Podcasts about backing vocals

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Backgroundgesang ist weit mehr als nur Begleitung. Er gibt einem Song Tiefe, Atmosphäre, Emotion – und manchmal auch den entscheidenden Wiedererkennungswert. Nicht selten ist er musikalisch anspruchsvoller als der Lead-Gesang, dennoch bleiben Backgroundsänger meist namenlos – und im Hintergrund. Themen der Sendung: · Wie beeinflusst Backgroundgesang unser Hörerlebnis? Beispiele aus unterschiedlichen Musikgenres von Aretha Franklin über Queen bis Destiny's Child. · Wie sich die Rolle von Backing Vocals in der Popmusik verändert hat – von der funktionalen Begleitung zum stilprägenden Element. · Sie liefern perfekte Harmonien, punktgenaue Einsätze und astreine Intonation – und der Star macht die Show? Unterschiede zwischen Backing Vocals und Lead Vocals. · Was es braucht, um in diesem Beruf Fuss zu fassen, und wie Jane Bogaert zwischen Backstage und Weltbühne den Ton angibt. · Warum der Beruf des Backing Vocalisten so unterschätzt ist. Klischees über gescheiterte Frontsängerinnen und Bandmitglieder, die nicht singen können, aber trotzdem den Backgroundgesang übernehmen. · Von Cher über Mariah Carey bis Phil Collins: Wie Karrieren im Schatten anderer begannen und was das über Karrierewege im Popbusiness aussagt? Im Podcast zu hören sind: · Jane Bogaert (*1967 in Solothurn): Schweizer Sängerin und ESC-Teilnehmerin (2000), die mit Stars wie Robbie Williams, Ronan Keating, Anastacia, Al Bano & Romina Power, Joss Stone und DJ BoBo gearbeitet hat · Carsten Kaiser (*1974): Audioproduzent, Musik-Soziologe und Autor von «Background Vocals: Grundlagen für Probe, Bühne und Studio» (PPV Medien 2006) Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Autorin: Elisabeth Baureithel Host: Bernard Senn Produktion: Sabine Bitter Technik: Serge Krebs

Hailing from Nottingham, Those Once Loyal have been on quite the journey since last releasing music. One of the reasons being due to a revolving door of bassists, but this has now led to them finally having a solid line up. Since the release of their 2023 EP 'Relentless Cycle' they have played many shows around the Midlands area, something that has helped get their name out there and seem them play higher profile shows such as with Atreyu, Heart of a Coward, Attila, Rxptrs, High on Fire, Cane Hill and Kill the Lights. If all of this wasn't enough, they also landed a spot at the prestigious festival, Bloodstock Open Air, playing the Jägermeister stage in 2023. Now, they're back, and ready to unleash new music. Starting with a new single called ‘Glass Hands', out on April 11th, 2025, alongside a video. Glass Hands is a song that perfectly encapsulates the combination of modern hardcore bands with the driving aggressive riffs of 00's metalcore to create a song with a driving rhythm that blends both eras of metal together and shows how evolution and history can be one! Lyrically, the song uses themes of control and manipulation, to which lines such as "One day your influence will lose its hold. You'll never ever have control" Pertaining to the idea that egocentric control will lose its grasp in time. Pre-Save it on Spotify here: https://distrokid.com/hyperfollow/thoseonceloyal/glass-hands We spoke to guitarist and backing vocalist, Oscar Gutkowski about the new single, and the journey that Those Once Loyal have been on to get to this point. We look at the past, but focus on the future, what makes it so exciting, while having some fun along the way. Find out more here: https://linktr.ee/thoseonceloyal Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

After years of hard work, the fuzzy stoner rock/metal band, Ditch are back, having released their brand-new album ‘The Traveler' on February 14th, 2025. It is their first full-length album since the release of their critically acclaimed debut album, ‘Boca Do Inferno' in 2014. A dynamic and diverse collection of songs, ‘The Traveler' is a modern and unique twist on stoner rock and metal. Featuring pounding drums, massive fuzz-heavy guitars, and roaring bass. Completing the wall-of-sound many listeners crave. Yet there's also room for dreamy, space-y segments, plus a variety of tempos. 40+ minutes of what stoner rock/stoner metal is all about. We spoke to guitarist and vocalist (backing) Eric Hazebroek about the new album, learning more about the process behind its creation, the journey to its release, and so much more. Find out more here: https://ditchband.nl/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.com Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Brian Fallon ist Kopf – sprich Sänger, Gitarrist und Songwriter von The Gaslight Anthem. Die sind eine der führenden Bands im Subgenre des Heartland Punk – ein von Americana, Roots Rock und dem Working-Class-Spirit eines Bruce Springsteen beeinflusster Sound.Fallon kommt am 28. Januar 1980 in Red Bank, New Jersey zur Welt. Er wächst im Stadtteil Hackettstown auf. Mit 17 veröffentlicht er unter dem Namen No Release sein erstes Tape. Nach ersten Band-Erfahrungen mit Amping Copper und Surrogate McKenzie veröffentlicht er 2004 die „American Music“-EP. Auf der singt Fallons Mutter Debbie die Backing-Vocals.Im gleichen Jahr gründet Fallon die Band This Charming Man aus der sich 2006 The Gaslight Anthem bilden. Zwischen 2007 und 2014 veröffentlichen The Gaslight Anthem fünf Alben, mit denen sie sich in einer breiten Szene zwischen Punk, Emo und Indie einen hehren Status erspielen.Nach neun Jahren Album- und zwischenzeitlicher Bandpause erscheint 2023 mit „History Books“ das sechste Album von The Gaslight Anthem.Die Zwischenzeit hat Fallon genutzt, um vier Soloalben zu veröffentlichen und mit Molly And The Zombies ein Americana/Folk-Projekt zu gründen. Nicht zu vergessen, dass er mit The Horrible Crowes schon zuvor ein Seitenprojekt hatte.Fallon ist bekennender Christ, zum zweiten Mal verheiratet und Vater von zwei Kindern. Hosted on Acast. See acast.com/privacy for more information.

What makes a singer stand out in a West End audition? How do vocal coaches prepare artists for The Voice? And why are singers struggling to make it in today's music industry?This week, we dive into the world of high-performance vocal coaching with Jai Ramage—an expert who's trained everyone from theatre stars to recording artists. She reveals what happens behind closed doors in auditions, the vocal challenges singers face in different industries, and the surprising truths about making it as an artist today.What are you waiting for? Press the play button!WHAT'S IN THIS PODCAST?0:57 What is the most rewarding musical medium to work in?4:44 How has time spent in theatre influenced vocal coaching as a whole?6:27 What is a current challenge for musical theatre performers?15:51 What are casting directors really looking for?18:22 Landing a TV gig28:04 What is a current challenge for TV competitors?32:02 How to create a good self-tape for The Voice38:38 Being an artistic manager44:53 What is a current challenge for music industry artists?54:33 The common thread between teaching for stage, screen & the music industry About the presenter click HERERELEVANT MENTIONS & LINKS Estill VoiceJono McNeilSinging Teachers Talk - Ep.123 Insights Into TV Vocal Coaching with The Masked Singer's Jono McNeilSinging Teachers Talk - Ep.124 Mastering Vocal Style: Licks, Riffs and Runs with Jono McNeilKatie Holmes-SmithSinging Teachers Talk - Ep.197 Backing Adele and Beyond: The Art and Craft of Backing Vocals with Katie Holmes-SmithSusan PaytonSinging Teachers Talk - Ep.126 ‘The Business of Stories': Game-Changing Marketing Strategy with Susan PaytonBlair GilmourThe School of Music BusinessTrudy KerrSinging Teachers Talk - Ep.196 How to Be a Singing Teacher in Higher Education with Trudy KerrPatreonSubstackABOUT THE GUESTJai Ramage has over 20 years experience working as a Vocal Coach in TV, Theatre & the Music Industry. Her TV credits include prime-time shows for BBC and ITV, such as The Voice UK, Little Mix The Search, Starstruck, and Romeo & Duet. She has coached several successful pop artists and bands, guiding them from the early stages of their creative journeys through to world tours and multiple albums. She holds a longstanding Vocal Coach role with Prestige Management, working closely with their bands and singers. Artists Jai currently coaches include The Vamps, New Hope Club, Soap, Henry Moodie, Keyside, Tom Speight, and Tommy Ashby. Jai's career began as a performer in theatre, which nowBAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

