Podcasts about Peniston

OOPS -- I got the date wrong in the recording. Dr. Walker's webinar is February 18th, not 17th. Sorry...Subscribe here or wherever you get your podcasts. This episode's guide is Dr. Linda Walker, therapist and neurofeedback and biofeedback provider. Dr. Walker has used neurofeedack successfully with many difficult populations. On February 18th, she is presenting a free webinar on alpha/theta neurofeedback training. This method is successfully used to help individuals who experienced trauma, substance use, and other significant behavioral health problems. It is also used in optimal performance training. Dr. Walker names a number of resources during the interview. These include the Peniston protocol for substance abusers, and the modifications made by Scott and Kaiser.Antonio Martins-Mourao and Cynthia Kerson edited an excellent volume on alpha/theta training.Finally, join Dr. Walker in her class to learn how to implement alpha/theta neurofeedback.Please rate us and leave reviews. It really helps get us to more listeners.This podcast is produced by the Northeast Region Biofeedback Society. NRBS is an organization for professionals, students, and everyone interested in neurofeedback, biofeedback, and whole body health.Learn more about Dr. Saul Rosenthal at advancedbehavioral.care.Contact us at healthybrain@nrbs.org.Our theme music is Catch It by Coma-MediaThe Healthy Brain Happy Body logo was designed by Alexandra VanDerlyke. Our heartfelt thanks to her and the rest of the team at Collectively Rooted.#biofeedback #neurofeedback #nrbs

Este episodio de podcast examina el caso Rendlesham, un incidente ufológico ocurrido en 1980 en un bosque de Inglaterra. Se presentan novedades y la entrevista a Larry Warren, un testigo clave. El programa detalla tres noches de sucesos extraños que involucraron a militares de bases cercanas. Se analizan los testimonios de militares como Charles Holt, Jim Peniston y el controvertido Larry Warren. Se escuchan fragmentos de las grabaciones de audio de la investigación. Se cuestiona un posible encubrimiento militar. Se consideran teorías alternativas, como la posibilidad de que el incidente fuera causado por plasma natural en lugar de naves extraterrestres. También se menciona un nuevo documental que incluirá aspectos paranormales y criptozoológicos. Además, se habla de las coordenadas misteriosas obtenidas telepáticamente por Peniston, que apuntan a lugares como una isla desaparecida, la pirámide de Caracol, Sedona, las pirámides de Giza, las líneas de Nazca y el monte Tai. En resumen, el episodio ofrece un análisis profundo del caso Rendlesham, presentando testimonios, evidencias y diversas teorías. Informe desclasificado de las cintas Halt: https://www.nicap.org/docs/810113_Halt_Memo.pdf Hazte con el libro de Álvaro Martín, "El libro del fuego" https://www.planetadelibros.com/libro-el-libro-del-fuego/400555 -Twitter: @EcosdeloRemoto -Instagram: https://www.instagram.com/ecosdeloremoto -Twitch: https://www.twitch.tv/ecosdeloremoto -YouTube: https://youtube.com/live/67U-g29sWjA -Mail: ecosdeloremoto@gmail.com -Telegram: https://t.me/remoteros

Este episodio de podcast examina el caso Rendlesham, un incidente ufológico ocurrido en 1980 en un bosque de Inglaterra. Se presentan novedades y la entrevista a Larry Warren, un testigo clave. El programa detalla tres noches de sucesos extraños que involucraron a militares de bases cercanas. Se analizan los testimonios de militares como Charles Holt, Jim Peniston y el controvertido Larry Warren. Se escuchan fragmentos de las grabaciones de audio de la investigación. Se cuestiona un posible encubrimiento militar. Se consideran teorías alternativas, como la posibilidad de que el incidente fuera causado por plasma natural en lugar de naves extraterrestres. También se menciona un nuevo documental que incluirá aspectos paranormales y criptozoológicos. Además, se habla de las coordenadas misteriosas obtenidas telepáticamente por Peniston, que apuntan a lugares como una isla desaparecida, la pirámide de Caracol, Sedona, las pirámides de Giza, las líneas de Nazca y el monte Tai. En resumen, el episodio ofrece un análisis profundo del caso Rendlesham, presentando testimonios, evidencias y diversas teorías. Informe desclasificado de las cintas Halt: https://www.nicap.org/docs/810113_Halt_Memo.pdf Hazte con el libro de Álvaro Martín, "El libro del fuego" https://www.planetadelibros.com/libro-el-libro-del-fuego/400555 -Twitter: @EcosdeloRemoto -Instagram: https://www.instagram.com/ecosdeloremoto -Twitch: https://www.twitch.tv/ecosdeloremoto -YouTube: https://youtube.com/live/67U-g29sWjA -Mail: ecosdeloremoto@gmail.com -Telegram: https://t.me/remoteros Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

We've finally hit 250 episodes, so what better time to talk about CeCe Peniston's unforgettable 1991 dance anthem, “Finally”? While some may argue this is a controversial pick—Peniston did have a few other Top 20 hits—her name often lands on lists of ‘90s one-hit wonders. How did this powerhouse vocalist, whose talent and charisma were undeniable, end up with her career so tightly associated with just one song? In this episode, we dive into CeCe's career, explore the enduring legacy of “Finally,” and uncover why her other successes were quickly overshadowed by this timeless classic. One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy Murray won his first round match against Peniston with ease and will face either Thiem or Tsitsipas in round 2. Alcaraz put an end to Chardy's career in impressive fashion. Rybakina, Sabalenka & Jabeur all went through in style, while Roger Federer made an appearance to unsettle the players on court! ❤️ SUBSCRIBE TO GTL: https://bit.ly/35JyOhz ▶️ JOIN YOUTUBE MEMBERSHIP: https://bit.ly/3Fk9rSr

Multi-platinum recording artist Cece Peniston (5 #1 Billboard Hits) and actor/author/producer Charles F. Rosenay join us on this episode of The Jimmy Star Show with Ron Russell broadcast live from the W4CY studios on Wednesday, May 10th, 2023.The Jimmy Star Show with Ron Russell is broadcast live Wednesdays at 3PM ET.The Jimmy Star Show with Ron Russell TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Jimmy Star Show with Ron Russell Radio Show is broadcast on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Jimmy Star Show with Ron Russell Podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

History, heritage, ethos, and institutional culture are more than just books, lectures, static displays, songs, stories and rituals - they are part of a tapestry that define the characteristics of an organization and a people.In a cold, neutral review of individual parts, it can be a challenge to see why they are important, what they really signify ... why we keep, remember, and practice them.On occasion, events suddenly reveal how that tapestry creates a culture and the amazing things that culture can accomplish. Those events become in themselves a story and reinforce and expand the tapestry.One such event took place 35 years ago this April, the mine strike of the USS Samuel B. Roberts (FFG-58) on 14 APR 1988.Returning to Midrats to discuss the events of that day and the very real legacy we see today from the ship and her crew will be Bradley Peniston, deputy editor of Defense One and author of the reference book on the mine strike; No Higher Honor: Saving the USS Samuel B. Roberts in the Persian Gulf (Naval Institute Press, 2006), which has been featured in the Chief of Naval Operations' Professional Reading Program.Brad is a national security journalist for a quarter-century, he helped launch http://Military.com, served as managing editor of Defense News, and was editor of Armed Forces Journal.

What's good Porch family! We are back with another banger. Today's special guest is a big time influencer, she's a model, an actress, a singer, and just an overall dope person. The one and only Shadean Peniston! In this episode, we talk about A LOT of important topics. Starting off with aliens living among us, a woman marrying herself, how to grow your following, and why Shadean believes women cheating is way worse than men cheating. I promise you're in for a good one so go grab a drink & a snack and pull up to The Porch!!! Thanks so much for listening. If you vibe with the podcast, please Rate it 5 Stars ⭐️ on Apple Podcasts & whatever other platform that you listen to podcasts! We appreciate the support!!! ✊

In today´s episode we speak to GB´s Ryan Peniston. Ryan has had his breakthrough year on the ATP Tour reaching a career high of 123, with wins over top 50 players Casper Rudd, Holger Rune and Francisco Cerundolo. He had an amazing run during the grass court season reaching the quarter-finals at Nottingham, Queen's and Eastbourne, and the 2nd round of Wimbledon on his debut at SW19. Ryan was diagnosed with cancer at the age of 1, spending months in hospital undergoing surgery and chemotherapy. He tells us about how this has shaped the person he is today, and talks us through his career and goals for the next year. Ryan´s story is a great example of perseverance and hard work, a great listen for young players! Today is also International Podcast Day and we want to take this opportunity to thank you for listening to the show. We love making this podcast and we hope you´re enjoying it and learning as much from it as we are! We would love to know who your favourite guests have been, or who you would like to hear from next! Email us at ctc.podcast@sototennis.com or reach out to us on Instagram! Links Mentioned in this Episode:- Control the Controllables: Website | Instagram | Email SotoTennis Academy: Website | Instagram | Facebook | Twitter Episode 175: Roger Federer Retirement Special

While we've had a few authors on this show, one thing we have not had is the author of an illustrated book. This week's guest, Thomas Peniston, is the illustrator and writer of A Time For Color: A Book About Joy. While it may seem to be a...

Election Day - Arcadia, The Final Countdown - Europe, This Is the Day - The The, The Last Worthless Evening - Don Henley, Finally - CeCe Peniston, In the Air Tonight - Phil Collins

Morse code transcription: vvv vvv Judge blocks Louisianas abortion trigger law In Florida, California and Beyond Both Sides Mobilize Over Abortion Nazi camp guard, 101, given five years for aiding murder Kremenchuk. Strike on shopping centre was act of terror Zelensky Who will take on Gov. J.B. Pritzker this fall Republican voters get final say in Tuesdays primary Frustration, anger rising among Democrats over caution on abortion US Supreme Court Should this coach have been punished for praying Krememchuk strike I didnt think they would hit a mall its a safe place Texas At least 40 found dead in lorry reports Timed Teaser Who rocked Glastonbury with McCartney U.S. Supreme Court takes aim at separation of church and state In Illinois, MAGA Congresswoman Rallies to Oust Her G.O.P. Colleague 46 migrants were found dead inside a semitruck in San Antonio, with 16 more hospitalized, authorities say Judges Block Utah and Louisiana Abortion Laws Amid Flurry of Legal Action 7 things to watch for in primaries in Colorado, Illinois and other states El Salvadors abortion ban I was sent to prison for suffering a miscarriage Wimbledon GBs Swan and Peniston in action, Berrettini out with Covid 19 Jan 6 hearing live Ex Trump chief of staffs top aide expected to testify before investigating committee Australia census Five ways the country is changing

Morse code transcription: vvv vvv Kremenchuk. Strike on shopping centre was act of terror Zelensky 7 things to watch for in primaries in Colorado, Illinois and other states In Florida, California and Beyond Both Sides Mobilize Over Abortion Judges Block Utah and Louisiana Abortion Laws Amid Flurry of Legal Action Nazi camp guard, 101, given five years for aiding murder Texas At least 40 found dead in lorry reports US Supreme Court Should this coach have been punished for praying Jan 6 hearing live Ex Trump chief of staffs top aide expected to testify before investigating committee Frustration, anger rising among Democrats over caution on abortion In Illinois, MAGA Congresswoman Rallies to Oust Her G.O.P. Colleague U.S. Supreme Court takes aim at separation of church and state Wimbledon GBs Swan and Peniston in action, Berrettini out with Covid 19 Australia census Five ways the country is changing 46 migrants were found dead inside a semitruck in San Antonio, with 16 more hospitalized, authorities say Timed Teaser Who rocked Glastonbury with McCartney Who will take on Gov. J.B. Pritzker this fall Republican voters get final say in Tuesdays primary El Salvadors abortion ban I was sent to prison for suffering a miscarriage Judge blocks Louisianas abortion trigger law Krememchuk strike I didnt think they would hit a mall its a safe place

