Podcasts about Amadeus

durée : 00:09:56 - Le Masque et la Plume - Le metteur en scène Olivier Solivérès présente une nouvelle adaptation de la pièce d'"Amadeus" de Peter Shaffer. Retour sur cette création qui oscille entre le texte original et le célèbre film de Miloš Forman, avec une troupe de quatorze artistes. Une pièce qui a divisé les critques du Masque. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:53:21 - Le Masque et la Plume - par : Rebecca Manzoni - Flaubert revisité par Honoré, Tchekhov selon Sivadier, Jacques Weber en Cyrano, Salieri face à Mozart, Monte-Cristo en comédie musicale et un one-man-show plein de joie. Les critiques du Masque croisent le fer sur les derniers spectacles. - invités : Fabienne Pascaud, Pierre Lesquelen, Sandrine Blanchard, Laurent Valière - Fabienne Pascaud : Journaliste chez Télérama, Pierre Lesquelen : Critique à I/O Gazette et Détectives sauvages, dramaturge et enseignant-chercheur, Sandrine Blanchard : Journaliste au Monde, Laurent Valière : Producteur - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

SKY Airline anunció su incorporación al sistema BSP de IATA en España, lo que permite a las agencias de viajes emitir billetes de la aerolínea directamente mediante su propia placa (H2). Con esta integración, la compañía refuerza su presencia en el mercado español y su distribución a través de sistemas globales como Amadeus y Sabre.Qatar Airways opera esta semana vuelos especiales para pasajeros afectados por el cierre del espacio aéreo, con destinos como Madrid y Londres. Paralelamente, el estado catarí ha activado una estrategia nacional de apoyo a los viajeros, que incluye alojamiento gratuito, prórroga de visados y asistencia integral en hoteles, con el objetivo de garantizar seguridad y bienestar hasta que puedan continuar su viaje.Ávoris Corporación Empresarial ha creado el área de Turoperación Regular, que integrará las operaciones de Catai, Vivatours y Disney Destinations. Al frente de esta nueva unidad ha sido nombrado Raúl Serrano como director general, mientras que Amaya Hernangómez asume la dirección de Catai dentro de la reorganización.La futura Ciudad del Deporte del Atlético de Madrid, junto al estadio Riyadh Air Metropolitano, incorporará la mayor laguna artificial de surf de Europa, con 23.000 m², más de 20 tipos de olas y capacidad para 120 surfistas simultáneamente. El complejo deportivo y de ocio tiene prevista su apertura en 2027.Avasa Travel Group cerró 2025 con un volumen de negocio de 1.121 millones de euros, superando su objetivo inicial y consolidándose como uno de los principales grupos de agencias independientes en España. Durante su 28.ª Convención en PortAventura destacó el crecimiento en el negocio corporativo y MICE, la inversión en tecnología y el lanzamiento de Avasa 365 Connect, un servicio de asistencia permanente para agencias y viajeros.

Are Mozart's gifts a glitch in divine accounting? Or are his flaws attendant on or even the result of his genius? And how can we account for the glitch in Salieri's design, which permits longing to go unanswered by talent? Wes & Erin continue their discussion of the 1984 film “Amadeus,” directed by Milos Forman. Upcoming Episodes: Susan Sontag’s On Photography; Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

El año de 1984 contó con el nacimientos de importantes y nostalgicas franquicias como #ElExterminador y #BeverlyHillsCops mientras #Amadeus revolucionaba el drama musical en todos los sentidos. Tal parece, ya nada volvió a ser igual desde entonces.

En Capital Intereconomía seguimos en directo la apertura del Ibex 35 y de las principales bolsas europeas. En el análisis de mercados hablamos con Rafael Ojeda, agente y miembro del comité de inversiones de URSUS 3 Capital AV, sobre el impacto geopolítico y tecnológico en los mercados. El foco ha estado en Anthropic, después de que el Pentágono advirtiera de que la compañía supone un riesgo para la cadena de suministro militar de Estados Unidos, pese a que su herramienta Claude Gov es actualmente la única que puede operar en la nube clasificada del Departamento de Defensa. Su CEO, Dario Amodei, ha anunciado que recurrirá la decisión. Además, EE. UU. estudia exigir permisos para las ventas globales de chips de IA de Nvidia y AMD, lo que reabre el debate sobre el posible intervencionismo en sectores estratégicos de inteligencia artificial. También repasamos las principales recomendaciones de analistas sobre compañías como Endesa, Amadeus, Nokia y Eni, así como la decisión de la Casa Blanca de no intervenir por ahora en los futuros del petróleo. En el plano corporativo destacan la suspensión por parte de Maersk de servicios marítimos entre Asia, Oriente Próximo y Europa, el aviso del Pentágono sobre Anthropic, la caída del beneficio de Lufthansa en 2025 y el llamamiento de Bruselas a incrementar la producción en el sector defensa ante el conflicto con Irán. El programa se completa con el Consultorio de Bolsa junto a Pepe Baynat, director de Bolsas y Futuros.com.

