Podcasts about Brown sugar

Antonio Veneziani"Il tempio dell'anima"Il Simbolo EdizioniPubblichiamo la recensione di Giorgio Ghiotti, pubblicata su VallecchiPoesia.https://vallecchipoesia.it/content/antonio-veneziani-il-tempio-dellanima-il-simbolo-2025E' una nostizia da festeggiare ogni volta che esce un nuovo libro di un vero poeta, specialmente quando, come nel caso di Antonio Veneziani, sono passati anni dal suo ultimo lavoro. L'autore del memorabile esordio Brown Sugar del '79 ha affidato alle lodevoli edizioni Il Simbolo di Maurizio Gregorini il suo ritorno in volume con Il tempio dell'anima. Ritorno importante, atteso, per chi nel tempo ha seguito di Veneziani il percorso, fatto di fedeltà alla sua ispirazione, di coerenza e – tratto sempre più raro oggi – di assoluta libertà, difesa e pretesa anche a scapito di facili posizionamenti. Se nelle raccolte precedenti il poeta ci aveva abituati a scene di sollecito amore, di notturni incontri e esperienze del corpo, sempre restituendo nei suoi versi una città fantasmatica e miserabile non estranea a ingenti dosi di tenerezza e commozione, ne Il tempio dell'anima qualcosa è mutato. Verrebbe da dire che, smessi in parte i panni del flaneur urbano dedito alla perlustrazione di lungoteveri e interni domestici carichi di segreti (splendido esempio ne sono due raccolte precedenti: Tatuaggio profondo e Canzonette stradaiole), Antonio Veneziani recupera qui un paesaggio interiore mai pacificato – impossibile per chi, come lui, vive il mondo in percentuali altissime: “sono fuori posto, fuori luogo. / È pericoloso vivere” –, ma certamente accolto e compreso in un ragionare che non è mai stato tanto cristallino, serenamente inquieto, quasi direi metafisico. Veneziani non ha paura di parlare dalla vecchiaia, come chi ancora si indigna e s'innamora, magari di un gattino “sgarrupato” salvato dalla tempesta (“Troverò una tasca, / la inventerò se occorre”), ma forse per la prima volta si intrattiene a pensare anche ai cieli, a una divinità che, pur nella non consona e addomesticata forma delle religioni, sappia farsi – come scritto con ottima intuizione da Gregorini nella nota introduttiva – culla di un infinito cui la parola e quella poetica ancor di più anela. Poesie di grande temperatura emotiva si susseguono lungo le pagine, così che ogni testo, ricomposto all'interno del disegno d'insieme, vada a comporre una tessitura di irresistibile fascino, in grado di restituire non soltanto la storia di una poesia (e quella di Veneziani è una tra le migliori che abbiamo, suo merito e nostra fortuna), ma la storia di un'anima. Anima, ben inteso, che sa farsi biografia, anima mai slegata dalla materia reale della vita. Un'anima, quella di Veneziani, celeste e terrestre insieme. C'è una sapienza in questa raccolta che non appartiene a saggi e antichi dei; è la sapienza dei balocchi, degli autodidatti della vita, dei poeti. Antonio Veneziani non rivela dall'alto per meravigliare i lettori, ma prova meraviglia nel rivelarsi. Non consiglia, non indica, si tiene ben lontano da una poesia di precetto, perché si sente lui per primo in continuo rodaggio (e qui penso a Caproni che s'ammoniva: “resta ancora tutto da dimostrare”). Così le tre sezioni centrali dell'opera (Barbaglio di amor senile, Frammenti di diario e La storia si ripete) possono leggersi davvero come un consuntivo appassionato senza mai alcuna sbavatura di un'intera vita: Grazie della premura, grazie dei consigli.Ma voi, voi non siete nel vortice chemi attraversa, né dentro i tagliche mi procuro per tangere il sanguedel mio declino. Credetemi è raccapricciante,e c'è di più, scrivo preghiere nelle pietree poi, nell'opacità della notte, le buttonel fiume.  O ancora: La mia vitaè presto raccontata:anni vissuti a zonzo, droghe smodate,labbra troppo altere per divine invocazioni.Perso in meandri etilicivolevo assoggettare il cielo.Imbecille cancellavo calendariper depistare la morte. Orariottoso scanso i vecchi selciati.  Merito di questo lavoro editoriale, l'aver posto ad apertura e chiusura del libro il recupero di lavori oramai introvabili dell'autore: dalle poesie di A Gerusalemme e Talismani al poemetto Shalom, in cui si fanno i conti, senza che mai tornino appieno e sempre in affanno com'è giusto di un'anima in cammino, con le proprie radici ebraiche. Lo stile di Antonio Veneziani è unico nel panorama contemporaneo, irretisce e libera, apre ferite e le rimargina ma mai del tutto. C'è nella sua poesia, ancora una volta, un senso di insofferenza e di pietas, una postura etica e civile mai di posa, innata nell'occhio che, osservando e registrando il mondo da una posizione liminare, riattiva e colma un ripostiglio segreto che è in ciascuno di noi, facendoci ricordare la nostra riposta e forse dimenticata riserva di umanità. Di questo noi suoi affezionati lettori gli saremo grati a lungo. Mi si permetta di spendere ancora qualche riga per rimarcare il lavoro dell'editore Il Simbolo, che a poco più di un anno dalla sua nascita tanto sta facendo nella cura attenta e rigorosa delle sue uscite, tra le quali spicca un prezioso e imprescindibile volume delle poesie di Elsa De Giorgi (L'eternità nel gelo dell'alba). Una casa editrice che intenda primariamente il lavoro editoriale come lavoro culturale non è poca cosa, oggi. Nel cuore di Roma, là dove un'altra benemerita casa editrice, Empirìa, è andata dagli anni Ottanta promuovendo una vera cultura poetica (e tanto questa nuova esperienza ricorda, per valore, quella di via Baccina), Il Simbolo è una piccola roccaforte di bellezza, a partire dall'eleganza delle copertine, e di coraggio.   Antonio Veneziani, Maria Concetta Borgese"Piedi nudi e parole crude"Edizioni MedartLa parola è quella di Antonio Veneziani, poeta vibrante capace di trasformare in poesia ogni pensiero, ogni piccola azione, meditazione, ricordo.Parte dalla parola, ma si trasforma in danza e in musica e in un significato che amplia il respiro della poesia e diventa un'unica zolla; una terra splendente e feconda.“Ballerina, sii gentile, svelaci i segreti del ruscello;mostra, insieme all'erba alta, i muscoli della brezza.Vorrei andarmene ma mani di seta mi trattengono.Ero ladro e assassino, un tempo, ora son sasso.”Dialoga con la danzatrice, il poeta. Dialoga sapendo di trovare risposte. Anche lontane e indecifrabili, ma tènere e capaci di tenere a bada l'inquietudine.Scritte per Maria Concetta Borgese, che le coreografa e le interpreta, queste poesie aiutano il percorso di noi umani. Lo aiutano mostrandoci fili di invisibile, fiducia e generosità dimenticate.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Welcome to Jay Dilla La vita, la musica, i beat, il calore di J Dilla, producer di Detroit considerato il Miles Davis della produzione in quattro quarti. Innovatore nei modo di comporre i beat e di tagliare i campioni, a lui si deve la nascita del genere nu-soul a fine anni 90 e una forte influenza sulle ritmiche squantizzate in quattro quarti che hanno influenzato la musica black tutta, dall`hiphop al jazz. James Yancey è purtroppo scomparso nel 2006 a causa di una rara malattia renale. Rest in Peace JD, nel mese a te dedicato, febbraio, tanti auguri per i tuoi 50 anni. Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-8- Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

