a romper con la monotonía.Durante este verano, Second girará en formato electro-acústico con el tour En la cuerda fuerte. Víctor Algora Algora ha grabado una versión de Ellos, del tema ‘Decoración’ incluido en su primer álbum, ‘Lo tuyo no tiene nombre. Presumido exploran su lado más urbano en ‘No Apareces’. The Radio Dept. han compartido un nuevo doble single a través de su cuenta en Bandcamp. Paul Weller edita “On Sunset”, nuevo elepé que incluye 10 canciones entre las que hay magistrales clásicos pop, baladas enternecedoras y en ocasiones toques de experimentación. THE YELLOW MELODIES publica single en el sello griego Old Bad Habits. Apenas un mes después del lanzamiento de su primer EP, Cortadura se reinventa con "Los caprichos", una canción de amor anticonsumista. Aló Presidente publica este viernes su segundo single de adelanto del EP que sacarán en septiembre y muestra la cara más suave de la banda, la que más mira a Galaxie 500 y Luna. Nuestra recién reincorporada becaria, Mclan arrancan el ciclo Las Noches del Malecón, y Lola López López, reportajea y habla con el jefe de prensasobre el programa y las condiciones de comodidad y seguridad del ciclo (M-Clan) . BIG UP! anuncia fechas y un adelanto de su programa. Hablamos con Claudia Orellana (Son Buenos) Arde Bogotá.

Thoughtful analysis of country star Bob continues. See acast.com/privacy for privacy and opt-out information.

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In the latest episode, the dads tackle Todd Snider's East Nashville Skyline, his 4th Oh Boy Records release. It's a collection of bold, sometimes unsettling, often funny songs about death, suicide, going to jail & growing old. Told in only the way Todd Snider can, with wry wit, unabashed honesty & a unique perspective. They're the kind of songs that make you laugh while hitting you in the gut. Produced by Todd Snider & long time friend & band member Will Kimbrough, Todd touches on alcohol, pills, as well as "Iron" Mike Tyson's entourage. So, sit back, relax, and crack a cold one as they talk shop.

Dr. Court Carney returns to the podcast to talk about Bob Dylan. Court is not only a fan, he has taught a class on Dylan at Stephen F. Austin State University, where he is a professor history.  Court's interest in Dylan began when he listened to his dad's copy of Nashville Skyline thirty years ago. In grad school, he took a deeper dive into the Zimmerman catalog by absorbing such classics as Blonde on Blonde, Blood on the Tracks, and John Wesley Harding. Court has also been fascinated by the Dylan-Guthrie connection, which has taken him to archives in Tulsa to examine Guthrie's personal papers. Guthrie died in 1967, by which time Dylan had retreated to Woodstock, NY, to recover and reconceptualize his art and music. While in Woodstock, Dylan began recording with The Band. What emerged was a new kind of American roots music. In a country founded on legends and self-made men, Court and Colin examine the myth vs. reality of Dylan. They also tackle such questions as: how political was he? Is his Christmas album worth listening to? Was he really seriously injured in a motorcycle crash? And is "Rainy Day Women 12 & 35" a drug song? Dr. Carney explains all!

At times in life you feel adrift. Unable to harness the love and the passion that reins inside. When you begin to evolve in any art you start on that far away Oregon Hill with a Hawk flying overhead. Knowing that John Mclaughlins guitar might swoop up and under and around my guests bass lines. Slowly you build security in your own voice and sound so that your called upon to bluegrass country, to the Fillmore West, to Bearsville, to Europe, to a land of sunshine. My guest today is a master of all trades when it comes to music. A cat who burns creation and passion and urgency into an amalgamation of paradigms that provide a natural high. The live experience of playing three sets of music night after night after night with Miles Davis. My guest was also a prolific studio musician at a time when identities were created, linear notes were written, pictures were taken and barriers had not gone up. My guest Has played with Bonnie Raitt and Phil Wilson, Maria Muldaur, Nick Brignola, Roland Hannah and and with the perfect balance of mathematics and soul. Powerhouse Jazz or chasing Colin Walcott's dancing tables or hitting the Nashville Skyline with bluegrass fiddlers or counting off one, two free with Eric Kloss and Pat Martino. My guest remains a tour De force playing with George Cables, Jon Abercrombie Chick Corea or or at the Musical Instrument Museum in Phoenix, AZ On October 4th for two sets of music with his band Prism. Bassist Dave Holland welcome to the JFS...... --- Support this podcast: https://anchor.fm/jake-feinberg/support