Sendungshinweis: FM4 bis 1, 6.3.2026, 10 Uhr

If an understanding of music implies a love of structure, perhaps the musician's relationship to his art mirrors the one he has with authority, both human and divine. Salieri, whose father was a man of commerce, sees God as a kind of bank manager who records prayers and sacrifices as payments on a long-term loan of musical talent. Salieri's economics work just fine until the arrival of Mozart, who seems to have put up no collateral—he's ”a giggling, dirty creature” in the words of Salieri—but has received the equivalent of a billion-dollar loan. Are Mozart's gifts a glitch in divine accounting? Or are his flaws attendant on or even the result of his genius? And how can we account for the glitch in Salieri's design, which permits longing to go unanswered by talent? Wes & Erin discuss the 1984 film “Amadeus,” directed by Milos Forman. Upcoming Episodes: Susan Sontag’s On Photography; Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Why does someone else's blessing feel like your loss?In this message, we step into Book of Genesis 4 and the story of Cain and Abel to uncover the roots of envy, resentment, and spiritual hypocrisy. Like the rivalry portrayed in Amadeus, we see how comparison can quietly harden into anger...and even accusation against God: “You haven't given me what I deserve.”But this story isn't just a warning. It's an invitation.The blood of Abel cried out for justice. Jesus' blood cries out for forgiveness. When we realize we haven't received what we deserve...but mercy instead...we're finally freed from envy and rage.If you've wrestled with comparison, bitterness, or disappointment with God, this message is for you.DISCUSSION QUESTIONS:1. What do you learn about God's character from Genesis 4?2. Where are you tempted to approach God like Cain instead of Abel?3. What “crouching” sin has God already warned you about? What is at your door right now? How does seeing Jesus as “The Greater Adam” shape the way you understand yourself? (Rom 5:6-21)4. How does knowing Christ's blood speaks a better word change how you handle guilt or shame?5. If you took 1 thing away from this study/reflection what would it be, why?+ + + + +Hey, while you're here, please help Generation by clicking the 'Subscribe' button, then click on the BELL

Álvaro Blasco, socio-director de atl Capital repasa lo más destacado de la bolsa española con vistazo a Repsol, Indra, Amadeus, IAG, Inditex y hoteles Meliá.

Nueva parada, Logroño. Desde el escenario del Teatro Nave, 31 firmamos la #Luna405 que busca celebrar el X aniversario de la “Escuela de Música Moderna Amadeus” que se ha convertido de un tiempo a esta parte de un lugar de referencia por su forma de entender la música y la enseñanza. Nadie mejor que Diego M. Continente, músico y director de Amadeus, para conocer cómo es el día a día de la escuela y en qué se diferencia de otros proyectos educativos. Una charla distendida en la que se suma el matemático y divulgador científico Eduardo Sáez de Cabezón, presentador del programa de televisión Órbita Laika. La importancia de la música en el crecimiento personal de los niños y niñas y de la vinculación de Amadeus con la ciudad de Logroño son solo algunos de los temas que tocamos con Diego y Eduardo. Hay muchos más, pero es mejor que los vayáis descubriendo escuchando una charla que os hará sonreír y emocionar por partes iguales.