Morse code transcription: vvv vvv Frustration, anger rising among Democrats over caution on abortion Kremenchuk. Strike on shopping centre was act of terror Zelensky In Florida, California and Beyond Both Sides Mobilize Over Abortion Who will take on Gov. J.B. Pritzker this fall Republican voters get final say in Tuesdays primary El Salvadors abortion ban I was sent to prison for suffering a miscarriage Jan 6 hearing live Ex Trump chief of staffs top aide expected to testify before investigating committee In Illinois, MAGA Congresswoman Rallies to Oust Her G.O.P. Colleague Wimbledon GBs Swan and Peniston in action, Berrettini out with Covid 19 Nazi camp guard, 101, given five years for aiding murder Judges Block Utah and Louisiana Abortion Laws Amid Flurry of Legal Action 7 things to watch for in primaries in Colorado, Illinois and other states Australia census Five ways the country is changing Timed Teaser Who rocked Glastonbury with McCartney Texas At least 40 found dead in lorry reports Krememchuk strike I didnt think they would hit a mall its a safe place 46 migrants were found dead inside a semitruck in San Antonio, with 16 more hospitalized, authorities say U.S. Supreme Court takes aim at separation of church and state US Supreme Court Should this coach have been punished for praying Judge blocks Louisianas abortion trigger law

A Eastbourne Fritz e De Minaur ottimi, Draper sorprende Peniston. A Mallorca Bautista ferma Medvedev, Tsitsipas invece avanza con difficoltà su Giron. Sorteggiati oggi i tabelloni principali di Wimbledon: Berrettini dalla parte di Nadal, per Sinner invece c'è Wawrinka. Al femminile poteva andare meglio alle italiane. Seguitemi su Instagram: tennis.passion_podcast Spero vi piaccia :) At Eastbourne Fritz and De Minaur excellent, Draper surprises Peniston. In Mallorca Bautista stops Medvedev, Tsitsipas instead advances with difficulty on Giron. The main draws of Wimbledon were drawn today: Berrettini on Nadal's side, while for Sinner there is Wawrinka. For women, it could have been better for the Italians. Follow me on Instagram: tennis.passion_podcast Hope you enjoy :)

A Eastbourne Sonego rimonta Duckworth e passa il turno. Oggi in campo Sinner e ancora Sonego. A Mallorca bene Kyrgios che oggi sfida Bautista Agut. Scendono anche in campo Tsitsipas e Medvedev. Continuano le qualificazioni di Wimbledon con gli Italiani in azione. Seguitemi su Instagram: tennis.passion_podcast Spero vi piaccia :) At Eastbourne Sonego Duckworth comes back and passes the turn. Today Sinner and Sonego again. Kyrgios did well in Mallorca who today challenges Bautista Agut. Tsitsipas and Medvedev also take the field. The Wimbledon qualifiers continue with the Italians in action. Follow me on Instagram: tennis.passion_podcast Hope you enjoy :)

Auch in dieser Woche gibt Tipps, Tricks, Analysen und steile Behauptungen rund um unser Lieblingsthema Tennis. Der Lifestyle darf natürlich auch nicht zu kurz kommen und wer etwas Geld für eine sehr gute, effektive Sache spenden möchte, kann sich super gerne auf folgende Seiten mehr Infos ziehen: Effektiver Altruismus: https://www.effectivealtruism.org Direkt Spenden: https://www.givingwhatwecan.org/best-charities-to-donate-to-2022 Against Malaria Organisation: https://www.againstmalaria.com Wenn euch die Folge gefallen hat, dann abonniert und bewertet den Podcast mit 5 Sternen, weil...warum nicht? Viel Spaß beim Hören.

Reviewing last week's tournaments as the grass season develops including Hurkacz's win in Halle, Berrettini's win in Queen's, Haddad Maia's win in Birmingham and Ons Jabeur's win in Berlin.Halle1:19: Hubert Hurkacz defeats the defending champion, Ugo Humbert.6:02: Hurkacz goes on to defeat FAA and Nick Kyrgios.7:59: Daniil Medvedev's meltdown and Hurkacz's brilliance in the final + Hurkacz's chances at Wimbledon compared to Matteo Berrettini's.Birmingham13:40: Beatriz Haddad Maia survives a high-quality three-setter against Simona Halep.17:44: Haddad Maia's chances against Iga Swiatek.Berlin22:35: Coco Gauff's mental strength in her quarterfinal against Karolina Pliskova.26:24: Ons Jabeur's ability to counter Gauff's weaponry.Queen's29:17: Ryan Peniston's win over top-seed Casper Ruud, Wawrinka's win over Frances Tiafoe and Denis Shapovalov's continued woes.33:25: Berrettini's first two wins over Dan Evans and Denis Kudla.35:22: Berrettini's next two wins against Tommy Paul and BVDZ. 38:50: Cilic's loss to Filip Krajinovic in the semifinal.39:59: Krajinovic's level in his final loss to Berrettini.44:29: Berrettini and Hurkacz's chances against Novak Djokovic.

Ad Halle Medvedev passa il turno con Ivashka, mentre Bautista rimonta. Oggi i quarti di finale. Al Queen's Berrettini scampa al pericolo Kudla, Peniston rimonta Cerundolo. Oggi i quarti di finale con Paul vs Berrettini e Cilic vs Ruusuvuori. A Berlino bene Jabeur e Kudermetova, Gauff senza problemi. Oggi i quarti di finale. Seguitemi su Instagram: tennis.passion_podcast Spero vi piaccia :) In Halle Medvedev passes the turn with Ivashka, while Bautista comes back. Quarter-finals today. At Queen's Berrettini escapes the danger Kudla, Peniston comeback Cerundolo. Today the quarter-finals with Paul vs Berrettini and Cilic vs Ruusuvuori. In Berlin Jabeur and Kudermetova did well, Gauff without problems. Quarter-finals today. Follow me on Instagram: tennis.passion_podcast Hope you enjoy :)

Ad Halle Auger-Aliassime fa fatica ma vince con Giron. Show di Kyrgios che incontrerà un redivivo Tsitsipas al secondo turno. Al Queen's l'impresa di Wawrinka con Tiafoe e l'uscita di scena di Ruud con Peniston. Berrettini inizia la sua scalata al titolo. Oggi in campo Shapovalov, Dimitrov e Cilic. A Berlino cadono Sabalenka e Muguruza, bene invece Sakkari e Jabeur. Seguitemi su Instagram: tennis.passion_podcast Spero vi piaccia :) At Halle Auger-Aliassime he struggles but wins with Giron. Kyrgios show who will meet a revived Tsitsipas in the second round. At Queen's, Wawrinka's feat with Tiafoe and Ruud's departure with Peniston. Berrettini begins his climb to the title. Shapovalov, Dimitrov and Cilic on the field today. In Berlin Sabalenka and Muguruza fall, while Sakkari and Jabeur do well. Follow me on Instagram: tennis.passion_podcast Hope you enjoy :)

For the past 30 years, Tim has designed advocacy, incentive and loyalty programmes to drive up sales for some of the world's leading brands, including: BMW, Compaq, Coty, Honda, GE, Microsoft, Orange, Procter & Gamble, and Wella to name but a few. His company, Orangutan, typically delivers returns of 20-40x on the initial client investment.  Tim talks about how it isn't the reward that actually motivates the customer, but rather the social and feel good factor they get from telling their friends and family about the benefits of it, as well as the meaning it lends to their perceived status in life.  This is why you can't take a cookie cutter approach to Incentive and loyalty programmes. They need to be approached strategically, be clear about the problem they solve and work to the psychology of the audience. Have you ever rewarded your clients or customers for their loyalty? And if so, how? ABOUT THE HOST: Jane Bayler is a serial entrepreneur, investor, speaker, event host and business scale up expert. She had a 20 year history in global media and advertising, before becoming a serial entrepreneur herself, with multiple businesses in real estate, marketing and education. Having grown and sold a £6M brand identity business to US communications group Interpublic, today she is most passionate about and committed to serving other entrepreneurs – helping them grow their businesses and achieve their best lives.  Enquire about working 1:1 with Jane, book a call here: https://bit.ly/2Z07DML Join Jane's free Masterclass to discover her Triple C HyperGrowth system - to scale up your business and attract your ideal clients, here: https://idealclientsuccess.com/masterclass

From early 2016 through mid-2021, Win was the Director of Marketing at London Bay Homes. Today, he consults a variety of builders and developers, and also keeps his Realtor's license at John R. Wood Properties' 5th Avenue South office in Naples, FL.Today's conversation focuses heavily on the timeless principles of brand development and longevity. Win also speaks on the art of value proposition, in which the key is “to touch someone's identity, and how they wear the brand for themselves.”Through leading campaigns for some of the biggest brands in the world today, Win has learned to always steer the conversation away from, “What's in it for the company?” to, “What's in it for the consumer?”In a similar vein, he criticizes businesses who have strayed too far into the realm of political correctness at the expense of their brand identity. Companies who embrace pure, unadulterated authenticity fare far better, especially in the long-run, than those who rely on hollow messaging in an effort to ride on the coattails of certain cultural trends.Brand is the cornerstone of longevity. To build repetitional excellence, especially as a service business, it all stems from doing what you say and say what you do, and simply being transparent and authentic.Topics Discussed:[05:47] What brought Win to Naples from New York and his early successes[14:51] Marketing “affordable luxury”[17:09] Other prestigious companies and individuals that Win has worked with[21:06] What sets a brand apart[28:51] Lessons learned from working with some of the biggest brands of our time[33:01] Hollow messaging from businesses and Ronald Reagan's authenticity[37:30] How Red Bull developed an incredible culture[39:04] What is on the horizon for the Naples real estate market[46:39] Solidifying your brand for generations to come[53:52] How best to interact with your team and your customers or clients[58:22] The future of the tradesConnect with Build Magazine:Website - https://www.buildmagazine.com/Instagram - https://www.instagram.com/buildmags/?hl=enFacebook - https://www.facebook.com/BuildMags/Key Quotes by Win:Pricing power is what Wall Street wants to see. [...] The big winners that can defend their pricing power are the brands that have the loyalty from the consumers that have an association with it.Who are we talking to? What do they think about us? What will they think about us after this piece of communication? We need them to have a deeper loyalty.The creative matters. It isn't creative if it doesn't sell.Take out the marketing-ese. Develop colloquialism and ease of messaging. Tone it down: Use layman's language when you're talking to consumers. They're a lot smarter than you think they are.

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On today's show, it's 'International Potato Day' so the boys look for the Four Pillars of Potato Based Dishes...

