Podcasts about casino ballroom

WE GOT GREAT SHOWS COMING UP, I DELIVER THE FAKE NEWS.

GOT SOME GREAT SHOWS COMING UP.

WE GOT SOME GREAT SHOWS COMING UP.

LETS TALK CONCERTS PEOPLE.

WE WILL SEE YOU AT SOME SHOWS.

LETS CHAT ABOUT UPCOMING CONCERTS.

GOT SOME GREAT SHOWS COMING UP.

LETS TALK UPCOMING SHOWS.

WHAT SHOWS ARE YOU GOING TO?

LETS CHAT CONCERTS.

SEE YOU GUYS AT SOME SHOWS THIS SUMMER.

CONCERT SEASON IS COMING AT US QUICKLY.

WHAT SHOWS ARE YOU GOING TO?

QUICK RUNDOWN OF SOME UPCOMING SHOWS.

Lets chat about The Casino Ballroom.

This week on the show, host Sara J gets into the shows in the northeast back in the beginning of June. June 1st at Great Cedar Showroom at Foxwoods in Mashantucket, CT, June 2nd at Hampton Beach Casino Ballroom in Hampton Beach, NH, June 3rd at Cape Cod Melody Tent in Hyannis, MA and June 4th at State Theatre in Portland, MA.Check out the show notes for Sara J's 2023 nugs.net highlights playlist! Support DATC Media Company on Patreon: https://www.patreon.com/Datcmediacompany"We've Come So Far" (datcmediacompany.com)DATC Media Company: https://datcmediacompany.comDATC Media YouTube: https://www.youtube.com/channel/UCXM4rMP_2fWvjcVP4UH0G1QEmail: droppedamongthiscrowdpod@gmail.comShow Instagram page: https://www.instagram.com/droppedamongthiscrowdpodcast/Show Facebook Page: https://www.facebook.com/droppedamongthiscrowd/Twitter: https://twitter.com/amongthiscrowdBook a conversation on "Dropped among this Crowd":https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastUmphrey's McGee Tour Dates:https://www.umphreys.com/tour/Shop the Umphrey's McGee Official Store (umphreys.com)Umphrey's McGee UMXXV Digital Collectibles: umphreys.xyzThe Umphreys "WOW" Show: https://the-umphreys-wow-show-with-rob-turner-jimmy-knowledge.simplecast.com/Contact the Umphreys "WOW" show:  umwowshow@gmail.comJimmy Knowledge: https://twitter.com/UMfactsWall of "WOW": https://datcmediacompany.com/wall-of-%22wow%22-wednesdays"Stew on This": https://stew-on-this.simplecast.com/Tales from Scamp with Joel Cummins & Sara J: https://tales-from-scamp-with-joel-cummins.simplecast.com/Start you Nugs.net Free Trial:  https://www.pntrac.com/t/8-12682-307857-247638Watch "Frame by Frame";  https://www.pntrac.com/t/2-549297-307857-247638Watch "The Tennessee Tapes" exclusively on The Coda Collection Amazon Prime video channel: https://bit.ly/3PsV86YThe Much Obliged Podcast, A Yellow Balloon Experience: https://the-much-obliged-podcast-a-yellow-balloon-experience.simplecast.com/episodesFacebook: https://www.facebook.com/groups/muchobliged  Instagram: @JahJunkieSara J's 2023 nugs.net highlights playlist: https://2nu.gs/43gTtEFWhere you can check out the set lists for the shows discussed in this episode: June 1st: https://allthings.umphreys.com/setlists/umphreys-mcgee-june-1-2023-great-cedar-showroom-at-foxwoods-ledyard-ct-usa.htmlJune 2nd: https://allthings.umphreys.com/setlists/umphreys-mcgee-june-2-2023-hampton-beach-casino-ballroom-hampton-beach-nh-usa.htmlJune 3rd: https://allthings.umphreys.com/setlists/umphreys-mcgee-june-3-2023-cape-cod-melody-tent-hyannis-ma-usa.htmlJune 4th: https://allthings.umphreys.com/setlists/umphreys-mcgee-june-4-2023-state-theatre-portland-me-usa.htmlWhere you can listen to the shows discussed in this episode: June 1st:https://www.nugs.net/live-download-of-umphreys-mcgee-great-cedar-showroom-at-foxwoods-mashantucket-ct-06-01-2023-mp3-flac-or-online-music-streaming/33030.htmlhttps://relisten.net/umphreys/2023/06/01https://archive.org/details/um2023-06-01.kldhttp://www.umlive.net/live-music/0,33030/Umphreys-McGee-mp3-flac-download-6-1-2023-Great-Cedar-Showroom-at-Foxwoods-Mashantucket-CT.htmlJune 2nd: https://www.nugs.net/live-download-of-umphreys-mcgee-hampton-beach-casino-ballroom-hampton-beach-nh-06-02-2023-mp3-flac-or-online-music-streaming/33042.htmlhttp://www.umlive.net/live-music/0,33042/Umphreys-McGee-mp3-flac-download-6-2-2023-Hampton-Beach-Casino-Ballroom-Hampton-Beach-NH.htmlJune 3rd: https://www.nugs.net/live-download-of-umphreys-mcgee-cape-cod-melody-tent-hyannis-ma-06-03-2023-mp3-flac-or-online-music-streaming/33046.htmlhttp://www.umlive.net/live-music/0,33046/Umphreys-McGee-mp3-flac-download-6-3-2023-Cape-Cod-Melody-Tent-Hyannis-MA.htmlJune 4th: https://www.nugs.net/live-download-of-umphreys-mcgee-state-theatre-portland-me-06-04-2023-mp3-flac-or-online-music-streaming/33049.htmlhttp://www.umlive.net/live-music/0,33049/Umphreys-McGee-mp3-flac-download-6-4-2023-State-Theatre-Portland-ME.html

