Podcasts about Bringing It All Back Home

No episódio de hoje, mergulhamos em um dos discos mais revolucionários da história do rock: Bringing It All Back Home, de Bob Dylan. Completando 60 anos no dia de lançamento deste episódio, o álbum marcou a transição definitiva de Dylan do folk acústico para o rock elétrico, dividindo fãs e redefinindo os rumos da música popular. Vamos explorar suas letras enigmáticas, sua sonoridade inovadora e o impacto que faixas hoje clássicas tiveram no cenário musical da época. Foi um choque para o folk tradicional ou um passo inevitável rumo à evolução do rock? Vem com a gente nessa viagem pela mente genial de Dylan e descubra (ou não)!See omnystudio.com/listener for privacy information.

Vasant Ramamurthy joins Patrick to induct Bob's 5th album, Bringing It All Back Home. This classic marked Dylan's first steps into recording with a full electric band and features landmark songs like “Subterranean Homesick Blues” and “It's All Over Now, Baby Blue.”  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Djinn RecordsStitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

No 706º episódio do Podcast mais Rock'n Roll da internets Rômulo Konzen, Daniel Iserhard, Carlos Augusto Monteiro e Álcio Villalobos batem papo sobre o disco Bringing It All Back Home, de Bob Dylan.Apoie o CMM:https://orelo.cc/crazymetalmindhttps://apoia.se/crazymetalmindCompre os produtos do CMM:https://podcaststore.com.br/Trilha sonora do podcast (na ordem):*Bob Dylan - It's All Over Now, Baby Blue*Bob Dylan - Maggie's Farm*Bob Dylan - Subterranean Homesick Blues*Bob Dylan - She Belongs To Me*Bob Dylan - Maggie's Farm*Bob Dylan - Love Minus Zero, No Limit*Bob Dylan - Outlaw Blues*Bob Dylan - On The Road Again*Bob Dylan - Bob Dylan's 115th Dream*Bob Dylan - Mr. Tambourine Man*Bob Dylan - Gates Of Eden*Bob Dylan - It's Alright, Ma (I'm Only Bleeding)*Bob Dylan - It's All Over Now, Baby BlueApoiadores do CMM no Padrim e Orelo, que ajudam a manter o Podcast no ar:Andre Serviuc - Ayrton Quintela - Marco Antônio Rodrigues Júnior - Christian Benardis - Rafael César Nolasco - Carolina Acsa - Ageu de Oliveira Ribeiro - Thais Caramori Feitosa - Erlan Di Alan - Daniel Martins - Gustavo Guimaraes Alves - Diogo Felipe da Silva Santos - Christiano de Medeiros Seabra - Guilherme Montanha - Sergio Ricier - Christiano de Medeiros Seabra - Richard Cruz - Stefano Josef Dos Santos Marrara - Cristiano Ludgerio Ferreira - Renato Andrade - José Pereira - Evandro Meneguella - Itamar Carvalho - Lucas Xavier - Natalia Araujo Braz - Ricardo Tavares Pacheco Filho - Juliano Nugent da Silva - Leonardo Fernando Ninck - Heyder Araujo - Rodolfo Abreu - Marcia Lima - Igor Gimenes - Katia Klipel - Gean Costa - Marcelo Anda  - Daiara Melo - Bruno Glaser - Bruno Felipe Dos Santos - Luciana Carneiro - João Paulo Luiz Lopes - Luciano Fernandes Alencar - Pancotti Luiz Gustavo - Luis Augusto Avellar Martins - Rafael Schincariol - Leonardo Rosa - Pablo Budke - Marcelo da Cruz Bandeira - Guilherme Calciolari - Elisa Celino - Mileto Neto - Pedro Henrique Avelar - Lucas Abreu - Gabriel Hussid - Daniel Bragança - Thiago Moura Lima - Gustavo Rossi Moreno - Ana Paula Flory Barbosa de Lima - Daniel Barden - Leandro Da Silva Camargo - Renato. P - Pedro Sena - Ana Paula dos Santos - Marcelo Sousa Santos - Marcell Alves - André Passos - Leonardo Ninck - Lucas Nascimento - Rafael Arduini - Ricardo Candello - Rafael Costa - Thiago Cruz - Everson Andrade - Marcos Rainier Corrêa de Sá - Rogério B. de Miranda - André Mota - Rodolfo A. Redivo - Daniel DPT - Guilherme Morisson - Renan Leite - Augusto Biondini - Denis Bertelli - Bryan Resende - Jordan Kalsing - Stéfano Marrara - Diogo Antonio Honrado - Edgard Teles - Alessandra Maass Costa - Wiliam Faria - Fabio Santos - Luiz Cezer - André Stábile - Anna Carolina Brasil - Álcio Villalobos - Juliano Oliveira - Lucas Galano - Caio Roberto Paiva Santos Ferreira - Robson Lourenço da Silva Júnior - Wilson Bispo Jr - Amanda Moura - Jean sergio Cambruzzi - Camila Khodr Lobo - Felipe Matheus Santos Garcia - Marcio Honda - Leandro Silva Camargo - Roberto Gradaschi - Bruno Tisatto - Rafael Gatto - David Dilkin  - Hugo Henrique Rodrigues Nacif Alves - Eder Moura - Guilherme Dondé Busini - Jonas Gois - Vitória Luísa Albuquerque Araújo e Silva - Ricardo Pontes - Andre Bravin - Gabriel Moura - Joe Vidal - Bruno Dos Santos

Pentax PZ-70 - Bargain Brilliance From The 90s. Bringing It All Back Home returns with another bargain combo from the mid-90s - The Pentax PZ-70 with its kit 35-80mm lens. Included: a look at its ergonomics, value, metering, as well as getting around the limitations of the KAF2 kit lens. Also, a custom recipe for developing Kodak Eastman's Double-X. flickr link: https://www.flickr.com/photos/gunfire/27618907560/in/photostream/

Hosts Jim DeRogatis and Greg Kot pay tribute to the late president Jimmy Carter by revisiting a discussion on his character and love for music with the director of the documentary, Jimmy Carter: Rock & Roll President. Plus, they will bid farewell to music journalist Stanley Booth, the most profound chronicler of the Rolling Stones.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "It's Alright, Ma (I'm Only Bleeding)," Bringing It All Back Home, Columbia, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Bob Dylan, "Maggie's Farm," Bringing It All Back Home, Columbia, 1965Bob Dylan, "Gotta Serve Somebody," Slow Train Coming, Columbia, 1979The Rolling Stones, "Gimme Shelter," Let It Bleed, Decca, 1969The Rolling Stones, "No Expectations," Beggars Banquet, Decca, 1968The Rolling Stones, "Street Fighting Man," Get Yer Ya-Ya's Out!, Decca, 1970The Rolling Stones, "Around And Around," 12 x 5, London, 1964The Rolling Stones, "Honky Tonk Women," Honky Tonk Women (Single), Decca, 1969The Rolling Stones, "You Gotta Move," Sticky Fingers, Polydor, 1971The Rolling Stones, "Sympathy For the Devil," Get Yer Ya-Ya's Out!, Decca, 1970The Rolling Stones, "Wild Horses," Sticky Fingers, Polydor, 1971Robyn Hitchcock, "The Man Who Loves the Rain," Shufflemania!, Tiny Ghost, 2022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the past month, the world has been fascinated by a new movie about a 20-year-old with a head full of ideas rolling from the North Country into New York City in 1961 and changing music forever. The Bob Dylan biopic A Complete Unknown just yesterday scored eight Oscar nominations, including nods for best picture, best director, best lead and supporting actors, best sound and more.It already had garnered awards and nominations, from the Golden Globes and Screen Actors Guild, from BAFTA and Critics Choice.Our Tribute This week's podcast, a tribute to this wonderful film, features a tune from that same time period in the Dylan story. It's our version of Bob's version of “Corrina, Corrina.”As reported here earlier, most of Dylan's earliest fans know this song as a track on the Freewheelin' album, but it also was the flipside of his first single, a 45 rpm that appeared ever so briefly in record stores in the early 1960s.It's curious that “Corrina, Corrina” is not among the tunes covered in A Complete Unknown, since the movie is all about Bob going electric. As most diehard Dylanologists know, that 1962 track was the young singer's first recorded work with a band (albeit the barest bones of a band, just a bit of light drumming, bass and some tasteful solo electric guitar).That solo guitar was famously played by Bruce Langhorne, the same Bruce Langhorne who three years later reappeared in the Dylan orbit on the Bringing It All Back Home album, whose tunes famously are much featured in the film. Heeeey, Mister Tambourine Man….Our Take on the TuneOn this Flood track from last week's rehearsal, the guitars seem to be dancing together. Just listen to Danny Cox's big, warm solos over Charlie Bowen's subtle slides on his resonator.A Bigger Batch of BobMeanwhile, hey, if you've detected a Dylan deficiency lately in your daily diet, The Flood has a cure: An entire Bob-centric playlist is ready for a spin in the free Radio Floodango music streaming service.Click here to read all about it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1965 “Mr Tambourine Man”  from "Bringing It All Back Home" released on Columbia. Written by Bob Dylan. Produced by Tom Wilson.Personel:Bob Dylan – guitar, harmonica,  vocalsBruce Langhorne – electric guitarCover:Performed by Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.

