Podcasts about Dies irae

Loaded Radio Podcast: Greg Burgess of Allegaeon Discusses 'The Ossuary Lens' & Warfield Talks Thrash Metal TL;DR On this episode of the Loaded Radio Podcast, Scott Penfold sits down with Greg Burgess of Allegaeon to discuss the band's latest album, “The Ossuary Lens”, which was released on April 4 via Metal Blade Records. This marks the band's first new music featuring original vocalist Ezra Haynes since his departure in 2015. Also featured is a conversation with German thrash metal trio Warfield, who recently released their new album, “With The Old Breed” via Napalm Records. Allegaeon Returns with 'The Ossuary Lens' Technical death metal powerhouse Allegaeon has unleashed their latest full-length album, “The Ossuary Lens,” released on April 4 via Metal Blade Records. This album marks a significant moment for the band, as it is their first release with original vocalist Ezra Haynes since his 2015 departure following the “Elements Of The Infinite” album. The return of Haynes brings back Allegaeon's brutal and technically dazzling sound, which fans have been eagerly awaiting. The band's latest single, “Driftwood,” serves as a powerful introduction to the new record, with its unique blend of melodic, technical death metal — a sound Haynes describes as “melotech.” “We're just so happy to finally release new music,” said Greg Burgess. “We're working on a full album's worth of material, but I feel like it's gonna drop kind of in chunks and then hopefully the rest of it all at once kind of thing.” Recording once again with producer Dave Otero at Flatline Audio studio in Denver, Allegaeon continues their 17-year relationship with the producer. “Dave always provides a comfortable working environment, amazing ideas, and a career-spanning understanding of what has made Allegaeon, Allegaeon,” added Burgess. The album's overarching theme focuses on various perspectives of death, with each track exploring a unique viewpoint. Haynes explained, “Each song essentially is a different topic, however there is always a different perspective of death tied to each subject.” Allegaeon's Latest Album - 'The Ossuary Lens' Track Listing: 01. Refraction 02. Chaos Theory 03. Driftwood 04. Dies Irae 05. The Swarm 06. Carried By Delusion 07. Dark Matter Dynamics 08. Imperial 09. Wake Circling Above 10. Scythe Warfield - German Thrash Metal Titans Alongside the conversation with Greg Burgess, the Loaded Radio Podcast also features an interview with German thrash metal band Warfield. Their latest album, “With The Old Breed,” was released via Napalm Records and continues their tradition of relentless thrash metal inspired by bands like Slayer, Sodom, Kreator, and the Bay Area Thrash scene. Warfield, consisting of Johannes Clemens (Vocals & Bass), Matthias Clemens (Guitar), and Dominik Marx (Drums), is known for their aggressive approach to social and political themes, which they express through their brutal and fast-paced sound. Their most recent album follows their 2018 debut, “Wrecking Command,” which was released via Metal on Met

Newt Gingrich- Judicial Tyranny, John Zmirak- The Anarcho (Anarchist) Tyranny of the NAZI Brownshirt Left. These are not our Fellow Americans. Trump's Purge of Political Filth and 'SWATting Continues.   X Post- Newt Gingrich @newtgingrich The Founding Fathers deeply distrusted judges. They thought the lawyer class was dangerous, and if given unbridled power they would undermine and destroy free society. 8:48 AM · Apr 1, 2025 578.5K Views   John Zmirak The Eric Metaxas Show  Mar 25 2025   Other Episodes Big Bad John s back for his weekly update on the state of America    -----------------------------------------------------------------------------------------------  John Zmirak makes his weekly appearance and covers current events and shares recent articles available at-   https://stream.org/author/johnzmirak/ Watch Eric Metaxas on Rumble-  https://rumble.com/c/TheEricMetaxasRadioShow  The Eric Metaxas Show- https://metaxastalk.com/podcasts/ Eric Metaxas Show on Apple Podcasts-    https://podcasts.apple.com/us/podcast/the-eric-metaxas-show/id991156680 Check out- Socrates in the City   Find All of John Zmirak Articles at- https://stream.org/author/johnzmirak/   Evil Exposes Itself in Burning Teslas and a Shredded Constitution By John Zmirak Published on March 24, 2025   John Zmirak An experience I'll never forget: Listening to Verdi's staggeringly powerful Requiem at New York's Lincoln Center back in the early 2000s. In case you haven't heard it, the piece is a highly operatic setting of the historic Catholic funeral Mass, composed by the irreligious Giuseppe Verdi to mourn the death of his closest friend.   The music was exquisite, the performers were among the most talented in the world, and I was comfy in a seat in the lavish Avery Fisher Hall. But one thing set my experience apart from most of my fellow music lovers': I believed in every word the singers were delivering — even if the singers didn't and Verdi himself had not.   One part of the text of the Dies Irae seems plucked from our current headlines: The section that centers on evils getting exposed, driven into the light. At the General Judgment, every sin ever committed will be unmasked for all to see — so that both God's justice and His mercy will be obvious to each soul ever created.   Nature sickens with dismay, Death may not retain its prey; And before the Maker stand All the creatures of his hand. The great book shall be unfurled, Whereby God shall judge the world; What was distant shall be near, What was hidden shall be clear.   We are seeing before us today in our country a faint foreshadowing of that great, world-ending exposé. The corruption, perversion, waste, and even hate that pervaded our government agencies and the institutions led by our self-selecting elites are all getting driven out into the light, thanks to the stern measures imposed by President Donald Trump.   Please Support The Stream: Equipping Christians to Think Clearly About the Political, Economic, and Moral Issues of Our Day. Neither a Spirit of Fear Nor of Vengeance No, Trump isn't God, or even especially godly as far as we can tell. That bothers me for his sake, but not for ours. Constantine saved the early Church from persecution despite his personal sins, and Charles Martel saved Europe from the Muslim hordes with the bloodstained hands of a war lord. However, insofar as a legitimate earthly ruler wields the sword on God's behalf, becoming “the legitimate avenger of crimes,” a just ruler can do God's will as surely as the Church does in its own quite separate sphere.   As we watch the violent antics and lawless abuses of power by the Left unfold in response to Trump's perfectly reasonable efforts to trim down the government and cease its persecution of ordinary citizens, we shouldn't be consumed with worry, afraid he will fail. Nor should we give in to a spirit of vindictiveness, taking a sadistic glee in the suffering of our enemies, however well-deserved.   Instead I think we ought to treat this political moment as a little window on the end of time, when every evil is dragged kicking and screaming into the light, even our own. As we pray for this great purge of political filth to fully succeed for the benefit of our nation and our neighbors, keeping such an apocalyptic perspective will help us avoid falling into the Enemy's snares, which he scatters plentifully both on the Left and on the Right.   With all of that said, let's review some of the skeletons the Trump team is tossing or driving out of our oligarchs' reeking closets.   Road Ragers and Vandals Target Tesla Owners and Their “Nazi Cars” The kind of people who pride themselves on their “compassion” for illegal immigrants, sexual eccentricities, and the government of Ukraine are showing much less tolerance and charity for their fellow Americans — targeting not just people who disagree with them politically, but total strangers who happened to buy a certain brand of car. Owners of Teslas who might not have cared or even known about Elon Musk's political views are now getting menaced on highways, seeing their vehicles vandalized, and otherwise living in fear. Here's one of the worst incidents:   Cowardly attacks on unattended Teslas are happening across the country, quite possibly as part of a coordinated effort along the lines of the Antifa and Black Lives Matter protests that savaged America's cities five years ago. And our chattering classes are gibbering their approval like a squadron of flying monkeys, as Joe Rogan reports:   Trying to Commit Murder by Police Other violence aimed at conservatives and Christians entails the criminal abuse of police that's colloquially called “SWATting.” That entails making an anonymous call from an untraceable phone to the police, claiming that an “active shooter” is present at the home of some political enemy — then sitting back and watching the news to find out if you successfully got that person, his spouse, or his children gunned down by the cops. Who's getting subjected to such attacks? One victim was gifted Christian author Larry Taunton:   Gateway Pundit reports on another potentially grim incident:   InfoWars host Owen Shroyer became the latest victim of a “swatting” incident at his home in Austin, Texas in what he calls a “terrorist attack” perpetrated by leftist extremists.   A fake police report claiming Shroyer had shot someone led to a full-blown armed raid on his residence, with at least a dozen officers storming his home with weapons drawn. …   Shroyer pointed fingers directly at the Democrat Party, naming names and calling for federal authorities to act.   “We know what's going on. The Democrat Party and all of their little street thugs — funded by Act Blue, stolen money from USAID, George Soros, and other groups — are behind it. They are behind the terror attacks against Elon Musk,” he said.   Keep in mind that just two weeks ago Shroyer's colleague, Jamie White, was murdered while on assignment reporting about leftist political violence.   Let's offer prayers of gratitude for the professionalism of the police who managed these incidents, and for protection of nonviolent American citizens just trying to go about their lives at a time when a spirit of savagery seems to have been let loose on our nation.   Canceling Elections Our elites aren't quite at the point where they can just cancel elections and jail the conservative candidate, as recently happened in Romania (perhaps with the collusion of American Deep State conspirator Anthony Blinken, according to Diplomatic Affairs.) Our political class was blindsided by Trump's 2016 win, and responded by spraying our media with the manufactured filth of the faked Steele Dossier to push the hoax that Trump was somehow “colluding” with Vladimir Putin's Russia — a charge that led to one of the two fraudulent impeachment efforts aimed at Trump. Here's the great Natalie Winters of Bannon's War Room confronting Christopher Steele himself, and it's glorious to hear a smart conservative be permitted to speak her mind without getting interrupted or shouted down. Just watch his face go from smugness to something approaching shame as Winters holds him accountable.   The Russia collusion hoax, with its associated faked prosecutions of Trump allies such as General Mike Flynn, Roger Stone, and others, effectively derailed his first term in office. The COVID panic permitted the Democrats to steal his second term in 2020. Now having failed (thanks to the efforts of shadowy patriots on whom Emerald Robinson has reported) to steal the 2024 race, our oligarchs are trying to nullify its effects via a full-scale judicial coup against the executive branch of government. Thanks to Gov. Ron DeSantis for calling this crime out and suggesting one realistic remedy:   As the author of the Dies Irae, channeling sacred scripture, promised us:   What was distant shall be near, What was hidden shall be clear.   Along The Stream … Later today, don't miss this eye-opening video from Apologetics Roadshow on the new, openly racist criminal sentencing policies in Great Britain, imposed to protect Muslim immigrants and punish native citizens.   Don't miss Jules Gomes' thoughtful piece this morning, “Only Radical Christianity Can Defeat Radical Islam.”    John Zmirak is a senior editor at The Stream and author or co-author of ten books, including The Politically Incorrect Guide to Immigration and The Politically Incorrect Guide to Catholicism. He is co-author with Jason Jones of “God, Guns, & the Government.”   John Zmirak's new book: No Second Amendment, No First  by John Zmirak  Available March 19, 2024 Today's Left endlessly preaches the evils of “gun violence." It is a message increasingly echoed from the nation's pulpits, presented as common-sense decency and virtue. Calls for “radical non-violence” are routinely endowed with the imprimatur of religious doctrine.   But what if such teachings were misguided, even damaging? What if the potential of a citizenry to exercise force against violent criminals and tyrannical governments is not just compatible with church teaching, but flows from the very heart of Biblical faith and reason? What if the freedoms we treasure are intimately tied to the power to resist violent coercion?  This is the long-overdue case John Zmirak makes with stunning clarity and conviction in No Second Amendment, No First. A Yale-educated journalist and former college professor, Zmirak shows how the right of self-defense against authoritarian government was affirmed in both the Old and New Testaments, is implied in Natural Law, and has been part of Church tradition over the centuries.                 The Brew: Judicial Tyranny Edition In case you thought that the JFK files declassification turned up mostly a bunch of nothingburgers, Rep. Anna Paulina Luna (R-Fla.) begs to differ. As Gateway Pundit reports, Luna (who leads the Task Force on the Declassification of Federal Secrets)… The Brew: JFK Didn't Kill Himself, and Other Things We're Learning from His Assassination Files   Ukrainians Are the Victims of a Two-Front War, Besieged by Brutal Russians and the Depraved Deep State   The Brew: Judge Orders Trump to Fly Terrorist Gang Members Back to U.S.; O.K. Corral Moment with Petty Dictators Comes Closer   The Brew: Conservative Journalist Gloriously Trumps Woke Podcaster in Open Debate   The Brew: It's October 7 for Christians in Syria. Trump's Team and The Stream Have Been Warning This Would Happen   --------------------------------------------------------------------  Check out our ACU Patreon page: https://www.patreon.com/ACUPodcast   HELP ACU SPREAD THE WORD!  Please go to Apple Podcasts and give ACU a 5 star rating. Apple canceled us and now we are clawing our way back to the top. Don't let the Leftist win. Do it now! Thanks. Also Rate us on any platform you follow us on. It helps a lot. Forward this show to friends. 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Anton Bruckner (1824-1896) - Requiem WAB 39 in D minorePer soli, coro ed orchestra1.       Requiem [00:00]2.       Dies Irae [04:58]3.       Domine [11:29]4.       Hostias [13:51]5.       Quam olim [15:22]6.       Sanctus [17:47]7.       Benedictus [19:20]8.       Agnus Dei [23:05]9.       Requiem [25:53]10.   Cum Sanctis [27:09] Johanna Winkel, sopranoSophie Harmsen, mezzosopranoMichael Feyfar, tenoreLudwig Mittelhammer, baritono Akademie für Alte Musik Berlin OrchestraRIAS Kammerchor ChoirŁukasz Borowicz, conductor

