Podcasts about chairs missing

Hosts Jim DeRogatis and Greg Kot look back on the occasion of Sound Opinions reaching the 1000 episodes milestone. Both hosts share highlights and a couple lowlights, plus listeners share their favorite memories.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Radiohead, "I Want None Of It (Live on Sound Opinions)," Unreleased, NA, 2008Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971D'Angelo, "Send It On," Voodoo, Virgin, 2000Trupa Trupa, "Sister Ray," (Single), Glitterbeat, 2024Wire, "Used To ," Chairs Missing, Harvest, 1978Goat Girl, "Creep," Goat Girl, Rough Trade, 2018Allen Toussaint, "A New Orleans Thing (Live on Sound Opinions)," Songbook, Concord, 2013Boygenius, "20," The Record, Interscope, 2023Max Roach, "Driva Man," We Insist!, Candid, 1960The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bueno, HABER; recuperamos el gusto por desempolvar discos de antaño, hoy completamos la sagrada trilogía de Wire hablando de Chairs Missing y 154. ¿Cómo pasaron del racarraca punkarra a inventar los 80? Misterio. Vuelve Mar Corrales y su Cine del Diablo, y nos ilustra sobre el Urban Decay yanki y esas pelis de vigilantes y macarras tan ambiguas y disfrutables. Sí, Charles Bronson con bigote. Los temas: 1 Sleater Kinney - Six Mistakes 2 DMBK - La Fuente 3 Metz - Entwined 4 Wire - Another The Letter 5 Wire -Field Days for the Sunday 6 Wire -Practice Makes Perfect 7 Wire -Outdoor iner 8 Wire -Map Ref. 41 Degrees N 93 Degrees W 9 Wire - The Other Window 10 Wire - Two People in a Room

Hit singles: nuh. Hit albums: nuh. Unusually charismatic singer? Unforgettable visual image? Brilliant band name? Nuh. Nuh. Nuh. So why, 46 years after they formed, are we talking about Wire? Pink Flag, Chairs Missing, 154 might sound like the opening line of a really good poem; it is, though, the list of albums – released between 1977 and '79 – which, despite making only the barest dent in the charts, remain among the most influential of the era. Beloved by everyone from Johnny Marr to Elastica, from REM to Henry Rollins to Sonic Youth, Wire are still, as Rolling Stone noted in 2017, ‘Punk's ultimate cult band'.       Spotify Playlist: https://open.spotify.com/user/1230971434/playlist/1VLiKVlWbrLbxvtAkCnGOD?si=-Oa7As9oSNWmfyNdQEz_cw  

RockerMike and Rob discuss the band Wire. Wire are an English rock band, formed in London in October 1976 by Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar) and Robert Grey (drums). They were originally associated with the punk rock scene, appearing on The Roxy London WC2 album, and were later central to the development of post-punk, while their debut album Pink Flag was influential for hardcore punk. Wire are considered a definitive art punk and post-punk band, due to their richly detailed and atmospheric sound and obscure lyrical themes. They steadily developed from an early noise rock style to a more complex, structured sound involving increased use of guitar effects and synthesizers (1978's Chairs Missing and 1979's 154). The band gained a reputation for experimenting with song arrangements throughout its career. http://pinkflag.com/ https://www.rollingstone.com/music/music-features/wire-reflect-on-40-years-as-punks-ultimate-cult-band-128633/amp/ https://www.facebook.com/WIRE.pinkflag?__cmr=1&refsrc=deprecated&_rdr https://mobile.twitter.com/wirehq https://www.billboard.com/amp/articles/columns/rock/8462176/wire-interview-reissues Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 https://dc2bfnt-peyeewd4slt50d2x1b.hop.clickbank.net https://8bcded2xph1jdsb8mqp8th3y0n.hop.clickbank.net/?cbpage=nb Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #punkstyle #punk #punkrock #punkfashion #punkgirl #punkmusic #punkhair #rockmusic #rock #rockstar #rockandroll #tokyorocknroll #rocknrollchurch #rockhound --- Support this podcast: https://anchor.fm/rob-rossi/support

Why did I pick Wire's Pink Flag for the Three on the Ones and Twos Podcast episode?  For me personally this album came in multiple waves of progressing states of maturity for me to realize it's full potential - first excited by the upbeat aggro punk tracks as younger kid, then the pop and melodic sensibilities years later in high school, and then finally the dirgy lumbering heavy soundscape tracks which connected with me in my late teens. Essentially, the record follows its own path of musical development and maturity that mirrors somewhat of my own path of personal musical appreciation and expression growing up but inside a single record -a snapshot of a brief moment of some kids making noise and looking for a new way to express themselves back in 1976/77 In the aggregate, Wire, who really were never a punk band by most measures, managed to create a masterpiece punk record that defined most every genre of punk to come (from pop, hardcore, anarcho, garage, sludge, doom, art, and melodic punk)  and on that same record also began defining a post-punk sound before post punk was yet a thing. And within 9 months of the release of Pink Flag they would  have departed the punk scene altogether with a genre defining post punk/art rock record "Chairs Missing" -which is a masterpiece in its own right and continued the personal musical arc for me.Further, I think it is likely the most influential (yet under the radar record) for the subsequent music landscape to come in our post 70s generations. It stands as a milestone of critical connective tissue between the songs of old and songs to come influenced by the weight of its accomplishments in the pivotal musical year of 1977. It's musical DNA is in experimentation, progression and moments -never standing still or hanging around long enough from song to song or album to album to get pinned down into a genre for long -Wire is about expression and exploration. Pink Flag stands as the quintessential complete punk and experimental record of 1977 -the year in which the musical world's axis tilted further than ever before.  And for many of us, that tilt in music defines more about our lives, our friends, our culture - than most anything else.I was dead sober when I wrote this.Lalala lala lalala lalala lalala ohh ohh last time now.....Brian Kincheloe

