British Theatre Guide podcast

Elizabeth Newman, Artistic Director of Sheffield Theatres, has adapted F Scott Fitzgerald's novel The Great Gatsby, which is now 100 years old, for the stage for the theatre she recently left, Pitlochry Festival Theatre. It will be co-produced by Derby Theatre, where it will also open that venue's 50th anniversary season, and will by directed by Derby's Artistic Director, Sarah Brigham. BTG Editor David Chadderton spoke to Sarah and Elizabeth about the production, the story's continuing appeal and how their adaptation works, as well as about Derby's anniversary, Elizabeth's move from Scotland to South Yorkshire… and snooker. Elizabeth Newman's adaptation of F Scott Fitzgerald's The Great Gatsby, directed by Sarah Brigham, will run as part of the summer repertory season at Pitlochry Festival Theatre in Scotland from 27 June to 25 September 2025 before transferring to Derby Theatre from 3 to 25 October.

59E59 Theatres in New York City has presented a regular Brits Off Broadway season of British theatre productions since 2004. This year, the season runs from 22 April to 29 June and features eight productions that were recently performed in the UK. BTG Editor David Chadderton spoke to Val Day, 59E59's Artistic Director, and Brian Beirne, Managing Director, about the origins of the season, their selection process, the financing of this theatrical ‘unicorn' (as Brian calls it) and the productions in the 2025 programme: The Last Laugh, written and directed by Paul Hendy, from Evolution Productions and Jamie Wilson Productions from 22 April to 25 May. The Ungodly, written and directed by Joanna Carrick, from Red Rose Chain from 23 April to 11 May. The Mistake by Michael Mears, directed by Rosamunde Hutt, from Essential Theatre from 24 April to 11 May. Gertrude Lawrence: A Lovely Way to Spend an Evening written and performed by Lucy Stevens and directed by Sarah-Louise Young from Astor Theatre from 13 to 25 May. Shellshocked, written and directed by Philip Stokes, from Richard Jordan Productions and 412, from 14 May to 8 June. A Special Relationship by Tim Marriott and Brian Dykstra, directed by Margarett Perry, from 29 May to 29 June. Pride and Prejudice adapted by Abigail Pickard Price, who also directs, with Sarah Gobran and Matt Pinches from Guildford Shakespeare Company from 30 May to 29 June. Kafka, written and performed by Jack Klaff and directed by Colin Watkeys from Twilight Theatre Co from 12 to 29 June.

Arthur Miller's Death of a Salesman is regarded as one of the greatest plays of the 20th century. A new production is touring the UK. BTG Midlands editor Steve Orme spoke to David Hayman, who plays Willy Loman, and director Andy Arnold about the previous production they worked on as well as their current project.   Death of a Salesman runs until 3 May.   Further information is available at the Trafalgar Entertainment web site.

The next production from Wise Children theatre company will be a new stage adaptation of the 1959 Alfred Hitchcock Cold War thriller North by Northwest, adapted and directed by Emma Rice. The roles of Roger Thornhill and Eve Kendall, played in the film by Cary Grant and Eva Marie Saint, will be taken by Ewan Wardrop and Patrycja Kujawska. A week before previews at York Theatre Royal, BTG Editor David Chadderton spoke to Patrycja about the production and about the working process of a company and a director with whom she has had a long association. North by Northwest runs at York Theatre Royal from 18 March to 5 April 2025 before touring to HOME Manchester, Liverpool Playhouse, Bath Theatre Royal, Everyman Theatre Cheltenham and Alexandra Palace Theatre in London. (Rehearsal photo of Patrycja Kujawska as Eve Kendall and Ewan Wardrop as Roger Thornhill, credit Steve Tanner)

The programme for the tenth biennial Manchester International Festival for 2025 was announced on 11 March at Aviva Studios. BTG Editor David Chadderton spoke to John McGrath, Factory International's Chief Executive and Artistic Director, and Creative Director Low Kee Hong, as well as Jonathan Watkins, director and choreographer of A Single Man, and the writer, Ntombizodwa Nyoni, and director, Monique Touko, of Liberation. The 2025 Manchester International Festival runs from Thursday 3 to Sunday 20 July. A Single Man, produced with The Royal Ballet and created by Jonathan Watkins from Christopher Isherwood's 1964 novel with new music by Jasmin Kent Rodgman and John Grant, will be at Aviva Studios from 2 to 6 July. Liberation, written by Ntombizodwa Nyoni and directed by Monique Touko, will be at the Royal Exchange Theatre from 27 June to 26 July. For more information about all of the events in the festival, see the Factory International web site.