The Rock N Roll Archaeologist goes long and deep with famous Woodstock photographer, Elliott Landy on his time with The Band, a little on shooting Bob Dylan for the ‘Nashville Skyline' cover and Van Morrison's ‘Moondance' cover.  Elliott has a new crowd-source project through Kickstarter he is hoping to get off the ground. The new book will be called ‘Contacting the Band', a follow up to his 2016 book, ‘The Band' 1968-1969 about his two years working with the Americana godfathers. Elliott Landy's new book, Contacting The Band, will feature selected contact sheets of the photos I took of THE BAND in the late Sixties for their first two albums, Music From Big Pink and The Band. It will allow fans of THE BAND a unique, behind-the-scenes look at the process and frame by frame progression of these landmark photo shoots, including personal sessions with the guys at home and on the road.It will be the companion to my previous book, The Band Photographs, 1968-1969, published in 2015 with the support of a Kickstarter campaign. which became its highest funded photography book at that time. It will be the same size (12 x 12 inches) with the same high quality printing and heavyweight paper, and will fit beautifully alongside the first volume on your bookshelf or coffee table. Contact Sheets are photographic prints made from all the photos in a single roll of black and white film. The 35mm film I used had 36 photos in each roll. After developing, the film was cut into strips of 6 frames and placed on top of a sheet of 8x10 inch photographic paper with heavy glass on top to keep them flat. Once exposed to light, an image was created of each frame along with the film's sprocket holes and frame numbers.  Since the photos were too small to see clearly, photographers used special magnifying glasses to mark the frames they thought were the best. Today that selection process is done on a computer screen.Elliott Landy, born in 1942, began photographing the anti-Vietnam war movement and the underground music culture in New York City in 1967. He photographed many of the underground rock and roll superstars, both backstage and onstage, from 1967 to 69.His images of Bob Dylan and The Band, Janis Joplin, Jimi Hendrix, Jim Morrison, Joan Baez, Van Morrison, Richie Havens, and many others documented the music scene during that classic rock and roll period which culminated with the 1969 Woodstock Festival, of which he was the official photographer.After that, Elliott moved on to other inspirations and art forms, photographing his own children and travels, creating impressionist flower photographs and doing motion and kaleidoscopic photography in both still and film formats.His photographs have been published worldwide for many years in all print mediums including covers of Rolling Stone, Life, the Saturday Evening Post, etc. and album covers, calendars, photographic book collections, etc.He has published Woodstock Vision, The Spirit of A Generation, in book and CD-ROM format, and authored the book Woodstock 69, The First Festival.He is currently publishing a series of limited edition lithographs of his classic rock photographs.https://www.kickstarter.com/projects/thebandbook2/elliott-landy-contacting-the-band?ref=discovery&term=elliott%20landyhttps://www.elliottlandy.com/Visit our sponsor Adam & Eve for 50% off almost any item AND receive FREE shipping. Just go to adamandeve.com and type “DIGS” at checkout.

The Rock N Roll Archaeologist goes long and deep with famous Woodstock photographer, Elliott Landy on his time with The Band, a little on shooting Bob Dylan for the ‘Nashville Skyline’ cover and Van Morrison’s ‘Moondance’ cover.  Elliott has a new crowd-source project through Kickstarter he is hoping to get off the ground. The new book will be called ‘Contacting the Band’, a follow up to his 2016 book, ‘The Band’ 1968-1969 about his two years working with the Americana godfathers.  Elliott Landy’s new book, Contacting The Band, will feature selected contact sheets of the photos I took of THE BAND in the late Sixties for their first two albums, Music From Big Pink and The Band. It will allow fans of THE BAND a unique, behind-the-scenes look at the process and frame by frame progression of these landmark photo shoots, including personal sessions with the guys at home and on the road. It will be the companion to my previous book, The Band Photographs, 1968-1969, published in 2015 with the support of a Kickstarter campaign. which became its highest funded photography book at that time. It will be the same size (12 x 12 inches) with the same high quality printing and heavyweight paper, and will fit beautifully alongside the first volume on your bookshelf or coffee table.  Contact Sheets are photographic prints made from all the photos in a single roll of black and white film. The 35mm film I used had 36 photos in each roll. After developing, the film was cut into strips of 6 frames and placed on top of a sheet of 8x10 inch photographic paper with heavy glass on top to keep them flat. Once exposed to light, an image was created of each frame along with the film's sprocket holes and frame numbers.  Since the photos were too small to see clearly, photographers used special magnifying glasses to mark the frames they thought were the best. Today that selection process is done on a computer screen. Elliott Landy, born in 1942, began photographing the anti-Vietnam war movement and the underground music culture in New York City in 1967. He photographed many of the underground rock and roll superstars, both backstage and onstage, from 1967 to 69. His images of Bob Dylan and The Band, Janis Joplin, Jimi Hendrix, Jim Morrison, Joan Baez, Van Morrison, Richie Havens, and many others documented the music scene during that classic rock and roll period which culminated with the 1969 Woodstock Festival, of which he was the official photographer. After that, Elliott moved on to other inspirations and art forms, photographing his own children and travels, creating impressionist flower photographs and doing motion and kaleidoscopic photography in both still and film formats. His photographs have been published worldwide for many years in all print mediums including covers of Rolling Stone, Life, the Saturday Evening Post, etc. and album covers, calendars, photographic book collections, etc. He has published Woodstock Vision, The Spirit of A Generation, in book and CD-ROM format, and authored the book Woodstock 69, The First Festival. He is currently publishing a series of limited edition lithographs of his classic rock photographs. https://www.kickstarter.com/projects/thebandbook2/elliott-landy-contacting-the-band?ref=discovery&term=elliott%20landy https://www.elliottlandy.com/ Visit our sponsor Adam & Eve for 50% off almost any item AND receive FREE shipping. Just go to adamandeve.com and type “DIGS” at checkout.

