Podcasts about lonely hearts club band

Hosts Jim DeRogatis and Greg Kot host blues singer Shemekia Copeland for a live performance and interview. She performs stripped down arrangements of songs from her Grammy-nominated 2022 album "Done Come Too Far" and others. Plus the hosts pay tribute to Gordon Lightfoot and review the new album from rapper Billy Woods and producer Kenny Segal.  Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Shemekia Copeland, "Too Far To Be Gone (feat. Sonny Landreth)," Done Come Too Far, Alligator, 2022The Beatles, "I Get By (With a Little Help From My Friends)," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967billy woods / Kenny Segal, "FaceTime (feat. Samuel T. Herring)," Maps, Backwoodz Studioz, 2023billy woods / Kenny Segal, "Soundcheck (feat. Quelle Chris)," Maps, Backwoodz Studioz, 2023billy woods / Kenny Segal, "NYC Tapwater," Maps, Backwoodz Studioz, 2023billy woods / Kenny Segal, "Year Zero (feat. Danny Brown)," Maps, Backwoodz Studioz, 2023billy woods / Kenny Segal, "Kenwood Speakers," Maps, Backwoodz Studioz, 2023Gordon Lightfoot, "If You Could Read My Mind," Sit Down Young Stranger, Reprise, 1970Gordon Lightfoot, "The Wreck of the Edmund Fitzgerald," Summertime Dream, Reprise, 1976Shemekia Copeland, "Too Far To Be Gone (Live on Sound Opinions)," Done Come Too Far, Alligator, 2022Shemekia Copeland, "Fell In Love With A Honky (Live on Sound Opinions)," Done Come Too Far, Alligator, 2022Shemekia Copeland, "The Talk," Done Come Too Far, Alligator, 2022Shemekia Copeland, "Uncivil War (Live on Sound Opinions)," Uncivil War, Alligator, 2020Shemekia Copeland, "Nobody But You (Live on Sound Opinions)," Done Come Too Far, Alligator, 2022Tina Turner, "Better Be Good to Me," Private Dancer, Capitol, 1984Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Since 2003, Numero Group has championed talented, overshadowed artists across genres by reissuing their albums with care and creativity. Hosts Jim DeRogatis and Greg Kot talk with Numero Group founders Rob Sevier and Ken Shipley about the label's history and working with everyone from Syl Johnson to Blondie. They'll also share some of their favorite Numero tracks.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Syl Johnson, "Concrete Reservation," Is It Because I'm Black (Deluxe 50th Anniversary Edition), Numero, 2019The Beatles, "I Get By (With a Little Help From My Friends)," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Television, "Little Johnny Jewel," Ork Records: New York, New York, Numero, 2015Blondie, "Moonlight Drive," Against The Odds: 1974 - 1982, Capitol, 2022Mickey & The Soul Generation, "Give Everybody Some," Give Everybody Some (Single), Numero, 2023Jackie Shane, "Any Other Way," Any Other Way, Numero, 2017Bruce Springsteen, "Any Other Way," Only the Strong Survive, Columbia, 2022Joey Edmonds, "Blue," Whispers Lounge, Numero, 2020Charlie Megira, "Tomorrow's Gone," Tomorrow's Gone, Numero, 2019Mick Farren & The New Wave, "Lost Johnny," Ork Records: New York, New York, Numero, 201594 East, "If You See Me," If You See Me (Single), Numero, 2013Shemekia Copeland, "Too Far To Be Gone (feat. Sonny Landreth)," Done Come Too Far, Alligator, 2022  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

When he was a young teen, Oscar Herrera (Former lead singer with The Sleep of Reason, Halo, El Duende and Black Tape for a Blue Girl) discovered the Beatles and there was no looking back. When he and his wife had children they made sure that music - and especially the Beatles - was front-and-center in their lives. For this special episode, Oscar is joined by his daughter Danielle Herrera as they unpack some songs from the Fab Four's 1968 release 'The Beatles' aka The White Album. Along the way they are both amused and slightly confused by Rob's lack of familiarity with the record, and it's a super-fun conversation! I'm So Tired - Alex Chilton; These Fleeting Moments, She's Gone - Black Tape For A Blue Girl; Sgt. Pepper's Lonely Hearts Club Band, Back In The U.S.S.R. - The Beatles; California Girls - The Beach Boys; Dear Prudence - Siouxsie & The Banshees; Dear Prudence - The Beatles; You Shouldn't Be So Sad - The Kinks; Sand and Foam - Donovan; Ob-La-Di Ob-La-Da Story (part 1) - Jimmy Scott; Ob-La-Di Ob-La-Da - The Beatles; Goo Goo Itch - DEVO; The Continuing Story Of Buffalo Bill, While My Guitar Gently Weeps - The Beatles; What Is Life - George Harrison; Happiness Is A Warm Gun - The Breeders; Happiness Is A Warm Gun, Martha My Dear, Blackbird, Piggies, Rocky Raccoon, I Will, Julia, Sexie Sadie - The Beatles; Mr Blue Sky - E.L.O.; Everybody's Got Something To Hide Except Me And My Monkey, Helter Skelter - The Beatles; Helter Skelter - Siouxsie & The Banshees; Revolution, Revolution 1, Cry Baby Cry, Revolution 9, Good Night - The Beatles; Good Night - Linda Ronstadt

Hosts Jim DeRogatis and Greg Kot share favorite songs about the end of the world from artists ranging from Johnny Cash to Fishbone. They're also joined by their production staff with their picks for songs that creatively deal with the apocalypse. Then recent feedback from listeners is played.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: The Doors, "The End," The Doors, Elektra, 1967The Beatles, "I Get By (With a Little Help From My Friends)," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sharon Van Etten, "The End of the World," Resistance Radio: The Man in the High Castle Album, Columbia, 2017R.E.M., "It's the End of the World As We Know It (And I Feel Fine)," Document, I.R.S., 1987David Bowie, "Five Years," The Rise and Fall of Ziggy Stardust and the Spiders from Mars, RCA, 1972Barry McGuire, "Eve of Destruction," Eve of Destruction, Geffen, 1965Matt Maltese, "As the World Caves In," Bad Contestant, Atlantic UK, 2018Postal Service, "We Will Become Silhouettes," Give Up, Sub Pop, 2005Randy Newman, "Political Science," Sail Away, Rhino/Warner, 1972Nico, "The End," The End..., Island, 1974Phoebe Bridgers, "I Know the End," Punisher, Dead Oceans, 2020The Verve, "Bitter Sweet Symphony," Urban Hymns, Hut, 1997Fishbone, "Party At Ground Zero," Fishbone, Columbia, 1985Madonna, "4 Minutes (feat. Justin Timberlake & Timbaland)," Hard Candy, Warner Bros., 2008Method Man, "Judgement Day," Tical 2000: Judgement Day, Def Jam, 1998Johnny Cash, "The Man Comes Around," American IV: The Man Comes Around, American Recordings, Universal, 2002Xixa, "May They Call Us Home," Genesis, Julian, 2020Reckling, "Spitter," Reckling, Reckling, 2018Cam Cool, "Everyone Texts and Drives," Everyone Texts and Drives (Single), Cam Cool, 2023Syl Johnson, "Concrete Reservation," Is It Because I'm Black (Deluxe 50th Anniversary Edition), Numero, 2019Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