Playwright Jane Upton has taken her experiences of motherhood and included them in a new play, (the) Woman. Nottinghamshire company New Perspectives is touring the play which will also have a five-week run in London. Midlands editor Steve Orme spoke to Jane Upton and New Perspectives artistic director Angharad Jones about the play and how it was conceived. (the) Woman is on tour until 15 March and will be at London's Park Theatre from 24 September until 25 October 2025.   (Photo: Jane Upton and Angharad Jones, credit Steve Orme)

Mary Wollstonecraft, famous for her work A Vindication of the Rights of Woman, was born in London in 1759 but spent some of her early life in Beverley near Hull in Yorkshire. Playwright Maureen Lennon and actor Laura Elsworthy will together bring her back to the region in Maureen's play Mary and The Hyenas, in which Laura will play Mary. BTG Editor David Chadderton spoke to Maureen and Laura while the play was in rehearsal in Hull about Mary's life and legacy, the continuing relevance of her message, bringing her story to life on stage and the flourishing arts scene in Yorkshire. Laura Elsworthy stars in the title role of Mary and The Hyenas by Maureen Lennon for Hull Truck Theatre and Pilot Theatre, directed by Esther Richardson with music by Billy Nomates, which runs at Hull Truck Theatre from 7 February to 1 March 2025 before transferring to Wilton's Music Hall in London from 18 to 29 March.

Mama G is an award-winning year-round storyteller whose work is driven by the magic of pantomime. She has appeared in professional pantomimes across the UK for almost twenty years and this year stars in Aladdin at the Beck Theatre, Hayes. She has also written, directed and produced pantomimes for numerous holiday parks and theatres, including Stanley Arts Centre, South Norwood. Since 2018, Mama G has been sharing stories with children and their families about being who you want and loving who you are. The work has taken her to libraries, theatres, schools and festivals throughout the United Kingdom and in 2023 she appeared Off-Broadway with her show The Magic Bookmark. In October 2024, Mama G released of her first traditionally published picture book, Oh Yes I Am!, which celebrates the power of pantomime and is set to receive its first stage adaptation in the West End this December. Mama G speaks to BTG Panto Editor Simon Sladen about her career to date, the evolution of her Daming and her many ventures including appearing on Britain's Got Talent.

Leading pantomime company Evolution Productions will this year celebrate its 20th anniversary with ten productions at theatres right across England. BTG Editor David Chadderton spoke to the conpany's  founders, Paul Hendy and Emily Wood, about their upcoming panto season and about what goes into making their pantos, as well as about Paul's play The Last Laugh, which will follow a very successful run at the last Edinburgh Fringe with a West End run early next year. Evolution Productions' twentieth anniversary panto season in 2024 will run at theatres in Canterbury, Sheffield, Northampton, York, St Albans, Crawley, Dunstable, Shrewsbury, Lichfield and Basildon. Paul's play The Last Laugh will run at London's Noël Coward Theatre from 25 February to 22 March 2025.

Fierce Festival is a “youthful and joy-filled festival of international theatre, performance and experiences” which takes place in and around Birmingham every two years.   Midlands editor Steve Orme spoke to Fierce's artistic director Clayton Lee and Adam Kinner whose one-to-one show Manual will be presented daily in the Library of Birmingham.   Fierce Festival will run from Tuesday 15 until Saturday 19 October.   (Photo: Clayton Lee and Adam Kinner, credit Steve Orme)

In 2009, TV writers Trevor Suthers and John Chambers put together a night of short, brand new plays written by established TV writers which took its name from its original venue, the Joshua Brooks pub on Princess Street in Manchester. Fifteen years on, and now at fringe venue 53two, JB Shorts is an established biannual event on the Manchester theatre calendar with its two-week runs of six 15-minute plays. With the 25th JB Shorts about to open, BTG Editor David Chadderton spoke to Trevor together with actor James Quinn, who wrote for the very first JB and has written, directed and performed in many since, about what JB is all about and what this next run will offer, as well as how the whole thing began. JB Shorts 25 runs at 53two, Arch 19, Watson Street, Manchester from Wednesday 9 to Saturday 19 October 2024.

Derby Theatre is to present a new play, Welfare, by local playwright Abi Zakarian, that will take audiences to The Derbyshire Miners' Holiday Camp in Skegness, where miners went initially to convalesce and later to holiday, as it was turned into a holiday camp for Derbyshire miners and their families. Midlands Editor Steve Orme spoke to director Sarah Brigham and three of the actors, Jo Mousley, Hanna Winter and John Holt-Roberts, about the play and about the history behind it, both local and from much further afield. Welfare will run at Derby Theatre from 28 September to 12 October 2024. (Photo Jo Mousley, Hanna Winter, Sarah Brigham and John Holt-Roberts, credit Steve Orme)

