Podcasts about keep on walkin

http://deepfunkymeb.podomatic.comTHIS MONTHS MIX - 20 NEW FRESH TRACKS.......THANKS FOR DOWNLOADING MY LATEST FRESH PUMPING FUNKY PIANO HOUSE MUZIC ~ MIXED BY MARKIEBEEZ1. House Vetere - FederFunk2. Calm Island - Jazzamplers3. Keep On Walkin' (Classic Piano Mix) - Danny Slim 4. Alright - Tommyboy 5. Se Eu Nao Morrer - Bonetti6. Freak Of The Week - Housego7. Soul Sister - Rick Marshall8. Hurry Up (Kerri's Again Mix) - Kerri Chandler 9. In Your Mind - KACZ10. Funk The Sax - Moshu & Carlos (RO) 11. Strong - Rick Marshall, DiscoGalactiX12. Everything About You (Extended Mix) - Lykov13. Don't Set Me Free - Mark Masters 14. Lose Control - Maickel Telussa15. Without Me - C-Zens, Jordan Love 16. What Is House - Corrado Alunni 17. The Feeling - Sammy Deuce · Ordonez18. Get On The Funk - CASSIMM & Kid Enigma 19. This Is It (Extended Mix) - Max Muller, Dan Corco 20. Work On Me - Ben Rau

It is time to relax and enjoy the moment when lots of sensations will empower you. Like every month, for 2 hours the best worldwide sounds of the electronic scene will impact your soul. Compiled and Mixed by Dj Alan Dorve. - This month we start a new season, for the occasion the second hour of the show, will be in charge of this month's guest deejay, from Barcelona Uri Mood. - More info www.alandorve.com - 00. Intro Reflections Radio 01. Amanda Pryce, Medsound – Crazy (Original Mix) 02. Miyagi, Allies for Everyone - Golden (Original Mix) 03. Joy Tyson, ARKADYAN, Margee - One Love (Nandu Remix) 04. Chambord - Magic Carpet Ride (Original Mix) 05. Gai Barone - Luceeteek 06. T.M.A & Boy Oh Boy - Rausch 07. Jason Core, Sandry Sanz - Between Two Lovers (Vocal Mix) 08. Valentin, Le Rubrique, Dan Bay - Mädchen im Mond (Dirty Doering Remix) 09. Veednem - All You Need 10. Gadi Mitrani - Gone (Alex O'Rion Remix) 11. Fritz Kalkbrenner - In the Morning (Helsloot Remix) 12. Digitalism - People & Machines Guest Mix by Uri Mood 13. Coflo – Coflo’s Move (Original Mix) 14. Moojo, Arodes – Reborn 15. Flaminik – Nana 16. Deeplomatik – The Feeling (Extended Mix) 17. The Deepshakerz, Max Chapman – Fly Song (Max Chapman Extended Remix) 18. Danny Slim, IDA fLO – Keep On Walkin’ (Main Mix) 19. Danny Serrano - Ravey 20. Malone, Calussa – Besame 21. Mr. V – Mr. Bongo (Hello Children) (Butch Extended Remix) 22. The Deepshakerz – My Way (Original Mix) 23. Nic Fanciulli, Black Circle – Leap of Faith (Extended Mix) 24. The Deepshakerz – Moving (Tribe Mix) 25. Inafekt – Tribal Tool 26. The Deepshakerz – Capo Verde (Tribe Mix)

Show #947 Back To Now After the British Sixties trip of last week, Spinner is taking you back to now this week. 01. Josh Hyde - Stuck In A Rut (3:18) (Parish Blues, self-release, 2022) 02. Stacy Jones - Love Me Just The Way I Am (6:02) (World On Fire, self-release, 2022) 03. Jason Lee McKinney Band - One Last Thing (3:54) (One Last Thing, Bonfire Music Group, 2022) 04. Bobby Gentilo - Peace Train (4:08) (Gentilo, Blue Heart Records, 2022) 05. Big Jack Johnson - United States Got Us In A Bad Shape (5:49) (Daddy, When Is Mama Coming Home?, Earwig Music, 1991) 06. Diunna Greenleaf - I Don't Care (2:57) (I Ain't Playin', Little Village Foundation, 2022) 07. Lil' Ed and Dave Weld - I Can't Have Nothing (4:50) (Keep On Walkin', Earwig Music, 2016) 08. Mike Guldin - Twisted Tail (5:10) (Tumblin', Blue Heart Records, 2022) 09. Mike Morgan & the Crawl - Nothing's Gonna Be Alright (3:06) (Raw & Ready, Black Top Records, 1990) 10. Anson Funderburgh & the Rockets - Chill Out (3:14) (Sins, Black Top Records, 1987) 11. Duke Tumatoe & the All Star Frogs - Brown Eyed Woman (2:57) (Naughty Child, Blind Pig Records, 1980) 12. José Ramirez - Major League Blues (4:18) (Major League Blues, Delmark Records, 2022) 13. Duke Robillard - Blues In My Heart (5:52) (Duke Robillard & His Dames Of Rhythm, MC Records, 2017) 14. Jonas Scott Cowan - Another Reason (6:42) (Been There, Melrose Hill Records, 2019) 15. Bubba And The Big Bad Blues - Drifting (6:09) (Drifting, Fullerton Gold Records, 2022) 16. Rune Robert Friis - Never Coming Down (3:39) (Built For Comfort Vol. 1, self-release, 2022) 17. J-Rad Cooley - Baby Won't You Please Come Home (3:01) (Yard Sale, VizzTone Records, 2022) 18. Val Starr & The Blues Rocket - Age Is Just A Number (3:30) (Healing Kind Of Blues, Sandwich Factory Records, 2022) 19. Pierce Dipner - Goin' Back (4:57) (Goin' Back, self-release, 2022) 20. Rare Union - Bring It On (4:31) (Brother Of Mine, self-release, 2021) 21. Bananafish - Smoking Gaia (5:07) (Boston Bananafish, Treated And Released Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

The Lunar Saloon
 Every Friday from 10P - 12A PST
 99.1 FM Long Beach Streaming at KLBP.org Air date : February 5, 2021 -=-=-=-=-=-=-=-=-=- E Ruscha V & Woo, Who Are You (Woo Dub), Woo Are You Peter Sands, Service Station, The Sound Of Action Egberto Gismonti, Noite Sem Fim, Cidade Coração Astral Sounds, Metropolis, Teletext Science, Look Don't Touch (Long Version), Look Don't Touch Laser, Galaxy, Laser Daniel Grau, Atlantis, Disco Fantasy The Bob Crewe Generation, Free (Medley) - I Am ... Free ... Keep On Walkin', Street Talk Shane Martin, I Need You, Northern Soul - Hall Of Fame Jerry Jones, Oh Me Oh My, Studio One Lovers Rock Leon Mitchison & The Eastex Freeway Band, Love Is, Soul Cal: Disco & Modern Soul 1971-1982 Midnight Runners, Tonight, Tugboat Edits Volume 14 Thunder, Speed Cross, Speed Cross Klaus Weiss, Course Race Track, Sport Sequences Vol. 2 Doctor's Cat, Theme From Rodeo, Gee Wiz The Voyagers, Distant Planet, Distant Planet Falco, Der Kommissar, Einzelhaft Kings Of Tomorrow Featuring April, Fall For You (Sandy Rivera's Classic Mix), DJ-Kicks: Moodymann Hiperboreal, Tijuana For Dummies, Nortec Collective - The Tijuana Sessions Vol.1 Subject, The Magic, The Moment (Momental Mix), The Magic, The Moment Autarkic, And The Tribe Debates.., Treble Rebel EP The Field, Sequenced, Yesterday and Today Curve, Super Blaster, Cuckoo Red Hot Chili Peppers, Search And Destroy, Give It Away The Pixies, Bagboy, Bagboy Men At Work, Crazy [Non LP B-Side], Business As Usual The New Year, My Bleeding Wound, Personal Space Electronic Soul 1974 - 1984

This show starts at a slightly higher tempo than usual (110 bpm) as my aim was to get up to around 135 bpm which is the speed of a lot of Broken Beat and Jazz Fusion which I never seem to get to play. The reason being is that I have set myself a challenge since show has been back online this year to beat mix every record. I didn’t quite get to 135bpm this time, but I happy that I got to 131 from 110bpm in two hours. Not a bad effort! I started off with some Boogie, Electro-Jazz, P-Funk & Jazz-Funk before dipping into some more contemporary sounds of House & Broken Beat. Then finishing off with some Latin flavoured Jazz Fusion. All vinyl as usual! I hope that you enjoy the ride. The Whole Truth – Lord, Quench My Soul (Garage Mix) (Parkway Records) Jocelyn Brown – I Wish You Would (Vinyl Dreams Records) Richard Jon Smith – Keep On Walkin’ Out That Door (Dub) (Jive Records) East Coast Love Affair – Don’t Be Afraid (Athens Of The North Records) Peech Boys – Don’t make Me Wait (West End Records) Tyzik – Jammin’ In Manhattan (Long Version) (Polydor Records) Raydio – Still In The Groove (Full Length Version) (Arista Records) The Shider Family Band – Keep You Burning (Mini Disco) (Headed Up Records) Eastside Connection – Over Please (Creole Records) Rance Allen Group – Truth Is Marching On (Capitol Records) Beau Zwart – Bustin’ Out (Fluid Funk Records) Soulphiction – 24/7 Love Affair (Local Talk Records) Borrowed CS – Balance (Planet Trip Records) Mr President – The Time Is Now feat. Hawa (Favourite Records) J-Felix – Mind Up feat. Andrew Ashong (Werkha Remix) (Tru Thoughts Records) Donny Hathaway – I Love You More Than You’ll Ever Know (Timmy Regisford’s Original Version) (Circuit Records) Roy Davis Jr feat. Peven Everett – Gabriel (Live Garage Version) (XL Recordings) Viper Squad – Universal People (Far Out Recordings) Cengiz – Not Eazy Listening (Super Sonic Jazz Records) The Manuel Azevedo Quartet – Futbol De Bar (Freestyle Records) Eighties Ladies – Tell Him (Uno Melodic Records) Dinosaur L – Go Bang! #5 (Sleeping Bag Records) Myele Manzanza – Big Deal (Mark De Clive-Lowe Remix) (First Word Records) Likwid Continual Space Motion – Soul In Yo Mind (Super Sonic Jazz Records) Likwid Continual Space Motion – Anuunaki (Super Sonic Jazz Records) Likwid Continual Space Motion – Bubbler (Super Sonic Jazz Records) The Jeff Lorber Fusion – The Samba (Inner City Records) Urszula Dudziak – Night In Tunisia (Arista Records)

International Women's Day Archetypal Mosaic Special Episode: Iconic Recording Artist, Cece Peniston (Finally, Keep On Walkin, Hit By Love, and many more hit songs). We discuss the creative process, the tracks, the spirit and love. Join CeCe on 3/17/18 for Black Women Rock, more info via CeCePeniston.com and BlackWomenRock.com Radio podcast episode hosted by Mikhail Tank MikhailTank.com #InternationalWomensDay #hitsongs #iconicsinger #CeCePeniston #ArchetypalMosaic #Podcast #Radio #Spotify #iHeartRadio #iTunes

We bring to you a dope subject for this week's music episode. We list some of our favorite hooks across any genre. #20 Travis Scott - "lose" #19 James Bay - "Let It Go" #18 CeCe Peniston - "Keep On Walkin" #17 Hoobastank - "The Reason" #16 The Isley Brothers - "Contagious" #15 Passenger - "Let Her Go" #14 50 Cent feat. Akon - "I'll Still Kill" #13 Rufus feat. Chaka Khan - "Please Pardon Me" #12 Kendrick Lamar - "Alright" #11 The Script - "Breakeven" #10 Amerie - "I Just Died" #9 Frank Ocean - "Pink + White" #8 Marvin Gaye - "What's Going On" #7 Queen - "We Will Rock You" #6 The Doobie Brothers - "What a Fool Believes" #5 Alanis Morissette - "Uninvited" #4 Future - "March Madness" #3 2Pac - "Ambitionz Az A Ridah" #2 Wale, Meek Mill feat. Rick Ross & T-Pain - "Bag of Money" #1 Stevie Wonder - "Overjoyed"