Twitter: @podgaverockInsta: @podgaverockBob Dylan 1965 “Mr Tambourine Man”  from "Bringing It All Back Home" released on Columbia. Written by Bob Dylan. Produced by Tom Wilson.Personel:Bob Dylan – guitar, harmonica,  vocalsBruce Langhorne – electric guitarCover:Performed by Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bob Dylan “Lay Lady Lay”Jimi Hendrix “All Along the Watchtower”Complete UnknownTimothee ChalametWoody GuthriePete SeegerBob Dylan “A Song for Woody”Ed NortonScoot McNairyRami MalekFreddie MercuryVal KilmerJim MorrisonGary BuseyBuddy HollyLou Diamond PhillipsLa BambaJamie FoxxRay CharlesJoaquin PhoenixJohnny CashBillie HolidayBob Dylan “Subterranean Homesick Blues”Alan LomaxFred RogersSocratesShakespeareBob Dylan “Blonde on Blonde”The WhoLed ZeppelinBob Dylan “Another Side of Bob Dylan”Bob Dylan “Chimes of Freedom”Bob Dylan “My Back Pages”Bob Dylan “Desolation Road”Bob Dylan “Stuck Inside of Mobile With the Memphis Blues Again”Bob Dylan “Highway 61 Revisited”The BandBob Dylan “Like a Rolling Stone”Bob Dylan “Tangled Up in Blue”Bob Dylan “It's Alright Ma (I'm Only Bleeding)”Bob Dylan “It's All Over Now, Baby Blue”The ByrdsBob Dylan “The Times They Are A Changin”Bob Dylan “A Hard Rain's A Gonna Fall”Simon and Garfunkel “Sound of Silence”The Velvet Underground “White Light/White Heat”NicoBob Dylan “The Freewheelin' Bob Dylan”Bob Dylan “The Times They Are A Changin”Andy WarholHunter S ThompsonFear and Loathing in Las VegasFederico FellinniLa StradaArthur RimbaudRalph Waldo EmersonHenry David ThoreauDavid CrosbyLead BellyThe Chordettes “Mr. Sandman”Walt WhitmanDonovan “Hurdy Gurdy Man”Traffic “Dear Mr Fantasy”The Velvet Underground “I'm Waiting for My Man”The Beatles “Lucy in the Sky with Diamonds”The Moody BluesThe Rolling Stones “She's a Rainbow”The Grateful Dead “Dark Star”Bob Dyaln “Greatest Hits Vol 1”Ramblin' Jack ElliottRoger McGuinnCat PowerStevie WonderWilliam ShatnerKevin CostnerGlen CampbellGene Clark

The World Turned Upside Down. Bringing It All Back Home returns for a new episode, Season 5 Episode 10 - using an ultra-wide manual lens at a polar plunge, developing mishaps, learning from mistakes, and addressing the catastrophe in Los Angeles. Topics: Venus Optics Laowa 12mm f/2.8 Zero-D for Nikon, Nikon F2A, Pilar Plunge, agitation mishaps during developing, I Dream Of Cameras podcast, Gabe Sachs, Palicades Fire, Jeff Kravitz. Links: Jeff Kravitz: https://www.youtube.com/live/JFumMH8553s?si=k0rPzewc-5plg-34

Portfolios & Prints - What To Do With A Year's Worth Of Photos? The year is almost over & you've got loads of photos - what to do with them? Bringing It All Back Home wraps up 2024 with an episode about exploring three options for where to go next: sharing a curated image gallery through Adobe Portfolio, using a well-reviewed printing service such as Nations Lab, and finally revisiting the goal of spending hours in an actual wet darkroom again. Links below: https://cwkphoto.myportfolio.com/2024 https://ccca.rowan.edu/departments/radioTelevisionFilm/photominordocs/photoclasses.html

My 3 Days With The Fujifilm X100VI . Bringing It All Back Home returns with a review of the brilliant but unobtainable Fujifilm X100VI. Thanks to lensrentals.com I was able to test one out as well as discover the actual sensation of using the most hyped - and Tik Tok trendiest - camera of 2024. Does it bring joy? Is the lens any good? Is it worth the wait? Tune in to Season 5 Episode 6 and find out.

Bringing It All Back Home returns (Season 5 Episode 5) for an exploration of the mechanical workhorse that is the legendary Nikon F2. An engineering masterpiece that supports the best manual focus lenses Nikon ever produced. On this episode: comparing it to the original F, its fun factor, weight and feel, prism finder options, and why you should consider this the best Nikon camera to use in any weather.

Get Your Kicks On Cheap 6X6 Season 5 episode 3 Looking for a 6X6 but can't quite commit to spending over $500, let alone dropping $2000? Check this latest episode of Bringing It All Back Home. Included: Mamiya C3 and it's awesome vintage chrome magic. Comparisons between cheap Mamiya TLR cameras vs 3.5 Rolleiflex. Can you embrace the weight, the bellows, the dorkiness? Also: shooting vintage uncoated glass with TMAX 100 | ID11.

Bringing It All Back Home returns with a follow up episode on what camera you should consider for the killer Zeiss c/y glass system. Today's podcast is all about the 1975 Contax RTS, the original classic, the first camera introduced by Zeiss, Yashica, and the Porsche design group. Included: its amazing metering, the LED display push button, competing with Leica's R system, the benefit of not having everything motorized, as well as the perfect balance between feel & function.