The next production to open at the Rose Theatre in Kingston, London is a new adaptation of Kazuo Ishiguro's Never Let Me Go, adapted for the stage by Suzanne Heathcote and directed by Christopher Haydon, Rose Theatre's Artistic Director. BTG Editor David Chadderton spoke to Christopher just before a rehearsal for the play about the adaptation, working with one of his literary heroes, the necessity for co-productions and the state of arts funding and arts education in the UK at the moment. Never Let Me Go will run at the Rose Theatre from 20 September to 12 October 2024 before touring to Royal and Derngate in Northampton from 16 to 26 October, Malvern Theatres from 29 October to 2 November, Bristol Old Vic from 5 to 23 November and Chichester Festival Theatre from 26 to 30 November. (Photo of Christopher Haydon in rehearsal for Never Let Me Go, credit DMLK)

Guy Masterson, one of the most well-known and well-respected theatre producers on the Edinburgh Fringe, this year celebrates his thirtieth consecutive festival season. However, he has announced that this is also to be his last festival visit as a producer. BTG Editor David Chadderton spoke to Guy just after the first performance of one of the shows in his programme for this year about producing nearly 150 shows over three decades, the trials and joys of producing, writing, directing and performing at the Fringe and his decision to stop producing shows there. In Guy's programme for this year's Fringe, Making Marx and Victor's Victoria both run at the Assembly Rooms from 1 to 26 August 2024 each day at 11:35AM and 8:30PM respectively. Guy's solo shows Under Milk Wood and Animal Farm are both at Pleasance at EICC at 6PM, the first on 14 August and the second on 18 August. For more information about Guy and his work, past, present and future, see the Theatre Tours International web site.

2024 marks twenty years since Just the Tonic venues first appeared at the Edinburgh Festival Fringe, although founder Darrell Martin had been putting on shows at the festival since 2002 and started the company by running Sunday night comedy clubs in 1994. BTG Editor David Chadderton spoke to Darrell before the 2024 Edinburgh Fringe about 20 years on the Fringe, the current state of the Edinburgh festival season, getting into the business as a fan of comedy in the ‘80s, running comedy clubs around the country and about producing comedy as a decades-long act of procrastination to avoid writing material for his own stand-up act. Just the Tonic will be hosting more than 190 shows across five venues during the 2024 Edinburgh Festival Fringe. For more information about its Edinburgh programme and to book tickets online, see edinburgh.justthetonic.com—or you can also book at Edfringe.com. You can see what's on at the other Just the Tonic venues around the UK and book tickets for them at www.justthetonic.com.

Writer-director Paul Hendy brings back three comedians through performers Bob Golding, Damian Williams and Simon Cartwright. Every year, the Edinburgh Fringe programme features solo performances about real people, which in the past have included Bob Golding as Eric Morecambe in Tim Whitnall's Morecambe from 2009, Damian Williams as Tommy Cooper in Being Tommy Cooper by Tom Green from 2012 and Simon Cartwright as Bob Monkhouse in The Man Called Monkhouse by Alex Lowe from 2015. Writer-director Paul Hendy brought these three performers together for a film short called The Last Laugh in 2017, which he has now extended for a stage production featuring the same cast. BTG Editor David Chadderton spoke with the four of them about the play, what drove these great comics—and some of their demons—and why they have returned to playing them so many times. The Last Laugh will be in Studio One at Assembly George Square Studios, Edinburgh at 1:20PM every day except Monday 12 August from 31 July to 25 August 2024. For more information and tickets, go to Edfringe.com or Assembly Festival and search for “The Last Laugh”.

Pitlochry Festival Theatre in Scotland and The New Wolsey Theatre in Ipswich are co-producing a new production of the stage musical Footloose, based on the ‘80s film of the same name that starred Kevin Bacon. BTG Editor David Chadderton spoke to New Wolsey Artistic Director Douglas Rintoul, who will direct the production, and Pitlochry's Artistic Director, Elizabeth Newman, about the production, other musicals that both their theatres are producting this year (Little Shop of Horrors, Beautiful: The Carol King Musical, The Sound of Music). They also spoke about the advantages of co-productions—and when they may not be appropriate—as well as programming and casting a rep season and panto. Little Shop of Horrors closes at the Octagon Theatre in Bolton on 18 May and then moves to Hull Truck Theatre from 22 May to 8 June 2024. Footloose will run at various times and dates in Pitlochry Festival Theatre's season between 31 May and 26 September before transferring to The New Wolsey Theatre from 3 to 26 October. Beautiful: The Carole King Musical will run at Pitlochry between 7 June and 28 September, and The Sound of Music will be there between 15 November and 22 December. Sleeping Beauty, the New Wolsey panto written by Vikki Stone, will run from 22 November 2024 to 18 January 2025.