Fiona, a nurse and founder of nmprescribing which provides the opportunity for NMPs to continue to be safe and effective NMPs through access to Continued Professional Development.Fiona has considerable expertise in all matters related to non-medical prescribing, having been an experienced nurse prescriber, and is now prescribing lead for nurses on the prescribing programme at Medway School of Pharmacy, University of Kent and University of Greenwich. She is also a member of the Nurse Prescribers Advisory Group for the British National Formulary.We chat to Fiona about the evolution and role of non-medical prescribing and its place in care. We talk about competency frameworks, the celery of drugs and Steve and Fiona compare BNF collections! Our micro discussion focuses on the competency framework for non-medical prescribing; https://www.rpharms.com/resources/frameworks/prescribers-competency-framework Jamie reads from a letter - “Should Nurses Prescribe?”https://bjgp.org/content/56/522/68 As with all our guests we ask Fiona to pick her ‘Desert Island Drug', a career defining anthem and a book that has influenced her work. You will not be disappointed with the choices...You can view the Aural Apothecary Library here; https://www.goodreads.com/review/list/31270100-paul-gimson?ref=nav_mybooks&shelf=the-aural-apothecary You can listen to the Aural Apothecary playlist here; https://open.spotify.com/playlist/3OsWj4w8sxsvuwR9zMXgn5?si=tiHXrQI7QsGtSQwPyz1KBg To get in touch follow us on Twitter @auralapothecary or email us at auralapothecarypod@gmail.com

Playlist: 01 Joel Corry x David Guetta x RAYE vs. GUZ - BED (Schxzo Set U Free Edit) 02 Nelly Furtado - Promiscuous (HÄWK Remix) 03 Cece Peniston - Finally (JNR x Joe Stone Mashup) 04 Daft Punk - Technologic (Stereo Nine Edit) 05 Masters At Work - Work (Level Up & K-Kyoto Work Edit) 06 Queen - Another One Bites The Dust (DJ Sergio Koba Remix) 07 Tag Team - Whoomp! There It Is (Rowan Lace "Rattle" Edit) 08 Goodboys, Imanbek - Goodbye (James Hype Extended Mix) 09 Grandmaster Flash - The Message (Ravage Remix) 10 Madonna - Music (Leakim Reittoh Remix) 11 Swedish House Mafia - One (Hypelezz Mashup) 12 Major Lazer Ft. J Balvin & El Alfa - Que Calor (IKENN Remix) 13 ATB x TOPIC x A7S - Your Love 9PM (Fab Toulouse Remix) 14 Robin S - Show Me Love (Soulmatic Remix) 15 Fred Kantis & Nooryt - Wake Up For Detroit (Original Mix) 16 Lana Del Rey - Summertime Sadness (Rick Wonder Remix) 17 The Black Eyed Peas - My Humps (Dankless & Quotes Bootleg) 18 Edward Maya & Vika Jigulina - Stereo Love (Hypelezz I Love My Friends Edit) Follow Me: Facebook: https://www.facebook.com/nicko.vibe Twitter: https://twitter.com/#!/Nicko_Vibe Instagram: http://instagram.com/nickovibe

How a deep-nerd comic book writer ended up writing for the Sonic TV series with Justin Peniston Check the book out here https://amzn.to/3a84i3f Interview Timeline Justin Peniston has a deep love of comic books and… Read More The post How a deep-nerd comic book writer ended up writing for the Sonic TV series with Justin Peniston appeared first on FULL CONTACT NERD.

My guest today is Imogen Peniston from Green Teeth Press. You can follow Imogen on twitter https://twitter.com/imogenpeniston You can get in touch with me on twitter: https://twitter.com/NovelEm16 You can also follow the podcast on Instagram: https://www.instagram.com/slumberingslothbooknook/ If you would like to be involved with the podcast you can email at slumberingslothbooknook@gmail.com Don't forget to follow, share and like!

As a second grader, CeCe Peniston was one of my first celebrity crushes (still is after almost 30 years). On the latest episode of the Cafe podcast, Ms. Peniston joins me to talk about her career, the 30th anniversary of "Finally", and her new work as a voice over artist for the web series "The Pettys". Music: Keep on Walkin-CeCe Peniston

Queer Women's Communities and Meeting Places The Lesbian Historic Motif Podcast - Episode 55 An exploration of how and where women met to pursue romantic and sexual relationships with each other. In this episode we talk about: The problem of assuming that male and female homosexual experiences are equivalent in history Fictional and conceptual communities Public meeting places Small personal communities Lesbian sex clubs The following podcasts are referenced in this show: Diana and Callisto: The Sometimes Problematic Search for Representation Charlotte Cushman: 19th century lesbian actress and celebrity The following publications covered on the blog are mentioned in this show or used as sources: Albert, Nicole G. (Trans. Nancy Erber and William A. Peniston) 2016. Lesbian Decadence: Representations in Art and Literature of Fin-de-siècle France. Harrington Park Press, New York. ISBN 978-1-939-59407-5 (not yet posted in the blog) Bennett, Judith M. 2000. "'Lesbian-Like' and the Social History of Lesbianism" in Journal of the History of Sexuality: 9:1-24. Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Donoghue, Emma. 2010. “'Random Shafts of Malice?': The Outings of Anne Damer” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Habib, Samar. 2009. Arabo-Islamic Texts on Female Homosexuality: 850-1780 A.D. Teneo Press, Youngstown. ISBN 978-1-934844-11-3 Hunt, Margaret R. 1999. “The Sapphic Strain: English Lesbians in the Long Eighteenth Century” in Bennett, Judith M. & Amy M. Froide eds. Singlewomen in the European Past 1250-1800. University of Pennsylvania Press, Philadelphia. ISBN 0-8122-1668-7 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Norton, Rictor (ed.), Homosexuality in Eighteenth-Century England: A Sourcebook. Updated 7 September 2014 http://rictornorton.co.uk/eighteen/. (Accessed 2014/09/13) Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 Whitbread, Helena ed. 1992. I Know My Own Heart: The Diaries of Anne Lister 1791-1840. New York University Press, New York. ISBN 0-8147-9249-9 A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Twitter: @heatherosejones Facebook: Heather Rose Jones (author page)

Raymond has let Nick persuade him to have a one-to-one with Heather at Peniston.  Charlotte is angry – you were weak. You'll agree to anything in the golf club bar. Chantelle reports that early sales of the new track are encouraging – not massive.  It has also been chosen as the soundtrack to the title sequence for a new TV show.  Your friend Doreen is rather forward, isn't she? (Doreen has gone to the loo).  Not normally, says Bob – I think she fancies you! Alyson and Laura have both tried out samples at home and loved them.  Alyson confirms they want to place an order- she has written down what she needs.  Rehearsal has gone really well–Mario and others congratulate Tommy. Nick confronts Heather, – how dare she make a fool of him, by leaving, attempting suicide etc. Full extent of narcissistic control becomes apparent.

Ryan Peniston (24) is a professional tennis player from Great Britain who has a career-high singles ranking of No. 359 and is currently sitting at 394 in the ATP rankings.I had a chat with Ryan about his story so far, how he manages financially as a tennis pro rising up the rankings and who he thinks deserves the much debated GOAT status. You can find out more about Ryan below:www.atptour.com/en/players/ryan-peniston/ph78/overviewGet in touch and please subscribe.email : offradarpod@gmail.comwebsite : offradar.buzzsprout.comtwitter @jtopia : twitter.com/jtopiaChat at you soon,James

Deeper Than Music interviews actress, singer Cece PenistonAbout Cece Peniston:CeCe Peniston rose to fame in 1991 when her hit single “Finally” peaked at #1 on the Billboard Top 100, going on to becoming one of the most seminal dance music songs in history. Winning numerous awards by the end of 1993, and scoring five major number one hits within three years, Peniston was named the Number #1 Billboard Hot Dance Music/Club Play artist in the world.

The stock market and plant-based meat; Sober October; gay accusations on a straight date; 65-year-old Dennis Quaid engaged to 26-year-old fiancée; Fake Cat and The Fake Law

Belezamusica, Seamus Haji - All This Love That I'm Giving (Seamus Haji Ext Re-Work) Jorn Johansen - Feel So Right (Original Mix) Roberto Surace - Joys (Purple Disco Machine Remix) Art of Tones - So Sweet Duke Dumont, Zak Abel - The Power (Extended Mix) Seamus Haji - Boogie 2nite (Extended Mix) Four80East & CeCe Peniston - Are You Ready (Joey Negro Redemption Mix) Freejak - Empire (NYC) (Extended Mix) CASSIMM - Shined on Me (Extended Mix) Dean Zepherin - Soundclash (Saison Remix) Marco Lys & Plaster Hands - Who Dares To Believe In Me (Extended Mix) Paul McCabe - Cerice (Original Mix) Michael Gray - Take Me Back (Extended Mix) Jonk & Spook - Make In Love (Original Mix) Adam Nyquist, Jay Gecko - Discover The Vibe Mambo Brothers - Optimo (Original Mix) Recorded 9/30/19, time 73:34

Remarks: Anne M. Peniston, Deputy Director, Office of Maternal and Child Health and Nutrition and Chief, Nutrition and Environmental Health Division, Bureau of Global Health, USAID There is extensive evidence that reducing undernutrition brings considerable economic benefits, often far greater than the costs of investing in nutrition programs. But the evidence on a global scale offers only a first step toward guidance on priorities for investing in young children’s nutrition. The 29th annual Martin J. Forman Memorial lecture will explore the pathways from improved nutrition to economic growth, looking at the broad goals of investing in nutrition that go far beyond reducing stunting. In particular, the lecture will address the potential of integrating nutrition and early childhood interventions into a life-cycle approach to personal and economic development. The annual lecture commemorates the significant impact on international nutrition by Martin J. Forman, who headed the Office of Nutrition at USAID for more than 20 years. The annual lecturer is invited to present his or her personal, often unconventional, views about large issues dealing with malnutrition.

When I was asked if I'd like to have a chat with CeCe Peniston, I can't even begin to describe my excitement. After all, Ms Peniston was one of those super stars of the 80's & 90's along side the likes of Jodie Watley and Crystal Waters whom I'd dance to in my living room and didn't care who was watching. CeCe Peniston has had numerous hits including the renowned smash hit, Finally that had it's revival thanks to the Australian Movie, 'Priscilla, Queen Of The Dessert'. During our podcast I learned quite a bit from Ms Peniston, and while we are all getting older, Ms Peniston is taking it all in her stride as she shares her new passion alongside her music, keeping her young and super fit. We talk about all kinds of things from music to hobbies and have a typical female to female chin wag with loads of laughs.I hope you enjoy it as much as I did. Get the links and see more on https://www.musictalks.xyz/guest-talks

When I was asked if I'd like to have a chat with CeCe Peniston, I can't even begin to describe my excitement. After all, Ms Peniston was one of those super stars of the 80's & 90's along side the likes of Jodie Watley and Crystal Waters whom I'd dance to in my living room and didn't care who was watching. CeCe Peniston has had numerous hits including the renowned smash hit, Finally that had it's revival thanks to the Australian Movie, 'Priscilla, Queen Of The Dessert'. During our podcast I learned quite a bit from Ms Peniston, and while we are all getting older, Ms Peniston is taking it all in her stride as she shares her new passion alongside her music, keeping her young and super fit. We talk about all kinds of things from music to hobbies and have a typical female to female chin wag with loads of laughs.I hope you enjoy it as much as I did. Get the links and see more on https://www.musictalks.xyz/guest-talks

00:00 Chimo Bayo - Asi Me Gusta A Mi 02:30 Antico - We need freedom 05:00 Dunne - Espiral 07:33 Erasure - Love to Hate You 10:00 The KLF - 3 Am Eternal 11:35 Culture Beat Feat Lane E. and Jay Supreme - No Deeper Meaning 12:38 Ce Ce Peniston - Finally 15:30 Lisa Lisa and Cult Jam - Let the beat hit 'em (C and C Music Factory remix) 16:39 Lee Marrow - To Go Crazy (in the 20th century) 18:02 Opus III - It's A Fine Day

At the 2017 InterPride World Conference in Indianapolis, I had the opportunity to sit and chat with one of my favorite people, Cece Peniston! We chatted about her beginnings in music and her introduction into the world of Pride and LGBTQ+ people. She is a woman on a mission and I could not be more excited that she made time for us and our modest little podcast. 

