Podcast appearances and mentions of Maria Muldaur

Here is my music podcast from KMRE 88.3 FM February 5, 2026. Lot's of fine music including Koko Taylor, Maria Muldaur, Little Walter, Elmore James, Stevie Ray Vaughan, Sonny Landreth and more. Also an interview with Jonathan Pittman winner of Best Harmonica Player at The International Blues Challenge in Memphis. Thanks for tuning in. the podcast is cut short due to a recording issue. Art by the artist Brian Kramer. Enjoy.

This week Blues is the Truth settles back into its usual groove, with all the regular features in place and a proper spread of blues to ease you through the show. Hosted by Ian McHugh, it is one of those episodes that feels like a good conversation, familiar voices, trusted picks and plenty of moments that remind you why you keep coming back. The music this week comes from a wide and wonderfully varied lineup, taking in Junior Watson, Adam Norsworthy, John Hammond, Hubert Dorrigatti, Alex Lopez, BB King, Sean Taylor, Buddy Guy, Clarence Jolly, Gary Grainger, Errol Linton, Chuck Berry, Joe Louis Walker, Cheryl Lescome and the Tuscon Choir Boys, Dave Ferra, Roy Buchanan, Maria Muldaur, Charles Tiner, John Primer, Sugaray Rayford, Long John Hunter and Muddy Waters. There is a real sense of balance running through the playlist, from deep roots blues to modern sounds, from raw grit to laid back soul. It is not about rushing from track to track, but letting the music breathe and tell its own story. If you like your blues honest, varied and thoughtfully put together, this episode has plenty to enjoy. Stick it on, turn it up just a little, and let the music do the rest.

Tria i remena de novetats i favorits watusi contemporanis. Ens acostem a la gal

This week on Blues is the Truth we take a step back and look across the last twelve months with a sort of best of 2025 show. It is not about charts or hype, just a chance to spend time with some of the music that really stood out and stayed with us over the year. The records that got replayed, the tracks that made us stop what we were doing and listen properly, and the artists who reminded us why this music still matters so much. Hosted as ever by Ian McHugh, the show brings together a rich spread of contemporary blues and blues rooted sounds, with music from Matt Schofield, Buddy Guy, GA 20, Emma Wilson, John Primer, Monster Mike Welch, Zoe Schwarz Rob Koral and Friends, Andy Twyman, Johnny Burgin, Burning Rope, Roomful of Blues, Robbin Kapsalis, Maria Muldaur, Andrew Duncanson, Richard Clarke, Andy Fairweather Low, Larry McCray, Bob Corritore and Friends, Taj Mahal, Tommy Castro and the Painkillers, The Terraplanes Blues Band, Janiva Magness, Bluebird Blues with Ronnie Earl Dave Specter and Barking Bill Smith, and Dave Specter. There is no single theme other than quality and feeling. Some of these tracks are fiery and loud, some are subtle and soulful, but they all earned their place by being honest and memorable. It is a reminder of just how strong the blues scene is right now and how much great music is still being made. If you have been with the show all year this is a lovely way to revisit some highlights. If you have dipped in and out, or are new to Blues is the Truth, this episode is a great place to jump in. Sit back, turn it up a little and enjoy some of the finest blues sounds of 2025.

Our guitarist Danny Cox paints pictures with his sound. He has a positively uncanny capacity for discovering ways to bring out the colors and textures in all kinds of melodies and to plant stories in the minds of everyone who hears.Just listen to his treatment of this rich old Sonny Burke composition, finding all kinds of new magic and nuance in this poignant melody.About the SongAs reported earlier, “Black Coffee,” written in 1948, spent the first decade of its life as a darling of vocalists. Recording it, for instance, revamped the careers of both Sarah Vaughan and Peggy Lee as their fans grooved on Paul Francis Webster's sparse, evocative lyrics.But composer Burke knew the potential of his melody as well; he himself performed it on alto sax in 1948. However, about decade passed before the song started getting serious attention as a jazz instrumental. That's because it was just what a young Ray Charles was looking for.While Brother Ray rarely singled out “Black Coffee” in interviews, he spoke extensively about the artistic philosophy that informed his instrumental treatments during that era. His decision to record “Black Coffee” instrumentally for The Great Ray Charles album was a deliberate effort to be recognized as a serious jazz musician, not just an R&B star on the radio.For that project, his second studio album, Charles avoided his signature vocal style in order to highlight his piano blues with all those Art Tatum-influenced flourishes. For the “Black Coffee” session (April 30, 1956), he deviated from his usual big-band horn arrangements and stripped the performance down to a trio. He was joined on the date by Oscar Pettiford on bass and Joe Harris on drums.Later in his autobiography, Brother Ray, he noted that these sessions allowed him to explore the chord structures of this fundamental jazz standard.Other RenditionsAfter Ray Charles's performance, other artists took “Black Coffee” on instrumental outings, such as Bobby Scott (1959), Earl Hines (1964) and Earl Grant (1968).Meanwhile, a wide and wildly varied group of singers also have served up “Black Coffee” in the 70 years since its introduction, from Canned Heat (on its 2003 Friends in the Can album) to the Pointer Sisters on 1984's That's a Plenty album.k.d. lang's “darkly twangy” version from her 1988 album Shadowland is considered an essential track in her discography, bringing a new interpretation to the song.Women have been especially attracted to the song, from Petula Clark (1968), Sinead O'Connor (1992) and Rita Cooledge and Gladys Knight (both 1996) to Maria Muldaur (2002) and Marianne Faithful ( 2008).For more about the song's history, see our earlier Flood Watch article by clicking here.More from DannyMeanwhile, speaking of more renditions, would you like some more Danny Cox tunes for your Flood Friday? We gotcha covered. Visit our free Radio Floodango music streaming service and give the Danny Channel a listen.Click here to set the Danny playlist in motion. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

New music from Fraser & Haas, Vasen, Maria Muldaur and more. A look back at favourite recordings and concerts of 2025. A fond - and extended - look back at my favourite festival of 2025 (Tonder, in Denmark last August), and a look ahead at 2026 with concert previews and more new releases. For the full version of the final song, go to the podcast of the show. Trust me, it's worth it!

This week's program features tuneage from Jeff Buckley, Genesis, James Taylor, Ian Hunter, Jackson Browne, Laura Nyro, David Bromberg, Maria Muldaur, The Hooters, Full Moon, B52's, Motels, Elton John, Counting Crows, Beck, Blondie, Bob Dylan, Tom Petty, Beatles, Chicago, Bob Welch and Janis Joplin.