Guildford Shakespeare Company began with an outdoor production of Much Ado About Nothing in Guildford Castle Grounds in 2006. Eighteen years on, the company is celebrating its coming of age with a production of Romeo and Juliet which mostly takes place along Guildford High Street. BTG Editor David Chadderton spoke to the company's founders, Matt Pinches and Sarah Gobran, about the production and about the challenges, practical and financial, of mounting their style of theatre in spaces that were not designed for performance—including holding on to scenery in high winds and preventing foxes from chewing through microphone cables. Romeo and Juliet from Guildford Shakespeare Company will take place in Guildford Castle Grounds and the town centre from Friday 21 June to Saturday 13 July 2024. For more information and tickets, see www.guildford-shakespeare-company.co.uk. (Photo of GSC Co-Founders Sarah Gobran and Matt Pinches in October 2022. Credit: Matt Pereira.)

The 2024 summer season at Regent's Park Open Air Theatre in London will open with a new production of William Shakespeare's Twelfth Night Or What You Will directed by Owen Horsley, an Associate Artist of the Royal Shakespeare Company and an Associate Director for Cheek by Jowl. BTG Editor David Chadderton spoke to Owen at a break during rehearsals about his approach to the play, his love of Shakespeare and the perhaps unusual way he was originally introduced to the Bard's work. Twelfth Night Or What You Will directed by Owen Horsley runs at Regent's Park Open Air Theatre from 3 May to 8 June 2024.

Actor, writer, choreographer and film-maker Lanre Malaolu's play Samskara had a sell-out run at London's Yard Theatre in 2022 and was subsequently published by Nick Hern Books. Now, I See is the second play of what has become a trilogy which, like the first part, examines family relationships through a modern black, British lens. BTG Editor David Chadderton spoke to Lanre about the play, his writing process, how his work comes from his own experiences and observations and his introduction to creating theatre through Anna Scher drama classes and a transformational experience through Jonzi D's Breakin' Convention at Sadler's Wells. Now, I See runs at Theatre Royal, Stratford East in London from 10 May to 1 June 2024.

Actor Greg Hicks has played many leading roles at the National Theatre and the Royal Shakespeare Company over the last forty years, as well as starring on the West End and appearing on screen in films including The Mercy and Snow White and the Huntsman. He is about to perform a one-man show, The Dream of a Ridiculous Man, based on a short story by Dostoyevsky, at the new Marylebone Theatre in London. BTG Editor David Chadderton spoke to him a few days before it opened about the play and how much more of himself he will be presenting to an audience than in other roles he has played. He also spoke about some of his past roles, including performing naked in Romans in Britain for a role that nearly ended him up in criminal court immediately followed by appearing in full costume and mask for Peter Hall's famous Oresteia (he credits Hall as his mentor at the National in the 1970s). The Dream of a Ridiculous Man, adapted and directed by Laurence Boswell, is at Marylebone Theatre in London from 21 March to 20 April 2024. (Rehearsal image of Greg Hicks in The Dream of a Ridiculous Man, credit Richard James Taylor)

Danish theatre company fix+foxy premièred Dark Noon at the 2023 Edinburgh Festival Fringe which “explores one of the great American myths—the Wild West” through seven South African actors. The production will be restaged at Manchester's Aviva Studios this spring. BTG Editor David Chadderton spoke to co-directors Tue Biering and Nhlanhla Mahlangu about what and whose story the play is telling and about the process of creating it. Dark Noon will be performed in the South Warehouse of Aviva Studios in Manchester from 6 to 10 March 2024.

Following Night of the Living Dead—Remix and Dracula: The Untold Story, imitating the dog is again collaborating with Leeds Playhouse, this time on a new adaptation of Mary Shelley's Frankenstein co-created by Pete Brooks, Andrew Quick and Simon Wainwright. BTG Editor David Chadderton spoke to Andrew Quick during rehearsals at Leeds Playhouse about the technical challenges of this two-hander for creators and performers, the state of touring shows around the UK and Europe at the moment and the company's style and creative process. Frankenstein, featuring design by Hayley Brindle, lighting by Andrew Crofts and original music by James Hamilton, will open at Leeds Playhouse from 15 February 2024, before touring to Oxford Playhouse, Watford Palace Theatre, The Lowry in Salford, Cast in Doncaster, Mercury Theatre in Colchester, Liverpool Playhouse, The Dukes Lancaster and Northern Stage in Newcastle. (Photo of Andrew Quick, credit Ed Waring)

For Christmas 2023, there were two new stage adaptations of stories by Roald Dahl in the UK: The Witches at the National Theatre in London and The Enormous Crocodile at Leeds Playhouse, the first to be co-produced by the Roald Dahl Story Company. BTG Editor David Chadderton spoke to the company's Artistic Director of Theatre, Jenny Worton, about what the Roald Dahl Story Company actually is, how it develops new shows based on Dahl's books and some of the plans for the future. The National Theatre production of The Witches runs until 27 January 2024.