This week, hosts Jim DeRogatis and Greg Kot talk with director Mary Harron about her films American Psycho, I Shot Andy Warhol, Charlie Says and her latest, Dalíland. They discuss her excellent use of music in her movies over the years, her start as a punk rock journalist and more. Plus, Jim and Greg review the latest album from The National.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Phil Collins, "Sussudio," No Jacket Required, Atlantic, 1985The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967The National, "The Alcott (feat. Taylor Swift)," First Two Pages of Frankenstein, 4AD, 2023The National, "Eucalyptus," First Two Pages of Frankenstein, 4AD, 2023The National, "This Isn't Helping (feat. Phoebe Bridgers)," First Two Pages of Frankenstein, 4AD, 2023The National, "Tropic Morning News," First Two Pages of Frankenstein, 4AD, 2023Ramones, "Now I Wanna Sniff Some Glue," Ramones, Sire, 1976Steve Harley & Cockney Rebel, "Make Me Smile (Come Up and See Me)," The Best Years of Our Lives, EMI, 1975Cockney Rebel, "Tumbling Down," The Psychomodo, EMI, 1974Roxy Music, "Do the Strand," For Your Pleasure, Warner, 1973Luna, "Season of the Witch," Season of the Witch (Single), Beggars Banquet, 1996Love, "A House Is Not a Motel," Forever Changes, Elektra, 1967R.E.M., "It's the End of the World As We Know It (And I Feel Fine)," Document, I.R.S., 1987  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode of the "Here There, and Everywhere" podcast, Jack Lawless interviews Alison Brown, the renowned and Grammy-winning banjo player, composer, and producer. In this episode, Alison shares her experiences with the Beatles and how their music has influenced her career. She talks about her favorite Beatles songs and how their innovative approach to music and recording techniques has impacted the entire music industry. Alison also shares a personal anecdote about meeting Ringo Starr. Additionally, she discusses her upcoming album "On Banjo," which is set to release on May 5th, and gives us a sneak peek into what we can expect from the project. This episode is a must-listen for anyone who loves the Beatles, banjo music, or just great conversation about music in general. So grab your headphones and tune in to "Here There, and Everywhere" with Jack Lawless and Alison Brown.   Alison's website: https://alisonbrown.com/   Check out Alison's music on Spotify: https://open.spotify.com/artist/01ts5a7R3WkeE2oKIouXEK?si=32kZ7Q8kS3GJa0U1ZM5v0Q   Follow Alison on Twitter: https://twitter.com/alisononbanjg   Follow Alison on Instagram: https://www.instagram.com/alisononbanjo/   Follow Alison on Facebook: https://www.facebook.com/AlisonBrownMusic   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ---   The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

It's an epic throwdown for the ages as It Happened One Year wanders into one of the great debates in music history! Sarah & Joe don't exactly see eye-to-eye on these bands' particular outputs in 1967, but with The Beatles' Sgt. Pepper's Lonely Hearts Club Band and The Rolling Stones' Their Satanic Majesties Request on the turntables, a heady, trippy time was bound to be had by all! After an introduction by friend of the show and Visitors to Nova Scotia star Shannon Hosey, the conversation ducks and weaves through favorite songs and albums from the bands, what The Who was up to in the Summer of Love, how the first text messages the hosts ever sent each other relate to this match-up, why The Doors have remained popular at all, who was the real king of Seattle grunge, and tries to answer the question - who best conquered this year of psychedelic music?

Part Two of classical pianist and artistic director of The Art Of Time Ensemble, Andrew Burashko's conversation with host Paul Romanuk about The Beatles' 1967 classic, Sgt. Pepper's Lonely Hearts Club Band. Andrew and Paul also talk about The Art Of Time Ensemble's reinterpretation of the album in a series of concerts in 2012.EPISODE NOTESMore information of The Art Of Time Ensemble can be found here.I found this review, by Globe And Mail entertainment writer Brad Wheeler, of the shows that The Art Of Time Ensemble did in 2012.Here's some more information on Andrew Burashko.In this episode I talk about the studio set up at Abbey Road (then EMI Recording Studios). Here's a great history of the place.We talk about the crazy night in Studio One when the orchestral crescendo for A Day In The Life was recorded. Here's some video footage of the night.Here's a review, from The Guardian newspaper in 1967, of Sgt. Pepper's LHCB. Kind of a fun read and window into the thoughts of the time RE: pop music and The Beatles.

