Podcasts about coproductions

The next production to open at the Rose Theatre in Kingston, London is a new adaptation of Kazuo Ishiguro's Never Let Me Go, adapted for the stage by Suzanne Heathcote and directed by Christopher Haydon, Rose Theatre's Artistic Director. BTG Editor David Chadderton spoke to Christopher just before a rehearsal for the play about the adaptation, working with one of his literary heroes, the necessity for co-productions and the state of arts funding and arts education in the UK at the moment. Never Let Me Go will run at the Rose Theatre from 20 September to 12 October 2024 before touring to Royal and Derngate in Northampton from 16 to 26 October, Malvern Theatres from 29 October to 2 November, Bristol Old Vic from 5 to 23 November and Chichester Festival Theatre from 26 to 30 November. (Photo of Christopher Haydon in rehearsal for Never Let Me Go, credit DMLK)

Pitlochry Festival Theatre in Scotland and The New Wolsey Theatre in Ipswich are co-producing a new production of the stage musical Footloose, based on the ‘80s film of the same name that starred Kevin Bacon. BTG Editor David Chadderton spoke to New Wolsey Artistic Director Douglas Rintoul, who will direct the production, and Pitlochry's Artistic Director, Elizabeth Newman, about the production, other musicals that both their theatres are producting this year (Little Shop of Horrors, Beautiful: The Carol King Musical, The Sound of Music). They also spoke about the advantages of co-productions—and when they may not be appropriate—as well as programming and casting a rep season and panto. Little Shop of Horrors closes at the Octagon Theatre in Bolton on 18 May and then moves to Hull Truck Theatre from 22 May to 8 June 2024. Footloose will run at various times and dates in Pitlochry Festival Theatre's season between 31 May and 26 September before transferring to The New Wolsey Theatre from 3 to 26 October. Beautiful: The Carole King Musical will run at Pitlochry between 7 June and 28 September, and The Sound of Music will be there between 15 November and 22 December. Sleeping Beauty, the New Wolsey panto written by Vikki Stone, will run from 22 November 2024 to 18 January 2025.

Fri, 01 Dec 2023 14:00:00 +0000 https://efm-industry-insights.podigee.io/45-co-production-strategies-for-drama-series-today d0ce3a4688969ed0b106258f6838ef76 Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by industry analyst Johanna Koljonen, it delves deep into the rapidly evolving film industry. This episode focuses on current producing strategies in the drama series landscape after the TV-series boom of the last decade. Guest speakers Ankica Jurić Tilić and Marike Muselaers share their experiences in financing drama series, their take on the current market landscape as well as financing strategies for producers in different parts of Europe, and explain how co-productions may play an increasing role today. Ankica Jurić Tilić is a producer from Croatia with more than 30 years of film experience. She graduated in comparative literature from the Zagreb University. She is also a graduate of EAVE, member of ACE, Producers on Move and EFA. She founded her production company Kinorama in 2003, together with two partners. Ankica's filmography includes 30 feature-length films, several TV series, and a number of shorts. Her films were screened and awarded at prestigious festivals such as Cannes, Berlin, Venice, Karlovy Vary, Toronto. In 2019, she was awarded Eurimages Co-production Award at EFA ceremony in Berlin. She teaches at the Academy of Dramatic Art in Zagreb and at EAVE. With almost 20 years of experience in the international film and TV industry, Marike Muselaers recently joined Nordisk Film Production as Head of International Financing and Coproductions, and is therefore responsible for strengthening the financing of film and series projects and developing an ambitious strategy for co-productions. She mainly developed her interest for quality storytelling and international partnerships during her 15 years at the Lumiere Group in the Benelux, where she was responsible for sales, acquisitions, coproductions and international financing in production and distribution, before co-leading the group as Lumiere's co-CEO. In her role as Financing Tutor for the Midpoint Series Launch program, Marike is coaching producers and writers. She also enjoys being a mentor at training programs like Qumra Series, Cinelink Sarajevo and SeriesWomen, is a member of the advisory board of TV Drama Vision and Nostradamus at the Göteborg Film Festival and also a well known moderator, keynote speaker and panel guest at many industry events. Johanna Koljonen is a media analyst, broadcaster, and experience designer based in Sweden. She is co-founder of boutique consulting firm Participation Design Agency, and the author of the Göteborg Film Festival's annual Nostradamus Report. This podcast episode has been developed in collaboration with the Berlinale Co-Production Market. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no TV Series,Financing,EFM,Film Industry,Berlinale,Co-Production,Koljonen,Muselaers,Tilic,Film European Film Market

Découvrez le podcast de Maud PETIT, International Coproductions & Service chez FASTEN FILM ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Margherita Chiti, International Affairs e Coproductions nella casa di produzione Palomar, parte del gruppo francese Mediawan, racconta cosa vuol dire far nascere contenuti internazionali e coproduzioni tra diverse realtà e nazioni. Dopo una laurea in cinema, seguita da un percorso decennale nella distribuzione, ha deciso recentemente di dedicarsi alle produzioni internazionali. A chi vuole entrare in questo mondo, suggerisce di provare appena possibile l'esperienza su un set, di non smettere di guardare film e di aggiornarsi sui trend, senza smettere di essere curiosi. Guida all'episodio: 00:48: In cosa consiste il tuo lavoro? 1:59: Il tuo percorso formativo e professionale 3:48: Caratteristiche essenziali in questo ambito, a livello di competenze e di attitudini 5:27: Opportunità e prospettive di crescita nella produzione 6:15: Un consiglio alla “te” che si affaccia per la prima volta nel mondo del lavoro 6:49: Come informarsi sull'evoluzione del settore audiovisivo Credits: Presentazione e ideazione: Silvia Rigamonti & Serena Malaspina. Sound Design: Lucrezia Marcelli, Manuela Bianco & Giulia Vucani. Musica originale: Mariana Calegari. Grafiche: Tommaso Zandri. Supporto tecnico e organizzativo: Barbara Spanò & Federica Nicchiarelli. SCOPRI DI PIÙ SU "WOMEN IN FILM, TELEVISION & MEDIA ITALIA": https://wiftmitalia.it/en/ https://www.instagram.com/wiftm_italia/?igshid=445wzuvmxv9u https://www.facebook.com/wiftmitalia/ https://www.youtube.com/channel/UC634xy4uuhBErj7can-41IA