 @FIYACHICK INTERVIEWS CECE PENISTON 6/18/18

CeCe Peniston Gets “Hot” in 2018 PHOENIX, Ariz. – February 5, 2018 – How does a legendary singer and performer follow up the 25th anniversary of her breakout hit? By releasing a new track that is destined to burn up the charts. Following a successful year of touring, CeCe Peniston is setting the first part of 2018 ablaze with her new release, “Hot.”  The release of “Hot” will feature five mixes that are a combination of R&B, soul and dance. The track is scheduled for distribution the latter part of February.  “2017 was an amazing year for me,” said Peniston. “I celebrated the 25th anniversary of ‘Finally,’ which really inspired me to get back into the studio and create. The new songs are simply amazing. They will connect with fans who have followed me for decades as well as attract new audiences. I am extremely excited about what we are releasing this year.” Peniston spent much of 2017 traveling across the globe performing in 45 shows. In addition, she was the season opening guest of the “Wendy Williams Show” where she sang a special “Wendy” version of her hit “Finally.” Williams used the song to introduce the upcoming season of her popular television show. This year, with the release of her new music, fans will see Peniston doing what she does best – igniting audiences with new sounds, rhythmic beats and show-stopping performances.  “I’m always amazed when people stop me and tell me how much they have loved songs like ‘Finally, “We Got a Love Thang” and “Keep on Walkin’’ over the years,” said Peniston. “Now, it is time for me to introduce some new tunes for the world to fall in love with.”      

Queer Women’s Communities and Meeting Places The Lesbian Historic Motif Podcast - Episode 22d An exploration of how and where women met to pursue romantic and sexual relationships with each other. In this episode we talk about The problem of assuming that male and female homosexual experiences are equivalent in history Fictional and conceptual communities Public meeting places Small personal communities Lesbian sex clubs More info The Lesbian Historic Motif Project lives at: http://alpennia.com/lhmp You can follow the blog on my website (http://alpennia.com/blog) or subscribe to the RSS feed (http://alpennia.com/blog/feed/) The following podcasts are referenced in this show: Diana and Callisto: The Sometimes Problematic Search for Representation Charlotte Cushman: 19th century lesbian actress and celebrity The following publications covered on the blog are mentioned in this show or used as sources: Albert, Nicole G. (Trans. Nancy Erber and William A. Peniston) 2016. Lesbian Decadence: Representations in Art and Literature of Fin-de-siècle France. Harrington Park Press, New York. ISBN 978-1-939-59407-5 (not yet posted in the blog) Bennett, Judith M. 2000. "’Lesbian-Like' and the Social History of Lesbianism" in Journal of the History of Sexuality: 9:1-24. Borris, Kenneth (ed). 2004. Same-Sex Desire in the English Renaissance: A Sourcebook of Texts, 1470-1650. Routledge, New York. ISBN 978-1-138-87953-9 Donoghue, Emma. 1995. Passions Between Women: British Lesbian Culture 1668-1801. Harper Perennial, New York. ISBN 0-06-017261-4 Donoghue, Emma. 2010. “'Random Shafts of Malice?': The Outings of Anne Damer” in Lesbian Dames: Sapphism in the Long Eighteenth Century. Beynon, John C. & Caroline Gonda eds. Ashgate, Farnham. ISBN 978-0-7546-7335-4 Habib, Samar. 2009. Arabo-Islamic Texts on Female Homosexuality: 850-1780 A.D. Teneo Press, Youngstown. ISBN 978-1-934844-11-3 Hunt, Margaret R. 1999. “The Sapphic Strain: English Lesbians in the Long Eighteenth Century” in Bennett, Judith M. & Amy M. Froide eds. Singlewomen in the European Past 1250-1800. University of Pennsylvania Press, Philadelphia. ISBN 0-8122-1668-7 Lanser, Susan S. 2014. The Sexuality of History: Modernity and the Sapphic, 1565-1830. University of Chicago Press, Chicago. ISBN 978-0-226-18773-0 Merrick, Jeffrey & Bryant T. Ragan, Jr. 2001. Homosexuality in Early Modern France: A Documentary Collection. Oxford University Press, New York. ISBN 0-19-510257-6 Norton, Rictor (ed.), Homosexuality in Eighteenth-Century England: A Sourcebook. Updated 7 September 2014 http://rictornorton.co.uk/eighteen/. (Accessed 2014/09/13) Traub, Valerie. 2002. The Renaissance of Lesbianism in Early Modern England. Cambridge University Press, Cambridge. ISBN 0-521-44885-9 Walen, Denise A. 2005. Constructions of Female Homoeroticism in Early Modern Drama. New York: Palgrave MacMillan. ISBN 978-1-4039-6875-3 Whitbread, Helena ed. 1992. I Know My Own Heart: The Diaries of Anne Lister 1791-1840. New York University Press, New York. ISBN 0-8147-9249-9 If you have questions or comments about the LHMP or these podcasts, send them to: contact@alpennia.com A transcript of this podcast is available here. http://alpennia.com/blog/lesbian-historic-motif-podcast-episode-22d-queer-womens-communities-and-meeting-places If you enjoy this podcast and others at The Lesbian Talk Show, please consider supporting the show through Patreon: https://www.patreon.com/TheLesbianTalkShow

CeCe Peniston (/siːˈsiː ˈpɛnistən/; born Cecilia Veronica Peniston; September 6, 1969)[1] is an American recording artist and former beauty queen.[2][3][4][5][6][7][8] In the early 1990s, she was one of the most successful dance club artists in the history of the U.S. Billboard Hot Dance Music/Club Play, scoring five number one hits in the chart within three years.[9][10] Her signature song "Finally" (#5 in the Hot 100[10] and #2 in UK Top 75[11]) became one of the biggest dance singles, selling three million copies worldwide.[12]Peniston has performed at private engagements for Aretha Franklin's private birthday party in Detroit, Michigan, Pope John Paul II in Rome at the Vatican (as a member of the gospel band Sisters of Glory) and the 42nd President of the United States, Bill Clinton, during both of his inauguration ceremonies in Washington, D.C.[13] She was the first foreign female entertainer to perform in post-apartheid South Africa.[13][14]On February 4, 2011, Peniston signed a record deal with West Swagg Music Group/Bungalo Records, with full distribution through Universal Music Group Distribution, and announced release of a new solo album 15 years after her last studio set (I'm Movin' On from 1996 on A&M Records).[15]By the end of the year, however, only three digital singles had been issued including a new song called "Stoopid!",[16] and two cover versions of her prior hits, "Keep On Walkin'" and "Finally".[17][18]In December 2016, Billboard magazine listed her among the 100 Top Dance Club Artists of All Time See acast.com/privacy for privacy and opt-out information.