Labor Day Vibes: Grateful Dead, George Thorogood, and MoreA special Labor Day edition featuring a recap of significant events in the music world, particularly focusing on the Grateful Dead's September 2, 1988, concert at the Capitol Center in Landover, Maryland. Larry Mishkin reminisces about the band's history, including the song "Hell in a Bucket," its significance, and its evolution in the Grateful Dead's lineup. There's a detailed discussion about the song "Dire Wolf," including its origins, inspirations, and its role in the band's performances.The episode also features a tribute to Steve Silverman, a renowned science writer and Grateful Dead enthusiast who recently passed away. Silverman was celebrated for his contributions to the understanding of autism and his deep connection to the Grateful Dead community. The tribute highlights his life, his work, and his impact on both the music and science communities.Larry shares reviews of the recent George Thorogood and Journeyman Tribute the Eric Clapton  https://www.georgethorogood.com/https://vilarpac.org/https://journeymantribute.com/ Grateful DeadSeptember 2, 1988 (36 years ago)Capital CenterLandover, MDGrateful Dead Live at Capital Centre on 1988-09-02 : Free Borrow & Streaming : Internet Archive I hope everyone is having a great Labor Day weekend. Night one of a four night run at the Cap Center to kick off 1988 East Coast Fall Tour (played Friday and Saturday, 2 and 3 and Monday and Tuesday 5 and 6).  Took a night off for my wedding on Sunday 4th.  Saturday night show was my rehearsal dinner and they played second encore, final electric Ripple and final Grateful Dead Ripple.  Memorable weekend for all (except for my east coast deadhead buddies at the wedding who were bummed to have missed the Ripple. INTRO:                                 Hell in a Bucket                                                Track #2                                                0:00 – 1:34 David Dodd:  The Bob Weir / John Barlow / Brent Mydland song “Hell in a Bucket” directly references the biker scene, and I'm sure that somehow Barlow just wanted to put that element into the band's repertoire somehow. After all, there are plenty of outlaw elements sprinkled through the band's songs. In the case of this song, though, the singer/narrator seems to be wishing a sorry fate on his erstwhile main squeeze, with the argument being that once she has a biker charging up and down her halls on his chopper, she'll realize that the narrator was really pretty good, at least by contrast. “Hell in a Bucket” appeared on In the Dark, released in July 1987.  The song frequently featured as the show opener over the course of the next two-plus decades, although it wasn't used in that role until about a year after its first performance.  Played:  217 timesFirst:  May 13, 1983 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   SHOW No. 1:                    Dire Wolf                                                Track #5                                                2:00 – 3:24 "Dire Wolf" is a ballad by the Grateful Dead, released as the third track on their 1970 album Workingman's Dead. The lyrics were written by Robert Hunter after watching a film adaptation of The Hound of the Baskervilles. The music, containing elements of country and folk music, was composed by Jerry Garcia on the same day. The song tells the story of a man who plays cards with a "dire wolf" on a cold winter's night in "Fennario"; the lyrics have been variously interpreted. The piece became a staple of the Grateful Dead's performances, and was played more than two hundred times between 1969 and 1995. A few months before the release of their album Aoxomoxoa in 1969, Grateful Dead lyricist Robert Hunter and his then-partner Christie Bourne began sharing a house with the band's guitarist Jerry Garcia, his wife, and his step-daughter. Living in close proximity gave an impetus to their collaborative song-writing: Hunter and Garcia wrote every song on Aoxomoxoa.[2] Some time later, Hunter and Carolyn Garcia spent an evening watching a film adaptation of The Hound of the Baskervilles. According to Grateful Dead historian Dennis McNally, Carolyn later remarked that the hound was a "dire wolf".[3] However, according to Hunter himself, as quoted in the Annotated Grateful Dead Lyrics, he and Garcia were speculating about the identity of the hound in the story, and came up with the idea that it may have been a dire wolf.[4] Hunter wrote the lyrics the next morning, based on images that the phrase conjured for him, and Garcia wrote the music to them later that day.[3][4] The location named "Fennario" appears in the folk song "The Bonnie Lass o' Fyvie", including in the Grateful Dead's version of that song. It refers to a fictional location; a friend of the band members commented in an interview that it was the perfect name for a generic place, because it was evocative, and had four syllables.[4] In contrast, music writer Buzz Poole speculated that the name may be derived from Fenrir, a mythical Nordic wolf who was chained up by the gods.[6] The phrase "don't murder me", repeated in the chorus, was a reference by Garcia to his experiences driving around the San Francisco Bay Area at the time that the Zodiac Killer was active.[4] The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's first set.[4][7] According to The Grateful Dead's 100 Essential Songs, "Dire Wolf" was played 226 times between 1969 and 1995, and was played every year, except for 1975. Sixty-three of these performances were in the first two years after the song was written. In later years, the acoustic version of the piece became more common.[7] The structure and pace of the song did not change much over the years. It was sung most often by Garcia, although an early version featured Bob Weir on vocals, with Garcia playing the pedal steel guitar instead.[7] An AllMusic review of this version praised Garcia's "sweet" guitar playing as a "great feature" of the song.[5] Its lyrics have led to it being described as an essential Grateful Dead song by commentators.[7] Played:  229 timesFirst:  June 7, 1969 at Fillmore West, San Francisco, CA, USALast:  June 7, 1969 at Fillmore West, San Francisco, CA, USA  MUSIC NEWS: Steve Silberman passesPhish – Dick'sNeil Young explanation for canceled showsMiracle in MundeleinMiracle in Mundelein 2024 is an unprecedented cannabis and outdoor concert experience taking place at RISE Recreational Dispensary in Mundelein, IL on September 7-8, 202412. Presented by RYTHM Premium Cannabis, RISE Dispensaries, Dayglo, and Deep Cut, this second annual outdoor festival allows legal on-site cannabis consumption2.    SHOW No. 2:                    Althea                                                Track #7                                                3:10 – 4:53 When the Grateful Dead released “Althea” on their 1980 album Go to Heaven, it quickly became a favorite among fans. Robert Hunter, the Dead's legendary lyricist, was known for embedding multiple layers of meaning in his lyrics. “Althea” is no exception. Jerry Garcia's soulful voice brings Hunter's words to life, but it's the lyrics that leave listeners pondering. The name “Althea” itself is rooted in Greek mythology. Althea was the Queen of Calydon, whose actions led to her son's death, reflecting themes of fate and consequence. While the song doesn't explicitly connect to this myth, the allusion to “your fire” might be a subtle nod to Althea's tragic tale. “Althea” was performed live by the Grateful Dead 273 times, making it a staple in their repertoire. Despite McNally's belief that the band overplayed it in the early '80s, fans cherished its live renditions. The song's adaptability and depth allowed it to grow with the listeners, much like a trusted pair of pants with a sturdy elastic waistband. Played:  273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago  SHOW No. 3:                    Scarlet Begonias                                                Track #10                                                0:00 – 2:02 Garcia/HunterFrom The Mars Hotel (July 24, 1974) The group first performed the song live on March 23, 1974, at the Cow Palace in Daly City, California.[1] When "Fire on the Mountain" was incorporated into the band's repertoire in 1977, "Scarlet Begonias" would often be paired with it when played live, resulting in what would be nicknamed "Scarlet > Fire" with the first iteration of this iconic pairing on Friday, March 18th, 1977 at Winterland in S.F.   Interestingly, they played the combo to close the first set.  Almost always a second set opener, once saw them open a show with it. Had to play this because the opening is so special – sends a message to the Deadheads that good things lay ahead, best second set opener in their arsenal.  Nothing like the reaction when you hear the first few notes.  “Scarlet, into Fire, a great 25 minutes of grooving music and wonderful for “mind exercises” you may be experiencing at that time. Played:  317  (Fire played 254 times)First:  March 23, 1974 at Cow Palace, Daly City, CA, USALast: June 2, 1995 at Deer Creek, Noblesville, IN MJ NEWS: Trump Supports Florida adult use measure on fall ballot, but no public smokingDeSantis says “NO” adult use in Florida, opposes TrumpState ballots this fall for MMJ in Nebraska and ArkansasIllinois awards $35 million from MJ taxes to support community reinvestmentCalifornia allows sales of MJ at Farmer's Markets SHOW No. 4:                    All Along The Watchtower                                                Track #17                                                1:50 – 3:53 Bob DylanJohn Wesley Harding "All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations. Covered by numerous artists, "All Along the Watchtower" is strongly identified with the interpretation Jimi Hendrix recorded with the Jimi Hendrix Experience for their third studio album, Electric Ladyland (1968). The Hendrix version, released six months after Dylan's original recording, became a Top 20 single in 1968, received a Grammy Hall of Fame award in 2001, and was ranked 48th in Rolling Stone magazine's 500 Greatest Songs of All Time in 2004 (40th in the 2021 version). Dylan first played the song live in concert on the Bob Dylan and the Band 1974 Tour, his first tour since 1966. His live performances have been influenced by Hendrix's cover, to the extent that they have been called covers of a cover. Dylan has performed the song live more than any of his other ones, with over 2,250 recitals. Hendrix was a known Dylan fan. He even once cleared a dance floor by demanding that "Blowin in the Wind" be played in a New York club. In a 1967 interview, Hendrix described Dylan's influence on his own songwriting. "I could never write the kind of words he does," Hendrix said. "But he's helped me out in trying to write two or three words 'cause I've got a thousand songs that will never be finished. I just lie around and write about two or three words, but now I have a little more confidence in trying to finish one."Hendrix acquired a copy of John Wesley Harding before the album's official release and instantly knew he had to cover one of the tracks. Initially, he was planning to record "I Dreamed I Saw St. Augustine," but after further consideration he chose "All Along the Watchtower." Hendrix claimed he had a natural gravitation toward the track. "The songs Dylan usually gave me are so close to me that I feel like I wrote them myself," he added. "With 'Along the Watchtower' I had that feeling." Less than two months after Dylan recorded the original, Hendrix was in the studio laying down his version. John Wesley Harding was Dylan's return to his acoustic roots after his motorcycle accident. But rather than bring back the topical lyrics about civil rights and the Vietnam War, he continued the evocative, surreal images that made his previous three records -- Bringing It All Back Home, Highway 61 Revisited and Blonde on Blonde -- so groundbreaking, adding biblical imagery that foreshadowed his born-again phase more than a decade later. Dead started playing it while touring with Dylan in the summer of 1987.  Not necessarily their greatest tour, and Dylan was not sharp on a night by night basis, but when they got to this tune, the crowd really responded.  So after the tour ended, the Dead just kept it in their repertoire and played it until their end. Played:  118First:  June 20, 1987 at William Randolph Hearst Greek Theatre, Berkeley, CA, USALast:  June 22, 1995 at Knickerbocker Arena, Albany, NY, USA  OUTRO:                               Black Muddy River                                                Track #20                                                4:15 – 6:34 Garcia/HunterFrom:  In The Dark (1987) Black Muddy River was a song that was a pretty decent “new” song for a while.  Almost always played as an encore, it was a fan favorite in the Twin Cities, St. Louis, Memphis and New Orleans, all situated on or near the Mississippi River.  Sometimes they would play it in those cities and sometimes they would wait to play it until they were in the middle of nowhere with no river around for miles and miles.  Towards the end, Jerry seemed to lose his enthusiasm for it so, for example, when he rose to the occasion at the last show on July 9, 1995 and belted out a So Many Roads for the ages, his Black Muddy River encore left a lot to be desired.  So much so that, as the story goes, Phil decided they could not end the summer tour on such a low note so he pushed in a Box of Rain making that song the last one ever played in concert by the band and a much nicer farewell than that not very good Black Muddy River would have been. This one is “young” and strong, Jerry's voice rings true and you can hear the energy build up inside him as he belts out the final lines of the song.  A song that sent all those at the Cap Center out into the night longing for more without even knowing what awaited them the very next night.  Some were there, some weren't.  That's the story of the Dead and touring (like Phish waiting to Dick's to play Fee!). Played:  66 timesFirst:  December 15, 1986 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA Shout outs:                         Wed – my anniversary, and H and Robbin                        Thurs. – JW's anniversary with the lovely Allie                        Bella – birthday on Monday                        Jackie G. in St. Louis on Sunday                        .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Hello & welcome back to Season Five of Bringing It All Back Home. Today's episode is all about three SLR lenses that changed everything for me. From the incredibly affordable NIkkor-H Auto 1:2 50mm to the hidden gem that is the c/y Zaiss Planar 1,7/50 to the Walter Mandler brilliance that is the Summicron-R 50mm f/2. Also: why the Leicaflex SL is the ultimate alternative to going M-mount. Walter Mandler's Summicron-R 50mm f/2 Nikkor-H Auto 1:2 50mm Zeiss Planar 1,7/50 for Contax c/y https://lens-db.com/nikon-nikkor-h- https://phillipreeve.net/blog/review-carl-zeiss-planar-17-50-t-c-y/ https://lens-db.com/carl-zeiss-planar-t-50mm-f17-ae-mm-1979/#google_vignette https://en.wikipedia.org/wiki/Walter_Mandler

The Season 4 Finale wraps up with an episode exploring DAG overhauls: Leica M3 and the DAG days of Summer. Can a previous CLA on a Leica guarantee a better selling price? Also: my newly acquired Leica M3 - the ultimate classic camera from the 1950s & why I have finally reached the top of the Leica mountain. Downsides: the only truly hot Leica on eBay is still the ever price-increasing M6; hence, no offers on my cosmetically imperfect yet Sherry Krauter CLA'd M4, let alone my DAG CLA'd Leica CL. Included: Don A Goldberg, DAG, Sherry Krauter, Leica M3, Leica M4, Leica CL, Leica M6, using DAG LEICA as a saved search. Bringing It All Back Home will return for Season 5 in September!

