Podcasts about franz xaver s

This Day in Legal History: 21st Amendment RatifiedOn December 5, 1933, the United States ratified the Twenty-first Amendment to the Constitution, officially ending the era of national Prohibition. This amendment repealed the Eighteenth Amendment, which had banned the manufacture, sale, and transportation of intoxicating liquors since 1920. Prohibition, championed by temperance movements and moral reformers, was initially seen as a solution to social problems such as crime and poverty. However, over the following decade, it led instead to a surge in organized crime, illegal speakeasies, and widespread disregard for the law.The Twenty-first Amendment is unique in American legal history—it is the only amendment to repeal a previous amendment. It is also the only amendment ratified through state conventions rather than by state legislatures, a strategic move to bypass potential legislative gridlock. Utah became the 36th state to ratify the amendment, securing the three-fourths majority needed for adoption.The repeal of Prohibition returned control over alcohol regulation to the states, many of which continued restrictions at the local level. The amendment's passage marked a shift toward a more pragmatic and less moralistic approach to federal lawmaking. It also highlighted the limits of federal power to regulate personal behavior and underscored the complexities of enforcing unpopular laws.In the broader context of constitutional law, the Twenty-first Amendment demonstrated the capacity of the Constitution to adapt and self-correct. It remains a pivotal example of how constitutional amendments can respond to changing public sentiment and unintended legal consequences.A federal appeals court allowed President Donald Trump to continue deploying National Guard troops in Washington, D.C., halting a lower court ruling that would have required the troops to withdraw by December 11. The temporary order from the D.C. Circuit Court does not address the underlying legality of the deployment but permits it to proceed while litigation continues. The deployment, which began in August, intensified after a November 26 shooting near the White House left two National Guard members injured—one fatally. Trump responded by sending 500 additional troops and renewing his call to halt immigration from what he called “third-world countries,” after a 29-year-old Afghan national was charged in the attack.D.C. Attorney General Brian Schwalb sued the administration in September, arguing Trump unlawfully took over local policing authority and violated federal restrictions on military involvement in domestic law enforcement. A federal judge initially sided with Schwalb, calling the deployment likely unlawful, but delayed enforcement of her ruling to allow time for appeal. The Trump administration maintains it can deploy troops to D.C. without local approval, citing the city's unique federal status. Meanwhile, similar deployments in other Democratic-led cities have sparked lawsuits and accusations that Trump is using federal force for political purposes. Lower courts have largely ruled against these moves, and the Supreme Court is expected to weigh in on the legality of the Chicago deployment soon.Appeals court allows Trump National Guard deployment in DC to continue | ReutersTom Goldstein, a prominent Washington attorney and co-founder of SCOTUSblog, is fighting to sell his $3 million home in D.C.'s Wesley Heights to fund his defense against 22 financial crime charges, including tax evasion. Prosecutors allege that Goldstein, who has made millions as a poker player, misrepresented his financial situation to obtain loans, including one used to purchase the property. A Maryland federal judge barred the sale, ruling the house is likely connected to the alleged crimes. Goldstein has appealed, arguing that blocking the sale violates his Sixth Amendment right to use untainted assets for legal defense, and insists the home is not tied to the alleged misconduct.The appeal is before the 4th Circuit, where Goldstein—representing himself—says he's accumulated millions in legal fees. Prosecutors maintain the house is tainted because Goldstein omitted over $15 million in debt from the mortgage application. The home is also collateral for Goldstein's appearance bond, due to his being labeled a flight risk. One of Goldstein's key financial backers, litigation funder Parabellum Capital, is a witness in the case but not accused of wrongdoing. Legal experts say his effort to sell the house faces steep odds given the property's legal entanglements and standard federal practices regarding tainted assets.Tom Goldstein fights to sell home as tax trial looms | ReutersA federal grand jury has declined to indict New York Attorney General Letitia James, rejecting prosecutors' second attempt to bring criminal charges against her, according to sources familiar with the matter. The Justice Department had sought to revive a case involving allegations of bank fraud and false statements related to a mortgage, after the initial indictment was dismissed in November due to the unlawful appointment of the prosecutor, Lindsey Halligan. Despite the setback, prosecutors reportedly plan to seek a new indictment.James, a Democrat and prominent critic of Donald Trump, was accused of misrepresenting financial information to obtain favorable mortgage terms on a Virginia property. She pleaded not guilty to the original charges. The failed indictment effort comes amid broader DOJ efforts targeting Trump critics, including former FBI Director James Comey and ex-national security adviser John Bolton—cases that have also faced legal hurdles.Grand jury rejections are rare, as prosecutors usually face a low threshold of probable cause to proceed. James is now the highest-profile figure to have such a case rejected during Trump's second term. The president has publicly attacked James for leading a civil fraud lawsuit against him, which resulted in a massive financial penalty, later reduced on appeal but with Trump still found liable for fraud.Grand jury rejects second criminal case against New York Attorney General Letitia James, sources say | ReutersLawyers representing authors and publishers in a $1.5 billion copyright settlement with AI company Anthropic have requested $300 million in legal fees, amounting to 20% of the total settlement. Filed in federal court in San Francisco, the fee request comes after Anthropic agreed in October to settle claims it used pirated books to train its AI models, including its commercial product Claude. As part of the agreement, Anthropic will pay over $3,000 per infringed work, destroy the infringing datasets, and certify they are not part of its commercial systems.The legal team, led by Susman Godfrey and Lieff Cabraser, argued that the fee is “conservative” by class action standards, citing more than 26,000 hours of high-risk work. The settlement, which received preliminary approval in September, is being described as the largest reported copyright class action resolution to date. Anthropic has denied wrongdoing and retains the right to contest the fee amount.Authors have until January 15 to opt out of the class action and pursue individual claims. A final fairness hearing before U.S. District Judge William Alsup is scheduled for April, where objections from class members and fee disputes will be reviewed.Authors' lawyers in $1.5 billion Anthropic settlement seek $300 million | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart, a composer of some note.On December 5, 1791, the world lost one of its greatest musical minds: Wolfgang Amadeus Mozart. Just 35 years old at the time of his death, Mozart left behind an astonishing body of work that shaped the course of Western classical music. His death, shrouded in speculation and mystery, came while he was in the midst of composing what would become one of his most profound and haunting works—the Requiem in D minor, K. 626. The Lacrymosa movement, in particular, captures the emotional gravity of that moment, as if echoing his own impending end.Although Mozart did not live to finish the Requiem, the fragments he left behind were completed by his student Franz Xaver Süssmayr, guided by sketches and oral instruction. The Lacrymosa, with its solemn melodies and aching harmonies, stands as one of the most emotionally resonant sections of the work. Franz Liszt later transcribed it for solo piano, creating a version that retains its choral intensity while adding a layer of intimate, virtuosic expressiveness.Listening to Liszt's transcription of the Lacrymosa is like hearing Mozart's farewell whispered through the keys of a piano—stark, mournful, and deeply human. December 5, then, is not only the date of Mozart's passing but also a reminder of the enduring beauty he left behind, etched into every phrase of the Requiem. His music, especially in this piece, speaks across centuries to the depths of loss and the hope of transcendence.Without further ado, Mozart's Requiem in D. minor – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

