Podcasts about Bringing It All Back Home

Budget 6X6 — Rolleicord IV. Bringing It All Back Home returns with a review of the 1953 Rolleicord IV. Does it meet the Budget 6X6 requirements when it comes to price, fun, usability, results? Do replacement Ultrabright screens really make a difference? Tune in and check out the latest eBay wonder.

The CAT Club in association with Route Publishing presents a long playing vinyl record . . .BOB DYLAN – BRINGING IT ALL BACK HOMEBob Dylan's fifth album Bringing It All Back Home was released in March 1965. The introduction of electric guitar into his sound set off a wave of controversy that came symbolically crashing down at the Free Trade Hall in Manchester fourteen months later when some wag shouted ‘Judas!' Ian Clayton, author of the bestselling memoir Bringing It All Back Home, was in a fascinating conversation with Ian Daley of Route publishing, who have re-issued CP Lee's classic book, Like The Night to coincide with the 60th anniversary of the legendary concert.This event took place on 14th May 2026 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire.This podcast has been edited for content and for copyright reasons.To find out more about the CAT Club please visit: www.thecatclub.co.ukYou can follow us on Facebook and Instagram.Happy Trails.

Brassai & Henry Miller: Paris at Night. 1931. Bringing It All Back Home returns with a look back at two artists working in Paris in the early 30s: Brassai & Henry MIller. Topics: Night photography, Voigtlander Bergheil 6X9, Miller's Letters To Emil, Luis Buñuel, Un Chien Andalou, The Eye of Paris.links:https://en.wikipedia.org/wiki/Un_Chien_Andalouhttps://en.wikipedia.org/wiki/Brassaïhttps://www.amazon.com/dp/0300192517?ref=ppx_yo2ov_dt_b_fed_asin_title

Is The RZ67 Still A Thing? Bringing It All Back Home returns with an episode looking back on the phenomenal rise (2019-2024) of the big black box from Mamiya. How it languished in relative obscurity & low prices between 2013-2018—then took off & went viral after Willem Verbeek's first year of YouTube videos in 2019. Is it still a thing in 2026? Have the prices come down? Is it still worth it for the 110mm 2.8 lens? Includes: Nick Carver, Willem, comparisons to Pentax 6X7, as well a question or two about the never ending battle between walk-around ergonomics vs results.

Developing Film With RODINAL. Bringing It All Back Home returns with an episode about using the oldest (and old school) film developer of all time: Rodinal. Specifically: using it in a 100+1 dilution, semi-stand. Topics: FPP podcast, R09, temperature adjustments before the hour development begins, the process from start to finish. Is it possibly the best developer out there for slow speed 120 film?

Houdini & The Other Side (Atlantic City, 1916). Bringing It All Back Home returns with a special episode returning to the theme of South Jersey Time Travel: Atlantic City, NJ circa 1916-1922. Included: Harry Houdini, Sir Arthur Conan Doyle, The Seance that broke a friendship, the hidden meaning of a pier. Also the connections behind the episode: James Joyce, Julian Barnes, Jim Morrison; as well as a look back on the legendary Cottingley Fairies photographs. Links:https://atlanticcityweekly.com/archive/houdini-sir-doyle-do-ac/article_a16ab3ba-95b9-50e1-a2e0-eca01dd8eaae.htmlhttps://outoftheboxideas.blog/2026/03/14/escaping-the-box/https://en.wikipedia.org/wiki/Cottingley_Fairieshttps://web.randi.org/uploads/3/7/3/7/37377621/jref13edmod_fairies_teacher_print.pdfhttps://youtu.be/FtSVxd_pXns?si=bQ0OC-R7UJ63Lhog

Jumping Back Into Minolta. Bringing It All Back Home returns with an episode all about the Minolta SR-T 202. Part review, part reflection on underdog systems, this episode explores how to find the right camera to match some truly astonishing "punches above its weight" glass. Topics: Mechanical cameras, the options for underdog systems such as Minolta, the race to compete with the Om-1, as well as the AE-1; the beauty of black enamel paint wearing away to reveal the smooth golden brass; shutter sounds that inspire confidence; as well as the Minolta MD 50mm F/2. Links:https://youtu.be/yCuxo2swu_w?si=yxqWUU9kwuf3P9_chttps://phillipreeve.net/blog/minolta-md-50mm-2-review/

htttp://www.copperplatemailorder.com                                  Copperplate Time 532                                presented by Alan O'Leary                             www.copperplatemailorder.com    1. BOTHY BAND: Green Groves of Erin/Flowers of Red Hill.After Hours 2. SIMON & GARFUNKEL:  April Come She Will.   Old Friends3. DANU:  The Highest Hill in Sligo Set & Farewell Angelina.  When All is Said & Done 4. BRENDAN McAULEY: The Pheaton Carraige.  The McCartneys of Pennyburn.  Under the Diamond6. RICHIE DWYER:  Cailroe Ramblers/Lake Dance.  In A Creative Mood 7. BERT JANSCH:  Tell Me What is True Love.  Rosemary Lane8. MICHAEL HYNES & KIRSTEN ALLSTAFF:  Air for Tommy Peoples/The Mermaids of Mullaghmore.                  An tUrlár Leice 9. GERRY DIVER:   The Bath Set.  Diversions 10. SEAMUS BEGLEY & STEVE COONEY:   Bruach na Carraige Báine.   Meitheal 11. COLM O'DONNELL:  The Bodrhan Song.   Farewell to Evening Dances12. MAGGIE BOYLE:  Donal Óg.   Won't You Come Away 13. CHRISTY MOORE:  Easter Snow.   Compilation14. RALPH McTELL:   Jesus Wept.   Sand in Your Shoes 15. LIAM O'FLYNN& CATHERINE ENNIS:   Easter Snow.   Bringing It All Back Home 16. THE WATERBOYS:  September 1913.   An Appointment With Mr Yeats 17. DYLAN CARLOS, CEIN SWEENEY & JOHN McCARTIN:              The Rolling Wave/The Lark on the Strand/The Banks of Lough Gowna.  The One After It 18. DEZI DONNELLY:  Paddy Ryan's Dream/Dowd's Fave/Phelim's Frolics.  Familiar Footsteps 19. BOTHY BAND:  Green Groves of Erin/Flowers of Red Hill.  After Hours