Summer Is For Tri-X, Season 4 Episode 27 - Summer is here & the time is right for shooting Tri-X in the streets. Bringing It All Back Home podcast returns with a celebration of all that is classic & great about Kodak Tri-X, as well as why the time to shoot it is NOW. Included: Alden 74 bulk roll loader, Peter Lindbergh, Kodak Curl And How To Avoid It, D76, Xtol, Eco Pro, Hc-110, and why you should purchase a Temperature Humidity monitor. Also: Tri-X for portraits. Peter Lindbergh: https://www.anatomyfilms.com/peter-lindbergh-no-retouching-please/ Kodak Alaris: https://imaging.kodakalaris.com/sites/default/files/files/resources/f4017_TriX.pdf Alden 74: https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2505460.m570.l1312&_nkw=Alden+74+Daylight+bulk+film+loader&_sacat=0 https://analoguewonderland.co.uk/blogs/film-photography-blog/everything-you-need-to-know-about-kodak-tri-x --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Bringing It All Back Home podcast returns with a fresh look at why small choices can go a long way in rediscovering the joy in actually using Leica Barnack cameras. This episode explores the differences between the Leica IIIa (1938) and the hidden gem that is the Leica IIF (1954). Topics include: Oscar Barnack, Leica screw mount cameras, Vidom vs. Brightline viewfinders, Tessar designed lenses, Industar 50 3,5 collapsibles, Elmar vs Canon LTM, as well as the awesome repair work of Mr Y. Ye. Links: https://www.yyecamera.com/. Mr. Ye https://en.wikipedia.org/wiki/Oskar_Barnack https://www.ebay.com/itm/203912118710 ABLON Style Film Leader Trimming Guide https://radojuva.com/en/2020/10/industar-50-3-5-50-lzos-1969/. a review of the Industar 50 http://camera-wiki.org/wiki/Gossen_Profisix_/_Lunasix_F Gossen goodness --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

http://www.copperplatemailorder.com                                     Copperplate Time 470                                presented by Alan O'Leary                             www.copperplatemailorder.com                              1. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours 2. Donal Lunny Sult Band:  Connaught Heifers/The Hunter's Purse.  Spirit of the Music3. Altan: An Gasúr Dána/An Ghirseach Dholba/Ril na mBreac Beadai   Donegal 4. Delores Keane & Mick Hanley:  My Love is in America. Bringing It All Back Home 5. Michelle Mulcahy: Máirseáil Alasdrium/Maguire's Kick.   Lady on the Island6. Cillian Vallely & David Doocey:             The Cidar Shack/Bolt the Door/I'd Rather be Married than Left.   The Yew & The Orchard 7. Eamonn Cotter: Lady Gordon & Lord Gordon's. Trad Music from Clare 8. Daoiri Farrell:    The Wedding Above in Glencree.   The Wedding Above in Glencree 9. Providence: Road to Lisdoonvarna/Carthy's Reel/Mermaid of Mullaghmore. A Fig for a Kiss10. Dezi Donnelly & Mike McGoldrick:  Lucy Campbell/The Jolly Tinker.   At Our Leisure 11. Mary McPartlan:  Wild Mountain Side. Petticoat Loose                              12. Declan Masterson:  Down the Back Lane/Kit O'Mahony's.  Tropical Trad 13. Dervish:  Siesta Set. Spirit 14. Leonard Barry: Tom Busby's/Humours of Ballingarry.   Littoral 15. Incredible String Band:   The Hedge Hog Song.The Layers of the Onion16. Dezi Donnelly & Mike McGoldrick:                     Walls of Liscarroll/Rooney's Fave/Connaughtman's Rambles.   Dog in the Fog 17. Oonagh Derby:  Silver Shoes. Lasses. Harmony Street 18. Ralph McTell:  A Close Shave.  Hill of Beans 19. Judy Collins:   My Father.   Who Know Where the Time Goes 20. Gerry Rafferty: Right Down the Line. Very Best Of 21. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours

Season 4 Episode 23 - Getting Unstuck Welcome back! Bringing It All Back Home returns (at last) for another episode - all about how to work with a change in direction, a pivot away from stuff that no longer makes sense ,let alone brings any joy. Topics: Frugal project, Lensrental Voigtlanders, writing workshops, becoming a fan of American Cinematography magazine, gale force winds, sinus issues as well as a change of seasons gone bad. Tune in, check it, and search for the Zen mind that stays true. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Phil Lesh's Triumphant Return: A Musical Journey 25 Years Ago TodayLarry Mishkin provides a retrospective analysis of a significant musical event from April 15th, 1999, focusing on Phil Lesh's return to the stage after surgery, marking the first Phil and Friends show.  He discusses the lineup, including Trey Anastasio and Paige McConnell from Phish, and highlights their performance of various songs, notably "Viola Lee Blues" and "Hello Old Friend." The discussion also touches on recent music news, including the cancellation of the Skull and Roses festival and a tribute event for Jimmy Buffett featuring Paul McCartney and the Eagles. Additionally, it anticipates Fish's upcoming performances at the Las Vegas Sphere venue. Phil Lesh & FriendsApril 15, 1999 (25 years ago)Warfield Theater, S.F.Phil Lesh and Friends Live at Warfield Theater on 1999-04-15 : Free Download, Borrow, and Streaming : Internet Archive Lineup:Phil Lesh - BassSteve Kimock - GuitarsJohn Molo - DrumsTrey Anastasio - GuitarPage McConnell – Keys  INTRO:                      Hello Old Friend                                    Track # 1                                    0:10 – 1:47 25 years ago, Phil Lesh & Friends featuring guitarist Trey Anastasio and keyboardist Page McConnell of Phish kicked off their landmark three-night run at The Warfield in San Francisco on this date in 1999. Guitarist Steve Kimock and drummer John Molo rounded out the lineup of one of the most memorable collaborations the jam world has seen.This was the first ever performance of Phil & Friends and quite a memorable group of Friends to be playing with at a storied S.F. music venue.The shows also marked Lesh's return after undergoing liver transplant surgery at the age of 58 due to chronic hepatitis C infection. The April 15 concert kicked off with Phil and his sons Brian (??) And Grahame Lesh (12), backed by guitarist Steve Kimmock, in front of the curtain, performing Eric Clapton's “Hello Old Friend” as a fitting first song back for Phil. Both boys are strong musicians and Grahame, who graduated from Stanford in 2010 with a music degree, is a regular touring member of Phil and Friends in addition to playing with his own band, Midnight North.Phil Lesh's surgery took place at the Mayo Clinic in Jacksonville, Florida on December 17, 1998, barely 4 months earlier. Lesh, who was 58 at the time, had been suffering from internal bleeding caused by hepatitis C, which he was diagnosed with in 1992. He received the liver of a young man named Cody and his since started encores of his concerts by preaching the importance of becoming an organ donor."Hello Old Friend" is a country rock song, written and recorded by the British rock musician Eric Clapton. The track was released in October 1976 as the first of two singles from Clapton's 1976 studio album entitled No Reason to Cry. the AllMusic critic William Ruhlmann notes, "Hello Old Friend" is the best pop/rock song on the album. He goes on describe the title as a "identifiable" Clapton piece of music.[2]Rolling Stone journalist Dave Marsh called the song "a whimsical and silly slice of attempted innocence".[3]Billboard said that it has a reggae feel similar to that of "I Shot the Sheriff."[4]Record World called it "a midtempo number constructed around a network of acoustic and slide guitars.” The Grateful Dead never played the song in concert.   The five-piece then showed off its firepower with a 34-minute “Viola Lee Blues.”  SHOW No. 1:           Viola Lee Blues                                    Track # 2                                    31:30 – 33:01 In a 1999 interview with Jambands.com, Lesh revealed that it was Anastasio's idea to do “Viola Lee” and talked about how he started listening to Phish and also how the collaboration came about. Read an excerpt below:“[Phish's music]…was absolutely entrancing, it was just gorgeous…but I couldn't hear the piano well on the live tapes, so I went back to the CD's and started listening to Page and what he was doing, and so I said “Well…” and my wife said “Come on, Come on, give them a call.” Somehow I got their phone numbers, and I gave them both a call. We talked about it, and they said we'd love to do it, and so we set a date, and we started calling back and forth, and like I said earlier they brought in a dozen Grateful Dead tunes I never would have thought of doing, but they wanted to [do] them. And we got together at rehearsal and the first thing we did together was “Viola Lee Blues,” and from there on out it was like now let's do this one, and let's do this one. It was real rehearsal in the sense that the Grateful Dead rarely was. Grateful Dead rehearsals were kind of comical. We believed in public rehearsals.” A long time favorite of Phil's, he picked it as one of the live tunes for the GD album, Fallout From The Phil Zone – a collection of some of Phil's favorite live tracks of various Dead tunes released on June 17, 1997.  In the liner notes he said this of the song: “The definitive early Grateful Dead jammin' tune, the first one we ever really stretched out beyond all recognition, by using what we called then “shifting gears” – which is really nothing but a twenty minute accelerando, influenced by the North Indian music that we were listening to a lot at that time.” Played only 44 times by the BandFirst:  March 19, 1966 at Carthay Studios, Los Angeles, CA,Last:  October 31, 1970 at Stony Brook Gymnasium in Stony Brook, NY Also played June 27, 2015 at Levi's Stadium, Santa Clara, CA, USA  50th Anniversary shows MUSIC NEWS:Skull and Roses called off, no refunds After the exploratory, bar-setting, “Viola Lee,” the quintet would run through more material from the Dead canon with Trey and Page harmonizing on “Big Railroad Blues,” Phil singing “Jack-a-Roe” and Phil, Trey and Page harmonizing on “Cosmic Charley”   SHOW No. 2:           Cosmic Charlie                                    Track #5                                    3:25 – 5:12 Old Time Music and Hope Barnett: Grateful Dead was known for their unique and poetic songwriting style, and “Cosmic Charlie” is no exception. Released in 1969 on their album “Aoxomoxoa,” this song has captivated fans for decades with its enigmatic lyrics and psychedelic sound. Exploring themes of spirituality, love, and the human experience, “Cosmic Charlie” takes listeners on a sonic journey unlike any other. The meaning behind “Cosmic Charlie” is open to interpretation, as with many of the band's songs. Some believe it was inspired by the vision of a fictional character named Cosmic Charlie, who travels through different dimensions, spreading joy and love. Others see it as a metaphor for the human longing for connection and transcendence. The lyrics, although cryptic at times, convey a sense of wonder and mystery that invites listeners to delve deeper into their own consciousness. The overall message of “Cosmic Charlie” seems to be one of embracing the cosmic and spiritual aspects of life. It encourages listeners to let go of their inhibitions, explore the unknown, and seek connection with the universe. The song invites individuals to tap into their inner selves and discover the hidden realms of existence. While “Cosmic Charlie” was never released as a single and did not enjoy mainstream success, it holds a special place in the Grateful Dead's discography and the hearts of their fans. Its eclectic and unique style showcased the band's experimental tendencies and cemented their reputation as pioneers of the psychedelic rock genre. Love hearing Trey and Page singing along on this old timey Dead gem. Played 45 times by the Dead (38 in 1969 and 1970, 1 in 1971 and, inexplicably, 6 in 1976.First: January 17, 1969 at Robertson Gymnasium, University of California Santa Barbara Campus, CA, USALast: September 25, 1976 at Capital Centre, Landover, MD, USA 1984 Deadheads would pass around a petition asking the band to play the song again and also pass out cards before the show with the lyrics just in case they played it. Finally, for the Phish fans in the crowded Warfield, the first Phish tune of the run (and only one that night), “Wolfman's Brother.” SHOW No. 3:           Wolfman's Brother                                    Track # 6                                    1:30 – 2:58 On this one, writing credit goes to the entire band plus long time Phish lyricist, Tom Marshall.Released on Hoist (stylized as (HOIST)) is the fifth studio album by the American rock band Phish, released on March 29, 1994, by Elektra Records. At the time of its release, Hoist was Phish's best selling album to date, peaking at No. 34 on the Billboard 200 albums chart. The album was certified gold by the RIAA on August 19, 1996, and remains the band's best-selling studio release, outsold in their discography only by the platinum-certified A Live One.Old Time Music:  Mike WellsMusic has a unique way of connecting with our emotions, memories, and experiences. It has the power to transport us to a different time and place, evoking feelings we may have long forgotten. One song that has always resonated deeply with me is “Wolfman's Brother” by Phish. This track, featured in their 1994 album “Hoist,” holds a special meaning and significance for both the band and their dedicated fanbase. the lyrics of “Wolfman's Brother” have a universal appeal. They invite listeners to reflect upon their own encounters with enigmatic figures or forces that have left a lasting impact. It encourages us to confront the demons that haunt us and search for understanding and resolution.Listening to “Wolfman's Brother” live is an entirely different experience. The band's extended jams and improvisations add a new layer of depth and intensity to the song. It becomes a collective experience, with the audience joining in as the lyrics are chanted by thousands of voices.Phil spoke with Jambands.com about wadding into the Phish catalog:I had thought maybe we would do this tune or that tune, and in the end, we only ended up doing one tune that I thought we would do, and that was “Prince Caspian,” and then they brought up those other three, “Wolfman's Brother,” which I had never heard, and “Down With Disease” and “Chalkdust Torture,” which I hadn't heard either until we played them at the rehearsal, and then I went and got the CD's and checked them out. But then I started listening to their other stuff, their other stuff is real interesting, but you can tell by listening to that that they need their forty hour weeks, because they really need to get that shit down. Never played by the Dead. MJ NEWS – One Toke Over The Line!!!  STRAINS: Strawberry Shortcake – a wonderful nighttime indica strain that that has a tart strawberry taste and leaves you with a good face melt and some couch lock.  Wait until you get home before diving in.  No great if you are with a group of people who are looking for your active participation in whatever they are doing!  But wonderful to relax and get ready for a good night's sleep. Blue Dream – every now and then I swing back to one of the all time greats.  Nice for daytime and early evening use.  Just have to be sure that whatever they are calling Blue Dream is really Blue Dream.  It does have a fairly distinctive taste and smell so if you are familiar with the strain, you should be able to tell if you have the real stuff. Tang – a wonderful sativa that is energetic without providing the standard “sativa crash” as it wears off.  Also nice because of it's ability to “cut through” any buzz you may already have and provide a new uplifting effect. After a first set-closing “Uncle John's Band,” the second frame got underway with Lesh leading on “Alabama Getaway” and “Sugaree,” the latter of which featured the band taking things out again and stretching the song to over 20 minutes. Phil once again stepped to the mic for a cover of the Bob Dylan classic “Like A Rolling Stone” that saw Trey and Page joining him on the chorus – I love that tune, the first Phil & Friends show I ever saw, featuring the Quintet, at the Riviera Theater in Chicago with good buddy Jimmy they opened with a 15 minute version of this tune into a 30 minutes cover of Low Spark of High Heeled Boys, just too many other good tunes from this show -  and led into a spirited “I Know You Rider.” Anastasio then fronted the quintet on a sweet version of “Row Jimmy”   SHOW No. 4:           Row Jimmy                                 Track #12                                   2:10 – 3:55 Garcia/Huner tune, Wake of the Flood is the sixth studio album (and tenth album overall) by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Recordslabel. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and rhythm and blues) contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.[8]The release fared better on the pop charts than their previous studio album (1970's American Beauty), reaching No. 18. After three live albums in a row, the Grateful Dead wanted to record studio versions of songs written since Keith Godchaux had joined the band. At the time of recording, five of the songs on the album (and part of a 6th) had been in live rotation for up to a year and a half, as arrangements were road-tested and finalized. Referring to this period, bassist Phil Lesh explained, "We'd learned to break in the material at shows (under fire, as it were), rather than try to work it out at rehearsals, or in the studio at tremendous expense." Describing Godchaux's influence, drummer Bill Kreutzmann characterized the album as "Keith's coming out party." Remarking on the evolution in style, he remembered:Jerry brought "Row Jimmy" into us one day, and it was really difficult to get a grip on it at first.     It has a slow tempo, which makes it seem like it would be easy, but it calls for a slight reggae groove layered over a ballad. Rhythmically, the lengths aren't traditional. They're not just twos and fours. It's deceiving. Basically, you have to play the song in half-time with a double-time bounce on top. It's trickier than it sounds. But once I locked into it, "Row Jimmy" became one of the best songs in our repertoire. Played 274 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USA, a show we featured earlier this year.Last: June 21, 1991 at Knickerbocker Arena in Albany Cannot say enough about Trey's strong vocals on this tune.  This is 16 years before the 50th reunion shows where Trey would play lead guitar for all five shows (2 in Santa Clara and 3 at Soldier Field).  And at this point, Phish had only covered one Dead tune in concert:  Terraping Station on August 9, 1998 at the Virginia Beach Amphitheater on the third anniversary of Jerry's death.  Since that point, it is still the only time Phish has covered a Dead tune in concert.  Why only that one?  Who knows.  Trey is certainly more than qualified to cover any Dead tune and the other guys have all played with various Dead members from time to time.  One of the great mysteries of the Phish world (at least for me). This was followed by a crowd-pleasing “Shakedown Street” which saw the band stretching their legs once again for a nearly 20-minute excursion. Next, “The Wheel” led into a 15 minute version of the classic closer “Not Fadeaway” to bring set two to a conclusion. After Phil's donor rap and band intros, Phil & Phriends closed out Night One of the run with Phil singing lead Dylan's “Mr. Tambourine Man,” which they did in the style of The Byrds.   OUTRO:                    Mr. Tambourine Man                                    Track #18                                    0:00 – 1:28 Leave you with one of my favorite Bob Dylan tunes. "Mr. Tambourine Man" is a song written by Bob Dylan, released as the first track of the acoustic side of his March 1965 album Bringing It All Back Home. The song's popularity led to Dylan recording it live many times, and it has been included in multiple compilation albums. It has been translated into other languages and has been used or referenced in television shows, films, and books.The song has been performed and recorded by many artists, including the Byrds, Judy Collins, Melanie, Odetta, and Stevie Wonder among others. The Byrds' version was released in April 1965 as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success. Dylan himself was partly influenced to record with electric instrumentation after hearing the Byrds' reworking of his song. The song has been in Dylan's live concert repertoire since it was written,[10] usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, perhaps the song's live debut, recorded at London's Royal Festival Hall on May 17, 1964. Great version, again with Trey and Page joining in.  I think Phil surprised them with pace of the tune right at the start, but everyone catches up and it's a fun song to hear in concert.  Great way to close out night 1 of this 3 night return to the stage run for Phil.  Best part is that 25 years later he is still going strong at 84! Phil and Friends have covered it 6 timesFirst:  at this show!Most recent:  October 5, 2000 at Orpheum Theatre, Boston, MA, USA  (doesn't seem correct to me because I'm fairly certain I've seen Phil perform this live since 2000, but so far cannot seem to come up with the place, date or folks he was playing with.  Happens sometimes! Finally, this show marks the first instance of Phil's famed “Donor Rap” that precedes the encores of all of his shows .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