Dmitry Masleev took first prize in the Piano category of the 2015 Tchaikovsky International Competition and since then has released a number of recordings. The latest, from Aparté, is a concertante collection of Liszt's Totentanz, his Rhapsodie espagnole (in a version for piano and orchestra made by Masleev's professor at the Moscow Conservatoire, Mikhail Petukhov) and Rachmaninov's Rhapsody on a Theme of Paganini. He was joined by the Svetlanov Symphony Orchestra. James Jolly, who first met Masleev during the 2019 Tchaikovsky Competition in Moscow, caught up with him again to talk about how the competition changed the course of his career, the new album and how the Dies irae theme infuses so many great classical works.

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2024 Dec 15 SUN: THIRD SUNDAY OF ADVENT Zep 3: 14-18a/ Is 12: 2-3. 4. 5-6 (6)/ Phil 4: 4-7/ Lk 3: 10-18 Very quickly, I want to let you know that we have a number of people who are coming forward and seeking to enter the Catholic Christian way of life, and therefore we are planning to reform our team for what we properly call the Order of Christian initiation of adults, the OCIA. You'll remember it used to be called the RCIA for the Rite of Christian Initiation of Adults, but now we're told that Order is the proper word rather than Rite. So we'll be making plans to come together after the first of the year, so you have time to consider whether you might want to participate in the process of bringing people into the Catholic Christian faith. Obviously, today the theme is joy, and we hear this very clearly from St. Paul. We also hear it from the prophet Zephaniah. He wrote a very brief book of about three chapters. It is surprising that he ends up talking about joy, because Zephaniah is also the source of a hymn which we don't sing very much anymore. In Latin it's called the Dies Irae, English is Day of Wrath, and it emphasizes God's anger. So it's surprising that this same prophet should talk to us about our cause for joy for the coming of a Savior. And in the Gospel we find cause for joy as well. We may think of John the Baptist as a severe sort of person, but it says at the end of today's Gospel passage that he preached good news to the people. Well obviously we need to consider joy. Some of you may know that I have made a study on my own of what has been called emotional intelligence. The idea behind that is that we seek to understand our own feeling states. To recognize that, for instance, anger can be channeled into steady work to undo injustice, for instance. When we understand and are at peace with our own feelings, we can look at other people and develop what we might call fellow feeling or empathy with the people in our life, understanding ourselves as feeling people who are necessarily pushed around by the circumstances of life. And we remember at all times if we can be pushed around we are limited creatures of God and we always remember our relationship with God, our Creator. In recent times we've been given a sort of vocabulary for understanding feelings. There have been a couple of animated films that have come out in recent years. The first one, Inside Out, came out in 2015. And then there was a sequel just this last summer: Inside Out 2. And the feelings in one person are characters in the film. And in both, there is the character called Joy, and Joy is understood to be kind of a coordinator among all the feelings. We can think about this and realize that, for any one of us, to have joy is to have a sense of the whole of life, the entirety of life. And we might ask ourselves where is joy when we are feeling sad? -- For instance, when we lose someone close to us. One thing that sadness can do for us is demonstrate to us how important that person was, what a gift he or she was to us. And ultimately it informs a sense of joy, which joy is about the whole picture of life, the whole variety of life. So as we come together on this day of Advent called Rejoice Sunday, Gaudete Sunday, we seek to understand that we can be joyful as we look ahead to our God, specifically Jesus, the Son of God, bringing all things to completion and perfection. We've said in recent weeks that we know of people who just think of that occurrence as "the end of the world." We all have limited imaginations and the notion of the end of the world particularly limits our imaginations because, when all is brought to perfection, that is really the beginning. We step onto the threshold of eternal life itself and an unending joy. So we give thanks that this season of Advent is preparing us to step onto the threshold of eternity, to find our complete vocation in praise of God who created us to praise him without end. ============================================== I left out a lot from Saturday evening.  I left out John the Baptist almost entirely, and he is described as bringing "good news" to people.  The fact that he tells people, essentially, to do what is expected of you, is a response against elaborate sacrifices for supposedly getting God's attention.

Dies irae, dies illa – strašen dan bo tisti dan plačila, o katerem danes premišljujemo, cenjene poslušalke, spoštovani poslušalci, dan, ki mu ne more ubežati nihče, kdor je ugledal sonce in stopil na to zemljo, dan smrti, dan sodbe za naša dejanja. Čeprav je primerno, da o smrti premišljujemo z vso resnostjo in spoštovanjem, je pravzaprav naša tolažba, če se naše srce res oklepa Boga in si prizadevamo živeti bogu vdano, bogoljubno življenje. Manjši brat Tomaž Čelanski nam v svoji sloviti sekvenci zelo nazorno slika srečanje duše s svojim Stvarnikom; današnji dan je dan molitve in spomina, ki se v nasprotju z včerajšnjim praznikom, ko smo proslavljali tiste brate in sestre, ki očiščeni in posvečeni že gledajo Božje obličje v nebesih, ozira na tiste, ki si tega še niso zaslužili in trpijo v vicah zaradi svojih prestopkov, da bi bili očiščeni končno vredni vstopa v večno blaženstvo. Ko molimo, obiskujemo grobove in darujemo odpustke za očiščenje naših rajnih sorodnikov in prijateljev, o katerih zveličanju ali pogubljenju še ne moremo biti prepričani, nehote, a nujno premišljujemo o svoji minljivosti in odgovoru za svoje življenje, ki ga bomo morali dati ob koncu, kakor poje slednica: »Kolik strah bo vstal v naravi, / ko Sodnik v mogočni slavi na odgovor vse postavi!  Tromba silno bo zapela, do vseh mrtvih zadonela, jim pred sodni stol velela.  V grozi smrt se bo čudila, ko bo stvar se spet zbudila, da pred sodbo bo stopila. […] Dano svetu bo spoznanje in za vsako zlo dejanje Bog prisodi maščevanje.« In če iskreno in ponižno premišljujemo o svojem življenju, moramo skupaj s Čelanskim zavpiti: »Kam se čem takrat dejati, kje zavetnika iskati, dobrim komaj bo obstati?« In prositi usmiljenja: »Kralj neskončne visokosti, ki rešuješ iz blagosti! Reši me, vir vseh svetosti!  Spomni se, o Jezus mili, da so zame Te umorili, prosim, tisti dan se usmili. […] Da grešil sem, se sramujem, krivdo svojo obžalujem, - Prizanesi, Bog! - zdihujem.  Duše si iskal zgubljene, reševal si spokorjene, reši, prosim, tudi mene.« V dneh, ko se s posebno skrbnostjo spominjamo naših rajnih, prosimo dobrega Boga, naj jih očisti njihovih prestopkov in jim nakloni večno veselje, nam pa pomaga, da se resnosti svojih odločitev in svojega življenja zavemo že tukaj, zdaj, ter poskušamo popraviti tisto, kar smo zagrešili, kadar nas ni vodila ljubezen do Boga ali bližnjega. Dragi prijatelji, miren dan vam želim.

