Podcasts about novedades

LOS40 Dance FESTIVAL: Conexión Main Stage. Los sonidos más bailables de la electrónica mainstream. Sábados y domingos, de 20 a 22h, revive los momentos más épicos, y los himnos que más han sonado en los festivales de todo el planeta, con LOS40 Dance FESTIVAL, en LOS40 Dance by Germán Pascual ¡mucho más que un programa de radio!

Novedades: PT Musik, Peach, Kahn, Lake Haze, Candy Coup, DJ Seinfeld, Geo Jordan, Baile/Nuage, Chicoblanco, Luca Lozano, Machinedrum, DecoderDisco de la semana: Matias AguayoMini-mix: Marta Mer La Perla: QuazarEscuchar audio

Tiempos Modernos con Valiente Bosque, Wakame, Landa, Biela cono Blnko, La Junta, Marina Domínguez, Gitano de Palo, Heal, La126 y DJ Moderno con Simon Beaudoux. Larga vida a la música.

Tiempos Modernos con Valiente Bosque, Wakame, Landa, Biela cono Blnko, La Junta, Marina Domínguez, Gitano de Palo, Heal, La126 y DJ Moderno con Simon Beaudoux. Larga vida a la música.

Nueva entrega de Música de Contrabando, semanario de actualidad musical (11/06/2026). Con Ángel H. SopenaEntrevistas:- Rozalén. Hoy no solo hablamos con una de las cantautoras más importantes yqueridas de nuestro país; hoy recibimos a una vecina de pleno derecho.Rozalén ya es, oficialmente, Hija Adoptiva de Murcia. El Ayuntamiento de Murcia ha hecho oficial lo que el público y las calles de estaRegión ya sabían desde hace mucho tiempo: que María Rozalén es de los nuestrosNoticias: Robert Smith revela que The Cure han terminado un nuevo álbum. Fisher Z celebran su 50 aniversario con X Ray Serenade. Soft Cell anuncian "Dancetería" , su disco de despedida. Suede han anunciado el lanzamiento de "Antidepressants (Expanded)" para el próximo 10 de julio. Se trata de una edición en triple compacto de su último álbum .Santiago Auserón ofrecerá diez conciertos presentando su álbum de canciones griegas adaptadas al castellano.Pussy Riot y Avenged Sevenfold unen fuerzas en “Candy Dopamine”. La nueva edición del ciclo Directos Vibra Mahou reivindica una vez más las salas de conciertos con una lista de más de treinta actuaciones. Fontaines D.C. han compartido un emotivo mensaje en Instagram tras la muerte de su mánager Trevor Dietz, una figura clave desde el inicio de su carrera y al que consideran “el sexto miembro de la banda”. Duffy anuncia primer concierto en 15 años. The Mars Volta ha activado la maquinaria de los rumores con la publicación de una críptica web . Novedades musicales:The Rolling Stones, Madonna, Mike D, Prince, Roger Taylor, Interpol, Lori Meyers, Steve Lacy, Eleanor Moss, Placebo, Jack White, Swallow, Space Afrika, Shearwater, Lambchop, Muse, Muerdo y Los Rumberos, Electric Callboy/The Offspring, Sarria, Ian Iris, Landa, Puño Dragón, Rosa León/Rozalén, Niñatas, Biela/Blnko, Sean Frutos, Serch, Noise Box feat Second, Cosmética, Poster Boy, Sistema Nervioso, Agenda de conciertos:Carlos Vudú & El Clan Jukebox, Abanilla Late Festival, La Oreja de Van Gogh, Los Delinqüentes, Vuelve Abril, Dunaviva, Molinos Escozíos, Mujeres con Raíz y Las Musas, Beniaján Rock Fest, Fausto Taranto, La Misión del Viento, Lotura, Morgan and The Deep Tones, Hosen Urban Festival, María Sabater.

Ven a divertirte con nosotros en Telegram: https://t.me/elrinconlegacy Síguenos en twitter: https://www.twtitter.com/elrinconlegacy Nuestros directos son en twitch https://twitch.com/elrinconlegacy Puedes visitar nuestra web en https:/www.elrinconlegacy.com Intro & Outro creada con Suno AI

Entre las novedades destacan la distopía japonesa Bajo el ojo del gran pájaro, que aborda la extinción humana, y la novela histórica Bardo, centrada en la supervivencia de las mujeres en una isla noruega del siglo XVII. Por otro lado, sus recomendaciones personales invitan a un viaje cultural que incluye la sabiduría espiritual de 101 cuentos clásicos de la China y el choque entre tradición y revolución en El pequeño guardia rojo. La propuesta se completa con lecturas más pausadas como Villa Victoria, ambientada en la posguerra inglesa, y el intrigante estilo de la novela negra francesa en Las ratas de Monsouris.

Toni Bolaño, Ketty Garat, José Manuel González y José Ignacio Wert repasa la actualidad política del día.