Debbie Davies (One More Time); Son Roberts (Come For A Ride); Long John Hunter (Ride With Me); Snooky Pryor (Telephone Blues); KB Bayley (White House Blues); Afton Wolfe (Crooked Roads); Big Al Dorn and The Blues Howlers (Greenback Blues); Kip London (Up Jumps The Devil); John Lee Hooker (Devil's Jump); Big Pete Pearson (Too Much Trouble); Carey and Lurrie Bell (Short Dress Woman); Burton Gaar (Short Red Dress); Robert Belfour (I Got My Eyes On You); Maria Muldaur, Del Ray and Dave Earl (Tricks Ain't Walkin'); Fred Sampson (Wang Dang Doodle). 

Taylor Rowley returns for a long-overdue album feature: singer Maria Muldaur's 1973 self-titled solo debut. Recorded at a transitional point in her career, the album was a surprise hit due to its lead single “Midnight at the Oasis,” but a deep dive proves it an enjoyable and varied listen from beginning to end.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks! 

"Well, there's thirteen hundred and fifty two Guitar pickers in NashvilleAnd they can pick more notes than the number of ants On a Tennessee anthillAnd it was Nashville Cats, play clean as country waterNashville Cats, play wild as mountain dewNashville Cats, been playin' since they's babiesNashville Cats, get work before they're two"Please join me for 2 hours of Hellified pickin' on this weeks Super Sounds Of The 70's.Joining us are Maria Muldaur, Joni Mitchell, Grateful Dead, Chicago, Johnny Rivers. Firefall, Meatloaf, Spirit, Supertramp, Steve Miller band, Three Dog Night, Tower Of Power, Crosby Stills Nash & Young, Van Morrison, Blood Sweat & Tears, The Eagles, Allman Brothers band, Taj Mahal, David Bowie, War, Toto, Steely Dan and The Lovin' Spoonful.

Jeden zweiten Donnerstag präsentieren wir an dieser Stelle alte und neue Aufnahmen aus den Bereichen Blues, Jazz, Swing, Rhythm'n'Blues, Soul und Country: Blues aus Detroit - The Boneshakers | Maria Muldaur mit neuem Album auf den Spuren der 1920er Jahre-Blues-Ikone Victoria Spivey | Von John Mayall geadelt: Texas Blues mit Carolyn Wonderland | Vielseitiger Chicago-Groove mit 80: Neues von Terry Hanck (Sendung vom 9.10.)

It's time for another brand-new edition of Blues is the Truth with your host Ian McHugh, proudly sponsored by the Tuesday Night Blues Jam at the Rising Sun in Isleworth. As always, it's packed with the finest blues from across the decades alongside gig news, stories, and the features you love. This week's show brings together a rich mix of legends, rising stars, and fresh voices. You'll hear the piano mastery of Professor Longhair, the slide guitar fire of Dave Acari, the soulful tones of Maria Muldaur, and the Chicago grit of Muddy Waters. There's raw energy from Mad Dog Blues, Earl Thomas, Johnny Burgin, and Juke Joint Johnny, alongside powerhouse performances from Roomful of Blues, Buddy Guy, and The Blues Band. Albert Castiglia teams up with Alabama Mike, while Eric Clapton joins Tracy Chapman in a remarkable live performance. The new generation is represented with tracks from Tom Hambridge, Selwyn Birchwood, Monster Mike Welch, Son Henry, and Andy Twyman, while Koko Taylor, Paul Lamb, and John Lee Hooker bring timeless blues authenticity. Rounding out the set are gems from Guy King, Guy Bélanger, Big Joe Shelton, and Charlie and the Bluescats. It's two hours of nothing but the best in blues — old and new, familiar and surprising — all tied together by Ian's trademark passion for the music. Tune in and let the blues take hold.

Intro Song –  15 - Bobby Rush/Kenny Wayne Shepherd, “Long Way From Home”, Young Fashioned Ways 
 First Set - 14 - Kent Burnside, “Daddy Told Me”, Hill Country Blood 
 13 - Taj Mahal & Keb' Mo', “Better Than Ever”, Room On The Porch
 12 - Yates McKendree, “Burnin' Tears”, Need To Know
 Second Set - 11 - Kirk Fletcher, “It's Love Baby”, Keep On Pushing
 10 - Candice Ivory, “Strong Black Mattie”, New Southern Vintage 9 - Chambers DesLauriers, “Our Time To Ride”, Our Time To Ride
 Third Set - 7 - Charlie Musselwhite, “Ready For Times To Get Better”, Look Out Highway 
6 - Larry McCray, “Stop Your Crying”, Heartbreak City 
5 - The Boneshakers, “Took a Trip”, Live To Be This

 Fourth Set -
 4 - Maria Muldaur, “Dreaming Of You”, One Hour Mama: The Blues of Victoria Spivey
 3 - Monster Mike Welch, “Love Me Baby”, Keep Living Til I Die
 2 - D.K. Harrell, “Good Man”, Talkin' Heavy

 1 - Buddy Guy, “Got Sumpin' For You”, Ain't Done With The Blues

Helen and Gavin chat about The Residence, The Girlfriend, Twinless, and Hamilton, and it's Week 17 of the list of Grammy Record of the Year Winners from 1975, which will be picked from Feel Like Making Love by Roberta Flack, Don't Let the Sun Go Down on Me by Elton John, Midnight at the Oasis by Maria Muldaur, Help Me by Joni Mitchell, and I Honestly Love You by Olivia Newton John.

