Podcasts about jussi parikka

Jussi Parikka ( https://jussiparikka.net/ ) is a writer and media theorist. He is Professor of Digital Aesthetics and Culture at Aarhus University and Visiting Professor at the Film and TV School of the Academy of Performing Arts in Prague as well as the Winchester School of Art. He is the author of Insect Media, A Geology of Media, What is Media Archaeology?, and Operational Images. Abelardo Gil-Fournier ( https://abelardogfournier.org/ ) is an artist and researcher. Originally trained in Physics, he holds a PhD in Arts from the Winchester School of Art (UK). His practice addresses the entwining of image surfaces with the living crust of the planet. His work encompasses different techniques, spanning from sound and video installations to computational processes such as machine learning, including assemblages where the living conflates with the animate.Together they have collaborated extensively, and their new book Living Surfaces: Images, Plants, and Environments of Media (can be found here) will be launching on 25th June. In this conversation they break down some of their thinking around the materiality of media being inherently connected to the sites they come from.. they talk about plants and living surfaces, of 'dynamic formations'. And how this book related to their practices as individuals.Link to the full text read at the beginning by Jussi Parikka, on Mater.digital: https://mater.digital/jussi-parikka/ On Abelardo Gil-Fournier's recent solo show at the Fundacion Cerezales- https://www.artforum.com/events/juan-jose-santos-mateo-abelardo-gil-fournier-fundacion-cerezales-2024-549901/ Operational Images book- https://www.upress.umn.edu/book-division/books/operational-images Seed, Image, Ground video essay- https://www.fotomuseum.ch/en/situations-post/seed-image-ground/They talk about Elemental Media through an example of: how the emergence of photography introduced the question among botonists: What if plants are somehow living photographs on their own? Other people referenced throughout the conversationsEsther Leslie, Synthetic Worlds Nicole Starosielski - https://filmmedia.berkeley.edu/people/nicole-starosielski/Giuliana Bruno - https://afvs.fas.harvard.edu/people/giuliana-brunoAnna Tsing - Patchy Anthropocene - https://www.youtube.com/watch?v=Efmf77F2oNMHarun Farocki - https://www.harunfarocki.de/home.htmlAnna Munster and Adriene Mackenzie On Their InvisualitiesJ R Carpenter - https://luckysoap.com/criticalwriting.html Hosted on Acast. See acast.com/privacy for more information.

Planta es un peculiar museo de arte contemporáneo que se encuentra en el interior de un complejo industrial de procesamiento de grava y arena. Allí dialogan las antropofonías con las geofonías. Se puede buscar el fondo mineral que hay en los discos de vinilo y en las voces digitales. Un episodio sobre los estratos del sonido y los caparazones de las tortugas. Con citas de Mark Ronson, Sidarta Ribeiro, Anne Carson y Jussi Parikka, “Believe” de Cher, la voz y las ideas de Jorge Carrión, la batería de Andreu Quesada y un poema del escritor español Agustín Fernández Mallo leído por él mismo. ¡Madre mía! 

Volat, psát, surfovat, sledovat, poslouchat, číst, kupovat, hrát si, fotit nebo nahrávat. To všechno pravděpodobně umí i váš mobilní telefon. Nejste na něm závislí? Nestávají se z vás mobilní zombie? A proč se mluví o krvavých diamantech, a ne krvavých mobilech? Odpovídá mimořádný host - Jussi Parikka, mediální teoretik a profesor digitální estetiky a kultury z Aarhuské univerzity v Dánsku.Všechny díly podcastu Vinohradská 12 můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

A partir de la arquitectura que imita las formas naturales o del CRISR, que ha revolucionado la edición genética, reflexionamos sobre la compleja relación entre la ciencia, la tecnología y la naturaleza en el siglo XXI. AUTORES CITADOS: Leonardo Da Vinci, Antoni Gaudí, Jorge Wagensberg, Carl Sagan, John Berger, Jennifer A. Doudna, Samuel H. Sternberg, George Basalla, Jussi Parikka, Francisco Mogica, Tomás Libertiny, David Benjamin, Neri Oxman, Janine Benyus, William McDonough, Nicolas Bourriaud, Tomás Saraceno. Para seguir leyendo: La rebelión de las formas o cómo preservar cuando la incertidumbre aprieta, de Jorge Wagensberg (Tusquets). Una grieta en la creación: CRISPR, la edición génica y el increíble poder de controlar la evolución,  de Jennifer A. Doudna y Samuel H. Sternberg (Alianza Editorial). The Evolution of Technology, de George Basalla (Cambridge University Press). Insect Media: An Archaeology of Animals and Technology, de Jussi Parikka (University of Minnesota Press).

Sarah Meyohas, an artist who centers her practice within emerging technologies, talks about art on the blockchain, including BitchCoin, crypto currency backed by her own photography. Jussi Parikka reviews Critical Zones: The Science and Politics of Landing on Earth edited by Bruno Latour and Peter Weibel.