CeCe PenistonCeCe Peniston (/siːˈsiː ˈpɛnistən/; born Cecilia Veronica Peniston; September 6, 1969)[1] is an American recording artist and former beauty queen.[2][3][4][5][6][7][8] In the early 1990s, she was one of the most successful dance club artists in the history of the U.S. Billboard Hot Dance Music/Club Play, scoring five number one hits in the chart within three years.[9][10] Her signature song "Finally" (#5 in the Hot 100[10] and #2 in UK Top 75[11]) became one of the biggest dance singles, selling three million copies worldwide.[12]Peniston has performed at private engagements for Aretha Franklin's private birthday party in Detroit, Michigan, Pope John Paul II in Rome at the Vatican (as a member of the gospel band Sisters of Glory) and the 42nd President of the United States, Bill Clinton, during both of his inauguration ceremonies in Washington, D.C.[13] She was the first foreign female entertainer to perform in post-apartheid South Africa.[13][14]On February 4, 2011, Peniston signed a record deal with West Swagg Music Group/Bungalo Records, with full distribution through Universal Music Group Distribution, and announced release of a new solo album 15 years after her last studio set (I'm Movin' On from 1996 on A&M Records).[15]By the end of the year, however, only three digital singles had been issued including a new song called "Stoopid!",[16] and two cover versions of her prior hits, "Keep On Walkin'" and "Finally".[17][18]In December 2016, Billboard magazine listed her among the 100 Top Dance Club Artists of All Time (as the 52nd) 1969–90: Early life[edit]Peniston was born in Dayton, Ohio, in United States, but spent the majority of her formative years in Phoenix, where she was raised since she was nine. As a daughter of a former military father, Ronald Peniston (born 1934, married Barbara Anne in 1960), she started singing at church[20] and doing plays and musicals such as H.M.S. Pinafore in the 6th grade. She participated in local karaoke contests and singing talent shows, while taking piano lessons.[4][8]She attended Trevor G. Browne High School, class of 1987, in Phoenix,[21] and landed a part in a local theater group's production of Bubblin' Brown Sugar[3][4] (playing the young Sweet Georgia Brown[22]). After earning her diploma, she continued to study liberal arts at the Phoenix College, where she got involved in athletics, and entered beauty pageants. She was crowned Miss Black Arizona in 1989[3][4][5][6][7][8][12] and Miss Galaxy in 1990.[3][7]Peniston began writing pop lyrics already at school. The words of her international hit "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. Her music career began in January 1991, when Felipe "DJ Wax Dawg" Delgado, her friend and a record producer based also in Phoenix, asked Peniston to record back-up vocals for Tonya Davis, a black female rapper known as Overweight Pooch after her childhood nickname.[3][4][24]Davis, headed in a direction of a "new" Monie Love, was searching for a singer to add vocals to the title track of her album Female Preacher, which was to be released on A&M Records that summer. At a talent show she met a woman named Malaika LeRae Sallard, but when it came time to get Sallard into the studio, the rapper found she'd lost her future label-mate's number. When Delgado, who'd preferred Peniston instead, brought his favorite in to do background parts, the response from everyone was immediate, but did not move the Pooch to invite Peniston back for more vocals – unless she was successful in locating Sallard.[24]Later, as it became clear that Peniston was leaping from the Overweight Pooch's album to the top of the charts, rumor had it the Pooch was stewing over Peniston's using Female Preacher as her springboard. Tonya Davis, pregnant at the time of recording her album, swore she harbored no jealousy towards Peniston. "There's no jealousy, because she has a voice. I gave her the chance, but I didn't give her a voice,"[24] the rapper insisted for Phoenix New Times in July 1992, and Peniston, interviewed by the same newspaper in the meantime, reacted by her own words. "I feel like anything's possible and I know one thing. If I wasn't at this spot, I still would be achieving to get to this spot."[24] Ironically enough, Sallard eventually threw in a few back-up vocals for Peniston on a song with a significant title, "You Win, I Win, We Lose", while Peniston, who in return played an agent to get a record deal also for Malaika (whose album Sugar Time scored in 1993 two Top 5 hits on the US Dance chart, including the No. 1 single "Gotta Know (Your Name)") mentioned the Pooch's name on her own debut album in addition, leaving Davis a note saying "thanks for letting me be a part of Female Preacher".[25]Besides the Peniston's vocal performance on three tracks in total, of which "I Like It" was released as a single with a moderate success (at #16 in US Dance[26] and #58 in UK Top 75[27] the following January), she was eventually given also a credit for co-writing two of those, "Kickin' Da Blues" and the title's, "Female Preacher". But the Overweight Pooch's album flopped on the market, and A&M was the first major label for Delgado himself, who was facing contractual disputes with the record company. After Manny Lehman (a DJ, then A&M Art Director and one of the executive producers of Female Preacher) also noticed the powerful voice of a still back-up vocalist, he offered Delgado a second chance, and commissioned him to produce a track for Peniston herself as a solo artist.[4] Not looking to lose his major deal connections, Delgado called on a hometown friend and music producer too, Rodney K. Jackson (they two met through mutual friends in Arizona), who was brought then to A&M family to help co-produce the Peniston's single, which was soon to be recognized as “Finally”.[28]Despite an initial label's resistance to sign Peniston to more than a one-off single deal, the “Finally” session resulted in recording her own debut album after the final approval of A&M's Vice President, Mark Mazzetti.[29]1991–92: Finally[edit]Peniston with Felipe Delgado at Chaton Studios in Phoenix, Arizona, putting final touches to her debut albumI was sitting in a Chicago pizza parlor in October and I heard over the radio 'Finally by CeCe Peniston'. I just started looking around going 'That's me! That's me!"[5]—Peniston recalled for EW magazine in 1992. (Almost 20 years later, when asked by Mega 104.3, she denied saying it, during her interview broadcast live on April 5, 2011.)[30]Peniston was 21 years old when her debut single "Finally" was released. The song burst on to the US club scene in the fall of 1991, where it became an instant dance anthem peaking, in October,[10] at the top of the Billboard Hot Dance Music/Club Play for two weeks, while achieving a respectful starting position (at No. 29)[11] overseas.After her first song climbed the international charts, Peniston was headed into the studio to record a full-length album. However, she "had two months to pull the whole album together" and "didn't realize the impact the record was having until it reached the top five". She also described how difficult it was to begin her career at such an extreme pace, but [4] the result was a solidly produced ten track collection titled Finally, issued in January of the following year.Both the single and album entered the US Hot 100, as well as the UK Top 75 chart (at No. 5[10] and No. 2 for single,[11] respectively at No. 70[10] and at No. 10 for album release[11]), and ultimately earned Peniston a gold or silver certification in both countries. By the end of 1992 her debut (in Europe re-released in 1997 with a bonus remix "Finally '97") sold over 540,000 in United States.[31]"We Got a Love Thang", the second single (co-written by Chantay Savage), with a video clip in heavy rotation on TV music channels, went to No. 1 in the US Dance chart in February (No. 20 in the Hot 100),[10] and in England (where "Finally" skipped to No. 2 eventually[11]) "We Got a Love Thang" peaked at No. 6.[11] Might the only controversial question regarding the title remain who had provided background vocals on the record? While on her album Finally Darnnel Rush was credited, on its single release, the name of Kym Sims (who was a co-writer of "Keep On Walkin'") appeared as one of back-up vocalists actually.[32]With another hit record on the charts, Peniston began a year of touring clubs and small theaters in the USA in support of her album. Her travels started with a series of shows in the Philippines, Japan, the United Kingdom, Germany, Spain and Italy, and after her return to the USA, Peniston continued with such R&B acts as Joe Public, the Cover Girls, R. Kelly and Levert.[4] While on tour, "Keep On Walkin'", a hip hop swinging composition, joined the list of Peniston's three consecutively running hits, bringing Peniston in June her third No. 1 in the U.S. Billboard Hot Dance Music/Club Play chart (No. 15 in the Hot 100),[9] and another Top 10 hit in UK.[11] Later in August, that was also her highest outing in the US R&B chart, scoring at No. 3.On October 17, Billboard magazine announced that Peniston was the leading nominee in the Billboard Music Awards, being nominated in four categories: three times in the dance category with "Finally" (Best New Artist, Best Female Artist and Best Director), and one in the R&B/Rap category (Best Female Artist) for her urban hit "Keep On Walkin'".[33] Ultimately the song won two awards, and three of her singles released in 1992 were listed also within the Top 100 songs of the Billboard Year-End chart (at No. 20 with "Finally", at No. 61 with "Keep On Walkin'", and at No. 97 with "We Got a Love Thang"[34]). In the UK, Peniston was listed as the 20th of Top Selling Singles Artists in 1992.Additional songs taken from album Finally achieved the Top 40 status at least in the hip hop/R&B field. The grieving lyrics of her ballad "Inside That I Cried", co-written by Peniston's then-husband, Malik Byrd (who appeared also in its video), and produced in conjunction with Anita Baker's cohort, Steve Lindsey, peaked at No. 10 in the US R&B (No. 94 in the Hot 100[10] and No. 42 in UK Top 75[11]). The fifth single, a midtempo, "Crazy Love", climbed to No. 31 (No. 97 in the Hot 100[10] and No. 44 in UK[11]).By the end of the year, Peniston received several awards for her achievements in the music industry for 1992. Among them, one Billboard Music Award (as Best New Artist – Dance, the second went to the video director Claude Borenzweig), three ASCAP Awards (for Song of The Year, Most Performed Song of The Year, and Pop Songwriter of The Year), another three awards (as Best New Dance Artist, Best Dance Solo Artist, and for Best 12" Dance Record) at the Annual Winter Music Conference, and the BMI Urban Award of Achievement.[13] The album itself was nominated on a Soul Train Music Award '93 in the Best R&B/Soul Album – Female category.[35]1993–95: Thought 'Ya KnewWithin a year, Peniston was back in the studios to record her sophomore release, and the particular challenge for the vocalist was to avoid getting pigeonholed into the dance genre. For that reason, several ballads were arranged to appear on the final set (in the front with "Forever In My Heart", produced by Brian McKnight), of which, however, none was chosen for a single release. This time around, Peniston co-authored three of thirteen tracks ("Whatever It Is", "Give What I'm Givin" and "Maybe It's The Way",[4] a ballad about her father[8]), and along with Manny Lehman and Damon Jones, who later became Peniston's manager, she was also credited as an executive producer of her scheduled album release, Thought 'Ya Knew. Apart from others, also fellow Ohio-born singer Norma Jean Wright joined the session.[36]After a certain level of hesitation over the first single, "I'm in the Mood" (originally produced by Soulshock and Karlin) was picked to be the final leader—though as support for "Searchin'", which would be separately delivered on vinyl only to DJs. "I'm in the Mood" did well by itself, and with a video accompanied by a hip-hop remix from M-Doc & Jere M.C. (better known as In Da Soul) the title was on singles reproduced by David Morales for the dance floor. The song spawned Peniston's fourth No. 1[10] (dethroning from the top of the US Dance chart Aretha Franklin's "A Deeper Love") and peaked at No. 16 in UK[11] (#32 in the Hot 100[10]).On January 25, 1994, the album Thought 'Ya Knew, which was to represent Peniston's musical zenith at that time, arrived on all available formats, including digital compact cassettes. However, as the record promptly entered the music charts, it was soon to be evident Thought 'Ya Knew was not enjoying the high-profile success of her previous set Finally. After its progress had stalled in the Billboard 200 at No. 96,[10] Thought 'Ya Knewclimbed to No. 31 in the UK,[11] but the album charted for only two weeks in the UK.Not certain about the second single either, "Keep Givin' Me Your Love" was accepted to become the British follow-up. But the track, remixed by Eddie Gordon's West End production team, had no supporting music video, and after peaking at No. 36 in April in the United Kingdom,[11] an alternative title ("I'm Not Over You") was chosen for the US market as the second cut from the Thought 'Ya Knew album."I'm Not Over You" (written by Steve Hurley, Jamie Principle, and M-Doc) might have missed the highest position of the US Dance chart, but only by about one point (at No. 2),[10] and the single was later classified in the overall Billboard Hot Dance Music/Club Play chart as the ninth most successful track of 1994 (leaving "I'm in the Mood" far behind, at #44). However, although the song had sealed the Top 10 of the US R&B chart, it did not succeed in the Hot 100 that much, failing to crack Top 40 (No. 41).[37] Considering that expectations of A&M Records company must have been bigger than a club play sale of Peniston's singles, "I'm Not Over You" was released in UK only on B-side of the "Hit by Love" release."Hit by Love" was to be the third song taken from the album. As with her previous releases, the song (with additional remixes by David Morales) became Peniston's next US Dance hit in a line of her No. 1s, but while on the top of the chart "Hit by Love" stayed for another week, the single stuck at No. 33 in the UK Top 75,[11] as well as on the bottom positions of the American Hot 100 chart (at No. 90).[10]Along with "Hit by Love" in the charts, A&M issued a rare compilation, Remix Collection, in Japan with nine alternate versions of her songs previously available only on vinyl, which tracked Peniston's music career since the "Keep On Walkin'" release. A similar remix collection, however, consisting of only two singles ("Finally" and "We Got a Love Thang"), was earlier issued in Japan as an EP under the title Finally / We Got a Love Thang: Remix Collection featuring overall eight remixed versions.At the end of the year Peniston was named the No. 1 Billboard Hot Dance Music/Club Play Artist,[37] summarizing all her songs released in 1994 ("I'm Not Over You" #9, "Hit by Love" #24, and I'm in the Mood" #44). While A&M was listed as the sixth best dance label in the Billboard Year-End chart, Peniston was also rated as the 5th Top R&B Singles Female Artist (behind Janet Jackson, Toni Braxton, Aaliyah and Mariah Carey).[38]In addition, a remix of "Keep Givin' Me Your Love" was popularized on the original motion picture soundtrack of the Prêt-à-Porter (Ready To Wear) film, and released in the U.S. after a one-year delay, scoring No. 4 in the US Dance charts in March 1995. "Keep Givin' Me Your Love" became Peniston's first song not to enter the Hot 100 chart (No. 101),[10] possibly as the result of appearing as a B-side on her previous release, and sharing its sales with the single "Hit by Love". See acast.com/privacy for privacy and opt-out information.