Sechs Mal war Gary Lux beim Eurovision Song Contest. Seinen größten Erfolg feierte er 1985 mit "Kinder dieser Welt". Das erste Mal trat er mit der Gruppe Westend beim Song Contest auf. Bei uns erzählt, was Falco mit dieser Gruppe zu tun hat.Gary Lux (tatsächlich mit X) erzählt Marco Geschichten von seinen Anfängen in Kananda bis hin zur gegenwärtigen Musik. Aktuell ist seine Single "Das Herz kann nicht denken", aber natürlich blicken beide auch auf die Geschichte von Gary Lux beim Eurovision Song Contest zurück. Aber der Weg zum Song Contest führte über (heute) bekannte Namen. Bereits als 15-Jährier war er Sänger bei Partybands, hat Hans Hölzl (aka Falco) als Sänger bei Spinning Wheel abgelöst, hat die Background-Vocals für Falcos "Der Kommissar" eingesungen - gemeinsam mit seinen Kollegen Peter Vieweger und Bernhard Rabitsch. Die drei haben dann mit Hans Christian Wagner und der Tänzerin Patricia Tandien die Gruppe "Westend" gegründet. Falco-Produzent Markus Spiegel beauftragte dann einen Song. "Hurricane". In München 1983 erreichten Westend den 9. Platz.Ein Jahr später war er Backing Vocals für Anita und ihrem Lied "Einfach weg" - nachdem er im Vorentscheid gegen sie verloren hatte und Zweitplatzierter wurde.  1985 durfte er endlich solo ran. "Kinder dieser Welt" ist heute noch ein Evergreen und becherte ihm einen soliden 8. Platz in Göteborg. Mit "Nur noch Gefühl" wurde er 1987 in Brüssel allerdings nur 20. - was Gary Lux heute auch auf die Waldheim-Affaire zurück führte. Diese Schlappe knackste an seinem Ego, er zog sich für ein paar Jahre in die USA zurück und arbeitete dort mit verschiedenen Musikerinnen und Musikern.1993 ist er wieder beim Song Contest: Tony Wegas singt "Maria Magdalena" und Lux unterstützt ihn dabei. Wer wissen will, wie es damals war: In der Episode 03.29 erzählt Komponist Thomas Spitzer von der EAV ausführlich über die Begebenheiten in Millstreet in Irland. Und auch 1995 ist seine Expertise im Chrorgesang wieder gefragt. Bei "Die Welt dreht sich verkehrt" von Stella Jones spielt er Keyboards und singt.Gary Lux muss natürlich auch die bekannten Fragen am Schluss beantworten: Vom Eurovision Song Contest 2024 hat er noch "We Will Rave" von Kaleen auf der Playlist. Und sein Lieblingssong ist Johnny Logans Geniestreich "What's Antother Year" aus dem Jahr 1980.Sonja, Alkis und Marco müssen aber mal reden. Über die Chefsache und über Sanremo. Wenn diese Episode erscheint, wissen wir noch nicht, ob Sanremo-Sieger Olly seinen Siegersong "Balorda nostalgia" auch in Basel singen wird. Insgesamt war das Finale insgesamt ungewöhnlich männlich und sehr überraschend. Dafür aber pünktlich.Die ersten beiden Episoden der Chefsache, des deutschen Vorentscheids, haben teilweise überzeugt. Sonja und Alkis finden, die Fixierung auf Stefan Raab ist nicht immer einfach zu ignorieren, aber zumindest sind keine falschen Acts ins Halbfinale weiter gewandert.In der Kleinen Song Contest Geschichte hat Sonja ein Bild mitgebracht von einem Maskottchen. Und vor seinem Namen. Creators: Marco Schreuder & Alkis Vlassakakis & Sonja RiegelMerci Chérie Online:www.MerciCherie.atFacebook: MerciCheriePodcastInstagram: mercicherie.atTikTok: @merci_cherie_podcastbluesky: @mercicherie.atBitte bewertet uns und schreibt Reviews, wo immer ihr uns hört.

What's it really like to be a backing vocalist for some of the biggest stars on the planet? In this episode, we are joined by Katie Holmes-Smith, whose impressive career has seen her perform with the likes of Adele, Kylie Minogue, Robbie Williams, and more. How do you become a backing singer? What skills do you need? And what's the reality of balancing global tours with family life? Join us as Katie shares stories, career advice, and insights from behind the mic.  WHAT'S IN THIS PODCAST? 4:54 How did Katie become a backing vocalist?  11:27 Should singers take any and every job? 13:59 What's the difference between session singing and being a backing vocalist? 15:45 What essential skills are needed to be a backing vocalist?  23:50How much creative freedom do you have as a backing vocalist?  27:02What is touring really like?  34:13 How does Katie juggle showbiz and family life?  41:50What's the selection process like for backing vocalist jobs?  47:23Katie's favourite job  59:18What's the Vocal Code?  About the presenter click HERE  RELEVANT MENTIONS & LINKS Lousie Callin Singing Teachers Talk Podcast - Ep.195 How Unlocking Your True Values Can Transform Your Teaching and Life with Louise Callin X-Factor Performance - One More Sleep by Leona Lewis Adetoun Ayoola   ABOUT THE GUEST Katie Holmes-Smith works as a professional session vocalist. She has been touring globally with Adele since 2016 and has just completed 110 shows with Adele on her Las Vegas residency at Caesars Palace and her Stadium show in Munich, Germany.   Katie has also toured and performed worldwide in recent years with Kylie Minogue, Ed Sheeran, Christina Aguilera, Robbie Williams, Olly Murs and many more.  When she isn't away on tour, you'll find her performing in some of the U.K and world wide top corporate venues and hotels.  As the Vocal Director of the Vocal Code, Katie uses her expertise and experience to prepare future vocalists for the industry as artists and backing vocalists.  Website: katieholmes-smith.com The Vocal Code: www.vocalcode.co.uk Instagram: @katieholmessmith BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

In this episode, Francesca de Valence chats with legendary Australian artist Wendy Matthews at the Whitsundays Songwriter Festival 2024. Wendy shares insights into her songwriting journey, from her early days busking across Canada and the USA to creating multi-platinum albums. Known for her timeless hits including The Day You Went Away, Wendy discusses her approach to crafting songs that resonate deeply, her commitment to beauty in music, and how storytelling shapes her artistry. With stories of collaboration and creative evolution, this conversation offers an intimate look at the process behind one of Australia's most expressive artists. A must-listen for music lovers and creators alike.Find out more about the Whitsundays Songwriter Festival here. Join I Heart Songwriting Club's Co-writing Course here.About Wendy Matthews:An Australian musical treasure, Wendy Matthews has an expressive voice that never fails to move those who hear it. Her music is an unhurried journey of clean melodies, infectious energy and simple grace. In an age where uber-production techniques are thought to be hip, and cynicism an attribute, Wendy has proven that commitment to beauty is still not only valid but applauded by the public ear, her music now in more than 1 million homes in Australia with all her albums having multi-platinum status.Her solo debut album Émigré (Double Platinum) earned Wendy Best Female Artist and Best Debut Single (for Token Angels) at the 1990 ARIA Awards. In 1992 Wendy received the ARIA for Best Female Artist and Best Single and in 1993, Best Female Artist. Wendy was also voted Best Female Singer in the 1990 Rolling Stone Reader's Poll. The Day You Went Away was the ‘highest selling single' of 1993 and the ‘single of the year'. Contact Wendy Matthews: Facebook / Instagram Find out more and contact us at I Heart Songwriting Club & Francesca de Valence.Find out more about the Whitsundays Songwriter Festival here. Join I Heart Songwriting Club's Co-writing Course here.Get your creativity, confidence, and songwriting output flowing. Join The Club and receive the support and structure to write 10 songs in 10 weeks and get feedback from a private peer community. Just getting started on your songwriting journey and need more hands-on support? Establish a firm foundation and develop your musical and lyric skills with our Beginner Songwriting Courses. Don't struggle to write your next album - write an album a year with ease! Watch our Free Songwriting Masterclass. Get songwriting insights from I Heart Songwriting Club: Instagram / Facebook / YouTubeBe inspired by Francesca on socials: YouTube / Facebook / InstagramTheme song: “Put One Foot In Front Of The Other One” music and lyrics by Francesca de Valence If you love this episode, please subscribe, leave a review and tell everyone you know about The Magic of Songwriting.

Did you know about these hidden famous artists in these popular songs? We definitely didn't.See omnystudio.com/listener for privacy information.