The Rock N Roll Archaeologist goes long and deep with famous Woodstock photographer, Elliott Landy on his time with The Band, a little on shooting Bob Dylan for the ‘Nashville Skyline' cover and Van Morrison's ‘Moondance' cover.  Elliott has a new crowd-source project through Kickstarter he is hoping to get off the ground. The new book will be called ‘Contacting the Band', a follow up to his 2016 book, ‘The Band' 1968-1969 about his two years working with the Americana godfathers. Elliott Landy's new book, Contacting The Band, will feature selected contact sheets of the photos I took of THE BAND in the late Sixties for their first two albums, Music From Big Pink and The Band. It will allow fans of THE BAND a unique, behind-the-scenes look at the process and frame by frame progression of these landmark photo shoots, including personal sessions with the guys at home and on the road.It will be the companion to my previous book, The Band Photographs, 1968-1969, published in 2015 with the support of a Kickstarter campaign. which became its highest funded photography book at that time. It will be the same size (12 x 12 inches) with the same high quality printing and heavyweight paper, and will fit beautifully alongside the first volume on your bookshelf or coffee table. Contact Sheets are photographic prints made from all the photos in a single roll of black and white film. The 35mm film I used had 36 photos in each roll. After developing, the film was cut into strips of 6 frames and placed on top of a sheet of 8x10 inch photographic paper with heavy glass on top to keep them flat. Once exposed to light, an image was created of each frame along with the film's sprocket holes and frame numbers.  Since the photos were too small to see clearly, photographers used special magnifying glasses to mark the frames they thought were the best. Today that selection process is done on a computer screen.Elliott Landy, born in 1942, began photographing the anti-Vietnam war movement and the underground music culture in New York City in 1967. He photographed many of the underground rock and roll superstars, both backstage and onstage, from 1967 to 69.His images of Bob Dylan and The Band, Janis Joplin, Jimi Hendrix, Jim Morrison, Joan Baez, Van Morrison, Richie Havens, and many others documented the music scene during that classic rock and roll period which culminated with the 1969 Woodstock Festival, of which he was the official photographer.After that, Elliott moved on to other inspirations and art forms, photographing his own children and travels, creating impressionist flower photographs and doing motion and kaleidoscopic photography in both still and film formats.His photographs have been published worldwide for many years in all print mediums including covers of Rolling Stone, Life, the Saturday Evening Post, etc. and album covers, calendars, photographic book collections, etc.He has published Woodstock Vision, The Spirit of A Generation, in book and CD-ROM format, and authored the book Woodstock 69, The First Festival.He is currently publishing a series of limited edition lithographs of his classic rock photographs.https://www.kickstarter.com/projects/thebandbook2/elliott-landy-contacting-the-band?ref=discovery&term=elliott%20landyhttps://www.elliottlandy.com/Visit our sponsor Adam & Eve for 50% off almost any item AND receive FREE shipping. Just go to adamandeve.com and type “DIGS” at checkout.

The Rock N Roll Archaeologist goes long and deep with famous Woodstock photographer, Elliott Landy on his time with The Band, a little on shooting Bob Dylan for the ‘Nashville Skyline’ cover and Van Morrison’s ‘Moondance’ cover.  Elliott has a new crowd-source project through Kickstarter he is hoping to get off the ground. The new book will be called ‘Contacting the Band’, a follow up to his 2016 book, ‘The Band’ 1968-1969 about his two years working with the Americana godfathers.  Elliott Landy’s new book, Contacting The Band, will feature selected contact sheets of the photos I took of THE BAND in the late Sixties for their first two albums, Music From Big Pink and The Band. It will allow fans of THE BAND a unique, behind-the-scenes look at the process and frame by frame progression of these landmark photo shoots, including personal sessions with the guys at home and on the road. It will be the companion to my previous book, The Band Photographs, 1968-1969, published in 2015 with the support of a Kickstarter campaign. which became its highest funded photography book at that time. It will be the same size (12 x 12 inches) with the same high quality printing and heavyweight paper, and will fit beautifully alongside the first volume on your bookshelf or coffee table.  Contact Sheets are photographic prints made from all the photos in a single roll of black and white film. The 35mm film I used had 36 photos in each roll. After developing, the film was cut into strips of 6 frames and placed on top of a sheet of 8x10 inch photographic paper with heavy glass on top to keep them flat. Once exposed to light, an image was created of each frame along with the film's sprocket holes and frame numbers.  Since the photos were too small to see clearly, photographers used special magnifying glasses to mark the frames they thought were the best. Today that selection process is done on a computer screen. Elliott Landy, born in 1942, began photographing the anti-Vietnam war movement and the underground music culture in New York City in 1967. He photographed many of the underground rock and roll superstars, both backstage and onstage, from 1967 to 69. His images of Bob Dylan and The Band, Janis Joplin, Jimi Hendrix, Jim Morrison, Joan Baez, Van Morrison, Richie Havens, and many others documented the music scene during that classic rock and roll period which culminated with the 1969 Woodstock Festival, of which he was the official photographer. After that, Elliott moved on to other inspirations and art forms, photographing his own children and travels, creating impressionist flower photographs and doing motion and kaleidoscopic photography in both still and film formats. His photographs have been published worldwide for many years in all print mediums including covers of Rolling Stone, Life, the Saturday Evening Post, etc. and album covers, calendars, photographic book collections, etc. He has published Woodstock Vision, The Spirit of A Generation, in book and CD-ROM format, and authored the book Woodstock 69, The First Festival. He is currently publishing a series of limited edition lithographs of his classic rock photographs. https://www.kickstarter.com/projects/thebandbook2/elliott-landy-contacting-the-band?ref=discovery&term=elliott%20landy https://www.elliottlandy.com/ Visit our sponsor Adam & Eve for 50% off almost any item AND receive FREE shipping. Just go to adamandeve.com and type “DIGS” at checkout.