En la segunda entrega de la nueva temporada de "Pixeles y Letras" charlamos con Rubén Sierra, coautor de "La ciencia de lo friki", libro publicado por Redbook Ediciones. "La ciencia de lo friki" es un libro que propone una manera diferente de acercarse a la divulgación científica: utilizando como punto de partida mangas, animes, videojuegos y películas que forman parte del imaginario colectivo, publicado en nuestro sello Look. Escrito por Rubén Sierra y Arima Rodríguez, La ciencia de lo friki convierte preguntas aparentemente imposibles en una divertida investigación científica: ¿podrías volar con el gorrocóptero de Doraemon? ¿Cuánto mide realmente el campo de Oliver y Benji? ¿Qué leyes de la física desafían nuestros personajes favoritos? Rubén Sierra es científico, divulgador pop, youtuber y creador de contenido especializado en la ciencia del mundo friki, con más de 350.000 seguidores entre todas sus redes sociales. Graduado en Física e Ingeniería Electrónica, combina divulgación científica, humor y cultura popular a través de su proyecto FISICOMIC. Además, colabora con medios como 20 Minutos y participa en eventos nacionales e internacionales con espectáculos que unen ciencia, cómic y entretenimiento. https://fisicomic.com/ Después de la charla con Rubén Sierra, comentamos las últimas novedades libros y cómics Historias de la guerra. Integral vol. 2 (Aleta Ediciones) Tolkien: Iluminar las tinieblas (Aleta Ediciones) El loco de la Catedral (Almuzara) La era nuclear, Armas atómicas, poder y supervivencia (Desperta Ferro) Aliados (Desperta Ferro) De Troya a Roma. La historia tras el mito (Desperta Ferro) El guardián de la llave (Dilatando Mentes) ¡Vivo cantando! 70 años del Festival de Eurovisión (Diabolo Ediciones) Conan el bárbaro en el cómic, el cine y la televisión (Diabolo Ediciones) SuprAdalid (Minotauro) Contrapeso (Minotauro) El pueblo de los malditos (RBA) El silencio del Hegemón (Toromítico) Superman / Spiderman 1 (Panini Cómics) DC Black Label: Wonder Woman. Tierra Muerta (Panini Cómics) DC Pride 2026 (Panini Cómics)

En este episodio extraído de nuestra mentoría mensual, desmentimos el caos comunicacional y el "hype" que hay alrededor de las nuevas actualizaciones de Inteligencia Artificial como Claude y ChatGPT.Si abrimos cualquier portal de noticias, parece que la IA dejará sin empleo a diseñadores, fotógrafos y programadores. Sin embargo, la realidad es otra: la IA solo le quitará el trabajo a las personas que no saben cuál es su verdadero trabajo. Tu valor como profesional no está en saber armar una página web o manejar una plataforma, sino en resolver problemas reales de comunicación y ventas para tus clientes.En este espacio también analizamos el detrás de escena del mundo corporativo: el altísimo consumo de energía y agua de estas herramientas, la posible burbuja en la bolsa, y el motivo por el cual los CEOs de gigantes como Apple, Coca-Cola y Adobe están renunciando para ser reemplazados por perfiles más técnicos.Deja de distraerte con la herramienta de moda y mantén el foco en lo que importa, porque el problema del 99% de las empresas no es la falta de IA, sino la falta de bases sólidas en ventas, finanzas y gestión.----CAPÍTULOS00:00 Novedades técnicas sobre análisis y ecosistema digital.01:28 Lanzamiento de Claude Design y el pánico infundado.04:42 ¿Reemplaza la nueva IA al código HTML?06:17 Carrera tecnológica en IA: Claude versus ChatGPT.08:42 Alto costo computacional de NotebookLM y Gemini Pro.09:50 Riesgo de inversión y caída bursátil tecnológica.14:35 Automatización de tareas repetitivas empresariales usando IA.16:16 La verdadera razón por la que perderías empleo.18:00 El negocio real del diseño web estratégico.19:18 Limitaciones técnicas de la IA para e-commerce.21:34 Embudos de venta y tu cuello de botella.24:55 La IA no comprende la profundidad del negocio.27:13 Renuncias de CEOs tecnológicos por presión de IA.30:53 Enfócate en ventas y finanzas reales del negocio.----ENLACES Y CONTACTO

Con Jorge Armenteros. Escuchamos a Eugenio López-Chacarra tras su segunda victoria en el DP World Tour de Países Bajos. Visita de Gonzalo Fernández Castaño y Bosco James. Hablamos del LIV de Valderrama con Carlos de Corral. Novedades del torneo benéfico de la Gasol Foundation con su directora ejecutiva Tete Ferreira. Presentación de la X Edición del Torneo COPE Motril con Javier Mata (director de Los Moriscos Golf) y Gabino García (director COPE Granada). Última hora del Blind Golf Spain con Alejandro de Miguel.

En este episodio, Johnny y Karen discuten las últimas novedades en desarrollo de software, incluyendo avances en hardware, inteligencia artificial y regulaciones en IA, además de analizar el impacto de estas tecnologías en el mercado y la comunidad de desarrolladores. Key topicsLanzamiento de Nvidia Spark y su impacto en hardwareNovedades en Google Gemini y Gemini SparkRegulaciones gubernamentales en modelos de IAVulnerabilidades en npm y ataques cibernéticosNuevas herramientas y modelos de IA en desarrolloChapters00:00 Introducción y novedades del mes02:51 Nuevos dispositivos y competencia en el mercado06:42 Desafíos de compatibilidad y software en ARM10:32 Google I/O y la integración de Gemini15:41 Mejoras en herramientas de Google y AI18:31 Novedades de AntiGravity y el futuro del desarrollo21:06 Impacto de los costos en herramientas de desarrollo26:34 Gestión de Presupuestos y Herramientas30:29 Explorando Nuevas Herramientas de IA35:10 Seguridad y Privacidad en el Uso de IA38:02 Vulnerabilidades y Ataques en el Desarrollo43:17 Regulaciones y el Futuro de la IA48:12 Acceso a la IA: Un Derecho para TodosRecursosGitHub Blog: https://github.blog/news-insights/company-news/github-copilot-is-moving-to-usage-based-billing/GitHub community discussion (FAQ oficial): https://github.com/orgs/community/discussions/192948TechCrunch (reacción): https://techcrunch.com/2026/05/30/what-a-joke-github-copilots-new-token-based-billing-spurs-consternation-among-devs/- OpenAI: https://openai.com/index/our-response-to-the-tanstack-npm-supply-chain-attack/- GitHub Changelog (staged publishing): https://github.blog/changelog/2026-05-22-staged-publishing-and-new-install-time-controls-for-npm/- CISA: https://www.cisa.gov/news-events/alerts/2026/05/28/supply-chain-compromises-impact-nx-console-and-github-repositories- Microsoft Security Blog (typosquatting npm): https://www.microsoft.com/en-us/security/blog/2026/05/28/typosquatted-npm-packages-used-steal-cloud-ci-cd-secrets/OpenAI announcement: AI for All Malta partnership