http://www.copperplatemailorder.com                     Copperplate Time 467                   presented by Alan O'Leary                                                     1. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours 2. Trian: Humours of Ballyconnell/Reel Eboulement/Richie Dwyer's.  Trian 23. Frankie Gavin & Alec Finn:         The Dark Haired Lass/The Shoemaker' Daughter.   Volume 2 4. Luka Bloom: You Couldn't Have Come At A Better Time.             Bringing It All Back Home 5. Dan Brouder:   Eddie Kelly's/The Sailor's Cravat/Miss Thornton.                      The Lark's Air6. Cillian Vallely & David Doocey:  The Lark's March/Will You Come Home With Me. The Yew & The Orchard 7. Sorcha Costello: The Garavogue/The Sailor on the Rock.                The Primrose Lass 8. Noel Hill:  An Phis Fluich/The Fisherman's Jig.  Live in New York 9. Tommy Guihen:  The Parcel of Land/The Street Player/               The Drunken Landlady.   The Torn Jacket 10. Eilis Kennedy:   Who Knows Where the Time Goes.                      Time to Sail11. Dave Swarbrick/ Fairport: It Suits Me Well. Fiddlestix                               12. Liz & Yvonne Kane:3 Deer & A Hare/Pangur Ban. Side by Side13. Paul Simon:  April Come She Will.  Paul Simon Songbook 14. Bobby Casey:  The Graden of Daisies..  Taking Flight 15. Terry Clarke:  Sligo Honeymoon 1946. Shelley River16. Moving Cloud:  Shelley River Waltz/New Year Waltz.          #                  Foxglove 17. Doc Watson:  The Girl With the Blue Velvet Band.                       The Vanguard Years 18. Tony Reidy:  Mayo Man. A Rough Shot of Lipstick 19.Jackie McAuley:  The Auld Triangle.  Shadowboxing 20. Bothy Band:  Green Groves/Flowers of Red Hill.   After Hours

The all-seeing telescope of truth scanned this week's rock and roll heavens and noticed a few patterns emerge, among them … … the real story of the writing of Layla and who nicked what from where. And who didn't get paid. … why Sally Grossman was on the cover of Bringing It All Back Home.   … album sleeves with overflowing ashtrays that screamed ‘welcome to my bohemian world!' – Soft Machine's Third, Man's Rhinos, Winos + Lunatics, Back Street Crawler …   … album sleeves that said “meet my girlfriend!” – McDonald And Giles, the Madcap Laughs, The Freewheelin' Bob Dylan, Love Chronicles, the Paul Simon Handbook …   … album sleeves suggesting the powerful aphrodisiac of music and the allure of ‘the bachelor pad' … .. our night out at a Leo Sidran show and what we'll expect – indeed insist upon - at all gigs in the future. … when rock stars read 12th Century Persian poetry. …the time Lucinda Williams toured with Dylan and Van Morrison and never met either of them. … the glorious squalor of ‘70s flats. … “comedy is tragedy at a different speed”. … mentioned in despatches: Sharleen Spiteri, John Mellencamp, James Burton, Bobby Whitlock, Daniel Kramer.   The Everly Brothers' Walking The Dog. Is that the original Layla riff at 2.20? …https://www.youtube.com/watch?v=072OpLw-l_sSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The all-seeing telescope of truth scanned this week's rock and roll heavens and noticed a few patterns emerge, among them … … the real story of the writing of Layla and who nicked what from where. And who didn't get paid. … why Sally Grossman was on the cover of Bringing It All Back Home.   … album sleeves with overflowing ashtrays that screamed ‘welcome to my bohemian world!' – Soft Machine's Third, Man's Rhinos, Winos + Lunatics, Back Street Crawler …   … album sleeves that said “meet my girlfriend!” – McDonald And Giles, the Madcap Laughs, The Freewheelin' Bob Dylan, Love Chronicles, the Paul Simon Handbook …   … album sleeves suggesting the powerful aphrodisiac of music and the allure of ‘the bachelor pad' … .. our night out at a Leo Sidran show and what we'll expect – indeed insist upon - at all gigs in the future. … when rock stars read 12th Century Persian poetry. …the time Lucinda Williams toured with Dylan and Van Morrison and never met either of them. … the glorious squalor of ‘70s flats. … “comedy is tragedy at a different speed”. … mentioned in despatches: Sharleen Spiteri, John Mellencamp, James Burton, Bobby Whitlock, Daniel Kramer.   The Everly Brothers' Walking The Dog. Is that the original Layla riff at 2.20? …https://www.youtube.com/watch?v=072OpLw-l_sSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The all-seeing telescope of truth scanned this week's rock and roll heavens and noticed a few patterns emerge, among them … … the real story of the writing of Layla and who nicked what from where. And who didn't get paid. … why Sally Grossman was on the cover of Bringing It All Back Home.   … album sleeves with overflowing ashtrays that screamed ‘welcome to my bohemian world!' – Soft Machine's Third, Man's Rhinos, Winos + Lunatics, Back Street Crawler …   … album sleeves that said “meet my girlfriend!” – McDonald And Giles, the Madcap Laughs, The Freewheelin' Bob Dylan, Love Chronicles, the Paul Simon Handbook …   … album sleeves suggesting the powerful aphrodisiac of music and the allure of ‘the bachelor pad' … .. our night out at a Leo Sidran show and what we'll expect – indeed insist upon - at all gigs in the future. … when rock stars read 12th Century Persian poetry. …the time Lucinda Williams toured with Dylan and Van Morrison and never met either of them. … the glorious squalor of ‘70s flats. … “comedy is tragedy at a different speed”. … mentioned in despatches: Sharleen Spiteri, John Mellencamp, James Burton, Bobby Whitlock, Daniel Kramer.   The Everly Brothers' Walking The Dog. Is that the original Layla riff at 2.20? …https://www.youtube.com/watch?v=072OpLw-l_sSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Season 4 Episode 16 - Rolling back to Rolleiflex. Welcome back to a new episode of Bringing It All Back Home - this one is all about the risks & rewards of jumping into the bargain priced level of Rollei known as the Automat series. Is it worth the gamble? Are you prepared to wait 6 months for a CLA? Is it possible to plunge ahead with these 75 year old cameras and ignore the various repair needs? Tune in and check it out! Mentioned: Rolleiflex 3.5 MX Automat model K4A (X sync), Schneider Kreuznach Xenar, Harry Fleener, Mark Hansen, Mamiya C33. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 4 Episode 15 - Leica 28mm f/2.8 ASPH Elmarit-M II. Bringing It All Back Home returns with a look at another killer lensrental: the fantastic Leica 28mm f/2.8 ASPH Elmarit-M II paired with a 1969 Leica M4, Ilford Delta 100, ID-11 1+1, and a very, very cold golden hour morning of shooting local mid-century architecture. Is this lens for you? Will you need to give up all rational arguments & fork out $2450 on a six ounce wide-angle prime? Tune in & Check It Out. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 4 Episode 14 - Pentax 6x7 & the Polar Plunge. Bringing It All Back Home is back for a special New Year's Day episode - and this one is bringing it all back to the Pentax 6x7 medium format camera (beast). Join us for a look at why it still has advantages over the RZ67, why the wooden grip and lens focus ring are essential, and how it fared taking portraits of the way-too-popular Margate Polar Plunge. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Rob welcomes fellow Bobcat Brett Young to discuss "It's Alright, Ma (I'm Only Bleeding)", from 1965's BRINGING IT ALL BACK HOME. Have a question or comment? Contact: https://fmpods.com/podcasts/poddylan Follow us on Twitter: @Pod_Dylan POD DYLAN "Jukebox" T-Shirt now available: https://www.etsy.com/shop/RobKellyCreative Complete list of all songs covered so far: Pod Dylan Songs This podcast is part of the FM Podcast Network. Thanks for listening!