Nueva parada, Logroño. Desde el escenario del Teatro Nave, 31 firmamos la #Luna405 que busca celebrar el X aniversario de la “Escuela de Música Moderna Amadeus” que se ha convertido de un tiempo a esta parte de un lugar de referencia por su forma de entender la música y la enseñanza. En el primer bloque, nadie mejor que Diego M. Continente, músico y director de Amadeus, para conocer cómo es el día a día de la escuela y en qué se diferencia de otros proyectos educativos. Una charla distendida en la que se suma el matemático y divulgador científico Eduardo Sáez de Cabezón, presentador del programa de televisión Órbita Laika. La importancia de la música en el crecimiento personal de los niños y niñas y de la vinculación de Amadeus con la ciudad de Logroño son solo algunos de los temas que tocamos con Diego y Eduardo. Hay muchos más, pero es mejor que los vayáis descubriendo escuchando una charla que os hará sonreír y emocionar por partes iguales. Y en la segundo bloque, Los Combos de Amadeus. Ellos son el resultado final de la forma de entender la música de la Escuela de Música Moderna Amadeus a la que dedicamos esta #Luna405. Un combo es el nombre con el que se identifica el hecho de formar un primer grupo musical donde los alumnos y alumnas trabajan en equipo con un objetivo común de comenzar a componer sus primeras canciones, tocarlas y grabarlas. Y mucho más. Ese “mucho más” es lo que nos cuentan los propios adolescentes que están viviendo una experiencia sobresaliente para su desarrollo personal a través de la música y de Amadeus.   Este grupo de adolescentes son los grandes protagonistas de la Luna que grabamos en la Nave 31 de Logroño representan a los casi 200 alumnos y alumnas que cada mes pasan por las aulas de Amadeus. La vida y la música van la mano en Amadeus y en esta Luna imborrable.

Los Combos de Amadeus son el resultado final de la forma de entender la música de la Escuela de Música Moderna Amadeus a la que dedicamos esta #Luna405. Un combo es el nombre con el que se identifica el hecho de formar un primer grupo musical donde los alumnos y alumnas trabajan en equipo con un objetivo común de comenzar a componer sus primeras canciones, tocarlas y grabarlas. Y mucho más. Ese “mucho más” es lo que nos cuentan los propios adolescentes que están viviendo una experiencia sobresaliente para su desarrollo personal a través de la música y de Amadeus. Este grupo de adolescentes son los grandes protagonistas de la Luna que grabamos en la Nave 31 de Logroño representan a los casi 200 alumnos y alumnas que cada mes pasan por las aulas de Amadeus. Una conversación donde también se suman Diego M. Continente, director de Amadeus, y el divulgador científico y presentador del programa de TVE Órbita Laika, Eduardo Saéz de Cabezón. La vida y la música van la mano en Amadeus y en esta Luna imborrable.

Director de inversiones de Assured Mind, Juan Esteve repasa lo más destacado de la bolsa española con vistazo a Acciona, Telefónica, Solaria, Merlin Properties, Amadeus, Cellnex...

Amadeus acquires SkyLink to accelerate conversational AI booking, corporate layoffs begin tightening approval and ROI scrutiny around meetings, and Saudi's Red Sea airport pushes for a 50:50 international split while scaling a controlled luxury destination. On today's Skift Daily Briefing, Sarah Dandashy⁠ unpacks how booking interfaces are shifting from search to dialogue, why meetings now have to prove their revenue value, and how Saudi Arabia is engineering premium tourism growth without overwhelming its brand promise. This episode is presented by ⁠⁠⁠⁠Lodgify!⁠⁠⁠⁠ Articles Referenced: ⁠⁠⁠⁠⁠⁠⁠Honorable Mention: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@AskAConcierge on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amadeus Acquired SkyLink to Infuse Its Products With Conversational AISweeping Corporate Layoffs Start to Make Their Mark on MeetingsSaudi's Red Sea Airport Aims for 50:50 Split Between Domestic and International Travelers Connect with Skift LinkedIn: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/skift/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WhatsApp: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatsapp.com/channel/0029VaAL375LikgIXmNPYQ0L/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://facebook.com/skiftnews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/skiftnews/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@skiftnews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/skiftnews.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/skift⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SkiftNews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and never miss an update from the travel industry.

Victor Peiró, director de análisis de GVC Gaesco repasa lo más destacado de la bolsa española con vistazo a Indra, Ferrovial, ACS, Telefónica, Fluidra, Amadeus...

Protagonistas al cierre que analizamos de la mano de José Lizán, Gestor de Reto Magnum Sicav en Quadriga Asset Managers: Indra, Amadeus, ACS, Acciona, Fluidra, Redeia y Faes Farma.