Rich and Max have done this 200 times. They talk about it. Oh, and look at where the Badgers are heading into the bye week. SHOW NOTES 0:45 Sweet retro intro 2:30 Rich's Alexa pays excellent attention 5:15 Tyler in Stevens Point on Hornibrook 20:00 Newfound WR depth 27:00 Ryan in Chicago on Pryor 32:15 What's the deal with Peniston? 35:15 Lack of Shaw and James 44:00 Guys making the leap on the DL 46:30 The LB's and questions on the outside 49:45 The DB's 51:00 Jay in The Good Land on putting things on tape 54:00 Jake in Sun Prairie on perception if/when Badgers lose 58:15 Steve in Portland on the Buckarounds origins

This week on StoryWeb: Edith Wharton’s novel The House of Mirth. I want to close out my multi-week focus on the Gilded Age with a consideration of Edith Wharton’s novel The House of Mirth. Where Jacob Riis, Alfred Stieglitz, Stephen Crane, and Theodore Dreiser look at the grimier side of this famed period in New York City history, at the underbelly that the working class and poor, the immigrants, and the homeless faced as they made their way through daily life, Edith Wharton focuses her attention on the world she knew best: that of the privileged, moneyed class. It seems odd in a way to say I “love” The House of Mirth. After all, the main character, Lily Bart, endures such a difficult downward spiral amid the harsh, judgmental upper-class echelons of New York City. The young, flirtatious, life-loving, aptly named Lily doesn’t stand a chance against high Manhattan society, whether it is those with old money, such as her Aunt Peniston, or those with new money, such as the Trenors and Dorsets. Lily’s story – as hard as it is to witness – is told fully, drawn exquisitely against the backdrop of Fifth Avenue mansions. Written in 1905 – first as a serialized series in Scribner’s Magazine and then published as a book – The House of Mirth brings to life a New York that most of Wharton’s readers would not have had the privilege to know. But it is a world Edith Wharton knew intimately. Born Edith Newbold Jones, she came from the uber-rich family that gave rise to the saying “keeping up with the Joneses.” Wharton spent her whole life in that rarified, upper-crust elite. She knew firsthand its luxuries and privileges. She also saw the ways in which it was stultifying, demanding strict adherence to a rigid set of mores and ostracizing anyone who dared to go against those mores. Lily Bart is an interesting case in point. A poor relation, orphaned and without an income, Lily is forced to rely on her aunt, Mrs. Julia Peniston, one of the so-called Knickerbockers who hailed from old New York money. Thus, Lily is a kind of stepchild, a pampered beggar at the very altar of wealth. She has been raised in this world, but she doesn’t have a firm foothold in it, much less a steady stand in it. In her late twenties, the beautiful Lily is beginning to lose her bloom, and the pressure is on her to marry. But Lily can’t seem to make a match. She is still full of youth, life, energy – and she is also frivolous and flirtatious, too much for her own good according to the moneyed society in which she lives. Through a scandal involving money and sexual harassment, Lily falls precipitously from the tenuous grace she inhabits at the beginning of the novel. By novel’s end, she’s had a rough go indeed. Indeed, The House of Mirth virtually epitomizes The Gilded Age. At the novel’s opening, Lily Bart lives in that gilded world – a world dipped in a shining gilding of gold. The era gets its name from Mark Twain’s 1873 novel, The Gilded Age: A Tale of Today, in which the venerated social satirist makes clear that all that glitters is not gold. What appears to be gold – the lush luxuries of the moneyed class in Manhattan – is actually just thin gold gilding masking serious social problems. Scratch the gilding a bit, and you’ll see the rot, destruction, corruption, and despair underneath. So, too, with Lily and her downfall. Wharton scrapes the gilding off, shows the dirty reality of the world in which Lily lives. Wharton broke astonishingly new ground in The House of Mirth. Writing in the 1936 reprint of her novel, she said: When I wrote House of Mirth I held, without knowing it, two trumps in my hand. One was the fact that New York society in the nineties was a field as yet unexploited by a novelist who had grown up in that little hot-house of tradition and conventions; and the other, that as yet these traditions and conventions were unassailed, and tacitly regarded as unassailable. To learn more about The House of Mirth, check out Daily Kos’s take on it as well as “The Portrait of Miss Bart” in the New York Review of Books. You can view the illustrations from the original 1905 edition at the Edith Wharton Society website. If you want to explore Wharton in depth, you’ll want to read Hermione Lee’s biography of her. The website for Wharton’s home, The Mount, includes a biography and a consideration of her legacy, which inspired Julian Fellowes, the creator of Downton Abbey. You can take a virtual tour of Wharton’s estate, the main house, the stable, and the gardens. C-SPAN’s two-and-a-half-hour special on Edith Wharton – broadcast from The Mount – is well worth viewing. You can read The House of Mirth for free online at Project Gutenberg – but if you’re like me, you’ll want to curl up in your favorite armchair with a hard copy of this delightfully long novel. One last resource is fascinating indeed – a 2007 article in the New York Times – but it reveals the ending of the novel. So wait until you’ve read The House of Mirth before you read “Wharton Letter Reopens a Mystery.” Visit thestoryweb.com/Wharton for links to all these resources. Listen now as I read Chapter 1 of Edith Wharton’s 1905 novel, The House of Mirth.   Selden paused in surprise. In the afternoon rush of the Grand Central Station his eyes had been refreshed by the sight of Miss Lily Bart. It was a Monday in early September, and he was returning to his work from a hurried dip into the country; but what was Miss Bart doing in town at that season? If she had appeared to be catching a train, he might have inferred that he had come on her in the act of transition between one and another of the country-houses which disputed her presence after the close of the Newport season; but her desultory air perplexed him. She stood apart from the crowd, letting it drift by her to the platform or the street, and wearing an air of irresolution which might, as he surmised, be the mask of a very definite purpose. It struck him at once that she was waiting for some one, but he hardly knew why the idea arrested him. There was nothing new about Lily Bart, yet he could never see her without a faint movement of interest: it was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions. An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test. "Mr. Selden—what good luck!" She came forward smiling, eager almost, in her resolve to intercept him. One or two persons, in brushing past them, lingered to look; for Miss Bart was a figure to arrest even the suburban traveller rushing to his last train. Selden had never seen her more radiant. Her vivid head, relieved against the dull tints of the crowd, made her more conspicuous than in a ball-room, and under her dark hat and veil she regained the girlish smoothness, the purity of tint, that she was beginning to lose after eleven years of late hours and indefatigable dancing. Was it really eleven years, Selden found himself wondering, and had she indeed reached the nine-and-twentieth birthday with which her rivals credited her? "What luck!" she repeated. "How nice of you to come to my rescue!" He responded joyfully that to do so was his mission in life, and asked what form the rescue was to take. "Oh, almost any—even to sitting on a bench and talking to me. One sits out a cotillion—why not sit out a train? It isn't a bit hotter here than in Mrs. Van Osburgh's conservatory—and some of the women are not a bit uglier." She broke off, laughing, to explain that she had come up to town from Tuxedo, on her way to the Gus Trenors' at Bellomont, and had missed the three-fifteen train to Rhinebeck. "And there isn't another till half-past five." She consulted the little jewelled watch among her laces.     "Just two hours to wait. And I don't know what to do with myself. My maid came up this morning to do some shopping for me, and was to go on to Bellomont at one o'clock, and my aunt's house is closed, and I don't know a soul in town." She glanced plaintively about the station. "It IS hotter than Mrs. Van Osburgh's, after all. If you can spare the time, do take me somewhere for a breath of air." He declared himself entirely at her disposal: the adventure struck him as diverting. As a spectator, he had always enjoyed Lily Bart; and his course lay so far out of her orbit that it amused him to be drawn for a moment into the sudden intimacy which her proposal implied. "Shall we go over to Sherry's for a cup of tea?" She smiled assentingly, and then made a slight grimace. "So many people come up to town on a Monday—one is sure to meet a lot of bores. I'm as old as the hills, of course, and it ought not to make any difference; but if I'M old enough, you're not," she objected gaily. "I'm dying for tea—but isn't there a quieter place?" He answered her smile, which rested on him vividly. Her discretions interested him almost as much as her imprudences: he was so sure that both were part of the same carefully-elaborated plan. In judging Miss Bart, he had always made use of the "argument from design." "The resources of New York are rather meagre," he said; "but I'll find a hansom first, and then we'll invent something." He led her through the throng of returning holiday-makers, past sallow-faced girls in preposterous hats, and flat-chested women struggling with paper bundles and palm-leaf fans. Was it possible that she belonged to the same race? The dinginess, the crudity of this average section of womanhood made him feel how highly specialized she was. A rapid shower had cooled the air, and clouds still hung refreshingly over the moist street. "How delicious! Let us walk a little," she said as they emerged from the station. They turned into Madison Avenue and began to stroll northward. As she moved beside him, with her long light step, Selden was conscious of taking a luxurious pleasure in her nearness: in the modelling of her little ear, the crisp upward wave of her hair—was it ever so slightly brightened by art?—and the thick planting of her straight black lashes. Everything about her was at once vigorous and exquisite, at once strong and fine. He had a confused sense that she must have cost a great deal to make, that a great many dull and ugly people must, in some mysterious way, have been sacrificed to produce her. He was aware that the qualities distinguishing her from the herd of her sex were chiefly external: as though a fine glaze of beauty and fastidiousness had been applied to vulgar clay. Yet the analogy left him unsatisfied, for a coarse texture will not take a high finish; and was it not possible that the material was fine, but that circumstance had fashioned it into a futile shape? As he reached this point in his speculations the sun came out, and her lifted parasol cut off his enjoyment. A moment or two later she paused with a sigh. "Oh, dear, I'm so hot and thirsty—and what a hideous place New York is!" She looked despairingly up and down the dreary thoroughfare. "Other cities put on their best clothes in summer, but New York seems to sit in its shirtsleeves." Her eyes wandered down one of the side-streets. "Someone has had the humanity to plant a few trees over there. Let us go into the shade." "I am glad my street meets with your approval," said Selden as they turned the corner. "Your street? Do you live here?" She glanced with interest along the new brick and limestone house-fronts, fantastically varied in obedience to the American craving for novelty, but fresh and inviting with their awnings and flower-boxes. "Ah, yes—to be sure: THE BENEDICK. What a nice-looking building! I don't think I've ever seen it before." She looked across at the flat-house with its marble porch and pseudo-Georgian facade. "Which are your windows? Those with the awnings down?" "On the top floor—yes." "And that nice little balcony is yours? How cool it looks up there!" He paused a moment. "Come up and see," he suggested. "I can give you a cup of tea in no time—and you won't meet any bores." Her colour deepened—she still had the art of blushing at the right time—but she took the suggestion as lightly as it was made. "Why not? It's too tempting—I'll take the risk," she declared. "Oh, I'm not dangerous," he said in the same key. In truth, he had never liked her as well as at that moment. He knew she had accepted without afterthought: he could never be a factor in her calculations, and there was a surprise, a refreshment almost, in the spontaneity of her consent. On the threshold he paused a moment, feeling for his latchkey. "There's no one here; but I have a servant who is supposed to come in the mornings, and it's just possible he may have put out the tea-things and provided some cake." He ushered her into a slip of a hall hung with old prints. She noticed the letters and notes heaped on the table among his gloves and sticks; then she found herself in a small library, dark but cheerful, with its walls of books, a pleasantly faded Turkey rug, a littered desk and, as he had foretold, a tea-tray on a low table near the window. A breeze had sprung up, swaying inward the muslin curtains, and bringing a fresh scent of mignonette and petunias from the flower-box on the balcony. Lily sank with a sigh into one of the shabby leather chairs. "How delicious to have a place like this all to one's self! What a miserable thing it is to be a woman." She leaned back in a luxury of discontent. Selden was rummaging in a cupboard for the cake. "Even women," he said, "have been known to enjoy the privileges of a flat." "Oh, governesses—or widows. But not girls—not poor, miserable, marriageable girls!" "I even know a girl who lives in a flat." She sat up in surprise. "You do?" "I do," he assured her, emerging from the cupboard with the sought-for cake. "Oh, I know—you mean Gerty Farish." She smiled a little unkindly. "But I said MARRIAGEABLE—and besides, she has a horrid little place, and no maid, and such queer things to eat. Her cook does the washing and the food tastes of soap. I should hate that, you know." "You shouldn't dine with her on wash-days," said Selden, cutting the cake. They both laughed, and he knelt by the table to light the lamp under the kettle, while she measured out the tea into a little tea-pot of green glaze. As he watched her hand, polished as a bit of old ivory, with its slender pink nails, and the sapphire bracelet slipping over her wrist, he was struck with the irony of suggesting to her such a life as his cousin Gertrude Farish had chosen. She was so evidently the victim of the civilization which had produced her, that the links of her bracelet seemed like manacles chaining her to her fate. She seemed to read his thought. "It was horrid of me to say that of Gerty," she said with charming