Pilot Theatre, a York-based touring company that creates theatre for young people is to tour England in February and March 2024 with an adaptation of David Almond's book A Song for Ella Grey, written by Zoe Cooper and directed by Pilot's Artistic Director, Esther Richardson. BTG Editor David Chadderton spoke to Esther while the production was still in rehearsal about the play, its North East setting, having a TikTok star in the title role, the process of adapting a challenging novel for the stage and the current state of theatre for young people in the UK. A Song for Ella Grey will open at Northern Stage in Newcastle 1–15 February 2024, before moving to York Theatre Royal 20–24 February, Theatre Peckham 27 February to 2 March, Hull Truck Theatre 5–9 March, Liverpool Playhouse 13–16 March and Yvonne Arnaud Theatre in Guildford 19–23 March.

Physical theatre company Gecko, based in Ipswich, was founded in 2001 by Amit Lahav, who is still its Artistic Director. The company's latest production, Kin, toured the UK in 2023 and will be at the National Theatre in London in January 2024. Amit spoke to BTG Editor David Chadderton about the origins of the production in the story of his grandmother Leah's journey from Yemen to Palestine as a child in 1932 to escape persecution, how this developed to look at migration stories more widely, the politics of migration then and now and Gecko's—and Amit's—creative process in making theatre. Kin will run at the Lyttelton Theatre from 12 to 27 January 2024. (Photo of Amit Lahav in Kin by Gecko (c) Malachy Luckie)

Mark Thomas is a stand-up comic whose work for stage and TV has frequently crossed over into theatre and into political activism, in some cases resulting in changes in the law. He is currently performing a show he hasn't written himself for the first time, England & Son by award-winning playwright Ed Edwards. BTG Editor David Chadderton spoke to Mark while the play was touring about the play, the importance of storytelling, football, class, what makes a ‘creative act', Oliver Cromwell, Brecht, Shakespeare and a lot more. England & Son, directed by Cressida Brown, is at the Arcola Theatre in London until 25 November 2023 then moves to the Playhouse in Sheffield from 28 to 29 November and the Traverse Theatre in Edinburgh from 5 to 9 December. For more information about Mark, performance dates and tickets, see his web site. (Performance shot of Mark Thomas in England & Son, credit Alex Brenner)

The Prince of Egypt, the DreamWorks animated film from 1998, was brought to the West End stage in 2020 at the Dominion Theatre but had to take a break due to the COVID lockdown. It completed its run the following year when it was filmed for a cinema release. BTG Editor David Chadderton spoke to the show's composer and lyricist, multi-Grammy and Academy Award-winner Stephen Schwartz, about the show's West End run and how it originally came about, as well as some of his views on songwriting. The Prince of Egypt will be released in selected cinemas across the UK and internationally on 19 and 22 October 2023 by Trafalgar Releasing. Tickets are on sale at ThePrinceOfEgyptMusicalFilm.com. For information about Stephen and his work, see the Stephen Schwartz official web site. (Photo of Stephen Schwartz, credit: Nathan Johnson.)

Manchester's Royal Exchange Theatre and Tamasha will present Tanika Gupta's adaptation of Great Expectations by Charles Dickens set during the Indian partition in Bengal, directed by Pooja Ghai, Artistic Director of Tamasha BTG Editor David Chadderton spoke to Pooja during rehearsals about the production, the history and concept behind Tamasha and a recently announced programme to “diversify dramaturgy” funded by the Paul Hamlyn Foundation. Great Expectations will run at the Royal Exchange Theatre in Manchester from 8 September to 7 October 2023. Photo of Pooja Ghai in rehearsals for Great Expectations by Abey Lam

Dublin Theatre Festival in Ireland has been running since 1957, and Willie White has been its Artistic Director and Chief Executive since 2011. BTG Editor David Chadderton spoke to Willie about the 2023 festival and the history and general focus of the festival. Dublin Theatre Festival runs from 28 September to 15 October 2023. After the Silence, image credit Juliana França Nurith Wagner-Strauss Truth's A Dog Must To Kennel, image credit Amy Gibson  Warrior - Karen Egan, photo Shane McCarthy Zona Franca, © Renato Mangolin

Glasgow-based writer Nat McCleary's play Thrown for National Theatre Scotland is set in the world of backhold wrestling and is concluding its tour of Scotland with a run at the Traverse Theatre in Edinburgh as part of the Edinburgh International Festival. It is directed by Johnny McKnight, who spoke to BTG Editor David Chadderton at the mid-point of the festival about the play, Scottish traditions, this year's festivals and the influence panto has had on everything he does in theatre. Thrown continues at the Traverse until Sunday 27 August 2023, as does the musical No Love Songs, with a book co-written by Johnny with Laura Wilde.