Season 4 Episode 11 - Analog Combo: Leica M4, Voigtlander Apo-Lanthar 35mm f/2, FP4Plus, Rodinal Stand. Bringing It All Back Home returns with an Analog Combo - testing out the Voigtlander Apo-Lanthar for 35mm on a December morning with perfect golden hour light. Rodinal Stand, Leica M4, Vintage Breeze Blocks & a mid-century architecture tangent: it's all here! --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

http://www.copperplatemailorder.com                Copperplate Time 457           presented by Alan O'Leary                         1. Bothy Band:  Green Groves/Flowers of Red Hill.         After Hours 2. Peoples/Molloy/Brady:               Matt Peoples.  Peoples/Molloy & Brady  3. Frankie Gavin:   Christmas Eve. Rainy Sundays 4. Ralph McTell:  The Girl From the Hiring Fair.               Bridge of Sighs5. Ushers Island:               Sean Keane's. Ushers Island                                  6. Andy Irvine:  King Bore & The Sandman.               Rainy Sundays 7. Paddy Glackin: Top It Off/The Sunny Banks.                Ceol ar an bhFidil 8. John Doyle:  The Path of Stones.  The Path of Stones 9. Ailie Robertson: The Exploding Bow. First Things First10. Shane McGowan & The Pogues:             A Pair of Brown Eyes. Rum, Sodamy of the Lash 11. John J Kimmel: Bonnie Kate/The Swallows Tail/Star of Munster.      Early Recordings of Irish Trad Music 12. Kevin Burke:   Tuttle's Reel/Bunch of Green          Rushes/Maids of Mitchelstown.  The Very Best of… 13. Moloney/O'Connell/Keane:               Kilkelly.   Bringing It All Back Home               14. Michelle Mulcahy:  Caoineadh Mick Moloney.                Lady on the Island 15. Donncha O'Briaín: The Maple Leaf/The Man of Arran.  Trad on the Tin Whistle16. Paul Brennan & Carrig: The Piper's Jig/The Swan Among the Rushes/Behind the Bush in the Graden.                  Airs & Graces 17. Dezi Donnelly & Mike McGoldrick:          The Humours of Lissadell/Queen of May/Sweeney's Dream.    Dog in the Fog 18. The Roches:  Hammond Song.                 Collected Works of The Roches 19. We Banjo 3: The Bunch of Green Rushes/Salt Creek.    Live in Galway 20. Bothy Band:  Green Groves/Flowers of Red Hill. After Hour   

Season 4  Episode 10 - Leica CL - Is it for you? Did you catch Willem Verbeeck using one recently? Bringing It All Back Home takes a deep dive into whether or not it is worth it to consider the LEICA CL as your first M-mount system. Crowded frame-lines, faulty plastic take-up spools, awkward film loading method - it all gets a serious evaluation. Are you experienced with 40mm? Can you be sold on the Summicron-C 40 cult? How does a $450 DAG CLA make you feel? Tune in and consider the CL options. Links: Sherry Krauter interview: https://www.notes.nicefilmclub.com/posts/interview-with-a-leica-repair-master-sherry-krauter DAG: https://www.dagcamera.com/store/c1/Featured_Products.html Summicron-C 40: https://www.35mmc.com/02/04/2016/leica-40mm-summicron-review/ Current eBay prices for Leica CL/Summicron: https://www.ebay.com/sch/i.html?_from=R40&_trksid=p2505460.m570.l1313&_nkw=Leica+CL+summicron&_sacat=0 Willem Verbeeck shooting a Leica CL: https://www.youtube.com/watch?v=aV4v6omhyRs --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Intro song: Mr. Tambourine Man by The ByrdsAlbum 5: Bringing It All Back Home (1965)Song 1: On the Road AgainSong 2: It's Alright, Ma (I'm Only Bleeding)Song 3: Bob Dylan's 115th DreamAlbum 6: Highway 61 Revisited (1965)Song 1: Highway 61 RevisitedSong 2: Ballad of a Thin ManSong 3: Desolation RowOutro song: Like a Rolling Stone (Live) by The Rolling Stones

Bringing It All Back Home returns with a LIVE CHAT featuring New Jersey photographer Brian Coyle. Tune in and discover Brian's photo journey: from his first camera to his latest projects. Topics include: Englishtown raceway, skateboarding with a fisheye, his all-time favorite camera, & why medium format is way more fun. Check out Brian's Instagram: https://www.instagram.com/brianjcoyle/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Looking to put every camera you own into a full rotation? This episode explores the idea behind completing a full round: getting hands-on (over two months) with ALL your gear, as well as using up all your film on hand. Which cameras still have the fun factor? Listen in to this new episode of Bringing It All Back Home: see if the experiment was worth it - discover if this is something that might work for you - and how a sudden craving for more medium format work might come out of it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

This week's Bringing It All Back Home episode is all about chasing the amazing surf photography opportunities during the week of Hurricane Lee. Did the forecast hold up? Was I able to get any cool shots using an F100 and Tmax 100? Did the waves deliver? Was my borrowed D500 having issues? Tune in - & check it out! Gesler: https://www.instagram.com/gesler/ Cruz: https://www.instagram.com/stories/cruzdinofa/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 4 Episode 2 is all about the inspiration and fascination with Over Exposing  and Under Developing.  Drawing from the advice of Darkroom Dave (former Ilford chemist, master darkroom printer, landscape photographer), as well as (assistant to Rodney Smith) Terence Falk, we'll explore two proven methods for getting the most out of B&W films such as Ilford's FP4 and Kodak's Tri-X. Ansel Adams zone system for portraits? Tune on in to Bringing It All Back Home - and check it out. Darkroom Dave https://www.darkroomdave.com/tutorial/processing-your-first-black-and-white-film/ B&H Podcast about Rodney Smith https://podcasts.apple.com/us/podcast/b-h-photography-podcast/id1052860428?i=1000626928195 --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 4 Episode 1 - The Golden Hour. Bringing It All Back Home returns!  This first episode of Season 4 takes a look at one of the all-time basics: working with some of the best Kodak color film to explore the best of golden hour light. On this episode the inspiration begins with the fine vibes and beautiful photography that is the work of bonzenschneider. https://www.instagram.com/bonzenschneider/ Tune in & check out: Exploring the 6° morning light, why you don't need a $2k lens, and how sometimes it all comes down to just finding the right film for the right light.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Rob welcomes back Bobcat Lindsay Davidson to discuss "If You Gotta Go, Go Now", an outtake from 1965's BRINGING IT ALL BACK HOME. This Episode is for FM+ Subscribers Only. If you're not yet a subscriber, you'll hear a special preview version of this episode. To hear the full episode, sign up for FM Pods + in Apple Podcasts or at FMPods.com. Have a question or comment? Contact: https://fmpods.com/podcasts/poddylan Follow us on Twitter: @Pod_Dylan POD DYLAN "Jukebox" T-Shirt now available: https://www.etsy.com/shop/RobKellyCreative Complete list of all songs covered so far: Pod Dylan Songs This podcast is part of the FM Podcast Network. Thanks for listening! UgFlUnTxhNRhlTl4PuVo

Season 3 Episode 25 - R You Experienced? Bringing It All Back Home comes to a season finale with an unexpected swerve towards the  land of Leica R - Leica R3 & the Summicron-R 50mm F/2 . Come onboard as the depths of Leica reality distortion are plunged into once again: near-miss eBay bids for items way beyond budget; the magic designs of Walter Sandler; why SLRs are just as cool (if not more) than rangefinders. And why betting on an over-engineered electronic wonder from the 70s is an idiotic risk too tempting to pass up.  More about Walter Sandler  http://www.phsc.ca/phsc_e-mail/Vol-5/PHSC-E-Mail-V5-2-Dr-Mandler.pdf Stay in touch with the podcast!  Instagram: https://instagram.com/charles_k77?igshid=MmIzYWVlNDQ5Yg== Twitter/X: @cwkphotolocal --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

To Summicron Or Not To Summicron To Summicron Or Not To Summicron - That is the question. Bringing It All Back Home is back for another Season 3 summer episode — and this one is all about two exceptional Leica m-mount 50mm lenses. On this episode we'll be exploring the build quality, ergonomics, results — and wow factor — of the Voigtlander APO LANTHAR f/2, as well as the Leica Summicron-M 50mm f/2 type 5 V. And a recurring theme — unavoidable, really — is how much are these dream upgrades going to cost? So tune in, grab a cup of tea, and join the improbable reality distortion field that unfolds with rented Leica glass. https://www.bhphotovideo.com/c/product/86059-USA/Leica_11826_50mm_f_2_0_Summicron_M.html https://www.bhphotovideo.com/c/product/1622398-REG/voigtlander_ba362a_apo_lanthar_50mm_f_2_0_aspherical.html --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 3 Episode 23 - The Magic of 1.2 Hello & welcome back to another episode of Bringing It All Back Home. Today's podcast is all about the irrational but heartfelt love for the latest take on an ultra fast 50mm prime: the modern version on the sliver of depth of field magic known as f/1.2 - in this case the Sony FE 50mm f/1.2 GM. An astounding, jaw-dropping, overachiever of a lens - with an equally breathtaking list price. Tune in to see if this piece of glass might be a contender for your next rental! Topics: Sony FE 50mm f/1.2 GM, X-rite ColorChecker, Lensrentals.com. Ilford Perceptiol --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Today's slow drag is with “Mischievous Ghost” from the Rhino reissue of “Mighty Like a Rose,” released in 2002. It was originally released as part of the “Bringing It All Back Home” soundtrack, released in 1991. The songwriting is credited to Elvis Costello's birth name. This episode has been requested by a loyal and astute fan who believes “Mischievous Ghost” was the impetus for Mr. Costello's dalliance with long hair, as he seems to have spent much time “in the blank hillsides” of Ireland himself at the time. . . . Show Notes: Appreciation written, produced, and narrated by Remedy Robinson, MA/MFA Twitter: https://twitter.com/slowdragremedy Email: slowdragwithremedy@gmail.com   Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag   References: Elvis Costello Wiki Resource, “Mischievous Ghost” http://www.elviscostello.info/wiki/index.php/Mischievous_Ghost   “Mischievous Ghost” https://www.youtube.com/watch?v=PfbsGZvdNbk   Unmask Us, Elvis Costello on “Mischievous Ghost” https://unmask.us/songwriters-c-e/elvis-costello-p5/ The Vibrato Debate: https://www.newsounds.org/story/43709-the-vibrato-debate/   The Scottish Bagpipes, https://www.youtube.com/watch?v=xl9240HWXBU   Purchase “The Most Terrible Time in My Life…Ends Thursday”   Listen to the audiobook for free at: https://www.youtube.com/watch?v=Kq7n1pN8D1Y   "Mischievous Ghost" Lyrics   She came dancing right before my eyes She said she came to warn me Before it dawned on me I went walking on the blank hillside Where the sunset falls Where the sunset dies She gave me love / she told me lies That most mischievous ghost She was in disguise, she was in disguise, she was in disguise   He started to whistle, they bought him a flute He was talking in tongues, they swore he was mute He scoffed and blasphemed, they said it was beautiful Busted a button, they bought him a suitcase full   They colored him cricket and laced him up tight As he drew on their days, resurrected his nights He raved in the dark, he went out in a blaze "There you go," they said, "he's good for nothing and lazy"   With scandal and shame, they slandered his name They told him to freeze, they damned him to roast Disappointed that he passed away peacefully Never dying to be a mischievous ghost   They dug him up quick with a polish and lick They powdered him up till he only looked sick The hinge in his backbone would bend to applause But his dancing was not quite as lively of course   These are the rewards immortality affords Bullied and bribed and beaten to bliss Parroting slack sentimental laments Of going away and not being missed   With scandal and shame, they slandered his name They told him to freeze, they damned him to roast Disappointed that he passed away peacefully Never dying to be a mischievous ghost   With the green beer and the shamrock tattoos Singing his songs of the battles we lose And "Will ye come home again," so we can murder you What would you do if they took his word With forty-eight million to join in the toast Move over my darling mischievous ghost Mischievous ghost