Desde que en 2019 se convirtiera en un auténtico éxito, The Boys nos ha acompañado hasta su final en la quinta temporada. Y, con sentimientos encontrados, analizamos su última parte y damos la vista atrás en una ficción que, sin duda, se ha convertido en un referente en Prime Video y en la cultura pop. ¡Pero no es todo! Porque hablaremos de novedades, noticias, estrenos y mucho humor. ¡Arrancamos!See omnystudio.com/listener for privacy information.

Bienvenidos a la gran maratón en directo de la WWDC26 de Apple. Este lunes nos reunimos para vivir en vivo el evento para desarrolladores más esperado del año. Desde las 19:00 (hora de España), arrancamos un directo especial donde analizaremos las filtraciones de última hora, los rumores más calientes y, por supuesto, la conferencia de presentación oficial de Apple en tiempo real. Durante toda la jornada, irán pasando por el podcast varios compañeros del podcast para debatir, aportar sus puntos de vista y desgranar cada novedad: • iOS 27 – para iPhone (con el nuevo Siri basado en Gemini) • iPadOS 27 – para iPad (mejoras en multitarea) • macOS 27 – para Mac (novedades en Apple Intelligence y optimización para Apple Silicon) • watchOS 27 – para Apple Watch (nuevas métricas de salud y detección de actividad) • tvOS 27 – para Apple TV (mejoras en interfaz e integración con el hogar) • visionOS 27 – para Apple Vision Pro (nueva generación del software) Posible sorpresa (no confirmado oficialmente): • homeOS ----------------------------------------------------------------------------------------------------------------------------- #WWDC26 #Apple #iOS26 #Applelianos #KeynoteApple #AppleIntelligence #TechPodcast #DirectoYouTube #macOS #iPhone2026 #remix ---------------------------------------------------------------------------------------------------------------------------- Si no puedes ver todo el directo, no te preocupes. Toda esta maratón estará disponible muy pronto en las principales plataformas de podcast en su formato habitual para que te la lleves a donde quieras. ¡Suscríbete para no perdértela! Y como siempre regresemos el jueves para nuestro Post INSIDE Special WWDC26. ---------------------------------------------------------------------------------------------------------------------------- 00:00 – Inicio de la Maratón y Rumores de Última Hora 15:00 – Tertulia con Compañeros del Podcast 30:00 – Comienzo de la Keynote Oficial de Apple (19:00 CET) 1:00:00 – Presentación de iOS 26 y Novedades 1:30:00 – Actualizaciones de iPadOS, macOS y watchOS 2:00:00 – El plato fuerte: Futuro de la Inteligencia Artificial de Apple 2:30:00 – Cierre del Evento Oficial y Conclusiones Rápidas 2:45:00 – FIN (el jueves mas en nuestro Post INSIDE Special #WWDC26 ) ---------------------------------------------------------------------------------------------------------------------------- Horarios claves para la #WWDC2026 España Francia Italia, Alemania Países Bajos (CEST) 19:00 Horas Canarias Portugal Reino Unido 18:00 Horas Grecia Finlandia Rumanía 20:00 Horas Centroamérica y Caribe Guatemala Costa Rica El Salvador Honduras Nicaragua 11:00 horas Panamá Cuba Jamaica 12:00 Horas República Dominicana Puerto Rico 13:00 Horas Latinoamérica (Sudamérica y Norteamérica) México (CDMX), Colombia Perú Ecuador 12:00 Horas México (La Paz): 11:00 Horas México (Tijuana): 10:00 Horas Venezuela Bolivia Paraguay Chile (Santiago): 13:00 Horas Argentina Uruguay Brasil (Brasilia): 14:00 Horas ---------------------------------------------------------------------------------------------------------------------------- La transmisión oficial se podrá seguir en vivo y de forma gratuita a través de la página web de Apple, su canal de YouTube y la aplicación Apple TV: https://www.youtube.com/watch?v=hF8swzNR1-o : https://www.apple.com/ ---------------------------------------------------------------------------------------------------------------------------- https://seoxan.es/crear_pedido_hosting Codigo Cupon "APPLE" PATROCINADO POR SEOXAN Optimización SEO profesional para tu negocio https://seoxan.es https://uptime.urtix.es ---------------------------------------------------------------------------------------------------------------------------- PARTICIPA EN DIRECTO Deja tu opinión en los comentario ---------------------------------------------------------------------------------------------------------------------------- ¿TE GUSTÓ EL EPISODIO? ✨ Dale LIKE SUSCRÍBETE y activa la campanita para no perderte nada COMENTA COMPARTE con tus amigos Applelianos ---------------------------------------------------------------------------------------------------------------------------- SÍGUENOS EN TODAS NUESTRAS PLATAFORMAS: YouTube: https://www.youtube.com/@Applelianos Telegram: https://t.me/+Jm8IE4n3xtI2Zjdk X (Twitter): https://x.com/ApplelianosPod Facebook: https://www.facebook.com/applelianos Apple Podcasts: https://apple.co/39QoPbO ----------------------------------------------------------------------------------------------------------------------------