TOM KIEFER (formerly of CINDERELLA) At the Casino Ballroom.

A Daily "Buzz 24/7" feature from Greg & The Morning Buzz

DEAN DILEO Founding member- STONE TEMPLE PILOTS At the Casino Ballroom this SUNDAY NIGHT.

Andy shares a few cool Casino Ballroom stories.

KRISTEN AND JEN. - #IMOMSOHARD Coming to the Casino Ballroom 11/13 - Buzz Comedy Series.

New podcast segment - Going through a old ticket stubs; concert stories | Instagram: @danafuggenb | This podcast episode is based on a true story. Names, dates, and times have been altered for entertainment purposes.

Email: umphreakparentspodcast@gmail.comTwitter: @UmphreakparentsShow Facebook Page: https://www.facebook.com/UmphreakParentsPodcast/Closed Facebook Group: Umphreak ParentsWebsite: https://umphreakparentspodcast.weebly.com/Swftcharge information: https://www.swftcharge.com/Listener Survey: https://tinyurl.com/y67tcxrxThe Woodlands: https://thewoodlandsfestival.com/The "interview' project: http://umanon.com/projects/interview-project/Halloween + Philly shows information: http://www.umphreys.com/2019/06/halloween-and-philadelphia-2019/NYE information: http://www.umphreys.com/2019/07/new-years-eve-2019-confirmed/Fall Tour Information: http://www.umphreys.com/2019/07/new-fall-2019-dates-announced/"A realist guide to a succesful music career" : https://tinyurl.com/y2pd9tayEpisode 67: https://tinyurl.com/y5ufnum8Episode 36: https://tinyurl.com/y5nu7d2pThe set lists for the shows discussed:August 29th: http://allthings.umphreys.com/setlists/?date=2019-08-29August 30th: http://allthings.umphreys.com/setlists/?date=2019-08-30Where you can listen to the shows discussed:August 29th:UMLive: https://tinyurl.com/yytdofmtNugs.net: https://tinyurl.com/y29t8qfcAugust 30th:UMLive: https://tinyurl.com/yxn2hkzlNugs.net: https://tinyurl.com/yyk6btbnArchive.org: https://archive.org/details/um2019-08-30Photographs from the shows:Tara Gracer Photography :August 29th: https://tinyurl.com/y4a2lfpoAugust 30th: https://tinyurl.com/yxqkmo45Levene Photographers:August 30th: https://tinyurl.com/y364bplvMatthew Lang Photography: https://www.instagram.com/p/B2Fs57kAFvj/Matthew's review of the Stone Pony show: https://tinyurl.com/y3zh46wlJanuary 29th 2017:Setlist: http://allthings.umphreys.com/setlists/?date=2017-01-29UMLive: https://tinyurl.com/y3su2mvhNugs.net: https://tinyurl.com/y43jrre7Archive.org: https://archive.org/details/um2017-01-29.BerlinerCM33

Zakk called in and chatted about his upcoming Casino Ballroom show and his band's new 20th anniversary album!