What kind of cultural theory would be adequate for the age of climate disturbances, technological shifts, and large-scale infrastructures? In this episode, Jussi Parikka, a media theorist and author of 'Geology of Media', talks about the materiality of media, slow environmental violence, and the way to apply his theory to The Terraforming. Design research program The Terraforming is a three-year (2020–2022) initiative of the Strelka Institute, directed by Benjamin H. Bratton. Each program cycle runs for 5 months and brings together a group of 30 interdisciplinary researchers in Moscow. Application period for the spring of 2021 is open till November 10, for more information visit our website: https://theterraforming.strelka.com

To find out more about Spokenweb visit: spokenweb.ca and subscribe to The Spokenweb Podcast on itunes, spotify, or wherever you may listen. Join us every first monday of the month for a brand new episode from the SpokenWeb Canada network.  If you love us, let us know! Rate us and leave a comment on iTunes or say hi on our social media @SpokenWebCanada.ReferencesCamlot, Jason. Phonopoetics: The Making of Early Literary Recordings. Stanford Universiy Press, 2019. https://www.sup.org/books/title/?id=23893---. "Historicist Audio Forensics: The Archive of Voices as Repository of Material and Conceptual Artefacts." 19: Interdisciplinary Studies in the Long Nineteenth Century 21 (2015). https://www.19.bbk.ac.uk/articles/10.16995/ntn.744/Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism. Oxford: Oxford University Press, 2000.Ernst, Wolfgang. Digital Memory and the Archive. Ed. Jussi Parikka. Minnesota: University of Minnesota Press, 2013.Feaster, Patrick. "Framing the Mechanical Voice: Generic Conventions of Early Sound Recording."Folklore Forum 32 (2001): 57-102.Gitelman, Lisa. Scripts, Grooves and Writing Machines: Representing Technology in the Edison Era.Stanford, CA: Stanford UP, 1999.Naremore, James. Acting in the Cinema. Berkeley: University of California Press, 1988.Rubery, Matthew. The Untold Story of the Talking Book. Cambridge, MA: Harvard UP, 2016.Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, NC and London, UK: DukeUP, 2003.UCSB Cylinder Audio Archive, http://cylinders.library.ucsb.edu/

Haroon Mirza is an artist based in London. His work combines light, sound and video to produce kinetic sculptures, performances and immersive installations. Collaboration is at the very core of Mirza’s approach, questioning the conditions under which art is produced, with his exhibitions deconstructing ideas of singular authorship. Jussi Parikka is a Finnish media theorist and writer. He is the author of various books on media archaeology, digital culture and technical media, including Insect Media: An Archaeology of Animals and Technology (2010) and What is Media Archaeology?(2011). He lives in Southampton. Inspired by Conversations Before The End Of Time by Suzi Gablik. Conversations In Time is recorded and distributed as part of European Capital of Culture Aarhus 2017.

Tak trochu hvězda alternativní mediální teorie Jussi Parikka v našem rozhovoru říká, že „cítí potřebu širší etické debaty o dopadech mediálních technologií na planetu“. Trefuje se tak do jednoho z nejbolavějších míst společnosti, která technologické hračky miluje – mluví o jejich ekologické stopě a o hromadění elektronického odpadu.

This talk will explore dust and materiality through multiple mediations. In general, it will examine processes, and the invisibility of production, distribution, and consumption. Framed through Jussi Parikka’s critical lens, we will study how the “seemingly immaterial is embedded in wide material networks,” and how technoculture is anchored in a transformation of materials—from mining to waste. Specifically, the presentation proposes an approach to dust as media in relation to the body. We will look at selected examples from visual and media arts.

Works for Radio 2017 premiere event, recorded live in Cinemateket in Copenhagen on January 14th 2017. Eight new pieces for radio, commissioned by The Lake. Works by Henriette Heise, Mariam The Believer, Kim Hiorthøy, Jussi Parikka, Geraldine Juárez, Nadine Byrne, Dag Johan Haugerud, and Syvende og Sidst.

Talk with dr Jussi Parikka during transmediale festival, Berlin. On anxiety, Donald Trump as pollution, obscene antrophocene and mapping. Machinology. Machines, noise and some media archeology by Jussi Parikka here: https://jussiparikka.net

Jussi Parikka is a media theorist, writer, and professor in Media & Design at Winchester School of Art (University of Southampton). In his presentation "Microtemporalities in Network Ecology: In Bursts, Not Flows," Parikka evokes Ernst’s argument for “a different sort of temporality…one of meticulous microengineering of network temporalities, their bursting nature, a world of data queues and synchronization.” Duke’s Mark BN Hansen, one of the leading scholars in the field of media theory and philosophy, responds to Parikka’s keynote afterwards. Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Adjunct Professor (“docent”) of Digital Culture Theory at the University of Turku, Finland. In addition, he is a Senior Fellow at the Winchester Centre for Global Futures in Art Design & Media. Mark BN Hansen is a professor with Program in Literature and with the Department of Art, Art History, and Visual Studies here at Duke. Hansen is also a media theorist and cultural critic whose work focuses on the experiential impact of new media technologies. His current research explores the experiential challenges posed by 21st century media, with particular emphasis on the expansion of sensibility through microcomputational sensing and the anticipatory, future-directed operation of data-driven media forms.

Download: Cult_Tech_Ep003_Benson_Parikka_Animal_Media.mp3In this episode dedicated to animals and media, historian Etienne Benson discusses the electronic surveillance of wildlife and media theorist Jussi Parikka talks about insects as technology. We also chat about animal studies, surveillance, biopolitics, Deleuze & Guattari, and why tracking technology isn't so creepy.