Supporte den Podcast: Hier mit PayPal spenden! Neue Staffel, neue tolle Leute! Heute habe ich jemanden im Gespräch den ich schon lange fragen wollte und es endlich geschafft habe! Sie ist Sängerin, singt unter anderem bei Zoe Wees die Backing Vocals und macht Chor-Workshops für People of Color. Sie hatte einen spannenden Werdegang mit einigen Besonderheiten und Umwegen und ist ein ganz wunderbarer Mensch mit ganz viel spannenden Stories. Ich wünsche also ganz viel Spaß mit Afra Bobo! Der Beitrag #S03/E01 – Afra Bobo – Sängerin (Zoe Wees, Voices of Color) erschien zuerst auf Tourgespräche.

Die dänische Singer-Songwriterin setzt für ihr Solo-Debütalbum auf die Kraft der leisen Töne und persönlichen Texte. Mit "Things I Remember" möchte sie in die Fußstapfen solch illustrer Vorbilder wie Elizabeth Cotten, Édith Piaf, Nick Drake oder Paul Simon treten. Die aus dem dänischen Svendborg stammende Simone Tang hat sich nicht nur bereits als gefragte Session- und Live-Gitarristin für anderer Leute Projekte und Bands einen Namen gemacht. Auch kann die studierte Musikerin auf diverse Soundtrack-Arbeiten zurückblicken und ist sogar schon erfolgreich als Schauspielerin in Erscheinung getreten. Nun wagt die 34-Jährige den vielleicht größten Schritt und veröffentlicht dieser Tage ihr erstes Album unter eigenem Namen. Gemeinsam mit ihrem engen Freund Søren Manscher, der Gitarre und Backing Vocals beisteuerte, spielte sie die Songs für "Things I Remember" weitestgehend live und mit dem Mut zum Unperfekten, Direkten ein. Dazu passt, dass sich viele der Lieder mit persönlichen Erfahrungen und dem Leben (und mitunter Sterben) enger Angehöriger befassen, denen Tang musikalische Hommagen widmet. Mehr erfahren wir von Simone Tag selbst, wenn sie heute zu Gast im studioeins ist.

Die dänische Singer-Songwriterin setzt für ihr Solo-Debütalbum auf die Kraft der leisen Töne und persönlichen Texte. Mit "Things I Remember" möchte sie in die Fußstapfen solch illustrer Vorbilder wie Elizabeth Cotten, Édith Piaf, Nick Drake oder Paul Simon treten. Die aus dem dänischen Svendborg stammende Simone Tang hat sich nicht nur bereits als gefragte Session- und Live-Gitarristin für anderer Leute Projekte und Bands einen Namen gemacht. Auch kann die studierte Musikerin auf diverse Soundtrack-Arbeiten zurückblicken und ist sogar schon erfolgreich als Schauspielerin in Erscheinung getreten. Nun wagt die 34-Jährige den vielleicht größten Schritt und veröffentlicht dieser Tage ihr erstes Album unter eigenem Namen. Gemeinsam mit ihrem engen Freund Søren Manscher, der Gitarre und Backing Vocals beisteuerte, spielte sie die Songs für "Things I Remember" weitestgehend live und mit dem Mut zum Unperfekten, Direkten ein. Dazu passt, dass sich viele der Lieder mit persönlichen Erfahrungen und dem Leben (und mitunter Sterben) enger Angehöriger befassen, denen Tang musikalische Hommagen widmet. Mehr erfahren wir von Simone Tag selbst, wenn sie heute zu Gast im studioeins ist.

Die dänische Singer-Songwriterin setzt für ihr Solo-Debütalbum auf die Kraft der leisen Töne und persönlichen Texte. Mit "Things I Remember" möchte sie in die Fußstapfen solch illustrer Vorbilder wie Elizabeth Cotten, Édith Piaf, Nick Drake oder Paul Simon treten. Die aus dem dänischen Svendborg stammende Simone Tang hat sich nicht nur bereits als gefragte Session- und Live-Gitarristin für anderer Leute Projekte und Bands einen Namen gemacht. Auch kann die studierte Musikerin auf diverse Soundtrack-Arbeiten zurückblicken und ist sogar schon erfolgreich als Schauspielerin in Erscheinung getreten. Nun wagt die 34-Jährige den vielleicht größten Schritt und veröffentlicht dieser Tage ihr erstes Album unter eigenem Namen. Gemeinsam mit ihrem engen Freund Søren Manscher, der Gitarre und Backing Vocals beisteuerte, spielte sie die Songs für "Things I Remember" weitestgehend live und mit dem Mut zum Unperfekten, Direkten ein. Dazu passt, dass sich viele der Lieder mit persönlichen Erfahrungen und dem Leben (und mitunter Sterben) enger Angehöriger befassen, denen Tang musikalische Hommagen widmet. Mehr erfahren wir von Simone Tag selbst, wenn sie heute zu Gast im studioeins ist.

Die dänische Singer-Songwriterin setzt für ihr Solo-Debütalbum auf die Kraft der leisen Töne und persönlichen Texte. Mit "Things I Remember" möchte sie in die Fußstapfen solch illustrer Vorbilder wie Elizabeth Cotten, Édith Piaf, Nick Drake oder Paul Simon treten. Die aus dem dänischen Svendborg stammende Simone Tang hat sich nicht nur bereits als gefragte Session- und Live-Gitarristin für anderer Leute Projekte und Bands einen Namen gemacht. Auch kann die studierte Musikerin auf diverse Soundtrack-Arbeiten zurückblicken und ist sogar schon erfolgreich als Schauspielerin in Erscheinung getreten. Nun wagt die 34-Jährige den vielleicht größten Schritt und veröffentlicht dieser Tage ihr erstes Album unter eigenem Namen. Gemeinsam mit ihrem engen Freund Søren Manscher, der Gitarre und Backing Vocals beisteuerte, spielte sie die Songs für "Things I Remember" weitestgehend live und mit dem Mut zum Unperfekten, Direkten ein. Dazu passt, dass sich viele der Lieder mit persönlichen Erfahrungen und dem Leben (und mitunter Sterben) enger Angehöriger befassen, denen Tang musikalische Hommagen widmet. Mehr erfahren wir von Simone Tag selbst, wenn sie heute zu Gast im studioeins ist.

Finnish melancholic death and doom masters, Swallow the Sun will release their brand-new album, ‘Shining' on October 18th, 2024, via Century Media Records. An album that explores the intrinsic challenges of being human. Which, unsurprisingly, gives Shining a certain level of intangibility as the subjects and themes are so broad. Yet, also unsurprisingly, this examination of being human comes in the form of deep, rich, epic, and infectious melancholy. There is beauty in the darkness, and Swallow the Sun are masters of making it shine. You can read our full review of the new album here: https://www.gbhbl.com/album-review-swallow-the-sun-shining-century-media-records/ We spoke to mastermind Juha Raivio (Guitar / Backing Vocals / Keys) about his new album, delving into the experience of making it and the toll it took on both him and the band. We delve into extremely personal feelings and thoughts about this album, with Juha proving to be unflinchingly honest as usual. All while showcasing his inimitable dark humour when talking about the melancholic aspect of the band, and how this record has a brightness unlike anything in recent times from Swallow the Sun. It is a fascinating, and very entertaining interview, with so much more covered throughout the talk. Find out more here: http://swallowthesun.net/ Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Twitter: https://twitter.com/GBHBL_Official Instagram: https://www.instagram.com/gbhbl/ Threads: https://www.threads.net/@gbhbl TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios. YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

With members of Nightwish, Children of Bodom, Finntroll and more, Crownshift boast world-class pedigree and heritage. The Finnish melodic death metallers will release their self-titled debut album on May 10th, 2024, via Nuclear Blast. One of 2024's most hotly anticipated albums, Crownshift's self-titled debut finally arrives with all the force of a meteorite crashing into the planet. Showcasing a modernised take on melodeath, with some early Children of Bodom influences and touches of Soilwork/Scar Symmetry. Id all you want is high-flying and head-banging melodeath in simple anthemic form, then this album will deliver. You can read our full review of the album here: https://www.gbhbl.com/album-review-crownshift-crownshift-nuclear-blast/ We spoke to guitarist and backing vocalist, Daniel Freyberg about the debut album. Talking about the journey to this point, the moments when Crownshift became its own thing, the buzz surrounding them, the excitement around playing live, proving that Crownshift is not a side project, and so much more. Find out more here: https://www.crownshiftofficial.com/ Website: https://gbhbl.com/ Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Big Cartel: https://gbhbl.bigcartel.com/ Facebook: https://www.facebook.com/GBHBL Twitter: https://twitter.com/GBHBL_Official Instagram: https://www.instagram.com/gbhbl/ TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios. YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