                                   Copperplate Time 529                                presented by Alan O'Leary                             www.copperplatemailorder.com    1. BOTHY BAND:  Green Groves of Erin/Flowers of Red Hill.   After Hours 2. LUNASA:  Within A Mile Set.  Cas3. DAITHI FARRELL & LUNASA: Paddy's Green Shamrock Shore. Cas 4. BUTTONS & BOWS:  The Return of Spring/The Mountain Pathway.                    The Return of Spring 5. NIAMH Nic CHARRA:   The Curlew Hills/Tripping to the Well/Two Part Pour.                          Donnelly's Arm6. PADDY GLACKIN:  Top It Off/The Sunny Bank.  Ceol ar an bhFidil 7. NOEL HILL:  An Phis Fluich/The Fisherman's Jg.  Live in New York 8. JOHN BOWE & MARY CONROY:                          The Sailor's Cravat/The Reel of Bogy. Bowe & Conroy 9. ROGER SHERLOCK:The Queen of May/Mama's Pet.   Memories of Sligo 10. KEVIN BURKE:   London Town.   The Pound Ridge Sessions 11. DONAL LUNNY & SULT BAND:   Sult Set.  Spirit of the Music12. AOIFE & MICK O'BRIEN & EMER MAYOCK:             The Traveller/The Top of the Cliff/The Bride's to Bed.                  Tunes from the Goodman Manuscripts 113. ELAINE REILLY & DAITHI GORMLEY:               The Jig of Port Fleadh/The Pride of Sliabh Aughty/Tapping Toes. Epiphany 14. DELORES KEANE & MICK HANLEY:                    My Love is in America.   Bringing It All Back Home 15. GATEHOUSE:  The Monasteravon Set.  Heather Down the Moor 16. HUGHIE GILLESPIE & FRANK KELLY:   Colonel Fraser. The Sparkling Dawn 17. ANGELINA CARBERRY & MARTIN QUINN:              Poll Hal'penny/Sean O'Duibhir an Ghleanna.  An Traidisiún Beo 18. MARY McNAMARA & P JOE HAYES:           The Humours of Glenfinn/The Glen of Aherlow/The Killarney Boys of Pleasure.               Trad Music from East Clare 19. SORCHA COSTELLO: John Naughton's Ryan's Rant.  The Primrose Lass 20. JOHN McEVOY & JOHN WYNNE: The Masters Return/The Dog Among the Bushes. The Dancer at the Fair 21. BOTHY BAND:  Green Groves of Erin/Flowers of Red Hill.   After Hours

Nikon F5 - The World's Greatest 35mm Film Camera? Bringing It All Back Home returns with an episode celebrating the legendary Nikon F5. Introduced 30 years ago in 1996, the Nikon F5 still can deliver unmatched performance and reliability — and could be the greatest 35mm film camera ever made. Topics: used eBay prices, integrated motor drive, 8 fps, 1/8000 shutter speeds, as well as possibly the greatest Giorgetto Giugiaro design. LInks:Joe MacNally & the Nikon F5 (1996):https://www.youtube.com/watch?v=zvfr2k66j4U&list=WL&index=1&t=2048s

Bringing It All Back Home returns with an update on how a major winter snowstorm brings both opportunities and challenges for one's photography, particularly minimalist black & white film compositions. Will there be enough light? 50 mph winds? A chance to find some Zen composition? Also: a look at Michael Kenna and his amazing work, his love of simplicity, as well as his go-to Hasselblad gear.Michael Kenna links:Michael Kenna's Sense Of Snowhttps://www.facebook.com/share/v/1GJTVvNbpk/https://www.facebook.com/share/v/16xG6HXEUG/https://www.michaelkenna.net/ivwork.phphttps://youtu.be/EebLFDqAZuw?si=4MCmRcbOtHy40b4b