¡AppleX4 está de vuelta! En este episodio especial analizamos todo lo presentado por Apple en la WWDC 2026. Hablamos de iOS 27, Apple Intelligence, Siri, macOS, iPadOS, watchOS, visionOS y de las sorpresas —o decepciones— que nos ha dejado la keynote.Marc, Kevin, Álvaro, Nando y José comparten sus primeras impresiones, debaten sobre los anuncios más importantes y responden a la gran pregunta: ¿ha estado Apple a la altura de las expectativas?Gracias por acompañarnos una semana más.Síguenos en redes sociales:

Gamers del Condado — el podcast gamer que estabas esperando. Debates, risas y polémicas sobre videojuegos, contadas como si estuvieras charlando con tus colegas en el bar… pero con más neones. ⚡ En este episodio: Resumen de todo lo acontecido en el pasado state of play. Sony vuelve a ser Sony en este evento donde enseñaron juegos como Wolverine o God Of War Laufey Aquí encontrarás: • Opiniones sin filtro sobre la deriva de la industria. • Debate con humor sobre lo que estamos jugando. Si eres gamer y te gusta estar al día de novedades , lanzamientos , polémicas del sector, este es tu podcast. ________________________________________ Síguenos también en redes para más contenido exclusivo: • Facebook: https://www.facebook.com/GamersCondado?locale=es_ES • Twitter, X: @del_gdc • Telegram: https://t.me/joinchat/HvztImoSpz944MIm • iVoox: Gamers del condado Spoiler: en nuestras redes soltamos noticias, memes y debates que NO aparecen en el podcast. ________________________________________ Suscríbete ya para no perderte nada y únete a la comunidad que está cambiando la forma de hablar de videojuegos. #Podcast #GamersDelCondado #Videojuegos #Gaming #Gamers

Repasamos toda la actualidad en LaLiga Hablamos con Roberto González, Director de Comunicación del Real Racing Club Charlamos con Antonio Trujillo (El Español en Málaga) sobre el playoff de Segunda División Novedades en el mercado de fichajes

El Estado mexicano marca un hito de ingeniería con la presentación del Olinia Uno, un vehículo eléctrico que desafía la logística de última milla y plantea un agresivo reto de escalabilidad para la cadena de suministro nacional. En este episodio también encontrará:Detalles de la próxima construcción de la supercomputadora CoatlicueEl multimillonario acuerdo de infraestructura en la nube entre Pinterest y AWSLa alianza estratégica de SpaceX con Google previa a su debut en bolsaEn las secciones:Historia Innovadora: El Poder Judicial del Estado de Tamaulipas. Así lo dijo: Geo González, comentarista deportiva de Televisa y TUDN. Breves de la semana: Novedades en la tecnología cuánticaPrompt que me cambió la vida: Juan Arévalo (Grupo Elektra) IT Masters Insight: Gabriela Millán (Novartis) Keywords#VehiculosElectricos #CadenaDeSuministro #Supercomputacion #CloudComputing #InnovacionITLe invitamos a seguir IT Masters Update, dejarnos sus comentarios aquí o a través de #ITMastersUpdate en las redes sociales y a visitar nuestro sitio oficial en IT Masters Mag.

Fanmacia Popular vuelve a traer todo el entretenimiento de las tardes de los sábados a Modoradio. Las noticias del anime, los eventos de carácter otaku y las informaciones del entretenimiento para fans están desde las 18:00 hrs (6 PM GMT-4) por nuestro canal de YouTube oficial.Esta semana presentamos a nuestra nueva integrante que se suma al equipo de Fanmacia Popular desde esta semana y juntos comentamos los invitados y novedades que traen dos de las convenciones mas importantes del año; hablamos de la Comic Con Chile y la Expogame en sus versiones 2026. Nuestras impresiones lo que se espera y todas las repercusiones de los anuncios son comentados por el equipo, junto con las informaciones de Devil May Cry de Netflix y las breves de la semana a cargo de Roque junto con las campañas de contenidos de la mano de Dani. También, Dani nos trae un nuevo tema de la semana, en esta oportunidad con un tema de preocupación dentro del mundo de geek, el acoso de los fans a las estrellas de la industria del anime y el manga, los emprendimientos GKS y eventos de la semana, la Maquina del Tiempo con Roque, esta semana con la serie del año 2000 "Megami Kohosei", los éxitos de Japón junto con Carlos en el Asian Top Chart y la mejor música para acompañar una tarde de llena de entretenimiento friki en el clásico de los sábados por la tarde.Programa emitido el día sábado 6 de junio de 2026.

Nuevo cielo y nueva tierra (v. 1)Nueva relación con Dios (vv. 2-3)Nueva realidad para los creyentes (vv. 4-8)

