Podcasts about Amadeus

It's Kristen's birthday month and she decided to celebrate with the biggest (fake) rock band of all time. Kristen, Emily, and guest Alan Cerny sit down to talk This is Spinal Tap, the way it plays with the documentary format, and try hard not to spend the whole time quoting it.   Next Time: We unintentionally spend September in the year 1984 so we're looking at (another) musical feature, the Milos Forman classic biopic Amadeus. Be sure to follow us via social media at @ticklish_biz on X and @ticklishbiz everywhere else. Also like and subscribe to us on all podcast apps and, if you love us, leave us a review. Find Kristen and Emily's books wherever you buy books. Kristen's latest, ⁠Popcorn Disabilities⁠, is available to pre-order now before it releases on November 13th!     •    Love T shirts, pins, and other merch? ⁠The merch shop is live⁠!      •    ICMYI, the best way to support Ticklish Biz is to ⁠become a Patron⁠:     •    ⁠Follow Emily's Instagram⁠    •    ⁠Follow Kristen's Instagram⁠ This episode was created thanks to our Patrons: Ali Moore Danny David Floyd Gates mcf Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Jacob Haller Peter Blitstein Peter Bryant Reyna Moya-James Bridget M. Hester Cat Cooper Daniel Tafoya David Baxter Diana Madden Harry Holland Jamie Carter Karen Yoder Lucy Soles Nick Weerts Patrick Seals Richard Silver Rosa Learn more about your ad choices. Visit megaphone.fm/adchoices

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

Vistazo a la opa BBVA - Sabadell, a IAG y a Amadeus con Álvaro Blasco, de atl Capital.

"Reel Faith: Amadeus" (8-24-2025) - Rev. Mike Graves by Country Club Christian Church Sermons

BONUS: The Platform-as-Product Revolution: How to Turn Your Biggest Cost Center Into Your Secret Weapon With Alvaro Lorente In this BONUS episode we explore a topic that's creating a lot of discussion—and sometimes confusion—in the software community: Platform Teams vs DevOps. In this conversation, we dive into Alvaro Lorente's journey from delivery teams to platform leadership, exploring how to treat platforms as products, avoid common pitfalls, and build bridges between engineering and product leadership. The Evolution from DevOps Role to Platform Team "DevOps is a culture, not a role." Alvaro's journey into platform work began when he joined a company where the infrastructure team was left behind and struggling with traditional DevOps approaches. Initially, they had a single DevOps person who became a bottleneck rather than an enabler. This experience highlighted a fundamental misunderstanding that many organizations face—treating DevOps as a job title rather than a cultural shift toward collaboration and shared responsibility. The team experimented with a "DevOps buddy" approach, placing experienced individuals within each delivery team, before eventually consolidating into a dedicated platform team with the clear intention of treating it as a product-focused unit. Platform as a Product: A Scaling Strategy "Platform as a product is a scaling strategy. Look for common problems that you can then solve once, and serve many." The concept of treating platforms as products emerged from recognizing that feature delivery teams have continuity and ongoing needs that a platform team should serve. Rather than solving their own problems first, successful platform teams focus on making other teams' work easier and more comfortable while managing costs effectively. This approach requires identifying common problems across multiple teams and creating solutions that can be implemented once but serve many. The key insight is that platform teams exist to facilitate the delivery of value in a scalable way for other teams, not to pursue their own technical interests. Understanding Your Customer and Validating Value "I want to see platform team members talking to their customers. Understand their pains, and what they struggle with." Effective platform teams operate like any other product team by actively listening to their customer-teams rather than pushing ideas onto them. This means platform team members should regularly engage with their internal customers to understand pain points and struggles. Success requires defining clear KPIs for the platform and focusing on the quality of deliverables including release notes, demos, bug fixing processes, and feature prioritization. The validation comes from observing whether teams willingly adopt platform features rather than being mandated to use them. Building Bridges with Product Leadership "Focus on the key impact and value that the platform team can bring to the company." Making the case for investing product talent in platform teams requires demonstrating concrete business value. This includes quantifying how many incidents are being resolved faster or prevented entirely, and highlighting the money saved through internal platform development versus external solutions. Platform work offers excellent growth opportunities for Product Owners, serving as a training ground for product thinking and stakeholder management. The focus should always be on measurable impact rather than technical complexity. Avoiding Common Platform Team Traps "Don't just start working on what you think is important! Start with the Product process, listen to the client-teams, and help them directly." When standing up a platform team, several critical mistakes can derail success. The most important trap to avoid is immediately diving into what the platform team thinks is important without first understanding customer needs. Platform teams should resist delivery pressure that might compromise quality and never mandate adoption of their features—teams should want to use what the platform provides. Treating the platform as a genuine product with quality standards is essential, and leaders should view the creation of a platform team as the beginning of a change management process rather than just a technical reorganization. Resources and Continuous Learning "One size does NOT fit all!" For teams looking to improve their platform work, Alvaro recommends Camille Fournier's work on platform teams and resources focused on "The value of product thinking in platform teams." The key is to get experiments running within your team and recognize that there's no universal solution—each organization must find its own path based on its unique context and needs. About Alvaro Lorente Currently Director of Engineering at Voxel (an Amadeus company), Alvaro is a software engineer who has grown in the people leadership path, experimenting with everything from product development to startups and open source projects. He embraces the idea of being a jack of all trades, helping wherever needed to drive value and impact. You can connect with Alvaro Lorente on LinkedIn and follow his insights through his Substack newsletter titled Leads Horizons.

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY WHICH WILL DISTURB SOME LISTENERS.  TGTPTU returns to its regularly scheduled Squib Games (S15) with the earlier of its latest temporal pincer movement pairing, TO LIVE AND DIE IN LA (1985).  Directed by William Friedkin, this is another Big Willie movie but not a Wyler: the second William has the credited surname of Peterson and this is his first film. William Peterson was so new to film acting that he called his fellow Chicagoan thespian buddy John Malkovich to see what he should quote as his asking price to play the lead character of Richard Chance, a thrill-seeking Secret Service agent who'll lose his partner only days from retirement (red-shirted partner's, not Chance's) and will get a new partner in John Pankow's Agent John Vukovich to pervert in his (Chance's) vengeful pursuit of a counterfeiter played by Willem Dafoe. (Next year Peterson would play another officer of the law in Manhunter as covered during TGTPTU's Mann Aged Season {S5,E5}; as an EPISODE CORRECTION Pankow did not portray Wolfgang Amadeus Mozart in Miloš Forman's film Amadeus but had done so at the Broadhurst Theatre, replacing Tim Curry.)  Because it's a Friedkin flick, there's an epic car chase meant to top The French Connection; because it's shot from a Friedkin script (adapted from a novel by former Secret Service agent Gerald Petievich, who receives a cowriting credit), there was a lot of improvisation on set driven by the actors, with both the ending and opening scenes re/written during shooting. Mentioning actors, the film is stacked with supporting roles by Dean Stockwell, John Turturro (who'll get more mention later in Season 15), and the Michael Mann-created film noir for television Crime Story's very own Darlanne Fluegel (listen back to S5,E6 for insights on this TV series).   TGTPTU hosts become split on the merits of the film. Thomas describes the movie as The Friends of Eddie Coyle (1973) on neon cocaine, but—no spoilers—you'll have to listen to the ep for whether he believes this is a good thing. Also, Jack lets out the three-legged dog and Ryan, while finding it impossible to resist singing the title, has issue with William Pederson. Ken convinces everyone to Wang Chung tonight.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Psalm 24Psalm 46Psalm 87Reading 1: Isaiah 7, 8, 11Reading 2: From a homily by St. Amadeus of Lausanne, bishopSt. Helena Ministries is a registered 501(c)3 non-profit. Your donations may be tax-deductibleSupport us at: sthelenaministries.com/supportPresentation of the Liturgy of the Hours (Divine Office) from The Liturgy of the Hours (Four Volumes) © 1975, International Commission on English in the Liturgy Corporation. The texts of Biblical readings are reproduced from the New American Bible © 1975