1. (Intro) Ian A Anderson : Goblets & Elms2. Little Sparta : The Telling Of The Truth3. Joan Shelley : Everybody4. Cheikh Lô : Baba Moussa BP 1205. Guitari Baro : Mamelles6. Marianne Faithfull : Sally Free And Easy7. Sam Carter : Tubal Cain8. Flaco Jimenez : La Piedrera9. Brown Boots Boogie Band : J. B. Milne / Old Grey Cat10. Alice : Quand Je Serais Morte11. Michael Hurley : Indian Chiefs And Hula Girls12. TEUD : Òran Manitoba13. Mànran : Woah14. Senduki : A Bàllu15. Groove Factory : Champagnac16. John Smith feat. Lisa Hannigan : Salty & Sweet (Revisited)17. Raphael Callaghan : Fish Deep In The Ocean18. Katie Spencer : Stranger19. Leveret : Trip To Tewkesbury / Hunger Hill20. The Destroyers : Sandansko Horo21. Something Sleeps : Fishes22. Ninebarrow : The Hour Of The Blackbird23. Meadowsuite : Rosamund The Fair24. Clara Serra López : No Es Veneno25. Luc Moindrané Karioudja : Bal Maï26. Alain Peters : Plime La Misère27. Saha Gnawa feat. Nels Cline : Soudani Manayou28. Jason Steel : I Watch You Go By, Love29. Plønk : Zwei Polonaisen30. Karen Marshalsay : Planxty No. 12 / To Dance About The Bailzeis Dubb31. Kyle Carey : Latha Bha An Ridire Ag Òl32. Maria Muldaur feat. Tuba Skinny : Funny Feathers33. Spöket i Köket : BjagnesYou can find the full and past playlists with links to labels at www.podwireless.comPodwireless can also be heard streamed live on Mixcloud.

Blues is the Truth – Episode 766 This week's episode of Blues is the Truth is a rich tapestry of legends, modern voices, and heartfelt farewells. Sponsored by the Tuesday Night Blues Jam at the Rising Sun in Isleworth, it blends deep grooves with emotional resonance and classic fire. Host Ian McHugh presents a set full of soulful power, from the swampy swagger of The 251s to the guitar mastery of Steve Howe. There's classic blues-rock from Derek and the Dominos, while Andres Roots and Keb'Mo' keep the contemporary flame alive. Emma Wilson and The Terraplanes Blues Band bring UK blues passion, Delaney and Bonnie add soulful chemistry, and Giles Robson & The Dirty Aces light the strings on fire. Deepening the mix, Taj Mahal taps into foundational roots, and Johnny Iguana brings his inventive piano energy. A historic collaboration between Buddy Guy and Eric Clapton delivers electric resonance, while Maria Muldaur drips soul. The exotic tones of Vintage 18, the bluesy grit of Sheryl Youngblood, and the grooves of Andrew Duncanson, Big Mamas Door, and Breezy Rodio keep things lively and varied. Adding a nostalgic twist, George Harrison brings his folk-blues warmth, Brother Buffalo adds fresh acoustic poignancy, and Rory Block serves finger-picked storytelling. Tommy Castro and the Painkillers fuel modern energy, followed by the deep resonance of Muddy Waters and the refined vocality of Robert Cray. We also pay homage to Bobby Whitlock, whose music—and life—passed this week. Whitlock's influence, particularly through his songwriting and keys in Derek and the Dominos, helped shape the blues-rock lexicon. His passing is felt across the landscape we celebrate each episode. This one's a soulful journey through blues past, present, and future—full of heart, history, and fire.

Intro Song –  01 D.K. Harrell, “Grown Now”, Talkin' Heavy 
First Set - 13 Dave Specter, “March Through The Darkness”, Live At Space 
12 Tad Robinson, “Up In The Airt”, Soul In Blue
 11 Carolyn Wonderland, “It Should Take”, Truth Is
 10 Alexis P Suter Band, “Four Wheels Beats Two Heels”, Just Stay High Second Set - 09 Brandon Santini, “Baby's Got Soul”, Which Way Do We Go? 08 Kenny Wayne Shepherd & Bobby Rush, “Long Way From Home”, Young Fashioned Ways 07 Chambers DesLauriers, “Temperature Of One-O-Nine”, Our Time To Ride Third Set -  06 Tajo Taj Mahal & Keb Mo, “Rough Time Blues”, Room On The Porch 05 Larry McCray, “Try To Be A Good Man”, Heartbreak City 04 Boneshakers, “I'll Kick A Brick (For My Man)”, Live To Be This Fourth Set -
 03 Maria Muldaur w/ Taj Mahal, “Got To Have What It Takes, One Hour Mama: The Blues of Victoria Spicey
 02 Charlie Musselwhite, “Baby Won't You Please Help Me”, Look Out Highway
 01 D.K. Harrell, “PTLD”, Talkin' Heavy, 

Bobby Young and Nick Young of The Bobby Young Project join us in the studio today. For over 50 years Bobby has had a love affair with music, and the guitar. Strongly influenced by the likes of Hendrix, Clapton, Alvin Lee, Leslie West, Sly Stone and Freddie Stone, he has played and recorded with a long list of people including; The Natural Four, Sugar Pie DeSanto, Richard "Dimples" Fields, John Lee Hooker, Maria Muldaur, Jimmy McCracklin, Craig Horton, Snooky Flowers, Cool Papa, Archie Lee Hooker, Zakiya Hooker, and Alabama Mike.

"Well, I'm a-standing on a corner In Winslow, ArizonaSuch a fine sight to see, It's a girl, my Lord In a flat-bed Ford Slowin' down to take a look at me"Take it easy, Take it easyDon't let the sound of your own wheels make you crazy"That's right, crank up your Radio and take an Easter Sunday journey in our Way Back Machine on Super Sounds Of The 70's. Coming along are Little Feat, Maria Muldaur, Steve Stills, Dire Straits, Jefferson Airplane, Crosby, Stills, Nash & Young, Bob Seger & Silver Bullet Band, The band, Ambrosia, Chicago, Bob Dylan, Doobie Brothers, Janiis Joplin, Gypsy, Fleetwood Mac, The Moody Blues, Genesis, Aerosmith, Sons Of Champlin and Jackson Browne...

Send us a textSamson “Sam” Grisman has been surrounded by music his entire life. From a young age, he fell in love with the music played around him by family, friends, and especially his father, David.David, a multi-instrumentalist, has performed for decades with and/or alongside Peter Rowan, Red Allen, Maria Muldaur, Darol Anger, Doc Watson, Mike Marshall, Tony Rice, and Andy Statman.David has called his particular stylings “Dawg music,” embracing his nickname, “Dawg.” That nickname was first given to him by close friend and frequent collaborator Jerry Garcia.Music has been so prevalent in Sam's life that from a young age, he assumed everyone played music. He saw people's instruments as part of their personality, and he thought everyone was born with a proclivity towards their instruments.Though he has since realized that learning an instrument comes with time and practice, he has never lost what he considers a sense of duty to perform, and he wholeheartedly embraces the music he grew up around.David always encouraged his children to learn instruments, practice playing other people's songs, and work on original compositions to build their musical experience. Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

Today, it was an all 70's version of a One Hit Wonder Wednesday with songs ranging from Maria Muldaur to Steve Martin to Ram Jam and many more. Join us for one groovy One Hit Wonder Wednesday!