"Dies Irae" en Español, significa "Día de la Ira", es un conocido himno escrito en Latín del siglo lo XIII, atribuido al fraciscano Tomás de Celano. Describe el fatídico último día de la humanidad, es decir, el inico del Juicio Final y la Resurección, donde los muertos de toda la historia serán convocados ante el trono celestial para ser juzgados. Los elegidos se slavarán, mientras que los condenados serán arrojados a las llamas imperecederas. Escúchalo en la voz de John Manuel Kennedy Traverso.

durée : 00:04:37 - Le Dies Irae de Verdi : une sacrée déflagration ! - par : Max Dozolme - Ce matin Max Dozolme nous parle de la pièce chorale la plus puissante de tous les temps puisqu'il s'agit du "Dies Irae", séquence culte du Requiem de Giuseppe Verdi. Un "jour de colère" qui porte bien son nom…

One of the great roles of Holy Mother Church is to teach us how to speak to God, to create in our hearts the proper dispositions of religion. She does this especially through her liturgy, where we have a ceremony prepared for us such that all we have to do is enter into it and make ourselves one with it, as far as possible, in order to become holy.One of the most powerful ways in which the Church teaches us the sentiments we should have in our souls, and creates those sentiments in us is through her hymns. There are hundreds upon hundreds of hymns that have been created throughout the centuries, providing the Church with a vast musical repertoire.Among them all, there are two, however, that seem to stand out above the rest, two hymns of sorrow, two hymns concerned with the most lamentable topic possible: death.One is the Dies Irae, about the Last Judgment; the other is the Stabat Mater, about Our Lady witnessing the death of Our Lord.Both were composed in the 1200s; both were used as sequences at Mass and were among the five sequences that were kept by Pope Pius V when he canonized the Tridentine Mass.Both of them were set to music by great composers on their deathbed. Mozart was composing music for the Dies Irae when he died at the age of 35; Pergolesi was composing music for the Stabat Mater when he died at the age of 26.Both of them were lost to the liturgy of the Church when the Novus Ordo Mass got rid of Latin and Gregorian Chant. We are blessed to be able to hold on to them and profit from them by holding on to the traditional Mass.We are more familiar with the Stabat Mater than the Dies Irae because we sing the Stabat Mater whenever we pray the Stations of the Cross during Lent.The Franciscans have a great devotion to the Passion of Our Lord and you know that St. Francis of Assisi received the very wounds of Our Lord in his body. Less than a century after the death of St. Francis, the Franciscan Jacopone da Todi composed the Stabat Mater. His composition is so beautiful and inspiring that over 300 composers have set the words of the hymn to music.The hymns has twenty stanzas. The first four stanzas set the scene by telling the story of what is happening; the next four stanzas make an appeal to the one listening to the hymn to have sympathy for this mother who is standing at the foot of the cross of her dying Son. Then there are ten stanzas addressed directly to Our Lady, making beautiful requests of her. Finally, the hymn ends with two stanzas addressed to Our Lord, asking Him that we may go to Heaven when we die.I would like for us to focus upon those ten stanzas in the middle of the hymn where we make our appeal to Our Lady.

émission réalisée le 30 avril 2024. Pour ce nouvel entretien Ind100, Fred reçoit Thomas Robert et Slawick Charlier pour le compte de Black Book Editions. On y parle de Dies Irae, le nouveau jeu médiéval fantastique ancré dans l'histoire médiévale, compatible 5ème édition.

Formed in late 2019, Para Bellum is a Hard Rock/Heavy Metal band based out of Butler, Pennsylvania. In their short existence, Para Bellum has quickly become a fixture in the local music scene, and as one radio DJ suggested, “have become one of the hardest working bands in the area.” When not spending time writing and recording new material, they can usually be found playing in numerous charity/fundraisings shows as well as several indoor and outdoor music festivals for organizations such as Rock for Life, Shady Lady, and Speedfreak Motorsports. They also enjoy playing split shows with a variety of different bands. In the winter of 2020, they found themselves at world famous Rattle Clack Recording Studio in Pittsburgh, PA to start on their upcoming self-titled cd. In early 2021, they released their first single I Die Alone (which deals with veteran PTSD and suicide), and immediately starting garnering airplay and accolades. These included, the daily #1 on Banks Radio in Perth, Australia, 2021 regional winner in both the songwriting and band categories at the VAACF, and being featured on 97.7 FM's the Grass Roots Show. Their rise through the scene continued with the release of another single, Dies Irae, in spring 2021 followed by a CD release in May of 2022. To date, Para Bellum has had six songs featured on the Grass Roots show, several songs in current radio rotation, two chart topping hits abroad, and been heard in over 17 countries. Featuring music from: Steve Hawk, MSJR, Para Bellum, Overload In Stereo, Feltsideout, Chuck Moses and the Trash Bandits, Volts Delicious

Um seine Schreibblockade zu überwinden, macht sich Rachmaninow 1934 an Variationen über sein Lieblingsthema von Paganini. Das Ergebnis ist eines seiner berühmtesten Werke für Klavier und Orchester mit romantischen Ohrwürmern und einem Gruß aus dem Jenseits. Von Michael Lohse.

Tras un par de semanas de descanso volvemos a la carga con un buen vivero repleto de novedades. Ahí os va el menú: (0:08:31) Tiwanaku (0:27:28) Revive: Call of the Abyss (0:37:45) Los Libros del Tiempo (0:54:23) IKI: Akebono (1:04:26) Dies Irae (1:17:37) La Gran Feria (1:26:59) Cosmopulpo (1:35:21) Village Rails (1:43:07) Pixies

An unearthly piano piece forces the investigators to confront feelings they have been veiling, and the cruel gaze of mirror magic brings even the best-hidden insecurities into the light. In a grey and dead dreamscape of an unfamiliar Berlin, a terrifying chase ensues.   Here's a link to buy the Berlin: The Wicked City sourcebook published by Chaosium.   Cast: Phaedra as the Keeper of Arcane Lore Lydia as Brita Lantz Tyler as Dr. Ester Rosenbaum Howl as Luise Engel Jayson as Helene Krauss   Audio Editors for this episode: Tyler, Lydia & Jayson   Excerpt of Totentanz by Franz Liszt is a derivative of Liszt's Totentanz performed by Neil O'Doan available under CC license. Title: "Neil O Doan - Totentanz" Author: Neil O'Doan Music Source: https://musopen.org/music/32872-totentanz-s-1262/ This work is licensed under a Creative Commons Attribution-Sharealike (BY-SA) 4.0 Unported Licence: https://creativecommons.org/licenses/by-sa/4.0/deed.en   Website | Review us | Support us on Patreon | Buy merch! Discord | Twitter | Mastodon | Facebook | Instagram | Reddit For the duration of our Berlin: The Wicked City campaign, 10% of our Patreon profits go to Hope Not Hate.

SAMPLER & SANS REPROCHES (Radio Transmission)EBM - SYNTHWAVE - INDUSTRIAL & RELATED MUSICPlaylist N° 1318 - GALAXIE RADIO 95.3FM / DAB+ Lundi 18 Mars 2024 - Horaire : 20:00 22:00 (www.galaxieradio.fr) [ S&SR Selection de la semaine... CLOCK DVA "Noesis" (Armcomm Europe / Rizosfera) ++ "REDACTEUR POUR SAMPLER" : François L. (DIES IRAE - DARK MUSIC www.youtube.com/@DiesIrae-jg6fr ] CLOCK DVA "Acceleration" CD: Noesis (Armcomm Europe / Rizosfera) KANKA BODEWELL "Believe" DIG LP: Stroboscope (Infacted Recordings) DEPECHE MODE "The Sun & The Rainfall (Long Version by Kiko Aguas)" CD: A Broken Frame - Extended (Mute) LENE LOVICH "It's You Only You (Mein Schmerz) (USA Extended Dance Mix) BOX 4CD: Toy Box - The Stiff Years 1978-1983 (Cherry Red Records) THE UNTITLED "De Nachtwaker (Alpha Cyclone Remix)" DIG EP: Nachtwaker (Freedom Club) PC WORLD "At Heaven's Gate (MVTANT Remix)" DIG EP: Infinite Dream Weapon (DKA Records) BEATBOX MACHINERY feat. KRISTAL ANN "Low Nightmare Explosions" DIG LP: Physical Touch (Werkstatt Recordings) NITZER EBB "Trust Ran In Colours" CD: Basic Pain Procedure (Pylon Records 1983/2012) FRUSTRATION "Too Many Questions" CD: Relax (Born Bad Records) MY MANIFESTO "Holy Again (feat. FOREST CIRCLES)" DIG SGL: Holy Again (Autoproduction) CLOCK DVA "The Fall Of The Dream Machine" CD: Noesis (Armcomm Europe / Rizosfera) HOOVERPHONIC "Don't Think" DIG SGL: Don't Think (Hooverphonic Records / Sony Music) THE CASSANDRA COMPLEX "Give Me What I Need" DIG LP: Death & Sex (COP International) HISSARLIK "Budo" DIG EP: Failures (Digital Dependency Records) MICHEL MOERS "Microwaves (feat. Claudia Brücken)" DIG SGL: Microwaves (Freaksville Records) FRONTIER GUARDS "Earth View (Feat.Mia Bohemia)" DIG LP: Colony (Aliens Productions) CHIASM "Dead Trees" DIG LP: Zone (COP International) PSYCHOSOMATIK "Stress" DIG V/A:Futronik Structures Vol.12 (DSBP) PROMO THANKS TO / REMERCIEMENTS : INFACTED RECORDINGS (Torben Schmidt), ORANGE SECTOR (Martin Bodewell), ARMAGEDDON DILDOS (Uwe Kanka), CHERRY RED RECORDS (Matt Ingham), ENFANT TERRIBLE (Martijn), DKA RECORDS (Chris), WERKSTATT RECORDINGS (Toxic Razor), EPHELIDE (Eugénie Dospital), COP INTERNATIONAL (Christian), DIGITAL DEPENDENCY RECORDS (Christian Weber & Graham Rayner), RED SAND PR (Gary Levermore), ALIENS PRODUCTIONS (Peter Ryby), PSYCHOSOMATIK (Michael Roussel) ...PODCAST : www.mixcloud.com/SetSRradio/radio-transmission-n1318-18032024-clock-dva-noesis-armcomm-dies-irae-dark-musicITUNES : https://podcasts.apple.com/.../sampler-sans.../id1511413205PODCLOUD : https://podcloud.fr/.../podcasts/sampler-et-sans-reprochesDEEZER : https://www.deezer.com/fr/show/1181282GALAXIE RADIO : http://galaxieradio.fr/ ...Go to replay S&SRAMAZON MUSIC https://music.amazon.fr/.../9718c2.../SAMPLER-SANS-REPROCHESHEARTHIS https://hearthis.at/sampler-sans-reproches/ https://archive.org/download/s-sr-1318/S%26SR_1318.mp3

In this episode, Vanessa talks about dealing with a bad teacher evaluation, shares a few money saving hacks, and teaches you how to be your own best stalker in order to make sure your social media posts are representing you in the way that you want to be represented. The Podcast episode on the Dies Irae by Twenty-Thousand HertzThe collegiate science project where she shows that fabric softener makes your clthes more flammable!A link to our Facebook Page! Join us!And remember to send your comments, stories, and random thoughts to me at TeachersinTransitionCoaching@gmail.com!  I look forward to reading them.  Would you like to hear a specific topic on the pod?  Send those questions to me and I'll answer them. Feel free to connect with Vanessa on LinkedIn!The transcript of this podcast can be found on the podcasts' homepage at Buzzsprout. 