Towards the end of its summer season, Pitlochry Festival Theatre will present the world première of a new play by Peter Arnott, Group Portrait in a Summer Landscape, set in a Perthshire country house during the Scottish Independence referendum of 2014, directed by David Greig in a co-production with Edinburgh's Royal Lyceum Theatre. The main character Rennie is played by John Michie, best-known as DI Robbie Ross in TV's Taggart, and his friend Moon is played by fellow Scottish actor Benny Young. BTG Editor David Chadderton spoke to John and Benny while the production was in rehearsal about the play and the continuing relevance of its subject matter, as well as about rehearsing and performing in Pitlochry. The play will be performed at Pitlochry Festival Theatre from 25 August to 28 September 2023. It will then transfer to the Royal Lyceum Theatre in Edinburgh from 4 to 14 October.

Kimber Lee's provocatively titled winner of the first International Award from the Bruntwood Prize for Playwriting in 2019, untitled f*ck m*ss s**gon play, opened in June 2023 at the Royal Exchange Theatre as part of the Manchester International Festival and will transfer to the Young Vic in London later in the year. In the lead role of Kim is Mei Mac, who was nominated for a Best Actress Olivier Award earlier this year for playing 4-year-old Mei Kusakabe in the Royal Shakespeare Company production of My Neighbour Totoro at the Barbican in London. BTG Editor David Chadderton spoke to Mei in the middle of the Manchester run and asked her about performing in this often physical and funny production and the serious questions it raises, as well as her experiences in Totoro with the RSC and director Phelim McDermott. untitled f*ck m*ss s**gon play is at the Royal Exchange Theatre in Manchester until 22 July 2023, then at the Young Vic in London from 18 September to 4 November 2023. (Photo of Mei Mac as Kim by Other Richard - Richard Davenport)

As You Like It is one of William Shakespeare's most popular comedies. Omar Elerian, who is directing his first show for the Royal Shakespeare Company, was keen to explore it from a “fresh and new perspective”, so he has cast a company of actors who are mostly over 70.   BTG's Midlands editor Steve Orme spoke to two of the actors, 73-year-old Malcolm Sinclair and Maureen Beattie who's 69. He asked them what it's like performing in a company of mature actors and whether there's still age discrimination in the industry.   As You Like It continues in the Royal Shakespeare Theatre, Stratford until Saturday 5 August. (Photo of Malcolm Sinclair and Maureen Beattie by Steve Orme)

Jenny Sealey has been artistic director of Graeae since 1997, a theatre company, which, according to its web site, “boldly places Deaf and disabled artists centre-stage in a diversity of new and existing plays”. In that time, she has directed many productions, including co-directing the opening ceremony of the 2012 Paralympics in London with Bradley Hemmings. However, for her next production, Self Raising, for the Edinburgh Fringe, she will be performing herself for the first time in three decades in a solo piece co-written with Mike Kenny based on her own early life in a family in which she was the only Deaf person. BTG Editor David Chadderton spoke to Jenny about her return to acting (“terrifying”), the play, what Edinburgh Fringe and Edinburgh the city is currently like for a Deaf or disabled person, the excitement and problems of creating the opening ceremony (coming up against the doubts of Jeremy Hunt) and more. Self Raising will be at the Pleasance Dome, Edinburgh from 2 to 27 August 2023 at 12:30PM.

The Greenhouse is billed as the UK's first zero-waste performance space, holding up to 50 audience members in its in-the-round venue made from found and recycled materials. BTG Editor David Chadderton spoke to Oli Savage, Artistic Director of The Greenhouse about the challenges and joys of making theatre of all kinds in a zero-waste way. The summer 2023 programme opened at Royal Docks in East London on 11 May and runs until 4 June. The theatre will then move to Canary Wharf from 19 June to 14 July, then Battersea Power Station from 7 August to 3 September.

Pitlochry Festival Theatre in Scotland has announced a repertory season for 2023 featuring a 19-strong ensemble of actors performing in 8 different productions, starting with the musical Gypsy. While the show was still in rehearsal, BTG Editor David Chadderton spoke to the two lead actors: Blythe Jandoo who plays Louise, and Shona White, who plays Louise's formidable mother, Rose. Gypsy runs at Pitlochry Festival Theatre from 19 May to 30 September 2023, while Elizabeth Newman's adaptation of The Secret Garden will run from 7 July to 19 August and The Maggie Wall by Martin McCormick from 9 to 28 June. Other productions in the season include Tennessee Williams's A Streetcar Named Desire, Emma Rice's adaptation of Noël Coward's Brief Encounter, new plays from Peter Arnott and Isla Cowan—Group Portrait In A Summer Landscape and To The Bone—and Sherlock Holmes: A Study in Lipstick, Ketchup and Blood by Lesley Hart.

Cornwall's popular and highly acclaimed theatre company Kneehigh shut down in 2021, the year after its 40th anniversary. When the company closed, the Kneehigh Cookbook, an online educational resource, also closed, but it has become the basis for an ongoing archive of all of the company's work, This is Kneehigh, hosted by Falmouth University and supported by digital arts platform The Space. BTG Editor David Chadderton spoke to Kneehigh founder Mike Shepherd and lead archivist for the project Sarah Jane from Falmouth University about the archive, the process of archiving live performance, the closure of the company and Mike's ongoing creative work at The Barns, the former home of Kneehigh in Cornwall which he continues to run as a creative arts facility. Contact details can be found on the This is Kneehigh web site—Sarah welcomes any feedback on the site.