Folge 65: 80er live auf Schalke-  Wir klären in dieser Folge ein für alle Mal:War das wirklich die größte 80er-Party der Welt?Warum ist Boy George nicht gekommen?Welches Konzert kam am besten an?War es wirklich so verdammt kalt? -  Fun facts, hard facts & Nerd FactsSamantha Fox wollte eigentlich Police Officer werden, war aber mit 155cm zu klein für die Mindestgröße von 163cm. Also wurde sie mit 16 das bekannteste Seite 3 Modell Großbritanniens und mit 20 zur weltbekannten SängerinAuf dem Hit "Nikita" von Elton John hat Nik Kershaw Gitarre gespielt und George Michael die Backing Vocals eingesungen.Paul Young und Tony Hadley (ex-Spandau Ballet) sind seit langer Zeit eng befreundet.Paul Young hat seine Frau beim Dreh für sein Video von "Come back and stay" kennengelernt, sie war die Hauptdarstellerin.Mit mehr als 33 Millionen verkauften Tonträgern ist Sandra die erfolgreichste deutsche Künstlerin.Und hier die Absage von Boy Goerge, "rather lame" wie wir finden: https://www.facebook.com/reel/1098722721403305- Links80er-live: https://www.80er-live.dePodcasts: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowa

Als Katie Crutchfield vor vier Jahren «Saint Cloud» veröffentlichte, katapultierten wir sie in den siebten Indie- und Alt-Country-Himmel. Nun krallt die US-Musikerin dank paradiesischen Backing Vocals und *noch* raffinierterem Songwriting auch noch den Schlüssel zum achten Himmel an sich. «Tigers Blood» und «Meisterwerk» schreibt man beide mit jeweils 11 Buchstaben: Es kann kein Zufall sein... «Tigers Blood» gehört in jede gut sortierte Musiksammlung. Darum verlost euer SRF 3-Musikabend diese Woche jeden Abend CDs – jeweils live in der Sendung! Aus dem Sounds!-Archiv: * «Lob ist ungesund! Hast du es einmal bekommen, fängst du an, ihm nachzurennen»: Sounds!-Interview mit Waxahatchee zu «Saint Cloud» (2020) * «Die Do It Yourself-Zeit machte mich sehr stark»: Sounds!-Interview mit Waxahatchee zu «Out in the Storm» (2017)

Fosforo 1561: I brani della striscia numero 1 della settimana: Beach Boys - A Thing or Two (Track and Backing Vocals); Barney Mcall ft. Gary Bartz - Sun Rays (Steve Spacek remix); Richard Swift - Vandervelde Blues II; Harold Budd - Niki D.; Katch 22 - Makin` My Mind Up; Mazouni - Clichy; Chris Bowden - Mothers Too; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo

Love y'all

Freakshow have just released a killer album called So Shall It Be. The band consists of Ronnie Borchert on Lead Vocals and Guitar, Carlos Cavazo on Guitar and Backing Vocals, Greg Chaisson on Bass Guitar and Backing Vocals and Stet Howland on Drums and Backing Vocals. Rik Fox has joined the band since the recording of this album. We had the opportunity to have vocalist Ronnie Borchert join us by phone to talk about the band and their new album. Join our conversation and stick around to hear four songs from the record, two picked by Ronnie, two by us. Rock and Roll music that DESERVES to be heard! Pick up a copy of So Shall It Be at www.eonianrecords.comAbout FREAKSHOWFREAKSHOW's debut album was a supergroup featuring Miss Crazy's Ronnie Borchert, Cinderella's Jeff LaBar, Quiet Riot's Frankie Banali, and Tony Franklin, who had played in The Firm, Blue Murder, and Whitesnake. FAST FORWARD to 2023 ...different players, yet another output of AMAZING, hook-filled, blazing rock-n-roll! Ronnie Borchert brings together friends Carlos Cavazo on guitars (Quiet Riot & Ratt), Greg Chaisson on bass (Badlands & Atomic Kings), and Stet Howland on drums (W.A.S.P. & Metal Church) to record the brand-new album “So Shall It Be.” FREAKSHOW's founder, Ronnie Borchert stormed onto the rock scene in 2005 as the frontmanfor San Francisco-based Miss Crazy. His vocal style quickly solidified Miss Crazy as one of the best new melodic rock bands and drew quick comparisons to singers such as Brian Johnson, Tom Keifer, Steve Whitman, and Joe Elliot. Prior to Miss Crazy and FREAKSHOW, Ronnie was the lead vocalist for melodic hard rock and glam bands Amsterdam and Trixie.Songs included in this chat:So Shall It BeM.S.MYou ShineIce Cold Hands 

The Metal Cell is delighted to announce our third collaboration with Pat O'Regan of the Smashing Skull Sessions. We interviewed Andy Ennis (Vocals/Bass) & Anaïs Chareyre-Méjan (Drums/Vocals/Cello) of the incredible Post Metal Black band Domhain. Since the Northern Ireland based band released 'Nimue' (https://smashingskullsessions.fireside.fm/articles/nimue) in October, they followed it up with a jaw-dropping performance to a full main stage at The Siege of Limerick, which left me with the feeling that this four piece are one of those special bands that come along once in a lifetime! Pat and I really enjoyed the insights that Andy & Anaïs shared with us about how the band started, the connections they made through their previous bands which all helped get 'Nimue' off the ground and exploring the artistic side of the band. It was also nice to acknowledge a previous guest from The Smashing Skull Sessions, the supremely talented Jo Quail, with an mind blowing guest performance on “A Pile of Stone Upon Her Grave”. Domhain are Andy, Anaïs, Bryn Mills - Guitar, Backing Vocals & Nathan Irvine - Lead Guitar, Piano. Please 'SUBSCRIBE' to The Metal Cell/Smashing Skull Sessions channels. Thank you! Domhain Link: https://domhain-band.bandcamp.com/album/nimue Song played: The Mourning Star © Domhain, all rights reserved.

A dive into the song Love Stealer (Hello cover) by Uriah Heep New BMG Boxed Set – Every Day Rocks: https://uriahheep.lnk.to/EveryDayRocksPC Show website: http://www.scotthaskin.com/uriah_heep_podcast/ Facebook: https://www.facebook.com/UriahHeepPodcast Instagram: @UriahHeepPodcast Episode: 13-9 Song: Love Stealer (Hello Cover) Air date: 7-15-2021 Performers: Lead & Backing Vocals, Piano, Percussion: John Sloman Guitar: Mick Box Bass Guitar, Backing Vocals: Trevor Boulder Stacatto Drums, Percussion: Chris Slade Obx, Vocoder Organ, Piano, Guitar, Backing Vocals: Ken Hensley Lyrics: She's got an eye on you There's nowhere to hide She keeps her motives still Deep down inside She shows no mercy, no She plays it rough She don't want no money She just wants to love Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... She walks in the shadows As she waits for the night She gets what she's looking for She knows how to fight If you see her coming Then you'd better know If your love's for the taking She'll steal the show Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... She just can't go round there first Facing the joint Then she'll move in And get right to the point So keep your love locked away Don't let it show Or the love stealer will rock you For more than you'll know Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Love stealer, raw dealer Heart breaker, love taker Yeah yeah ... Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055) Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg) #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

A dive into the song Been Hurt by Uriah Heep New BMG Boxed Set – Every Day Rocks: https://uriahheep.lnk.to/EveryDayRocksPC Show website: http://www.scotthaskin.com/uriah_heep_podcast/ Facebook: https://www.facebook.com/UriahHeepPodcast Instagram: @UriahHeepPodcast Episode: 13-10 Song: Been Hurt Air date: 7-16-2021 Performers: Lead & Backing Vocals, Piano, Percussion: John Sloman Guitar: Mick Box Bass Guitar, Backing Vocals: Trevor Boulder Stacatto Drums, Percussion: Chris Slade Obx, Vocoder Organ, Piano, Guitar, Backing Vocals: Ken Hensley Lyrics: John Sloman version At the age of eighteen I had had enough And by twenty one I decided to get tough And then I found the guard Was still too rough And I've been hurt Ever since that day I've been hurt and I've lost my way I still think I have a chance To find your love Well, I tried to love you One day at a time Each day waiting Hoping for the sign It was clear I needed luck More than this time And I've been hurt Ever since that day I've been hurt, well, I've lost my way I still think I have a chance To make you mine My empty heart is Counting all the ways Fire and desire Sat and count days Will you, won't you When and where Do you, don't you, do I care That same eternal question Is always there It's always there And I've been hurt Ever since that day I've been hurt and I've lost my way I still think I have a chance To make you mine And I've been hurt Ever since that day I've been hurt and I've lost my way I still think I have a chance To make you mine I've been hurt And I've lost my way John Lawton version Whoah, don't you know I've been hurt Oh yeah, don't you know I've been hurt Oh babe, you know You're doin' me wrong, yeah At the age of eighteen I had had enough And by twenty one I decided to get tough And then I found the guard Was still too rough Oh yeah, I've been hurt Ever since that day I've been hurt And I've lost my way I still think I have a chance To try your love Well, I tried to love you One day at a time Each day waitin' Hopin' for the sign It was clear I needed luck More than this time Oh yeah, I've been hurt Ever since that day I've been hurt And I've lost my way I still think I have a chance To make you mine My empty heart is Countin' all the ways Fire and desire Sat and count the days Will you, won't you When and where Do you, don't you, do I care That same eternal question Is always there Oh yeah, I've been hurt Ever since that day I've been hurt And I've lost my way I still think I have a chance To try your love My empty heart is Countin' all the ways Fire and desire Sat and count the days Will you, won't you When and where Do you, don't you, do I care That same eternal question Is always there Oh yeah, I've been hurt Ever since that day I've been hurt And I've lost my way I still think I have a chance To try your love Oh, I've been hurt And ver since that day I've been hurt And I've lost my way I still think I have a chance To try your love Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner! #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