Con Isabel Juarez | En este Antiguallas repasamos un himno medieval de vital importancia para nuestra tradición religiosa: el Dies Irae. La importancia de este poema fue más allá de la fecha de composición en el siglo XIII, y es que se incluyó en la Misa de Difuntos. Por ello, no falta en los Requiems de compositores como Mozart, Verdi, Lully, Biber o Fauré por nombrar los más famosos. No te puedes perder a otros como Luchesi, Legrenzi, Brumel o Hasse.

As Savonarola languishes in his prison cell, his faith is tested. Reckoning with his inner battle between hope and despair, Savonarola would then write a series of religious tracts that have since taken on great theological significance. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927.  Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005.  Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey

Savonarola creates a spectacular demonstration of public virtue in the hopes of turning Florence's fortunes around. Meanwhile, Pope Alexander VI has the monk excommunicated- a decision Savonarola was determined to fight against to his last breath. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927.  Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005.  Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey

Savonarola engages in a new campaign to combat vice in the city of Florence. Meanwhile, Pope Alexander VI continues to utilize every possible strategy to silence the renegade friar. Email me Follow me on Twitter Like the show on Facebook Watch the show on YouTube Visit the eBay store Support the show on Patreon Bibliography: Bartlett, Kenneth. Florence in the Age of the Medici and Savonarola, 1464-1498: A Short History with Documents. Hackett Publishing, 2018. Landucci, Luca. A Florentine Diary from 1450 to 1516. Columbia University Press, 1927.  Martines, Lauro. Fire in the City: Savonarola and the Struggle for the Soul of Renaissance Florence. Oxford University Press, 2005.  Savonarola, Girolamo. A Guide to Righteous Living and Other Works. Toronto Center for Reformation and Renaissance Studies, 2003. Strathern, Paul. Death in Florence: The Medici, Savonarola, and the Battle for the Soul of a Renaissance City. Pegasus Books, 2016. Villari, Pasquale. Life and Times of Girolamo Savonarola. University of the Pacific Press, 2004. Weinstein, Donald. Savonarola: The Rise and Fall of a Renaissance Prophet. Yale University Press, 2011. Cover Image: Portrait of a Dominican, presumed to be Girolamo Savonarola, c. 1524 Opening Theme: Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178 by Antonín Dvořák Closing Theme: "Dies Irae" performed by the Monastic Choir of the Grimbergen Abbey

All Scripture is inspired by God and beneficial for teaching, for rebuke, for correction, for training in righteousness; so that the man or woman of God may be fully capable, equipped for every good work. – 1 Timothy 3:16-17 God speaks to us through the Bible. That Book embodies His words. Creation itself is the visible embodiment of His power and wisdom. It is the result of His words. This Book of His is, in a different way, the effect of His speaking. It is His written wisdom and power. There is His voice to us. The thunder and tempest are His loud voice of grandeur. The sunshine and the gentle breeze are His still small voice. But deeper, clearer, keener, softer, and still more penetrating than all of these is His written Word to us. The Bible is what it is because it contains the words of God. It is through the Word, and in connection with it, that God communicates with us. The Word revives: Your word has revived me (Psalm 119:50). The word produces faith: Faith comes from hearing (Romans 10:17). The Word strengthens, comforts, heals, nourishes, and revives. It gets into contact with each part of our souls and works its own work there. And it does this because it is divine. No human words could be trusted to work the work in a human soul so unrestrictedly. It is not eloquence, poetry, nor argument, but something more than all these together. It is something peculiar and indescribable, which man could not have formed and which he cannot understand, that makes it so suitable for the soul of a foolish and sinful man.

Jess Gillam swaps favourite music with the mezzo-soprano Anne Sofie von Otter Anne Sofie is one of classical music's most celebrated singers with a huge back catalogue of recordings, and she's also known for her huge versatility and musical curiosity working with artists from conductors Claudio Abbado and Giuseppe Sinopoli to Elvis Costello, Brad Mehldau and Rufus Wainwright. Today though she's listening to other people's recordings, as she and Jess sat down together to listen to a Janacek fanfare and a headphone blasting piece of Verdi. Jess picks a Nina Simone track that left them both speechless, while Anne Sofie brought along a ravishing piece by Rameau and (quite literally) turned up the volume on a barnstorming Beyoncé track. Playlist: JANACEK: Sinfonietta, 1st mvt 'Sokol Fanfare' [Vienna Philharmonic, Charles Mackerras (conductor)] JÓHANN JÓHANNSSON: Good Night, Day [Hildur Guðnadóttir (cello), Air Lyndhurst String Orchestra, Anthony Weeden (conductor)] BEYONCÉ: Countdown RAMEAU: Les Boréades, Act 4 Entrée de Polymie [Les Musiciens du Louvre, Marc Minkowski (cond)] VERDI: Requiem, Dies Irae (into Tuba Mirum) [Coro y Orchestra dell'Accademia Nationale di Santa Cecilia, Antonio Pappano (conductor)] NINA SIMONE: Little Girl Blue BENGAN JANSON: I've Found a New Baby

From Mad Max to Django Unchained, Verdi's Dies Irae gets used in films, TV shows and computer games to summon up drama, chaos and catastrophe. But why was it written in the first place? What makes it so dramatic? And what is a Dies Irae anyway? We reveal all as well as getting inside the musical mind of one of Hollywood's most sought-after film composers – the creator of soundtracks for Shrek, The Chronicles of Narnia, The Martian, X-Men Origins, House of Gucci and many others, Harry Gregson-Williams. Listen now! We bet you're more into choral than you think. Find our special Requiem-inspired playlist plus a video about the Dies Irae chant and its use in films here - https://www.thebachchoir.org.uk/thanks-for-listening/ Change Your Tune is a Podcart production. Hosted on Acast. See acast.com/privacy for more information.

A day without end, and a race without a beginning. Hosted on Acast. See acast.com/privacy for more information.

Musicologist Alex Ludwig (Dies Irae guru) returns to the show to discuss minutes 81-85 of The Empire Strikes Back! We talk about the form, orchestration, and rhythm of the Lando's Palace cue, the stern parenting of Yoda and Obi-Wan, and how the music paints the text. Video version of this episode is here: https://youtu.be/tdJUdPsUQBQ  Discussion Guide: 0:00 - Intro. 10:30 - Meeting Lando with some exhaust, a ship, and a clarinet glissando reminiscent of Rhapsody in Blue or Salome. 16:02 - So many pedals! 19:36 - Old-fashioned but unbalanced ABA-ish form. 24:14 - Jocular cello pizz for Han's laugh. 29:06 - Dotted rhythms are hard. 36:50 - Echuta. 43:08 - Transition from Cloud City to Dagobah. 51:00 - Woodwinds on a bed of strings. 56:04 - Bad cop, bad cop. 1:03:43 - Solo horn, perfect text painting. 1:06:54 - Do you ever fudge the minutes? 1:14:53 - Does Obi-Wan's voice sound unusually deep here? 1:21:15 - Last-minute pep talk. 1:23:49 - Thrawn tangent, Wayland, Joruus C'baoth 1:28:34 - Two very distinct atmospheres in the same cue. 1:32:27 - Dies Irae. 1:39:34 - SWMM Questionnaire Things to Check Out: Rhapsody in Blue (by George Gershwin) - https://youtu.be/TDZWLP7TgBM Salome (by Richard Strauss) - https://youtu.be/50rnWQvIK2I Field of Dreams (score by James Horner) - https://youtu.be/4qyVehgTxtA Pavane for a Dead Princess (by Maurice Ravel) - https://youtu.be/DVtNt-6OTM8 Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 8M3 "Lando's Palace" Musical Themes: 15a. Cloud City 1 (Lando's Palace) 1a. Main Theme (A Section) 3. Force 10a. Imperial March (Theme) 12a. Yoda (A Section) Where are we in the soundtrack(s)?: "Lando's Palace" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? New answer: Stories in sound. Solo season answer: Soaring searching strings. ANH season answers: Triumphant brass fanfares. Ominous contrapuntal warblings. 2. What's something related to Star Wars music or sound that you want to learn more about? New answer: What were the spotting sessions like for this film in particular? Solo season answer: Who's gonna write the next paradigm-shifting Star Wars score? ANH season answer: What it's like for new composers (Michael Giacchino, John Powell, Ludwig Göransson, etc) to play in the playground of Star Wars music -- to have all these themes at their fingertips, get to use them and take them to new places. "What is it like to get the keys to this kingdom as a composer?" 3. What's a score or soundtrack you're fond of besides anything Star Wars? New answer: Marcel the Shell with Shoes On (composed by Disasterpeace AKA Rich Vreeland) Solo season answer: The Matrix trilogy (composed by Don Davis) ANH season answer: The Social Network (composed by Trent Reznor and Atticus Ross) and Sunset Boulevard (composed by Franz Waxman) --------------- Guest: Alex Ludwig Website (including the Dies Irae List): https://alexludwig.net/ Twitter: https://twitter.com/celexo YouTube channel: Film Music Tropes - https://www.youtube.com/celexo22 ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Music theorist Dr. Lauren Crosby is here to help us take a closer look at the original Boba Fett theme. We compare the pitch material of John Williams's theme to Ludwig Göransson's Boba Fett theme (which debuted in The Book Of Boba Fett), theorize about the relationship between them, and discuss other things from this action-packed set of minutes too! Timestamps: 0:00 - Hello there! 10:53 - When did you become aware of Boba Fett having a theme? 14:02 - Characteristics of the Boba Fett theme. 16:57 - Side by side comparison of Frank Lehman's Boba Fett theme transcription (Bb octatonic) and Lauren Crosby's transcription (C# minor). Same theme, same notes, conceived in different ways. 25:26 - Foreshadowing all the Dies Iraes in these minutes. 31:14 - Comparing John Williams's theme to Ludwig Göransson's Boba Fett theme. 44:09 - Did Ludwig Göransson reference John Williams on purpose? 50:38 - Hypothesizing about the break point of the Dies Irae in Boba Fett's two themes. 58:53 - Attacking a Star Destroyer motif, which also appears in John Powell's SOLO score. 1:04:54 - Satisfying engine sound that melds with the music. 1:09:18 - Carmina Burana moment. 1:10:16 - Dies Irae moment (paging Alex Ludwig). 1:16:02 - Guessing a theme based on two notes. 1:20:04 - Remaining part of the action through the soundscape. 1:23:43 - Upward steps with lower decorations evoke Luke struggling to learn the lesson. 1:26:40 - Organic vs. non-organic sounds on Dagobah. Natural habitat punctuated by Artoo's vocalizations. 1:30:55 - Paging Ender Smith (re: Artoo beeps). 1:33:57 - Ascending scale with ascending ship. The scale is somewhat familiar but sounds unresolved. 1:41:05 - SWMM Questionnaire References: Ludwig Göransson's Book of Boba Fett theme - https://youtu.be/3a0tH0fkvW8 "O Fortuna" from Carmina Burana by Carl Orff - https://youtu.be/GXFSK0ogeg4 Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 6M5/7M1 "The Magic Tree" 7M2 "Attack Position" Beginning of 7M3 "Yoda Raises The Ship" Musical Themes: 1a. Main Theme (A Section) 12a. Yoda (A Section) 10a. Imperial March (Theme) 14. Boba Fett 29) Attacking A Star Destroyer 13) Dies Irae Where are we in the soundtrack? "The Training of a Jedi Knight/The Magic Tree" "Attacking a Star Destroyer" "Yoda And The Force" ------------ Star Wars Music Minute Questionnaire: 1. In exactly 3 words, what does Star Wars sound like? - Expansive. Romantic. Foreignly-familiar. 2. What's something related to Star Wars music or sound that you want to learn more about? - The process of coming up with character voices, sounds, or languages. 3. What's a score or soundtrack you're fond of besides anything Star Wars? - Frozen II (composed by Christophe Beck) --------- Guest: Lauren Crosby Lauren's presentation at the John Williams conference may be online soon. You can check on it here: https://johnwilliams.sciencesconf.org/ University of Clemson page: https://www.clemson.edu/caah/about/facultybio.html?id=5566 ------------------ Ways to Support & Follow SWMM: Join our Discord server by becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink

This week Jeff & Dave went to another fun January thriller in the cinema before talking the walk without co-host John. Missing (2022) is standalone sequel to Searching (2022) and is a "desktop" movie, or screen-based thriller. With a bigger budget and time to create another simple mystery thriller completely enriched by it's premise, Missing is the second movie in three weeks (M3GAN) to know what it is and give it to us exactly as we wanted yet in a way we somehow almost didn't know we wanted it. Cast/Crew: Nicholas D. Johnson, Will Merrick, Sev Ohanian, Aneesh Chaganty, Tim Griffin, Nia Long, Storm Rein, Ken Leung, Amy Landecker, Megan Suri, Lisa Yamada, Daniel Henney, Joaquim de Almeida, Lauren B. Mosley, Rick Chambers, Timur Bekmambetov, Congyu E, Adam Sidman, Natalie Qasabian, Jo Henriquez. Intro/Password Protection/Music Complaint?/Gripes: 0:00 Missing: 16:00 What've You Been Watching: 52:30 Find all of our Socials at: https://linktr.ee/theloveofcinema Hosts: Dave Green, Jeff Ostermueller. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Tags: Euphoria, The Last of Us, Aftersun, letterkenny, Last of Us, Zendaya, Zendaya's sister, Timothee Chalamet, Hot Wonka, John Cho, Meryl Streep, Dies Irae, Star Wars, Into The Unknown, The Lion King, Hans Zimmer, Interstellar score, Australia, Sydney, Melbourne, Canada, Los Angeles, Columbia, Lock Bridge, Javi, Javier, June.  

Au cinéma, la musique peut ajouter de l'émotion, de l'intensité et de la profondeur à une scène. On dit même qu'elle est “l'âme du film”.Dans Mélociné, vous découvrirez les différentes techniques utilisées par les compositeurs pour créer des musiques originales et évocatrices.Dans cet épisode, nous allons vous révéler les secrets d'un thème musical de 4 notes très connu et utilisé dans les films les plus célèbres comme le Roi Lion, Star Wars, Shining ou encore dans la série Squid Game.Alors bienvenue dans MéloCiné, le podcast consacré aux musiques de films.N'hésitez pas à partager, noter, commenter l'émission et à vous abonner à AlloCiné Podcasts.Tous nos épisodes sont à retrouver sur les plateformes de podcast, dont Deezer, Spotify, Apple Podcasts, Acast...Crédits :• Un podcast écrit, réalisé et raconté par Constance Mathews Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I read from die out to diet.     Learn all about diesel fuel, diesel engines, and the man who invented it, Rudolph Diesel. https://en.wikipedia.org/wiki/Diesel_fuel https://en.wikipedia.org/wiki/Diesel_engine https://en.wikipedia.org/wiki/Rudolf_Diesel     The first line (in English) of "Dies Irae" is "Day of wrath and doom impending!" Fun!  https://en.wikipedia.org/wiki/Dies_irae The audio was from here: https://www.youtube.com/watch?v=2OBB5-bP6qs     The "diesis" in music is basically a very small interval from one note to another. Maybe a quarter tone?  https://en.wikipedia.org/wiki/Diesis https://en.wikipedia.org/wiki/Sharp_(music)#Variants     The word of the episode is "diet".     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Cá está ele, meu peeps. Obrigada por ouvirem e BOM NATAL! :)

Hello, co-pilots and curious star hoppers. Welcome to Spaceman's Transmissions, your home away from home in the aural universe, and your most trusted source of inflight entertainment during that peaceful ascent into the ether. I'm aware that there are many of you out there that have given up on your ability of assembling the dream machine into a working apparatus. You dismiss dreams as an escapable entity, afforded to only a privileged few. ----more---- It seems as though we have all experienced the phenomenon of déjà vu at some points in our lives. Wasn't I here before, why is this familiar, don't I know this person from somewhere? In many cases, if we dug deep enough into the well of our own creatively subliminal souls, we could find that it was our own bubbling well of dream intuition which had brought us to that magical space. This proves that those dreams are there, somewhat hidden or obscured, by other pieces of information that create a cloud cover. My mission is to assist you in dissipating that cloud cover and leading you to the field of creative wonder. Take steps to learn about lucid dreaming and documenting your dreams once you awaken. Find ways to be creative without being critical or dismissive of your artistic abilities. These practices will open a creative portal in which the tides of color and light will flow. No one is born and able to speak a language, ride a bike, or navigate a spacecraft to the stars. It's all a learned process that takes practice and determination. Navigating to the dreamer's landscape is no different. We tend to dismiss obscure dreams as a hindrance, or an utter confusion of entangled nonsense and senseless weirdness. However, dear listener, it's much deeper than that. Travel to that forgotten land of dreams and build a mental bridge to your waking self. Lather, rinse, repeat. Turn on, tune in, sleep... https://www.tonepoet-music.com https://www.facebook.com/tonepoetmusic  TRACK LISTING “Blue Light of Morning (Flickers)” by Swartz et from Nighttide (10 Year Deluxe Version) (Start Time: 00:00) “Cloudface” by Delia Derbyshire Appreciation Society from Delia Derbyshire Appreciation Society (Start Time: 04:54) “Capacitor Weavers” by Conrad Praetzel from Adventures Into Somethingness (Start Time: 08:25) “Dies Irae” by Felix Rösch from Mya (Start Time: 09:33) “Disposable Glances” by halftribe from Lucent Forms Travelling (Start Time: 10:43) “Komorebi (deletion 47)” by Monogoto from Partial Deletion of Everything (Vol. 2) (Start Time: 15:18) “All In Circles” by Shida Shahabi from Shifts (Start Time: 18:55) “Requiem for Dying Mothers (Part 2)” by Stars Of The Lid from The Tired Sounds Of... (Start Time: 22:25) “Vapor Lines (Excerpt)” by Forest Management from Intraset 016: Daydream - Vox Verto (Start Time: 28:53) “1BR” by Letsko from Intraset 016: Daydream - Vox Verto (Start Time: 32:04) “Thunder” by Grand Ciel from Ater Iterare (Start Time: 37:00) “North Dakota Overture” by Jamie Stillwell from Lullaby For A Stranger (Start Time: 39:08) “Ingenting Saknas” by Ludvig Cimbrelius from Love Letters From The Sky (Start Time: 43:01) “Secret Forest” by Michael Peters & Fabio Anile from Presence (Start Time: 47:22) “Night Country” by Michael Peters & Fabio Anile from Presence (Start Time: 48:14) “Anoxic Event” by Mathoms from The Woe Trumpets (Start Time: 52:31) “Flight in Reverse” by Mian Bao from Overexposure (Start Time: 53:56)

What makes scary music scary? We can only SPOOKULATE! Join us as we examine some well known scary scores in the classic music and cinematic genres. We will discuss some reoccurring themes, such as the dreaded "Dies Irae". We will discuss reoccurring intervals, such as the minor 2nd and the tritone. Grab you pop corn and maybe don't listen all by yourself. MWAHAHAHAHAHA!!!

Frizz and Bob creep into the spoOOoky season with a Southern Tier Warlock Imperial Pumpkin Stout, as we celebrate Halloween with a spoOOoky episode on history's favorite deathly melody that we know so well (yet, still so little): the Dies Irae. We fall down the rabbit hole of this 800 year old Gregorian chant written by candlelight, the crazy classical music that it created, how it has been hidden all throughout our favorite music and movies, and the secret ability it has to send a chill up our spine.

Synopsis On today's date, Elvis left the building – permanently. On August 16, 1977, Elvis Presley died in Memphis, Tennessee. Born in Tupelo, Mississippi in 1935, Elvis first earned his living as a mechanic and furniture repairman who occasionally played cowboy ballads on the guitar at parties. But somehow Elvis reinvented himself and became the archetypal rock 'n' roll superstar, revered more as the modern day reincarnation of the Greek god Dionysius than a mere mortal. His funeral caused such an outpouring of hysteria and that two people died in the chaos and many more were injured. There was even a bizarre plot at the time to kidnap Elvis' corpse and hold it for ransom. And, of course, some people claim he never died at all. American composer Michael Daughtery has taken pop icons like Elvis as the inspiration for a number of his concert works. He has even written a bassoon concerto titled "Dead Elvis" – a set of variations on the Dies Irae theme from the Latin Mass for the Dead. In performance, the composer asks that the soloist enter in the familiar costume of Las Vegas Elvis – sunglasses and a rhinestone-encrusted white jumpsuit with a plunging, open, neckline. Hip gyrations are optional. Michael Daugherty writes: "Elvis is a part of American culture, history, and mythology, for better or for worse. If you want to understand American and all its riddles, sooner or later you have to deal with Elvis." Music Played in Today's Program Michael Daugherty (b. 1954) –Dead Elvis (Charles Ullery, bassoon; London Sinfonietta; David Zinman, cond.) Argo 458 145

Alex Ludwig AKA the Dies Irae Guru AKA  @Film Music Tropes  is back to discuss minutes 111-115 of Solo: A Star Wars Story! Spoiler: Alex and Xanthe noticed one Dies Irae reference each in these minutes, but they were completely different spots... In this episode, we also discuss "Jason Bourne in Space," fawn over the Secrets motif progression, and give John Powell a retrospective A on his voice leading homework.