Second in the new series (3) of Fresh Bread: Your Kingdom Come (OWR 234) – based on the book, Oh What Rapture by Raymond McCullough   Raymond reads:   Chapter 2 – The Resurrection   Chapter 3 – Origin of Secret Rapture   Chapter 4 – Surprise, but no secret   with music from:   King Boru (Northern Ireland, UK) 'The Lord is Good in All His Ways' (Anam Cara)   Low Country Boys (Northern Ireland, UK) ‘Nashville Skyline’ (Gran Time Comin)   Sarana VerLin (Michigan, USA) 'Kyrie' (Bats & Buttterflies)   Be'ersheva (Tübingen, Germany) 'Intro' (Yeshua's Call)   Eden Burning (England, UK) ‘The Reel of Pickering Pick’ (Smilingly Home)     Produced by Precious Oil Productions Ltd for Kingdom Come Trust

Featuring selections from the newly released (as of November 1, 2019) Bootleg Series vol. 15: Travelin' Thru, featuring alternate takes and outtakes from John Wesley Harding (1967), Nashville Skyline (1969), & Self Portrait (1970), including duets with Johnny Cash (with Carl Perkins on guitar) & Earl Scruggs.

Sign on the Window isn't the Bob Dylan podcast you need, but it's definitely the one that you want! Each week we select a Dylan song at random, live with the song for a week (or two) and then get together to discuss. This week we revisit 1969's Nashville Skyline and "One More Night." In this penultimate episode of Season 3, Kelly and Daniel talk about the dorkiness of the song, "nature" Bob versus "nurture" Bob, generic pop songs and children's TV shows (or, shows from our childhood, like Mr. Face and Stick Stickly, Blues Clues and Scruff McGruff). Conext (2:45) Song Itself (4:30) We're a Real Podcast + Playlist (25:30) Recommendations (31:32) Endings (37:00) As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – or just listen to this episode's playlist and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Next episode: EPISODE 100!!!! Oh... I hate myself for loving you.

Information on this episode's guest: From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America’s musical landscape than Charlie Daniels ( https://www.charliedaniels.com/bio ). An outspoken patriot, beloved mentor to young artists and still a road warrior at age 81, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin’ Cousins.” He played on such landmark albums as Bob Dylan’s Nashville Skyline and tried his hand at producing on the Youngbloods’ Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South’s Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. For More Information On This Podcast: Visit http://cowboysindians.com and search "Tales From The Trail". To find out more about Tyller Gummersall, visit http://tyllermusic.com Follow Tyller on socal Media: Instagram: https://www.instagram.com/tyllermusic/ Facebook: https://www.facebook.com/tyllermusic

We talk about two compilations made in the mid 90's from cartoons we still don't know that much about. We also talk about Dylan's ninth album Nashville Skyline.Theme music composed by Ian AeilloItunes:http://bit.ly/jdmixtapeitunesSpotify: https://tinyurl.com/ybwvcrcuGoogle Podcast:http://bit.ly/JdmixtapegooglepodFacebook:https://www.facebook.com/jdmixtape/Twitter: https://twitter.com/jdmixtapeInstagram:https://www.instagram.com/jdmixtape/

Jake is joined today by his wife and fellow cat/dog parent Kate Gurke to discuss everything from Simpsons jokes, attempts to getting sponsorships from Apple, and a rabid Merryweather Lewis. Also, if you could tell us what a Toy Story is, that would be great.Music recommendations are “Nashville Skyline” by Bob Dylan, “Cambodian Rocks” by Various Artists, “Black Star” by David Bowie, and “Sky Blue” by Maria Schneider.Wake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