RockerMike and Rob Presents: Chris Riza from VELVET ATTACK VELVET ATTACK are a 60's based indie-rock-group from Dortmund, Germany formed in November 2018 to play 60is oriented songs boosted by prog/kraut educated guitar attacks. The five boys have been part of different musical projects (Jelly Planet, Damo Suzuki Band, Astra Kid, Pelecaster, The Cheeks), which is reflected in their multi-layered, refined sound. (She's A) Human Doll was their very first release, an incredible vinyl 7”. The melodic title song is an absolutely infectious, catchy tune with a strong beat and rocking guitar that displays singer Kono's cool vocals, emphasized by lots of background vocals. The b-side Dr. Jesus Gonzalez sounds as exciting - beautiful, psychedelic guitars and dreamy vocal harmonies mark a brilliant flipside to the hit-like title song. November 2022 saw the release of their first longplayer VISIONS FROM INNER SPACE. More 12-string guitars, more psychedelia and fuzz, a lot more vocal harmonies and a cool mix of folkrock, psychedelia and garage transferred to “now” by producer ALASKA WINTER / POP UND DIE WELT make this a great and authentic LP catching the true spirit of the 60s. Discography: Videos: (SHE'S A) HUMAN DOLL: www.youtube.com/watch?v=Exm9-mZaYDU&list=PL3dzxHhvAxhHm4FerYxB2tH2efWzZ5re5&index=2 HELLFIRE: www.youtube.com/watch?v=nAF_iN5MrZE&list=PL3dzxHhvAxhHm4FerYxB2tH2efWzZ5re5&index=1 4 SONGS LIVE MONKEY MOON SESSION: www.youtube.com/watch?v=ePXIwoCfrfU&list=PL3dzxHhvAxhHm4FerYxB2tH2efWzZ5re5&index=4 (SHE'S A) HUMAN DOLL – 7“ vinyl single + digital (2021) VISIONS FROM INNER SPACE – 12“ vinyl LP + digital (2022) Lineup: Kono: Leadvocals, Backing Vocals Pele Götzer: Bass, Backing Vocals Alex Schönert: Guitars, Backing Vocals Remco Reents: Drums, Percussion Chris Riza: Guitars, Backing Vocals, occasional Leadvocals VELVET ATTACK c/o Christian Peirick (Chris Riza) Kaiserstraße 135, 44143 Dortmund Germany 0049-152 – 53445606 Flying.anteater@yahoo.de SOUNDFLAT RECORDS c/o Marco Traxel Alteburgerstraße 273, 50968 Köln Germany soundflatrecords@googlemail.com records@soundflat.de www.soundflat-records.de www.facebook.de/soundflatrecords TRÜMMER BOOKING & PROMOTION c/o Jens Pruditsch Selloweg 29a, 26384 Wilhelmshaven (postal adress) Germany 0049-4421 – 996573 0049-3222 – 240-3993 office@truemmerpromotion.com www.facebook.com/VelvetAttackOfficial #VelvetAttack #MusicExperience #IndieRockVibes #EnergeticMelodies #PowerfulPerformances #DynamicSound #AlternativeMusic #RockingStagePresence #VelvetAttackBand #MusicIsLife Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 https://dc2bfnt-peyeewd4slt50d2x1b.hop.clickbank.net https://8bcded2xph1jdsb8mqp8th3y0n.hop.clickbank.net/?cbpage=nb Subscribe to the channel and hit the like button This episode is sponsored by ·Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup

Few bands can claim to have played a festival set so hard that the stage broke. Fewer still can claim to have done so when still barely teens. Then again, Manchester-based thrashcore band Tortured Demon is already onto something special. Aged between 17-22, the group have already opened for Evile and Xentrix in 2022, and, at Bloodstock 2021, such as their performance, the Jagermeister Stage fell down around them. Drawing the largest crowd ever seen on that stage, Tortured Demon has since been invited back to perform at Bloodstock 2023, where surely they wouldn't be able to repeat the feat. Releasing their debut in 2021, recorded when all band members were still at school, Tortured Demon has moved up a gear with their new record, Rise Of The Lifeless. ROTL will be self-released by the band worldwide, except for Japan, where they've already inked a deal with Spiritual Beast/Universal Music Japan. Tortured Demon's debut – In Desperation's Grip – was DiskUnion (Tokyo's leading record store)'s best-selling international metal record on release week. Again, no mean feat for a band so young. Suffice to say, the quartet have been hammering their way through the UK Metal Scene. Their line-up consists of brothers Jacob (Vocals and Guitar, 17) and Joe Parkinson (Drums, 19), joined by Billy Houigan (Lead Guitar, 19) and Sean Xavier (Bass and Backing Vocals, 23) completing the ground-shaking quartet. Combining Thrash riffs and Hardcore breakdowns with technical drums, all whilst maintaining a strong focus on quality songwriting, Tortured Demon brings a fresh yet classic sound to the UK scene. Over the last 6 months Tortured Demon has been writing and recording their second album Rise Of The Lifeless with producer David Radahd-Jones, whilst playing select shows. Tortured Demon have built a loyal life following nationwide thanks to their high-octane live show, and are set to embark on their first headline UK tour - The ‘Tour Of The Lifeless' - in October 2023 to promote the new album.  FFO: Children of Bodom, Trivium, Testament

Hoy os vamos a ofrecer Take Me With You, una bonita grabación de una singular vocalista muy poco conocida para el gran público, Marilyn Scott. Grabado en el año 1996 el disco de hoy es, para los gatos, uno de los mejores trabajos de esta interesante artista californiana que en sus discos suele mezclar prácticamente todos los estilos musicales posibles. Take Me With You fue producido por algunos grandes nombres de la música como George Duke, Dori Caymmi, Michael Colina, Ray Bardani y Russell Ferrante y Jimmy Haslip, ambos miembros fundadores de los míticos Yellowjackets, y cuenta con una nómina de músicos absolutamente incontestable. Esperamos que la disfrutéis. TRACKS 1- Let Me Be The One Burt Bacharach, Denise Rich, Taja Sevelle 2- I'm Calling You George Duke, Marilyn Scott 3- Close Enough Brenda Russell, Marilyn Scott 4- Take Me With You Marilyn Scott, Russell Ferrante 5- Bird Of Beauty Stevie Wonder 6- The Summer Knows Alan & Marilyn Bergman, Michel Legrand 7- Modern Man Jimmy Haslip, Marilyn Scott, Russell Ferrante 8- I'm In Love Once Again Dexter Wansel 9- That's The Way It Should Be Dori Caymmi 10- Just To See You Again Jimmy Haslip, Russell Ferrante, Scott Cross Créditos Lead Vocals, Backing Vocals – Marilyn Scott Producer – Marilyn Scott (pistas: 3, 4, 6, 7, 10), Ray Bardini* (pistas: 8) Producer, Acoustic Guitar, Backing Vocals – Dori Caymmi (pistas: 5, 9) Producer, Bass, Backing Vocals – Jimmy Haslip (pistas: 3, 4, 6, 7, 10) Producer, Keyboards – Michael Colina (pistas: 8), Russell Ferrante (pistas: 3, 4, 6, 7, 10) Producer, Piano, Keyboards – George Duke (pistas: 1, 2) Backing Vocals – Brenda Russell, Carole S. Perry, Jim Gilstrap, Lori Perry, Maxayn Lewis, Sharon Bryant, Vaneese Thomas Drums – Claudio Slon, John Robinson, William Kennedy Guitar – Michael Landau, Nick Moroch, Ray Fuller, Ricardo Silveira Percussion – Carol Steele, Paulinho Da Costa Piano – Bob James Saxophone – Boney James Soprano Saxophone, Electronic Wind Instrument – Steve Tavaglione Trumpet – Ralf Rickert