Episode 10 opens in the long-running genre they've accidentally perfected — two grown men versus consumer electronics — as Michael explains how he revived his ageing Samsung “smart TV” (now “a bit of a nuff-nuff”) with a cheap HDMI streaming box bought from an Australian online retailer that “rhymes with Hogan”.  The thrill here isn't just 4K; it's the moral victory of upgrading the brain while keeping the body.  The upgraded TV then becomes a portal to two YouTube documentaries that send the pair (and us) into a warmly nostalgic British lane. One is an ARTE doc on Madness — “Princes of Ska” — which prompts Michael to re-fall in love with a band he rates as not just a ska novelty act, but an elite singles machine whose later pop craftsmanship deserves more credit than the pigeonhole allows. The other find is the real rabbit hole: John Peel's Record Box — an hour built around the late BBC DJ's stash of 142 singles kept separate from his famously vast collection (more than 100,000 records). The documentary hauls the box around to fellow travellers and famous fans — Jack White, Elton John, others — letting them rummage, remember and speculate on why those particular records were kept close.  Peel, it turns out, could contain multitudes: Sheena Easton's “9 to 5”, some Status Quo, a heavy White Stripes presence… and a special extra shrine for The Fall, who were apparently too important even for the box.  Then Brian takes the wheel for the episode's marquee music moment: Bob Dylan's Blonde on Blonde turns 60, marked with a concert at Tulsa's legendary Cain's Ballroom, presented by the Bob Dylan Center (sitting right next to the Woody Guthrie Center, because Tulsa is quietly running a curriculum).  Brian's spoken with the Center's director, Steve Jenkins, who teases an event titled Sooner or Later with a lineup that reads like an alternate-universe festival poster:  Naturally, they can't leave the album itself alone. They circle around what makes Blonde on Blonde such a gravitational object: the New York-to-Nashville recording shift, Al Kooper and Robbie Robertson in tow, and the snap-in brilliance of Nashville players like Charlie McCoy and Joe South.  Michael calls it the culmination of Dylan's ridiculous 18-month streak from Bringing It All Back Home through Highway 61 Revisited to Blonde on Blonde — productivity that makes modern “content schedules” look like a wellness day.  Song picks follow: Michael is unwavering on “Visions of Johanna”; Brian leans toward “Most Likely You Go Your Way (And I'll Go Mine)”, while also marvelling that Dylan had “Positively 4th Street” sitting on the bench, unused, like a spare masterpiece. There are lighter detours too: a surprisingly vivid discussion of a film built around stand-up comedy as therapy (Will Arnett, Laura Dern, John Bishop's life story, Bradley Cooper popping up in a minor role because he can), and then Brian's recommendation of Mackenzie Crook's Small Prophets — a title that briefly defeats Michael because he searches the wrong spelling and finds financial advice instead.  Once located, it lands hard: whimsy, sadness, small acts, and a specific episode-four moment that gets Brian teary without him wanting to spoil why. Michael flags the return of Gillian Welch & David Rawlings, apparently digging deep into the back catalogue (with a Guardian five-star review from Toowoomba), plus the pair's Grateful Dead-adjacent moves and upcoming US tribute tour. They also talk up Robert Finley, the 71-year-old, legally blind Louisiana singer with the late-blooming career arc (carpenter most of his life, first records in his 60s, produced by Dan Auerbach of The Black Keys), heading to Australia in May for intimate shows.  Finley's story lands like a parable for anyone who's ever thought they missed their chance. (Michael, who's finishing his own record — under the gloriously self-aware pseudonym Imposter Syndrome, album titled Oversharing with Strangers — certainly hears it that way.) Episode 10, then, is classic On The Record: a podcast held together by cable management, cultural memory, and the belief that the best stories are found when you stop pretending you have a plan. Important Links: Madness - Princes Of Ska (2025 Documentary) John Peels Record Box {Full show} The Fall Bremen Nacht (Vinyl Version) BOB DYLAN CENTER PRESENTS “SOONER OR LATER,” ALL-STAR CONCERT CELEBRATING SIXTIETH ANNIVERSARY OF DYLAN'S CLASSIC ALBUM “BLONDE ON BLONDE”  Emma Swift - "Visions of Johanna" (Live at Layman Drug Company) Bob Dylan - Most Likely You Go Your Way (And I'll Go Mine) (Official Audio) IS THIS THING ON? | Teaser Trailer | Searchlight Pictures Small Prophets | Official Trailer - BBC Gillian Welch & David Rawlings - Brokedown Palace (Grateful Dead) Capitol Theatre, Port Chester, NY Robert Finley - Helping Hand (Later... with Jools Holland) Robert Finley First Australian Tour Details and Tix   

A Longer Reach - NIKKOR 500mm f/5.6E PF ED VR. Bringing It All Back Home returns with a review of a rented NIKKOR 500mm f/5.6E PF ED VR lens. This episode explores why this amazing lightweight 500mm is possibly the best value on the used Telephoto market right now. Topics: why its lightness and small size is a game changer for wildlife & action photography; why it has come down in price on the used market; as well as comparisons with the very good but much older Nikkor 300mm lenses. Also: Is there a price for a single lens—above which you just can't consider? https://www.tonywhitehead.com/wildlight/archives/9553

Analog Combo: NIKKOR-S Auto 35mm 2.8 | Nikon F2A | TMAX 100 | Kodak HC-110. Bringing It All Back Home returns with another Analog Combo featuring a vintage Pre-AI Nikkor lens, an all-time classic Nikon body, as well as one of the greatest Kodak b&w films available today. Topics: Pre-Ai/Non-Ai lenses, Stop-down metering, the hidden value in non-Ai glass, sharpness/microcontrast, as well as the overall feel and value of the combo.https://imaging.nikon.com/imaging/information/story/0038/index.htmlhttp://www.photosynthesis.co.nz/nikon/serialno.htmlhttps://www.youtube.com/watch?v=FcjHtVMcCJE

Year End Round Up - 2025. Bringing It All Back Home sums up 2025 with a gear round up: fave lens rentals, best low-budget eBay camera systems, as well as what worked the best overall for 2025. Includes: Konica FS-1, Olympus OM2, Mamiya C3, Canon Pro 300 printer, the joy of shooting 6X6, additional must-have Pentax 6X7 lenses— 6X7 135mm f/4 — as well as the ever popular mirrorless purge through mpb.com. Also, is it time to finally bail on the Leica M mount system (before it's too late)?