David Wood OBE, described by the late great Times theatre critic Irving Wardle as “the national children's dramatist”, has written more than 70 plays, including adaptations of books by Judith Kerr, Michelle Magorian, Philippa Pearce and Roald Dahl, as well as original plays of his own. From 1959 until 2005, David kept up regular correspondence with Frank Whitbourn, whom he credits as his mentor, which is currently being edited into a book called Frank Exchanges. BTG Editor David Chadderton spoke to David when he was still working on the manuscript with editor Chris Abbott about the book and how Frank's observations helped his career, as well as about writing for children, producing children's theatre with his company Whirligig Theatre, the status of children's theatre in the industry, cultural clashes in theatre-in-education in the 1980s and much more. Frank Exchanges is due to be published by The Book Guild on 28 June 2023. [Image of David Wood and Frank Whitbourn at Whitbourn's home in Winchester, 2001, credit: Mary Wright]

Factory International announced the 2023 edition of the biannual Manchester International Festival at an event at New Century Hall in Manchester on 14 March. After the announcement, BTG Editor David Chadderton spoke to Manchester International Festival's Artistic Director and Chief Executive John McGrath, Adam Szabo from Manchester Collective about their co-production with Slung Low of Benjamin Britten's community opera Noah's Flood, Scottee about acting as dramaturg for a musical adaptation of Larry Mitchell and Ned Asta's cult 1977 book The Faggots and Their Friends Between Revolutions and MIF's Creative Director, Low Kee Hong. Manchester International Festival 2023 runs from 29 June to 16 July at venues all around the city centre and beyond. (Images: John McGrath, credit Tarnish Vision; Low Kee Hong; Rakhi Singh and Adam Szabo, co-founders of Manchester Collective, photo by Robin Clewley.)

David Greig is a leading Scottish playwright and Artistic Director of Royal Lyceum Theatre in Edinburgh. In 2016, he adapted The Suppliant Women, the only fully extant play in a trilogy by Aeschylus, and is now adapting the other two plays in the trilogy, even though only fragments of the originals still exist, the first of which, The Egyptians, opens at Gulbenkian Arts Centre in Canterbury, Kent at the end of February 2023. BTG Editor David Chadderton spoke to David about the fascinating process or reconstructing these ancient works, staging them in a way that gives a modern audiences a similar experience to those who watched them 2,500 years ago rather than as museum pieces and his views on Scottish theatre. The Egyptians will have an initial run at Gulbenkian Arts Centre in Canterbury from 22 to 25 February 2023. Macbeth (an undoing) by Zinnie Harris, after Shakespeare, runs at Royal Lyceum Theatre in Edinburgh, also until 25 February.

Joe O'Byrne has been producing his own work for stage around the North West, often to great acclaim, for some years, but recently, he has been taking more work further afield than ever. This year, he will again tour his ghost story The Haunting of Blaine Manor and four of his Tales from Paradise Heights, a series of plays that share characters and a location with interlocking stories: The Bench, Diane's Deli, Strawberry Jack and I'm Frank Morgan: Rewired. BTG Editor David Chadderton has been following Joe's work for over a decade, and he spoke to him about his work and his newly increased energy and ambition for taking his work around the UK, and potentially onto TV. For more information on all of Joe's work for stage, screen and canvas, see talesfromparadiseheights.com, and also check out his YouTube channel.

Jonathan Cake is an actor who has worked extensively on stage, film and television in the UK and the US, but his first love has always been theatre, and many of his friends in the business feel the same. In order to investigate what it is about theatre that keeps drawing them back, he has started a podcast, Stage Door Jonny, where he talks to some of those friends including Sam Mendes, Damian Lewis, David Harewood, Jez Butterworth, Ethan Hawke, and, in the very first episode, Sarah Jessica Parker and Matthew Broderick. BTG Editor David Chadderton spoke to Jonathan about the podcast and the often quite personal revelations of his celebrity guests, as well as about his own career and why he keeps coming back to theatre. You can find Stage Door Jonny on all the usual podcast platforms.