In this birthday special UNP founder and curator Grant Scott is in his shed reflecting on the first year of the podcast, the weekly contributions photographers have made, the themes that have developed, the importance of 'having a go' and the 'personal' in photography. Plus this week photographer Elliott Landy takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' A graduate of the Bronx High School of Science and The Baruch College of the City University of New York Elliott Landy began his photographic career working with Underground newspapers in support of the rising tide of anti-war sentiment throughout the United States during the late 1960s. His press pass and camera not only gave him access to the political scene but also provided him a personal entry into the new rock music counterculture. Albert Grossman who managed the careers of many of the most popular and successful performers of folk and rock music including Bob Dylan, Janis Joplin, Peter, Paul and Mary, Richie Havens and The Band had seen Elliott's images of Janis Joplin and invited him to photograph The Band in Woodstock, photographs that were used on their iconic Music From Big Pink album. During this time, Elliott met Bob Dylan and his photo of him appeared on the cover of the September 1968 edition of the Saturday Evening Post. Within the next few years his celebrated images included portraits of Bob Dylan for his album Nashville Skyline, Janis Joplin for the Big Brother & The Holding Company album Cheap Thrills, Van Morrison for the album Moondance, alongside images of  Jimi Hendrix, Jim Morrison, Joan Baez, Eric Clapton, Jefferson Airplane, Santana, Frank Zappa, John Lee Hooker and many others. His iconic photographs of Dylan and The Band during the years they resided and recorded in the small arts colony of Woodstock, NY and his coverage of the 1969 Woodstock Festival became synonymous with the town, and the famed 1969 Music Festival. Since 1967 Elliott's work has been exhibited in galleries and museums worldwide and published on the covers of major US and international magazines and newspapers including the New York Times, Life, Rolling Stone and the Saturday Evening Post. He is the author of eight books including his latest monograph, The Band Photographs, 1968-1969 which was the highest funded photographic book in Kickstarter history. In 1997 Landy began a syndicated column and website to recommend positive life-affirming films and films with strong, loving, accomplished woman as protagonists. He has created a new interactive music and video App, LandyVision, which lets the user blend still and video imagery with music to create a new form of musical and visual experience. After years of metaphysical observation, Landy developed and offers 'Sharing Stillness' Meditations, in which he transmits a spiritual (non-physical) energy that enables one to quickly reach a deep, meditative state. https://elliottlandy.com You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of the United Nations of Photography, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. He is currently work on his next documentary film project Woke Up This Morning: The Rock n' Roll Thunder of Ray Lowry. © Grant Scott 2019

April 1964, 1969, 1974, 1979

"Habrá consecuencias", lunes a viernes de 7 a 10 por El Destape Radio. Conducción: Ari Lijalad.   Escuchá El Destape Radio en eldestaperadio.com o bajate la app gratis para todos los dispositivos móviles. 

Jude Rogers, Guardian music critic and interviewer, shares her thoughts with Kerry while Luke is in rehearsals. She tells of growing up with The Smiths and REM, “terrified” of the “intimidating” man who “influenced all of pop music” until she discovers the “non-intimidating” Bob on Nashville Skyline and Self Portrait. Jude eventually realises that “Bob Dylan was all these different people” and begins to see the light. An interview she conducts with Mavis Staples seals the deal, complimented by a Dylan playlist from a trusted friend. Jude Rogers was reviews editor for The Word magazine. In addition to The Guardian, she writes for The Observer, The New Statesman, The Times and Financial Times as well as Red, Elle and Marie Claire. Jude broadcasts on BBC Radio and is a senior lecturer in journalism at London Metropolitan University. Trailer Twitter @juderogers Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Spotify playlist Recorded 7th November 2018

Sign on the Window isn't the Bob Dylan podcast you need, but it's definitely the one that you want! Each week we select a Dylan song at random, live with the song for a week (or two) and then get together to discuss. This week we return to Freewheelin' Bob Dylan (and to Nashville Skyline for the first time) with "Girl From the North Country." Kelly and Daniel talk Echo and Bonnie (3:00), pull of a quick reaction to our favorite track of last year, "Boots of Spanish Leather," (12:00), go over all the versions we listened to (12:00), note the "Scarborough Fair" connection (26:00) and really dive into the intricacies of Dylan's masterpiece (30:00). As always, full show notes at our website. You can also follow along with our weekly real-time Spotify playlist – See That My Playlist is Kept Clean – and join the conversation on Twitter, message us on Facebook, and like on Instagram. And if you're loving us, consider our Patreon. For as little as one dollar you get early access to every episode we do as soon as they're edited (and a dedicated feed just for you) and exclusive content that'll only ever be on Patreon. Thanks! Next week: 2am booty call

We're back with episode #27! Our pal, Dr. Leo the Scientist joins us to talk 1969, crooner Bob Dylan, Nashville Skyline. We also drink a bunch of Coors Lights and do a three way kiss at the end so make sure you listen. Don't forget to check out our website at www.thisismusicpodcast.com

Jake and Charlie discuss Dylan crooning his way through the 27 minute magnum opus Nashville Skyline, while Bowie releases his minor novelty single, "Space Oddity", and spends the remainder of his second self-titled album trying to imitate a Bob that Bob himself had already moved past.  Bowie mimes his way onto the scene while Bob gets busy making the one truly great creative contribution that he ever managed to muster: the conception and virgin birth of his 5th child and pop music's truest heir, Jakob Dylan of the still wildly relevant band, The Wallflowers, playing a casino near you. ALSO: We can't bring you to 1969 so instead we're bringing 1969 to you. When you're done with the podcast, check out our BOWIE VS. DYLAN 1969 Spotify playlist at bit.ly/BvD-EP03.    