El Réquiem en Re menor, K. 626 es una misa de difuntos compuesta por Wolfgang Amadeus Mozart (1756-1791) en 1791, dejada inconclusa tras su muerte. Encargada por el conde Franz von Walsegg para conmemorar a su esposa, fue completada por Joseph Eybler y Franz Xaver Süssmayr, basándose en los esbozos de Mozart. Estrenada en 1793, es una obra monumental que combina la solemnidad del Barroco con la expresividad del Clasicismo, considerada una de las cimas de la música sacra."Crónicas Lunares di Sun" es un podcast cultural presentado por Irving Sun, que abarca una variedad de temas, desde la literatura y análisis de libros hasta discusiones sobre actualidad y personajes históricos. Se difunde en múltiples plataformas como Ivoox, Apple Podcast, Spotify y YouTube, donde también ofrece contenido en video, incluyendo reflexiones sobre temas como la meditación y la filosofía teosófica. Los episodios exploran textos y conceptos complejos, buscando fomentar la reflexión y el autoconocimiento entre su audiencia, los "Lunares", quienes pueden interactuar y apoyar el programa a través de comentarios, redes sociales y donaciones. AVISO LEGAL: Los cuentos, poemas, fragmentos de novelas, ensayos y todo contenido literario que aparece en Crónicas Lunares di Sun podrían estar protegidos por derecho de autor (copyright). Si por alguna razón los propietarios no están conformes con el uso de ellos por favor escribirnos al correo electrónico cronicaslunares.sun@hotmail.com y nos encargaremos de borrarlo inmediatamente. Si te gusta lo que escuchas y deseas apoyarnos puedes dejar tu donación en PayPal, ahí nos encuentras como @IrvingSun  https://paypal.me/IrvingSun?country.x=MX&locale.x=es_XC  Síguenos en:  Telegram: Crónicas Lunares di Sun  ⁠Crónicas Lunares di Sun - YouTube⁠ ⁠https://t.me/joinchat/QFjDxu9fqR8uf3eR⁠  ⁠https://www.facebook.com/cronicalunar/?modal=admin_todo_tour⁠  ⁠Crónicas Lunares (@cronicaslunares.sun) • Fotos y videos de Instagram⁠  ⁠https://twitter.com/isun_g1⁠  ⁠https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9lODVmOWY0L3BvZGNhc3QvcnNz⁠  ⁠https://open.spotify.com/show/4x2gFdKw3FeoaAORteQomp⁠  https://mx.ivoox.com/es/s_p2_759303_1.html⁠ https://tunein.com/user/gnivrinavi/favorites⁠ ORTOLARRY:  - NORTE 9 #175 ESQ. OTE 164. COLONIA MOCTEZUMA SEGUNDA SECCION. CDMX - NORTE 17# 211-A COLONIA MOCTEZUMA SEGUNDA SECCION C.P 15530 ALCALDIA VENUSTIANO CARRANZA CDMX  Teléfonos: 5557860648, 5524158512. Whatsapp: 5561075125