Suzen Tekla Kruglnska is here with me to discuss minutes 106-110 of Solo: A Star Wars Story! We talk about auditory illusions, the coaxium motif, John Powell's flowing scene transitions, and a potentially awkward music edit. Discussion Guide: 00:00 - Hello there! 04:13 - Beckett's "wheel spinning" music. 08:33 - Cliche or trope? In the ear of the beholder. 16:36 - Is there an abrupt edit here? 26:53 - Paul Bettany as Dryden Vos. 34:33 - Dryden is a villain. Why doesn't he have a musical theme? 45:46 - Everybody's faking it! 53:50 - Coaxium motif at the beginning of "Double Double Cross" 1:06:34 - Bernard Herrmann over Jaws. 1:12:31 - DSCH, Dies Irae motif (hi, Alex Ludwig), people holding axes in movies. 1:20:58 - Ta-da music during the big reveal. 1:27:57 - A spot where the music gets playful. 1:33:27 - Suzen's final thoughts about Solo and Star Wars music in general. 1:41:31 - SWMM Questionnaire Things Mentioned: Shostakovich - String Quartet 8, But Only When The DSCH Motif Is Played: https://youtu.be/DwxAyoy7DMA The Shining 2:37 - Episode 16: For Music Nerds - https://theshining237.com/2018/02/04/episode-16-for-music-nerds-with-musicologist-jonathan-stern/ Rosemary's Baby 6:66 - Episode 14: Komeda's Lullaby - https://theshining237.com/2020/09/19/episode-14-komedas-lullaby/ Witness movie clip (Samuel finds a picture of the murderer in a framed newspaper clipping, and Maurice Jarre's score kicks in) - https://youtu.be/LmdcbtSwX6Q Musical Themes: 1. Young Han Solo (Heroic, comp. JW) 3. Secrets 4. Han & Q'ira 5. The Gang Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Where are we in the soundtrack(s)?: "Qi'Ra Knows a Bit More Than Han (6M36-37-38)" "The Good Guy" Beginning of "Double-Double Cross (6M39-40)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Droids. Flight. Pew. 2. What's something related to Star Wars music or sound that you want to learn more about? How do they come up with the sound of alien languages? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Rosemary's Baby (composed by Krzysztof Komeda) --------------- Guest: Suzen Tekla Kruglnska Twitter: https://twitter.com/skruglnska The Comedy Film Funnel (podcast with Joe Dator) - https://www.podash.com/podcast/5346477/ The Shining 2:37 (podcast) - https://theshining237.com Rosemary's Baby 6:66 (podcast) - https://theshining237.com/rosemarys-baby-666-episode-list/ ------------------ Want to continue the conversation on Discord? All patrons have access to the Friends of Xanthe Discord server, where we chat about all things Star Wars and music! The server is patron-only, for any level of support. https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

In this episode, you'll hear from Ryan Main, composer of "Dies Irae" - available for SATB, SSAB, SAB, SSA, TTB, and TB through his website (http://ryanmain.com/). Ryan and I discuss the conception of the piece, the fire and brimstone that students love to sing (mixed with some heavy metal), the importance of kinesthetics in rehearsal, and the usual non-musical banter. Thank you so much for listening and I hope you check out "Dies Irae" and Ryan's choral music catalogue! http://ryanmain.com/ https://www.ryanmain.com/store?store-page=Dies-Irae-p223393265

Minutes 46-50 of Solo: A Star Wars Story with James Hewlett from Live Action Star Wars! Today, we're talking about musical pivot points, the operatic nature of Solo, the romantic Han and Qi'ra theme, and some new stormtrooper karaoke headcanon. Discussion Guide: 00:00 - Hello there! 08:35 - Is the music for Han and Qi'ra too romantic and sentimental? 11:20 - Han Solo as an opera or musical. The music flexibly goes with the drama. 17:57 - Dialogue mixing. 22:05 - Fuzzy diegetic/non-diegetic boundary. 25:38 - Stormtrooper karaoke + flute headcanon. 30:12 - Ominous music paired with polite dialogue. 34:00 - Dies Irae when Dryden gets angry and says "Trust me?" (Paging Alex Ludwig.) 49:00 - Beckett says "we will simply steal it from somewhere else" lmao 52:15 - Listen for the way the music flatlines when Han mentions unrefined coaxium. 55:56 - Pattern recognition and why musical themes slip under the radar sometimes. 59:30 - Final thoughts about the music and sound of Solo minutes 46-50. 1:03:15 - SWMM Questionnaire Things to Check Out: Star Wars the High Republic: Mission to Disaster (by Justina Ireland) Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Musical Themes: 4. Han & Q'ira 3. Secrets possible Dies Irae 1. Young Han Solo (Heroic, comp. JW) Where are we in the soundtrack(s)?: "Han & Qi'Ra Reunite (3M19)" "Stormtrooper JP-054 Karaoke (3M20S)" "Dryden's Patience Is Tested (3M21-22-23)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Triumph. Thrill. Happiness. 2. What's something related to Star Wars music or sound that you want to learn more about? The music that Chass na Chadic (B-wing pilot from Alphabet Squadron) listens to. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Dope (2015) The Social Network (composed by Trent Reznor and Atticus Ross) (2010) Dazed and Confused (1993) --------------- Guest: James Hewlett Live Action Star Wars: https://liveactionstarwars.com Tiny Letter: https://tinyletter.com/jameshewlett/archive Twitter: https://twitter.com/jhewlett ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guest! https://buymeacoffee.com/starwarsmusmin If you want to support the show, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

Minutes 36-40 of Solo: A Star Wars Story with Klaudia Amenábar from RuPalp's Podrace! In addition to Powell's train heist scoring, we talk about the Dolby Atmos sound mix, stories from the production of Solo, and the purpose of Star Wars moviemaking in general. Discussion Guide: 00:00 - Hello there! 06:03 - The fridging of Val. 12:11 - Comparing Solo to The High Republic. 17:23 - Rupalp's Podrace lore (all hail adult He). 22:04 - Enfys Nest supposed to be Val and Beckett's kid? Production stories. 28:53 - "Lando's Closet" is beautiful but uncharacteristically sentimental? 34:16 - We'd love a score-only version of Solo. 36:49 - Watching movies on so many different devices. 45:41 - Is this a Dies Irae when Rio dies? (paging Alex Ludwig) 56:50 - Thrawn tangent. 1:01:42 - Pointy violin arpeggios and Young Han (reminiscent of beginning of the movie) 1:09:03 - Val and Beckett, Han and Chewie, parallels with Boba and Fennec. 1:24:49 - This should've been the Lando Calrission story or a buddy comedy about Han and Chewie. 1:30:20 - Making movies to build fandom. 1:54:10 - SWMM Questionnaire Things to Check Out: Post Magazine article about the audio in Solo: A Star Wars Story https://www.postmagazine.com/Publications/Post-Magazine/2018/June-1-2018/Audio-I-Solo-A-Star-Wars-Story-I-.aspx Here's Why Movie Dialogue Has Gotten More Difficult To Understand (And Three Ways To Fix It) - https://www.slashfilm.com/673162/heres-why-movie-dialogue-has-gotten-more-difficult-to-understand-and-three-ways-to-fix-it/ SoloWatch: A RuPalp's Podrace Story - https://rupalps-podrace-a-queer-star-wars-podcast.simplecast.com/episodes/solowatch Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Kevin Kiner Reddit AMA (2021) - https://www.reddit.com/r/IAmA/comments/n4u57k/im_kevin_kiner_ive_been_writing_star_wars_music/? Nausicaa: The Force Awakens Mashup/Side by Side: https://youtu.be/AvDrQtMIAxU Themes: 5. The Gang 1. Young Han Solo (Heroic, comp. JW) 7b. Enfys Nest 2 7a. Enfys Nest 1 13) Dies Irae 2a. Young Han Solo (Searching, comp. JW) 2b. Young Han Solo (Searching Variant, comp. JW) Where are we in the soundtrack(s)?: "Deluxe Train Heist (2M15-16A-B-C)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Poetic. Epic. Inspiring. 2. What's something related to Star Wars music or sound that you want to learn more about? The stories behind how various bits of music ended up in the films/shows. "How did that get there?" 3. What's a score or soundtrack you're fond of besides anything Star Wars? Nausicaa of the Valley of the Wind (composed by Joe Hisaishi) --------------- Guest: Klaudia Amenábar Twitter: https://twitter.com/kaludiasays TikTok: https://tiktok.com/@kaludiasays Linktree: https://linktr.ee/kaludiasays RuPalp's Podrace: https://rupalps-podrace-a-queer-star-wars-podcast.simplecast.com/ The Mystery Spotcast: A Supernatural Rewatch: https://the-mystery-spotcast-a-supernatural-rewatch.simplecast.com/ ------------------ If you enjoyed this episode and want to show extra appreciation, feel free to buy me a coffee and shout out the guest! https://buymeacoffee.com/starwarsmusmin If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Twitter: https://twitter.com/StarWarsMusMin Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com

Sort of-guest Arwen Myers—soprano, Sweeney stan, and executive producer of this podcast—joins Peter and Nathan for a wide-reaching conversation about her favorite musical, which just happens to be about murder & meat pies (& Victor Garber). That's right: it's the 1979 Tony-Award winning Sweeney Todd: The Demon Barber of Fleet Street!   We talk about: - The medieval chant Dies Irae and how it frames Sweeney Todd as a story about death, violence, and revenge with explicitly religious overtones.   – Who's the real villain of Sweeney Todd? We talk about how none of these characters are who they appear to be, and how the music helps to signal what's going on underneath. – The various versions of Christianity that haunt this show, notions of sacred violence, sin & sacrifice, and the redemptive promise—or false lure?—of blood.   – The social and cultural aspects of the world that's being presented – and we make of the warning embedded in this very dark musical. Is Sweeney "out there..." or is he inside each of us?   You'll hear: Angela Lansbury, Len Cariou, Ken Jennings, Victor Garber, and Edmund Lyndeck on the Original Broadway Cast Recording singing "The Ballad of Sweeney Todd," "A Little Priest," "Johanna," "The Worst Pies in London," "Epiphany," and "Not While I'm Around."   Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt.

https://www.sophiainstitute.com/products/item/dies-irae https://catholicexchange.com/author/thelichens/

How do you orchestrate a painting? How do you take the detail and the visual imagery of a painting and translate that into something that is so vivid that even if you've never seen the painting before in your life, you can picture it as clearly as if it was right in front of you? Most people look at a painting for no longer than a minute or two at a museum, so how do you sustain that image over nearly 20 minutes of music? Well, to answer all of these questions, all you need to do is look at Rachmaninoff's brilliant tone poem, The Isle of the Dead, which he wrote in 1908.  In 1907 Rachmaninoff saw a black and white reproduction of a painting by the Swiss artist Arnold Bocklin entitled The Isle fo the Dead. This painting had cause a storm of interest all across Europe. Vladimir Nabokov said that prints of the painting were found in every home of Berlin, Sigmund Freud owned a copy, as did Lenin. Bocklin painted 5 different version of the piece, but they all had the same theme - a desolate haunting image of a large rocky island, with a solitary boat with a coffin approaching it. It is said that the painting portrays the mythological river Styx, and even reproduced on the computer, it is a striking image. From that encounter, Rachmaninoff sat down and created one of his most underrated and enduring compositions, the masterful Isle of the Dead, which features a gigantic orchestra that very rarely shows off its full power, a rhythmic character that is both inevitable and unstable, and an unsettling and haunting theme that followed Rachmaninoff throughout his life, the Dies Irae. We're going to talk all about this brooding and mysterious piece on this Patreon sponsored episode this week - join us!