During the pandemic, Peter Duncan kept the panto magic alive with his online pantomimes Jack and the Beanstalk and Cinderella. This year, he has created his third streamed pantomime: Pantoland.  BTG's Panto Editor Simon Sladen spoke to Peter about his foray into film-making and turning a very live genre into one that can work equally well on screen. Simon and Peter also discuss Peter's first experience of pantomime, growing up in a theatrical household and writing, directing and starring in pantomimes across the country—and Blue Peter gets a mention, of course. For more information, see Panto Online. (photo credit Gordon Render)

London's VAULT Festival was founded in 2012 by Andy George and Mat Burtcher in the tunnels under Waterloo Station. The lockdown due to the COVID pandemic came during the 2020 festival and resulted in the cancellation of the 2021 and 2022 festivals, but the programme has now been announced for a big return in January 2023. BTG Editor David Chadderton spoke to VAULT's Director and co-founder Andy George about the principles and criteria for the festival programme, it's humble beginnings ten years ago, survival over three years of COVID and highlights of the 2023 event, plus he comes up with an interesting metaphor for creating theatre taken from Wallace and Gromit. VAULT Festival 2023 takes place in various venues around Waterloo from 24 January to 19 March featuring more than 500 theatre, comedy, cabaret and late-night shows.

Since 2005, Manchester-based property company Bruntwood has worked with the Royal Exchange Theatre to present the Bruntwood Prize for Playwriting. The 2022 ceremony was held at the Royal Exchange on 14 November. BTG Editor David Chadderton spoke to the three of the winners—International Award winner Rochelle Fong, North West Original New Voice winner Patrick Hughes and Bruntwood Prize for Playwriting winner Nathan Queeley-Dennis—immediately after the ceremony about their work and how they felt about their awards.

The new Shakespeare North Playhouse in Prescot, Merseyside is an Elizabethan-style theatre which opened in July 2022. However, its first production of a play by Shakespeare came later with A Midsummer Night's Dream produced by Warrington-based associate company Not Too Tame. The production will transfer to Newcastle for a run in the Epic Space at Northern Stage. David Chadderton spoke to Not Too Tame's Artistic Director Jimmy Fairhurst, who co-directed the production with Matthew Dunster, and a company co-director, Andrew Butler, who appears in the production, about their take on the play, how it fits with the company's philosophy of accessible theatre for the working classes (“a good night out”) and how this new theatre sits within the community in Prescot, as well as about their introduction to and love for Shakespeare. Not Too Tame's A Midsummer Night's Dream runs at Shakespeare North Playhouse from 22 September to 22 October and at Northern Stage from 29 October to 12 November 2022.

On 29 September 2022, Manchester International Festival officially announced its plans for the opening of its new permanent performance venue, to be called Factory International, in the St John's area of Manchester city centre. BTG Editor David Chadderton spoke to John E McGrath, Artistic Director and Chief Executive of both Manchester International Festival and Factory International, about what the new building would provide for Manchester and the international arts scene, as well as about the opening production, Free Your Mind, a stage adaptation of the film The Matrix directed by Danny Boyle with a script by Sabrina Mahfouz, music by Mikey J Asante, choreography by Kenrick Sandy and design by Es Devlin. Following this, you can follow us on a tour of the building led by lead architect Ellen van Loon of OMA and Creative Director Low Key Hong. Free Your Mind will run from 18 October to 5 November 2023, and tickets are now on sale. (Photo of John E McGrath at the Factory International Launch, credit: James Speakman / PA Wire)

Derby Theatre and Queen's Theatre Hornchurch are to stage a co-production of a new adaptation of Robert Louis Stevenson's Jekyll and Hyde. Neil Bartlett has brought the story up to date and introduced some female characters. BTG Midlands Editor Steve Orme spoke to two of the actors, Nicholas Shaw and Polly Lister, about the show while Derby Theatre's Sarah Brigham who's directing and Mathew Russell from Queen's Theatre Hornchurch talk about the benefits of their collaboration. Jekyll and Hyde will run at Derby Theatre from 30 September until 22 October and at Queen's Theatre Hornchurch from 26 October until 12 November 2022.

Nottingham Playhouse is presenting a new play, The Clothes They Stood Up In, which is described as a “bittersweet exploration of marriage, dreams and lives unlived”. Adrian Scarborough appears in the production and adapted the script from a story by Alan Bennett. Scarborough spoke to BTG Midlands editor Steve Orme about writing the script, getting the go-ahead from Bennett himself and how his career has developed over two-and-a-half decades. The Clothes They Stood Up In runs at Nottingham Playhouse from 9 September until 1 October 2022.

Oldham Coliseum Theatre is opening its 2022 autumn season with a revival of Jim Cartwright's acclaimed portrait of life in a Lancashire town in Thatcher's Britain of the 1980s, Road, which premièred at the Royal Court Theatre in London in 1986. Returning to the Coliseum after directing the theatre's first post-COVID production, Love n Stuff, in September 2021 is director Gitika Buttoo, who spoke to BTG Editor David Chadderton about the relevance of the play to today's world, the stories it tells, her casting decisions and a career that has taken her from Leeds Playhouse to Bolton Octagon to the National Theatre and now to Oldham Coliseum, amongst others, in just five years. Road by Jim Cartwright will run at Oldham Coliseum from 16 September to 1 October 2022.