Someone requested this, so here you go! Credit: https://youtu.be/VIcUTsvax24

Episode 95 Early Intersections of Rock and Electronic Music   Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Welches ist das Hauptinstrument? Wie laut sollte es im Gegensatz zum Begleitinstrument oder den Backing Vocals sein? Und wie passt deine Stimme so hinein, dass sie nicht untergeht? Stell dir vor, du nimmst zu Hause deine Stimme auf – zuerst pegelst du dich mit deinem Interface ein, nimmst deinen Part auf und dann landet der Klang in deiner Software. So weit, so gut. Nicht selten passiert es jedoch, dass genau dieses Eingangssignal zu leise oder aber zu laut aufgenommen wurde. Musst du jetzt alles nochmal neu machen? Nein, keine Sorge! Das kannst du ganz einfach mit dem „Gainstaging“ nachkorrigieren und ideal aussteuern. Einmal in der DAW, möchtest du den Klang wahrscheinlich weiter bearbeiten und Effekte nutzen. Ich erkläre dir, was der Unterschied zwischen „Gain“ und „Gainstaging“ ist und wie du deine weiteren Instrumente und Vocals einpegeln kannst. Was der Sweet Spot mit Durchschnitt zu tun hat, wie du die Lautstärkenverhältnisse festlegst und welche Anteile letztlich im fertigen Mix landen, hörst du in meiner aktuellen Podcastfolge. Ich wünsche dir viel Spaß dabei!

Phil Lewis is an English singer and musician, best known as the vocalist and occasional guitarist for the American hard rock band L.A. Guns. The band has a new album out April 14th titled “Black Diamonds.” The new album is an eclectic mix of Zeppelin & punk influenced songs with a classic L.A. Guns sound. We discuss the new album, concert set lists, potential tour packages, meeting fans and more! 00:00 - Intro 00:31 - Playing New Songs Live & Set List 04:55 - New Album "Black Diamonds" Breakdown08:25 - New Single "Diamonds" & Playing It Live 15:15 - New Song "Gonna Lose" & Vocals 20:18 - Package Tour? 21:02 - Backing Vocals & Tracks 22:25 - Tracii Guns Side Projects 24:30 - Art World & Meeting Fans 26:40 - Social Media 28:54 - Outro L.A. Guns website:http://www.lagunsmusic.com/L.A. Kitten Rescue website:https://kittenrescue.org/Chuck Shute website:https://chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

On this episode Brian is joined by Floris from South African rock band Atomic Drive.Atomic Drive is an original high-energy, melodic riff rock band from Cape Town, South Africa. Drawing influence from the likes of Audioslave, Guns n Roses and AC DC, the band was formed in 2019 by Floris le Roux (Vocals, Guitar), Steph Nortje (Drums) and Nick Kuiper (Bass, Backing Vocals). Since then, Atomic Drive has released numerous Music and Lyric Videos.Following the release of their debut single "My Beautiful Life" the band received favorable reviews which led to them being booked for shows and festivals across South Africa. Sadly, the outbreak of COVID-19 and implementation of national lockdown hampered all further arrangements for these shows, with dates eventually cancelled shortly thereafter.During lockdown, the band decided to focus on creating more music, resulting in the subsequent release of their second single in April 2020. “Face of My Enemy” was accompanied by a hauntingly artistic lyric video, quickly becoming a favourite, not only for Atomic Drive, but anyone who saw it. This would also turn out to be one of the last releases of the band with vocalist Jesse Jordan who immigrated to the UK with family. In honour of their time together, Atomic Drive had their last live performance with Jesse in October 2020.The year 2021 was set to be a time to regroup for the band that had set out to find a replacement vocalist, auditioning many singers around Cape Town. The uncertainty of shows and future commitments that continued within the industry as a result of COVID-19 and the lack of finding a new vocalist resulted in the band taking time off to reorganize for the remainder of that year.As the industry slowly started to recover in 2022, so did Atomic Drive after deciding to keep their vocals in-house, with Floris taking over as vocalist and Nick on backing vocals. Taking some rehearsal time with this new dynamic, the band fervently enjoyed the three-piece setup and decided to permanently keep the line-up as is.Tune in to hear all about:The latest release "Wires"The formation of Atomic Drive.How the band dealt with show cancellations and a change in lineup following Covid.Floris' musical history.Concert experiences and much much more.Find Atomic Drive here:https://www.facebook.com/atomicdrivesa/https://www.instagram.com/driveatomic/https://open.spotify.com/artist/08dR3D9mPEFjMPvt6l2Pop?si=W3g2tvOLSYiRti8M17WIwAhttps://music.apple.com/us/artist/atomic-drive/1456425367Find CTMU here:https://linktr.ee/ConcertsthatmadeusNewsletter: https://concertsthatmadeus.aweb.page/p/f065707b-2e34-4268-8e73-94f12bd2e938If you would like to support the show you can do so by rating/reviewing us on Itunes and Spotify or by signing up at https://www.patreon.com/ConcertsthatmadeusSave 10% on Band Builder Academy membership by following this link https://bandbuilderacademy.com/Brian_Concerts/join and using promo code "concerts" at signup. Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

There are some really killer songs on this album.  Let's check them out!   Album Links: iTunes: N/A   Amazon: https://www.amazon.com/music/player/albums/B000V63BEA?ref=sr_1_5&keywords=Yngwie+Malmsteen+marching+out&crid=OTSPGLH5BLR1&sprefix=yngwie+malmsteen+marching+out%2Caps%2C135&qid=1656208536&sr=8-5   Band Website: https://www.yngwiemalmsteen.com/   Yngwie Malmsteen – Guitar, Moog, Backing Vocals, Jeff Scott Soto – Lead Vocals Jens Johansson – Keyboard Anders Johansson – Drums Marcel Jacob – Bass     HaskinCast Podcast links:   My Website: https://www.scotthaskin.com/podcast   Official Facebook page: https://www.facebook.com/profile.php?id=1210703585754449&ref=br_rs   #YngwieMalmsteen #JeffScottSoto #Rock #Rock&Roll #HardRock #FastGuitar #HeavyMetal #LasVegas #Composer #Author #AudioEngineer #Drummer #Podcast #PodcastLife #HaskincastPodcast

Ace Frehley  called out his former KISS bandmates Gene Simmons and Paul Stanley for using backing vocals during a live show! The controversy has caused a ripple of debate among musicians and music fans. Fans of KISS don't know who to back. Ace Frehley or KISS? What are your thoughts on this issue? Is it a deal breaker to have backing tracks of vocals during a live show? Or is it just lazy? Don't forget to subscribe to the channel.

Als die Gitarre nicht mehr inspirierte, setzte sich Stella Donnelly ans Klavier, das bei ihrem unfreiwilligen Nomadentum herumstand. Wegen Covid konnte die Australierin für lange Zeit nicht nach Hause. Klavier und Flügelhorn wurden so zur treibenden Kraft in ihrem neuen Album «Flood». Während zwei Lockdowns konnte Stella Donnelly nicht zu ihrem Daheim im Bundesstaat Western Australia. Sie schlug sich die Zeit mit Musikmachen und Vögelbeobachten um die Ohren und merkte, dass sie Gitarrenmusik nicht mehr inspiriert. So setzte sie sich ans Klavier, was ihr neue Türen öffnete. Sie konnte plötzlich viel offener, verletzlicher sein und stimmte ruhigere Töne an. Flügelhorn und Backing Vocals von Männerstimmen geben dem Album eine schöne Abwechslung und mit Songs wie «Lungs» fehlen auch die grossen Hits für die nächste Indie-Party nicht. «Flood» erschien auf dem Label Secretly Canadian und ist diese Woche unser «Sounds! Album der Woche».