While The FBR is now a sextet that includes guitarist Evan Opitz, keyboardist Brandon Mordecai, bassist C.J. Singer and former Goo Goo Dolls drummer Mike Malinin, it started with McConaha and Hunter performing as a duo. They met at an open-mike night in 2014 at what was then known as Puckett's Grocery and Restaurant in Leipers Fork, a small rural community 30 minutes southwest of Nashville popular with songwriters and musicians. It was during a period of time when McConaha had discovered the music of Leonard Cohen, who had lived in Leipers Fork himself in the late '60s and early '70s.The group takes its name from another song by Cohen, “Famous Blue Raincoat,” which he recorded in Nashville in September 1970, and that is what the duo began calling themselves after Cohen passed before later shortening it to “The FBR.”One might expect a group named after a Leonard Cohen song to be a folk act or maybe folk-rock, but that's not the case with The FBR. Decades ago, they would have been considered Southern rock, and that's still not a bad description of their music because it's essentially gospel-flavored blues rock with a little boogie on the side. The FBR may work some classic musical territory, but that's not to suggest they're retro. The music on Ghost has a timeless and authentic quality that transcends its roots and gives it a powerful relevance in the postmodern musical landscape.At the heart of The FBR's sound is McConaha's enchanting and soulful voice, which can go from a whisper to a roar. In what seems like a contradiction, her voice is both familiar and different. But despite her obvious vocal gifts, she didn't move to Nashville to be a singer.McConaha also counts Emmylou Harris, Robert Plant, Lucinda Williams, Adele and Amy Winehouse among other vocalists who influenced her. Some have compared McConaha to Maria Muldaur of “Midnight at the Oasis” fame, and their voices do have a similar flowing and sensual quality. On Ghost, the power and allure of her voice is on full display.Work on the album began in 2019 with co-producer Matt Sepanic, and those sessions, which featured backing from studio musicians, yielded three songs — “Rain On,” “Still On The Run” and the album opener and first single, “Before I Drown.” Six other songs, including the next two singles — “Empty Room” and a mashup of a pair of traditional numbers “Hurricane”/“House of the Rising Sun,” which has become a showstopper in their live performances — were recorded with their band in June 2022. “Skies of Donegal Blue,” which features just McConaha and Hunter and provides a glimpse into what they sounded like as a duo, was cut in California in spring 2023 with producer Jim Scott, who also mixed the album.https://www.fbrmusic.com/https://www.instagram.com/thefbr_music/?hl=enhttps://www.facebook.com/theFBRmusic/https://www.youtube.com/@thefbrband?app=desktopHost - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information  -  ftsunashville@gmail.com

Singer, guitarist, jug-band pioneer and songster Jim Kweskin joins me on the show today. I can't tell you how many times I heard Jim's name before I ever heard his music. To the generation before me, he was a total legend, and the Jim Kweskin Jug Band was very influential to many musicians who grew up in the 60's and 70's. Jim came up in the Boston/Cambridge area and The Jug Band was legendary around those parts and eventually across America. Old blues, jug and string band music was considered old fashioned at that point in time, and Jim spearheaded its return and kicked off a musical revolution that inspried bands like the Lovon' Spoonful and The Grateful Dead (don't forget they started off as a jug band too). With bandmates like Geoff and Maria Muldaur, Bill Keith, Mel Lyman and Fritz Richmond, the Jug Band was signed to a major label, sold thousands of records and toured across the country tirelessly between 1963-1970. They turned countless young musicians on to the music of artists like Mississippi John Hurt, Blind Boy Fuller and the Mississippi Sheiks.Jim has continued making records and performing under his own name and has just put out a rerally cool album called “Never Too Late”, which is mostly duets with some of his friends on vocals like Maria Muldaur, Meredith Axelrod and many more.I won't go too in depth on his bio here because in the interview, he actually had a bio preopared and read it to me, which you'll hear on the show. It's a first “written statement” for the podcast! I think you'll dig that part of the conversation. You can get all the latest info on Jim at jimkweskin.com - Enjoy my conversation with Jim Kweskin!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.

Esta semana, en Islas de Robinson, esencia clásica superior. Entre 1973 y 1975 suenan: ALAN HULL - "BAD SIDE OF TOWN" ("SQUIRE", 1975) / IAN MATTHEWS - "A WAILING GOODBYE" ("SOME DAYS YOU EAT THE BEAR AND SOME DAYS THE BEAR EATS YOU", 1974) / THE BAND - "ACADIAN DRIFTWOOD" ("NORTHERN LIGHTS-SOUTHERN CROSS", 1975) / RONNIE LANE & SLIM CHANCE - "ANYMORE FOR ANYMORE" ("ANYMORE FOR ANYMORE", 1974) / GALLAGHER & LYLE - "WE" ("THE LAST COWBOY", 1974) / RICHARD & LINDA THOMPSON - "THE POOR BOY IS TAKEN AWAY" ("POUR DOWN LIKE SILVER", 1975) / GAY & TERRY WOODS - "SIDE TRACKED" ("BACKWOODS", 1975) / KATE & ANNA MCGARRIGLE - "MY TOWN" ("KATE & ANNA MCGARRIGLE", 1975) / TOM WAITS - "OLD SHOES (& PICTURE POSTCARDS)" ("CLOSING TIME", 1973) / MARIA MULDAUR - "LONG HARD CLIMB" ("MARIA MULDAUR", 1973) / LAMBERT & NUTTYCOMBE - "CHILD'S CARE" ("AS YOU WILL", 1973) / TUCKER ZIMMERMAN - "GOOD OLD DAYS" ("OVER HERE IN EUROPE", 1974) / TED LUCAS - "I'LL FIND A WAY (TO CARRY IT ALL)" ("TED LUCAS", 1975)Escuchar audio