El experto de Apta Negocios analiza los títulos de Rovi, Paypal, Hermés, Amadeus, Amper, Santander y Aena, entre otros

I talk about Amadeus 

Wes & Erin continue their discussion of Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag’s “On Photography.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

durée : 00:05:09 - C'est une chanson - par : Frédéric Pommier - Le metteur en scène Olivier Solivérès présente actuellement à la fois "Le Cercle des Poètes disparus", à Paris et en tournée, et "Amadeus" au théâtre Marigny. Il a choisi cette reprise de Bob Dylan qui le ramène aux souvenirs d'un voyage linguistique aux États-Unis. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Paolo Ruffilli"Incanto e disincanto"Voci della poesia italiana del Novecentoil ramo e la foglia edizioniwww.ilramoelafogliaedizioni.itLa letteratura italiana, nel corso del Novecento, ha nella poesia il genere di maggiore creatività e di più alti risultati. In Italia, quasi esclusivamente ai poeti è toccato il compito di tradurre in elaborazione letteraria la complessa crisi di identità (di frantumazione dell'io) che contraddistingue il nostro tempo. La perdita delle coordinate, la consapevolezza del moto di deriva dentro il mistero della vita, la riflessione esistenziale, il tentativo di ricomposizione di un ordine minimo, trovano soluzioni diverse e complementari, dentro il grande laboratorio della lingua italiana. Una vitalità sorprendente, una molteplicità di esperienze, una varietà di modi contrassegnano la produzione: per quantità e qualità la poesia è trainante rispetto a tutto il resto ed è lo specchio della ricerca stilistica più avanzata, con un'energia dispiegatasi in tematiche, sperimentazioni ed elaborazioni, in un serrato e produttivo confronto delle principali prove, senza remore di scuole o tendenze. Al di là di tutte le possibili riduzioni ricapitolative e astratte di linea, assunto, movimento o gruppo, ciò che davvero conta in assoluto è l'originale esperienza creativa di ogni singolo scrittore.«La poesia usa il linguaggio nella sua doppia valenza di razionale e irrazionale, mediato e immediato, percorrendo così la via verso una totalità dell'io. In questo senso si può affermare che attraverso la poesia l'uomo può acquistare consapevolezza di sé a livello profondo. E, dunque, la poesia ha perfino una sua funzione sociale, dal momento che la società è costituita da individui che riflettono, nei loro rapporti con gli altri, il rapporto buono o cattivo, ricco o carente, che hanno con se stessi.»Le voci poetiche inserite nel saggio sono: Elio Filippo Accrocca, Alberto Arbasino, Raffaello Baldini, Nanni Balestrini, Giorgio Bassani, Dario Bellezza, Giovanna Bemporad, Attilio Bertolucci, Carlo Betocchi, Alberto Bevilacqua, Piero Bigongiari, Ignazio Buttitta, Giorgio Caproni, Vincenzo Cardarelli, Bartolo Cattafi, Giovanni Comisso, Sergio Corazzini, Stefano D'Arrigo, Eduardo De Filippo, Libero De Libero, Luciano Erba, Franco Fortini, Alfonso Gatto, Virgilio Giotti, Giovanni Giudici, Alfredo Giuliani, Corrado Govoni, Guido Gozzano, Tonino Guerra, Margherita Guidacci, Francesco Leonetti, Franco Loi, Gian Pietro Lucini, Mario Luzi, Biagio Marin, Filippo Tommaso Marinetti, Eugenio Montale, Elsa Morante, Marino Moretti, Alberto Mario Moriconi, Giacomo Noventa, Ottiero Ottieri, Elio Pagliarani, Aldo Palazzeschi, Alessandro Parronchi, Pier Paolo Pasolini, Sandro Penna, Albino Pierro, Antonio Porta, Antonia Pozzi, Salvatore Quasimodo, Giovanni Raboni, Clemente Rebora, Amelia Rosselli, Roberto Roversi, Umberto Saba, Edoardo Sanguineti, Camillo Sbarbaro, Franco Scataglini, Rocco Scotellaro, Vittorio Sereni, Leonardo Sinisgalli, Ardengo Soffici, Maria Luisa Spaziani, Giovanni Testori, Giuseppe Ungaretti, Diego Valeri, Giorgio Vigolo, Emilio Villa, Paolo Volponi, Andrea ZanzottoPaolo Ruffilli è nato nel 1949. Ha pubblicato, di poesia: “Piccola colazione”, Garzanti, 1987, American Poetry Prize; “Diario di Normandia”, Amadeus, 1990; “Camera oscura”, Garzanti, 1992; “Nuvole”, con foto di F. Roiter, Vianello Libri, 1995; “La gioia e il lutto”, Marsilio, 2001, Prix Européen; “Le stanze del cielo”, Marsilio, 2008; “Affari di cuore”, Einaudi, 2011; “Natura morta”, Nino Aragno Editore, 2012, Poetry-Philosophy Award; “Variazioni sul tema”, Aragno, 2014, Premio Viareggio Giuria; “Le cose del mondo”, Mondadori, 2020; di narrativa: “Preparativi per la partenza”, Marsilio, 2003; “Un'altra vita”, Fazi, 2010; “L'isola e il sogno”, Fazi, 2011.www.paoloruffilli.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