Episode 78 Strange Synths Little Heard Sounds from Unique Synthesizers Playlist David Behrman, “Pools Of Phase Locked Loops,” from My Dear Siegfried (2005 XI Records). Synthesizers (homemade), David Behrman, Katharine Morton Austin. Recorded live at Radio Bremen in May 1972 and commissioned by Hans Otte. At a time when commercial models of analog synths were widely available, Behrman and other musicians such as Gordon Mumma and David Tudor insisted on creating purpose-built instruments using the same principles. Behrman explains, “The homemade synthesizers had 32 voltage-controlled triangle-wave generators built around a chip utilizing a circuit design called the Phase Locked Loop. The chip made smooth glides possible from one pitch to another. The homemade synthesizers also had voltage-controlled amplifiers, rows of small knobs and frequency counters with the aid of which the performers could retune individual oscillators during a performance.” 14:00 John Ridges, “Fugue In G” (Bach) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). This work was made using a computer-controlled music synthesizer which its makers dubbed Mesmerelda. It was comprised on 200 integrated circuits that could create 96 different pitches assigned to six separate channels. Only one waveform was used, a square wave, and there was no envelope control. Hence, the simple organ-like tone of the piece. 4:49 John Ridges, “Ruffles” (Ridges) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). From the same album comes “Ruffles” performed by composer John Ridges. This track featured a slightly more advanced computer music synthesizer they called the AD8. It featured up to eight synthesis boards each one relating to a single channel. So, eight pitches could be played at a time and there was filtering, waveform generation other than square waves, and simple envelope generation to provide a slightly more advanced sound. As Ridges wrote in the liner notes, with pride, “these pieces are generally free of the bizarre noises usually found on electronic synthesizer albums.” The pieces were recorded in real time without overdubs. 2:36 Patrick Gleeson, “Star Wars Theme (Luke's Theme)” (Williams). (1977 Mercury). Recorded and mixed at Different Fur, San Francisco, July 1977. The piece showcases various beds, rhythms, and sounds made using the E-mu modular synthesizer, also known as an Eµ synthesizer (it's original name). "Selections from the film performed on the world's most advanced synthesizer." Drums, Billy Cobham, Harvey Mason, James Levi, Ronnie Beck; Lyricon, Lenny Picket; Vocals, Sarah Baker; keyboards, performer (Breath Controller), engineered, produced, arranged, and conducted by Patrick Gleeson. 5:36 Bennie Maupin, “Crystals” from Moonscapes (1978 Mercury). Eµ synthesizer (E-mu Modular Synthesizer) programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned an Eµ modular synthesizer (see the earlier Star Wars album which also featured this same synth.) Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, Eµ Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the Eµ synthesizer and other instruments. 1:19 Sylvester, “You Make Me Feel (Mighty Real)” from Step II (1978 Fantasy). One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizers. String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects , Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 6:34 Pere Ubu, “I Will Wait” from Dub Housing (1978 Chrysalis). This second album from this Ohio group always figured high on my playlist of favorites. I was mostly fascinated by the synthesizer fills and hijinks by Allen Ravenstine that punctuated much of the group's music with the quirkiest of sounds, all blended and mixed to provide many weird hooks and twists. This is another example of the EML, Electro-comp duphonic modular synthesizer although almost used in a polar opposite way than Sylvester. This is a unique sound from the time. Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Ravenstine is still active and an electronic musician although he has left the EML for other synthesizer frontiers. He remains very much the experimental improviser. 1:45 Pere Ubu, “Navvy” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:40 Pere Ubu, “On the Surface” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:37 Pascal Languirand, “O Nos Omnes” from De Harmonia Universalia (1980 Polydor). I am featuring a track that uses, among other instruments, the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 7:16 Moebius, “Clone Zone” from Moebius (1979 Plastic Poison). Yes, a progressive rock group that utilized the modular synthesizers developed by Serge Tcherepnin, Rich Gold, and Randy Cohen at CalArts in late 1972. By the mid-1970a, Tcherepnin left CalArts and began to manufacture his instruments in Hollywood. Serge modules were designed to bring many elements of the circuits controllable by the performer, patching them in unusual ways beyond what was considered normal for a given module. The model used on this album probably had a 16-stage sequencer introduced by the company, and I think you can hear such patterns in this song. Listen for the bubbling, sequenced sounds that are contrasted to the monophonic solos of the Minimoog and patch sounds of the ARP Odyssey. I think the track opens with the Serge pattern. Drums, Evan Kaplan; Minimoog synthesizer, Bruce Courtois; Roland Sh3a, AP 2600 synthesizers, Steve Roach; Serge modular, Minimoog synthesizer, vocals, written by, Bryce Robbley; Serge modular synthesizer, Doug Lynner. 4:55 Moebius, “Song For Lya,” from Moebius (1979 Plastic Poison). Serge, Oberheim, and Minimoog synthesizers, vocals, written by, Bryce Robbley; Serge, Oberheim synthesizers, written by, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 3:15 Henry Kucharzyk, “Play Dot Sam” from Walk The Line - Three New Works By Henry Kucharzyk (1985 Artifact Music). This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. Samson stands for the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 3:06 Salvatore Martirano, “The SalMar: Part One” from The SalMar Construction (2014 Sub Rosa). Another escapee from the 1970s was this performance at IRCAM in Paris in 1983. Salvatore Martirano, an American composer, invented the one-of-a-kind Sal-Mar Construction designed for real-time performance of electronic music. It was created from 1969 to 1972 at the University of Illinois. The analog synthesizer looked like a large drawing table with an array of 291 touch-sensitive connections to enable the sound generating circuits. Behind it all were some computer circuits salvaged from the Illiac II computer music system and they generated random sequences with which the performer could interact while managing four parallel processes governing the 16 oscillators, applying pitch, timbre, amplitude and envelope parameters to the sound. Martirano toured the world with the performing/composing music machine and described his live performances in the following manner: “The composer, in performance, interacts with the machine as it composes, creating spontaneously four melodic lines which move throughout the concert space via a network of 24 overhead speakers.” This performance was by Martirano while in Paris at IRCAM. 18:59 Herbie Hancock, “Rough” from Future Shock (1983 Columbia). Hancock was well known as an experimenter of new synthesizer technology. During the early stages of the home computer revolution, Hancock used an AlphaSyntauri synthesizer as part of his ensemble of instruments. The AlphaSyntauri was an add-in synth for the Apple II computer, with its own sound-generating circuit board. The company was around from about 1980 to 1985. Its claim to fame what that it was much more affordable than the digital synthesizers made by New England Digital and Fairlight, each of which cost in the $30,000 to $50,000 range. The AlphaSyntauri was $1500. At this price you got 16-voice polyphony, 16 digital oscillators, and envelope generator, keyboard, and a sequencer capable of storing up to 7000 notes. It's affordable sequencing was a major attraction. This was before the Apple Macintosh was introduced, and with that the AlphaSyntauri was made immediately obsolete. But not before Hancock was able to work it into some of his electronic jazz tracks. If you listen carefully you can pick-out the sounds of the AlphaSyntauri because of all of the other synths and instruments on this track. Backing Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Fairlight CMI Synthesizer, AlphaSyntauri Synthesizer, Emulator Synthesizer, Herbie Hancock; Prophet-5 Synthesizer, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 6:55 Opening background music: P.F.M. (Premiata Forneria Marconi), “Storia In "LA"” from Jet Lag (1977 Asylum Records). Italian progressive rock band founded in 1970. Album recorded at Kendun Recorders, Burbank, California, January, 1977 and Scorpio Sound Studio, London, February, 1977. Mixed at Scorpio Sound Studio, February 1977. Mastered at RCA Studio, London. Bass, Moog B12 Synthesizer, Patrick Djivas; Drums, Percussion, Franz Di Cioccio; Electric Piano, Organ, Moog Synthesizer, Flavio Premoli. 6:28 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Soaring guitar riffs and vocals set against the measured ferocity of the bass and drum rhythm section, South Africa's own Winterstand honour their rock forefathers contemporizing and carving out their own sound. Band members Michael Jones (Vocals, Guitar), Stephen Brink-Jones (Guitar, Backing Vocals), Michael Cromie (Bass), and Albert Ackermann (Drums) bring together their talent and passion for the rock-loving masses.

This week I am joined by Scott Radinsky of the band Pulley to talk their new record The Golden Life along with such topics as:- Compiling a live setlist when you have 25+ years of material to work from- The advantages of being a singer who also drums- Most people going back to their original ideas after spending hours trying to improve on them- Time management and if being both a musician and athlete was ever hard to juggle along with a family- If there are any similarities between skill sets for baseball and skateboarding- Discovering punk rock from homemade Dead Kennedys merch & much more!Follow Pulley:https://linktr.ee/pulleymattershttps://www.instagram.com/pulleymattershttps://twitter.com/PulleyMattershttps://www.facebook.com/pulleymattersCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs - https://www.paypal.com/paypalme/pchanthonySpecial thanks to Jay Vics for the behind the scenes help on this one!