This week, hosts Greg Kot and Jim DeRogatis talk with the director of the documentary, Jimmy Carter: Rock and Roll President about how Carter changed the way politicians interact with musicians. Plus, poet and music critic Hanif Abdurraqib talks about hosting a season of the Lost Notes podcast on 1980. Then, Jim and Greg share their thoughts on the first new album in 24 years by the British duo, Everything but the Girl.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Bob Dylan, "It's Alright, Ma (I'm Only Bleeding)," Bringing It All Back Home, Columbia, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Everything but the Girl, "Nothing Left To Lose," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "When You Mess Up," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "Lost," Fuse, Buzzin' Fly, Virgin, 2023The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Bob Dylan, "Maggie's Farm," Bringing It All Back Home, Columbia, 1965Bob Dylan, "Gotta Serve Somebody," Slow Train Coming, Columbia, 1979Joy Division, "Love Will Tear Us Apart," Closer, Factory, 1980Grace Jones, "On Your Knees," Muse, Island, 1979Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980The Normal, "Warm Leatherette," Warm Leatherette (Single), Mute, 1978Ceremony, "New Order," Movement, Factory, 1981The Germs, "Forming," Forming (Single), What, 1977Yoko Ono, "Walking on Thin Ice," Walking on Thin Ice (Single), Geffen, 1981Phil Collins, "Sussudio," No Jacket Required, Atlantic, 1985Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode, classical pianist and artistic director of The Art Of Time Ensemble, Andrew Burashko, talks with host Paul Romanuk about The Beatles genre bending 1967 album Sgt. Pepper's Lonely Hearts Club Band. Andrew and Paul also discuss The Art Of Time Ensemble's reinterpretation of the album in a series of concerts in 2012.EPISODE NOTESYou can find out more about The Art Of Time Ensemble here.Here is a review (by Brad Wheeler) of the Sgt. Pepper's shows that The Art Of Time Ensemble performed in Toronto in 2012.Here is more information on Andrew Burashko.

Hosts Jim DeRogatis and Greg Kot talk with Eleventh Dream Day founders Rick Rizzo and Janet Bean about the indie rock band's 40 year long career. They also review new albums by Wednesday and Lankum.    Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Eleventh Dream Day, "Among the Pines," Prairie School Freakout, Amoeba, 1988The Beatles, "With A Little Help (From My Friends)," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1966Wednesday, "Turkey Vultures," Rat Saw God, Dead Oceans, 2023Wednesday, "Bull Believer," Rat Saw God, Dead Oceans, 2023Wednesday, "Bath County," Rat Saw God, Dead Oceans, 2023Lankum, "The New York Trader," False Lankum, Rough Trade, 2023Lankum, "Go Dig My Grave," False Lankum, Rough Trade, 2023Lankum, "The Turn," False Lankum, Rough Trade, 2023Lankum, "Netta Perseus," False Lankum, Rough Trade, 2023Eleventh Dream Day, "Southern Pacific," Wayne EP, Amoeba, 1989Freakwater, "Wild and Blue," Dancing Under Water, Amoeba, 1991Eleventh Dream Day, "Between Here and There," Beet, Atlantic, 1989Eleventh Dream Day, "Orange Moon," Ursa Major, Atavistic, 1994Eleventh Dream Day, "Since Grazed," Since Grazed, Comedy Minus One, 2021Eleventh Dream Day, "A Case to Carry On," Since Grazed, Comedy Minus One, 2021  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode of "Here, There and Everywhere", Jack Lawless sits down with John Culshaw, a renowned artist known for his iconic Beatles murals in Liverpool, including the famous Ringo Starr mural. Culshaw shares his personal connection to the Beatles and how their music and legacy have influenced his art. We dive into the creative process behind his murals and explore how he captures the essence of each Beatle in his work. Join us as we learn more about the impact of the Beatles on art and culture through the eyes of one of their most talented fans. Tune in to discover the story behind the man responsible for bringing the Beatles to life in a whole new way.    Follow John on Instagram: https://www.instagram.com/john_culshaw86/ Follow John on Twitter: https://twitter.com/JohnCulshaw8   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ---   The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

In this episode of "Here, There, and Everywhere", Jack Lawless sits down with May Pang, a renowned photographer, music industry executive, and the former girlfriend of John Lennon. May recently released a new film called "The Lost Weekend: A Love Story", which explores the 18-month romantic relationship between her and the legendary musician. In this exclusive interview, May shares never-before-heard stories about her life with John Lennon and her memories of "The Lost Weekend". May and Jack talk about how she started working for Yoko & John, her memories of living with John, jamming with John and Paul McCartney, how she encouraged John to re-connect with loved ones, John's opinions on the music of the other Beatles, and more! If you're interested in seeing "The Lost Weekend: A Love Story" in theaters, be sure to get tickets here: https://www.thelostweekendtickets.com/ Follow May Pang Twitter: https://twitter.com/maypang Instagram: https://www.instagram.com/themaypang_official/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ---   The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to. May Fung Yee Pang (born October 24, 1950) is an American former music executive. She worked for John Lennon and Yoko Ono as a personal assistant and production coordinator, and when Lennon and Ono separated in 1973, Pang and Lennon began a relationship that lasted more than 18 months. Lennon later referred to this time as his "Lost Weekend". Pang subsequently produced two books about their relationship—a memoir called Loving John (Warner, 1983) and a book of photographs, Instamatic Karma(St. Martin's Press, 2008). A documentary about their relationship, The Lost Weekend: A Love Story, was produced in 2022. Pang was married to producer Tony Visconti from 1989 to 2000 and has two children. Pang was born in Manhattan, New York City, New York. She is the daughter of Chinese immigrants and grew up in New York's Spanish Harlem with an elder sister and an adopted brother, both of whom were born in China. Pang's mother had a laundry business in the area. The Pang family left when the tenements where they lived were scheduled to be razed, and moved to an apartment near 97th Street and 3rd Avenue in Manhattan. After graduating from Saint Michael Academy, Pang attended New York City Community College. She wanted to be a model, but the modeling agencies told her she was too "ethnic". Pang's early jobs included being a song-plugger, which meant encouraging artists to record songs written by songwriters. In 1970, she began work in New York as a receptionist at ABKCO Records, Allen Klein's management office, which at that time represented Apple Records and three former Beatles: Lennon, George Harrison, and Ringo Starr. Pang was asked to help Lennon and Ono with their avant-garde film projects, Up Your Legs Forever and Fly, in December 1970. Pang was then asked to be Lennon and Ono's secretary and factotum/gofer in New York and Britain, which led to a permanent position as their personal assistant when the Lennons moved from London to New York in 1971. Pang coordinated an art exhibition in Syracuse, New York, on October 9, 1971, for Ono's This Is Not Here art show at the Everson Museum. Ono's show coincided with Lennon's 31st birthday, and a party was held at the Hotel Syracuse, which was attended by Ringo Starr, Phil Spector, and Elliot Mintz, among others.   In mid-1973, Pang was working on the recording of Lennon's Mind Games album. Lennon and Ono were having marital problems and Ono suggested to Pang that she become Lennon's companion. Ono explained that she and Lennon were not getting along, had been arguing and were growing apart, and said that Lennon would start seeing other women. She pointed out that Lennon had said he found Pang sexually attractive. Pang replied that she could never start a relationship with Lennon, as he was her employer and married. Ono ignored Pang's protests and said that she would arrange everything. Ono later confirmed this conversation in an interview.[9] At the time Lennon had his 18-month relationship with Pang, he was in a period of his life that he would later refer to as his "Lost Weekend", in reference to the film and novel of the same title. In October 1973, Lennon and Pang left New York for Los Angeles to promote Mind Games, and decided to stay for a while, living at lawyer Harold Seider's apartment for a couple of days and then Lou Adler's house. While there, Lennon was inspired to embark on two recording projects: to make an album of the old rock 'n' roll songs that inspired him to become a musician, and to produce another artist. In December 1973, Lennon collaborated with Phil Spector to record the oldies album Rock 'n' Roll. The alcohol-fueled recording sessions became legendary. Every musician in L.A. wanted to participate, but soon Lennon's drinking and Spector's erratic behavior (which included his firing a gun in the studio control room) caused the sessions to break down. Then Spector, who claimed to have been in a car accident, took the session tapes and became unreachable. In March 1974, Lennon began producing Harry Nilsson's Pussy Cats album, thus named to counter the "bad boy" image the pair had earned in the media with two drinking incidents at The Troubadour. The first was when Lennon placed a Kotex on his forehead and scuffled with a waitress at a concert given by Ann Peebles, who had released one of Lennon's favorite records at the time, 'I Can't Stand The Rain'; and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon thought it would be a good idea for the musicians to live under one roof to ensure they would get to the studio on time, so Pang rented a beach house in Santa Monica for her, Lennon, Nilsson, Ringo Starr and Keith Moon to live in. At this time, Pang encouraged Lennon to reach out to family and friends. He and Paul McCartney mended fences and played together for the first and only time after the breakup of the Beatles (see A Toot and a Snore in '74). Pang also arranged for Julian Lennon to visit his father for the first time in almost four years. Julian began to see his father more regularly. Lennon bought Julian a Gibson Les Paul copy guitar and a drum machine for Christmas in 1973, and encouraged Julian's interest in music by showing him some chords. "Dad and I got on a great deal better then," recalls Julian. "We had a lot of fun, laughed a lot and had a great time in general when he was with May Pang. My memories of that time with Dad and May are very clear—they were the happiest time I can remember with them." The cover of Julian's seventh album, Jude,features a childhood photo of him taken by Pang.  

Host Jim DeRogatis and producer Alex Claiborne talk with the indie rock supergroup, Boygenius. Group members Phoebe Bridgers, Lucy Dacus and Julien Baker talk about making their first full-length album, "the record," amidst their very active solo careers. Hosts Jim DeRogatis and Greg Kot also share a few tracks from other favorite supergroups.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Boygenius, "Not Strong Enough," The Record, Interscope, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Boygenius, "True Blue," The Record, Interscope, 2023Boygenius, "Without You Without Them," The Record, Interscope, 2023Boygenius, "Letter to An Old Poet," The Record, Interscope, 2023Boygenius, "20," The Record, Interscope, 2023Boygenius, "Satanist," The Record, Interscope, 2023Boygenius, "Emily, I'm Sorry," The Record, Interscope, 2023Boygenius, "Anti-Curse," The Record, Interscope, 2023Wild Flag, "Glass Tambourine," Wild Flag, Merge, 2011Dolly Parton, Emmylou Harris and Linda Ronstadt, "After the Gold Rush," Trio II, Asylum, 1999Sunny War, "No Reason," Anarchist Gospel, New West, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode of "Here, There, and Everywhere," host Jack Lawless sits down with Barry Fratelli, the bassist of the Scottish rock band, The Fratellis, to explore how The Beatles influenced the band's music. From Barry's earliest memories of discovering The Beatles to how their music inspired his songwriting and approach to making music, this episode delves into the enduring legacy of the Fab Four. We'll also discuss Barry's favorite periods of The Beatles' music and his thoughts on the recent "Get Back" documentary. Tune in to hear one of the most exciting voices in rock today share his insights on The Beatles and their lasting impact on the world of music. Don't forget to subscribe for more exciting guests and thought-provoking conversations!   Follow Barry Fratelli Twitter: https://twitter.com/BazFratelli Instagram: https://www.instagram.com/bazfratelli/   Follow The Fratellis Twitter: https://twitter.com/thefratellis Instagram: https://www.instagram.com/thefratellis/ Spotify: https://open.spotify.com/artist/3M4ThdJR28z9eSMcQHAZ5G?si=wM8joQJ8S7OnZFdS4xkY-A   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   The Fratellis are a Scottish rock band from Glasgow, formed in 2005. The band consists of three unrelated members, who perform under pseudonyms: lead vocalist and guitarist Jon Fratelli, bassist Barry Fratelli, and drummer Mince Fratelli. Their singles "Chelsea Dagger" and "Whistle for the Choir" were both top ten hits in the UK charts. The band's name came from the criminal family in The Goonies and received their first radio playing in 2005, on central Scotland's Beat 106 (later XFM Scotland, now Capital Scotland) Beatscene show hosted by Jim Gellatly. They were signed by Fallout Records after less than 10 shows. The band formed after the band members placed adverts in record stores around Glasgow, originally forming as a four-piece with Mince on lead guitar and a drummer called Chris who was soon fired. They played their first "proper" show on 4 March 2005 in the O'Henry's bar in Glasgow across the road from the Horseshoe bar. The Fratellis EP was released on 3 April 2006, featuring the tracks "Stacie Anne" and "The Gutterati?". "Creepin' Up the Backstairs" was never a single released by the band, even though a video was made for it. The first single released by the band was Henrietta, which was released on 12 June 2006 and charted at number 19 on the UK Charts. Costello Music was the debut album for the Fratellis and was released on 11 September 2006. It charted at number two in the UK album charts for three weeks. The success of the album led to the Fratellis winning the Brit Award for British Breakthrough Act in 2007, an award that was voted for by BBC Radio One listeners.   The Fratellis supported Kasabian in December 2006 on their UK tour before playing 10 dates by themselves in February and March 2007. The tour of the UK festival circuit, playing at Glastonbury and headlining at festivals such as NME's Rock 'n' Riot tour, OXEGEN 2007 and T in the Park 2007, amongst others. They also opened for The Police Reunion Tour in the summer of 2007 in some of the North America dates. The Fratellis also recorded some cover songs during the year including "All Along the Watchtower" for Radio 1's 40th Anniversary Double Album, Radio 1: Established 1967, and "Solid Gold Easy Action" for the soundtrack of the film Hot Fuzz, which also included the single "Baby Fratelli".