En el consultorio de bolsa de hoy, Javier Santacreu analiza el tono alcista del mercado europeo, aunque empieza a mostrar señales de agotamiento en zonas clave. El IBEX 35 intenta superar sus máximos históricos sin éxito, evidenciando una falta de catalizadores que impulsen un nuevo tramo al alza. Aunque la tendencia sigue siendo positiva, Santacreu ce como cada aproximación a máximos activa la presión vendedora. En este contexto, el analista suma el repunte del petróleo por la tensión entre Estados Unidos e Irán y el fortalecimiento del dólar, factores que incrementan la prudencia entre los inversores. En valores concretos del mercado español, Javier Santacreu es selectivo. Cellnex ha formado un suelo relevante en la zona de 24,50 euros y desde ahí ha protagonizado una recuperación significativa, aunque necesita confirmar fortaleza superando resistencias para activar una señal clara de entrada. Amadeus, por su parte, se encuentra en un simple rebote técnico dentro de una estructura de máximos y mínimos decrecientes, por lo que el escenario más prudente pasa por esperar a que cierre el hueco bajista antes de plantear nuevas posiciones. En Estados Unidos, la atención se centra en el aumento de la volatilidad dentro de las grandes tecnológicas. Apple ha visto quebrada su estructura alcista tras las últimas caídas, lo que obliga a vigilar niveles de soporte clave en temporalidades altas. El deterioro técnico en parte de las denominadas “siete magníficas” refuerza la idea de que el mercado atraviesa una fase más exigente, donde la gestión del riesgo cobra especial relevancia. Dentro del sector energético, se mantiene una estructura técnicamente alcista tras superar resistencias importantes y situarse en subida libre. Sin embargo, el valor presenta niveles de sobrecompra extremos, lo que eleva el riesgo de correcciones a corto plazo. En conjunto, el mensaje del consultorio es claro: tendencia aún positiva en muchos activos, pero con mayor volatilidad, resistencias exigentes y necesidad de disciplina en las entradas.

¿Cómo quedan las cosas para el Ibex tras esta semana? Pasamos por Amadeus, Fluidra y Aena, con Juan Enrique Cadiñanos, CEO global de Bullfy.

Javier Cabrera, analista de XTB, pone el foco sobre Bankinter, Amadeus, Endesa, Telefónica y Ezentis

El talentoso cantautor oaxaqueño que se presentará esta noche en Villahermosa comparte su sentir más profundo, sus motivaciones con el auditorio de Telereportaje. ¿Quién es su referente en la música? ¿Quién lo marcó? ¿Qué habría sido de no haberse dedicado a la música? ¿Cómo impactan los momentos oscuros a sus interpretaciones? ¿Cómo ve los nuevos géneros musicales que afloran en el mundo? Escucha también la magistral interpretación que hace del bolero “No quiero olvidar”.

Con Roberto Moro, de robertomoro.com.