compunction. "I forgot she was your cousin. But we're so different, you know: she likes being good, and I like being happy. And besides, she is free and I am not. If I were, I daresay I could manage to be happy even in her flat. It must be pure bliss to arrange the furniture just as one likes, and give all the horrors to the ash-man. If I could only do over my aunt's drawing-room I know I should be a better woman." "Is it so very bad?" he asked sympathetically. She smiled at him across the tea-pot which she was holding up to be filled. "That shows how seldom you come there. Why don't you come oftener?" "When I do come, it's not to look at Mrs. Peniston's furniture." "Nonsense," she said. "You don't come at all—and yet we got on so well when we meet." "Perhaps that's the reason," he answered promptly. "I'm afraid I haven't any cream, you know—shall you mind a slice of lemon instead?" "I shall like it better." She waited while he cut the lemon and dropped a thin disk into her cup. "But that is not the reason," she insisted. "The reason for what?" "For your never coming." She leaned forward with a shade of perplexity in her charming eyes. "I wish I knew—I wish I could make you out. Of course I know there are men who don't like me—one can tell that at a glance. And there are others who are afraid of me: they think I want to marry them." She smiled up at him frankly. "But I don't think you dislike me—and you can't possibly think I want to marry you." "No—I absolve you of that," he agreed. "Well, then—-?" He had carried his cup to the fireplace, and stood leaning against the chimney-piece and looking down on her with an air of indolent amusement. The provocation in her eyes increased his amusement—he had not supposed she would waste her powder on such small game; but perhaps she was only keeping her hand in; or perhaps a girl of her type had no conversation but of the personal kind. At any rate, she was amazingly pretty, and he had asked her to tea and must live up to his obligations. "Well, then," he said with a plunge, "perhaps THAT'S the reason." "What?" "The fact that you don't want to marry me. Perhaps I don't regard it as such a strong inducement to go and see you." He felt a slight shiver down his spine as he ventured this, but her laugh reassured him.     "Dear Mr. Selden, that wasn't worthy of you. It's stupid of you to make love to me, and it isn't like you to be stupid." She leaned back, sipping her tea with an air so enchantingly judicial that, if they had been in her aunt's drawing-room, he might almost have tried to disprove her deduction. "Don't you see," she continued, "that there are men enough to say pleasant things to me, and that what I want is a friend who won't be afraid to say disagreeable ones when I need them? Sometimes I have fancied you might be that friend—I don't know why, except that you are neither a prig nor a bounder, and that I shouldn't have to pretend with you or be on my guard against you." Her voice had dropped to a note of seriousness, and she sat gazing up at him with the troubled gravity of a child. "You don't know how much I need such a friend," she said. "My aunt is full of copy-book axioms, but they were all meant to apply to conduct in the early fifties. I always feel that to live up to them would include wearing book-muslin with gigot sleeves. And the other women—my best friends—well, they use me or abuse me; but they don't care a straw what happens to me. I've been about too long—people are getting tired of me; they are beginning to say I ought to marry." There was a moment's pause, during which Selden meditated one or two replies calculated to add a momentary zest to the situation; but he rejected them in favour of the simple question: "Well, why don't you?" She coloured and laughed. "Ah, I see you ARE a friend after all, and that is one of the disagreeable things I was asking for." "It wasn't meant to be disagreeable," he returned amicably. "Isn't marriage your vocation? Isn't it what you're all brought up for?" She sighed. "I suppose so. What else is there?" "Exactly. And so why not take the plunge and have it over?" She shrugged her shoulders. "You speak as if I ought to marry the first man who came along." "I didn't mean to imply that you are as hard put to it as that. But there must be some one with the requisite qualifications." She shook her head wearily. "I threw away one or two good chances when I first came out—I suppose every girl does; and you know I am horribly poor—and very expensive. I must have a great deal of money." Selden had turned to reach for a cigarette-box on the mantelpiece. "What's become of Dillworth?" he asked. "Oh, his mother was frightened—she was afraid I should have all the family jewels reset. And she wanted me to promise that I wouldn't do over the drawing-room." "The very thing you are marrying for!" "Exactly. So she packed him off to India." "Hard luck—but you can do better than Dillworth." He offered the box, and she took out three or four cigarettes, putting one between her lips and slipping the others into a little gold case attached to her long pearl chain. "Have I time? Just a whiff, then." She leaned forward, holding the tip of her cigarette to his. As she did so, he noted, with a purely impersonal enjoyment, how evenly the black lashes were set in her smooth white lids, and how the purplish shade beneath them melted into the pure pallour of the cheek. She began to saunter about the room, examining the bookshelves between the puffs of her cigarette-smoke. Some of the volumes had the ripe tints of good tooling and old morocco, and her eyes lingered on them caressingly, not with the appreciation of the expert, but with the pleasure in agreeable tones and textures that was one of her inmost susceptibilities. Suddenly her expression changed from desultory enjoyment to active conjecture, and she turned to Selden with a question. "You collect, don't you—you know about first editions and things?" "As much as a man may who has no money to spend. Now and then I pick up something in the rubbish heap; and I go and look on at the big sales." She had again addressed herself to the shelves, but her eyes now swept them inattentively, and he saw that she was preoccupied with a new idea. "And Americana—do you collect Americana?" Selden stared and laughed. "No, that's rather out of my line. I'm not really a collector, you see; I simply like to have good editions of the books I am fond of." She made a slight grimace. "And Americana are horribly dull, I suppose?" "I should fancy so—except to the historian. But your real collector values a thing for its rarity. I don't suppose the buyers of Americana sit up reading them all night—old Jefferson Gryce certainly didn't." She was listening with keen attention. "And yet they fetch fabulous prices, don't they? It seems so odd to want to pay a lot for an ugly badly-printed book that one is never going to read! And I suppose most of the owners of Americana are not historians either?" "No; very few of the historians can afford to buy them. They have to use those in the public libraries or in private collections. It seems to be the mere rarity that attracts the average collector." He had seated himself on an arm of the chair near which she was standing, and she continued to question him, asking which were the rarest volumes, whether the Jefferson Gryce collection was really considered the finest in the world, and what was the largest price ever fetched by a single volume. It was so pleasant to sit there looking up at her, as she lifted now one book and then another from the shelves, fluttering the pages between her fingers, while her drooping profile was outlined against the warm background of old bindings, that he talked on without pausing to wonder at her sudden interest in so unsuggestive a subject. But he could never be long with her without trying to find a reason for what she was doing, and as she replaced his first edition of La Bruyere and turned away from the bookcases, he began to ask himself what she had been driving at. Her next question was not of a nature to enlighten him. She paused before him with a smile which seemed at once designed to admit him to her familiarity, and to remind him of the restrictions it imposed. "Don't you ever mind," she asked suddenly, "not being rich enough to buy all the books you want?" He followed her glance about the room, with its worn furniture and shabby walls. "Don't I just? Do you take me for a saint on a pillar?" "And having to work—do you mind that?" "Oh, the work itself is not so bad—I'm rather fond of the law." "No; but the being tied down: the routine—don't you ever want to get away, to see new places and people?" "Horribly—especially when I see all my friends rushing to the steamer." She drew a sympathetic breath. "But do you mind enough—to marry to get out of it?" Selden broke into a laugh. "God forbid!" he declared. She rose with a sigh, tossing her cigarette into the grate. "Ah, there's the difference—a girl must, a man may if he chooses." She surveyed him critically. "Your coat's a little shabby—but who cares? It doesn't keep people from asking you to dine. If I were shabby no one would have me: a woman is asked out as much for her clothes as for herself. The clothes are the background, the frame, if you like: they don't make success, but they are a part of it. Who wants a dingy woman? We are expected to be pretty and well-dressed till we drop—and if we can't keep it up alone, we have to go into partnership." Selden glanced at her with amusement: it was impossible, even with her lovely eyes imploring him, to take a sentimental view of her case. "Ah, well, there must be plenty of capital on the look-out for such an investment. Perhaps you'll meet your fate tonight at the Trenors'." She returned his look interrogatively. "I thought you might be going there—oh, not in that capacity! But there are to be a lot of your set—Gwen Van Osburgh, the Wetheralls, Lady Cressida Raith—and the George Dorsets." She paused a moment before the last name, and shot a query through her lashes; but he remained imperturbable. "Mrs. Trenor asked me; but I can't get away till the end of the week; and those big parties bore me." "Ah, so they do me," she exclaimed. "Then why go?" "It's part of the business—you forget! And besides, if I didn't, I should be playing bezique with my aunt at Richfield Springs." "That's almost as bad as marrying Dillworth," he agreed, and they both laughed for pure pleasure in their sudden intimacy. She glanced at the clock. "Dear me! I must be off. It's after five." She paused before the mantelpiece, studying herself in the mirror while she adjusted her veil. The attitude revealed the long slope of her slender sides, which gave a kind of wild-wood grace to her outline—as though she were a captured dryad subdued to the conventions of the drawing-room; and Selden reflected that it was the same streak of sylvan freedom in her nature that lent such savour to her artificiality. He followed her across the room to the entrance-hall; but on the threshold she held out her hand with a gesture of leave-taking. "It's been delightful; and now you will have to return my visit." "But don't you want me to see you to the station?" "No; good bye here, please." She let her hand lie in his a moment, smiling up at him adorably. "Good bye, then—and good luck at Bellomont!" he said, opening the door for her. On the landing she paused to look about her. There were a thousand chances to one against her meeting anybody, but one could never tell, and she always paid for her rare indiscretions by a violent reaction of prudence. There was no one in sight, however, but a char-woman who was scrubbing the stairs. Her own stout person and its surrounding implements took up so much room that Lily, to pass her, had to gather up her skirts and brush against the wall. As she did so, the woman paused in her work and looked up curiously, resting her clenched red fists on the wet cloth she had just drawn from her pail. She had a broad sallow face, slightly pitted with small-pox, and thin straw-coloured hair through which her scalp shone unpleasantly. "I beg your pardon," said Lily, intending by her politeness to convey a criticism of the other's manner. The woman, without answering, pushed her pail aside, and continued to stare as Miss Bart swept by with a murmur of silken linings. Lily felt herself flushing under the look. What did the creature suppose? Could one never do the simplest, the most harmless thing, without subjecting one's self to some odious conjecture? Half way down the next flight, she smiled to think that a char-woman's stare should so perturb her. The poor thing was probably dazzled by such an unwonted apparition. But WERE such apparitions unwonted on Selden's stairs? Miss Bart was not familiar with the moral code of bachelors' flat-houses, and her colour rose again as it occurred to her that the woman's persistent gaze implied a groping among past associations. But she put aside the thought with a smile at her own fears, and hastened downward, wondering if she should find a cab short of Fifth Avenue. Under the Georgian porch she paused again, scanning the street for a hansom. None was in sight, but as she reached the sidewalk she ran against a small glossy-looking man with a gardenia in his coat, who raised his hat with a surprised exclamation. "Miss Bart? Well—of all people! This IS luck," he declared; and she caught a twinkle of amused curiosity between his screwed-up lids. "Oh, Mr. Rosedale—how are you?" she said, perceiving that the irrepressible annoyance on her face was reflected in the sudden intimacy of his smile. Mr. Rosedale stood scanning her with interest and approval. He was a plump rosy man of the blond Jewish type, with smart London clothes fitting him like upholstery, and small sidelong eyes which gave him the air of appraising people as if they were bric-a-brac. He glanced up interrogatively at the porch of the Benedick. "Been up to town for a little shopping, I suppose?" he said, in a tone which had the familiarity of a touch. Miss Bart shrank from it slightly, and then flung herself into precipitate explanations. "Yes—I came up to see my dress-maker. I am just on my way to catch the train to the Trenors'." "Ah—your dress-maker; just so," he said blandly. "I didn't know there were any dress-makers in the Benedick." "The Benedick?" She looked gently puzzled. "Is that the name of this building?" "Yes, that's the name: I believe it's an old word for bachelor, isn't it? I happen to own the building—that's the way I know." His smile deepened as he added with increasing assurance: "But you must let me take you to the station. The Trenors are at Bellomont, of course? You've barely time to catch the five-forty. The dress-maker kept you waiting, I suppose." Lily stiffened under the pleasantry. "Oh, thanks," she stammered; and at that moment her eye caught a hansom drifting down Madison Avenue, and she hailed it with a desperate gesture. "You're very kind; but I couldn't think of troubling you," she said, extending her hand to Mr. Rosedale; and heedless of his protestations, she sprang into the rescuing vehicle, and called out a breathless order to the driver.      