POD DYLAN Episode 55 - Girl From The North Country w/Johnny Cash Rob welcomes the host of THE HUSTLE PODCAST Jon Lamoreaux to discuss Bob Dylan's duet with Johnny Cash on "Girl From The North Country", the opening track to Bob's 1969 album NASHVILLE SKYLINE. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Jon Lamoreaux - https://thehustle.podbean.com Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy "Girl From The North Country" on iTunes: https://itunes.apple.com/us/album/nashville-skyline/id177980677 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Thanks for listening!

My guest this week is the legendary session harmonica maestro and multi-instrumentalist, Charlie McCoy. Charlie is perhaps the definitive Nashville session musician, a multi-talented performer best known for his harmonica playing and whose mastery of the instrument virtually defined its role within the context of modern country music. By the mid-'60s, McCoy was a fixture on Elvis Presley's Nashville and Los Angeles sessions, and in 1965, he began working with Bob Dylan, appearing on a string of legendary LPs that included Highway 61 Revisited, Blonde on Blonde, John Wesley Harding, and Nashville Skyline. As a result, McCoy became as much in demand among rock and folk artists as he was within the Nashville community and recorded with the likes of Ringo Starr, Al Kooper, Roy Orbison, Simon and Garfunkel, and Gordon Lightfoot. At his peak, he was performing on over 400 sessions annually. Charlie is still very active around Nashville and was generous enough to spend some time talking with me about his incredible history. Enjoy my conversation with Charlie McCoy, and please subscribe to the podcast for free on iTunes!

From his Dove Award winning gospel albums to his genre-defining Southern rock anthems and his CMA Award-winning country hits, few artists have left a more indelible mark on America's musical landscape than Charlie Daniels. An outspoken patriot, beloved mentor to young artists and still a road warrior at age 79, Charlie has parlayed his passion for music into a multi-platinum career and a platform to support the military, underprivileged children and others in need. Raised among the longleaf pines of North Carolina, Charlie began his career playing bluegrass music with the Misty Mountain Boys. After moving to Nashville in 1967, he began making a name for himself as a songwriter, session musician and producer. Elvis Presley recorded a tune Charlie co-wrote titled “It Hurts Me,” which was released on the flip side of “Kissin' Cousins.” He played on such landmark albums as Bob Dylan's Nashville Skyline and tried his hand at producing on the Youngbloods' Elephant Mountain and Ride the Wind. His own unique voice as an artist emerged as Charlie recorded his self-titled solo album in 1970 for Capitol Records. Two years later he formed the Charlie Daniels Band and the group scored its first hit with the top ten “Uneasy Rider.” Since then the CDB has populated radio with such memorable hits as “Long Haired Country Boy,” “The South's Gonna Do It Again,” “In America,” “The Legend of Wooley Swamp” and of course, his signature song, “The Devil Went Down to Georgia,” which won a Grammy for Best Country Vocal Performance by a Duo or Group in 1979 as well as single of the year at the Country Music Association Awards. The CDB will perform 100 concert dates this year including performances on the Grand Ole Opry. The band's latest release, "Off the Grid - Doin' It Dylan," features 10 Bob Dylan songs by the CDB, and is their first CDB studio release since 2007. “I love what I do,” says Charlie of his 50-plus years in the music business. “I look forward to entertaining people. When show time gets here, I'm ready to go, ready to go play for them. It's a labor of love. I just thank God I make a living at what I enjoy doing.”-2- Whether performing in the hit 80s movie Urban Cowboy, singing on Easter Sunday at his local church or leading an all-star cast at one of his famed Volunteer Jams, Charlie just exudes joy whenever he steps on stage and he's always been quick to provide a platform for other artists to shine. In 1974 he invited some friends to join him at Nashville's War Memorial Auditorium for an all-star concert he dubbed The Volunteer Jam. The event continued for years and was broadcast in the U.S. and internationally. Over the years, the Jam featured a diverse line up that included Willie Nelson, Ted Nugent, Roy Acuff, Stevie Ray Vaughn, Crystal Gayle, James Brown, Emmylou Harris, Amy Grant, George Thorogood, Kris Kristofferson, Little Richard, Tammy Wynette, Alabama, Oak Ridge Boys, B. B. King and the Allman Brothers. As diverse as his live shows have always been, his discography has also reflected Charlie's love of multiple genres. In 1994 he released his first Christian album, The Door, on Sparrow Records. The album won the Gospel Music Association's Dove Award for Best Country Album and “Two Out of Three” was named video of the year by the Christian Country Music Association. In 1997, Sony Wonder released Charlie's first children's album, “By The Light of The Moon: Campfire Songs and Cowboy Tunes'. An astute businessman as well as talented musician, Charlie launched Blue Hat Records in 1997 with his longtime personal manager David Corlew. Over the past 15 years, the label has released such memorable albums as Blues Hat, Tailgate Party, Road Dogs, Fiddle Fire: 25 Years of the Charlie Daniels Band and his first bluegrass album 2005's Songs From the Longleaf Pines and 2007's album Deuces, featuring duets with Brad Paisley, Gretchen Wilson, Bonnie Bramlett, Travis Tritt, Dolly Parton, Vince Gill,...