This interview originally aired in January 2023, and we've updated it with a fresh opening and "One Quick Thing." Comedian Gianmarco Soresi is brutally honest with us this week: he deeply relates to Antonio Salieri (F. Murray Abraham!) in Milos Forman's 1984 classical classic, Amadeus. But while Gianmarco can own his Salieri-like insecurities, he can't let it keep him from pursuing virtuosity.Then, Jordan has one quick thing about an exciting new action film from master Yuen Woo-Ping, Blades of the Guardians.Gianmarco's latest special is Thief of Joy. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Wes & Erin continue their discussion of Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag’s “On Photography.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Grâce à la présence dans l'émission de Thomas Solivérès, qui incarne actuellement Mozart au théâtre Marigny dans "Amadeus", les questions sur le compositeur furent nombreuses. Et on a notamment appris qu'il avait été soutenu à un moment de sa vie par la Dame de fer ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mark reunites with The Foosh and news anchor Eileen Gonzalez. Thompson shares his trip to the premiere of Amadeus at the Pasadena Playhouse for a night of theatrical brilliance. Oscar-nominated songwriting legend Diane Warren joins the conversation to talk about her powerful original song “Dear Me,” performed by Kesha for the Grammy-nominated documentary Diane Warren: Relentless. Plus, the first wave of a weeklong storm drenches Southern California with snow expected in Mammoth Lakes and Lake Tahoe, and the Olympic Games face controversy as a cheating scandal shakes the curling competition.See omnystudio.com/listener for privacy information.

Introducing Aminutedeus, a podcast that examines the film Amadeus, one episode at a time, fifteen minutes at a time. Each episode will look at a fifteen-minute chunk as host Derick McDuff and a guest break down the Director's Cut of the iconic film.New episodes will release on the fifteenth of the month over the course of 2026, and will be available for just $3 a month on Underrated's Patreon. However, the first episode is available for free here on Underrated for all listeners! Part II is out now for Patrons!Travis Bow of Minute of Thieves and Reel Comic Heroes joins Derick to discuss 00:01-15:00!For more info, head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠underratedmoviepodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/UnderratedMoviePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@underratedmoviepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCAbpTHWyBle7yKJv4-gR_g⁠⁠⁠

Send a text344 AMADEUS!Netflix is killing it in theaters and the gang talks Stranger Things before digging into Amadeus.Also discussed: Dust Bunny, Greenland 2: Migration, Bone Lake.Support the showSubscribe to us on YouTube: https://www.youtube.com/channel/UC8iW_sKFj0-pb00arHnFXsAFacebook: https://www.facebook.com/StrangeAeonsRadioInstagram: https://www.instagram.com/strangeaeonsradioksar/

Sky has announced it is bringing together Disney+, HBO Max, Netflix and Hayu into a single Sky TV subscription. Sky becomes the home of must-watch entertainment, with the most popular streaming apps sitting side by side alongside Sky Originals, including Amadeus and Under Salt Marsh, and Sky Exclusives like Heated Rivalry, all in one place and integrated as part of the Sky TV experience. For the first time, new customers can get Sky, HBO Max, Disney+, Hayu and Netflix together as part of Sky Ultimate TV from €28 a month, delivering the best value in the market. Existing customers will get easy access as part of their Sky TV subscription, with over €30 worth of streaming apps included each month, with: Disney+ Standard with Ads arriving in March HBO Max Basic with Ads from when it launches in the UK & Ireland on the 26th March Hayu from July, with a selection of top shows available from March NOW TV – Also from launch, HBO Max Basic with Ads will be packaged together with NOW Entertainment, included at no extra cost for existing customers and fully integrated into the NOW platform. Speaking on today's announcement, Caroline Donnellan, Sky Ireland's Director of Marketing and Brand, said: "This marks a new era for Sky and NOW. In a world-first, we're setting a new standard for TV value by bringing together Sky, Netflix, Disney+, HBO Max and Hayu into a single Sky TV subscription. Nowhere else offers all of this incredible entertainment, in a fully integrated experience, with everything customers love watching side by side so viewers can jump from show to show with ease." Matthew Price, Commercial Director at Sky Ireland, said: "For our customers, it couldn't be simpler. We are committed to offering them the best value and the best experience. Existing Sky TV customers, whether on Sky Q, Sky Stream or Sky Glass, will get easy access to this new line-up as standard. All NOW Entertainment customers will get access to HBO Max, included at no extra cost, all integrated within the NOW app. We're proud to continue Sky's legacy of innovation, making it easier than ever for people to enjoy the very best entertainment, all in one place." Unmissable TV series and blockbuster movies on Disney+ Sky and Disney have signed a new multi-year agreement in the UK and Ireland, giving more Sky customers access to Disney stories and entertainment. From March, eligible Sky TV customers will receive Disney+ Standard with Ads included in their subscription, worth up to €8.99 a month, with the option to take the Disney+ Standard or Premium plan while keeping that saving. This includes Sky Stream and Sky Glass customers with Ultimate TV, eligible Sky Q customers, and Sky Essential TV customers with Sky Cinema. Existing Disney+ customers can also choose to move their current Standard or Premium plan to Sky, saving €8.99 a month, keeping their profile and watch history. Customers can enjoy a constantly growing library of unmissable entertainment, from acclaimed TV series including Rivals and FX's The Bear to blockbuster movies such as Disney's Moana 2 and Marvel Studios' The Fantastic Four: First Steps, from Disney, Pixar, Marvel, Star Wars, National Geographic, Hulu, FX, 20th Century Studios, and more. Sky Cinema customers will also get a new Disney+ Cinema channel, giving them access to even more great movies as part of their subscription. HBO Max included with Sky Sky has expanded its partnership with Warner Bros. Discovery to continue bringing HBO shows and Warner Bros. movies to Sky and NOW customers through HBO Max, available from 26th March. Sky Stream and Sky Glass customers with Ultimate TV, and Sky Q customers will get HBO Max Basic With Ads included as part of their Sky subscription. Serving up unmissable HBO drama, including fan-favourite shows like Succession and The Wire, as well as new productions like the 2025 Emmy and Critics' Choice Award-winning Max Original The Pitt, and a selection of Warner Bros. movies. Sky+ customers will also be a...