Canon Pro-300 - A Pivotal Next Step?Bringing It All Back Home returns with a follow-up episode on home printing—featuring a pre-owned Canon Pro-300 from eBay. Explored: Returning and getting a refund on a damaged Pro-310, buying the previous Canon Pro model (used) from eBay, the differences between the 300 and 310. Also, can home printing lead to a life changing experience? Topics: Nations Lab Photo, Bayphoto Lab, Moab Entrada Bright Rag paper. Links:https://youtu.be/XC-VudX9HJQ?si=fTwmPuCR064CrYGH

Hahnemühle Highway . Bringing It All Back Home returns with an episode on home printing. From darkroom prints with a Beseler 23CII to the latest Canon dye and pigment ink printers, this episode explore the Pros & Cons of making the big splurge. Topics include: Canon imagePROGRAF PRO-310 Professional 13" Wireless Inkjet Photo Printer. the entry level 200s, as well as the top of the line 1100. Also: Office Space, Nick Carver, the legendary Hahnemühle Photo Rag, Nations Lab, White Wall Photo Lab. Links:NIck Carver: https://youtu.be/p0o_SCuStvw?si=UCYQ0Fhib8EmlAZ6Compare:https://youtu.be/qLh7Fu3LH3c?si=nqUzEzI3ZpYFslM1

Back To Hexanon. Bringing It All Back Home returns to the theme of the budget 28mm — this exploring the neglected world of Konica's legendary Hexanon lenses. Discussed on this episde: the compact 4th version of the Hexanon AR 28mm 3.5 lens. Also: Hexanon 40mm 1.8, Hexanon 50mm 1.7. Links:http://www.konicafiles.com/3-hexanon-ar-lenses/-wide-angle-lenses/ https://buhla.de/Foto/Konica/Objektive/e28_35.html

http://copperplatemailorder.com                                     Copperplate Time 516                                presented by Alan O'Leary                             www.copperplatemailorder.com                            A Preview of Feile Liam O'Flynn                                          Music & Mischief 1. Bothy Band:  Green Groves/Flowers of Red Hill.  After Hours 2. Frankie Gavin's Roading 20s Orch: Rakes of Clonmel.  By Heck3. John & Jacinta McEvoy: The Coalminer/The Jolly 7/The Heather Breeze.                 The Boyne Mist 4. Gerry Hanley:    Slow Reels/Paddy Fahy's.   In The Middle of It 5. Christy Moore: The Crack Was 90.  Live in Dublin  6. Liam O'Flynn:  Humours of Kiltyclogher/Julia Clifford's.  The Piper's Call 7. Brian Hughes:  The Fly By Night/Tailor's Twist.  This Day- 20 Years  8. Laoise Kelly: Toureendarby Polka/Nell Mahoney's Polka/Buckley's Fave. Ceis 9. Sean Keane:   The Oak Tree.  Seoda Ceoil 2    10. Muireann Nic Amhlaobh/Danu:  Farewell Angelina.  When All is Said & Done   11. Mick O'Brien:  Caislean an Óir/Her Golden Hair Was Flowing own Her Back.                      May Morning Dew   12. Luka Bloom:You Couldn't Have Come at A Better Time.                 Bringing It All Back Home 13. Daithi Gormley:  Jackson's/Finbarr Dwyer's/ Henchy's Delight.                     Fiddling Without a Bow 14. Liz & Yvonne Kane:             The Jug of Punch/Fred Finn's/The Maghera Mountain.  Under The Diamond15. Gerry O'Connor: Thomond Bridge/Sean Ryan's. No Place Like Home16. Liam O'Flynn: The Gold Ring.  The Fine Art of Piping 17. Angelina & Peter Carrberry:               Girl From the Big House/The Dawn Chorus/O'Sullivan's. An Traidisiun Beo 18. Michael Banahan:  Closing Time.  Broken Heart 19. Gatehouse: The Monasteraden Set.  Heather Down the Moor20. Altan: New Rigged Ship/Monaghan Twig/Kitty the Hare. The Poisoned Glen 21. Bothy Band:  Green Groves/Flowers of Red Hill.  After Hours

This month I published a revised version of a writing project that began in 1995. In today's Bringing It All Back Home podcast —I'll explore its origins, its themes of mortality & escape, as well the perspective that decades of distance can provide. My book (on amazon): https://a.co/d/arU0P35 (Another historical work by Simon Sebag Montefiore:)https://a.co/d/bMxT3s1

Bob Dylan's fifth studio album - and his first  to incorporate electric instrumentation - 1965's 'Bringing It All Back Home', marked a seismic shift in popular music that can still be felt today. This week's guest, Buffalo, NY-born singer-songwriter and rock-and-roll lifer Willie Nile, joins us to dissect this stunning game-changer of a record. Songs discussed in this episode: Subterranean Homesick Blues (Bob Dylan cover), Vagabond Moon, We Are We Are - Willie Nile; Blowin' In The Wind - Bob Dylan; Peggy Sue - Buddy Holly; 19th Nervous Breakdown - The Rolling Stones; Subterranean Homesick Blues, She Belongs To Me, Maggie's Farm - Bob Dylan; Love Minus Zero/No Limit (Bob Dylan Cover) - Willie Nile; Love Minus Zero/No Limit, Outlaw Blues - Bob Dylan; On The Road Again - Willie Nelson; On The Road Again, Bob Dylan's 115th Dream - Bob Dylan; Mr Tambourine Man - The Byrds; Mr Tambourine Man - Bob Dylan; Don't Worry Baby - The Beach Boys; Gates Of Eden, It's Alright Ma (I'm Only Bleeding), It's All Over Now, Baby Blue - Bob Dylan; Wake Up America - Willie Nile

Bringing It All Back Home returns with an episode dedicated to the photography of Jim Marshall. Inspired by the new collection— The Grateful Dead By Jim Marshall— this episode takes a dive into Jim Marshall's career, his obsession with cars, guns, Leicas & cocaine, as well as his still somewhat neglected legacy. The book:https://a.co/d/06XjqdU⁠ The Jim Marshall documentary: https://tubitv.com/movies/651994/show-me-the-picture

Evan and Amanda discuss the brief history behind Bob Dylan's "Bringing It All Back Home." Listen today to learn how the artist made the transition from acoustic over to electric with an album that was a mix of both. Find us on Instagram and Threads @worstpodonmarsFind us on Facebook @ The Worst Podcast on MarsSend us an email: worstpodonmars@gmail.com

Bringing It All Back Home returns with an episode all about the Olympus OM-2 and Zuiko 28mm 3.5, as well as the classic Zuiko 50mm 1.4. In this episode: Pros & Cons of the OM-2, what to look out for; the excellent results at f8 from the cheapest of Zuiko 28mm lenses; being surprised by the outstanding performance of the OM-2s metering. Links:https://www.mir.com.my/rb/photography/hardwares/classics/olympusom1n2/om2/index.htmhttps://www.youtube.com/watch?v=Tn80js1GX2Ehttps://rangefinderforum.com/threads/the-downsized-slr-revolution-of-the-‘70s-and-‘80s.4815178/https://www.youtube.com/watch?v=WMrZEH2vONM&list=LL&index=9&t=462s

We begin another anniversary series by going back 60 years to discuss Bob Dylan going electric on his 1965 release Bringing It All Back Home!  And get booed for Rocking On!Theme song "Trance" by The Steepwater Band.  Follow then @steepwaterband and see them on tour now!Website: https://ridiculousrockrecordreviews.buzzsprout.comContact us! e-mail: ridiculousrockrecords@gmail.comFacebook: https://www.facebook.com/R4podcastTwitter/X: @r4podcasterInstagram: https://www.instagram.com/r4podcaster/

Bringing It All Back Home returns for a summer roundup: exploring classic Vivitar flashes (285HV) and medium format cameras to hunt down the Martin Parr beach resirt vibe. Reflecting on concert photography circa 1979 with Ekatachrom 160 slide film and a Konica C35. Hunting down a street photography 28mm that doesn't cost over $2500 used. Kodak Gold misgivings — and a possible reconnection to Portra 160 instead.https://www.magnumphotos.com/arts-culture/society-arts-culture/martin-parr-the-last-resort/

The Ultimate Portrait Prime? Today's episode of Bringing It All Back Home explores the brilliance behind the SONY FE 135mm f/1.8 GM. Is this SONY 135mm the hidden gem of portrait lenses? How does it hold up on a beach engagement photoshoot? Did SONY succeed in producing some of the best portrait image quality available for full-frame mirrorless? Included: Lensrental's review of the 135mm f/1.8 G, Zoom vs. Prime, EVF vs Optical, as well as the still blissful surprises inherent in the Pentax 6X7/Takumar 105 2.4.

Summer of 95 - Last Chances. Bringing It All Back Home returns for a special summer series — a look back at the summer of 1995 in order to discover still relevant creative themes. In this episode it kicks off with the idea of Last Chances - the idea that time will not wait for you to get your act together. Also explored: the recklessness needed to get out the door and risk failure. Includes: Kai Wong's Old School Photography book, Hermann Hesse, Hemingway, 90s grunge, hairballs, short story writing, autobiographical fiction & how it relates to photography. Glassboro, NJ; Limehouse, East End.

What's your most loved and least favorite song on Bob Dylan's Highway 61 Revisited?! Dan chose Zimmerman's acclaimed sixth album for us to rank in this fun episode about a world class wordsmith and his out-of-tune guitar. We hit the guest ranker jackpot getting singer/songwriters Lloyd Cole and the Old 97's Rhett Miller to chime in with their most and least loved songs on the album. Listen at WeWillRankYouPod.com, Apple, Spotify and Desolation Row. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER: Joan Baez, bahhhhs, Ballad of a Thin Man, Beastie Boys, the Beatles, Blonde on Blonde, Mike Bloomfield, blues, Bringing It All Back Home, Johnny Cash, Champaign, Illinois, Lloyd Cole, the Commotions, Desolation Row, Bob Dylan, Steve Earle, From a Buick 6, folk music, folk rock, going electric, Grateful Dead, Paul Griffin, harmonica, Jimi Hendrix Experience, Highway 61 Revisited, It Takes a Lot to Laugh, It Takes a Train to Cry, Juarez, Mister Jones, Judas, Just Like Tom Thumb's Blues, Al Kooper, Bruce Langhorne, Sam Lay, Gordon Lightfoot, Like a Rolling Stone, lyrics, Charlie McCoy, Meet Me In The Morning, Milk Cow Blues, Rhett Miller, Newport Folk Festival, Old 97s, out of tune guitar, Queen Jane Approximately, rap, Rolling Stone magazine, Rue Morgue Avenue, siren whistle, tack piano, Tombstone Blues, Violent Femmes, Wilco, wordsmith, 1965.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Ep 338 of RevolutionZ seeks to speak to Bruce Springsteen in light of his recent warranted and eloquent outcry against Trump and Trump's retaliatory threats, and also to Bobby Dylan, a Master of Words, with his own words, and, well, to anyone who would like to relate to these times in light of past and future times. Authoritarianism, military spectacle, and resistance. How do we survive is one sensible question. How do we  overcome is a still better question. Is our time to us worth saving?This episode offers some of Dylan's words as both mirror and motivation. You've heard them? You haven't heard them? If I can recite them in turmoil and thanks after a million hearings, perhaps you can hear them usefully, even again, too. Can we crawl out our window? Can we know our song well before we start singing? Can we dance on the graves of war-makers? Is it alright ma? Is hard rain falling already? Can we tell it and think it and speak it and breathe it, and reflect it from the mountains so all souls can see it? And can we avoid becoming puppets repelling who we ought to be hearing?Revisit or discover some of Dylan's lyrics here. For words, music, and voice, perhaps start with the trilogy that changed everything: "Bringing It All Back Home," "Highway 61 Revisited," and "Blonde on Blonde," or earlier or later. I hope his words can do for you what they do for me: help fuel your resistance and enflame your desires to make real your own chimes of freedom.Support the show

In the 1960's Bob Dylan changed the world. How? And in what ways are we still dealing with the monumental changes that the future Noble prize winner kicked off? Sean Egan has written a new book about Dylan called "Decade of Dissent- How 1960's Bob Dylan Changed the World." It's a fascinating look at the creation and evolution of one of the world's most important artists. The book is available for pre-order, it comes out May 20th.

Vasant Ramamurthy joins Patrick to induct Bob's 5th album, Bringing It All Back Home. This classic marked Dylan's first steps into recording with a full electric band and features landmark songs like “Subterranean Homesick Blues” and “It's All Over Now, Baby Blue.”  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Pentax PZ-70 - Bargain Brilliance From The 90s. Bringing It All Back Home returns with another bargain combo from the mid-90s - The Pentax PZ-70 with its kit 35-80mm lens. Included: a look at its ergonomics, value, metering, as well as getting around the limitations of the KAF2 kit lens. Also, a custom recipe for developing Kodak Eastman's Double-X. flickr link: https://www.flickr.com/photos/gunfire/27618907560/in/photostream/

Hosts Jim DeRogatis and Greg Kot pay tribute to the late president Jimmy Carter by revisiting a discussion on his character and love for music with the director of the documentary, Jimmy Carter: Rock & Roll President. Plus, they will bid farewell to music journalist Stanley Booth, the most profound chronicler of the Rolling Stones.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "It's Alright, Ma (I'm Only Bleeding)," Bringing It All Back Home, Columbia, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Bob Dylan, "Maggie's Farm," Bringing It All Back Home, Columbia, 1965Bob Dylan, "Gotta Serve Somebody," Slow Train Coming, Columbia, 1979The Rolling Stones, "Gimme Shelter," Let It Bleed, Decca, 1969The Rolling Stones, "No Expectations," Beggars Banquet, Decca, 1968The Rolling Stones, "Street Fighting Man," Get Yer Ya-Ya's Out!, Decca, 1970The Rolling Stones, "Around And Around," 12 x 5, London, 1964The Rolling Stones, "Honky Tonk Women," Honky Tonk Women (Single), Decca, 1969The Rolling Stones, "You Gotta Move," Sticky Fingers, Polydor, 1971The Rolling Stones, "Sympathy For the Devil," Get Yer Ya-Ya's Out!, Decca, 1970The Rolling Stones, "Wild Horses," Sticky Fingers, Polydor, 1971Robyn Hitchcock, "The Man Who Loves the Rain," Shufflemania!, Tiny Ghost, 2022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1965 “Mr Tambourine Man”  from "Bringing It All Back Home" released on Columbia. Written by Bob Dylan. Produced by Tom Wilson.Personel:Bob Dylan – guitar, harmonica,  vocalsBruce Langhorne – electric guitarCover:Performed by Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1965 “Mr Tambourine Man”  from "Bringing It All Back Home" released on Columbia. Written by Bob Dylan. Produced by Tom Wilson.Personel:Bob Dylan – guitar, harmonica,  vocalsBruce Langhorne – electric guitarCover:Performed by Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bob Dylan “Lay Lady Lay”Jimi Hendrix “All Along the Watchtower”Complete UnknownTimothee ChalametWoody GuthriePete SeegerBob Dylan “A Song for Woody”Ed NortonScoot McNairyRami MalekFreddie MercuryVal KilmerJim MorrisonGary BuseyBuddy HollyLou Diamond PhillipsLa BambaJamie FoxxRay CharlesJoaquin PhoenixJohnny CashBillie HolidayBob Dylan “Subterranean Homesick Blues”Alan LomaxFred RogersSocratesShakespeareBob Dylan “Blonde on Blonde”The WhoLed ZeppelinBob Dylan “Another Side of Bob Dylan”Bob Dylan “Chimes of Freedom”Bob Dylan “My Back Pages”Bob Dylan “Desolation Road”Bob Dylan “Stuck Inside of Mobile With the Memphis Blues Again”Bob Dylan “Highway 61 Revisited”The BandBob Dylan “Like a Rolling Stone”Bob Dylan “Tangled Up in Blue”Bob Dylan “It's Alright Ma (I'm Only Bleeding)”Bob Dylan “It's All Over Now, Baby Blue”The ByrdsBob Dylan “The Times They Are A Changin”Bob Dylan “A Hard Rain's A Gonna Fall”Simon and Garfunkel “Sound of Silence”The Velvet Underground “White Light/White Heat”NicoBob Dylan “The Freewheelin' Bob Dylan”Bob Dylan “The Times They Are A Changin”Andy WarholHunter S ThompsonFear and Loathing in Las VegasFederico FellinniLa StradaArthur RimbaudRalph Waldo EmersonHenry David ThoreauDavid CrosbyLead BellyThe Chordettes “Mr. Sandman”Walt WhitmanDonovan “Hurdy Gurdy Man”Traffic “Dear Mr Fantasy”The Velvet Underground “I'm Waiting for My Man”The Beatles “Lucy in the Sky with Diamonds”The Moody BluesThe Rolling Stones “She's a Rainbow”The Grateful Dead “Dark Star”Bob Dyaln “Greatest Hits Vol 1”Ramblin' Jack ElliottRoger McGuinnCat PowerStevie WonderWilliam ShatnerKevin CostnerGlen CampbellGene Clark

The World Turned Upside Down. Bringing It All Back Home returns for a new episode, Season 5 Episode 10 - using an ultra-wide manual lens at a polar plunge, developing mishaps, learning from mistakes, and addressing the catastrophe in Los Angeles. Topics: Venus Optics Laowa 12mm f/2.8 Zero-D for Nikon, Nikon F2A, Pilar Plunge, agitation mishaps during developing, I Dream Of Cameras podcast, Gabe Sachs, Palicades Fire, Jeff Kravitz. Links: Jeff Kravitz: https://www.youtube.com/live/JFumMH8553s?si=k0rPzewc-5plg-34

Portfolios & Prints - What To Do With A Year's Worth Of Photos? The year is almost over & you've got loads of photos - what to do with them? Bringing It All Back Home wraps up 2024 with an episode about exploring three options for where to go next: sharing a curated image gallery through Adobe Portfolio, using a well-reviewed printing service such as Nations Lab, and finally revisiting the goal of spending hours in an actual wet darkroom again. Links below: https://cwkphoto.myportfolio.com/2024 https://ccca.rowan.edu/departments/radioTelevisionFilm/photominordocs/photoclasses.html

My 3 Days With The Fujifilm X100VI . Bringing It All Back Home returns with a review of the brilliant but unobtainable Fujifilm X100VI. Thanks to lensrentals.com I was able to test one out as well as discover the actual sensation of using the most hyped - and Tik Tok trendiest - camera of 2024. Does it bring joy? Is the lens any good? Is it worth the wait? Tune in to Season 5 Episode 6 and find out.

Bringing It All Back Home returns (Season 5 Episode 5) for an exploration of the mechanical workhorse that is the legendary Nikon F2. An engineering masterpiece that supports the best manual focus lenses Nikon ever produced. On this episode: comparing it to the original F, its fun factor, weight and feel, prism finder options, and why you should consider this the best Nikon camera to use in any weather.

Get Your Kicks On Cheap 6X6 Season 5 episode 3 Looking for a 6X6 but can't quite commit to spending over $500, let alone dropping $2000? Check this latest episode of Bringing It All Back Home. Included: Mamiya C3 and it's awesome vintage chrome magic. Comparisons between cheap Mamiya TLR cameras vs 3.5 Rolleiflex. Can you embrace the weight, the bellows, the dorkiness? Also: shooting vintage uncoated glass with TMAX 100 | ID11.

Bringing It All Back Home returns with a follow up episode on what camera you should consider for the killer Zeiss c/y glass system. Today's podcast is all about the 1975 Contax RTS, the original classic, the first camera introduced by Zeiss, Yashica, and the Porsche design group. Included: its amazing metering, the LED display push button, competing with Leica's R system, the benefit of not having everything motorized, as well as the perfect balance between feel & function.

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Hello & welcome back to Season Five of Bringing It All Back Home. Today's episode is all about three SLR lenses that changed everything for me. From the incredibly affordable NIkkor-H Auto 1:2 50mm to the hidden gem that is the c/y Zaiss Planar 1,7/50 to the Walter Mandler brilliance that is the Summicron-R 50mm f/2. Also: why the Leicaflex SL is the ultimate alternative to going M-mount. Walter Mandler's Summicron-R 50mm f/2 Nikkor-H Auto 1:2 50mm Zeiss Planar 1,7/50 for Contax c/y https://lens-db.com/nikon-nikkor-h- https://phillipreeve.net/blog/review-carl-zeiss-planar-17-50-t-c-y/ https://lens-db.com/carl-zeiss-planar-t-50mm-f17-ae-mm-1979/#google_vignette https://en.wikipedia.org/wiki/Walter_Mandler

The Season 4 Finale wraps up with an episode exploring DAG overhauls: Leica M3 and the DAG days of Summer. Can a previous CLA on a Leica guarantee a better selling price? Also: my newly acquired Leica M3 - the ultimate classic camera from the 1950s & why I have finally reached the top of the Leica mountain. Downsides: the only truly hot Leica on eBay is still the ever price-increasing M6; hence, no offers on my cosmetically imperfect yet Sherry Krauter CLA'd M4, let alone my DAG CLA'd Leica CL. Included: Don A Goldberg, DAG, Sherry Krauter, Leica M3, Leica M4, Leica CL, Leica M6, using DAG LEICA as a saved search. Bringing It All Back Home will return for Season 5 in September!

Summer Is For Tri-X, Season 4 Episode 27 - Summer is here & the time is right for shooting Tri-X in the streets. Bringing It All Back Home podcast returns with a celebration of all that is classic & great about Kodak Tri-X, as well as why the time to shoot it is NOW. Included: Alden 74 bulk roll loader, Peter Lindbergh, Kodak Curl And How To Avoid It, D76, Xtol, Eco Pro, Hc-110, and why you should purchase a Temperature Humidity monitor. Also: Tri-X for portraits. Peter Lindbergh: https://www.anatomyfilms.com/peter-lindbergh-no-retouching-please/ Kodak Alaris: https://imaging.kodakalaris.com/sites/default/files/files/resources/f4017_TriX.pdf Alden 74: https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2505460.m570.l1312&_nkw=Alden+74+Daylight+bulk+film+loader&_sacat=0 https://analoguewonderland.co.uk/blogs/film-photography-blog/everything-you-need-to-know-about-kodak-tri-x --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Bringing It All Back Home podcast returns with a fresh look at why small choices can go a long way in rediscovering the joy in actually using Leica Barnack cameras. This episode explores the differences between the Leica IIIa (1938) and the hidden gem that is the Leica IIF (1954). Topics include: Oscar Barnack, Leica screw mount cameras, Vidom vs. Brightline viewfinders, Tessar designed lenses, Industar 50 3,5 collapsibles, Elmar vs Canon LTM, as well as the awesome repair work of Mr Y. Ye. Links: https://www.yyecamera.com/. Mr. Ye https://en.wikipedia.org/wiki/Oskar_Barnack https://www.ebay.com/itm/203912118710 ABLON Style Film Leader Trimming Guide https://radojuva.com/en/2020/10/industar-50-3-5-50-lzos-1969/. a review of the Industar 50 http://camera-wiki.org/wiki/Gossen_Profisix_/_Lunasix_F Gossen goodness --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

http://www.copperplatemailorder.com                                     Copperplate Time 470                                presented by Alan O'Leary                             www.copperplatemailorder.com                              1. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours 2. Donal Lunny Sult Band:  Connaught Heifers/The Hunter's Purse.  Spirit of the Music3. Altan: An Gasúr Dána/An Ghirseach Dholba/Ril na mBreac Beadai   Donegal 4. Delores Keane & Mick Hanley:  My Love is in America. Bringing It All Back Home 5. Michelle Mulcahy: Máirseáil Alasdrium/Maguire's Kick.   Lady on the Island6. Cillian Vallely & David Doocey:             The Cidar Shack/Bolt the Door/I'd Rather be Married than Left.   The Yew & The Orchard 7. Eamonn Cotter: Lady Gordon & Lord Gordon's. Trad Music from Clare 8. Daoiri Farrell:    The Wedding Above in Glencree.   The Wedding Above in Glencree 9. Providence: Road to Lisdoonvarna/Carthy's Reel/Mermaid of Mullaghmore. A Fig for a Kiss10. Dezi Donnelly & Mike McGoldrick:  Lucy Campbell/The Jolly Tinker.   At Our Leisure 11. Mary McPartlan:  Wild Mountain Side. Petticoat Loose                              12. Declan Masterson:  Down the Back Lane/Kit O'Mahony's.  Tropical Trad 13. Dervish:  Siesta Set. Spirit 14. Leonard Barry: Tom Busby's/Humours of Ballingarry.   Littoral 15. Incredible String Band:   The Hedge Hog Song.The Layers of the Onion16. Dezi Donnelly & Mike McGoldrick:                     Walls of Liscarroll/Rooney's Fave/Connaughtman's Rambles.   Dog in the Fog 17. Oonagh Derby:  Silver Shoes. Lasses. Harmony Street 18. Ralph McTell:  A Close Shave.  Hill of Beans 19. Judy Collins:   My Father.   Who Know Where the Time Goes 20. Gerry Rafferty: Right Down the Line. Very Best Of 21. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours

http://www.copperplatemailorder.com                     Copperplate Time 467                   presented by Alan O'Leary                                                     1. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours 2. Trian: Humours of Ballyconnell/Reel Eboulement/Richie Dwyer's.  Trian 23. Frankie Gavin & Alec Finn:         The Dark Haired Lass/The Shoemaker' Daughter.   Volume 2 4. Luka Bloom: You Couldn't Have Come At A Better Time.             Bringing It All Back Home 5. Dan Brouder:   Eddie Kelly's/The Sailor's Cravat/Miss Thornton.                      The Lark's Air6. Cillian Vallely & David Doocey:  The Lark's March/Will You Come Home With Me. The Yew & The Orchard 7. Sorcha Costello: The Garavogue/The Sailor on the Rock.                The Primrose Lass 8. Noel Hill:  An Phis Fluich/The Fisherman's Jig.  Live in New York 9. Tommy Guihen:  The Parcel of Land/The Street Player/               The Drunken Landlady.   The Torn Jacket 10. Eilis Kennedy:   Who Knows Where the Time Goes.                      Time to Sail11. Dave Swarbrick/ Fairport: It Suits Me Well. Fiddlestix                               12. Liz & Yvonne Kane:3 Deer & A Hare/Pangur Ban. Side by Side13. Paul Simon:  April Come She Will.  Paul Simon Songbook 14. Bobby Casey:  The Graden of Daisies..  Taking Flight 15. Terry Clarke:  Sligo Honeymoon 1946. Shelley River16. Moving Cloud:  Shelley River Waltz/New Year Waltz.          #                  Foxglove 17. Doc Watson:  The Girl With the Blue Velvet Band.                       The Vanguard Years 18. Tony Reidy:  Mayo Man. A Rough Shot of Lipstick 19.Jackie McAuley:  The Auld Triangle.  Shadowboxing 20. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours

The all-seeing telescope of truth scanned this week's rock and roll heavens and noticed a few patterns emerge, among them … … the real story of the writing of Layla and who nicked what from where. And who didn't get paid. … why Sally Grossman was on the cover of Bringing It All Back Home.   … album sleeves with overflowing ashtrays that screamed ‘welcome to my bohemian world!' – Soft Machine's Third, Man's Rhinos, Winos + Lunatics, Back Street Crawler …   … album sleeves that said “meet my girlfriend!” – McDonald And Giles, the Madcap Laughs, The Freewheelin' Bob Dylan, Love Chronicles, the Paul Simon Handbook …   … album sleeves suggesting the powerful aphrodisiac of music and the allure of ‘the bachelor pad' … .. our night out at a Leo Sidran show and what we'll expect – indeed insist upon - at all gigs in the future. … when rock stars read 12th Century Persian poetry. …the time Lucinda Williams toured with Dylan and Van Morrison and never met either of them. … the glorious squalor of ‘70s flats. … “comedy is tragedy at a different speed”. … mentioned in despatches: Sharleen Spiteri, John Mellencamp, James Burton, Bobby Whitlock, Daniel Kramer.   The Everly Brothers' Walking The Dog. Is that the original Layla riff at 2.20? …https://www.youtube.com/watch?v=072OpLw-l_sSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.