POD DYLAN Episode 6 - Lay Lady Lay Rob welcomes Max Romero (IT'S PLASTIC MAN) to talk about the hit single "Lay Lady Lay", from Bob Dylan's 1969 album NASHVILLE SKYLINE. Have a question or comment? MAX ROMERO: It's Plastic Man E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan Subscribe to the show on iTunes: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Buy "Lay Lady Lay" on iTunes: https://itunes.apple.com/us/album/nashville-skyline/id177980677 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts  

Singer, songwriter, and musician Renee Maskin (lowlightnj.bandcamp.com) joins Bill and Brian to discuss Bob Dylan's country-tinged Nashville Skyline (1969, Columbia). After becoming a historical icon in the progressive folk movement of the 60s, Dylan broke huge after "going electric" and embracing rock and other popular music. Tired of the spotlight, Dylan took some time off after a motorcycle accident sidelined him a while. He took that opportunity to revamp his sound too, culminating in this classic that eschews his usual rambling lyrics and froggy voice in favor of simple melodies and a lilting vocal tone. Renee, Brian, and Bill discuss Dylan's arrangements, his role as a historical figure, the sound of contentment on this record, arranging in the studio, George Harrison's influence and vice versa, the cult of personality around Dylan and how he interacts with fans, how Dylan maintained his fame without radio hits, and (as always) a track by track review!

Driving? Then listen to this here.Strings  on Grass Sunset Concert Seriesfeaturing Jimmy LaFave and surprise mystery guestGreat Austin musicians in a country setting, under the stars featuring new arrangements by Will TaylorSunday, April 19, 2015(Doors open at 6:30, show starts at 7:30)at private home near Slaughter and Manchaca RSVP to get complete informationLike us on FacbookGo to our websiteStrings on Grass is a donations-based concert series,  so pay what you can or feel.Suggested contribution: $20/person at the door. We are pleased to bring back Jimmy Lafave and a secret mystery guest, lover of Barton Springs in from Vermont. (See videos of Jimmy here) The last few years we’ve been in the studio with Jimmy, recording a cut with him on his Jackson Browne Tribute album, and two songs on his most recent album release.  Back in the 80’s my high school best friend and I would take our strings downtown and sit in at the Chicago House open mike frequently hosted by Jimmy Lafave.  Years later I ran into Jimmy at a live KGSR radio tribute to Bob Dylan; from that radio show the first season of  Strings Attached was born.Here are a few songs I arranged for that first show back in 2001:Never is a MomentWhen It Starts to Rain (KUT Radio Appearance)Jimmy LaFave was born in Wills Point, Texas, a small town 30 miles east of Dallas. He began school down the road in Mesquite and by Junior High was making music perched behind his Sears & Roebuck drum kit. It wasn’t long before his mother traded a drawer full of green stamps for his first guitar and the switch to singer–songwriter was in progress. His family later moved to Stillwater, Oklahoma, where he finished high school. Although he has lived in Austin for over 20 years, many people think of him as being from Oklahoma, because of his strong musical ties to the state and what he often refers to as its “red dirt music.” It was in this landscape that he began to define his sound and soak up a combination of his experiences among authentic songwriters from the tradition of Woody Guthrie. Before leaving Oklahoma for Austin, Jimmy did some independent recording and toured the southwest with the first version of his band Night Tribe. Read more here…."Jimmy LaFave sings like a soul caught up in the rapture."--Claudia Perry, The Houston PostJimmy LaFave is a musician, songwriter, and performing artist of unprecedented talent. An artist's artist."--Bob Johnston, Producer: Blonde On Blonde, Nashville Skyline, Johnny Cash, Paul Simon"Jimmy LaFave's songs move me 'cause he sings them with grit, passion, and uncommon beauty."--Lucinda Williams, Recording Artist"Jimmy LaFave uncovers the soul of America. And he does that so movingly and so beautifully that words fail."--Niew Revue, European newsweekly"Jimmy LaFave delivers with foot-to-the-floor passion." --Playboy"Jimmy, your words and music have captured new audiences who appreciate the Austin soundscape and the songwriting it encompasses. You are one of Austin's favorites, and you know that I'm one of your biggest fans."--Ann Richards, Former Governor of TexasStrings on Grass is a handicap accessible, smoke free, outdoor house concert series located near Slaughter Creek Dr. and Manchaca. Well-behaved youngsters any age are welcome.All attendees are encouraged to bring a picnic, their own seating, pillows, blankets as needed.  Attendance is by invitation only and RSVPs are required. Directions will be emailed to those with confirmed reservations.2 ways To RSVP for the Jimmy LaFave concert1) Online: click here or 2) By mail: please fill out the form below and mail it before April 14, 2014 toWill TaylorStrings on Grass Series – Jimmy LaFave9300 S IH 35Suite A500Austin, TX 78748Suggested donation is $20/person.Checks made out to Strings Attached.After April 14, please RSVP here http://stringsattached.orgRSVP for the Jimmy LaFave house concert,  April 19, 2015Please note that we will acknowledge receipt of your donation by email.  If you do not hear from us, please contact us.To: Strings on Grass Series – Jimmy LaFave9300 S IH 35Suite A500Austin, TX 78748Name: _______________________________  Number of people in my party: ________  Email address: ___________________________       Phone #____________________Please check one:___  I am enclosing my donation now.  (Make checks payable to "Strings Attached" and  postedated for 4/19/2015. Suggested amount: $20/person.)___  I would prefer to take my chances and wait to make my donation ($20/person) at the door.2015 Strings on Grass SeasonChristine AlbertDavid Glaser and Songs of James TaylorAbbey Road Re-ImaginedGina ChavezDana CooperLibby KirkpatrickGurf MorlixStrings on Grass Sunset Series 2015 Season(We are accepting donations in advance for all concerts.  Suggested donations made in advance are $20/person.  Checks should be made out to Strings Attached)MAY 16  Christine AlbertRSVPJUNE 6Music of James Taylor / David GlaserRSVPJULY 11Abbey Road Re-ImaginedRSVPAUGUST 15   Gina ChavezRSVPSEPTEMBER 12Dana CooperRSVPNOVEMBER 7Libby KirkpatrickRSVPDECEMBER 5Gurf MorlixRSVPWant to HELP STRINGS ON GRASS?Join our tag team (Let us tag you a few times a month on FB and get some free music as thanks)Become a PatronVolunteerGetting too many emails from us?Before you sever our digital relationship, try one of these non–email ways of staying in touch with our shows and music releases:Texting list (just monthly) Be our friend here.Subscribe to our podcast (great for the morning drive)You are receiving this email because you previously asked to be on our mailing list.Our mailing address is:Will Taylor9300 S IH 35Suite a 500Austin, 78748