Hosts Jim DeRogatis and Greg Kot dissect De La Soul's iconic debut 3 Feet High and Rising. They discuss the innovative sampling and rapping style, as well as the legal troubles that plagued the record for decades. They also pay tribute to the late De La Soul rapper Trugoy the Dove and hear from some listeners.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: De La Soul, "Me Myself and I," 3 Feet High And Rising, Tommy Boy, 1989The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967De La Soul, "Plug Tunin'," Plug Tunin' / Freedom Of Speak (Single), Tommy Boy, 1988De La Soul, "Tread Water," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Intro," 4 Feet High And Rising, Tommy Boy, 1989Joe Bataan, "Rap-O Clap-O," Rap-O Clap-O (Single), Salsoul, 1979Eric B. & Rakim, "Eric B. Is President," Paid in Full, 4th & Broadway, 1987James Brown, "Funky President (People It's Bad)," Reality, Polydor, 1974Stetsasonic, "Sally," In Full Gear, Tommy Boy, 1988De La Soul, "Plug Tunin (Last Chance To Comprehend)," 3 Feet High And Rising, Tommy Boy, 1989Johnny Cash, "Five Feet High and Rising," Songs of Our Soil, Columbia, 1959The Invitations, "Written on the Wall," Hallelujah (Single), DynoVoice, 1965De La Soul, "Potholes In My Lawn," 3 Feet High And Rising, Tommy Boy, 1989Bob Dorough, "Three Is a Magic Number," Schoolhouse Rock! Rocks, Lava, 1996De La Soul, "The Magic Number," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Jenifa Taught Me (Derwin's Revenge)," 3 Feet High And Rising, Tommy Boy, 1989De La Soul, "Say No Go," 3 Feet High And Rising, Tommy Boy, 1989Funkadelic, "Not Just Knee Deep," Uncle Jam Wants You, Casablanca, 1979Ohio Players, "Funky Worm," Funky Worm (Single), Westbound, 1972Edwin Birdsong, "Rapper Dapper Snapper," Funktaztik, Salsoul, 1981Loose Ends, "Gonna Make You Mine," Zagora, MCA, 1986Doug E. Fresh, "The Original Human Beatbox," The Original Human Beatbox (12" Single), Vintertainment, 1984The Turtles, "You Showed Me," You Showed Me (Single), White Whale, 1966The Mothers of Invention, "Louie Louie (Live At the Royal Albert Hall In London)," Uncle Meat, Reprise, 1969Buddy Guy, "First Time I Met the Blues," I Got My Eyes On You (Single), Chess, 1960Gilbert O'Sullivan, "Alone Again (Naturally)," Alone Again (Naturally) (Single), MAM, 1972Biz Markie, "Alone Again ," I Need A Haircut, Cold Chillin', 1991De La Soul, "Buddy," 3 Feet High And Rising, Tommy Boy, 1989Nico Segal & The Social Experiment, "Windows," Windows, (self-released), 2015Common, "I Am Music," Electric Circus, MCA, 2002Frank Ocean, "Sweet Life," Channel ORANGE, Island Def Jam Music, 2012Puff Daddy & Faith Evans, "I'll Be Missing You (feat. 112)," Tribute to the Notorious B.I.G. - EP, Bad Boy, 1989A Tribe Called Quest, "Electric Relaxation," Midnight Marauders, Jive, 1993Jungle Brothers, "Because I Got It Like That," Straight Out the Jungle, Warlock, 1988Black Star, "Brown Skin Lady," Mos Def and Talib Kweli Are Black Star, Rawkus, 1999Lupe Fiasco, "Kick Push," Lupe Fiasco's Food & Liquor, Atlantic, 2006Kanye West, "Spaceship," The College Dropout, Roc-A-Fella, 2004Murs, "The Pain," Murs 3:16: The 9th Edition, Definitive Jux, 2004Lady Gaga, "Paparazzi," The Fame, Interscope, 2008Richard Buckner, "Lil Wallet Picture," Devotion + Doubt, MCA, 1997The Speedies, "Let Me Take Your Photo," Let Me Take Your Photo (Single), Golden Disc, 1979The Cure, "Pictures of You," Disintegration, Fiction, 1989boygenius, "Not Strong Enough," the record, Interscope, 2023  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

In this episode of the "Here, There, and Everywhere" podcast, Jack Lawless interviews Janice Mitchell about her fascinating adventure overseas when she ran away from home to meet The Beatles in 1964, her experiences, and how she got rock and roll banned in Cleveland. This episode is a must-listen for any Beatles fan or anyone interested in the history of music. Don't forget to subscribe for more exciting guests and thought-provoking conversations!   Check out Janice's website: https://janice-mitchell.com/home Check out "My Ticket to Ride: How I Ran Away to England to Meet the Beatles and Got Rock and Roll Banned in Cleveland (A True Story from 1964)": https://www.amazon.com/My-Ticket-Ride-England-Cleveland/dp/1598511165   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Poster Children have been going strong for nearly 35 years. Hosts Jim DeRogatis and Greg Kot talk with co-founders Rose Marshack and Rick Valentin about Marshack's memoir, "Play Like A Man." Plus Jim and Greg review new albums from Iris DeMent and Screaming Females.    Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Poster Children, "She Walks," Flower Plower, Limited Potential, 1989The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Iris DeMent, "Workin' On A World," Workin' On A World, Flariella, 2023Iris DeMent, "The Sacred Now," Workin' On A World, Flariella, 2023Iris DeMent, "Mahalia," Workin' On A World, Flariella, 2023Iris DeMent, "Goin' Down To Sing In Texas," Workin' On A World, Flariella, 2023Iris DeMent, "Let Me Be Your Jesus," Workin' On A World, Flariella, 2023Screaming Females, "Brass Bell," Desire Pathway, Don Giovanni, 2023Screaming Females, "Let You Go," Desire Pathway, Don Giovanni, 2023Screaming Females, "Mourning Dove," Desire Pathway, Don Giovanni, 2023Poster Children, "Now Its Gone," No More Songs About Sleep And Fire, Hidden Agenda, 2004Poster Children, "He's My Star," Junior Citizen, Sire, 1995De La Soul, "Me, Myself and I," 3 Feet High and Rising, Tommy Boy, 1989Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