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Antonio Salieri havia alcançado uma elevada posição social, sendo frequentemente associado com outros celebrizados compositores, como Joseph Haydn ou Louis Spohr. Desempenhou um papel importante na música clássica do século XIX e ensinou compositores famosos como Ludwig Van Beethoven, Carl Czerny, Johann Nepomuk Hummel, Franz Liszt, Giacomo Meyerbeer, Ignaz Moscheles, Franz Schubert e Franz Xaver Süssmayr. Ensinou também ao filho mais novo de Mozart, Franz Xaver Apresentado por Aroldo Glomb com participação especial de Aarão Barreto, nosso padrinho! Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Ediney Giordani, Tramujas Jr, Brasa de Andrade Neto e Aldo França.

Wolfgang Amadeus Mozarts Requiem gilt als eines der bekanntesten unvollendeten Werke. Mozart starb während der Komposition im Jahr 1791. Das Stück bricht nach dem achten Takt des "Lacrymosa" ab. Vollendet wurde die Fassung, die heute zumeist gespielt wird, von einem seiner Schüler - von Franz Xaver Süßmayr. Seither rankt sich so mancher Mythos um das Werk und den Tod des großen Komponisten. Eine Werkeinführung mit Yaltah Worlitzsch.

Requiem in D minor, K. 626 - VI. Benedictus Wolfgang Amadeus Mozart started composing the Requiem Mass in D minor (K. 626) in Vienna in 1791, following an anonymous commision from Count Franz von Walsegg, who requested the piece to commemorate the anniversary of his wife's death. Mozart passed away on December of 1791, however, having finished and orchestrated only one movement. The Requiem is widely considered one of Mozart's greatest works, and its composition process is surrounded a shroud of mistery and myths, usually attributed to Mozart's wife Constanze, who had to keep secret the fact that Mozart hadn't completed the work in order to be able to collect the final payment from the commision. It is commonly accepted that Mozart finished the Introitus, and left detailed sketches of the Kyrie and Dies Irae all the way to the first eight bars of the Lacrimosa and parts of the Offertory. There are now several completions of the Requiem Mass, though the most common by far (considered the standard version of the piece) is the one by Franz Xaver Süssmayr. He not only completed the movements Mozart left (borrowing an unespecified amount from Joseph von Eybler's previous attemps at completing the work) but also added several movements of his own: Sanctus, Benedictus, and Agnus Dei. He then added a final section, Lux aeterna by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass. The myth surrounding this work was increased by the fictional rivarly between Mozart and Antonio Salieri first expressed in 'Mozart and Salieri', a play by Alexander Pushkin, which in turn inspired an opera by Rismky Korsakov of the same name, the inmensely popular 1979 play 'Amadeus', by Peter Shaffer, and it's 1984 film adaptation by Miloš Forman. The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola, and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, bass soloists, and an SATB mixed choir.