Euro Pudding is a podcast by SEAN.It's created and hosted by Pierre Puget and co-produced and co-hosted by Philipp Scherzer.Visit our website www.europudding.com!Please write to us at info@europudding.com with questions, feedback, topics you want us to cover, etc.Find us on Instagram, Twitter or Facebook.Our sponsors are C21 and Paper to Film.To learn more about the Serial Eyes programme.Musics by Rafaël Leloup.Visual by Katharina Bobeth.THE EPISODEOur guests is Donna Sharpe.Michael Arndt's website.

Même la pluie https://www.fnac.com/a3462920/Meme-la-pluie-Gael-Garcia-Bernal-DVD-Zone-2 La régate https://www.fnac.com/a3087897/La-Regate-Joffrey-Verbruggen-DVD-Zone-2 Despues de luchahttps://www.fnac.com/a5778404/Despues-de-Lucia-Tessa-Ia-DVD-Zone-2

Full video: https://youtu.be/XG8pMqy3dkM Q. Where in the world can you produce your film? A. anywhere through coproductions. Sam & Jon examine the complexities and the advantages of getting a partner to bring in and share the money. They take you through a whirlwind tour of all the jurisdictions, states and countries from Croatia, Estonia, Hungary, UK, Germany, Ireland, Puerto Rico, UAE, South Africa through to New Zealand to co-produce or produce your films. 3:30 Coproductions are like a marriage 4:15 Shortest co-production agreement 6:10 Most important part of a coproduction 7:45 Canada & coproduction treaties 19:25 Third party co-production and it's impact on the film 23:20 Coventures include American companies 30:30 International film incentives 33:30 Where in the world can you produce your film Connect with Sam Coppola ------------------------------------------- (+) Email (+) scoppola@gascon.ca Connect with Jon Mechanic ------------------------------------------- (+) Email (+) jmechanic@gascon.ca

Il est question des coproductions belges avec Geneviève Lemal, CEO de Scope Pictures,Olivier Clinkart, rédacteur en chef de Be.Screen et Philippe Reyneart, directeur de Wallimage.

In this episode, Jonathan Goldfuss shares his experience of working on the west coast during the dot-com boom. We track his career working on brands including hotwire.com, AOL, and ThinkFoodGroup.  What he has learned from many years of experience has lead him to start a new service, (https://coproductions.com/) which is a matching marketplace to enable freelance teams and clients to find each other.  As he says, Coproductions is trying to make freelaning more viable by making freelance teams more  'agency-like'.  Tune in to learn more!  Listen to the back episodes at: waitwhatpro.com/motr Like on Facebook at: https://www.facebook.com/MediaOnTheRadio/ Follow me on Instagram at: @waitwhatpro  SUBSCRIBE on iTunes: HTTPS://ITUN.ES/I6Y94LT  TUNE IN every Thursday @ 7PM to 96.7 FM (Washington DC/Arlington): www.wera.fm  

Sydney Films’ Head of Production Mark Lazarus gives his advice on making an Official Co-production with China.

A look at Official Co-productions through the eyes of documentary producers who’ve done it.

Screen Australia's Tim Phillips and Colleen Champ discuss the ins and outs of Official Co-productions.  

Australian producer Emile Sherman shares his insights working on Official Co-productions.

On dit souvent que les coproductions européennes sont l’avenir du secteur afin d’atteindre des budgets et un rassemblement de talents suffisants. Qu’en est-il concrètement sur le terrain ? Retour sur trois expériences abouties avec les producteurs d’Odysseus (France-Italie-Portugal), de Jo (France-Grande-Bretagne-Allemagne), et de The Spies of Warsaw (Grande-Bretagne- Pologne). Animée par Catherine Wright (Le Film français) Avec Estelle Boutière (NPA Conseil), Stéphane Drouet (Making Prod), Richard Fell (Carnival Film & TV), Judith Louis (ARTE), Christophe Valette (GMT Productions), Klaus Zimmermann (Lagardère Productions)

On dit souvent que les coproductions européennes sont l’avenir du secteur afin d’atteindre des budgets et un rassemblement de talents suffisants. Qu’en est-il concrètement sur le terrain ? Retour sur trois expériences abouties avec les producteurs d’Odysseus (France-Italie-Portugal), de Jo (France-Grande-Bretagne-Allemagne), et de The Spies of Warsaw (Grande-Bretagne- Pologne). Animée par Catherine Wright (Le Film français) Avec Estelle Boutière (NPA Conseil), Stéphane Drouet (Making Prod), Richard Fell (Carnival Film & TV), Judith Louis (ARTE), Christophe Valette (GMT Productions), Klaus Zimmermann (Lagardère Productions)