Today's Topics: 1, 2) Intention matters when the Sacraments are confected  https://www.wordonfire.org/articles/contributors/intention-matters-baptized-by-the-water-and-the-right-words/  3) Why the Dies Irae is still needed https://catholicinsight.com/two-dies-irae-chant-and-mozart/ 4) Armstar wearable tactical response system. We are dedicated to providing the future of self-defense in wearable, hands-free, less than lethal protection devices for security, corrections, law enforcement, and the military  https://www.armstar.us/

This chunk of A NEW HOPE begins with the Millennium Falcon blasting off at lightspeed and ends with Obi-Wan sensing the destruction of Alderaan.  Discussion Guide: 00:00 - Hello there! 01:30 - Peter Cushing in Star Wars is like Michael Caine in The Muppet Christmas Carol. Malicious trills 05:09 - Garindan's voice is John Wayne sped up 07:45 - Bumbling stormtrooper music 09:32 - Peter and the Wolf-ness? 13:25 - "Baby's first mono-myth" 15:00 - Imperial Troops Ostinato (incidental motif) and "Imperials (motif)" 18:44 - Docking Bay 94 escape music is loud, chaotic elements competing, Force theme ratcheting up 20:08 - Force theme maneuvering on the fly 22:58 - Alternate Binary Sunset thoughts 29:37 - Inside the Millennium Falcon 31:58 - "Our passengers must be hotter than I thought." Han, what? 33:07 - Imperial Cruiser Pursuit (incidental motif described by Frank Lehman as "nervous minor horn chords succeeded by chromatic figure in strings" 33:52 - Were you obsessed with lightspeed? 38:35 - Flatland: A Romance of Many Dimensions (if you know, you know) 38:47 - Brass sextuplets, instruments that are hard to multitask with 45:28 - Han says "Go strap yourselves in" and it sounds funny in the mix? 46:09 - Death Star motif 49:03 - Bond chord (minor major 9th) 56:00 - Metaphor fail, not shadowboxing 58:02 - Leia's British accent 1:02:07 - One of the biggest mistakes of the prequels 1:03:35 - Dies Irae? Maybe? (Paging Alex Ludwig) 1:07:33 - Pronouncing "Dantooine" 1:09:07 - Rolling R's in "Rebel friends" 1:12:37 - Death Star power up sound 1:13:24 - Disturbance in the Force 1:15:54 - No music with lightsabers...except? 1:22:21 - "Forget your troubles with those Imperials slugs" 1:23:37 - Dejarik 1:27:05 - Asking Ralph to clarify something he said on Star Wars Minute podcast 1:33:33 - SWMM Questionnaire 1:40:11 - Dunning Kruger 1:45:41 - Ukulele Force Things Mentioned: Prokofiev:Peter And The Wolf, Op. 67 - David Bowie, narration; Ormandy, Philadelphia Orchestra - https://youtu.be/9vr4JRbz8Yg Jedi Junior High (documentary) - http://www.heidiburkey.com/jjh Frankenstein (1931 film) directed by James Whale Ukulele Force Star Wars Best Covers - VA (2005) - https://youtu.be/__la4gKCQ9s Binary Sunset Breakdown (SWMM episode with Frank Lehman)- https://youtu.be/JrCg4KLk054 Diagnosing Dies Irae (SWMM episode with Alex Ludwig) - https://youtu.be/7obBOHgh0aQ Star Wars Minute - Last Jedi Minute 51: The Seaweed Hole: https://youtu.be/6ldi6wHl0VI Star Wars Minute - Last Jedi Minute 60: John Wayne's Will: https://youtu.be/RuDNhBfAN3Q Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Themes: 5) Imperial Troops Ostinato 6a. Imperials (Motif) 14) Imperial Cruiser Pursuit 3. Force 13) Dies Irae - possible 5. Death Star Note: I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Soundtrack: "The Millennium Falcon/Imperial Cruiser Pursuit," "Destruction of Alderaan," "Mouse Robot/Blasting Off" STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Sweeping expressive proclamations 2. What's something related to Star Wars music or sound that you want to learn more about? Ralph wants to know what he doesn't know about the music, then learn that which he doesn't know. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Beetlejuice (composed by Danny Elfman) The Addams Family (composed by Duke Ellington, Irving Mills, Marc Shaiman and Saxie Dowell). Ralph Attanasia: Buddy vs. Duff (show on Food Network) - https://www.foodnetwork.com/shows/buddy-vs-duff TikTok: https://www.tiktok.com/@ralphattanasia? Instagram: https://www.instagram.com/cakebossralph Twitter: https://twitter.com/CakeBossRalph Star Wars Music Minute: Website: starwarsmusicminute.com YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Leave a voice message: SWMM Comlink Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

Latina shares her love of words, sonnets and poetry. The Lacrimosa (Latin for "weeping/tearful"), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Many composers, including Mozart, Berlioz, and Verdi have set the text as a discrete movement of the Requiem. Beauty is in the eye of the beholder. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

When Luke looks out at the Burning Homestead, we hear an overt reference to the first four notes of Dies Irae. What is the meaning of this musical meme? Where else does the Dies Irae show up in Star Wars? Alex Ludwig AKA "Dies Irae guru" joins us today to help us gain a deeper understanding of this foundational musical trope. Discussion: 00:00 - Hello there! 03:33 - What is Dies Irae? 04:56 - "Dies Irae" Gregorian chant clip. 06:05 - Dies Irae in the "Burning Homestead" clip. 08:10 - The 3 types of Dies Irae references. 08:20 - Type 1: full chant statement. 11:13 - Type 2: four-note statement, most common type. 14:04 - Type 3: ostinato pattern 16:26 - Why is type 3 the most controversial? 17:26 - Sensitivity vs. specificity. 19:20 - Assessing the Dies Irae-ness of "Alternate Binary Sunset" cue. 21:08 - If we're steeped in modern Western tonal language (most of us are), Dies Irae can sound like it outlines a minor triad, with sadness coded into it. 24:38 - Xanthe thinks "Burning Homestead" example is hopeful, while Alex does not. (Music interpretation is subjective!) 27:36 - Rhythmic displacement and John Williams planting the seeds of tension prior to the actual Dies Irae instance. 31:39 - Does the music sound sad, or is it sad, because we are connecting it with the story? Chicken or the egg. 32:02 - Chaotic listening experiment #1: Gregorian chant edition. 34:00 - Original characteristics of Dies Irae. 37:46 - Frank Lehman shoutout. We are fans. 38:33 - Chaotic listening experiment #2: Star Wars edition. Would you consider those "Dies Irae" or not? 41:33 - Coincidences. 43:38 - Would we diagnose the music in Obi-Wan's hut with a case of Dies Irae? (listening example). Alex and Xanthe have different answers. 45:42 - The Force Awakens, Rey's journey, answering the hero's call, how Dies Irae might play in. 48:48 - Rogue One Dies Iraes. 50:40 - Multiple transformations of Dies Irae, Mozart, Verdi, Romantic programmatic music, etc. From chant to sacred setting to secular spooky piece to Hollywood. 55:13 - Late 19th century composers influenced the first wave of film composers; Dies Irae may have been passed down. 58:41 - Catholic perspectives on Dies Irae. The "Dies Irae" was actually dropped by the Vatican because it was thought to be too frightening. However, some Catholics find it awe-inspiring, as it invites them to a "deeper, more serious faith," grasping that "choices and actions have eternal consequences." 1:04:47 - Is Dies Irae a meme, a trope, or both? 1:08:48 - Do you think the Dies Irae will be played out pretty soon? Is it too cliche now that it's blown up so much? 1:09:53 - A question for listeners! 1:15:04 - Overview of the soundscape in the rest of these 5 minutes. "Close your eyes and you know exactly where you are." 1:21:00 - SWMM Questionnaire Stuff from the episode: Check out Alex's Dies Irae list: https://alexludwig.net/ "Why this creepy melody is in so many movies" (Vox appearance) https://youtu.be/-3-bVRYRnSM "Dies Irae" (Twenty Thousand Hertz appearance): https://www.20k.org/episodes/diesirae Check out more Gregorian chants at Graduale Project: http://gregoriana.sk/graduale/ Introitus: Tibi dixit: https://youtu.be/RnUz0Qju9uM Verset: Virga recta est: https://youtu.be/ScOq_ysbhH8 Introit: Domine ne longe: https://youtu.be/tGT_b38tXSA Sequentia: Dies Irae: https://youtu.be/RMZPdSo2qUQ Jesu Dulcis memoria: https://youtu.be/oxLRbXUy8qE Berlioz Symphonie fantastique: The Witches' Sabbath – Aurora Orchestra at the 2019 BBC Proms https://youtu.be/G2aHglwKH_I Themes: 3. Force 13) Dies Irae 5. Death Star 6a. Imperials (Motif) 4. Leia Note: I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Soundtrack: "The Return Home" "Mos Eisley Spaceport" "Shootout in the Cell Bay/Dianoga" "Cantina Band" STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? triumphant brass fanfares ominous contrapuntal warblings 2. What's something related to Star Wars music or sound that you want to learn more about? What it's like for new composers (Michael Giacchino, John Powell, Ludwig Göransson, etc) to play in the playground of Star Wars music -- to have all these themes at their fingertips, get to use them and take them to new places. "What is it like to get the keys to this kingdom as a composer?" 3. What's a score or soundtrack you're fond of besides anything Star Wars? The Social Network (composed by Trent Reznor and Atticus Ross) and Sunset Boulevard (composed by Franz Waxman) Alex Ludwig: Dies Irae List: https://alexludwig.net/ Twitter: https://twitter.com/celexo YouTube channel Film Music Tropes: https://www.youtube.com/channel/UCFp0lHhIg7pHK34X2_crmSA Woodstock Then and Now: A 50th Anniversary Celebration by Alex Ludwig and Simon Pilon: https://libraries.clemson.edu/press/books/woodstock-then-and-now/ Star Wars Music Minute: Website: starwarsmusicminute.com YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Leave a voice message: SWMM Comlink Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