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

Os traemos un nuevo programa que se llena de novedades y de tentaciones de música en vivo, con el anuncio de próximos festivales y sabrosos encuentros musicales por el mundo adelante. Muchos de ellos tienen lugar en tierras ibéricas, como el Poborina Folk, en Aragón; La Mar de Músicas, en Cartagena; el Festival Med de Loulé, en el Algarve, y el FMM, Festival Músicas do Mundo de Sines. Volamos también al Ethno Port Poznań, en Polonia, y al estreno del WOMAD de Glasgow. Celebramos igualmente al ganador de este año del prestigioso Premio Loano per la Musica Tradizionale Italiana, del que los dos hacedores de Mundofonías somos jurados: Davide Ambrogio. Suenan músicas de mil matices venidas desde París, Londres, Occitania, Ecuador, Portugal, Palestina, Italia y Bruselas. We bring you a new programme filled with new releases and temptations of live music, along with announcements of upcoming festivals and delightful musical encounters around the world. Many of them take place in Iberian lands, such as Poborina Folk in Aragon, La Mar de Músicas in Cartagena, the Festival Med de Loulé in the Algarve and FMM – Festival Músicas do Mundo de Sines. We also fly to Ethno Port Poznań in Poland and to the debut edition of WOMAD Glasgow. We also celebrate this year's winner of the prestigious Premio Loano per la Musica Tradizionale Italiana, of whose jury we, the two creators of Mundofonías are members: Davide Ambrogio. Music of a thousand shades fills the air, arriving from Paris, London, Occitania, Ecuador, Portugal, Palestine, Italy and Brussels. – Tako Toki - Aksum - Un dimanche à Monaco – The Turbans - Zawi - The Turbans – La Fanfare des Goulamas - Tetriska - Festa 2 – Papaya Dada - Dónde venderán buen trago - Chicha radioactiva – A Cantadeira - Onde estão as cantadeiras - Tecelã – Le Trio Joubran - Masâr - Majâz – Breabach - The old collection - Fàs – Davide Ambrogio - III Sordi - Mater nullius – Elettro Mascarimirì - Ieu - Tradisco – 3'Ain - Zink - Unland – (The Turbans - Riders - The Turbans) Tako Toki

LOS40 Dance FESTIVAL: Conexión Main Stage. Los sonidos más bailables de la electrónica mainstream. Sábados y domingos, de 20 a 22h, revive los momentos más épicos, y los himnos que más han sonado en los festivales de todo el planeta, con LOS40 Dance FESTIVAL, en LOS40 Dance by Germán Pascual ¡mucho más que un programa de radio!

En este episodio, Joan y Carles continúan analizando cómo usan la IA en su día a día, con ejemplos prácticos y muy útiles; dando una continuidad al episodio anterior, que era un especial sobre el uso de la IA.Además, repasan las novedades de la semana en cuanto a las redes sociales y el mundo digital; y nos recomiendan:Web: worldmonitor.appWeb: sitios de Dua LipaUsuario: sanfries.coPeli: La CenaSerie: AbandonadosApp: DaVinciÚnete a nuestra comunidad:Telegram: t.me/caviaronlineFacebook: https://www.facebook.com/groups/caviaronline Capítulos:00:00 Introducción y Presentación del Podcast02:56 El Ascenso del Sabadell y la Viralidad en Redes Sociales05:46 Automatización y Funcionalidades de la IA en el Trabajo12:08 Ejemplos Prácticos de Uso de IA y Cloud18:00 Novedades de la Semana en Tecnología y Marketing23:17 Cambios en YouTube y Contenido Exclusivo26:49 Preferencias de Fuentes en Google27:06 Actualizaciones en WhatsApp28:39 Novedades en Spotify y Reacciones en Redes29:35 Inteligencia Artificial y Traducción de Mascotas30:55 Robotaxis y Pruebas en Madrid31:44 Música en Podcasts y Nuevas Funciones de Apple32:51 El Primer Ferrari Eléctrico33:43 División de Cuentas en Restaurantes34:47 Reflexiones sobre el Podcasting y el Consumo de Contenido35:57 Campañas Creativas y su Impacto Social37:35 Recomendaciones de Herramientas y Contenido39:54 Opiniones sobre Series y Películas Recientes43:02 Interacción con la Audiencia y Comentarios47:01 Cierre y Reflexiones Finales

Algunos dicen que fue el Covid 19, otros dirán el acceso masivo a las herramientas de inteligencia artificial, mientras que unos pocos dirán que el ataque a las torres gemelas. Pero en el episodio 610 de Café Fandango se evacuaron todas las dudas: el evento más importante del siglo XXI es cuando Seba le entregó a Nico el monitor para el arcade. Mientras te quedás pensando dónde estabas vos cuando te enteraste de semejante evento, podés quedarte escuchando el episodio para enterarte de que Nico terminó el Pragmata y vive a puro martini con el 007 First Light, Seba piensa en el Hades y en el Flatout pero juega al Realm of Ink y al Trailout y Gus... ahí anda, ¿vos bien? Después pasamos a las noticias: se retrasa el Fable, se anuncia una película del Streets of Rage, Nico nos cuenta de la State of no E3 de Sony y Ubisoft publica una foto del desarrollo del Beyond Good and Evil 2 con el diario del día. Cerramos con la Pregunta , elegimos los videojuegos por los que jamás abandonaremos la esperanza.

La gastronomía montevideana atraviesa uno de sus momentos más interesantes de los últimos años. A los clásicos que han sabido mantenerse vigentes se suman propuestas innovadoras que apuestan por experiencias diferenciadas, cocinas abiertas, formatos especializados y espacios cuidadosamente diseñados.

+Mortal vuelve a MortalFM con una nueva selección de novedades dance, estrenos internacionales, pop electrónico, house y canciones que empiezan a sonar fuerte dentro y fuera de la radio. En este programa repasamos algunos de los lanzamientos más destacados de la semana, colaboraciones potentes, sonidos actuales y temas que conectan con la escena dance, el pop internacional y la música de baile que marca tendencia. Una hora para descubrir nuevas canciones, seguir la pista a artistas que están creciendo y disfrutar del sonido actual de MortalFM antes de que el fin de semana suba de ritmo. Si quieres estar al día de la música dance actual, los estrenos, las novedades internacionales y los temas que empiezan a moverse en radios y playlists, este episodio de +Mortal es para ti. Escucha +Mortal en MortalFM, la radio dance de Castilla y León, y vuelve a disfrutar del programa en podcast desde iVoox, Apple Podcasts y mortalfm.es. MortalFM - Castilla y León - Spain Instagram: https://www.instagram.com/mortalfm Facebook: https://www.facebook.com/mortalfm/ X: https://twitter.com/mortalfm Web: https://www.mortalfm.es Email: mortal@mortalfmradio.com

Os dejamos nuestro repaso semanal de novedades y recomendaciones para que tengáis la pila de lecturas siempre ocupada y al día. 100 % Supergirl: La Mujer del Mañana Aventuras de Supergirl DC Finest Supergirl Supergirl: Feliz Retorno Superman: Hijo Rojo Wonder Woman: Tierra Muerta Guerras y Dragones Spiderman '94 The Bugle Call - Canción de guerra Hulk de Donny Cates Todo termina esta noche El Diario del Yeti Allí Donde Vas Escape Escape: El Arte de la Guerra El viaje He-man y los Masters del Universo - los Minicómics Dead Romans Vatican City

Nueva entrega de Música de Contrabando, semanario de actualidad musical de Onda Regional Murcia (4/06/2026) . Con Ángel H. SopenaEntrevistas:- Vuelve el Festival Ventepijo tras 4 años de ausencia. Su director, Ignacio Sánchez , nos pone al tanto de su identidad de "kilómetro cero".- Rufus T Firefly están aquí de nuevo. Víctor Cabezuelo nos habla de la experiencia de su gira con " cascos inalámbricos ".Noticias: Kiss celebran el 50 aniversario del álbum Destroyer con el libro Destroyer: The definitive visual history: Making and touring the legendary album. Cherry Red anuncia Where do the stars end – The recordings 1974-1980, una caja de seis cedés que reúne remasterizadas las grabaciones de Kevin Ayers . Rescatado un disco inédito de The Cramps. Se anuncia la reedición de ZAPPAtite – Frank Zappa's tastiest tracks, una colección que abarca toda la carrera de Frank Zappa, lanzada originalmente en 2016. Björk inaugura “Echolalia” incluyendo el tema “Nerve Bloom” . Phoebe Bridgers ha sorprendido anunciando un concierto especial en el Madison Square Garden (Nueva York). Y la mayor sorpresa es que las entradas costarán un dólar.El Primavera Sound Barcelona volverá a abrirse al mundo a través de su retransmisión oficial en streaming de la mano de Amazon Music. De momento no habrá nuevo disco de Radiohead . El Museo de Cera de Madrid ha incorporado a su colección la figura de Bad Bunny .The Fall lanzarán un disco póstumo para Mark E. Smit . Arde Bogotá anuncia “ABT002”, una nueva gira internacional que llevará a la banda de vuelta a Estados Unidos y México en una serie de conciertos concebidos para disfrutar de su directo en espacios más cercanos y especiales. Novedades musicales:Paul McCartney, Sean Frutos, Belle and Sebastian, The Avalanches y Jamie XX, Death Cab For Cutie, The Afghan Whips, Bedouine, Ibibio Sound Machine, Santana y Becky G, Greta Van Fleet, 7ebra, Zahara, The Bug Club, Max Subar, Arde Bogotá, Maestro Espada, Motoharu Okamura, Me Acuerdo De Todo y Bernal, Samantha y Chica Sobresalto, Calvin Harris y Jazzy, The Head and The Rest, La Habitación Roja, Madbel, Sistema Nervioso, Loganz, Lola Young, Annapurna, Barry B, Petit Pop, Maki, Repion, Blonde Poulain, Poster Boy, Weezer, Airbag, Serch, Noise Box feat Second, Tender, Standing on the corner, Black Marble, Helado Negro y Reyna Tropical, qAgenda de conciertos:Rufus T Firefly, O'funk'illo, Los Del Tonos, Sueño Xanadú, Leverse & Jones, Dani Fernández, Sr Bizarro, Santi Campillo, Semifinales Creamurcia, Pau From Marc, Mala Cotton, Adiós Noviembre, Manva Negra, Julia Cry, Uni Boys.

Las novedades de la historia de la alimentación. Y hablemos del pan mal etiquetado y sobre todo ¡del chocolate!

Tiempos Modernos con Sean Frutos, Venus Astra, Hanz Ruiz, Lori Meyers, Me acuerdo de todo, Junio, Niños Raros, Sound Isidro con Estrogenuinas, Pared con Pared y Niña Polaca. Larga vida a la música.

Tiempos Modernos con Sean Frutos, Venus Astra, Hanz Ruiz, Lori Meyers, Me acuerdo de todo, Junio, Niños Raros, Sound Isidro con Estrogenuinas, Pared con Pared y Niña Polaca. Larga vida a la música.

Una hora de músicas varias con las que trataremos de disfrutar y escaparnos de la realidad... Ya habrá tiempo de volver a ella. Esta semana nos hacemos eco de algunas de las últimas novedades musicales llegadas a nuestra redacción.

¡Ya ha empezado el No-E3 2026! Ayer fue el State of Play de PS5 en el que vimos gameplay del videojuego de Lobezno, se nos presentó el nuevo God of War y se anunciaron varias fechas de lanzamiento que nos dejan un septiembre de auténtica locura.   En este episodio especial repasamos todo lo ocurrido en el State of Play. Recordad que este será el programa especial de esta semana y que volveremos el lunes 8 de junio con un programa centrado en todo lo que ocurra en el Summer Game Fest y el Xbox Games Showcase durante este fin de semana.