Resultados de Mapfre y vistazo a compañías como Iberdrola, Amadeus, Merlin, Sacyr y Greenergy. Con Ignacio Cantos, director de inversiones de ATL Capital

Mapfre, Iberdrola, Merlin, Amadeus y HBX, bajo la lupa de José Lizán, Gestor de Reto Magnum Sicav en Quadriga Asset Managers.

Hacemos balance del día en la bolsa española de la mano de Carlos Ladero, director de cliente institucional en ActivoTrade: ArcelorMittall, Endesa, Iberdrola, Enagás, Aena, Amadeus y Logista.

Antonio Castelo, analista de iBroker, repasa lo más destacado de la bolsa española con vistazo a ArcelorMittal, Rovi, Amadeus y Sabadell.

Wes & Erin continue their discussion of Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag’s “On Photography.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Jeden z nejpopulárnějších českých herců současnosti se ohlíží za stěžejními momenty svého života. Za úspěchy i za momenty nejistoty a pochybností… V audioportrétu Jitky Škápíkové zaznívají ukázky z inscenací Divadla na provázku Bratři Karamazovi (1981), Příběhy dlouhého nosu (1981), Balada pro banditu (1975), Amadeus, tj. Milovaný Bohem (2014), z představení Národního divadla Strýček Váňa (1990) a z TV inscenace Gazdina roba (1971).Všechny díly podcastu Blízká setkání můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

[School of Movies 2026] For this episode we were lucky enough to be able to bring in stand-up comedian and 18th Century history nut Jenny Zigrino. We gave Jenny free reign on the choice of movie to talk about and she went for her favourite; the story of the greatest composer who ever lived, Wolfgang Amadeus Mozart. This masterpiece, directed by Milos Foreman and based on a 1979 stage play swept the Oscars in 1985 and if you've never had the pleasure you'll soon find out why. You can find Jenny's standup material easily on YouTube, and check out her website where she is currently fundraising for her next show: https://www.jennyzigrino.com/ It was an absolute pleasure to have her on. And for fans of irevenrent sexy alternate history I also showcase one of my own personal favourite projects, The Princess Thieves, the audiodrama of which can be found here: https://newcentury.bandcamp.com/ Guest: Jenny Zigrino

Charles Acknin is Co-Founder and CEO of Skyways.  Skyways is building unmanned aircraft systems designed to revolutionize autonomous cargo transportation. Unlike many competitors still in development, Skyways' aircraft are operational today — carrying meaningful payloads over significant distances for both military and commercial customers. Based in Austin, Skyways is now shifting toward mass production of its autonomous aircraft, building confidence through real-world cargo missions that could ultimately enable future passenger applications. At Skyways, Charles leads the company's strategic vision and oversees operations, product development, and growth initiatives in autonomous aviation. Prior to Skyways, Charles co-founded and served as CEO of Elixir Labs. Before that, he was a Senior Software Engineer at Google, where he worked on the company's search engine for nearly five years and spent a year advancing Google's mission of universal accessibility. Earlier in his career, Charles held engineering roles at Oracle, Cosworld-Asia in Shanghai, and Amadeus. He also participated in Google Summer of Code, contributing to the open-source version control system Subversion. Charles holds a Master of Science in Software Engineering from Oxford Brookes University and a Master of Science in Computer Science from SUPINFO. In this episode of the Drone Radio Show, Charles shares how Skyways is turning autonomous cargo drones from experimental technology into dependable, scalable logistics systems.