This week, we are joined by Mistress Carrie! She hosts a radio show on 100 FM The Pike and hosts The Mistress Carrie Podcast! She helps us break down Sgt. Pepper's Lonely Hearts Club Band from 1978! https://www.pikefm.com/mistress-carrie/ https://www.instagram.com/mistresscarriewaaf/?hl=en https://twitter.com/MistressCarrie?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://podcasts.apple.com/us/podcast/the-mistress-carrie-podcast/id1514486517 If you enjoy our videos and podcast, please rate and review the podcast on Spotify or Apple Podcast. Please Like the video and subscribe to our channel! https://www.youtube.com/channel/UC9s76g5DA_rrALAxFU-A7IA https://www.instagram.com/thefilmcrickets/ filmcrickets8099@gmail.com https://twitter.com/FilmCrickets Original music provided by Draco and the Malfoys https://www.evilwizardrock.com/ Vocal imaging by Steve Lavoie https://www.voices.com/profile/stevenlavoie#skill=voice-over

For more than 60 years, John Cale has continued to make exciting, challenging and culturally relevant music, including his most recent release, Mercy. Hosts Jim DeRogatis and Greg Kot talk with the Velvet Underground legend about his new music, collaborations and legacy. Plus, the hosts share some of their favorite spy songs and bid farewell to jazz saxophonist Wayne Shorter.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: John Cale, "STORY OF BLOOD feat. Weyes Blood," Mercy, Double Six, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967John Cale, "EVERLASTING DAYS feat. Animal Collective," Mercy, Double Six, 2023John Cale, "MARILYN MONROE'S LEGS (beauty elsewhere) feat. Actress," Mercy, Double Six, 2023John Cale, "TIME STANDS STILL feat. Sylvan Esso," Mercy, Double Six, 2023John Cale, "NIGHT CRAWLING," Mercy, Double Six, 2023John Cale, "MOONSTRUCK (Nico's Song)," Mercy, Double Six, 2023The Velvet Underground and Nico, "Femme Fatale," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "I'm Waiting for the Man," The Velvet Underground & Nico, Verve, 1967John Cale, "Dying On the Vine (Fragments)," Artificial Intelligence, PVC, 1985John Cale, "MERCY," Mercy, Double Six, 2023Johnny Rivers, "Secret Agent Man," ...And I Know You Wanna Dance, Imperial, 1966Tony Allen, "Secret Agent," Secret Agent, World Circuit, 2009The Fugs, "CIA Man," Virgin Fugs, ESP-Disk, 1967Gene Vincent, "Private Detective (feat. The Shouts)," Private Detective (feat. The Shouts) (Single), Columbia, 1964Rockwell, "Somebody's Watching Me," Somebody's Watching Me, Motown, 1984The Untouchables, "I Spy (For the F.B.I.)," Wild Child, MCA, 1985Lori & The Chameleons, "The Lonely Spy," To the Shores of Lake Placid, Zoo, 1982Desmond Dekker & the Aces, "007 (Shanty Town)," Action!, Lagoon, 1968The dB's, "A Spy In the House of Love," Like This, Bearsville, 1984Big Boys, "Detectives," The Skinny Elvis, Touch and Go, 1993Steely Dan & Tom Scott, "Aja," Aja, ABC, 1977Wayne Shorter, "Speak No Evil," Speak No Evil, Blue Note, 1966Poster Children, "She Walks," Flower Plower, Limited Potential, 1989Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Lennon and McCartney were masters at finding inspiration all around them, not just from their own personal lives. On the Sgt. Pepper's Lonely Hearts Club Band album, John was inspired by a poster in his house and wrote "Being For The Benefit of Mr. Kite." Paul found inspiration in reading a news story about a young teenage runaway, and turned that into the harp and string-laden drama ballad "She's Leaving Home." Another of those great Macca Mind Movies where the story is so vivid you not only can see it in your mind's eye, but you sympathize with the characters in the song. It's a song that often gets overlooked, as it's surrounded by so many big hitters on the album, but it's an absolutely gorgeous tune. Joining us this week is Olivia Nilsson, daughter of the late, great Harry Nilsson, who was so taken by "She's Leaving Home," he recorded his own version of it just days after the release of Sgt. Pepper's Lonely Hearts Club Band. With a gorgeous horn arrangement and spotlighting Harry's brilliant vocal range, his version has always been one of our favorites in his catalog. Olivia runs the fantastic Nilsson social media accounts, where she shares stories of her dad, histories of songs, and behind the scenes tales all with a much more personal touch than one would normally find from an artist, especially a legacy artist. She's instrumental in the ongoing resurgence in the interest in Harry's music, and a fantastic guard of his legacy. We talk building her dad's legacy, his Forrest Gump-ian career, mutual inspiration between Harry and the Beatles, his cover of She's Leaving Home, and much more! Be sure to follow on Instagram at @officialnilsson, TikTok at @theofficialnilsson, or on Twitter at @officialnilsson to see what she's sharing! What do you think? Too high? Too low? Or just right? Let us know in the comments on Facebook, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to visit rankingthebeatles.com! Wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