Última hora de las elecciones al Real Madrid. Messi, Premio Princesa de Asturias de los Deportes. Novedades de la selección española. Noticias en el fútbol español. Polideportivo.

Jódar-Zverev, en directo. Última hora de las elecciones al Real Madrid. Noticias de la selección española. Novedades en los equipos de LaLiga. Polideportivo.

Programa Nº 168 de "Voces del Misterio", decimoquinto de la Temporada 2010/2011. Efemérides (14 de Enero), La casa encantada de Llago en Écija, Novedades sobre el Hogar Virgen de los Reyes, Bin Laden, Recientes muertes masivas de animales, etc”. De regreso tras las vacaciones navideñas, “Voces del Misterio” te ofrece un entretenido programa. Comenzaremos con las efemérides del día, un 14 de Enero, de la mano de José Manuel García Bautista. Fátima Barragán y Jesús Camacho nos llevarán a una casa encantada: la casa de Llago en Écija. José David Flores nos traerá nuevas noticias sobre el Hogar Virgen de los Reyes. José Manuel García Bautista nos hablará de las "Mentiras de la Historia" y Bin Laden. En "Zona de Misterios" hablamos de las recientes muertes masivas de animales. En nuestra última media hora entrevistamos al biógrafo de la Reina Fabiola, Fermín Urbiola, tras su reciente obra con la editorial Espasa, titulada "Nacida para reina: Fabiola, una española en la corte de los belgas". 120 minutos de Misterios, Historias, Curiosidades y mucho más... Un programa dirigido y presentado por Jesús García. Audio perteneciente a la primera etapa, en Radio Betis. Fecha de emisión: 14/01/2011 RECORDAROS que este PODCAST NO es el OFICIAL del programa “Voces del Misterio”. Para comentarios sobre los temas tratados o las opiniones de los colaboradores, podeís contactar directamente con el programa a través de su web (https://www.vocesdelmisterio.com) o el correo electrónico: "vocesdelmisterio@gmail.com". PARANORMALIA: https://paranormaliaweb.github.io/ (WEB), https://www.facebook.com/paranormaliaweb/ (Facebook) y https://x.com/paranormaliaweb (X).

En este especial de nuestro podcast repasamos algunas de las novedades discográficas más destacadas de la música Smooth Jazz que hemos presentado en Mayo de 2026. Entre ellas, los nuevos trabajos de Steve White, Althea René, Warren Wolf, Ray Obiedo, James Day y JJ Sansaverino.

A pedido del público, de ahora en más Café Fandango va a tener una versión física: ¡Subscribite a la lista de correo y recibí todas las semanas en tu buzón los episodios de Café Fandango en disco flácido! En el episodio 609 vas a poder disfrutar (aunque lo escuches en digital) a Su Santidad el Papa Edu I, que terminó el Replaced, avanzó muy poco en el Danganronpa, le dio un nuevo intento al Baldur's Gate 3 para caer de nuevo en el Wild Arms 2 y anduvo sacando el registro de conducir en el Forza Horizon 6. Gus arrancó y terminó el The Room en Android y te da sus primeras impresiones del Halo 3. Finalmente Seba continúa con el Call of Duty Black Ops: Cold War y se copó con resumir "and" en inglés con el Guts 'N Goals y el Donuts 'N' Justice. Luego pasamos a las noticias donde la Steam Deck tiene un pequeño ataque de hiperinflación, Bungie anuncia el fin del Destiny 2 y CD Projekt Red anuncia la resurrección del Witcher 3. Cerramos con la Pregunta Fandango, donde nos postulamos para ser docentes de jueguitos.

Hablamos en La Paz con Raúl Peñaranda, director de "Brújula Digital"; en Bogotá con Camilo Granada, consultor y analista político, y en Madrid con Enrique Rodríguez Coello, corresponsal de Blu Radio

Bienvenidos a un nuevo episodio de Aportando luz, el podcast en el que hablamos de fotografía nocturna, su técnica, consejos y equipo. En este episodio hablaremos sobre las novedades en el mercado fotográfico relacionadas con la fotografía nocturna. Puedes ver las notas del programa en https://www.javierrosano.com/podcast/119.

Pensar que cumplir años

¿Querés conocer toda la escandalosa interna del podcast de videojuegos Checkpoint? ¡No! ¡No Cambies de canal! Porque en el Ep. 608 de Café Fandango invitamos a Dieguito De Carlo que ¡viola el NDA y nos cuenta hasta los detalles más escabrosos! Aunque también nos explica como acomodar Marathon a la vida en familia, y como estirar hasta el infinito una partida de Civilization VI. Seba por su parte, nos aburre con TRES Carlos Duties (MW II, MW III, y Black Ops: Cold War), nos agrega un detalle copado del Shantae and the Seven Sirens, y se quiebra en vivo hablando del Death by Scrolling. Por el lado de las noticias tenemos todas buenas decisiones de Sony (respecto al precio de Plus y a su política de publicación de exclusivos); a Valve que "mejora" una función haciéndola completamente mierda; a la que esperemos sea la anteúltima noticia que tengamos que cubrir respecto a la batalla legal de Epic vs Apple; y cerramos con un reconocimiento (parcial) al Doom que nos llevó a preguntarnos a qué cosa muy puntual de algún videojuego te gustaría darle un premio.

02 21-05-26 LHDW Noticias del NoDo: Novedades del caso de El Bocal. Sánchez y la carrera espacial.