Dorene Discovers - Amadeus at the Skylight Musical Theater (2/4/26) by 96.5 WKLH

Wes & Erin continue their discussion of Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag’s “On Photography.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Don and Dude keep the “I Love the 80s” tour rolling into 1984, when country music drifted back toward rootsy storytelling while heavy metal hit MTV in full glam mode. One of us spins a mother–daughter country debut rooted in acoustic instruments, Appalachian harmonies, and front‑porch intimacy, while the other cranks a Sunset Strip glam‑metal breakthrough of twin‑guitar riffs and big, arena‑ready hooks. Together, the albums show how 1984's country and metal both chased the mainstream yet stayed grounded in specific worlds: Kentucky kitchens and family conversations on one side, Hollywood alleys and neon‑lit clubs on the other.The AlbumsThe Judds – Why Not Me (1984) Naomi and Wynonna Judd's debut full‑length turns years of hard knocks and Nashville hustling into a lean set of neotraditional country songs that feel both radio‑ready and personal. Producer Brent Maher keeps the sound warm and spare, letting their harmonies carry stories of underdog longing, steady devotion, and working‑woman joy that helped nudge country back toward front‑porch intimacy.Ratt – Out of the Cellar (1984) Ratt's major‑label debut is a hook‑packed glam‑metal statement, mixing Sunset Strip grit with big choruses and Beau Hill's punchy production. Powered by Warren DeMartini and Robbin Crosby's dual guitars and Stephen Pearcy's raspy sneer, it turned “Round and Round” into an MTV staple and helped lock in the sound and look of mid‑80s glam metal.Diggin' AlbumsMegadeth – Megadeth (2026) Billed as their final studio album, this set folds classic Megadeth riffage into more reflective songs about age, legacy, and closing a long thrash chapter.Tina Turner – Private Dancer (1984) A towering comeback that blends rock grit, pop hooks, and R&B drama, anchored by a run of hits and Tina's mix of scars, power, and polish.PVA – No More Like This (2026) The London trio's second album pushes their dance‑punk into more tactile, exploratory territory, blurring club, bedroom, and art‑school energies.Squeeze – Trixies (2026) Squeeze finally cut songs first written in 1974, turning old cassette‑era ideas into a nightclub‑set concept piece full of wry, grown‑up pop storytelling.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“This was a music I had never heard. Filled with such longing, such unfulfillable longing. It seemed to me that I was hearing the voice of God.” – Antonio Salieri, played by F. Murray Abraham in 1984's Amadeus.

Mike and Christian, along with special guest host Nat, tackle this oscar-winning movie about music that is so far from their usual nostalgic takes on forgotten classics that it's like a different podcast. Join the group as we attempt to intelligently dissect this movie about a guy and his tunes

In this episode of Chronicles, Luca is joined by Josh to discuss Amadeus by Peter Shaffer. They explore the play's compelling rivalry between Mozart and Salieri, and the themes of genius, envy and mediocrity.

Wes & Erin continue their discussion of Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

Brutus is an honorable man, but Caesar is Caesar: at the beginning of Shakespeare's play, his name is near the point of becoming synonymous with dictatorial power, and his every wish, as Mark Antony points out, has the substance of a command. For the rebels who oppose him, this identification of political authority with personal will is a perversion of republican institutions, and a form of corruption that justifies any means of putting an end to it, even if that means killing a friend. Yet Brutus's conception of himself as unflaggingly virtuous is one he in fact shares with Caesar, and perhaps reflects the same authoritarian tendency, in grounding the legitimacy of political action in the character of a particular actor. Then again, it is not clear that democratic institutions will always forestall authoritarian tendencies, rather than enable the masses to sanction absolute power in a charismatic leader. Wes & Erin discuss Shakespeare's “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website