Hosts Jim DeRogatis and Greg Kot talk with Dr, Ricky Rodriguez about the cultural exchange between Latino fans and British bands in the 1980s. Plus, Jim and Greg review new albums by Kelela and Yo La Tengo.    Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Siouxsie & The Banshees, "Spellbound," Juju, Polydor, 1981The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Kelela, "Washed Away," Raven, Warp, 2023Kelela, "Raven," Raven, Warp, 2023Kelela, "Enough for Love," Raven, Warp, 2023Kelela, "On the Run," Raven, Warp, 2023Kelela, "Bruises," Raven, Warp, 2023Yo La Tengo, "Sinatra Drive Breakdown," This Stupid World, Matador, 2023Yo La Tengo, "Fallout," This Stupid World, Matador, 2023Yo La Tengo, "Aselestine," This Stupid World, Matador, 2023Yo La Tengo, "This Stupid World," This Stupid World, Matador, 2023Yo La Tengo, "Until It Happens," This Stupid World, Matador, 2023Adam Ant, "Juanito the Bandito," Juanito the Bandito (Single), CBS, 1982Blue Rondo À La Turk, "Me and Mr. Sanchez," Me and Mr. Sanchez (Single), Virgin, 1981Holly Johnson, "Americanos," Blast, MCA, 1989Duran Duran, "The Reflex (The Dance Mix)," The Reflex (The Dance Mix) (Single), EMI, 1984Orchestral Manœuvres In The Dark, "So In Love," So In Love (Single), Virgin, 1985Pat Boone, "Speedy Gonzales," Speedy Gonzales (Single), Dot, 1962John Cale, "Story of Blood feat. Weyes Blood," Mercy, Double Six, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Today, Sonos announced a new line of speakers — the Era 100 and the Era 300 — with the latter finally taking on this format that has been a hit-or-miss experience for music lovers, supporting Amazon Music and Apple Music's spatial audio. Though spatial format Dolby Atmos has been supported on the Sonos Arc soundbar, the Era 300 signals a music-first approach to its speakers supporting 3D soundscapes. Sonos CEO Patrick Spence believes this is the right time to do it. “We didn't know that, in 2022, 85 of the top Billboard 100 artists would actually release Atmos tracks, but they did,” Spence says. “We feel like we're at an inflection point.” On board with Sonos for this shift in music listening is record producer Giles Martin, who mixed the first-ever spatial audio album (a remix of Sgt. Pepper's Lonely Hearts Club Band, The Beatles album that his father, George Martin, originally produced) and several albums and live experiences in Dolby Atmos since. Martin is also the senior vice president of sound experience at Sonos and was involved in the development of the speaker. “When you're building a product which has multi sort of use and orientations, you do prioritize ... in a way of, what's the wow factor?” Martin explains. “The wow factor, which I think is truly extraordinary out of the 300, is the fact that it does spatial out of a single box. And it's really compelling.” Both Patrick and Giles joined Verge editor-in-chief Nilay Patel for The Vergecast to talk about the new speakers, supporting spatial audio, and why this is the time to do it. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hosts Jim DeRogatis and Greg Kot talk with New York Times reporter Ben Sisario about the latest developments in the long and winding saga of Ticketmaster/Live Nation. Plus, they'll review the new album by Caroline Polachek.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Beyoncé, "COZY," RENAISSANCE, Parkwood and Columbia, 2022The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Caroline Polachek, "Bunny Is a Rider," Desire, I Want to Turn Into You, Sony and the Orchard, 2023Caroline Polachek, "I Believe," Desire, I Want to Turn Into You, Sony and the Orchard, 2023Caroline Polachek, "Blood and Butter," Desire, I Want to Turn Into You, Sony and the Orchard, 2023Culture Club, "Karma Chameleon," Colour By Numbers, Virgin, 1983  Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Beatie Wolfe interviews two time Oscar winning (and 2023 nominee) production designer, art director, world builder, painter, master visualist Rick Carter about his journey from visualising his future as a child to working with the cinematic heavyweights Steven Spielberg, James Cameron, Robert Zemeckis, and J.J. Abrams (to name a few), creating and shaping worlds that have become embedded in our own. However, while few have enjoyed such an illustrious career in Hollywood, Rick lives in another dimension entirely, very much on his own terms, seeing his work as creative journeys in consciousness. Listen to this show that takes you from Oz to across the Universe via the power of minding the gap. Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across space, science, art, health, film and technology by talking to leading luminaries from Nobel Laureates to punk publishers about their life's work and musical DNA. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN role model for innovation and held an acclaimed solo exhibition at the V&A Museum. Rick Carter's Orange Juice for the Ears First song that imprinted? “Somewhere Over The Rainbow” by Judy Garland from The Wizard of Oz / First album that shaped who you are? Please Please Me by The Beatles - track played “There's A Place” / The music you would send into Space? “Across The Universe” by John Lennon / The song you would have at your memorial? “Tomorrow Never Knows” by The Beatles / The album you would pass onto the next generation? Sgt. Pepper's Lonely Hearts Club Band by The Beatles - track played “A Day In The Life” // This show first aired live on dublab radio - tracks have been shortened for this podcast. The podcast was mastered by Dean Martin Hovey at Soundwell Studios.