Zakk called in and chatted about his upcoming Casino Ballroom show and his band's new 20th anniversary album!

Guitarist Rich Robinson of the band Magpie Salute and The Black Crowes called in and chatted about the upcoming Casino Ballroom show this weekend.

Guitarist Rich Robinson of the band Magpie Salute and The Black Crowes called in and chatted about the upcoming Casino Ballroom show this weekend.

Comedian Vic Dibitetto called in and chatted about his upcoming Casino Ballroom show and whats bothering him lately!

Comedian Vic Dibitetto called in and chatted about his upcoming Casino Ballroom show and whats bothering him lately!

Braid bassist from the band Three Days Grace called in and chatted about the band and tonights gig at the Casino Ballroom.

Braid bassist from the band Three Days Grace called in and chatted about the band and tonights gig at the Casino Ballroom.

We got a chance to chat with K.C. about his upcoming Casino Ballroom show how timeless his music is.

We got a chance to chat with K.C. about his upcoming Casino Ballroom show how timeless his music is.

On this episode of the Freecast, the city of Portsmouth pours gas all over the Gaslight's plans for summer fan, and it's Attorney Sullivan that comes across looking like a gas bag, huffing and puffing. And speaking of a puff, if you're in prison for a drug offence in Massachusetts, there's a good shot your conviction will be vacated next week because of massive corruption, but will tax payers be funding the restitution? You bet your butt. And the Ballroom's an institution. Next on the Freecast.   News Portsmouth city government stick their meddling hands in local business. City of Portsmouth and The Gas Light restaurant are going to court May 12. TGL is suing Portsmouth to prevent them from forcing an enclosure to be built around their outdoor deck space. Portsmouth health dept ordered its outdoor deck to be enclosed, saying that was part of the permitting process. But this is this the first time the HD has requested it in 26 years of operation.    "Attny Sullivan (op Ports)replies in his answer to the suit, "The city has worked with many proprietors of outdoor restaurants and all of them have worked with the city to create appropriate barriers to protect the equipment uses in outdoor bars and restaurants from the health risks of rats, insects and other vectors of disease that can injure public health, which includes not only the citizens of Portsmouth but its visitors."  And of course Attny Sullivan says: ""The Health Officer has the authority to prevent the use of unprotected equipment not only because it fails to protect the public health by eliminating the access of rats, other rodents, birds, insects, pollution, intentional tampering and contamination by people, but also presents a public health nuisance by providing food, water and harborage to these pests, which attracts and sustains their population." By any means necessary is what he means    County Correctional officer caught sneaking heroin into County Jail  A correctional officer was arrested after allegedly attempting to bring heroin into the county jail on Wednesday, according to law enforcement.  Bryant Shipman, 25, of Rochester, was charged with delivery of articles, a felony, according to a release from the Strafford County Sheriff's Office. Shipman was detained before entering the housing area of the facility.  Sheriff David Dubois said Wednesday night the investigation has been ongoing for about a month. He would not comment on whether investigators believe Shipman was providing the controlled drug to inmates or how much heroin was alleged to been found on him. Dubois did say future charges are possible.  Shipman is being held on $35,000 cash bail at the Strafford County jail where he worked.    MA is preparing to vacate nearly 24,000 Tainted drug convictions  MA prosecutors are taking this step because drug lab chemist Annie Dookahn pled guilty in 2012 of falsifying test results in favor of law enforcement and tampering with evidence over a nine year period starting in 2003. That adds up to 1 in 6 drug cases in MA during that time period.  The MA chapter of the ACLU pressed the court to vacate en-masse because they said it would take 48 years to assign public defenders to each defendant.  The court declined this but ordered state prosecutors to dismiss all cases they would not or could not re-prosecute. They have 90 days to comply. On April 18th.    New Hampshire leads United States in car affordability  Go Banking dot com survey results say that It's cheaper by far to own and operate a car in New Hampshire than anywhere else in the nation.  