Episode 25 concludes our NCAA Tournament to determine the greatest rock album of all time. This episode includes the Final Four and Final. It also includes some other sections which are outlined below. First Final Four matchup ('60s vs. '80s): (7) Van Morrison "Astral Weeks" vs. (7) U2 "The Joshua Tree" Second Final Four matchup ('70s vs. '90s): (3) Pink Floyd "The Wall" vs. (1) Radiohead "OK Computer" (matchup begins at 16:50) Honorable mention albums (section starts at 32:30) Matt's picks (section starts at 1:09:15) Final matchup (section starts at 1:11:20) Notes for this episode: The 3 Wire albums Keith mentioned are Pink Flag (1977), Chairs Missing (1978), and 154 (1979). The 3 Can albums Keith alluded to were Tago Mago (1971), Ege Bamyasi (1973), and Future Days (1973). Tago Mago was the third Can album but the first with singer Damo Suzuki. Link to Spotify playlist for this episode: https://open.spotify.com/playlist/09PsIqyCJE85C6sflcQmCP?si=OuHXF9UcSgKg1UeTrAnX8w Link to Discord & Rhyme podcast episode for Sugar's Copper Blue: https://open.spotify.com/episode/1KrhiI212iM7zYMC4ni468?si=WdT1WAb6S1KSM8Kf0Tstng

RAAGA | Tables and Chairs Missing #IthuEppediIrukku

Since their formation, Wire has continued to release phenomenal records and inspire artists around the world. Wire co-founder Colin Newman discusses the vinyl history of the band, from "Pink Flag", "Chairs Missing" and "154" to their latest releases "Mind Hive" and "10:20". If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related.

In lieu of a scheduled appearance by the entire Big Dipper ensemble (next week, come hell or high water), Rob and Barry make haste not waste and deliver an episode about a monolith of underground music, Wire’s debut, “Pink Flag.” The list of luminaries (and lesser lights) who have copped to stealing wholesale from this treasure trove of ideas would fill the rest of this page. Brief songs touching on politics, sexuality and boredom are given a buff and shine by genius producer Mike Thorne, who copped to calming Wire's uptight art school nerves with a “jar of homegrown.” Whatever the method, the results stand on their own in this first of Wire’s trilogy of landmarks (Pink Flag-1977, Chairs Missing-1978, 154-1979). It’s 21 songs in 35:19 – all killer no filler. Become a patron of That Record Got Me High: https://www.patreon.com/join/TRGMH?

No Cultural Authority

On today's episode I talk to musicians Colin Newman and Malka Spigel. Married since 1986, Colin and Malka are a post-punk power couple. Colin is a member of the seminal post-punk band Wire, whose early albums Pink Flag, Chairs Missing and 154 were the blueprints for decades of music. And Colin continues to be a vibrant creative voice with his solo albums, and his work with his wife Malka in Githead and Immersion. Before her collaborations with Colin, Malka was a member of the influential European rock band Minimal Compact, who released numerous albums in the 1980s on Crammed Discs. Immersion's latest album Sleepless was just released, and it is wonderful! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

Dr Shoggoth, Chairs Missing and DeRucci Mane are back to board the Bang Bus and drive to the very bottom of the trashcan of ideology and cinema to discuss German auteur Uwe Boll's forgotten masterpiece of subversive comedy, and the best film videogame adaptation ever made, 2007's Postal. It's our best Bang Bus yet! Come hang out and chat! https://discord.gg/mhcnXdW Email (complains, suggestions, compliments) homovulgarispodcast@gmail.com Twitter: @h_vulgaris @DrShoggoth @lvlld @DeRucciMane OP: I Hate People - GG Allin ED: One More Dead Cop - Leftover Crack

Tonight was Adam's final appearance on the show. Most of the show's talk revolved around why this was happening, but we also found time to reminisce over nights gone by and play a few segments from past episodes including: Adam Norton vs. Tim Wong - Rap Battle The Adventures of Lethargy Man & Internet Kid Adam Sings in the Car!?! Also, Cici called in several times to play Who's Got the Mustard?, Darcy called in to defend Adam, and Julien played audio of John vomiting. Artist Album Track Wire Chairs Missing I Am The Fly Sarah Kuri Single Run Redman Whut? Thee Album Time 4 Sum Aksion MC Face Not The Green Tom Show Jiffy Pop Tha Alkaholiks Coast II Coast DAAAM! Canadian content New release facebook.com/moondownradio / moondownradio.podomatic.com stickam.com/moondownradio