22 julio Acontece: 1919: en Londres se estrena El sombrero de tres picos, de Manuel de Falla, con decorados de Pablo Picasso. 1924: en Bayreuth se reanudan los festivales wagnerianos interrumpidos durante la Primera Guerra Mundial. Nace: 1766: Franz Xaver Süssmayr, compositor y clarinetista austriaco (f. 1803). 1882: Edward Hopper, pintor estadounidense (f. 1967). 1889: James Whale, cineasta británico (f. 1957). Fallece: 1990: Manuel Puig, escritor argentino (n. 1932). Una Producción de Sala Prisma Podcast. 2021

El Réquiem de Mozart es una de las obras más famosas y populares del repertorio de la música clásica. Sin embargo, no fue el compositor austriaco quien terminó la legendaria misa de difuntos, sino uno de sus alumnos y amigos, Franz Xaver Süssmayr. Hoy contamos la historia de una persona fascinante, a medio camino entre un incomprendido y un oportunista, que llevó a cabo una difícil tarea al completar la última obra maestra de Mozart. Contaremos toda la polémica alrededor de la música que Süssmayr incluyó en los movimientos finales del Réquiem, así como los motivos que llevaron a Constanza Mozart a pedirle que lo hiciera, pasando por cómo los músicos del siglo XX interpretaron el trabajo de Süssmayr.

The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart. Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a Requiem service to commemorate the anniversary of his wife's death on 14 February. Syliva Wagner, conductor CMD German Opera Company of Berlin Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p485/Mozart%3A_Requiem_in_D_minor%2C_K._626.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service to commemorate the anniversary of his wife's death on 14 February. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p1115/Mozart%3A_Requiem_in_D_minor%2C_K._626.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

Beethoven’s Variaties IIc: Opus 11 en 32; WoO 71, 76 en 83.1. 12 variaties voor piano op een Russische dans uit Paul Wranitzky’s ballet Das Waldmädchen WoO 71 Alessandro Commellato fortepiano 2. 8 variaties voor piano op “Tandeln und scherzen” uit Franz Xaver Süssmayrs opera Soliman II WoO 76 Laura Mikkola. 3. Pianotrio in Bes, […]

- Seguimos vivos em mais um episódio e sem entender quase nada do que está acontecendo nessa historia maravilhosa. Lembrando que esse programa contém SPOILERS, portanto se ainda não assistiu o ultimo episódio de Watchmen, a nova série da HBO, corre lá e depois volta aqui. - Participantes de hoje: Virto - @boiadeirovirto Allan - @NPCdaMain - Quer acompanhar mais do que a gente faz? Segue a gente: Medium: @Metagene Instagram: @MetageneBR Twitter: @MetageneBR ---------------------------------------- - Musicas contidas no episódio: The Temptations - Ball Of Confusion Eartha Kitt - Santa Baby Beastie Boys - Egg Man Requiem in D Minor, K. 626: VIII. Lacrimosa - Wolfgang Amadeus Mozart, Franz Xaver Süßmayr, Joseph Leopold Eybler - Documentos citados no episódio disponibilizados pela HBO: https://www.hbo.com/peteypedia ---------------------------------------- Pelado de Capa será nosso podcast sazonal de super-heróis e demais conteúdos do gênero. Vai ter review, react e especial de série tal qual este que você está ouvindo.