Vocal powerhouse and '90s dance music icon, CeCe Peniston, discusses the 25th anniversary of her biggest hit "Finally," making new music, her health and an encounter with NeNe Leakes. Plus CeCe serenades Jacquari in an unforgettable moment.

Celebrando os 5 anos, agora só flashbacks tocados nos últimos anos. Dia 24 de setembro está chegando, prepare-se! TRACKLIST: World's Famous Supreme Team - Hey DJ Timex Social Club - Rumors Chic! - Good Times Queen - Radio Gaga Whitney Houston - I Wanna Dance With Somebody (Remix) Ce Ce Peniston - Finally (12" Choice Mix) Bee Gees - Night Fever (Will's Classic Bootleg) Inner City - Good Life TKA - You Are The One (Eastside Extended Mix) Petra & Co - Just Let Go (Extended Mix) Celebrate The Nun - Will You Be There (Extended Mix) 2 Unlimited - Get Ready For This (Dj Gery Mix) ABBA - Gimme! Gimme! Gimme! (Dendix Bootleg) Assine (Subscribe) iTunes: http://apple.co/1I3VxyW Tunein: http://bit.ly/1JrnQZa Facebook: http://on.fb.me/1MCe5ex

This Australia Day Weekend is set to go off with an epic line up of DJs and the return of Zoo Playground this Sunday 24th, Monday 25th and Tues 26th More details at their Facebook page https://www.facebook.com/events/1712505778986106/ Here's my promo mix, which features plenty of current hits, classic tracks and mashups. Starts off slow and ends with a hectic finale See you all on the dancefloor this weekend - and don't forget to UNLEASH THE BEAST !! Track Listing: 001 - OMI vs TLC - Hula Hoop No Scrubs (Bastard Bob mashup) 002 - Robin Schulz vs OMI vs Maroon 5 - Sugar Hula Sugar Hoop (SMASH mashup) 003 - Robin Schulz vs CeCe Peniston - Finally Sugar (Bastard Bob mashup) 004 - Robin Schulz vs Little Mix - Word Up Sugar (Bastard Bob mashup) 005 - Icona Pop - Emergency (Sam Feldt Remix) 006 - Tony Moran feat. Deborah Cox - Tenderness (Seth Coopers Taking Me Up Edit) 007 - Ranucci vs Modjo - Lady (Jolyon Petch Lady Mashup) 008 - Ariana Grande - Focus (Felipe Angel Remix) 009 - Justin Bieber - Sorry (Eduardo Lujan & Luis Vazquez Remix) 010 - Funkin Matt Vs. Emzy - The Groove Is Alive (Tommy Marcus Pvt Mash-Up) 011 - Zoe Badwi vs. Rihanna vs. Razor n Guido - Release Me Again (Seth Cooper vs. Joe Gauthreaux 2x Rework) 012 - Tom Siher Ft. Pussycat Dolls - Don't Cha 2k15 (M@rio Private Mash) 013 - Rihanna - S&M (Seth Cooper & Trypsins Deep Rework) 014- J Lo vs Britney Spears - Work Bitch On The Floor (Bastard Bob mashup) 015 - SASH! X Olly James - Ecuador (2016 Original Mix) 016 - Deborah Cox - Leave The World Behind (Danny Mart The New Remix) 017 - Zenbi - Wit You (Rich B & Phil Marriott Club Mix) 018 - David Guetta & Chris Willis Feat. Fergie & LMFAO - Gettin over you (Jolyon Petch Club re-edit) 019 - Disco Fries & Breathe Carolina - All I Wanna (Morgan Page Extended Mix) 020 - Sia- Bird Set Free (Dirty Pop Deconstruction Edit) 021 - Nick Martin vs Henrix - Feel Lion (Bastard Bob mashup) 022 - Discopolis - Falling Committed To Sparkle Motion (Double Face Brazil Remix) 023 - Jose Spinnin Cortes Feat. Age Of Love - Age Of Love (DJ ANDAMAN Reconstruction Mix) 024 - Bonnis Maxx & DJ Extasia Vs Aron Ft. John Legend - Impossible All Of Me (Alan Capetillo 2k15 PVT BTLG RE-WORK) 025 - Sia and Bonnis Maxx - Fire Meet Gasoline (Mauro Mozart Private) 026 - Elof De Neve vs Ivan Guzman - Work The Angels In Love (Ivan Guzman Mashup 2k15) 027 - Offer Nissim VS O.N - The Last Sex (Guy Scheiman Mashup)

CeCe Peniston. Debuts new single' Believe '. Chaos featuring CeCe Peniston. The 1990s, proved to be substantial for the Dayton, Ohio native. She became an international sensation and was considered to be one of the most successful dance club artists in the history of the US Billboard Hot Dance Music/Club Play Charts. Peniston was successful at scoring five major number one hits within three years. Her signature Dance hit “Finally” was #5 on the Billboard Hot 100 Chart and #2 on the UK Top 75. It became one of the biggest dance records in history to sell over 3 million copies worldwide. On October 17, Billboard magazine announced that Peniston was the leading nominee in the Billboard Music Awards, being nominated in four categories: three times in the dance category with "Finally" (Best New Artist, Best Female Artist and Best Director), and one in the R&B/Rap category (Best Female Artist) for her urban hit "Keep On Walkin’". Ultimately the song won two awards, and three of her singles released in 1992 would be listed within the Top 100 songs of the Billboard Year-End chart (at #20 with "Finally", at #61 with "Keep On.

more mixes @ www.djmumbles.com 1) Vintage Culture feat. Phil Collins - In the Air Tonight [White Label] 2) Thomaz Krauze feat. Stee Downes - I'm Still Standing (Going Deeper Remix) [Zero Eleven Music] 3) Dusky - Careless [Aus Music] 4) Electronic Youth feat. Alex Hart - Wish I Didnt Miss You [New State Music] 5) Ce Ce Peniston - Finally (Playless Remix) [White Label] 6) Jako Diaz - Reset (Original Mix) [Underground Mjuzieek Digital] 7) CRNKN feat. Jhene Aiko - Still [White Label] 8) Gorgon City feat. Yasmin - Real (Original Mix) [Black Butter Records] 9) Beatles - Come Together (Vintage Culture Remix) [White Label] 10) Fabio Ricciuti feat. Qubiko - Don't Stop (Original Mix) [Incorrect Music] 11) La Roux - Let Me Down Gently (Playless Club Mix) [White Label] 12) Grum feat. Brett Gould - In Love (Brett Gould Remix) [Armada] 13) Duke Dumont feat. Jax Jones - I Got U (MK Remix) [Virgin] 14) Jakwob - SomeBody New (Rektchordz Remix) [White Label] 15) Celsius - Thought As Much [Moda Black] 16) Basement Jaxx - Never Say Never (Mark Knight Remix) [Toolroom] 17) Ricky Indo - Big Dub & A Smile (Demarkus Lewis Rework) [Sticky Fingers]

HOUSE & UK FUNKY #LEWM MAY 2012 EPISODE 4

This March 2011 Special Edition 2-Hour podcast is the sequel to last year's 'All Mashed Up' pod, showcasing the best of all of the mashups I put together throughout the past year. There are also a few new edits that I prepared for the Mardi Gras 2011 season, earlier this month. Featuring vocals by Stonebridge, Copyright, Ce Ce Peniston, Johnny Corporate, Funkerman, Chocolate Puma & Bingo Players, Shakedown, Ultra Nate, Riva Starr, Lil Mo Yin Yang, Marlon D & Mena Keys, Kathy Brown, Kings of Tomorrow, The Program, John Dahlback, 100%, Soulsearcher, Cleptomaniacs, Candi Staton, Danny Verde & Phil Romano and Bailey Tzuk. Also featuring instrumentals and dubs by Jay C & Felix Baumgartner, Aitor Galan, The Sultan, Funkagenda & Ned Shepard, Moguai, Michael Woods, Splashfunk, Alex Guerrero & Javi Reina, Daishi Dance & Mitomi Tokoto, Swedish House Mafia, Mark Knight & Wolfgang Gartner, Tune Brothers & Plastik Funk, Manuel De La Mare, Juanjo Martin, Felix Leiter vs Dario G, Paul & Luke, Ivan Gomez & Ben Manson, Incognet, Mendez & Leandro, Dick Ray and Caseli, Freakazoid & Denzal Park. Enjoy !!

This is the Fourth of a 4 mix series of Old School Gospel House Classics! Time: 62 minutes Playlist: To God be the glory - Jasper Street Company, Joy - Kathy Brown, He is the Joy - Donna Allen, Brighter Days - Kenny Bobien, Solid Ground - Jasper Street Company, We Fall Down - Donnie McClurkin, Yeah - Yolanda Adams, Nobody Else - Cece Peniston, Stomp - Kirk Franklin & God's Property, The Gospel Slide - Dana Divine

This one is for those that don't want to let go of summer, or those that are chasing the sun south! Featuring: 1 - Shame Shame Shame (Soul Shaker Remix) - Ce Ce Peniston 2 - Don't Mess With My Man (Extended Mix) - Booty Luv 3 - Like A Boy (Bimbo Jones Club Mix) - Ciara 4 - The Answer (Original Mix) - The Bassmonkeys 5 - Take Me To The Sun (Freemasons Remix) - Disco Freaks 6 - Soul Heaven (Fonzerelli Remix) - Henrik B. feat. Terri B. 7 - Because Of You (Sunfreakz Remix) - Ne-Yo 8 - Uninvited (Club Mix) - Freemasons feat. Bailey Tzuke 9 - What Hope Have I (7th Heaven Remix) - The Sphinx feat. Sabrina Johnston Free to download and stream. Search "Joelby" on: Spotify // GooglePlay // iTunes // Apple Podcasts // Mixcloud // Podomatic DJ bookings: info@joelby.co.uk All episodes also: search "joelby" in your podcast app, or go to http://www.joelby.co.uk Insta/Twit: @djjoelby facebook: https://www.facebook.com/joelbysfunkyvocalhouse Bonus mixes on Mixcloud: http://www.mixcloud.com/joelby/