Humbling to think that even the greatest musical legends have their own personal icons – as proven with the much anticipated new release by CHARLIE DANIELS and The CDB — Off The Grid—Doin’ It Dylan. The project is produced by Charlie Daniels and Casey Wood. Little could Charlie Daniels have imagined in the late ‘60’s as a young studio musician answering a call from producer Bob Johnston to add his creativity on guitar to three of Dylan’s Nashville produced projects (Nashville Skyline, Self Portrait, and New Morning,) that he was on the first steps of the journey to his own destination as a musical icon. His first new album project release since 2007, Off The Grid is Dylan the Daniels way and the result is sheer musical genius.   “Whatever it was Bob Dylan meant by his lyrics, they grabbed the attention of the world and changed the face of music forever,” notes Charlie. “He inspired musicians to knock down the restrictive, bubble gum, three minute a side, Tin Pan Alley world that set the parameters of popular music and turn their creative minds loose in a thousand new directions.”   Charlie Daniels has managed to do just that. During his 50 plus years of creating his own new definitions of music, he has scored hits on rock, country, pop and Christian charts. Skilled on guitar, fiddle, and mandolin, his contributions to country and southern rock are legendary on the path of platinum that’s carried him to virtually every music industry award and accolade presented across multi-genres. Off The Grid is yet another example of the seemingly endless reservoirs of musical creativity that the now 77 year young Daniels can effortlessly draw upon. 

Nashville Skyline raccontato da John Vignola

"While My Guitar Gently Weeps" was written by George Harrison, first recorded by the Beatles in 1968 for The White Album. The song features Harrison on his J-200 acoustic guitar (the one Dylan holds on the cover Nashville Skyline?) and - possibly his Fender Telecaster. Lead guitar is by Eric Clapton on his Gibson Les Paul, nick-named 'Lucy'. Harrsion acquired Lucy from Clapton in August 1968, so Clapton 'borrowed' his old guitar to record WMGGW in September. Lucy shipped from the Gibson factory on December 19th 1957; at some point, it came in the posesssion of John Sebastian (Loving Spoonful), who sold it to Derringer (McCoys, Steely Dan). Derringer had it painted red, didn't like it red, and traded it in a Manhatten guitar shop. There, Eric Clapton bought it. Later, Harrison gave it to Pete Ham (Badfinger) and Lucy travelled a bit, but is now back in the Harrison estate. Paul McCartney exceptionally plays a Fender Jazz Bass. Lennon may have played piano and guitar. This provides a sound scape that is unique in the Beatles catalogue. This instrumental remix demonstrates how Clapton (playing Lucy) takes command of the song, both in the 'rythm' guitar performances, as well as in the legendary solo. McCartney seems bent on not giving in to Clapton, by playing his ultraheavy Fender bass and really making the max of it. Note that Lennon doubles the interesting bass riff during the 'middle eight' here; in subsequent solo/Harrison performancs of the song, Harrison did not include this riff anymore. Reminded him of McCartney ? (and for the truly interested: Gibson now make a 'Lucy' Les Paul, sold for around $15000.........) if you want so see how Clapton did I, then watch this excellent cover by the Analogues: https://www.youtube.com/watch?v=M_8ZvdIAR2Y