Tanis is the Lead Singer of “Lives Lost”, they are amazing! From Hershey, PA they are an Alternative Rock/Post-Hardcore band comprised of seasoned musicians Tanis Pellegrini (Lead Vocals/Primary Songwriter), Aaron Perry (Lead Guitar), Alan Thompson (Drums, Backing Vocals), Josh Krizan (Bass/Backing Vocals), and Dylan Kasprzyk (Rhythm Guitar/Vocals) They come together with the common goal of forging their own destiny by not just writing music, but crafting an experience and initiating a collective movement with the desire to changing the world through music. Support them and Rock on! And watch on YouTube! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/n8thedrummer/message

Corpsessed just released their fourth full length, Succumb To Rot (Dark Descent Records), and it is an absolute beast of Finnish death metal that shines a light on where they've been but is a huge step forward in both the songwriting aspect and their heaviness factor as a whole. Buke sat down with guitarist and backing vocalist Matti Mäkelä to discuss the new album and how he feels it's different from the past, Finnish death metal and the differences to its Swedish and American counterparts, all of his various side projects and some breaking news on an upcoming black metal album, beer and how backstage beers are always the worst, how he is very hard on hisself and has thrown away tons of completed songs for even the slightest of details being off, and so much more. We now bring you this conversation in its entirety so grab your beverage of choice, a seat, and enjoy.9C LINKS: Website | Facebook | Twitter | Instagram

Dee rejoins us for the second part of our healthcare and self-care discussion — and he's got a lot to add!Anu, Dee and Michael further share their experiences with health and the creative lifestyle, and discuss the importance of simply taking care of yourself. Please join us!--SoundToys Little Alterboy: https://www.soundtoys.com/product/little-alterboy/Jamie Lidell Vocal Trick Using Little Alterboyhttps://youtu.be/jhG4gw85BooFormant definition: https://en.wikipedia.org/wiki/FormantReverb What's That Sound? EP2: The Cars' Backing Vocals on "Good Times Roll" (this is the episode where they also get into Queen backing vocal techniques)https://youtu.be/2_IsbZTZMLUMcCartney 3, 2, 1 episode 5, "Couldn't You Play It Straigher?", where Paul talks about playing with tape speed to nail a guitar lead (starts at 7:15):https://www.hulu.com/watch/b982b202-e9f7-48b4-8658-ef4e21c10542--Dee, Michael, and Anu:Anu Kirk:https://www.anukirk.comAnu on BandcampSid Luscious and The Pants on BandcampLuscious-235 on BandcampRêvenir on BandcampMichael Hateley:Lotus Mastering   http://lotusmastering.com/       Extra Fancy "You Look Like a Movie Star":https://youtu.be/0pE1TqlWHCkBaldyloks (Michael Hateley & John Napier):https://soundcloud.com/baldyloks-1Dee Madden:https://www.deemadden.com/Penal Colony “Blue 9” video:https://youtu.be/Fes9E3ea8FYDee Madden on Spotify:https://open.spotify.com/artist/4jsYxJ4QxzoGn9t0HRllPk 

The Kitsap punk scene past and present with member's of Bremerton, Washington's Radical Leftovers. Shawn Devine - Vocals and Bass Guitar Josh Kennedy - Guitar and Backing Vocals   Show! - Sunday March 27th at Tracyton Movie House, Bremerton WA Teenage Bottlerocket, Suzi Moon, The ShockTroopers and Radical Leftovers. Radical Leftovers - Demolition EP out now on Bandcamp Radical Leftovers on Instagram ---------------------------------- You can watch this on my youtube MikeHerreraVideo   MXPX LIVE APRIL 1 HOB Anaheim SOLD OUT! APRIL 2 Tempe AZ TIX Here -- Merch available at www.mxpx.com TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  Mike Herrera - Moment's Like These: TX Mike Herrera - Superman - LISTEN HERE!  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares!  MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Leave a message with your question on the Mike Herrera Podcast voicemail. (some could be aired on future episodes of the podcast) 360-830-6660 (US number) 3 min limit per message. Producing and editing by Bob McKnight. @bobandkatieshow

Doozey is a WAMI award winning 3 piece pop-rock band that came together in October of 2010, The band is from Appleton, Wisconsin and is composed of Andrew Van Dusen (Lead Vocals, Guitar), Ryan Patterson (Bass, Backing Vocals), and DeAngelo Harris (Drums, Backing Vocals). facebook.com/doozeymusic bananasentertainment.com/band-view/72-doozey WCZR Code Zero Radio is based out of the Fox Cities, WI area. The station focuses mainly on Rock and Alternative genres but we do also have specialty shows focusing on metal and acoustic music. A full schedule can be found via our Code Zero Radio app or online at live.codezeroradio.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/foxcitiescore/message

This week Brian is joined by Andy Dowling, podcaster and Bassist for Australia's biggest heavy metal band Lord.Lord was born out of a rebranding/reshuffle of legendary metal band Dungeon in 2005. Originally as a project to release a wider range of music that they felt wasn't right for Dungeon. Lord is made up of LT - Lead Vocals, Lead Guitar, Mark Furtner - Lead Guitar, Backing Vocals, Andy Dowling - Bass Guitar, Backing Vocals. They have since gone on to play with Megadeath, Queensrÿche, Nightwish, Nevermore, Saxon and Gamma Ray.Topics covered in the episode include: Andy's podcast "The Andy Social Podcast" The history of Dungeon/Lord. What its like to join an established band. Concerts they have played and much much more.Find LORD here:https://www.lord.net.auhttps://lordofficial.bandcamp.comhttps://www.youtube.com/user/lordofficialhttps://www.facebook.com/lordofficialhttps://www.instagram.com/lordofficialhttps://www.twitter.com/lordofficialFind Andy here:https://andydowling.net/https://open.spotify.com/show/2KeIeCxEfCQpltORsX524o?si=a0f61be881474af7Spotify Playlisthttps://open.spotify.com/playlist/51CpkVo1aQu8oiFlnSEEsr?si=faf8b260413540dfFind CTMU here:https://linktr.ee/ConcertsthatmadeusIf you would like to support the show you can do so by signing up at https://www.patreon.com/Concertsthatmadeus and you will gain access to a range of benefits including video versions of the episodes.--- Send in a voice message: https://anchor.fm/ctmu/message Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

This week hosts Jim DeRogatis and Greg Kot share their favorite songs defined by their backing vocals, much like Merry Clayton left her mark on The Rolling Stones' song "Gimme Shelter." Plus they review the new album from Eleventh Dream Day and learn what they're missing in Brockhampton.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:The Rolling Stones, "Gimme Shelter," Let It Bleed, Decca, 1969BROCKHAMPTON, "BUZZCUT (feat. Danny Brown)," Roadrunner: New Light, New Machine, RCA, 2021BROCKHAMPTON, "THE LIGHT," Roadrunner: New Light, New Machine, RCA, 2021BROCKHAMPTON, "THE LIGHT PT. II," Roadrunner: New Light, New Machine, RCA, 2021BROCKHAMPTON, "DEAR LORD," Roadrunner: New Light, New Machine, RCA, 2021Eleventh Dream Day, "Since Grazed," Since Grazed, Comedy Minus One, 2021Eleventh Dream Day, "Tyrian Purple," Since Grazed, Comedy Minus One, 2021Eleventh Dream Day, "A Case to Carry On," Since Grazed, Comedy Minus One, 2021R.E.M., "Superman," Lifes Rich Pageant, I.R.S., 1986Stereolab, "French Disko," (Single), Duophonic, 1994The Beach Boys, "Sloop John B," Pet Sounds, Capitol, 1966Sam Cooke, "Bring It On Home to Me," (Single), RCA, 1962Billy Joel, "The Longest Time," An Innocent Man, Columbia, 1983The Turtles, "Elenore," The Turtles Present the Battle of the Bands, White Whale, 1968Laura Nyro and Labelle, "I Met Him on a Sunday," Gonna Take a Miracle, Columbia, 1971Ray Charles, "(Night Time Is) The Right Time," The Genius Sings the Blues, Atlantic, 1961David Bowie, "Young Americans," Young Americans, RCA, 1975Eric B. & Rakim, "Paid in Full," Paid in Full, Island, 1987

In the eighth episode, Brenna's on her own (or so she thinks) to talk about making do and about the late-Fall programming plan for Learning Technology and Innovations. Listen for the cameo at the end of the show.

needed me with backing vocals