Luna und Christoph nehmen euch in dieser herzerwärmenden Episode mit auf eine Reise zu weiteren tierischen Leinwandhelden, die nicht nur Kinderherzen erobert haben! Erfahrt, was hinter den Kulissen der Erfolge von Black Beauty, Ostwind, Amadeus & Sabrina und dem beliebten Keks aus Löwenzahn steckt. Wir verraten, warum oft mehrere talentierte Tiere für eine einzige Rolle zum Einsatz kommen und wie ein ganzes Team aus Trainern und Filmprofis sie durch intensive Ausbildung und Vertrauenstraining zu wahren Stars macht. Lasst euch überraschen, wie diese Fellnasen mit ihrem Können für Magie und unvergessliche Momente auf dem Bildschirm sorgen und echtes Oscar-Potenzial beweisen!

Winner of eight Academy Awards including Best Picture, Miloš Forman's masterpiece tells the story of Mozart through the envious eyes of his rival Salieri. But how did a Czech director come to make a classic Viennese tale? And what's the real story behind "too many notes"?Join John, Westy, and Matt as they dive deep into the making of a theatrical triumph turned cinematic classic. From Peter Shaffer adapting his own stage play to Tom Hulce's rock-and-roll approach to playing Mozart (yes, really), we explore how Forman transformed a Broadway hit into one of cinema's great achievements.We uncover the fascinating production history, including the painstaking recreation of 18th-century Vienna, the decision to film in Prague during the Cold War, and which Hollywood legends (plus a Rolling Stone) were originally considered for the lead roles. Plus, discover how F. Murray Abraham's performance as Salieri became the perfect embodiment of jealousy and genius, and why this film makes you simultaneously want to compose a symphony and maybe poison your neighbour (we don't recommend the latter).This is the story of how one of history's greatest composers became the subject of one of cinema's greatest films—told the way only All The Right Movies can tell it.Telling the story of Hollywood, one movie at a time.Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠⁠⁠

High in Shanghai, don't be so shy: Wir zelebrieren die Jugend, rocken mit Amadeus und lassen Axel F. den Fall lösen – alles klar?

In this multi-part series, we've focused on just one movie to explore a key idea in film studies. But this one choice means we've left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “Amadeus (Director's Cut)”.***Referenced media in GATEWAY CINEMA, Episode 8A:“Born to Kill” (Robert Wise, 1947)“Dillinger” (Max Nosseck, 1945)“Reservoir Dogs” (Quentin Tarantino, 1992)“The Devil Thumbs a Ride” (Felix E. Feist, 1947)“Withnail and I” (Bruce Robinson, 1987)“Mean Streets” (Martin Scorsese, 1973)“The Babadook” (Jennifer Kent, 2014)Audio quotation in GATEWAY CINEMA, Episode 8A:“Vintage Movie Projector | Sound Effect | Feel The Past Film Industry” by n Beats, https://www.youtube.com/watch?v=JhUICp5XeJ4“Film Clapperboard Green Screen Effect With Sound” by Jacob Anderson, https://www.youtube.com/watch?v=P1sEiCa-yic“Slide projector changing with clicks” by (Soundsnap), https://www.soundsnap.com/tags/slide_projector?page=2

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

Que ce soit en France, au Japon, aux États-Unis... partout autour du globe, la question du métissage suscite le débat, voire déchaine les passions. Pourtant, nos sociétés sont de plus en plus cosmopolites. Au Brésil, par exemple, la population métisse est devenue majoritaire, selon les chiffres du dernier recensement publié en 2022. Quant au Québec, 5% des nouveau-nés avaient un parent natif du Canada et l'autre de l'étranger en 1980 ; cette statistique est passée à 12% en 2023, selon le bilan démographique du Québec. Avoir des origines multiples n'a donc plus rien d'exceptionnel, mais l'identité, l'appartenance n'en sont pas moins des sujets d'actualité. À la fois pour ceux qui demandent « tu viens d'où ? » et pour ceux à qui s'adresse la question. Le besoin de mettre son interlocuteur dans une case semble encore bien présent. Mais pourquoi s'intéresser aux origines de son voisin ? Par curiosité, pour comprendre la différence ou pour l'exclure ? Et comment vivre ses identités multiples quand on est métis ? Cette émission est une rediffusion du 7 avril 2025. Avec Maïka Sondarjee, professeure en Développement international et Mondialisation à l'Université d'Ottawa au Canada. Autrice de Tu viens d'où – réflexions sur le métissage et les frontières ? (Éditions Lux, 2025). En fin d'émission, ♦ un nouvel épisode de notre série Le succès des repats réalisée par Charlie Dupiot. Aujourd'hui, le portrait de Tisya Mukuna, le café à la mode kinoise. Ils et elles sont originaires d'Afrique centrale et ont décidé de rentrer chez eux... C'est le moment du « Succès des Repats » ! Tisya Mukuna 32 ans, est née à Kinshasa. Elle a suivi l'essentiel de sa scolarité en France, entre la Normandie et Paris où elle a fait une école de commerce. Après un master en négociation des affaires en Chine, à Shanghai, elle a travaillé chez Microsoft, pour des agences de publicité ou encore une succursale de magasin bio. Il y a six ans, Tysia Mukuna décide de rentrer en République démocratique du Congo pour lancer sa marque de café, « La Kinoise ». Notre reporter Charlie Dupiot l'a rencontrée chez elle à l'automne 2024, dans son appartement de Kinshasa. ♦ un reportage de Tom Malki qui s'est rendu à l'exposition Game Story à Versailles en banlieue parisienne. L'exposition retrace 70 ans d'histoire du jeu vidéo. Une plongée dans l'histoire du jeu vidéo. L'exposition Game Story qui se tient jusqu'au 16 avril à Versailles, à l'ouest de Paris, vous propose de découvrir la plus grande collection de jeux vidéo et de consoles d'Europe et d'y jouer ! De quoi ravir les enfants, mais aussi les plus nostalgiques. Reportage de Tom Malki. Programmation musicale : ► Jëli – Amadeus feat. Waly B. Seck ► Ils me rient tous au nez – Theodora.

Que ce soit en France, au Japon, aux États-Unis... partout autour du globe, la question du métissage suscite le débat, voire déchaine les passions. Pourtant, nos sociétés sont de plus en plus cosmopolites. Au Brésil, par exemple, la population métisse est devenue majoritaire, selon les chiffres du dernier recensement publié en 2022. Quant au Québec, 5% des nouveau-nés avaient un parent natif du Canada et l'autre de l'étranger en 1980 ; cette statistique est passée à 12% en 2023, selon le bilan démographique du Québec. Avoir des origines multiples n'a donc plus rien d'exceptionnel, mais l'identité, l'appartenance n'en sont pas moins des sujets d'actualité. À la fois pour ceux qui demandent « tu viens d'où ? » et pour ceux à qui s'adresse la question. Le besoin de mettre son interlocuteur dans une case semble encore bien présent. Mais pourquoi s'intéresser aux origines de son voisin ? Par curiosité, pour comprendre la différence ou pour l'exclure ? Et comment vivre ses identités multiples quand on est métis ? Cette émission est une rediffusion du 7 avril 2025. Avec Maïka Sondarjee, professeure en Développement international et Mondialisation à l'Université d'Ottawa au Canada. Autrice de Tu viens d'où – réflexions sur le métissage et les frontières ? (Éditions Lux, 2025). En fin d'émission, ♦ un nouvel épisode de notre série Le succès des repats réalisée par Charlie Dupiot. Aujourd'hui, le portrait de Tisya Mukuna, le café à la mode kinoise. Ils et elles sont originaires d'Afrique centrale et ont décidé de rentrer chez eux... C'est le moment du « Succès des Repats » ! Tisya Mukuna 32 ans, est née à Kinshasa. Elle a suivi l'essentiel de sa scolarité en France, entre la Normandie et Paris où elle a fait une école de commerce. Après un master en négociation des affaires en Chine, à Shanghai, elle a travaillé chez Microsoft, pour des agences de publicité ou encore une succursale de magasin bio. Il y a six ans, Tysia Mukuna décide de rentrer en République démocratique du Congo pour lancer sa marque de café, « La Kinoise ». Notre reporter Charlie Dupiot l'a rencontrée chez elle à l'automne 2024, dans son appartement de Kinshasa. ♦ un reportage de Tom Malki qui s'est rendu à l'exposition Game Story à Versailles en banlieue parisienne. L'exposition retrace 70 ans d'histoire du jeu vidéo. Une plongée dans l'histoire du jeu vidéo. L'exposition Game Story qui se tient jusqu'au 16 avril à Versailles, à l'ouest de Paris, vous propose de découvrir la plus grande collection de jeux vidéo et de consoles d'Europe et d'y jouer ! De quoi ravir les enfants, mais aussi les plus nostalgiques. Reportage de Tom Malki. Programmation musicale : ► Jëli – Amadeus feat. Waly B. Seck ► Ils me rient tous au nez – Theodora.

Today, I'm thrilled to announce my interview with Oscar nominee Mary Elizabeth Mastrantonio. Tune in to hear some of the stories of her legendary career, including her unconventional path to WEST SIDE STORY, how THE HUMAN COMEDY fulfilled a childhood dream, what Brian De Palma taught her during SCARFACE, the thrill of singing SUNDAY IN THE PARK WITH GEORGE, how AMADEUS inspired her to take acting lessons, why Aldonza in MAN OF LA MANCHA is a thankless role, dancing for Jerome Robbins, how THE MARRIAGE OF FIGARO changed courses in rehearsal, why THE KNIFE was ahead of its time, her relationship with Joseph Papp, how she almost starred in KISS ME, KATE, the extended rehearsal process for THE COLOR OF MONEY, how theater is different in London, balancing jet lag with LAW AND ORDER, how Roger Rees led the company of THE WINSLOW BOY, and so much more. Don't miss this candid conversation with a star of stage and screen.

Eine mysteriöse Begegnung eröffnet Manni ungeahnte Chancen – doch alles hat seinen Preis!

Los futuros de los índices bursátiles estadounidenses adelantan apertura en verde. La elección temporal de un nuevo gobernador en la Reserva Federal alimenta mñas las expectativas de una política más dovish en el futuro. Trump va a nominar a Stephen Miran, presidente del Consejo de Asesores Económicos, para que sustituya a la gobernadora Adriana Kugler. El Nasdaq y el S&P 500 van camino de cerrar su mejor semana en más de un mes, impulsados por las compañías tecnológicas tras los indicios de que podrían eludir los nuevos aranceles sobre los chips construyendo más en Estados Unidos. Aparte de los valores tecnológicos, la renta variable se ha beneficiado de un fuerte reajuste de las expectativas de tipos y de un aluvión de beneficios positivos. La herramienta FedWatch de CME muestra que los operadores ven un 90% de probabilidades de que el primer recorte de tipos del año se produzca el mes que viene. Trade Desk, Pinterest y Microchip Technology son los valores protagonistas. En Bolsa española, y dentro del Ibex 35, las mayores subidas son para BBVA, Merlin Properties y Unicaja. Los que más caen son Indra, Naturgy y Amadeus. En el análisis, hacemos balance de la semana con Antonio Castelo, de Ibroker.

Is Amadeus really about Mozart—or Satan's fall from grace? Kathryn Laffrey and Alix Murray break down genius, envy, and divine music in the 1984 film. A chilling study of pride and the sacred. The post Amadeus (1984) appeared first on StarQuest Media.

Merriam-Webster's Word of the Day for August 5, 2025 is: contentious • kun-TEN-shuss • adjective Contentious describes something that is likely to cause people to argue or disagree or that involves a lot of arguing. When used of a person, contentious describes someone likely or willing to argue. // I think it's wise to avoid such a contentious topic at a dinner party. // After a contentious debate, members of the committee finally voted to approve the funding. // The dispute involves one of the region's most contentious leaders. See the entry > Examples: “Next up will be Peter Shaffer's ‘Amadeus,' which opened in 1979 and won the Tony for best play in 1981 with Ian McKellen winning lead actor honors. ... The story is a fictional account of the contentious relationship between Wolfgang Amadeus Mozart and his rival, Antonio Salieri, the court composer of the Austrian emperor.” — Jessica Gelt, The Los Angeles Times, 12 June 2025 Did you know? If everyone has a bone to pick now and then, contentious types have entire skeletons. While English has plenty of words for people prone to fighting—combative and belligerent among them—contentious implies a fondness for arguing that others find particularly tedious or wearying. Thankfully, even the most contentious cranks and crabs among us have no cause to quibble over the history of the word contentious, as its origins are very clear: contentious comes (by way of Middle French) from the Latin adjective contentiōsus, meaning “persistent, obstinate, argumentative, or quarrelsome.”

Amadeus expects its new partnership with Google Flights and Google Cloud to enhance its airline business by integrating advanced AI tools into its Nevio platform, following a previously failed alliance with ITA Software. Skift Research's latest U.S. Traveler Trends report shows a surge in American travel, with AI tools like ChatGPT playing a growing role in how people plan and book trips, while direct bookings decline and OTAs rebound. Meanwhile, Booking Holdings reports strong ad performance on Google and a 25% year-over-year increase in social media marketing spend, signaling a shift in digital travel advertising strategy. Don't Count Out Google Travel Search – Booking.com Still Sees Gains Amadeus and Google Join Forces — Again — To Bolster Flights Business U.S. Traveler Trends 2025: More Social Media and AI, a Rebound for Online Travel Agencies Connect with Skift LinkedIn: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/skift/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WhatsApp: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatsapp.com/channel/0029VaAL375LikgIXmNPYQ0L/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://facebook.com/skiftnews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/skiftnews/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@skiftnews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/skiftnews.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/skift⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SkiftNews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and never miss an update from the travel industry.

José Escudero, analista de Kau Markets y Zona Value, analiza con lupa el BBVA, Fluidra, ArcelorMittal, Amadeus, Merlin Properties y Técnicas Reunidas.

Roberto Moro, de Apta Negocios, analiza los valores de Repsol, Fluidra, Sabadell, Netflix, Santander y Amadeus, entre otros

Tonight... On the North American Friends Movie Club.A flawed genius.A jealous rival.And the biggest wigs and hats a human skeleton can sustain.We watched the 1984 period biographical drama film - AmadeusSo slip on a pair of shoes with one big buckle. And take your revenge against a cruel and uncaring god.Because we're the Mozarts of podcasts and our new song starts right now. Hosted on Acast. See acast.com/privacy for more information.

Transforming Hospitality with AI: Insights from Hivr.ai and Amadeus Ventures In this episode of the Travel Tech series, we are discussing with Suzanna Chiu, Head of Amadeus Ventures and Felix Undeutsch, CEO and co-founder of Hivr. about the continuous transformation of the travel industry, Hivr's mission to automate manual processes in hotels, and the strategic investment by Amadeus Ventures. Tune in to this episode to understand: How Hivr is transforming the hospitality industry with AI What Amadeus Ventures looks for when making strategic investments   Speakers: Suzanna Chiu, Head of Amadeus Ventures  Felix Undeutsch, CEO and co-founder Hivr What can we expect in this next exciting chapter of our industry? Tune in to find out. To stay up to date on the latest news from Amadeus, and to catch the next episodes in our series, check out the Resource section on our website or follow us on Spotify or Apple podcasts.

What stood out on the HITEC 2025 show floor? What trends will shape hospitality's next wave of innovation? And what does it mean for your hotel? In this episode of dojo.live, we're joined by Katie Moro, Vice President of Data Partnerships at Amadeus Hospitality, for a post-HITEC 2025 debrief that goes beyond the booth to explore what's truly shaping the future of hotel tech. From AI-driven commercial alignment to traveler personalization trends, Katie unpacks the technologies and insights that stood out across the show floor and what they actually mean for hotel operators right now.Joined by Shridhar Padmanabhan, Encora's VP of Travel and Hospitality, this conversation also dives into how hospitality leaders can move from innovation fatigue to smart, scalable adoption. Whether it's making sense of rising guest expectations, turning market-level data into action, or filtering the noise around AI, Katie and Shridhar bring a grounded yet forward-looking lens to what hotels should prioritize next.About Katie MoroKatie Moro is a veteran of the hospitality industry and a pioneer in hospitality demand data. She joined TravelClick (now an Amadeus company) in 2011 and is responsible for the global expansion of Demand360©, the hospitality industry's only and most comprehensive forward-looking data tool designed to help hotels maximize their revenue.Previously, Katie led a major accounts sales team at Rubicon, a provider of competitive market intelligence to the travel and hospitality industry and held sales roles at Morgans Hotel Group and Ritz-Carlton Hotel Company.Katie was named by Hotel Management Magazine as one of 2018's Influential Women in Hospitality. In 2020, Katie joined the board of the Hospitality Sales and Marketing Association International (HSMAI). Katie holds a Bachelor of Arts degree from The University of Georgia.About Shridhar PadmanabhanShridhar Padmanabhan is VP of Travel & Hospitality @ Encora Inc. He is known for his empathetic leadership style and ability to build strong, trust-based partnerships with clients and stakeholders. With a deep background in sales and business development across the Travel & Hospitality sector, he brings a strategic mindset to solving complex challenges at scale. His focus on collaboration and innovation helps organizations drive meaningful transformation and measurable results.

Schwarze Fräcke auf der Bühne - und ergraute Köpfe im Parkett? Wird in klassischen Konzerten irgendwann niemand mehr husten, weil sich zum älteren Publikum kein jüngeres hinzugesellt und es dann irgendwann leer wird im Konzertsaal? Das wäre schade um so viele atemberaubende, anrührende und mitreißende Melodien. Und es wäre schade um viele Generationen, die dann von diesen Meisterwerken nichts mehr mitbekämen. Ein brillantes Orchester kann brillante Musik - so alt sie auch sein mag - in jedem Augenblick spielend wieder auferstehen lassen. Und die Klänge dieser Musik können ihr Publikum mit derselben Frische erreichen, mit der sie einst komponiert wurden. Die Musik ist so lebendig wie die Menschen, die sie spielen, voller Leidenschaft, Liebe, Wut oder Trauer. Aber wie kann ihr Götterfunke überspringen, gerade auch auf junge Leute? Was lockt Menschen „back to Bach“? Wie funktioniert Tschaikowski auf TikTok? Und kann Amadeus auch heute noch rocken? Hören wir dazu den jungen Pianisten Louis Philippson, den Intendanten des Rheingau-Musikfestivals Michael Herrmann, den Dramaturgen des hr-Sinfonieorchester Andreas Maul und Tobias Kämmerer, Moderator der Spotlight-Konzerte des hr-Sinfonieorchesters. Podcast-Tipp, heute mal für die ganz jungen und Jung-Gebliebenen unter Ihnen: Das Geheimnis - Musikalische Rätsel und Krimis zum Mitraten Rätselkrimis für Kinder: Welche unbekannte Macht hat die Zauberflöte gestohlen? Wozu braucht ein Werwolf die Mondscheinsonate? Und wo kommt eigentlich diese gruselige Stimme her? Bei uns wird jede Woche ein neuer, spannender Rätselfall gelöst. Musik spielt immer eine Rolle. Und das Beste ist: Ihr könnt bei allen geheimnisvollen Abenteuern mitraten. https://www.ardaudiothek.de/sendung/das-geheimnis-musikalische-raetsel-und-krimis-zum-mitraten/urn:ard:show:2f55dd7fdf9023b3/

This episode we catch up to 1985 and evaluate the 5 films from 1984 nominated for Best Picture at the Oscars. It's been a while since the last episode, but to make up for it, it's a bit longer than usual? Anyway, this will be the last decade in series that we look at for now since we've already done an episode on the Best Picture nominees from 1995, 2005, and 2015. As always, beware of the fearsome spoiler that lurks throughout, and enjoy!00:10 Introduction04:27 A Soldier's Story18:25 Places in the Heart27:40 A Passage to India45:39 The Killing Fields54:26 Interlude about ranking nominees by vote totals (Bob was right in his gut reaction: voting results are not made publicly available)55:51 Amadeus01:09:45 Films from this year featured in other episodes of our podcast: Indiana Jones and the Temple of Doom, Star Trek III, The Terminator, Dune, Blood Simple01:14:40 Random odds and ends to concludeIntro and Outro music excerpted without alteration other than length and volume from AcidJazz by Kevin McLeod under a Creative Commons (CC BY 3.0) license: ⁠https://creativecommons.org/licenses/by/3.0/legalcode

Europe is gearing up for a packed summer travel season — but where is demand rising fastest, and what does it mean for destinations, airlines, and travel marketers? In this episode, we speak with Olivier Ponti from ForwardKeys (an Amadeus company) to unpack the latest data and trends shaping European travel this summer. From top-performing destinations and changing booking patterns to air capacity shifts and traveller behaviour, Olivier shares fresh insights that help make sense of the current travel landscape. Whether you're a DMO, airline, or part of the wider tourism industry, this episode offers practical takeaways on how to stay ahead of fast-moving market dynamics and shifting traveller preferences.

In the 1980's seeing the Orion Pictures logo before a movie meant you were about to watch a quality film. Oscar winners like "Amadeus" and "Platoon" were joined by genre defining movies like "Robocop" and "Terminator" in the Orion Pictures family. The problem was that many of these movies were not making any money, and very soon Orion Pictures was doomed to bankruptcy.Join Ty and RD as they look back and discuss the past, and new future, for Orion Pictures.Download the podcast for free.

In this episode, Wedding chaos erupts as Any reveals secrets to her family, Greg faces scheduling issues, Juan surprises Jess with demands, Sarper disappears (but is immediately found in the Valley by Miles), Mina receives shocking news during Shawn and Alliya's disrupted day and much more!If you like the showConsider supporting usClick the links below!Join our livestreams on Twitchhttps://www.twitch.tv/420dayfianceJoin our Discord serverhttps://discord.gg/pr6wE9sK64Gain access to The Vault and morehttps://open.acast.com/public/patreon/fanSubscribe/6354533Buy our merch!https://www.420dayfiance.com/merch Hosted on Acast. See acast.com/privacy for more information.

Today, I'm thrilled to announce my episode with Broadway veteran Sally Murphy, who will recreate her role as Julie Jordan in Carousel my next Backstage Babble Live! concert on Monday, July 7 at 7 PM. In-person and livestream tickets are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-4/ Tune in to hear some of the stories of her legendary career, including observing the audience reaction at AUGUST: OSAGE COUNTY, a fateful audition for ASSASSINS, how Nicholas Hytner guided her during CAROUSEL, performing without speaking in THE WILD PARTY, keeping up THE MINUTES during the pandemic, working with Sheldon Harnick and Jerry Bock on FIDDLER ON THE ROOF, backstage games during A MAN OF NO IMPORTANCE, her upcoming role in AMADEUS, the challenges of starring in LINDA VISTA, being mentored by Lois Smith during THE GRAPES OF WRATH and beyond, telling a true story in BRUTAL IMAGINATION, and so much more. Don't miss this expansive conversation with one of Broadway's best actresses.

Wie sieht die Zukunft der Musik aus? Wer kann mitmachen? Wie prägt und formt Musik eine Gesellschaft? Fragen, die sich Boris Matchin und Amadeus Tempelton gestellt haben. Beide sind Musiker, beide spielen Cello und beide sind davon überzeugt, dass Musik die Welt verändert. Also haben sie TONALi gegründet, zunächst als Instrumentalwettbewerb, inzwischen kooperieren sie mit großen Konzerthäusern, Festivals, Hochschulen und Universitäten. TONALi will junge Menschen für Musik begeistern, Talente fördern, Räume für ein kreatives Miteinander schaffen. 15 Jahre besteht TONALi. Über die Anfänge, die Idee, das Programm sprechen die beiden Musiker und Gründer von TONALi mit Friederike Westerhaus in NDR Kultur à la carte.

How can AI and data-driven insights help hotels meet rising traveler expectations—without overwhelming their teams?In this episode of dojo.live, we sit down with Katie Moro, Vice President of Data Partnerships at Amadeus Hospitality, live from the HITEC 2025 show floor. The conversation explores how AI is reshaping hotel operations through tools like Demand360 and MeetingBroker, enabling everything from smarter forecasting to automated RFP handling. Katie also unpacks key findings from the Amadeus “Travel Dreams” report, offering a window into what today's travelers really want—and what they're willing to pay for. Together, we connect the dots between evolving guest expectations and scalable personalization, highlighting what still stands in the way and how hotels can close that gap. If you're navigating the intersection of innovation and operations, this episode is one you won't want to miss.Katie Moro is a veteran of the hospitality industry and a pioneer in hospitality demand data. She joined TravelClick (now an Amadeus company) in 2011 and is responsible for the global expansion of Demand360©, the hospitality industry's only and most comprehensive forward-looking data tool designed to help hotels maximize their revenue.Previously, Katie led a major accounts sales team at Rubicon, a provider of competitive market intelligence to the travel and hospitality industry and held sales roles at Morgans Hotel Group and Ritz-Carlton Hotel Company.Katie was named by Hotel Management Magazine as one of 2018's Influential Women in Hospitality. In 2020, Katie joined the board of the Hospitality Sales and Marketing Association International (HSMAI). Katie holds a Bachelor of Arts degree from The University of Georgia.Want to see what's shaping traveler expectations in 2025 and beyond? Explore the latest insights in Amadeus' Travel Dreams report.About Katie MoroAdditional Resources

Send us a textLinking the Travel Industry is a business travel podcast where we review the top travel industry stories that are posted on LinkedIn by LinkedIn members.  We curate the top posts and discuss with them with travel industry veterans in a live session with audience members.  You can join the live recording session by visiting BusinessTravel360.comYour Hosts are Riaan van Schoor, Ann Cederhall and Aash ShravahStories covered on this session include -Air France-KLM, Delta Air Lines, Virgin Atlantic and IndiGo (InterGlobe Aviation Ltd) announce an extensive partnership.Air France-KLM also took it further in a partnership deal with Riyadh Air | طيران الرياض.Amadeus makes an investment in Acai Travel, who provides AI driven services to TMCs and OTAs.Uber acquires Denmark's largest taxi operator, Dantaxi.Virgin Australia launch their highly anticipated IPO.The government of Norway sell their remaining stake in Norwegian.Iberia looks outside the industry and turns to Amazon Web Services (AWS) to "accelerate their digital transformation".You can subscribe to this podcast by searching 'BusinessTravel360' on your favorite podcast player or visiting BusinessTravel360.comThis podcast was created, edited and distributed by BusinessTravel360.  Be sure to sign up for regular updates at BusinessTravel360.com - Enjoy!Support the show

THE FINAL CHAPTER BEFORE LIVE ACTION!! How to Train Your Dragon: The Hidden World Full Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! With Dreamworks' Live Action Reimagining of the Original How to Train Your Dragon in theaters now, Aaron & John return to Berk ONE more time to give their How to Train Your Dragon 3 Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Aaron Alexander & John Humphrey as they return to Berk for DreamWorks' epic trilogy finale How to Train Your Dragon: The Hidden World (2019). Now chief and dragon rider, Hiccup Horrendous Haddock III (Jay Baruchel, Entourage, This Is the End) struggles to build a peaceful dragon utopia while fending off the ruthless dragon hunter Grimmel (F. Murray Abraham, Amadeus, The Grand Budapest Hotel). Alongside him, fearless Astrid Hofferson (America Ferrera, Ugly Betty, Onward) leads the dragon patrol, and Hiccup's father Stoick the Vast (Gerard Butler, 300, Olympus Has Fallen) returns in flashback to guide his son. Gobber (Craig Ferguson, The Late Late Show), Fishlegs (Christopher Mintz-Plasse, Kick-Ass), Snotlout (Jonah Hill, Superbad), and Ruffnut (Kristen Wiig, Bridesmaids) supply comic relief and heart. A-A-Ron & Johnald break down every soaring highlight—from the breathtaking reveal of the Hidden World's bioluminescent caverns and Hiccup's first encounter with the elusive Light Fury, to the thrilling “Titan Wing” escape and the climactic showdown where Toothless and the Light Fury defend their nest against Grimmel's armada. Don't miss the emotional “farewell” moment that cements the bond between Hiccup and Toothless as they lead the last dragons to freedom. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

HILARIOUS & AHEAD OF ITS TIME!!! Last Action Hero Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Last Action Hero Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Coy Jandreau, Aaron Alexander & John Humphrey as they dive into John McTiernan's 1993 meta-action comedy Last Action Hero, starring Arnold Schwarzenegger as larger-than-life LAPD detective Jack Slater (also of Terminator 2, Predator) and Austin O'Brien as ordinary kid Danny Madigan (Jurassic Park III). When Danny's magic movie ticket transports him into the onscreen world of Jack Slater, reality and fiction collide in a tongue-in-cheek parody of action-movie clichés. The film's standout cast includes F. Murray Abraham (Oscar-winner for Amadeus, voice of Mr. Benedict's first alter-ego), Charles Dance (Game of Thrones, Gosford Park) as the ruthless assassin Mr. Benedict, Robert Prosky (Dead Man Walking) as studio head Stan Wielinski, Frank McRae (Die Hard 2) as Slater's talkative partner *Ben, and Anthony Quinn (Zorba the Greek) in a memorable cameo. Don't miss the film-within-a-film spoofs—like the explosive “Jack Slater III” premiere, Slater's skyscraper parachute jump gone hilariously wrong, and Danny's frantic attempts to warn Slater about real-world dangers. Coytus, A-A-Ron, & Johnald break down every iconic moment—from Slater “breaking the fourth wall” to Danny's tear-jerking final scene where fiction and reality finally reconcile. Tune in as Coy, Aaron & John dissect the film's affectionate satire, Schwarzenegger's playful self-parody, and the ultimate question: can you ever truly escape the movies? Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Airbnb says it powered $90 billion in economic activity last year, but what does that really mean for STR managers, local economies, and the future of hospitality? In this episode, we break down the key findings from Airbnb's latest study and spotlight a new panel from Phocuswright Europe revealing how brands like Hyatt, Booking.com, and Amadeus are redefining ‘experiences' to build loyalty and length of stay.Are you new and want to start your own hospitality business?Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Boostly and join the discussion:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to know more about us? Visit our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay informed and ahead of the curve with the latest insights and analysis.

O episódio #603 do Cinem(ação) nos leva direto ao coração da música, da inveja e da genialidade. Rafael Arinelli recebe Pedro Amaro e Diego Quaglia para discutir Amadeus, o clássico de Milos Forman que, mais de 40 anos depois de seu lançamento, continua a nos impressionar.Vencedor de 8 Oscars, Amadeus é muito mais do que uma cinebiografia sobre Mozart. Baseado na peça de Peter Shaffer, o filme mergulha em uma Viena do século XVIII povoada por intrigas, ressentimentos e partituras perfeitas. No centro da narrativa, temos o conflito entre o respeitado Antônio Salieri (vivido por F. Murray Abraham, em performance premiada) e o irreverente Wolfgang Amadeus Mozart (Tom Hulce), numa rivalidade tão fictícia quanto profundamente simbólica.Mas o que faz esse filme atravessar gerações? O episódio explora como Forman subverte as convenções da cinebiografia para colocar no centro da trama temas universais: o peso da mediocridade, a solidão dos gênios e a arte como expressão divina. Tudo isso com uma direção sutil, figurinos luxuosos, uma fotografia barroca e, claro, trilha sonora de tirar o fôlego.Ao longo do papo, refletimos também sobre as liberdades criativas do filme, a construção humanizada dos personagens e como a ficção é usada como espelho da verdade - mesmo que não seja factual. Afinal, é possível odiar alguém por ser tão brilhante quanto você nunca será?Então dá o play e vem com a gente nesse papo profundo e apaixonado por uma das maiores obras do cinema. Porque entender Amadeus é, de certa forma, entender o próprio ato de criar.• 03m21: Pauta Principal• 1h07m27: Plano Detalhe• 1h19m06: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Katia Barga• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• Facebook: https://bit.ly/facebookcinemacao• BlueSky: https://bit.ly/bskycinemacao• Instagram: https://bit.ly/instagramcinemacao• Tiktok: https://bit.ly/tiktokcinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de apenas R$5,00, você terá acesso a vantagens incríveis. E o melhor de tudo: após 1 ano de contribuição, recebe um presente exclusivo como agradecimento! Não perca mais tempo, acesse agora a página de Contribuição, escolha o plano que mais se adequa ao seu estilo e torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Diego): Filme: Prédio Vazio• (Diego): Filme: As Pontes de Madison• (Diego): Série: O Ensaio• (Pedro): Filme: "Amadeus" winning Best Picture• (Pedro): Série: O Estúdio• (Rafa): Newsletter: Rafael SbaraiEdição: ISSOaí

Eric & Serling crack open one of the first movies to crack open The Necronomicon.  How does this film figure into special effects legacies, classic sitcom history, and how does it compare to "Amadeus"?  Find out!Send us a text

Are you ever going to text me?This episode has night mowing.Jason, Jim, and Joseph list some of the best parents on the silver screen.Jason calls "FOUL" on single parenting.Jim destroys a hotel room with his impression of JoBeth Williams.This house is clean.The latest mashup of Dustin Hoffman films: RainDaddyIt even has a time code on it.  And those are difficult to fake.NOOOOOOOOOOOOOOOOOOOO!You would think that having a certain set of skills would include warning your child about the dangers of travelling.Amadeus was a great composer, but a terrible father.Still Magnolia, still dying.Jason Meeker: Genius or neighborhood nuisance? Do you like fried chicken?

LOW-KEY BEST WES ANDERSON?? The Grand Budapest Hotel Full Reaction Watch Along:   / thereelrejects   With The Phoenician Scheme in Theatres NOW, Andrew & Roxy reunite for The Grand Budapest Hotel Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Join Andrew Gordon & Roxy Striar as they step into the pastel-hued halls of Wes Anderson's 2014 masterwork The Grand Budapest Hotel. When legendary concierge M. Gustave H. (Ralph Fiennes, The English Patient, Harry Potter and the Goblet of Fire) is framed for the murder of dowager Madame D. (Tilda Swinton, Michael Clayton, Snowpiercer), young lobby boy Zero Moustafa (Tony Revolori, Dope, The French Dispatch) embarks on a whirlwind quest across the snowy Republic of Zubrowka to clear his mentor's name. Along the way, they're aided by pastry-chef Agatha (Saoirse Ronan, Lady Bird, Little Women), who crafts the iconic Courtesan au Chocolat, and pursued by the vengeful heir Dmitri (Adrien Brody, The Pianist, Midnight in Paris). The stellar ensemble also features F. Murray Abraham (Yuri, Amadeus, Scarface) as the ruthless jailer who leads the prison break; Willem Dafoe (Jopling, Spider-Man, The Lighthouse) as the cold-blooded henchman; Jeff Goldblum (Deputy Kovacs, Jurassic Park, Thor: Ragnarok) as the skeptical prosecutor; Jude Law (The Author, Sherlock Holmes, Fantastic Beasts) as the narrating novelist; and cameos from Bill Murray, Edward Norton, Harvey Keitel, Lea Seydoux, and Owen Wilson. Aaron & Roxy break down every meticulously framed moment—from the snowy Alpine ski chase and the thrilling jail break to the decadent Mendl's pastry montage and the bittersweet final framing device. Don't miss their take on why The Grand Budapest Hotel remains one of the most highly searched and endlessly rewatchable films of the 2010s! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark O'Connell returns to Casual Space to discuss one of the most extraordinary scientific collaborations in human history: the 1957 International Geophysical Year. With his signature wit and storytelling style, Mark takes us on the journey behind his NEW book, The Year Science Changed Everything, revealing how 6,000 scientists from 66 nations put aside political differences to study Earth's greatest mysteries—from the depths of the ocean to the edge of space. Beth and Mark explore the ripple effects of this global effort, including the formation of the Antarctic Treaty, the surprising roots of the Artemis Accords, and what IGY can teach us about tackling today's climate crisis. You'll hear how a Steely Dan song sparked Mark's decades-long curiosity, how scientific rivalries shaped history, and yes—even how a penguin nap could put you in violation of an international agreement. It's part history lesson, part love letter to science, and all kinds of fun. You'll also get a behind-the-scenes look at Mark's next creative project: a comedy script about astronomers Johannes Kepler and Tycho Brahe—think Amadeus meets Knives Out, with a golden nose and planetary motion thrown in.     About Mark O'Connell Mark O'Connell is the author of The Year Science Changed Everything: 1957's International Geophysical Year and the Future of Our Planet, published by Prometheus Books. He also wrote The Close Encounters Man, a biography of astronomer and UFO researcher J. Allen Hynek. In addition to writing books, Mark is a seasoned screenwriter with credits on Star Trek: The Next Generation and Deep Space Nine, and he teaches screenwriting at DePaul University in Chicago.

Die „Aktie des Monats“ ist zurück – und wie! In dieser Ausgabe von echtgeld.tv begrüßt Tobias Kramer gleich zwei Gäste: Matthias Schmitt (Finanzgeschichten.com) und Jonathan Neuscheler (Abilitato.de) stellen jeweils ein Unternehmen vor und erläutern, warum aus ihrer Sicht die Chancen überwiegen. Tobias hat sich nach einem positiven Kundenerlebnis die Vodafone-Aktie vorgenommen. Drei Aktien, die unterschiedlicher kaum sein könnten – und doch eines gemeinsam haben: Sie stehen an einem möglichen Wendepunkt.

Our 5-star movie discussions continue with a deep-dive into the 1984 masterpiece Amadeus, directed by Milos Forman. Adapted from his stage play, Peter Shaffer’s examination of the ersatz rivalry between Mozart (Tom Hulce), a prodigious genius, and his traditional-minded admirer/covetous underminer, Salieri (F. Murray Abraham). On top of the heaps of… Continue reading

Send us a textLinking the Travel Industry is a business travel podcast where we review the top travel industry stories that are posted on LinkedIn by LinkedIn members.  We curate the top posts and discuss with them with travel industry veterans in a live session with audience members.  You can join the live recording session by visiting BusinessTravel360.comYour Hosts are Riaan van Schoor, Ann Cederhall and Aash ShravahStories covered on this session include -For a 3rd year in a row, Emirates hands out a generous bonus to their staff after record profits.Canadian airline WestJet gets invested in by Delta Air Lines taking a 15% stake for $330m and Korean Air taking 10% at $220m.American Airlines files a lawsuit against Chicago O'Hare airport to try and prevent expansion plans which would give United Airlines more gates there.International Airlines Group (IAG) places orders for 71 long-haul aircraft for their various airlines.Boeing scored even bigger when Qatar Airways announced a record order for 210 wide-body planes from them.Payment by bank account specialist Trustly teams up with Sabre Corporation to expand pay by bank in the travel industry.Google teams up with SAP Concur and American Express Global Business Travel to push NDC adoption.Finnair claims to be the first airline globally to implement an Offers and Orders model, using Amadeus' Nevio system.Saudi Arabian LCC flynas raises $1.1b in it's IPO.Global Airlines's maiden flight took off from Glasgow to New York, with 95 pax on board their only A380.And....Space News!You can subscribe to this podcast by searching 'BusinessTravel360' on your favorite podcast player or visiting BusinessTravel360.comThis podcast was created, edited and distributed by BusinessTravel360.  Be sure to sign up for regular updates at BusinessTravel360.com - Enjoy!Support the show

On this week's episode, creative director and artist, Louis, tells us about the time his old pals visited New York and they had quite a go of it with stops in Buswhick, Bed Stuy, Dumbo, LES, Greenpoint, and more! Check out Louis on InstagramHave fun like LouisDonate to Release RecoveryThis week's Rachel's Recs: Elsewhere rooftop & the Dou Dou shot from HudaListen to Vishwas' episode RIPWhat did you think of this week's episode?They Had Fun on Instagram, YouTube, and our website

Please remember to rate and review our podcast!Check out your YouTube channel @comadresycomics  CHISME DE LA SEMANA: San Diego Comic Con 2025 chisme!  Ironheart is scheduled to premiere on Disney+ on June 24, 2025, The Old Guard 2 on Netflix July 2, 2025 Superman on July 11, 2025ON MY RADAR:The 20th Anniversary of Amadeus Cho's first appearance!  A trio of stories written by Greg Pak exploring thrilling moving and never-before-seen moments from different states in Amadeus' wild career.HORA DE LA CERVECITA:  Hermosa Brewing Company's  We ❤️ L.A.     BOOK REVIEW:  Butterfly Tears by Fang Fang @yili.fanghttps://www.facebook.com/FangComicshttps://fangfangcomics.wixsite.com/EN LA LIBRERIA: Comic Book Crowdfunding Planner

We return to the world of the Teenage Mutant Ninja Turtles viewed through the lens of IDW Publishing! We review Battle Beast #1 from Skybound Entertainment, and Amadeus Cho is 20 years old at Marvel Comics! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN INVINCIBLE UNIVERSE: BATTLE BEAST #1 Writer: Robert Kirkman Artist: Ryan Ottley Publisher: Skybound Entertainment Cover Price: $3.99 Release Date: May 14, 2025 Cursed with an unquenchable thirst for violence, BATTLE BEAST searches the universe for the one warrior mightier than him-and a glorious death, his only reward. But even in a universe of mighty Viltrumites like Invincible and Omni-Man, it seems that no one may be able to stop the galaxy's deadliest warrior...unless he does the unthinkable. Superstars ROBERT KIRKMAN and RYAN OTTLEY present the most demanded INVINCIBLE story of all time, revealing the secret story of Battle Beast that's perfect for any long-time fan (no spoilers!) and new readers alike. [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4iUQnOA MATTHEW AMADEUS CHO 20TH ANNIVERSARY SPECIAL Writer: Greg Pak Artist: Crees Lee/Takeshi Miyazawa/Jethro Morales Publisher: Marvel Comics Cover Price: $5.99 Release Date: May 7, 2025 THE 20TH ANNIVERSARY OF AMADEUS CHO'S FIRST APPEARANCE! A TRIO OF STORIES WRITTEN BY GREG PAK EXPLORING THRILLING, MOVING AND NEVER-BEFORE-SEEN MOMENTS FROM DIFFERENT STAGES IN AMADEUS' WILD CAREER! • First, join AMADEUS, HERCULES and THE RENEGADES on the eve of WORLD WAR HULK in a story drawn by Amadeus Cho co-creator Takeshi Miyazawa! • Then return to the era of the TOTALLY AWESOME HULK as Amadeus and his sister MADDY CHO discover a long-hidden secret that might just break your heart. • And finally, Amadeus in his BRAWN era tackles a shocking new threat - and emerges in a whole new form? [rating:5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/43fYBLk DISCUSSION TEENAGE MUTANT NINJA TURTLES: THE IDW COLLECTION VOLUME 2 Writer: Kevin Eastman, Tom Waltz, Mateus Santolouco, Erick Burnham Artist: Andy Kuhn Publisher: IDW Publishing Release Date: March 29, 2016 Presenting the complete TMNT stories in recommended reading order, including one-shots, crossovers, and event series. Everything a beginner could need, everything a diehard could want. The forces of good and evil marshal on multiple fronts. The Turtles have a new mission, but Shredder's ambitions could put an end to it before it even begins. Meanwhile, General Krang unveils his master plan, which puts the Turtles into direct confrontation with one of their mightiest enemies. Plus, delve into the history of the original founder of the Foot Clan! Collects issues #13–20 of the Teenage Mutant Ninja Turtles ongoing series, the Casey Jones, April, Fugitoid, Krang, and Baxter Stockman Micro-Series issues, and the Secret History of the Foot Clan mini-series. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4miKOfV CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

We return to the world of the Teenage Mutant Ninja Turtles viewed through the lens of IDW Publishing! We review Battle Beast #1 from Skybound Entertainment, and Amadeus Cho is 20 years old at Marvel Comics! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN INVINCIBLE UNIVERSE: BATTLE BEAST #1 Writer: Robert Kirkman Artist: Ryan Ottley Publisher: Skybound Entertainment Cover Price: $3.99 Release Date: May 14, 2025 Cursed with an unquenchable thirst for violence, BATTLE BEAST searches the universe for the one warrior mightier than him-and a glorious death, his only reward. But even in a universe of mighty Viltrumites like Invincible and Omni-Man, it seems that no one may be able to stop the galaxy's deadliest warrior...unless he does the unthinkable. Superstars ROBERT KIRKMAN and RYAN OTTLEY present the most demanded INVINCIBLE story of all time, revealing the secret story of Battle Beast that's perfect for any long-time fan (no spoilers!) and new readers alike. [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/4iUQnOA MATTHEW AMADEUS CHO 20TH ANNIVERSARY SPECIAL Writer: Greg Pak Artist: Crees Lee/Takeshi Miyazawa/Jethro Morales Publisher: Marvel Comics Cover Price: $5.99 Release Date: May 7, 2025 THE 20TH ANNIVERSARY OF AMADEUS CHO'S FIRST APPEARANCE! A TRIO OF STORIES WRITTEN BY GREG PAK EXPLORING THRILLING, MOVING AND NEVER-BEFORE-SEEN MOMENTS FROM DIFFERENT STAGES IN AMADEUS' WILD CAREER! • First, join AMADEUS, HERCULES and THE RENEGADES on the eve of WORLD WAR HULK in a story drawn by Amadeus Cho co-creator Takeshi Miyazawa! • Then return to the era of the TOTALLY AWESOME HULK as Amadeus and his sister MADDY CHO discover a long-hidden secret that might just break your heart. • And finally, Amadeus in his BRAWN era tackles a shocking new threat - and emerges in a whole new form? [rating:5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/43fYBLk DISCUSSION TEENAGE MUTANT NINJA TURTLES: THE IDW COLLECTION VOLUME 2 Writer: Kevin Eastman, Tom Waltz, Mateus Santolouco, Erick Burnham Artist: Andy Kuhn Publisher: IDW Publishing Release Date: March 29, 2016 Presenting the complete TMNT stories in recommended reading order, including one-shots, crossovers, and event series. Everything a beginner could need, everything a diehard could want. The forces of good and evil marshal on multiple fronts. The Turtles have a new mission, but Shredder's ambitions could put an end to it before it even begins. Meanwhile, General Krang unveils his master plan, which puts the Turtles into direct confrontation with one of their mightiest enemies. Plus, delve into the history of the original founder of the Foot Clan! Collects issues #13–20 of the Teenage Mutant Ninja Turtles ongoing series, the Casey Jones, April, Fugitoid, Krang, and Baxter Stockman Micro-Series issues, and the Secret History of the Foot Clan mini-series. You can purchase this issue via our Amazon affiliate link - https://amzn.to/4miKOfV CLOSE Contact us at podcast@majorspoilers.com A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!

Scott, Paul, and Lauren discuss snacks, Scott's Etsy purchase, and Paul's cruise before playing Jitterbug. Send Threetures and emails to threedomusa@gmail.com.Leave us a voicemail asking us a question at hagclaims8.comFollow us on Instagram @ThreedomUSA.Listen ad-free and unlock bi-weekly THREEMIUMS on cbbworld.comGrab some new Threedom merch at cbbworld.com/merchSee omnystudio.com/listener for privacy information.