This is the last of our summer hiatus episodes, and I hope you've enjoyed revisiting some of our favorites. Today's replay comes from October 2022 when David Nichtern joined the podcast. In this episode, we talk about the crazy ride of serial entrepreneurship and how creativity and spirituality add extra layers of richness to the journey. Don't miss this conversation with David!David Nichtern is a senior Buddhist teacher who has been practicing and teaching meditation for over 40 years. He was one of the early students of Chogyam Trungpa Rinpoche, who came to the US in 1970. David is a business consultant with companies creating a variety of offerings that integrate meditation into a larger health and well-being context, including Goldman Sachs, Sturdy Meditation, Creative Live, and more. He has been featured in media outlets such as the NY Times, FOX News, and Netflix's The Midnight Gospel movie. David hosts a podcast based on his book, Creativity, Spirituality, and Making a Buck. A highly regarded composer, David composed the song “Midnight at the Oasis,” which you have probably heard, and he has composed scores for Christopher Guest's film, The Big Picture. He has also produced multiple records and periodically tours with Grammy-nominated kirtan performer Krishna Das. Adding to his impressive accomplishments, David has played with Stevie Wonder, Jerry Garcia, Lana Del Rey, Maria Muldaur, Paul Simon, and many others. **Please see Resources below for sign-up links for the Cosmic Business Lab and the Cosmic Business Mastermind. Show Highlights: David's lifelong love affair with music, inspired and nurtured by his familyLearning improvisation from his Uncle Irv—and the important cornerstone that making music could be his livelihoodThe magical place where creativity and spirituality meet–and how these worlds collided in David's lifeThe hit song, “Midnight at the Oasis” opened many doors for David and brought him success.Mixing spirituality into his music world through yoga, retreats, and his teacherDavid's astrology aligns perfectly with his life story.Managing his ideas and intuition as a serial entrepreneur with the philosophy “to join heaven and earth”David's motivation to write his book–and what he hopes people take away from itDavid's advice about money for spiritual peopleReflections on the most meaningful lessons David has learned from his teachersSpiritual practice helps in entrepreneurship and salesDavid's answers to rapid-fire questions about helpful advice, grounding habits, favorite hot beverage, last meal on earth, morning routine, an inspiring person, something people might not know about him, what he's reading/recommending, and what's bringing him joy right nowResources:Connect with PaulaJoin the Cosmic Business Lab, my year-long container to help you build a business that adds $10,000/month to your income working 4 days a week, all in alignment with your values. Sign up here.Get 1:1 astrological support to align with your purpose, assess compatibility and find auspicious timing for launches and sales in a day-long. Can potentially be in person. Only 5 spots available in the fall. More info here.Get your free Heal Your Money Karma checklist & training here.Ask me...

Judy Carmichael interviews Maria Muldaur 

Lady Bianca is an American electric blues singer, songwriter and arranger. Lady Bianca has worked as a session singer, depicted Billie Holiday on stage, and since 1995 released six solo albums, three of which were nominated for a Grammy Award. Born Bianca Thornton, in Kansas City, Missouri, her first exposure to music was through gospel, and she studied at the San Francisco Conservatory of Music. Her first professional gig was with Quinn Harris and the Masterminds, when she was aged 17. Harris dubbed her 'Lady Bianca', and the combination contributed two tracks to a compilation album released by Reynolds Records in 1970. In 1972, she played the role of Billie Holiday in the San Francisco stage production of Jon Hendricks' Evolution of the Blues. In the mid 1970s, she worked in various clubs in the San Francisco Bay Area, where she met bass guitarist Henry Oden. They were subsequently married for 15 years. She then joined Sly and the Family Stone as backing vocalist and keyboard player, and appeared on their 1976 album, Heard Ya Missed Me, Well I'm Back. Starting in October the same year, she toured for one month with Frank Zappa in North America, and a recording of her singing "Wind Up Workin' in a Gas Station" appeared in 1992 on You Can't Do That on Stage Anymore, Vol. 6. The complete concert of 29 October 1976 in The Spectrum, Philadelphia (with Lady Bianca singing on several tracks) was published on two CDs by the Zappa Family Trust in 2009, entitled Philly '76, on which she is credited as Bianca Odin. The release included the previously released version of "Wind Up Workin' in a Gas Station," as well as "Dirty Love" and "You Didn't Try To Call Me." She is also heard employing the technique of multi-phonics with her voice on a wordless solo in "Black Napkins." After November 11, she left the band because of conflicts with Zappa. When not touring, she performed locally in the recording studio, backing musicians such as Lee Oskar, Merle Haggard and Taj Mahal. In 1977, she co-founded the short-lived ensemble Vitamin E, and they released the commercially doomed Sharing album on Buddah Records. Lady Bianca then joined another group, Zingara, which was set up by Lamont Dozier in 1980. The trio included James Ingram, Wali Ali and Lady Bianca, but again, it did not have any lasting appeal. Between 1981 and 1986, Lady Bianca toured with and recorded backing vocals for Van Morrison, appearing on recordings such as Beautiful Vision (1982), Inarticulate Speech of the Heart (1983), Live at the Grand Opera House Belfast (1984), A Sense of Wonder (1985), and No Guru, No Method, No Teacher (1986). Lady Bianca also worked with John Lee Hooker and Willie Dixon. In 1984, she met Stanley Lippitt, a songwriter and her eventual husband. She continued to perform locally and undertook more low-key recording work. After recording demos with Lippitt, she was noticed by Joe Louis Walker who helped arrange a recording contract. Her debut solo album, Best Kept Secret was released in 1995 on Telarc Distribution. Her backing vocals work continued in the 1990s, when she worked with Frankie Lee and Maria Muldaur. Lady Bianca's next solo effort was the critically acclaimed Rollin' (2001), which was released on the Rooster Blues label. Bianca formed her own record label, Magic-O Records, and with Lippitt have their own production and publishing company. Further albums were recorded and issued on Magic-O. These included All by Myself (2004), Let Love Have Its Way (2005), Through a Woman's Eyes (2007), and A Woman Never Forgets (2009). In April 2007, at the Bay Area Black Music Awards, Lady Bianca was awarded as Best Blues Performer. In March 2008, she was voted into the West Coast Blues Society Hall of Fame. In 2009, she appeared with Van Morrison at the Royal Albert Hall in London. Lady Bianca and the Magic-O Rhythm Band have appeared at many blues music festivals, including the San Francisco Blues Festival in 1987,