The three-year cost to own an average car here is $9,021 which is $1,067 less than in North Carolina, the second most affordable state.  Here's how New Hampshire stacked up in the major categories:    • Auto Insurance: $941 per year, fifth lowest in the U.S.; Maine was lowest in the nation, Michigan highest with an average bill of $2,738. New Hampshire does not mandate automobile insurance coverage and it's a fault state, meaning rates are raised for those who cause accident claims;    • Repairs: $389 annually, 22nd lowest in the US; Maine was fifth lowest and the U.S. average was $387    • Taxes: $0, New Hampshire is one of only four states that does not levy a sales tax on car sales.  However, the survey didn't include the municipal registration fee which varies town to town. A new 3000 lb. Vehicle is $540 in Concord    New to the Freecast Subscribe to us on YouTube! Audio not your thing? Watch our video recordings on YouTube. Don't worry, we make sure Rodger has a shirt on https://www.youtube.com/channel/UCUrjkp13alf4YZzb-tZlNcA   Get your swag on! https://www.freecoastfreecast.com/swag/       Local happenings April 7th, Michael Thuy of Swarm City will be speaking at a crypto event at The Prax in Portsmouth on decentralized P2P economies. There will be free pizza at the event. April 8th Spring Potluck! 4pm at The Praxeum in Portsmouth     Philosophy of Liberty An Eye for an Eye: Debating the Death Penalty      Seacoast History Casino Ballroom  Massachusetts businessman, Wallace D. Lovell, owner of the Exeter, Hampton and Amesbury Street Railway Company financed the construction of a two-story wood-frame building to draw people to the Hampton Beach area and stimulate business. The building, which opened its doors on July 15, 1899, calling it the "Hampton Beach Casino."  At that time, the word "casino" did not mean a gambling establishment as it does today. The word is Italian for "summer house" and came to describe a social gathering place, a room or building where one could dance, listen to music, and gamble.  It has been the center attraction at one of New England's most popular summer resorts for more than 100 years.  The Casino provided entertainment for the whole family. Vaudeville shows ran in the Opera House; a penny arcade, merry go-round, and shooting range, complete with live ammunition and clay pigeons were added below, on the street level. Baseball, now popular to many, was played frequently in the back to sizable crowds. Beginning in the first two weeks in July when the mills shut down, workers escaped their dark, ten-hour work days and streamed to the shore for sunlight and fresh air. Running on the new alternating current, the trolleys made the resort accessible to those near and far. The droves grew larger with the automobile's advent, and by 1914, hundreds of Henry Ford's inexpensive Model T's were parked in front of the Casino.  In 1927, the Hampton Beach Casino was purchased by John J. Dineen, John Cuddy, and Napoleon Demara and a new era in the Casino's history began. A little more than a quarter of a century after the Casino's founding, radio, records and motion pictures were creating a new kind of entertainer - the national star. The new owners quickly moved to design a "ballroom" large enough to accommodate 5,000 people.  Patterned on old English ballrooms, the new owners incorporated part of the old Opera House and added space toward the south end of the complex. The ballroom's wooden dance floor was one of the largest in the region and it soon became the most popular nightspot in the area. Each week, more than 20,000 people danced in the air-conditioned ballroom.  The rules were strictly enforced. One hot night, Tommy Dorsey dared to remove his suit coat. Dineen upbraided the bandleader and Dorsey promptly put his jacket back on.  Dineen's adamancy made the nightspot secure. William J. O'Brien, a frequent patron, told the Boston Globe in 1976, "The ballroom was the only place where mothers would let unescorted girls go because they knew how well policed it was. You got away with nothing, believe me."  In the 60's, rock 'n roll started to creep into the Ballroom, the businessman in Dineen couldn't resist the lucrative allure of rock 'n roll. People paid ten times more admission than the check-dancers had..  