Os dejamos nuestro repaso semanal de novedades y recomendaciones para que tengáis la pila de lecturas siempre ocupada y al día. La Cosa del Pantano La Edad de Bronce Harleen La Piel de Otro La Princesa Parásito El Castillo de los Animales Extremity Lightfall Star Wars: Clásicos Marvel USA Grandes Batallas de Godzilla Camino a G.I. Joe. Edición Z Deluxe Onslaught Omega Absolute Batman 14 Green Lantern Dark Juez Dredd: Con uñas y dientes Aprendiz de Cuervo El Legado de la Serpiente Marina La Cofradía de las Tormentas El escultor All You Need is Kill Saturnia 1629 Universo Invencible: Battle Beast Ichi the Witch Star Wars: The New Republic

El programa 2877 de Radiogeek, les habló de varios temas importantes. Los suscriptores de pago de Google Gemini están indignados por las nuevas y silenciosas restricciones de uso; Algunos adaptadores Chromecast originales ya no funcionan y nadie sabe por qué; La nueva función de WhatsApp hace que los mensajes desaparezcan justo después de leerlos; Wear OS 7 es oficial; y por último La empresa de inteligencia artificial xAI de Musk está siendo demandada por sus generadores de centros de datos. Toda esta información la pueden encontrar desde nuestra web www.infosertec.com.ar o bien desde el canal de Telegram/Whastapp, o Instagram. Esperamos sus comentarios.

El torneo comenzó a cerrar cortinas, luego de que Tepatitlán se proclamara como el nuevo monarca de Liga de Expansión MX, donde venció en la final a la Jaiba Brava en el estadio Gregorio Tepa Gómez. Aunque se abrirá una nueva historia entre ambas escuadras para definir al campeón de campeones en los próximos días. Novedades de cara al siguiente certamen ¿equipos nuevos? como podría quedar constituido el futuro de la competencia, tras el título de la temporada 2025-2026 que consiguió Deportiva Venados ante Alacranes de Durango.

Mientras los inversores siguen pendientes de los resultados financieros de Nvidia, otra compañía tecnológica ha logrado captar interés del sector. Google presentó en su conferencia I/O 2026 una batería de innovaciones que han provocado un impacto dentro de la industria digital. El foco principal estuvo en la transformación de su buscador, el cambio más importante realizado. La inteligencia artificial vuelve a ser la base de esta evolución, orientada a ofrecer respuestas precisas, dinámicas y adaptadas a cada usuario. Gracias al modelo Gemini 3.5 Flash, el buscador ahora puede interpretar preguntas extensas, resolver consultas médicas, gestionar reservas y detectar intereses específicos de quienes navegan. La compañía busca que las búsquedas funcionen de forma similar a los asistentes conversacionales, proporcionando experiencias más personalizadas y naturales. Sin embargo, estas nuevas características estarán disponibles para usuarios con suscripción de pago. Según explicó Google, Gemini ya supera los 900 millones de usuarios mensuales, una cifra que representa un crecimiento respecto año anterior. La expansión se refleja en otras funciones impulsadas por inteligencia artificial. Los Resúmenes de IA reúnen 2.500 millones de usuarios, mientras que el denominado Modo IA alcanza cerca de mil millones. Gemini incorpora cambios visuales importantes, utilizando colores alineados con la identidad de la empresa y una interfaz para facilitar uso. Durante el evento se dieron a conocer Gemini Spark y Omni. El primero ejecuta tareas automáticamente incluso cuando el ordenador permanece apagado o sin actividad. Por otra parte, Omni está diseñado para crear vídeos mediante instrucciones y permite modificar escenas a través de conversaciones con el asistente virtual. Google también anunció herramientas fuera del buscador. Entre ellas destaca Docs Live, capaz de generar documentos mediante dictado sin necesidad de escribir manualmente. Asimismo, presentó Ask YouTube, disponible inicialmente en Estados Unidos durante el verano. Esta función permitirá interactuar con vídeos en tiempo real y ofrecerá recomendaciones audiovisuales mucho más personalizadas según las búsquedas realizadas.

Google presentó The Android Show | I/O Edition 2026 y dejó una cosa clarísima: Android ya no quiere ser solamente un sistema operativo. Quiere convertirse en un ecosistema inteligente completo, impulsado por Gemini y conectado a teléfonos, autos, laptops, apps, formularios, teclado, widgets y mucho más. En este episodio analizamos todo lo que presentó Google antes del I/O 2026: Android 17, la llegada de Gemini Intelligence, las nuevas funciones inteligentes de Gboard con Rambler, el autocompletado avanzado con IA, los widgets generativos personalizados, las mejoras de cámara en Instagram gracias al acuerdo con Meta, el nuevo Quick Share compatible con otros sistemas, la evolución de Android Auto y la aparición sorpresa de Google Book, una nueva categoría que busca fusionar Android con ChromeOS. Pero también hay una pregunta inevitable: si Gemini empieza a entender formularios, fotos, documentos, contexto, aplicaciones y datos personales… ¿estamos frente al futuro más útil de Android o ante el ecosistema más invasivo que vimos hasta ahora? Y por supuesto, la comparación con Apple es inevitable. Porque muchas de las ventajas históricas del iPhone empiezan a desaparecer, mientras Google parece avanzar con una integración de inteligencia artificial mucho más profunda, más práctica y más real que la que Apple prometió con Siri y Apple Intelligence. En este video te cuento qué presentó Google, qué significa realmente Android 17, por qué Gemini puede cambiar la forma en la que usamos el celular y por qué este evento puede marcar un antes y un después en la guerra entre Android, iOS, Google, Apple y Microsoft. ¿Google acaba de ganarle la carrera de la inteligencia artificial a Apple? #idearVlog #Android17 #GoogleIO #Gemini #GoogleGemini #Android #Apple #Siri #AppleIntelligence #GoogleBook #AndroidAuto #InteligenciaArtificial #Tecnologia