"I'll learn to work the saxophone I'll play just what I feelDrink Scotch whisky all night long, and die behind the wheelThey got a name for the winners in the worldI want a name when I loseThey call Alabama the Crimson TideCall me Deacon Blues"Call me fortunate for being able to share my love of Music with you each weekend on Whole 'Nuther Thing. Joining us are Garland Jeffreys, Warren Zevon, Miles Davis, Fleetwood Mac, Ben Sidran, Maria Muldaur, Otis Redding, John Mellencamp,The Doors, Love, Tom Waits, Jefferson Airplane, Creedence Clearwater Revival, Janis Joplin, Michael Hedges, John Lennon, Seatrain, Supertramp, The Beatles, Paul Butterfield Blues Band, Lenny Kravitz and Steely Dan

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the logs tossed on the conversational bonfire this week to combat mid-June's British winter you'll find …… ‘I Managed Van Morrison' and other films screaming to be made. … how it feels to watch someone play from the best seat in the house.… Françoise Hardy, her unsmiling photos and legions of besotted male admirers (ie us and everyone else). … the time she met Dylan and Nick Drake. … Juliette Greco, Edith Piaf and the handful of French stars who made it across the Channel.… the joy of small venues: “the bigger the gig, the smaller a component of the experience the actual performance is”. … Elvis Costello's photographic memory. … Maria Muldaur with Earl Palmer and Amos Garrett. … why Twenty Twelve says more about British life than any other TV show. ... the terrible jokes of Ronnie Scott.… “Kate Bush grew up in a world without sarcasm.” … Siobhan Sharpe, Bertie Wooster, the Artful Dodger, Basil Fawlty, Edina & Patsy and other deathless British fictional stereotypes. … plus birthday guest Paul Thompson and books tracking down people who've played with Dexys and Dylan. And who should be next – Hawkwind, Van Morrison?Find out more about how to help us keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Peter Sears (born 27 May 1948) is an English rock music musician. In a career spanning more than six decades, he has been a member of many bands and has moved through a variety of musical genres, from early R&B, psychedelic improvisational rock of the 1960s, folk, country music, arena rock in the 1970s, and blues. He usually plays bass, keyboards, or both in bands. Pete Sears played on the Rod Stewart albums Gasoline Alley, Every Picture Tells A Story (which was listed high in Rolling Stone's top 500 best albums of all time), Never a Dull Moment, and Smiler. He also played on the hit singles "Maggie May", and "Reason to Believe". During this period, Sears toured the US with Long John Baldry blues band, and played with John Cipollina in Copperhead. Sears joined the band Jefferson Starship in 1974 and remained with the group through the transition to Starship, before departing in 1987. After leaving Starship he worked with bluesman Nick Gravenites, and many other artists including Jerry Garcia, Mickey Hart, Bob Weir, Maria Muldaur, Rich Kirch, Taj Mahal, and Mimi Farina. (1992 to 2002) he played keyboards in the Jorma Kaukonen Trio with Kaukonen and Michael Falzarano, and with Kaukonen, Falzarano, and Jack Casady and Harvey Sorgen in Hot Tuna. Sears has played with many other musicians through the years, including Dr. John, John Lee Hooker, Leigh Stephens and Micky Waller in Silver Metre; Long John Baldry, Copperhead with John Cipollina, Jerry Garcia, Chris Robinson Brotherhood, Levon Helm, Steve Kimock, Dave Hidalgo, Sons of Fred, Fleur de Lyse, Sam Gopal Dream, Jimi Hendrix, Pete Brown, Bob Weir, Los Cenzontles, Phil Lesh, Leftover Salmon, and Los Lobos.[5][6] Currently, he divides his time between the David Nelson Band, Chris Robinson and Green Leaf Rustlers, Zero, California Kind, Harvey Mandel, and Moonalice. Sears has also written and recorded the original score for many documentary films, including the award-winning "The Fight in the Fields" – Cesar Chávez and the Farmworkers Struggle directed by Ray Telles and Rick Tehada Flores. His most recent film, also directed by Ray Telles and co-produced by Ken Rabin, is called The Storm That Swept Mexico (2011) about the Mexican Revolution.

This weeks Saturday Edition features tunes from Lonnie mack, Bruce Springsteen, Dave Gruisin, Ten Years After, Tufano & Giamerese, Jeff Beck Group, Byrds, John Mellencamp, Mott The Hoople, Jeff Buckley, Led Zeppelin, David Bowie, T. Rex, Maria Muldaur, Ian Hunter, John Mayall, Jean Luc Ponty, Lynyrd Skynyrd, Chick Corea, Seatrain and Little Feat...

Miami-based singer Nicole Henry sang the music of Bill Withers, Buffy Sainte-Marie and Maria Muldaur in a trio session at the KNKX Seattle Studios.

"Before you slip into unconsciousness, I'd like to have another kissAnother flashing chance at bliss, another kiss, another kissThe crystal ship is being filled a thousand girls, a thousand thrillsA million ways to spend your timeWhen we get back, I'll drop a line"Please get you boarding pass ready for this weeks Red Eye Journey on the Crystal Ship. Joining us are Return To Forever, Stevie Ray Vaughn, Tom Waits, Spanky & Our Gang, Orpheus, James Taylor, Maria Muldaur, Shuggie Otis, Traffic, Frank Sinatra, The Beatles, Moody Blues, Arthur Lee & Love w Johnny Echols, The Left Banle, Association, Critters, John Lee Hooker, J. Geils Band, Kenny Burrell, Glen Campbell, Jeff beck, Jimi Hendrix Experience, Bee Gees and The Doors...

Label: Collectables 3620Year: 1951Condition: MPrice: $6.00Originally released on King 4501. This is one of the terrific 'dirty' rock 'n' roll records from the early 1950's... it's a perfect example of the blatant sexuality that many white folks were afraid of when their little teenagers started listening to black rock'n'roll. :-) Like most white guys, the first time I heard the song was through Maria Muldaur in the early 1970s, but you ain't ever heard the song til you heard the Swallows original! This is a new copy of the out-of-print Collectables reissue.

"Come on the cactus is our friend, he'll point out the wayCome on 'till the evening ends, till the evening endsMidnight at the oasis, send your camel to bedGot shadows painting our facesTraces of romance in our heads.Please join me at my Musical Oasis to begin your Easter Weekend. It's just a quick hop on the Red Eye Edition of Whole 'Nuther Thing. Invited guests are John Batdorf Music, Phoebe Snow, Steve Miller Band, Renaissance, Paul Simon, Traffic, JJ Cale, The Kinks, Rolling Stones, America, Doobie Brothers, Pat Metheny, The Doors, Allman Brothers Band, Supertramp, The Rascals, Bee Gees, Beatles, Left Banke and Maria Muldaur.