One fateful night in July, 1971, more than 3,999 ticket-less fans showed up to a sold-out Jethro Tull show. A human tidal wave besieged the building, fans scaling walls and dropping through skylights on the roof. Though no one was injured, ten youths were arrested and one police officer was injured. It was immediately following this event that the town of Hampton banned any further rock performances. "With great respect for John Dineen, who over the years has conducted a fine, clean operation, it is with regret that the action had to be taken."  During the mid 1970's, long-awaited transformation began. The Casino complex was taken over by a group of area businessmen determined to bring back the Grande Dame.  In 1976, Dineen's family sold the Hampton Beach Casino to a group of local businessmen. The plan was to restore the Casino to its original style.  The former Hampton Beach Casino Ballroom, reopened in the mid-1970's as the "Club Casino". The Club introduced a Vegas-style showroom with cocktails, 1,600 chairs and tables and a 144-foot bar (which was, at the time, the longest bar in New England!).  But the ghost of Jethro Tull still haunted the Casino. Town officials remained hostile and in the eyes of music agencies, simply remodeling was not enough.  Due to its limited seating capacity, the strategy was to work at catching both rising and falling stars to build back the Ballroom's reputation with the industry and to eventually grab bigger stars at their peak.   Between 1977 and 1982, more than one million dollars in renovations were completed, work which included rewiring the entire building, demolishing the Ocean House hotel and partially revamping the interior of the complex. The most obvious work done to date is the buildings' new white-columned facade which was completed in February 1982.   Repeated sell-outs in the 1980's allowed Club Casino to hold as many as 50 shows in a three month period. This grueling pace managed to take a toll and as the 1990's grew near it was evident that change would once again be needed in order to revitalize the historic building.   The early 1990's saw a change in management, with various cohorts taking a stab at running the Casino. For a short while, the Casino experienced a bit of a bad reputation - strict no dancing rules" and rough bouncers - and as a result, some of the large name acts were passing over the venue during their summer tours. Change was needed and, in the minds of the Casino partners, it would entail a visit to the past. Hence, the Casino Ballroom was reborn. Customer service was of utmost importance, as was returning the Ballroom to its once-unparalleled fame and prestige. The goal, in short, was to play host to hundreds of thousands of patrons with one thing in mind - to have fun.  The Schaake family - Fred, Sr., Fred, Jr. and daughter, Kristin - took ownership. They began to build the Casino Ballroom back to form and the magic was almost immediate. One summer evening in 1995 soon became an unforgettable night when Bob Weir of the Grateful Dead performed with his band Ratdog on the eve of Jerry Garcia's death. Thousands of Garcia fans and numerous television crews surrounded the building, mirroring, in an instant, the fateful Jethro Tull concert some 15 years prior. However, with the new management in place, event security on tight duty and the new approach to customer service, the night went off without a hitch and has proven to be one of the most revered shows in the Casino Ballroom's history.  Today, the Ballroom enters into its third century on a high note, reputed one of the best venues to play by artists and one of the best venues to see a show by fans. During its extended eight month season (April - November), the Ballroom continues to draw some of the top names in entertainment. The Ballroom has come full circle and is, once again, New Hampshire's premier entertainment facility.  Last year it #53 in the world, and in 2009 it got as high as #18 in Worldwide club venues  If you want to check it out or see if they have any shows you'd like. Check out casinoballroom.com  http://www.pollstarpro.com/specialfeatures2009/20093QYTDTicketSalesChartsTop100ClubVenues.pdf http://www.pollstarpro.com/files/Charts2016/2016YearEndWorldwideTicketSalesTop200ClubVenues.pdf www.casinoballroom.com   Social media  We make the Freecast because we enjoy sharing news, knowledge, and fun with you.     But any good relationship is a two-way street. So here's one way you can do to become an active listener…    Give us feedback! You can connect with us at our website freecoastfreecast.com or by emailing freecoastfreecast@gmail.com. This show is for you, so tell us what you want out of it.    Featuring: Host Matt Carano, Mike Vine, Nick Boyle and Rodger Paxton  Producer: Pax Libertas Productions  Editor: Matt Carano