Fim da 1ª Temporada de Reflexões de um YogIN - Podcast #108Este é o último episódio da 1ª temporada da série Reflexões de um YogIN Contemporâneo.Foram 108 episódios falando sobre Yoga, Música Clássica e Cultura.  Divulgue a série para seus amigos e aguarde pela 2ª temporada. Adesh.  LINKS Inscrição gratuita na JORNADA PARA SER PROFESSOR DE YOGA - https://yoginapp.kpages.online/jornadaprofessoryogaCurso online para Formação de Professores de Yoga - https://yoginapp.com/curso-yoga-formacao-de-professoresEBOOK/ CURSO - Imanente e Transcendente - https://yoga.yoginapp.com/imanente-e-transcendentePrograma de Imersão no Yoga - https://yoga.yoginapp.com/imersao-no-yogaExperimente 14 dias grátis no YogIN App - https://yoginapp.com/planos/Playlist da série - https://open.spotify.com/user/yoginapp/playlist/2YCabHrhxWDjZAYxdVwusaPerfil do Instagram da série - https://www.instagram.com/reflexoesdeumyogin/Podcast #10 falando da teoria de Nietzsche sobre inveja - https://yoginapp.com/vontade-de-potencia-podcast-10/  TranscriçãoFim da 1ª Temporada de Reflexões de um YogIN A música é Requiem, a última música composta por Mozart, no filme Amadeus, há um compositor chamado Salieri e que era o compositor da corte. Nietzsche, já havia alertado e você pode ver isso em mais detalhes no Episódio 10 Vontade de Potência, que uma das forças que mais lutam contra a realização é a inveja. Salieri tinha muita inveja de Mozart e começou a boicotá-lo nas obras que apresentava ao Rei do Império Austro-Húngaro. Mozart foi perdendo espaço nas obras que eram apresentadas nas casas de Ópera mais importantes, mas seu talento nunca deixou de ser reconhecido, especialmente nos que entendiam de música. No final da vida, compor uma de suas obras-primas, a ópera Flauta Mágica para uma casa de ópera frequentADA apenas pelo povo mais simples. Saliere havia boicotado Mozart de todas as formas e um dia ele recebeu uma encomenda que até hoje não se sabe quem solcicitou. A história do Requiem descrita na Wikipedia é essa Em 14 de Fevereiro de 1791, Anna Walsegg, esposa de Franz von Walsegg falece aos seus 20 anos. Em Julho do mesmo ano, bateu à porta de Mozart um desconhecido (possivelmente Franz Anton Leitgeb ou Johann Nepomuk Sortschan) a mando de Walsegg, que desejava uma missa de réquiem para o memorial de sua falecida esposa, mas que planejava dizer que fora ele quem compôs a obra (por isso o anonimato). Recusando-se a se identificar, o mensageiro deixa Mozart encarregado da composição de um Réquiem em Ré menor. Deu-lhe um adiantamento de 50 ducats e avisou que retornaria em um mês com os outros 50 restantes.[2] Mas pouco tempo depois, o compositor é chamado para Praga com o pedido de que ele escrevesse a ópera A clemência de Tito, para festejar a coroação de Leopoldo II na comitiva de compositores de Antonio Salieri.[3] Quando subia com sua esposa Constanze na carruagem que os levaria a esta cidade, o desconhecido ter-se-ia apresentado outra vez, perguntado por sua encomenda. Mozart lhe promete que a completaria assim que voltasse de sua viagem, dizendo-lhe que ficou mais interessado na missa. Todavia, Mozart conseguiu terminar apenas poucas partes do Réquiem antes da sua morte: Toda a orquestração da Réquiem Aethernam, um rascunho detalhado da Kyrie, trechos instrumentais, o coro e o baixo cifrado da Sequentia até a Lacrymosa, esta que apresenta apenas 8 compassos. Também havia todas as vozes e baixos cifrados do Domine Jesu e da Hostias. Wolfgang também deixou alguns rascunhos de músicas, dentre eles uma fuga Amém e outros papéis perdidos. Cinco dias após sua morte, em 10 de Dezembro de 1791, a Introit foi tocada em um serviço memorial para o próprio Mozart na Igreja de Miguel Arcanjo em Vienna, tendo quase toda sua orquestração completada por Franz Jacob Freystädtler (madeiras, cordas e trombones), tendo os seus tímpanos e trompetes adicionados posteriormente por Franz Xaver Süßmayr, vale ressaltar que a participação de Freystädtler não é uma certeza, sendo alvo de discussões entre diversos historiadores e musicologistas.[4][5] Em 21 de Dezembro de 1791, o jovem Joseph Eybler foi encarregado por Constanze de terminar a obra, afinal, Mozart deixou dívidas enormes para Constanze, fazendo com que ela precisasse dos outros 50 ducats restantes da comissão. No entanto, após completar todas as partes dos instrumentos de cordas da Sequentia e toda a orquestração do Dies Irae e do Confutatis, além de ter adicionado dois compassos na linha do soprano da Lacrymosa, Eybler desiste por razões desconhecidas. Após tentar com que vários compositores terminassem a obra, Constanze enfim se aproximou de Süßmayr, este que coletou diversos rascunhos e finalizou a orquestração da obra, além de compôr o resto da Lacrymosa, todo o Sanctus, Benedictus e Agnus Dei, e repetir parte do Réquiem Aethernam para a Lux Aetherna e a Kyrie para o Cum Sanctis Tuis.   O Requiém está pronto e a 1ª temporada do Podcast tmb. Foram 108 episódios falando sobre os mais variados assuntos e agora eu me despeço temporariamente lembrando que vou deixar 3 links aqui para você se inscrever em pelo menos um deles.   FormaçãoImersãoCurso  Om Namah Shivaya  

The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart. Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a Requiem service to commemorate the anniversary of his wife's death on 14 February. Syliva Wagner, conductor CMD German Opera Company of Berlin Purchase now at: http://www.classicalsavings.com/store/p485/Mozart%3A_Requiem_in_D_minor%2C_K._626.html