This episode is about music and sound heard in minutes 36-40 of Star Wars: A New Hope. Obi-Wan finally hears Princess Leia's message, Luke isn't ready to go to Alderaan, and Vader finds Admiral Motti's lack of faith disturbing. Today, Elizabeth Lain joins me in a discussion about oboes, Death Star sound design, sonic screen wipes, and more! Highlights: 00:00 - Hello there! 01:53 - How sonically lean A New Hope is. 06:18 - Start of chronological breakdown. 07:45 - Leia's theme on oboe. Oboe vs. English horn vs. flute. 15:45 - Grassroots Leia theme? 17:41 - Luke and Obi-Wan reaction shots while the music fades out. 20:23 - Is Obi-Wan trying to "Jedi mind trick" Luke? 23:04 - Hero's call to action and refusal of the call (a la Joseph Campbell). 24:49 - This cue of music is so...! Where else have we heard it? For one, it sounds a lot like Jyn's theme in Rogue One. But both of those could also be interpreted as plays on Dies Irae. 27:43 - Hologram as a metaphor. 28:53 - "How am I every going to explain this?" "Learn about the Force, Luke" Cue Force theme. 32:18 - "I can take you as far as Anchorhead." 33:11 - Death Star motif accompanying the exterior shot of space/Star Destroyer. But before that, we hear what Elizabeth calls a "sonic screen wipe." 35:27 - The silent Death Star conference room. 37:33 - Jk, it's totally not silent. This is Ben Burtt's time to shine. 39:49 - How Ben Burtt designed the Death Star sounds. 44:35 - How Ben Burtt designed the ambient electronic, telemetry sounds. 46:43 - "Until this battle station is fully operational, we are vulnerable." 48:09 - What if there were music in this part? What makes the Death Star feel scary. 49:27 - Power dynamics between Vader and Tarkin. 56:04 - What keeps Xanthe up at night with regard to Vader. 1:01:40 - Back on Tatooine as Luke, Ben, and the droids discover the remains of an attack. 1:01:58 - Solo trumpet leads us into the next cue, and it builds gradually. The worldbuilding that occurs in this scene. 1:08:44 - Tempo picks up as Luke rushes to his landspeeder. 1:13:11 - A pretty bad pun, sorry. 1:13:33 - Interesting sound design thing Elizabeth noticed with the speeder on screen. 1:15:38 - SWMM Questionnaire 1:19:06 - Rundown of musical themes and soundtrack stuff from these minutes. 1:19:49 - Where to find Elizabeth, upcoming stuff, goodbyes. Musical Themes: 4. Leia 3. Force 5. Death Star Note: For consistency, I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where we are in the soundtrack album: "Tales Of A Jedi Knight/Learn About The Force" by John Williams "Burning Homestead" "The Return Home" References: telemetry: the in situ collection of measurements or other data at remote points and their automatic transmission to receiving equipment (telecommunication) for monitoring. pedal (tone, point): https://en.wikipedia.org/wiki/Pedal_point Opening trumpet part of "Pictures at an Exhibition (Promenade Part 1)" by Modest Mussorgsky - https://youtu.be/_5r8sa863Ts Rogue One/A New Hope music: https://youtu.be/DKheYfOl7hQ Complete Catalogue of the Musical Themes of Star Wars (Frank Lehman): https://franklehman.com/starwars/ STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? John Fucking Williams. 2. What's something related to Star Wars music or sound that you want to learn more about? A super detailed deep dive on C-3PO's voice; like, the very, very specifics of specifics, including which effects units they put on it, what the raw recordings sound like, what microphones they use, etc. 3. What's a score or soundtrack you're fond of besides anything Star Wars? Chernobyl (miniseries) composed by Hildur Guðnadóttir Follow Elizabeth Lain! Bandcamp: https://elizabethlain.bandcamp.com/ Website: https://elizabethlain.com/ Twitter: https://twitter.com/lizardeatsflies Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

Discussion Guide: 0:00:00 - Hello there. 0:04:33 - Luke at the Lars kitchen table. Like father, like son. 0:06:46 - Beginning of the "Binary Sunset" breakdown. 0:09:00 - Frisson and which elements are in place to nearly "guarantee" the aesthetic shivers in Binary Sunset. 0:15:28 - Unsustainability of sustained notes. 0:18:54 - Tactile quality of the London Symphony Orchestra recording, Imperfection in the film and recording. 0:25:22 - Do you think this is the Force theme, Ben Kenobi theme, or Luke Skywalker theme in this moment? 0:30:00 - Structural analysis. 0:35:18 - Variety in the Force theme. 0:37:55 - French horn associations: solo, tenderness, hunting instrument, quiet nobility, Siegfried, chorales, funeral themes, etc 0:44:26 - Listening to the cello part. 0:46:00 - The Last Jedi mirroring this part. 0:47:33 - We start talking about "Binary Sunset (Alternate)" version. 0:57:25 - Signs of Shostakovich all over these scores. 1:01:04 - Listening to Binary Sunset alternate again. "Dies Irae," the retained cadence, etc. 1:05:54 - Listening to the baby "Rebel Fanfare" and the flutes not playing together. 1:09:19 - In the garage with Luke and Threepio. 1:10:15 - Listening to the magical chimes and the cadence. "Thicket of sonority." Evasion of the perfect authentic cadence. 1:14:23 - Who orchestrated this cue? Frank thinks it might be Angela Morley (but Herb Spencer and Morton also worked on orchestration) 1:16:10 - Lars homestead, Aunt Beru's food processor. 1:17:15 - Landspeeder motif and why Dr. Lehman included it in the catalogue. 1:20:58 - Sandpeople motif, instrumental textures 1:28:13 - The limitations of harmonic framing (or any reductionist analysis) when it comes to representing motifs/music. 1:32:30 - Crait dragon call, special edition sound design changes. 1:37:19 - The Obi-Wan twinkle. 1:42:43 - SWMM Questionnaire Musical Themes: 3. Force 10) Landspeeder 11) Sandpeople Note: I'm using the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where we are in the soundtrack album: "The Hologram/Binary Sunset" "Landspeeder Search/Attack of the Sandpeople" "Binary Sunset (Alternate)" Things Mentioned: Frank Lehman's other episode on this show: Musical DNA of The Last Jedi - https://youtu.be/NZwIpV3igBo Angela Morley, composer and orchestrator - https://en.wikipedia.org/wiki/Angela_Morley Ravel: "Pavane for a Dead Princess" - https://youtu.be/GKkeDqJBlK8 Richard Wagner: Siegfried leitmotifs - https://opera-inside.com/richard-wagners-leitmotivs-opera-guide/#Siegfried Shostakovich: String Quartet No. 8, 4th movement - https://youtu.be/xqP_PhzVKV0 Gustav Holst: Uranus - https://youtu.be/aDFGmiXnLjU Jerry Goldsmith's Planet of the Apes score. "The Clothes Snatchers" - https://youtu.be/iaeqnu7TikE Obi-Wan's Grunt Call Scene Comparison 1977-2006 - https://youtu.be/_O-Fdf2-8Z4 John Williams: "The Hologram/Binary Sunset" - https://youtu.be/_dr3W3QuVCs John Williams: "Binary Sunset" (Alternate) - https://youtu.be/ARhQWV1ZkNs John Williams: "The Princess Appears" - https://youtu.be/r6Qbbyc1eLc John Williams: "The Land of the Sand People" - https://youtu.be/WyDhshJUoac John Williams: "Landspeeder Search/Attack of the Sandpeople" - https://youtu.be/Fl2JvJ9Gzz4 STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Dissonant pedal notes. Minor planing triads. 2. What's something related to Star Wars music or sound that you want to learn more about? What we're musically in store for as Star Wars moves onto the next chapters of its development. Also: What was the actual score to Episode IX supposed to be (before changes)? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Star Trek: The Motion Picture  (1979) (composed by Jerry Goldsmith) FOLLOW DR. FRANK LEHMAN AND HIS WORK! Complete Catalogue of the Musical Themes of Star Wars (Frank Lehman): https://franklehman.com/starwars/ Hollywood Harmony: Musical Wonder and the Sound of Cinema (book) - https://www.amazon.com/Hollywood-Harmony-Musical-Wonder-Cinema/dp/0190606401 Twitter: https://twitter.com/fmlehman Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com (New): Use this comlink to leave a short voice message. Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

Guest: Mat from Blue Bantha Milk Co. Discussion Guide: 0:00:00 - Hello there 0:02:11 - Remembering dialogue through phonetics and pitch 0:10:22 - Sound design of the Sandcrawler 0:17:11 - Stormtroopers, Imperials Motif, dewbacks, special edition changes 0:20:56 - A New Hope soundtrack, various editions, what do we seek in a soundtrack album? 0:33:00 - Precursor to the Imperial March 0:36:50 - Have you ever watched Star Wars for the first time with someone who's never seen it? 0:42:39 - Jawa oom-pahs, Ewoks, Oopma Loompas, scoring cuteness and levity. 0:51:00 - Ice-cream (droid) truck stops at the Lars homestead 0:54:20 - Guess the dialogue in this sound clip (quiz) 0:57:02 - Homespun main theme 0:59:39 - Dies Irae 1:11:00 - Uncle Owen, wannabe haggler 1:24:05 - Threepio goes in for his bath. 1:27:42 - Anakin-bomb 1:28:33 - Blue Bantha Milk Co. using AI to help generate Star Wars fan-fiction 1:42:00 - SWMM Questionnaire 1:51:48 - Themes, soundtrack info Musical Themes (leitmotifs and incidental motifs): 6a. Imperials (Motif) 9) Diminutive Creatures (incidental) 7. Jawas 7) Sandcrawler (incidental) 3. Force Note: For consistency, I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where we are in the soundtrack album: "The Dune Sea Of Tatooine/Jawa Sandcrawler" "The Little People Work" "Mouse Robot/Blasting Off" "The Desert And The Robot Auction" "The Moisture Farm" STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Action, danger, romance. 2. What's something related to Star Wars music or sound that you want to learn more about? What happens with unused music cues? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Tenet (composed by Ludwig Göransson) Horizon Zero Dawn (video game) (composed by Joris de Man, and The Flight) The Good, the Bad, and the Ugly (composed by Ennio Morricone) Inception (composed by Hans Zimmer) Interstellar (composed by Hans Zimmer) Loki (series) (composed by Natalie Holt) GUEST LINKS: Follow Blue Bantha Milk Co! Blue Bantha Milk Co creates Star Wars fan-fiction performances written by artificial intelligence. They call this Star Wars written by AI 'The Banthaverse'. YouTube: https://www.youtube.com/c/BlueBanthaMilkCo Twitter: https://twitter.com/BlueBanthaMilk Instagram: https://www.instagram.com/bluebanthamilkco/ SWMM LINKS: Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan