Podcasts about Introitus

A special episode where I showcase my favorite bands in extended sets. In this episode, hear Epitaph, Introitus, Jorn, Mind's Eye, Porcupine Tree, Survivor. Do you enjoy Prog-Scure? If so, perhaps you might consider helping me to keep this show afloat by contributing a few dollars at https://patreon.com/zapniles. Any donations very much appreciated.

The subject of Just War, or Justum Bellum, is a frequent topic in these podcasts. If, however, the only acceptable justification for any war is to establish a more just and lasting peace, shouldn't there be a similar framework for Just Peace, or Justum Pacem? Just War theory goes back to Plato and Aristotle, but Just Peace thinking is a product of the last century. Despite a lack of concrete formulation, past examples of successful post-conflict transitions included efforts to establish a just peace. Sadly, there are more examples of unjust peace, which -- as Immanuel Kant noted -- plants the seeds of future war.   Music: Liszt, Les Preludes, perfomed by the USMC Band. Public Domain Traditional, The Army Strings, Garryowen (Public Domain) Mozart, W. A. and Karajan, K., The Requiem Mass In D Minor, Introitus, K.626, (1941), downloaded from The Internet Archive https://archive.org/details/12-bruno-kittel-mozart-requiem-agnus-dei-polydor-1941_202308 Photo: Perpetual Peace Lily, Aganpanthus Africanus (Wikimedia Commons)  

Nyborg Vor Frue Kirke, fyens stift. Mariæ Bebudelse. Prædikant: Marianne Aagaard Skovmand. Organist: Claus Tolstrup. Jens Schou, klarinet, Christian Søgaard Jørgensen, harmonika. Salmer: DDS 71: Nu kom der bud fra englekor. DDS 117: En rose så jeg skyde. Maria Snart er det forår. Nr. 803 i 100 Salmer. Igen berørt. Nr. 849 i 100 Salmer. Introitus. Ave Maria. Komponist: Helen Ostafew. Korsang efter prædikenen. Du stjerners skaber, Kristus god. Komponist: JOH. Eccard/sats J.S.Bach. "Jag vet en dejlig rosa" (svensk folkemelodi). Postludium: La Mourisque Komponist: Tylman Susato. Vært: Katarina Lewkovitch.

A show where I play nothing but “Spotlight Sets,” devoting approx. 20 minutes to the music of a single artist in order for you to get a better feel for their work. In this episode, hear “Spotlight Sets” devoted to Abel Ganz, Barock Project, Circus Maximus, Discipline, Introitus, Manfred Mann's Earth Band, Passport, and Siena […]

Sheku Kanneh-Mason is a cellist who came to international attention when he performed at the wedding of Prince Harry and Meghan Markle in 2018. Still only 24, he has performed at a series of high profile locations including the Hollywood Bowl and Downing Street. Last year he was a soloist at the Last Night of the Proms. Sheku was brought up in Nottingham along with his six siblings who are also extremely talented musicians. At six-years-old he went to a concert by the Nottingham Youth Orchestra where he was transfixed by the cello section. He started having lessons not long afterwards and by the age of nine he'd completed all of his music grades – receiving the highest marks in the country. At 17 he won the BBC Young Musician of the Year competition.He went on to study at the Royal Academy of Music and made his debut at the BBC Proms as a soloist with the Chineke! Orchestra in 2017.In 2020 he was appointed an MBE for services to music and two years later became the Royal Academy of Music's first Menuhin Visiting Professor of Performance Mentoring.DISC ONE: Cello Concerto in E minor, Op.85 - 1st movement: Adagio – Moderato. Composed by Edward Elgar and performed by Jacqueline du Pré, with the London Symphony Orchestra, conducted by Sir John Barbirolli DISC TWO: Rivers of Babylon -The Melodians DISC THREE: Dat - Pluto Shervington DISC FOUR: String Quartet in C major, Op 20 No. 2, Capriccio: Adagio. Composed by Joseph Haydn and performed by The London Haydn Quartet DISC FIVE: Chances Are - Bob Marley DISC SIX: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi Choir DISC SEVEN: Symphony No.11 'The Year 1905' - II. The 9th January; Adagio. Composed by Dmitri Shostakovich and performed by The Moscow Philharmonic, conducted by Kirill Kondrashin DISC EIGHT: Largo from Organ Sonata No.5 in C major, BWV 529. Composed by Johan Sebastian Bach and performed by Samuel FeinbergBook: The Feynman Lectures on Physics by Richard Feynman Luxury: A cello and strings CASTAWAY'S FAVOURITE: Requiem in D minor, K. 626 , Introitus 1 – Requiem. Composed by Wolfgang Amadeus Mozart and performed by the Monteverdi ChoirPresenter Lauren Laverne Producer Paula McGinley

This final installment of the organ compositions of Axel Ruoff (born in Stuttgart in 1957) presents two starkly contrasted sides of his musical personality: three of them, for voice and organ, are concerned with the spiritual – two even addressing head-on the issue of death itself – and are thus solemn and hieratic, whereas the concluding work is a whimsical, tongue-in-cheek set of variations on ‘Happy Birthday', written as a present for Ruoff's publisher on his 80th birthday.Tracks Memento creatoris tui for baritone and organ (2001) (12:43)Messe basse for soprano and organ (2015) (21:15) I. Introitus (6:02) II. Kyrie (5:46) III. Sanctus (2:40) IV. Agnus Dei (6:47) In Hora Mortis. Sieben Totenlieder for medium voice and organ (2020) (28:31) No. 1, O bleibe treu den Toten (Storm) (7:31) No. 2, Lied der Toten (Werfel) (2:35) No. 3, O Herr, gib jedem seinen eignen Tod (Rilke) (3:55) No. 4, Vergiss mein nicht (von Knebel?, arttrib. Novalis) (3:39) No. 5, Ausgang (Fontane) (1:18) No. 6, Tiefstille (from Psalm 39, transl. Buber) (6:06) No. 7, Selig sind die Toten (Revelation 14:13) Happy Birthday. Variationen und Fuga grottesca (2019) (16:02) Thema (0:58) Var. 1: Ländler (1:45) Var. 2: Danse populaire (0:27) Var. 3: Marsch (2:26) Var. 4: Andante (0:48) Var. 5: Choral (1:02) Var. 6: Walzer (1:20) Var. 7: Galopp (0:44) Var. 8: Interludium (0:43) Var. 9: Polka (0:32) Var. 10: Grave (1:07) Fuga grottesca (4:10) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Fra Odense Domkirke, Skt. Knuds Kirke. Fyns stift. Sidste søndag i kirkeåret Prædikant: Biskop Mads Davidsen Organist: Randi Elisabeth Mortensen Salmer: DDS 1: Guds menighed, syng DDS 49: Ingen er så tryg i fare DDS 646: Som lilliens hjerte DDS 64: Jeg vil mig Herren love DDS 422: Hellig, hellig, hellig Præludium: Introitus: 'Säg mig den vägen' Folkelig koral fra Dalarna Arrangement: Bertil Wallin Korsats.: Otto Olsson Korsang: 'Dina tankar, o Gud' Komponist: Sven-David Sandström Postludium: Marche Solenne Komponist: Torsten Rantzén Vært: Jon Kaldan

In dieser Predigt lege ich den 100. Psalm so-zu-sagen von innen nach außen aus: Als Psalm, als Psalm mit seiner Antiphon und als Introitus im Zusammenhang des Gottesdienstes mit seinen Lesungen und seiner Liturgie.

Dara Ó Briain has toured the world as a stand-up comedian, and hosted the BBC's satirical series Mock the Week for 17 years. A science graduate with a love of astronomy, he co-presented the BBC series Stargazing Live with Professor Brian Cox, and is a regular guest on television quizzes and panel shows. Dara grew up in Bray, County Wicklow and attended Irish language schools, playing for the Gaelic football and hurling teams. He studied mathematical physics at University College Dublin where he took part in debating competitions and discovered a flair for getting laughs from an audience. In 2001 he moved to the UK and, alongside performing at comedy gigs, he started appearing on television shows including Never Mind the Buzzcocks and Have I Got News For You. His love of mathematics came to the fore when he presented the game show School of Hard Sums and he has gone on to write popular science books for children. Dara continues to perform stand-up and, when he's not touring what he calls his conversational and whimsical style of comedy, he lives in London with his wife and three children. DISC ONE: Kiss - Prince & The Revolution DISC TWO: Requiem in D Minor, K. 626: No 1, Introitus and Kyrie - Requiem and Kyrie. Composed by Mozart and performed by London Symphony Orchestra and London Symphony chorus, conducted by Sir Colin Davis DISC THREE: Glanfaidh Mé - Kíla DISC FOUR: Groove is in the Heart - Deee-Lite DISC FIVE: Cuba Libre - Gloria Estefan DISC SIX: All About My Girl - Jimmy McGriff DISC SEVEN: Piazza, New York Catcher - Belle and Sebastian DISC EIGHT: Adagio for Strings. Composed by Samuel Barber and performed by Berliner Symphoniker, conducted by Sir Simon Rattle BOOK CHOICE: The Feynman Lectures on Physics by Richard Feynman LUXURY ITEM: Astrophotography equipment CASTAWAY'S FAVOURITE: Groove is in the Heart - Deee-Lite Presenter Lauren Laverne Producer Paula McGinley

How are you an artist when you are just following a tradition and reading a score?With this eighth episode, Björn Schmelzer takes us on a journey of discovery of medieval sacred music and the oral tradition. This episode a dive into the revival of early music in the XXᵉ century and is dedicated to the French composer and writer Guillaume de Machaut from the XIVᵉ century, whose famous Messe de Nostre Dame performed by the ensemble Graindelavoix will musically illustrate the speaker's point.To go further >CREDITSguest Björn Schmelzer, founder and artistic director of Graindelavoixinterview & editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückigercover score Folio, Lais, motets, ballades, rondeaux et virelais, ca. 1350-1355 (Bibliothèque nationale de France, Français 1584) musicSalve sancta parens [Introitus], Agnus Dei & Ite missa est - Guillaume de MachautPerformed by Björn Schmelzer, GraindelavoixMesse de Nostre Dame, Glossa 2016Miserere - Coro della Confraternita di Santa Croce Live recording, 2014

Am heutigen Morgen haben die Mönche in Maria Laach im Introitus gesungen: "Heute sollt ihr es erfahren: Der Herr kommt, um uns zu erlösen, und morgen werdet ihr seine Herrlichkeit schauen." Was für eine Verheißung, staunt Pater Philipp.

Visit fantastical realms with Prog-Watch this week, where our theme is indeed fantasy! Tune in to hear lots of great sounds from Aldo Nova, The Tangent, Billy Joel, Introitus, The Kinks, Traffic, Patrick Moraz, Black Bonzo, Trevor Rabin, Mike Pinder, Paul Sutin & Steve Howe, Uriah Heep, Triumph, Mediaeval Baebes, and Steve Hackett!

Requiem in D minor, K. 626 - VI. Benedictus Wolfgang Amadeus Mozart started composing the Requiem Mass in D minor (K. 626) in Vienna in 1791, following an anonymous commision from Count Franz von Walsegg, who requested the piece to commemorate the anniversary of his wife's death. Mozart passed away on December of 1791, however, having finished and orchestrated only one movement. The Requiem is widely considered one of Mozart's greatest works, and its composition process is surrounded a shroud of mistery and myths, usually attributed to Mozart's wife Constanze, who had to keep secret the fact that Mozart hadn't completed the work in order to be able to collect the final payment from the commision. It is commonly accepted that Mozart finished the Introitus, and left detailed sketches of the Kyrie and Dies Irae all the way to the first eight bars of the Lacrimosa and parts of the Offertory. There are now several completions of the Requiem Mass, though the most common by far (considered the standard version of the piece) is the one by Franz Xaver Süssmayr. He not only completed the movements Mozart left (borrowing an unespecified amount from Joseph von Eybler's previous attemps at completing the work) but also added several movements of his own: Sanctus, Benedictus, and Agnus Dei. He then added a final section, Lux aeterna by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass. The myth surrounding this work was increased by the fictional rivarly between Mozart and Antonio Salieri first expressed in 'Mozart and Salieri', a play by Alexander Pushkin, which in turn inspired an opera by Rismky Korsakov of the same name, the inmensely popular 1979 play 'Amadeus', by Peter Shaffer, and it's 1984 film adaptation by Miloš Forman. The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola, and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, bass soloists, and an SATB mixed choir.

Dominica II. in Quadragesima - Introitus --- Send in a voice message: https://anchor.fm/jlio4/message

Start Artist Song Time Album Year Introitus Beyond Fantasy 9:19 Shadows 2019 0:07:54 Introitus Child 5:51 Fantasy 2007 0:15:22 InVertigo Vertigo 7:23 Next Stop Vertigo 2010 0:22:46 Invisible Nino Condenado 7:02 El Jardin De Los Presentes 1976 0:29:48 INXS By My Side 2:57 X 1980 0:34:06 IOEarth Shadows 6:05 Aura 2020 0:40:12 IO Earth Hold […]

Start Artist Song Time Album Year Imagery Imagery 5:56 The Inner Journey 2012 0:08:07 In Continuum Hands Of Time 11:10 Acceleration Theory 2019 0:19:17 In Govan Ring Set a Candle in the Night 4:11 The Serpent and the Dove 2021 0:23:29 In Spe Sümfoonia Seitsmele Esitajale 4:23 In Spe (Vinyl) 1983 0:28:56 In The Labyrinth […]

Joris en Guido duiken in troebel water met de vraag: maken foute mensen ook foute muziek? Ze stuiten op een moordenaar, een jodenhater, twee collaborateurs, een paar #MeToo-gevallen en een veroordeelde ontuchtpleger. Schrik niet, er valt nog genoeg te lachen! Muziekfragmenten: - Carlo Gesualdo, Moro, lasso, La Compagnia del Madrigale - Richard Wagner, Ouverture Tannhäuser, Concertgebouworkest o.l.v. Willem Mengelberg - Henk Badings, Altvioolconcert, deel 3, Allegro molto, Dana Zemtsov - Gustav Mahler, Tweede symfonie, deel 1, Allegro maestoso, Koninklijk Concertgebouworkest o.l.v. Daniele Gatti - Nicolas Gombert, Media vita in morte sumus, Oxford Camerata o.l.v. Jeremy Summerly - Michael Haydn, Introitus, Requiem voor aartsbisschop Siegmund, Choir of the King's Consort & The King's Consort o.l.v. Robert King - Benjamin Britten, Was I wrong to come?, Death in Venice, English Opera Group Chorus & English Chamber Orchestra o.l.v. Steuart Bedford

Bethlehemskirken, Københavns stift. 14. s. e. trinitatis Prædikant: Martin Drengsgaard. Organist: Kim Thinggaard. Salmer: 2: "Lover den Herre". 261:" Halleluja for lysets drot". 313: "Kom regn af det høje (vers 4)". Rytmiske lovsange. Introitus. Kerubhymne. Komponist: Metropolit Hilarion. Rytmisk lovsang: In Christ Alone. Komponist: Keith Getty. Vært: Jon Kaldan. www.dr.dk/tro

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

In seiner Osterpredigt erschließt Bischof Neymeyr, welche tiefe Wahrheit im alten gregorianischen Oster-Introitus liegt.

Chaque jour Nicolas Blanmont met en avant une nouveauté parmi les sorties discographiques classiques.

Weihbischof Dr. Josef Graf,aus Regensburg Der heutige 3. Adventssonntag sticht besonders heraus: Sichtbar ist das nicht nur an der rosafarbenen Kerze, sondern auch am Namen: "Gaudete!" - "Freut Euch!" Die kleinen Freuden im Alltag wollen immer wieder neu entdeckt werden. Angesichts der Coronakrise ein herausfordernder Apell. Manch einer wird sich fragen, worüber man sich in Zeiten wie diesen freuen sollte und dabei auch bange auf das bevorstehende Weihnachtsfest blicken. Der Weg zum Ursprung aller Freude will immer wieder neu gebahnt werden: der Weg zur Krippe. Kommen Sie mit! "Gaudete" geht auf den Eingangsvers, den sogenannten Introitus zurück: "Gaudete in Domino semper!" - "Freut euch im Herrn allezeit!" Die Aufforderung und was mit dieser Freude verbunden ist, bringt Ihnen heute Abend der Regensburger Weihbischof Dr. Josef Graf näher. Josef Graf kommt gebürtig aus Riedenburg an der Altmühl. Dort wurde er 1957 geboren. Nach der Grundschule besuchte er das Albertus-Magnus-Gymnasium in Regensburg. Dort hat er im Jahr 1977 sein Abitur gemacht. Im Anschluss ist Josef Graf in das Regensburger Priesterseminar eingetreten und hat begonnen, katholische Theologie an der Universität Regensburg zu studieren. Ab 1979 hat Josef Graf als Mitglied des Collegium Germanicum an der Päpstlichen Universität Gregoriana in Rom studiert. 1983 wurde er in Rom für die Diözese Regensburg zum Priester geweiht. Als Kaplan wirkte er in der Regensburger Stadtpfarrei St. Josef Reinhausen. Parallel dazu setzte er seine Studien in Rom fort und promovierte 1989. Ab 1989 war Dr. Josef Graf Spiritual am Priesterseminar Regensburg. Außerdem hat er das Exerzitienssekretariat der Diözese Regensburg geleitet und war in dieser Zeit Seelsorger der Katholischen Studentenverbindung Rupertia. Ferner war er in der geistlichen Fortbildungsarbeit tätig. 2007 hat im Papst Benedikt den Titel eines päpstlichen Ehrenkaplans (Monsignore) verliehen. Dr. Josef Graf ist seit 2015 Weihbischof des Bistums Regensburg Papst Franziskus hat Dr. Josef Graf 2015 zum Weihbischof des Bischofs von Regensburg ernannt. Die Weihe hat am 7. Juni 2015 im Hohen Dom St. Peter statt gefunden.

Another unscripted & extended “flying by the seat of my pants” episode where I break from my normal routine and play both Prog-Scure and “not in the least bit Prog-Scure” bands, and episodes in this new series include only epic tracks. In this episode, hear epics from Armageddon, Doracor, Gravy Train, High Wheel, Introitus, Jethro […]

We're doing a series on obscure Renaissance composers! To start us off, we're covering Spanish composer Tomás Luis de Victoria, who was also a priest and a convent organist! Join us as we dive into one of our favorite eras of music history, and learn how music as we know it today has been shaped thanks to these composers! BBC Documentary: https://www.youtube.com/watch?v=bR3Es3dYgs4 O vos omnes: https://www.uma.es/victoria/pdf/TR14-O_Vos_Omnes.pdf Mass Introit: https://www.uma.es/victoria/pdf/OD-02-Introitus.pdf Link to recordings: https://freemusicarchive.org/music/The_Tudor_Consort We do not own any rights to the music featured on this podcast; all music featured is used solely for educational purposes. Logo by Sabrina Handal.

We went to Greenland to play a requiem for the theaterplay Heimat 2. more info www.denwetijd.be / info@denwetijd.be Harald Austbø, Tim David, Suzanne Grotenhuis, Freek Vielen en Rebekka de Wit Compositon - Harald Austbø Choirs - Octopus Ensemble, Hljómeyki Chamber Choir and Qissiat Camera - Emo Weemhoff Sound - Taco Drijfhout Editing - Lotte de Troyer Production - Julie Borgmans Camera Recording Choir - Aafke Beerninck Sound Recording Choir - Boele Weemhoff Extra music recordings - Mark Nieuwenhuis Mix - Mark Nieuwenhuis Cello - Harald Austbø Flugelhorn -Tim David Trumpet - Mark Nieuwenhuis Alto saxophone - Suzanne Grotenhuis, Natalio Sued, Chris Corstens Tenor saxophone - Freek Vielen, Natalio Sued Trombone - Harald Austbø, Salvoandrea Lucifora Sousaphone -Tim David, Salvoandrea Lucifora Percussion - Suzanne Grotenhuis, Harald Austbø Fabio Galeazzi Violin (in part 4 - Dies Irae) -Tessel Hersbach THIS MOVIE WAS ORGINALLY MADE AND USED FOR THE THEATERPLAY HEIMAT 2 – WHICH WAS PRODUCED BY DE NWE TIJD & PRODUCTIEHUIS ROTTERDAM with support of DE COPRODUCERS. www.denwetijd.be

Bohoslužby s výkladem Jeremjášova proroctví 24:1-10 Káže David Beňa (Introitus Žalm 130,1b-4. Jako čtení z evangelia pak J 12,20-28. Jako slovo poslání 1Pt 5,6-7).

Invenietis plura et quidem Anglice apud Pipiatorium @jacobusbanks

Naar welke muziek luisterde Bach? Welke muziek voerde hij uit? Bijvoorbeeld muziek van Johann Caspar Kerll. Wie? Na (of tijdens…) deze podcast is je nieuwsgierigheid vast gewekt. Johann Caspar Kerll, Missa pro defunctis: Introitus & Kyrie, Vox Luminis olv Lionel Meunier

Progressive rock music show featuring the first week of February’s `chosen’ albums from TNNE, Opeth, Alan Parsons. Classic progressive rock from Caravan and NEKTAR The Legendary Rock Band, also Dream Aria, Introitus, Caravela Escarlate, The Kentish Spires, Vespero, ESP, Nomadic Horizon, The Blackheart Orchestra, Iamthemorning, John Hackett Band, Kindred Spirit Band, The Far Meadow

Progressive rock music show including chosen albums for the month of Darkwater, Gentle Knife, Tumbletown. Caravan, Darkwater (two tracks), Jet Black Sea, TumbleTown (two tracks), ESP, The Alan Parsons Project, Gentle Knife (two tracks), Introitus, Orion 2.0, Camel, Blank Manuskript, The Blackheart Orchestra, Supertramp, This Winter Machine, Mother Of Millions

Ikast Kirke, Viborg stift. 3. søndag i advent. Prædikant: Poul Erik Knudsen. Organist: Gitte Støvring Preussler. Salmer: 76: "Op thi dagen nu frembryder" 78: "Blomstre som en rosengård" 89: "Vi sidder i mørket" 819: "Så hør dem da endnu engang" 90: "Op glædes alle" Introitus: Æolisk præambel. Komponist: Peter Møller. Postludium: Blomstre som en rosengård. Instrument: Orgel. Komponist: Bo Grønbech. Transmission: Malene Fenger-Grøndahl. www.dr.dk/tro

1 - Paul Early Career: Born in 1927. St James Catholic Church & School, Redondo Beach - a young priest, Father Louis Buechner, began a boy’s choir. They sang nothing but chant - which, by his own admission, influenced his music making throughout his entire conducting career. Roger Wagner - gave a concert at St James. Paul was drawn to Roger - use to ride the streetcar to downtown LA at attend rehearsals. St Joseph Church, downtown LA Richard Keyes Biggs, Blessed Sacrament Church - Family moved to Hollywood, when Paul was a young teen. Began attending Blessed Sacrament. He was allowed to join the men and boys choir. Biggs was Wagner’s organ teacher. Los Angeles Concert Youth Chorus - conducted by Roger Wagner; joined in 1946. 2 years later it became the Roger Wagner Chorale. Paul became the Assistant Conductor. Roger Wagner Chorale became the Los Angeles master Chorale in 1964. Paul continued as Assistant Conductor until 1977.MUSIC - Panis Angelicus (Franck) - Paul Salamunovick, soloist2 - St. Charles Borromeo Church - hired as music director in 1949. Retired in 2009. (60 Years!) Adult Choir 100% Volunteer - avg. 50-75 voices Children's/School Choir - the choir on the original Disney Small World LP 1949 - Roger needed to move on from St Charles. Told Paul to take the job - Paul didn't want it, but Roger said he did. Gave Paul 1 conducting lesson and taught him one hymn on organ (Msgr Harry Meade' favorite). Introduced Paul to Msgr Meade, told him Paul could play organ and conduct, and he was hired. Rough going in the early years - singers were loyal to Roger. He eventually "fired" the entire soprano section and replaced them with the School Choir.MUSIC - THE LAMB (Ken Neufeld; text William Blake) St Charles Choir Christmas CD - PEACE ON EARTH Available at: PeaceOnEarthCD@StCharlesChoir.org3 - Loyala Marymont University - 27 Years as Director of Choral Activities & Professor of Music 1964-1991 Loyola University - Men's Glee - quickly changed to Men's Chorus; Loyola Marymount University - The Mount Singers was a combined effort of women from The Mount & men from Loyola. The sudden presence of women on campus led to the establishment of the LMU Women's Chorus and the inevitable birth of the LMU Consort Singers. Almost 900 clinics, festivals, and honor choirs in his career, all over the world.MUSIC - Western Medley - LMU Men's Chorus, ACDA CONV 1987 Roger Wagner “Folk Songs of the Frontier” - available on Spotify https://open.spotify.com/album/4a9dl2GwjxbLCCK1a2ZS634 - LA Master Chorale- Music Director 1991-2001. Had been assistant conductor for Roger Wagner. MUSIC: Chant Puer Natus Est LA Master ChoraleMUSIC: Lux Aeterna, Lauridsen I. Introitus from Midwinter Songs from Lauridsen CD - 1998 - Lux Aeterna, O Magnum, Chansons de Rose, https://www.amazon.com/Lauridsen-Lux-Aeterna-Morten/dp/B000006OF1

Progressive rock music show featuring Swindon, England’s Circu5, led by Steve Tilling and the self titled debut album. Supported by music from: Kaprekar’s Constant, The Blackheart Orchestra, Introitus, CAIRO, Siilk, This Winter Machine, Lee Abraham, ESP, Kindred Spirit, Different Light, Leprous, Karibow, Yossi Sassi & The Oriental Rock Orchestra, STORCHI

An ad-libbed show featuring some of my favorite artists of all time, many of them not Prog-Scure at all, but familiar to prog fans both young and old. Including music from Andromeda, Be Bop Deluxe, Birth Control, Bloodrock, The Flower Kings, Frank Zappa, Gentle Giant, Grobschnitt, House Of Lords, Introitus, King Crimson, Magnum, Rainbow, Robin […]

END.OF.THE.WORLD................................ by tony justerini http://www.filefactory.com/file/55k2hj6r04zl/1234.mp3 01. Matt Howden - No Boundary Proposal, Voyager, 2004 02. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Introitus, Mozart:Requiem, 1987 03. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Kyrie, Mozart:Requiem, 1987 04. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Sequenz, Mozart:Requiem, 1987 05. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Tuba Mirum, Mozart:Requiem, 1987 06. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Rex Tremendae, Mozart:Requiem, 1987 07. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan – Recordare, Mozart:Requiem, 1987 08. Anna Tomowa-Sintow, Helha Molinari, Vinson Cole, Paata Burchuladze, Wiener Singverein, Wiener Philarmoniker & Herbert Karajan –Confutatis, Mozart:Requiem, 1987 09. Richard Wagner – Golf Course (Tristan and Isolde), Melancholia, 2011 10. Richard Wagner – End of The World (Tristan and Isolde), Melancholia, 2011 11. Richard Wagner – Credits (Tristan and Isolde), Melancholia, 2011 12. Royal Concertgebouw Orchestra – Symphony No.9 in D Minor, Bruckner:Symphony No. 9, 2016 13. Ludwig Beethoven – Symphony No. 9 In D Minor, “Choral” Symphony, 2015 14. Lunz – Lunz, Lunz, 2002 total time: 01:20:04 photo by: Imran Kadir http://radioetiopia.phase108.net/ https://instagram.com/radioetiopia/ https://radiolisboa.pt/ www.radioetiopia.com

Son tantas las novedades que nos llegan que ya no sabemos qué hacer para dar cabida a todas, por eso nos hemos ido a un programa algo larguito, pero esperamos que merezca la pena dado el contenido que atesora. 10 discos 10, y alguno de ellos doble. A saber: Avandra, AvenueX, Bastian Per, Iamthemorning, Introitus, Jordsjø, Magic Pie, Monkey3, Neal Morse y Pattern-Seeking Animals. No veais la que se ha liado, porque en esta lista hay muchos candidatos al top (topables en el argot Pastoril), pero no todos los miembros del equipo coincidimos. Más bien podemos decir que no hay álbum de esa lista que se libre en este programa de la feroz crítica de alguno de los contertulios, mientras que resultan alabados por el resto. Pocos programas recordamos con menos unanimidad y más polémica, así que no le falta el habitual condimento subterraneo. David Pintos, Ricardo Hernández, Engelbert Rodríguez, Juan Francisco Díaz, Fernando Pastor y Carles Pinós os invitamos a pasar un buen rato con nostros y a que os apuntéis a las polémicas desatadas. Y no os preocupéis que nuestro compañero Carlos Romeo, que en este principio de temporada se halla de viaje, ha prometido estar para los próximos programas.

Son tantas las novedades que nos llegan que ya no sabemos qué hacer para dar cabida a todas, por eso nos hemos ido a un programa algo larguito, pero esperamos que merezca la pena dado el contenido que atesora. 10 discos 10, y alguno de ellos doble. A saber: Avandra, AvenueX, Bastian Per, Iamthemorning, Introitus, Jordsjø, Magic Pie, Monkey3, Neal Morse y Pattern-Seeking Animals. No veais la que se ha liado, porque en esta lista hay muchos candidatos al top (topables en el argot Pastoril), pero no todos los miembros del equipo coincidimos. Más bien podemos decir que no hay álbum de esa lista que se libre en este programa de la feroz crítica de alguno de los contertulios, mientras que resultan alabados por el resto. Pocos programas recordamos con menos unanimidad y más polémica, así que no le falta el habitual condimento subterraneo. David Pintos, Ricardo Hernández, Engelbert Rodríguez, Juan Francisco Díaz, Fernando Pastor y Carles Pinós os invitamos a pasar un buen rato con nostros y a que os apuntéis a las polémicas desatadas. Y no os preocupéis que nuestro compañero Carlos Romeo, que en este principio de temporada se halla de viaje, ha prometido estar para los próximos programas.

My Album Of The Week : The Clockwork Prologue by Gandalf’s Fist. Also including music from : Todd Rungren’s Utopia ( Live ), Edison’s Children, We Are Kin, Introitus, Nad Sylvan, Nem-Q ( The First 3 Feature ), Jon Pold Synergy, Carptree & Gandalf’s Fist.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Con este programa ponemos punto final a la segunda temnporada de Subterranea Rarities, ese programa que comenzó como forma de brindar contenido extra a los oyentes que nos ayudan a sufragar los costes de los equipos con su colaboración. Queremos agradeceros de nuevo, a los que mes a mes aportáis vuestra cantidad, ya que gracias a vosotros todo el proyecto Subterranea sigue adelante. Gracias de corazón, esperamos seguir contando con vuestro apoyo por mucho tiempo. Terminamos el año radiofónico con otra de nuestras selecciones, es el turno de Egg, Gotic, Introitus, Man, Symphony X, Teverano, The Healing Road y UK. Una interesante y varioada selección de obras que esperamnos disfrutéis. Feliz verano, nos vemos y oimos de nuevo en septiembre con más rarezas

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Con este programa ponemos punto final a la segunda temnporada de Subterranea Rarities, ese programa que comenzó como forma de brindar contenido extra a los oyentes que nos ayudan a sufragar los costes de los equipos con su colaboración. Queremos agradeceros de nuevo, a los que mes a mes aportáis vuestra cantidad, ya que gracias a vosotros todo el proyecto Subterranea sigue adelante. Gracias de corazón, esperamos seguir contando con vuestro apoyo por mucho tiempo. Terminamos el año radiofónico con otra de nuestras selecciones, es el turno de Egg, Gotic, Introitus, Man, Symphony X, Teverano, The Healing Road y UK. Una interesante y varioada selección de obras que esperamnos disfrutéis. Feliz verano, nos vemos y oimos de nuevo en septiembre con más rarezas

I have a lot of great stuff lined up for you on this week's Prog-Watch! For starters, I'll be catching you up on some of the latest Prog Rock releases from Izz, Pattern Seeking Animals, Introitus, Jordan Rudess, and Terry Draper, formerly of Klaatu! Plus, I'll have a couple of listener dedications (Camel and U.K.), and there will also be a house call from THE DOCTOR, Rob Fisher, who will be taking us on a voyage of Progressive Discovery with the latest album by the Norwegian band Oak!

Our Banter Hosts discuss the impact of nerd culture and some of the influences in the climate of inclusion and toxicity in it. hold on to your seats folks, thing get a little less comic as we touch on our youth for a bit. If our poor brand of humor is what you seek, check the disclaimer for timestamps to skip that section. Join your hosts, Aaron, Manny and Mike for a chat every 1st and 3rd Monday.   For an audio version of this podcast episode, download it on Anchor, Google Play or iTunes: https://anchor.fm/banter-banter-cast   The opening and closing theme is 'Making Me Nervous' by Brad Sucks (http://www.bradsucks.net/).  Give him a listen!   Comment or e-mail us about any topics or suggestions (banterbantercast@gmail.com)   Find them on social media: Facebook: https://www.facebook.com/BanterBanter...   Twitter :https://twitter.com/Banter_Cast  Aaron: https://twitter.com/VIIIbitWizard  Manny: https://twitter.com/BroGarCRE  Mike: https://twitter.com/mike8time 

This episode of Rhetoricity is a collaboration with Rhetorics Change/Rhetoric's Change, the digital proceedings collection from the 2016 Rhetoric Society of America conference. You can download a free copy of this open-access collection via Intermezzo or Parlor Press. In 2014, Verso Books published Radio Benjamin, which contained English translations of radio plays that critical theorist Walter Benjamin helped write and produce in the 1920s and '30s. I was fascinated with these plays as a sort of precursor to the audio projects scholars and theorists are producing today. So at RSA 2016, rather than give a traditional academic presentation, I staged and recorded a live performance of one of the pieces in Radio Benjamin. Titled "Lichtenberg: A Cross-Section," the play is about an eighteenth-century physicist and satirist named Georg Christoph Lichtenberg. This episode is also included as part of a chapter in Rhetorics Change/Rhetoric's Change, along with an essay in which I discuss Benjamin's radio plays and the possibilities of audio scholarship. The collection also includes a set of soundscapes that I edited, so there's plenty to interest the sonically inclined scholars. So check it out! This episode contains clips from the following: George Frederic Handel's "Suite in A Minor, HWV 437, III. Sarabande" Wolfgang Amadeus Mozart's "Requiem in D Minor, K. 626, I. Introitus and II. Kyrie" Kamasi Washington's cover of "Clair de Lune" (from The Epic) various sounds from Freesound.org All clips are used under the fair use provisions of US copyright law.

On this week's show I am very proud to begin a new feature in conjunction with Rob Fisher, reviewer at The Progressive Aspect and Progradar! We are calling our joint venture Progressive Discoveries, and this week's feature will center on great new albums from Fates Warning and Flux! Also on this show: new music from Dave Kerzner, Kylver, Opeth, Cirrus Bay, and Grus Paridae, plus stuff from Introitus, Renaissance Rock Orchestra, and Frank Zappa!(My apologies to Renaissance Rock Orchestra...due to a mix up with their Twitter account name, I mis-announced them on the show. But I'll have it right in the show notes and links. Plus I'll get it right next time on the air, and trust me, there will be a next time!)As always, send questions, suggestions or comments to progsquatch@gmail.com. You can also follow the Squatch on Twitter (@ProgSquatch) or visit our Prog-Watch Facebook page. If you follow on Twitter or like the Facebook page, you can see the Daily Classic album---a fun little feature which the Squatch sends out six days each week! (Squatches rest on Sundays!) The Squatch also posts about the show and shares noteworthy news items from around the Prog World, so like or follow!

Welcome to Live From Progzilla Towers Edition 142. In this edition, co-hosted by Stacy Doller, we heard music by Hasse Fröberg & Musical Companion, Tabletom, Eloy, Iamthemorning, Eric Baule, Floating Planet, Ryo Okumoto, Agent Fresco, Rhapsody, Pandora Snail, Focus, Lelkem, Introitus, Vespero, Zenit, Oricalkos, Horizontal Ascension & Genesis.

WORK YOUR ANGLES! Enjoy this special holiday romp with nurse and adult super star Nina Hartley!  Celebrating 30 years in porn, Nina shares the steps to giving pleasure in the driver's seat. TOPICS: Technique vs Attitude, Privilege, Sex Tricks, Intercourse, Coital Alignment Technique, Rhythm, Steps to Wielding a Penis, Empathy to Pleasure, Anterior vs Posterior Walls, Lateral Fornix vs Cervical Os, Fourchette, Lever and Fulcrum, Introitus vs Vestibule, Tolerating vs Craving Penetration, Real Life Arousal, Pre-cum, "Master of O," The Sopranos, Lady Astride, Narrow Chairs, Tapping Out, Threesomes and Sapiosexuality.  

Wow.  Ok.  The second year of Podcrastination has been sporadic at best thank God we don’t have any regular listeners.  But to any irregular listeners we apologize. Now buried in this third episode is some of the most schizophrenic and offensive material that GDT and Richard have ever committed to ones and zeros; you wouldn’t think it; it starts off innocently enough tap dancing around Star Wars and buckets of Kentucky Fried Chicken but ends up moving 1/16 of an inch around the ring of introtus. The editing of this episode took 8 hours over 10 weeks editing 2 hours down to 30 minutes.  This possibly explains the haphazard tone. PODCRASTINATION: EPISODE THREE CHECKLIST Star Wars Parallel  Parking KFC trays ONE!! Gorilla Monsoon Dressing Gowns Restrictive Breathing Marty McFly’s Straightjacket Primer NB:  Any family listening to this podcast probably do not want to listen to this podcast.

Kirsty Young's castaway this week is the composer Howard Goodall. He's a man of eclectic musical tastes and talents creating choral works, popular TV show themes like Black Adder and The Vicar of Dibley and movie scores and musicals. His enthusiasm and deep-rooted commitment to his life's work has regularly propelled him away from the score and onto our television screens where he's presented award winning documentaries like How Music Works. In January 2007 he was appointed as England's first ever National Ambassador for Singing, leading a £40 million scheme to improve group singing in primary schools.Howard says he hears music in his head all the time - and can't imagine life without it.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: The first movement of Introitus from the Durufle Requiem by Maurice Durufle Book: The Diary of Anne Frank by Anne Frank Luxury: Ice-cold vanilla vodka and tonics.

Kirsty Young's castaway this week is the composer Howard Goodall. He's a man of eclectic musical tastes and talents creating choral works, popular TV show themes like Black Adder and The Vicar of Dibley and movie scores and musicals. His enthusiasm and deep-rooted commitment to his life's work has regularly propelled him away from the score and onto our television screens where he's presented award winning documentaries like How Music Works. In January 2007 he was appointed as England's first ever National Ambassador for Singing, leading a £40 million scheme to improve group singing in primary schools. Howard says he hears music in his head all the time - and can't imagine life without it. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: The first movement of Introitus from the Durufle Requiem by Maurice Durufle Book: The Diary of Anne Frank by Anne Frank Luxury: Ice-cold vanilla vodka and tonics.