CeCe Peniston (/siːˈsiː ˈpɛnistən/; born Cecilia Veronica Peniston; September 6, 1969)[1] is an American recording artist and former beauty queen.[2][3][4][5][6][7][8] In the early 1990s, she was one of the most successful dance club artists in the history of the U.S. Billboard Hot Dance Music/Club Play, scoring five number one hits in the chart within three years.[9][10] Her signature song "Finally" (#5 in the Hot 100[10] and #2 in UK Top 75[11]) became one of the biggest dance singles, selling three million copies worldwide.[12]Peniston has performed at private engagements for Aretha Franklin's private birthday party in Detroit, Michigan, Pope John Paul II in Rome at the Vatican (as a member of the gospel band Sisters of Glory) and the 42nd President of the United States, Bill Clinton, during both of his inauguration ceremonies in Washington, D.C.[13] She was the first foreign female entertainer to perform in post-apartheid South Africa.[13][14]On February 4, 2011, Peniston signed a record deal with West Swagg Music Group/Bungalo Records, with full distribution through Universal Music Group Distribution, and announced release of a new solo album 15 years after her last studio set (I'm Movin' On from 1996 on A&M Records).[15]By the end of the year, however, only three digital singles had been issued including a new song called "Stoopid!",[16] and two cover versions of her prior hits, "Keep On Walkin'" and "Finally".[17][18]In December 2016, Billboard magazine listed her among the 100 Top Dance Club Artists of All Time See acast.com/privacy for privacy and opt-out information.

CeCe PenistonCeCe Peniston (/siːˈsiː ˈpɛnistən/; born Cecilia Veronica Peniston; September 6, 1969)[1] is an American recording artist and former beauty queen.[2][3][4][5][6][7][8] In the early 1990s, she was one of the most successful dance club artists in the history of the U.S. Billboard Hot Dance Music/Club Play, scoring five number one hits in the chart within three years.[9][10] Her signature song "Finally" (#5 in the Hot 100[10] and #2 in UK Top 75[11]) became one of the biggest dance singles, selling three million copies worldwide.[12]Peniston has performed at private engagements for Aretha Franklin's private birthday party in Detroit, Michigan, Pope John Paul II in Rome at the Vatican (as a member of the gospel band Sisters of Glory) and the 42nd President of the United States, Bill Clinton, during both of his inauguration ceremonies in Washington, D.C.[13] She was the first foreign female entertainer to perform in post-apartheid South Africa.[13][14]On February 4, 2011, Peniston signed a record deal with West Swagg Music Group/Bungalo Records, with full distribution through Universal Music Group Distribution, and announced release of a new solo album 15 years after her last studio set (I'm Movin' On from 1996 on A&M Records).[15]By the end of the year, however, only three digital singles had been issued including a new song called "Stoopid!",[16] and two cover versions of her prior hits, "Keep On Walkin'" and "Finally".[17][18]In December 2016, Billboard magazine listed her among the 100 Top Dance Club Artists of All Time (as the 52nd) 1969–90: Early life[edit]Peniston was born in Dayton, Ohio, in United States, but spent the majority of her formative years in Phoenix, where she was raised since she was nine. As a daughter of a former military father, Ronald Peniston (born 1934, married Barbara Anne in 1960), she started singing at church[20] and doing plays and musicals such as H.M.S. Pinafore in the 6th grade. She participated in local karaoke contests and singing talent shows, while taking piano lessons.[4][8]She attended Trevor G. Browne High School, class of 1987, in Phoenix,[21] and landed a part in a local theater group's production of Bubblin' Brown Sugar[3][4] (playing the young Sweet Georgia Brown[22]). After earning her diploma, she continued to study liberal arts at the Phoenix College, where she got involved in athletics, and entered beauty pageants. She was crowned Miss Black Arizona in 1989[3][4][5][6][7][8][12] and Miss Galaxy in 1990.[3][7]Peniston began writing pop lyrics already at school. The words of her international hit "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. Her music career began in January 1991, when Felipe "DJ Wax Dawg" Delgado, her friend and a record producer based also in Phoenix, asked Peniston to record back-up vocals for Tonya Davis, a black female rapper known as Overweight Pooch after her childhood nickname.[3][4][24]Davis, headed in a direction of a "new" Monie Love, was searching for a singer to add vocals to the title track of her album Female Preacher, which was to be released on A&M Records that summer. At a talent show she met a woman named Malaika LeRae Sallard, but when it came time to get Sallard into the studio, the rapper found she'd lost her future label-mate's number. When Delgado, who'd preferred Peniston instead, brought his favorite in to do background parts, the response from everyone was immediate, but did not move the Pooch to invite Peniston back for more vocals – unless she was successful in locating Sallard.[24]Later, as it became clear that Peniston was leaping from the Overweight Pooch's album to the top of the charts, rumor had it the Pooch was stewing over Peniston's using Female Preacher as her springboard. Tonya Davis, pregnant at the time of recording her album, swore she harbored no jealousy towards Peniston. "There's no jealousy, because she has a voice. I gave her the chance, but I didn't give her a voice,"[24] the rapper insisted for Phoenix New Times in July 1992, and Peniston, interviewed by the same newspaper in the meantime, reacted by her own words. "I feel like anything's possible and I know one thing. If I wasn't at this spot, I still would be achieving to get to this spot."[24] Ironically enough, Sallard eventually threw in a few back-up vocals for Peniston on a song with a significant title, "You Win, I Win, We Lose", while Peniston, who in return played an agent to get a record deal also for Malaika (whose album Sugar Time scored in 1993 two Top 5 hits on the US Dance chart, including the No. 1 single "Gotta Know (Your Name)") mentioned the Pooch's name on her own debut album in addition, leaving Davis a note saying "thanks for letting me be a part of Female Preacher".[25]Besides the Peniston's vocal performance on three tracks in total, of which "I Like It" was released as a single with a moderate success (at #16 in US Dance[26] and #58 in UK Top 75[27] the following January), she was eventually given also a credit for co-writing two of those, "Kickin' Da Blues" and the title's, "Female Preacher". But the Overweight Pooch's album flopped on the market, and A&M was the first major label for Delgado himself, who was facing contractual disputes with the record company. After Manny Lehman (a DJ, then A&M Art Director and one of the executive producers of Female Preacher) also noticed the powerful voice of a still back-up vocalist, he offered Delgado a second chance, and commissioned him to produce a track for Peniston herself as a solo artist.[4] Not looking to lose his major deal connections, Delgado called on a hometown friend and music producer too, Rodney K. Jackson (they two met through mutual friends in Arizona), who was brought then to A&M family to help co-produce the Peniston's single, which was soon to be recognized as “Finally”.[28]Despite an initial label's resistance to sign Peniston to more than a one-off single deal, the “Finally” session resulted in recording her own debut album after the final approval of A&M's Vice President, Mark Mazzetti.[29]1991–92: Finally[edit]Peniston with Felipe Delgado at Chaton Studios in Phoenix, Arizona, putting final touches to her debut albumI was sitting in a Chicago pizza parlor in October and I heard over the radio 'Finally by CeCe Peniston'. I just started looking around going 'That's me! That's me!"[5]—Peniston recalled for EW magazine in 1992. (Almost 20 years later, when asked by Mega 104.3, she denied saying it, during her interview broadcast live on April 5, 2011.)[30]Peniston was 21 years old when her debut single "Finally" was released. The song burst on to the US club scene in the fall of 1991, where it became an instant dance anthem peaking, in October,[10] at the top of the Billboard Hot Dance Music/Club Play for two weeks, while achieving a respectful starting position (at No. 29)[11] overseas.After her first song climbed the international charts, Peniston was headed into the studio to record a full-length album. However, she "had two months to pull the whole album together" and "didn't realize the impact the record was having until it reached the top five". She also described how difficult it was to begin her career at such an extreme pace, but [4] the result was a solidly produced ten track collection titled Finally, issued in January of the following year.Both the single and album entered the US Hot 100, as well as the UK Top 75 chart (at No. 5[10] and No. 2 for single,[11] respectively at No. 70[10] and at No. 10 for album release[11]), and ultimately earned Peniston a gold or silver certification in both countries. By the end of 1992 her debut (in Europe re-released in 1997 with a bonus remix "Finally '97") sold over 540,000 in United States.[31]"We Got a Love Thang", the second single (co-written by Chantay Savage), with a video clip in heavy rotation on TV music channels, went to No. 1 in the US Dance chart in February (No. 20 in the Hot 100),[10] and in England (where "Finally" skipped to No. 2 eventually[11]) "We Got a Love Thang" peaked at No. 6.[11] Might the only controversial question regarding the title remain who had provided background vocals on the record? While on her album Finally Darnnel Rush was credited, on its single release, the name of Kym Sims (who was a co-writer of "Keep On Walkin'") appeared as one of back-up vocalists actually.[32]With another hit record on the charts, Peniston began a year of touring clubs and small theaters in the USA in support of her album. Her travels started with a series of shows in the Philippines, Japan, the United Kingdom, Germany, Spain and Italy, and after her return to the USA, Peniston continued with such R&B acts as Joe Public, the Cover Girls, R. Kelly and Levert.[4] While on tour, "Keep On Walkin'", a hip hop swinging composition, joined the list of Peniston's three consecutively running hits, bringing Peniston in June her third No. 1 in the U.S. Billboard Hot Dance Music/Club Play chart (No. 15 in the Hot 100),[9] and another Top 10 hit in UK.[11] Later in August, that was also her highest outing in the US R&B chart, scoring at No. 3.On October 17, Billboard magazine announced that Peniston was the leading nominee in the Billboard Music Awards, being nominated in four categories: three times in the dance category with "Finally" (Best New Artist, Best Female Artist and Best Director), and one in the R&B/Rap category (Best Female Artist) for her urban hit "Keep On Walkin'".[33] Ultimately the song won two awards, and three of her singles released in 1992 were listed also within the Top 100 songs of the Billboard Year-End chart (at No. 20 with "Finally", at No. 61 with "Keep On Walkin'", and at No. 97 with "We Got a Love Thang"[34]). In the UK, Peniston was listed as the 20th of Top Selling Singles Artists in 1992.Additional songs taken from album Finally achieved the Top 40 status at least in the hip hop/R&B field. The grieving lyrics of her ballad "Inside That I Cried", co-written by Peniston's then-husband, Malik Byrd (who appeared also in its video), and produced in conjunction with Anita Baker's cohort, Steve Lindsey, peaked at No. 10 in the US R&B (No. 94 in the Hot 100[10] and No. 42 in UK Top 75[11]). The fifth single, a midtempo, "Crazy Love", climbed to No. 31 (No. 97 in the Hot 100[10] and No. 44 in UK[11]).By the end of the year, Peniston received several awards for her achievements in the music industry for 1992. Among them, one Billboard Music Award (as Best New Artist – Dance, the second went to the video director Claude Borenzweig), three ASCAP Awards (for Song of The Year, Most Performed Song of The Year, and Pop Songwriter of The Year), another three awards (as Best New Dance Artist, Best Dance Solo Artist, and for Best 12" Dance Record) at the Annual Winter Music Conference, and the BMI Urban Award of Achievement.[13] The album itself was nominated on a Soul Train Music Award '93 in the Best R&B/Soul Album – Female category.[35]1993–95: Thought 'Ya KnewWithin a year, Peniston was back in the studios to record her sophomore release, and the particular challenge for the vocalist was to avoid getting pigeonholed into the dance genre. For that reason, several ballads were arranged to appear on the final set (in the front with "Forever In My Heart", produced by Brian McKnight), of which, however, none was chosen for a single release. This time around, Peniston co-authored three of thirteen tracks ("Whatever It Is", "Give What I'm Givin" and "Maybe It's The Way",[4] a ballad about her father[8]), and along with Manny Lehman and Damon Jones, who later became Peniston's manager, she was also credited as an executive producer of her scheduled album release, Thought 'Ya Knew. Apart from others, also fellow Ohio-born singer Norma Jean Wright joined the session.[36]After a certain level of hesitation over the first single, "I'm in the Mood" (originally produced by Soulshock and Karlin) was picked to be the final leader—though as support for "Searchin'", which would be separately delivered on vinyl only to DJs. "I'm in the Mood" did well by itself, and with a video accompanied by a hip-hop remix from M-Doc & Jere M.C. (better known as In Da Soul) the title was on singles reproduced by David Morales for the dance floor. The song spawned Peniston's fourth No. 1[10] (dethroning from the top of the US Dance chart Aretha Franklin's "A Deeper Love") and peaked at No. 16 in UK[11] (#32 in the Hot 100[10]).On January 25, 1994, the album Thought 'Ya Knew, which was to represent Peniston's musical zenith at that time, arrived on all available formats, including digital compact cassettes. However, as the record promptly entered the music charts, it was soon to be evident Thought 'Ya Knew was not enjoying the high-profile success of her previous set Finally. After its progress had stalled in the Billboard 200 at No. 96,[10] Thought 'Ya Knewclimbed to No. 31 in the UK,[11] but the album charted for only two weeks in the UK.Not certain about the second single either, "Keep Givin' Me Your Love" was accepted to become the British follow-up. But the track, remixed by Eddie Gordon's West End production team, had no supporting music video, and after peaking at No. 36 in April in the United Kingdom,[11] an alternative title ("I'm Not Over You") was chosen for the US market as the second cut from the Thought 'Ya Knew album."I'm Not Over You" (written by Steve Hurley, Jamie Principle, and M-Doc) might have missed the highest position of the US Dance chart, but only by about one point (at No. 2),[10] and the single was later classified in the overall Billboard Hot Dance Music/Club Play chart as the ninth most successful track of 1994 (leaving "I'm in the Mood" far behind, at #44). However, although the song had sealed the Top 10 of the US R&B chart, it did not succeed in the Hot 100 that much, failing to crack Top 40 (No. 41).[37] Considering that expectations of A&M Records company must have been bigger than a club play sale of Peniston's singles, "I'm Not Over You" was released in UK only on B-side of the "Hit by Love" release."Hit by Love" was to be the third song taken from the album. As with her previous releases, the song (with additional remixes by David Morales) became Peniston's next US Dance hit in a line of her No. 1s, but while on the top of the chart "Hit by Love" stayed for another week, the single stuck at No. 33 in the UK Top 75,[11] as well as on the bottom positions of the American Hot 100 chart (at No. 90).[10]Along with "Hit by Love" in the charts, A&M issued a rare compilation, Remix Collection, in Japan with nine alternate versions of her songs previously available only on vinyl, which tracked Peniston's music career since the "Keep On Walkin'" release. A similar remix collection, however, consisting of only two singles ("Finally" and "We Got a Love Thang"), was earlier issued in Japan as an EP under the title Finally / We Got a Love Thang: Remix Collection featuring overall eight remixed versions.At the end of the year Peniston was named the No. 1 Billboard Hot Dance Music/Club Play Artist,[37] summarizing all her songs released in 1994 ("I'm Not Over You" #9, "Hit by Love" #24, and I'm in the Mood" #44). While A&M was listed as the sixth best dance label in the Billboard Year-End chart, Peniston was also rated as the 5th Top R&B Singles Female Artist (behind Janet Jackson, Toni Braxton, Aaliyah and Mariah Carey).[38]In addition, a remix of "Keep Givin' Me Your Love" was popularized on the original motion picture soundtrack of the Prêt-à-Porter (Ready To Wear) film, and released in the U.S. after a one-year delay, scoring No. 4 in the US Dance charts in March 1995. "Keep Givin' Me Your Love" became Peniston's first song not to enter the Hot 100 chart (No. 101),[10] possibly as the result of appearing as a B-side on her previous release, and sharing its sales with the single "Hit by Love". See acast.com/privacy for privacy and opt-out information.

This week your favorite hosts Mugs & Rhi bring back the walkman! Get the origin story of our favorite machine that allowed 80s teens to ignore their parents for a full decade. We’ll flashback to great walkman movie moments, and learn about the power of the mixtape.

CeCe Peniston. Debuts new single' Believe '. Chaos featuring CeCe Peniston. The 1990s, proved to be substantial for the Dayton, Ohio native. She became an international sensation and was considered to be one of the most successful dance club artists in the history of the US Billboard Hot Dance Music/Club Play Charts. Peniston was successful at scoring five major number one hits within three years. Her signature Dance hit “Finally” was #5 on the Billboard Hot 100 Chart and #2 on the UK Top 75. It became one of the biggest dance records in history to sell over 3 million copies worldwide. On October 17, Billboard magazine announced that Peniston was the leading nominee in the Billboard Music Awards, being nominated in four categories: three times in the dance category with "Finally" (Best New Artist, Best Female Artist and Best Director), and one in the R&B/Rap category (Best Female Artist) for her urban hit "Keep On Walkin’". Ultimately the song won two awards, and three of her singles released in 1992 would be listed within the Top 100 songs of the Billboard Year-End chart (at #20 with "Finally", at #61 with "Keep On.

Join us as we have one of the most successful dance club artist of all time. Ce Ce has charted five # 1 hits in three years. CeCe ton’smusic career began in 1990 when she signed to A&M Records. She got her initial exposure doing featured vocals on Phoenix female rapper Overweight Pooch’s 1991 single “I Like It”. The label was so impressed with ton’s vocals, that they wanted her to release her own solo single “Finally”, which dropped in the fall of 1991.“Finally” is an uplifting anthem that speaks to finally finding true love. Discovered by famed deejay/remixer Manny Lehman, ton released her debut album, “Finally”, in 1992. The album, released on A&M Records, sold over three million copies worldwide. Her first single, “Finally”, achieved #1 chart status on three Billboard charts.  She has has other hits like "Keep on Walkin" and  "We Got a Love Thang". She founded the CeCe ton Youth Foundation to help raise funds for many other organizations, particularly those concerned with HIV/AIDS, women and children in need, hunger and the equality of mankind.

Join us as we have one of the most successful dance club artist of all time. Ce Ce has charted five # 1 hits in three years. CeCe ton’s music career began in 1990 when she signed to A&M Records. She got her initial exposure doing featured vocals on Phoenix female rapper Overweight Pooch’s 1991 single “I Like It”. The label was so impressed with ton’s vocals, that they wanted her to release her own solo single “Finally”, which dropped in the fall of 1991.“Finally” is an uplifting anthem that speaks to finally finding true love. Discovered by famed deejay/remixer Manny Lehman, ton released her debut album, “Finally”, in 1992. The album, released on A&M Records, sold over three million copies worldwide. Her first single, “Finally”, achieved #1 chart status on three Billboard charts.  She has has other hits like "Keep on Walkin" and  "We Got a Love Thang". She founded the CeCe ton Youth Foundation to help raise funds for many other organizations, particularly those concerned with HIV/AIDS, women and children in need, hunger and the equality of mankind.  

Some classic Jesus music, including: Marantha Marathon - Honeytree, Runner - Twila Paris, Keep On Walkin' - Dogwood, The Army Of The Lord - Harvest, I've Got Confidence - Andrae Crouch & The Disciples, Be With Me Jesus - Al Green, Sail On - The Imperials, Have You Heard The Good News? - Glad, Noah - Jerusalem, I Know - Edin-Ådahl, Fool's Wisdom - Malcolm & Alwyn, Fool's Wisdom - Phil & John

Some classic Jesus music, including: Marantha Marathon - Honeytree, Runner - Twila Paris, Keep On Walkin' - Dogwood, The Army Of The Lord - Harvest, I've Got Confidence - Andrae Crouch & The Disciples, Be With Me Jesus - Al Green, Sail On - The Imperials, Have You Heard The Good News? - Glad, Noah - Jerusalem, I Know - Edin-Ådahl, Fool's Wisdom - Malcolm & Alwyn, Fool's Wisdom - Phil & John