In this episode of Ear and Loathing, your hosts Aaron, Damon and George (The Gitmo Bros) talk about magic carpet burns, Woodward, Bernstein and Appétit, catching Punky Brewster right in the chops, and rich Reseda mud. In the Torture Chamber segment, Aaron and Damon compete for meaningless points by making George listen to his most hated music. Will George survive the Torture Chamber long enough to play one of his favorite songs? Tune in and find out! Songs featured in this episode: "Midnight at the Oasis" (Maria Muldaur), "Marseilles" (The Angels), "Chinese Food" (Alison Gold)

"Your daddy he's an outlaw and a wanderer by tradeHe'll teach you how to pick and choose and how to throw the bladeHe oversees his kingdom so no stranger does intrudeHis voice it trembles as he calls out for another plate of food.One more cup of coffee for the road,One more cup of coffee 'fore I goTo the valley below."Let's have that additional cup of Coffee together as we await the arrival of the Atmospheric River here in SoCal. Joininig us on the Sunday Edition of Whole 'Nuther Thing are The Hooters, Radiohead, Sly & The Family Stone, Jean Luc Ponty with Jon Anderson, Savoy Brown, Peter Himmelman, Orleans, Led Zeppelin, Fleetwood Mac, Isaac Hayes, The Joe Deninzon Trio, Elton John, Maria Muldaur, Red House Painters, Leo Kotke, Leon Russell, King Crimson, and Bob Dylan.

Brad "Guitar" Wilson (Cast Your Shade); Altered Five Blues Band (Holding On With One Hand); Robin Trower (Losing You); Maria Muldaur and Tuba Skinny (Some Sweet Day); Jennifer Porter (Good Ol' Wagon); Ivory Joe Hunter (I Almost Lost My Mind); The Continentals (No Money No Luck Blues); Cris Jacobs Band (Mama Was A Redbone); Johnny Wheels and The Swamp Donkeys (Mizz Karman); Ndidi Onukwulu (Things About Comin' My Way); Del Rey (We Both Are Feeling Good Right Now); Deb Ryder (Might Just Get Lucky); Lurrie Bell (One Day You're Gonna Get Lucky); J.D. Short (You Been Cheating Me); Big Joe Williams (So Much Wine); Cirkus Prütz (All For The Boogie And The Blues).

Terry Carleton of Bones & Knives Recording Studio has recorded music for major TV shows, indy films, commercials for radio, and, in some cases, has led to helping clients procure major record deals.  Terry studied classical, jazz, and composition on full scholarship. Playing in bands for the better part of 40 years. Has played live with many notables, including rockabilly legend Link Wray, pop and gospel vocalist Maria Muldaur, and jazz B3 icon Tony Monaco. As a member of Daddy-O, Terry helped back The Drifters, The Coasters, The Platters, The Marvelettes, Al Wilson, and Motown pioneer Mary Wells, to name a few. Terry has also recorded drums for Giraffe, Kevin Gilbert, Robert Ferris, and the British Progressive rock band Camel and continues to co-write songs with their frontman, Andy Latimer. He's performed with The Beach Boys' Al Jardine, Johnny Lee, Norton Buffalo, Jewel Akens, and Carey Ott, whose recordings from Bones and Knives have been featured on TV shows like "Grey's Anatomy" and "Unnecessary Roughness."  Most recently, Terry was commissioned by Sean Mendelson, whose dad is the late-great Lee Mendelson, the original producer of the iconic Peanuts Cartoons, to remix over 150 original Vince Guaraldi recordings from his Charlie Brown cartoon soundtracks, most recent being A Charlie Brown Thanksgiving (50th Anniversary Edition). We talk about his work on the Vince Guaraldi / Charlie Brown recordings, Bones & Knives Recording Studios, His Collection of odd instruments, meeting the Mendelsons, the arc of Terry's career, and more. Learn more about Terry's studio and career at BonesAndKnives.com.  Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode was powered by Music Marketing Method, a program for independent musicians looking to grow their music career. Music Marketing Method was created by my good friend Lynz Crichton. I'm in the program and I'm learning tons! I'm growing my fan base and learning about many ways that I'll be earning money in the new year. It's also helping me grow this podcast. How cool is that? To lean more and find out if Music Marketing Method can help your music career, visit UnstarvingMusician.com/MusicMarketing. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Related Episodes BonesAndKnives.com  A Charlie Brown Thanksgiving (50th Anniversary Edition)  Alabama Song by The Doors  The Starving Musician  Undercover Blues w/Johnny Burgin (video playlist) Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Music Marketing Method – The program that helps musicians find fans, grow an audience and make consistent income Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube  

"In the winter timeWhen all the leaves are brown, and the wind blows so chillAnd the birds have all flown for the summerI'm callin', hear me callin, hear me callin'"Yes, we're in the throes of Winter but I'll provide 2 hours of relief on the Red Eye Edition. Bundling up with us will be Maria Muldaur, Chris Isaak, The Doobie BrothersSimon & Garfunkel, Procol Harum, Spanky & Our Gang, Tom Petty, Little Feat, Renaissance, Buffalo, Stevie Ray Vaughn,  Springfield, Bob Dylan, Grateful Dead, Ace, Quicksilver Messenger Service, Rolling Stones, The Eagles, Moby Grape, Melanie, Marty Robbins, Johnny Rivers and The Steve Miller Band.

Harvey Brownstone conducts an in-depth Interview with Colin James, Guitarist & Singer/Songwriter About Harvey's guests: Today's guest, Colin James, is a brilliant guitarist and singer-songwriter who's been entertaining music lovers for over 30 years with his unique fusion of rock, swing and blues.   He's released 20 highly acclaimed albums, with multi-platinum record sales featuring hit singles including “Voodoo Thing”, “Five Long Years”, “Just Came Back”, “Keep On Loving Me Baby”, “Stay”, “Freedom”, “Saviour”, “Riding in the Moonlight”, and my personal favourite, his beautiful rendition of the Van Morrison classic, “Into the Mystic”.    He is widely credited with launching the swing revival, thanks to his immensely popular “Little Big Band”, which has released 4 successful albums and brought us some great hit songs like “Cadillac Baby”, “Surely I Love You”, “Breaking Up the House”, and “If You Need Me”.  And the “Little Big Band Christmas Album” should be a staple in everyone's Christmas music collection.   Our guest has worked with some of the greatest and most influential artists, including Stevie Ray Vaughn, Bonnie Raitt, Keith Richards, Lenny Kravitz, Mavis Staples, John Hammond Jr., Carlos Santana, Jeff Healey, and Buddy Guy.   And his music has been recorded by artists as diverse as Maria Muldaur, Johnny Hallyday and Lucinda Williams.  His concert tours across North America are always sold out.   He's won 8 Juno Awards and 30 Maple Blues Awards, and in 2013 he was inducted into the Canadian Music Industry Hall of Fame. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Colin James, go to:http://www.colinjames.com/http://www.facebook.com/pages/Colin-James/44515161571https://www.instagram.com/colinjamesmusic/ http://www.twitter.com/ColinJamesMusichttps://www.youtube.com/user/ColinJamesMusic #ColinJames    #harveybrownstoneinterviews