חברות ונאמנים.למען נחת הרוח לא נחשׁה. אשר על כן, הפכנו והפכנו בלוחות השנה והתאריכים הנשכחים העשויים להיות לנו לעזר. ובכן מסתבר כי היום - 4 ביוני 1965 - לפני 58 שנים תמימות הופיע לראשונה ניגון הנצח "Maggie's Farm" כתקליטון על אדמת אנגליה. צעד קטן לשיר - צעד ענק לעולם התאריכים ולצעירי האי הבריטי. השיר הוקלט בינואר אותה שנה וראה אור בתקליטו החמישי של בוב - Bringing It All Back Home - שיצא לחנויות כבר באפריל. אך לאנגליה הגיע ביוני. חשוב להדגיש כי למִן הקלטתו הראשונה של השיר ביצע זאת דילן באופן אֶלקטרי, חשמלי. היינו כּולם - הן בניופּורט שבאמריקה והן במנצ'סטר שבאנגליה, ידעו ידוע היטב כי דילן מנהל מגעים מתקדמים עם הקידמה ועם הגיטרה החשמלית. ולמרות כי לא היתה זו הפתעה כלל ועיקר הרי שביולי אותה שנה, קמה המהומה בפסטיבל הפולק בניופּורט על מעשיו של דילן. המשטמה היכתה שורש כזכור גם בלבבות צעירי אנגליה. ללא ספק מדובר בניגון מרכזי. היו שכינו אותו "קריאת הקרב של תרבות הנגד", אחרים ראו בו המנון שמתייחס לתנועה למען שוויון הזכויות בארה"ב: החווה, השיעבוד לאותה מגי מיסתורית, המשפחה המוזרה שלה, המשמר הלאומי הניצב מחוץ לדלת. כל אלה מופיעים בו ותרמו לפרשנויותיו השונות ולהילת המאבק שסביביו.ואכן מן הרגע בו נולד זכה השיר לביצועים באסכולות השונות, מים ועד ים.נצא אם כן הלילה בעקבי השיר ונחקור התפתחותו בימים. > הלילה ב22:00 בגל"צ.  (ואין באמת ספר כזה. הכריכה תודות לToddAlcottGraphics)   1. Bob Dylan - Maggie's Farm [Bringing It All Back Home]2. Bob Dylan - Maggie's Farm [Newport Folk Festival July 25 1965]3. Solomon Burke - Maggie's Farm [May 1965]4. Hank Squires - Maggie's Farm [1966] 5. Richie Havens - Maggie's Farm [1968]6. Lester Flatt & Earl Scruggs & The Foggy Mountain Boys - Maggie's Farm [1969]7. Booker T. & Priscilla - Maggie's Farm [1972]8. Bob Dylan - Maggie's Farm [Hard Rain]9. The Specials - Maggie's Farm [1980]10. The Grateful Dead - Maggie's Farm [Postcards of The Hanging 1987]  

Season 3 Episode 16 - A Decade of Home Developing  Is D76 truly the Yacht Rock of film developers? Will using Rodinal 100+1 stand development turn you into a lazy genius? Did this podcast actually compare Ilford ID-11 to Michael McDonald's background vocals? Aw, Mama - Has It Really Been Ten Years? Tune into today's newest Bringing It All Back Home episode celebrating black and white film home developing. Tips, tricks, mistakes that could have been avoided - and only a minor diversion into bulk loading. Topics discussed: Kodak D76, Ilford ID-11, Rodinal Stand Development, Kodak HC-110, Ilford DDX, Epson V550, Plustek, Darkroom Dave. Interested in seeing what you might need to get started? Check out this wish list: ⁠https://www.bhphotovideo.com/find/wishlist.jsp#/7CA3309B51/charles-film-wish-list⁠ Darkroom Dave https://www.darkroomdave.com⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

Season 3 Episode 15 - Andrew Wyeth's Home Places "You can be in a place for years and years and not see something, and then when it dawns, all sorts of nuggets of richness start popping all over the place. You've gotten below the obvious." —Andrew Wyeth Today's new episode of Bringing It All Back Home is all about revisiting the life, work, & obsessions of Andrew Wyeth — exploring what it meant to finally visit his home town of Chadd's Ford, as well as the historic Kuerner Farm. What does it mean to be deeply rooted in place? Can we discover the magic lurking in everyday realism? And did it really take me 10 years to finally drive out to Chadd's Ford and see the landscape for myself? Tune in, turn on, and check out the poetry & vision that was the work of Andrew Wyeth. Michael Palin documentary on Wyeth:  https://youtu.be/D5PrpI9y8W0 Explored on this episode: Andrew Wyeth, Michael Palin, N.C. Wyeth, Jamie Wyeth, Helga Testorf, Chadd's Ford Township, Brandywine Museum Of Art. Andrew Wyeth HOME PLACES exhibition February 4-July 13, 2023, --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

This week, hosts Greg Kot and Jim DeRogatis talk with the director of the documentary, Jimmy Carter: Rock and Roll President about how Carter changed the way politicians interact with musicians. Plus, poet and music critic Hanif Abdurraqib talks about hosting a season of the Lost Notes podcast on 1980. Then, Jim and Greg share their thoughts on the first new album in 24 years by the British duo, Everything but the Girl.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Bob Dylan, "It's Alright, Ma (I'm Only Bleeding)," Bringing It All Back Home, Columbia, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Everything but the Girl, "Nothing Left To Lose," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "When You Mess Up," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "Lost," Fuse, Buzzin' Fly, Virgin, 2023The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Bob Dylan, "Maggie's Farm," Bringing It All Back Home, Columbia, 1965Bob Dylan, "Gotta Serve Somebody," Slow Train Coming, Columbia, 1979Joy Division, "Love Will Tear Us Apart," Closer, Factory, 1980Grace Jones, "On Your Knees," Muse, Island, 1979Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980The Normal, "Warm Leatherette," Warm Leatherette (Single), Mute, 1978Ceremony, "New Order," Movement, Factory, 1981The Germs, "Forming," Forming (Single), What, 1977Yoko Ono, "Walking on Thin Ice," Walking on Thin Ice (Single), Geffen, 1981Phil Collins, "Sussudio," No Jacket Required, Atlantic, 1985Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Can a neglected 20 year old camera bring joy? Does it do more than just scratch the nostalgia itch? Is the hunt for Digicams and 6 megapixel cameras from 2000-2005 just a deluded zoomer thing? Come aboard for this latest episode of Bringing It All Back Home where neglected 20 year old digital cameras suddenly produce “film-like” files, incredibly accurate colors. Explore the latest YouTube trend for interesting and neglected CCD sensors, digicams. Join in on the debate: is it all wishful thinking? Are any of these retro digital combos worth another look? Should I buy another D200? https://petapixel.com/what-is-ccd-cmos-sensor/ https://www.dpreview.com/products/search/cameras#criterias=SpecsSensorSize%2CSpecsSensorType&view=grid¶mSpecsSensorSize=OneInch%2CFourThirds%2CAPSCH%2CFullFrame¶mSpecsSensorType=CCD --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message

When I find myself in times of trouble - Mamiya RZ67 comes to me? Well, sort of. Join us on Bringing It All Back Home for an episode revolving around medium format: the film, the camera combos, the current fave developer, as well as uplifting joy. Included: Ilford HP5 Plus, MAMIYA RZ67, Mamiya Sekor Z 90mm f/3.5 Lens for RZ67, ILFORD ID-11. PENTAX 645, PENTAX-A 45MM, PENTAX-A 75MM 2.8. 120 films: Portra 400 & 160, Gold 200, Fuji 400H. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charles-kershenblatt8/message