American history is all about movement: geographical, cultural, ideological. Economic depression and war make the 1930s and ’40s a dramatic example of this movement. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s (University of Chicago, 2012), Andrew S. Berish explores the flourishing big band dance music of these decades as it reflected and influenced movement with the United States. Conceptually, he examines the amorphous ideas of space and place, and the ways dance band jazz was defined by and helped create the places and spaces of mid-twentieth century America. Empirically, Berish’s focus is on the music of specific musicians and bands (Jan Garber, Charlie Barnet, Duke Ellington, Charlie Christian), the performances of their music (“Avalon,” “Make Believe Ballroom,” “Air-Conditioned Jungle”) and the places in which the performances took place (Casino Ballroom, Meadowbrook Inn, Chicago Civic Opera House, the road). America’s movement through war, depression, and racial integration are at the core of Berish’s analysis of big band jazz, and his detailed cultural and ethnomusicological analyses support his reasoning that music can tell us a lot about the social conditions of our times. Andrew S. Berish is assistant professor in the Humanities and Cultural Studies Department at the University of South Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices

American history is all about movement: geographical, cultural, ideological. Economic depression and war make the 1930s and ’40s a dramatic example of this movement. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s (University of Chicago, 2012), Andrew S. Berish explores the flourishing big band dance music of these decades as it reflected and influenced movement with the United States. Conceptually, he examines the amorphous ideas of space and place, and the ways dance band jazz was defined by and helped create the places and spaces of mid-twentieth century America. Empirically, Berish’s focus is on the music of specific musicians and bands (Jan Garber, Charlie Barnet, Duke Ellington, Charlie Christian), the performances of their music (“Avalon,” “Make Believe Ballroom,” “Air-Conditioned Jungle”) and the places in which the performances took place (Casino Ballroom, Meadowbrook Inn, Chicago Civic Opera House, the road). America’s movement through war, depression, and racial integration are at the core of Berish’s analysis of big band jazz, and his detailed cultural and ethnomusicological analyses support his reasoning that music can tell us a lot about the social conditions of our times. Andrew S. Berish is assistant professor in the Humanities and Cultural Studies Department at the University of South Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices

American history is all about movement: geographical, cultural, ideological. Economic depression and war make the 1930s and ’40s a dramatic example of this movement. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s (University of Chicago, 2012), Andrew S. Berish explores the flourishing big band dance music of these decades as it reflected and influenced movement with the United States. Conceptually, he examines the amorphous ideas of space and place, and the ways dance band jazz was defined by and helped create the places and spaces of mid-twentieth century America. Empirically, Berish’s focus is on the music of specific musicians and bands (Jan Garber, Charlie Barnet, Duke Ellington, Charlie Christian), the performances of their music (“Avalon,” “Make Believe Ballroom,” “Air-Conditioned Jungle”) and the places in which the performances took place (Casino Ballroom, Meadowbrook Inn, Chicago Civic Opera House, the road). America’s movement through war, depression, and racial integration are at the core of Berish’s analysis of big band jazz, and his detailed cultural and ethnomusicological analyses support his reasoning that music can tell us a lot about the social conditions of our times. Andrew S. Berish is assistant professor in the Humanities and Cultural Studies Department at the University of South Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dick Henry Jurgens (January 9, 1910 – October 5, 1995) was an American swing music bandleader, who enjoyed great popularity in the late 1930s and early 1940s. Dick Jurgens was born in Sacramento, California to Dietrich Heinrich Jurgens and Clara Matilda (Erath) Jurgens. Jurgens played in an orchestra in high school but was kicked out of the ensemble for playing pop music. In response, he formed his own group in 1928 while still a student. His brother Will Jurgens was a member; Will later became Dick's manager during his years of fame. Jurgens then studied at the University of California at Berkeley and the Sacramento Junior College before accepting an engagement with his own orchestra at the St. Francis Hotel in San Francisco in 1933. The following year, Jurgens signed a contract with Decca Records, and recorded extensively for the label between 1934 and 1940. Jurgens' vocalist at this time was Eddy Howard. Jurgens held residencies at the Casino Ballroom on Catalina Island, the Elitch Gardens in Denver, the Aragon Ballroom and the Trianon Ballroom in Chicago, and other popular swing venues. He recorded for Vocalion Records in 1938 and for Okeh Records starting in 1940. His first side to reach Your Hit Parade was "It's a Hundred to One You're in Love with Me" in 1939; the following year, "In an Old Dutch Garden" proved to be a big hit. Jurgens often found that Glenn Miller's versions of his hits performed better on the charts than his own, such as the song "Careless". Following Howard's departure from the group in 1940, Harry Cool became its lead singer. Jurgens scored more hits later that year, with "A Million Dreams Ago" and the instrumental "Elmer's Tune", the latter of which Miller would take a vocal version to number one. Later hits included "The Bells of San Raquel" and "Happy in Love" (released on Columbia Records). His biggest hit was 1942's "One Dozen Roses", with Buddy Moreno on vocals; the song hit #1 in the summer of that year. Later in 1942, Jurgens disbanded his group due in no small part to the 1942 recording ban by the American Federation of Musicians. He joined the Marines from 1942 to 1945, directing theater shows for the troops. In 1946 he re-formed his band, recording for Columbia and Mercury into the 1950s. He had his own radio show in 1948 on CBS, and also married in December of that year to Miriam Davidson. Jurgens kept up his group until 1956, by which time his style of swing had long passed out of popular favor. After this he moved to Colorado Springs and founded an electronics business with his brother. He occasionally played at the Broadmoor Country Club in Colorado Springs, and moved to California in 1965, where he again played intermittently. He put together a new band late in the 1960s; he played and recorded with the group on a part-time basis through 1976. His latter years were spent in Sacramento in the real estate business. He sold the rights to his ensemble's name to Don Ring in 1986. He died in 1995 of cancer at age 85.