We caught up with New Orlean's guitarist and educator Chris Adkins about touring and recording with Maria Muldaur  Ep: 316 #ATJPod More: https://www.chrisadkinsmusic.com @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. Merch: https://t.co/QgtAisVtbV All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. 

This episode was recorded on June 25th, 2023 at the Culture Center Theater in Charleston, WV. The lineup includes John Pizzarelli, Maria Muldaur, Jennifer Hartswick Band, Melissa Carper, and Gabriel Royal. https://bit.ly/3QlGfDB

To celebrate the 50th anniversary of the famous recording, "Midnight at the Oasis," Maria Muldaur will perform the song along with a selection of the blues, country, folk, swing and pop tunes that made her first album a classic, accompanied by her Red Hot Bluesiana Band at The Egg.

This episode it is an encore live radio interview with Maria Muldaur made for on demand listening for The City's Backyard Podcast! We hope you enjoy Maria's songs as well because Maria is coming to the East Coast now!2023 marks 50 years  since her big hit “Midnight at the Oasis” was released & began riding to the top of the charts! To celebrate this milestone, Maria created a multi-media retrospective WAY PAST MIDNIGHT, which chronicles her 60 year journey “to the Oasis & Beyond”. This special presentation, illustrated with wonderful photos & videos, features all her hits & all of your most requested "fan faves" from every stage of her career, as well as fascinating, entertaining, (often humorous!) stories of her personal encounters, friendships, & collaborations with many of the greatest names in music!~Maria's says: "My band & I will be sharing lots of wonderful music & wonderful memories with y'all ~You don't want to miss this Very Special Show!~ ~ MARIA MULDAUR'S WAY PAST MIDNIGHT  EAST COAST TOUR ~   Sept. 7 - The Music Room - Yarmouth ,MAhttps://bit.ly/MusicRoomSept7Sept. 8 - My Father's Place Glen Cove - Long Island, NYhttps://bit.ly/MyFathersPlaceSept. 9 -  Folk Festival & Green Expo - New Haven, CThttps://www.ctfolk.org/yearly-folk-festival-green-expoSept. 10 - Courthouse Center for the Arts - South Kingstown, RIhttps://bit.ly/CourthouseCenter4ArtsSept. 12 - The Drake - Amherst, MAhttps://bit.ly/TheDrakeSept12Sept. 13 - Sellersville Theater - Sellersville, PAhttps://bit.ly/SellersvilleTheatreSept. 14 - The Iridium - New York, NYhttps://bit.ly/TheIridiumSept14Sept. 15 - The Egg - Albany, NYhttps://bit.ly/TheEggSept15Sept. 16 - The Vogel - Red Bank, NJhttps://bit.ly/TheVogelSept16Sept. 17 - Turning Point - Piermont, NYhttps://bit.ly/PiedmontClubSept17 ~Hope to see you at one of our shows!!~https://mariamuldaur.com~  Love, Peace & Blessings! ~

I AIN'T GONNA MARRY by Jim Kweskin and the Jug Band with Maria Muldaur(From GARDEN OF JOY, Reprise 1967)I've always adored Maria Muldaur - we did a podcast on her previously - and, as an adolescent I would study her braided image on the cover of “Garden of Joy” with relish. She is mostly remembered for her radio hit “Midnight at the Oasis”, but her time with JIm Kweskin and the Jug Band was an unrivaled carnival of sexy fun, and “I Ain't Gonna Marry” is my favorite cut of all. This rendition swings with sass and bravado - Richard Greene plays the fiddle with sly insinuation, and when Fritz Richmond makes that punctuating “fart” sound at the end of the intro and middle section, I can't help grinning from ear to ear.  The original source of the tune was obscure, and Kweskin was coy about where he found it,  but thankfully, due to the far reach of the internet, I discovered that the original was written and recorded by “The Moanin' Mama” Sara Martin 44 years earlier, in 1923, on the Okeh label, under the title “Blind Man Blues”.  With all due respect to Ms. Martin, in my opinion the original doesn't hold a candle to Maria's interpretation. Garden of Joy was a Reprise release, which provided a major platform for this group, who had made its bones on the smaller Vanguard label, and was positioned here to leap into the big time.  That was certainly true for Maria, who recorded several albums for them after she went solo. But, here, at the summit of the Jug Band's power, she drops this major bombshell with unimpeded charismatic power. 

Will Jacobs (Don't Burn Down The Bridge); Maria Muldaur, Alvin Youngblood Hart and Dave Earl (She Put Me Outdoors); LJ Mounteney (Dirty Rat); Aynsley Lister (Made Up My Mind); Sister Rosetta Tharpe (Didn't It Rain); Rev. John (Strange Things); Roadhouse (2000 Miles On The Road); Mudslide Charley (Other Shoe); Vivian Vance Kelly (Down Home Blues); Lucas Espildora (The First Thing Smoking); John-Alex Mason (Locomotive); Rebecca Downes (Hold On); Nate Turner (Hard Times); Hilda Lamas (Back Burner); Kai Strauss (Storming In Chicago).

The singer, composer and guitarist has had a lifelong passion for the jazz and blues of the '20s and '30s. In the '60s and '70s, he made a series of influential recordings with the Jim Kweskin Jug Band, Paul Butterfield's Better Days, and Maria Muldaur. His new double CD, titled His Last Letter, traces the musical influences of his life, and is arranged for, and performed with, Dutch chamber musicians. He spoke with Terry Gross in 2009. Justin Chang reviews the new thriller The Gray Man, starring Ryan Gosling.