In this episode of the "Here, There, and Everywhere" podcast, host Jack Lawless is joined by the multi-talented musician, songwriter, video producer, and internet personality, Bill Wurtz. Together, they discuss Bill's music, his inspirations, and how he got started writing songs. They also delve into one of Bill's biggest musical influences, The Beatles - in particular, the incredible talent of Paul McCartney. Bill shares his thoughts on the recently released Get Back docu-series, providing a unique perspective on this behind-the-scenes look at the creative process of one of the most iconic bands of all time. If you're a fan of music, The Beatles, or just great conversation, this episode is not to be missed. So, turn off your mind, relax, and enjoy the "Here, There, and Everywhere" podcast with Bill Wurtz. Don't forget to subscribe for more exciting guests and thought-provoking conversations!   Check out Bill's YouTube page: https://www.youtube.com/user/billwurtz Follow Bill on Twitter: https://twitter.com/billwurtz   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.   Bill Wurtz (stylized in lower case as bill wurtz or billwurtz) is an American musician, singer-songwriter, animator, video editor, and internet personality based in New York City. He is known for his distinctive musical, comedic, and narrative style which includes deadpan delivery and singing paired with colorful surrealist, psychedelic, and non-sequitur graphics. Wurtz first published material on YouTube in 2013. He set up a website in 2014, presenting a catalog of music and videos he had created since 2002. Wurtz proceeded to upload edited versions of his videos on Vine, where he gained his initial popularity. He experienced breakout success on YouTube with his animated videos, History of Japan (2016), and History of the Entire World, I Guess (2017). Wurtz released music videos regularly from 2017 to March 2019. Through the rest of 2019 and all of 2020, Wurtz was inactive on YouTube, returning to the platform in January 2021 with a new visual style of 3D animation. Wurtz's first recorded composition was an instrumental named "Late Nite Lounge with Loud Lenny" which according to his site was recorded on June 17, 2002, his first recorded song was "stuck in a rut" recorded on March 3, 2005. Wurtz's first known YouTube activity were on an account called "billynothingshow". Wurtz was first known for his presence on the short-form video-sharing website Vine, where he first gained a following in 2014. He began by taking short videos he had previously published to his website and re-editing them to fit Vine's six-second restriction.Before transitioning fully to YouTube, Wurtz was uploading a video to Vine nearly every day. He received early attention in 2015 for the short video "Shaving My Piano", which was covered briefly in The Verge. On April 11, 2016, Wurtz won the Shorty Award for "Tech & Innovation: Weird" at the 8th Shorty Awards; during the awards ceremony, attention was given to one of his Vine uploads "I'm Still a Piece of Garbage". Wurtz withdrew from making vines to focus on finishing History of Japan. Wurtz had originally intended to make a video on US history, but abandoned it. Alongside interest on Vine, Wurtz achieved wider popularity in 2016 with History of Japan, a nine-minute YouTube video that outlines Japan's history. Wurtz chose the topic due to his lack of knowledge of it. The video covers key events of its history: "Buddhism, internal conflict, alliances with Britain, World War I, World War II, the dropping of atomic bombs and its post-war economic miracle". It showcases Wurtz's quirky visual and comedic style through a mixture of fast-paced narration and animation, intercut with short musical jingles. The video was described as "an entertaining new approach to education". It went viral on social media after its release on February 2, 2016, and under a week later, received over four million views by February 8. It particularly received considerable attention on Tumblr and Reddit. As of August 2021, the video has over 68 million views. German Lopez of Voxcalled it a "strange", "pretty good – and surprisingly funny" video.  History of the Entire World, I Guess was the top video on the YouTube trending page on the day of its release, receiving 3.2 million views on its first day, and on Reddit it became the most upvoted YouTube link of all time. It became an Internet meme and was listed at eighth place on YouTube's list of the top 10 trending videos of the year. As of January 2023, it has over 152 million views.[25] Writer German Lopez for the news website Vox praised the video for not heavily focusing on western and US history, and successfully covering other areas in world history which may be neglected in US schools, such as powers in China, Persia, and India. Because it resists specialization and assembles history in chronological order starting from the beginning of the Universe, history of the entire world, i guess can be considered a work of Big History, and is probably one of the most popular works associated with the discipline. It has been called a "must-see" and is considered to be Wurtz's magnum opus. In 2020, Thrillist ranked the video at number 40 on its list of best YouTube videos of all time. Wurtz's song "Just Did a Bad Thing" and the accompanying video spawned TikTok videos of people lip-syncing to the opening lines; in the platform, #ididabadthing became the top hashtag of March 2019. Following this, Wurtz would only post four more videos before his break, ending with "Might Quit". After "Might Quit" was released, Wurtz would not post any new videos to YouTube for nearly two years, before continuing to release music and videos animated in 3D with Blender. Wurtz has developed an absurdist, surreal style on both his music and animation. Eddie Kim wrote for MEL Magazine that Wurtz "refuses to mimic anyone else's animation or musical style, but it's not weird for weirdness' sake alone", comparing him to Thundercat and Louis Cole and highlighting Wurtz's pretty pop melodies, unexpected chords and multi-layered rhythms as commonalities. Geoff Carter of Las Vegas Weekly stated: "Merge Don Hertzfeldt, Jenny Holzer and Thundercat and you might get someone a little bit like Bill Wurtz". Nick Douglas of Lifehacker summarized him as "somewhere between comedy and education and vaporwave." Wurtz's music has been classified as jazz-pop, incorporating elements of lo-fi music, smooth jazz, funk and easy listening. Wurtz tends to reject genre categorization, and does not consider himself to be a jazz musician. Overall, his music evokes malaise, self-deprecation, and a "blurring of the lines between irony, parody and honesty".[35] This is often paired comedically with dire circumstances or sobering undertones. In an interview with Genius, Wurtz stated that "it's a good... songwriting technique to write about something bad with a good sounding melody, because if you can get people to feel good about something bad, then you're bulletproof in life." Wurtz's voice has been described as "silky tenor with range and energy". Artists who have expressed admiration for Wurtz's music include indie musicians Daði Freyr and Sidney Gish, fellow YouTube musician Adam Neely, DJ and producer Porter Robinson, as well as Australian singer Sia. '[Music] theory' may be fun, but it's made of liquid and has a tendency to melt. The music comes first and then you figure out how to describe what happened, although fully describing it can never be done. One of the classical composers said 'We will never understand music, but music understands us readily and instantly'.   Wurtz started playing music at a very early age. He has claimed to be "wholly self-taught" as a musician, and regularly downplays the importance of music theory in songwriting and composition, insisting that the sound and feel of music should be prioritized over attempts to conform to theory. In fact, one of the defining characteristics of Wurtz's style is a subversion to conventional approaches to composition. One example is "I Wanna Be a Movie Star", highlighted in an article for the student newspaper The Harbinger, where the author praised Wurtz's skill in incorporating complex time signatures without causing the music to feel "either incomplete or too long", instead achieving a sound that "feel[s] completely natural" and "pop-ish". Wurtz has used different programs to edit his music, including GarageBand from 2009 to 2010, and long-discontinued Logic Express 9 until at least 2016. Videos Wurtz's videos are typically in a lo-fi, neon aesthetic, and have been described as surreal and psychedelic. They range from "nonsensical" shorts to animated music videos, and often involve deadpan humor, dancing stick figures, vaporwave-like transitions and neon, sans-serif text on-screen. Wurtz often follows similar patterns in his videos such as multi-layering, and clip art images. He has stated the low-budget quality arose out of a necessity to publish videos regularly and evolved naturally. At Vidcon 2018, Wurtz was asked why his style is so different from other YouTube musicians. He stated that he chooses to "live under a rock" and produce his music in isolation rather than take inspiration from other creators on the platform. Wurtz publicly struggles with perfectionism, making use of schedules and deadlines to overcome it. In response to a fan question he explained that in the process of doing this he has "been forced to become an expert on carelessness". Website Wurtz launched his personal website billwurtz.com in 2014. Despite this, it has been compared to a late 1990s website due to its simple design. Apart from containing all of his released songs and most of his videos dating back since 2002, the website also features many other types of content not available elsewhere. For example, Wurtz posts vlog-style 'reality' videos depicting his creative process. Wurtz maintains a section on his website to answer anonymously submitted questions. His answers to questions are considered an aspect of Wurtz's creative output; the style of his answers have been described as "verging on the poetic" and "earnest, if somewhat loopy-sounding".