Brown Sugar Peach Hot Sauce by Female Rage Radically Hot Sauce Review with Willie Wisely

Vinylism in New Orleans and Boston Terza puntata dedicata ai negozi di dischi scoperti in USA. Tappa a New Orleans passando da Nola Mix Records ed Euclid Records e poi volo a Boston per passare da Good Taste Music e dal sorprendente Vinyl Index. Ci fanno compagnia Hot 8 Brass Band, La the Darkman, The Infesticons, The War, Fritz da Cat, Amp Fiddler e tanta altra good black music. Stay Curious Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-20 Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

BOSSes, get ready for an electrifying conversation with a true entertainment icon. In this episode of the VO Boss Podcast, Anne Ganguzza is joined by the legendary Rolonda Watts, an Emmy-winning, talk show host, actress, and award-winning voice actor. Rolonda's career is a masterclass in professional reinvention. From her groundbreaking syndicated talk show, The Rolonda Show, to her powerful voice acting work on Professor Wiseman in Curious George and her on-screen roles in Mind Your Business and Survival of the Thickest, she embodies the art of pivoting with purpose. The hosts discuss how her journey from journalism to entertainment shaped her, why listening is the most important tool for any communicator, and the life philosophies that have guided her to become a true BOSS.   00:01 - Anne (Host) Hey, bosses, Anne Ganguzza, you know your journey in voiceover is not just about landing gigs. It's about growing both personally and professionally. At Anne Ganguzza Voice Productions, I focus on coaching and demo production that nurtures your voice and your confidence. Let's grow together. Visit Anneganguzza.com to find out more. 00:48 Visit anganguza, hey. Hey everyone, welcome to the VO Boss Podcast. I'mGanguzzayour host, Anne Ganguza, and I have something amazing for you 00:53 , bosses, today.  00:55 Today's guest is a one-woman entertainmentRolondaempire. She's done it all award-winning journalistRolonda daytime talk show host, actor, stand-up comic, best-selling author and one of the most recognizable voices in voiceover. You may have heard her as Professor Wiseman on Curious GeorgeRolonda in the Proud FamilyRolonda kung Fu Panda and now Invincible Fight Girl. She's also the annoucer and promo voice of the Sherry Show, where Sherry Shepard calls her a daytime talk show legend, which I happen to agree. Rolanda Watts is currently lighting up the screen on Bounce TV's hit comedy Mind your Business which I always get to see all the shorts on the Facebook feed, by the way where she plays Lucille, the sharp, sassy family matriarch that keeps it real with tough love and somehow I feel like that just echoes your character to a T. And she I feel like that just echoes your character to a T, and she's also appearing in the upcoming season of Netflix's Survival ofRolondathe Thickest, and was recently inducted into the prestigious Silver Circle by the National Academy of Television Arts and Sciences at the 2024 Emmys, recognizing her lifetime of groundbreaking work in television.  02:04 Bosses, please welcome the incomparable Rolanda Watts, thank you. Thank you, rolanda. I have to tell you, you know I'm a big fan. I mean, I've said this to you before, but, bosses, I am the biggest fan of Rolanda. I actually know Rolanda from watching her on daytime talk TV, and that was a while ago. I want to say that daytime talk shows had just kind of come into like being, and you're one of the first that I watched and I just I just you, your personality, just everything about you was just amazing. It's just magnetic, and so I am so excited to be able to interview you, a talk show host. So I was like, oh man, how am I going to prepare to talk to you? But you are just so gracious and wonderful, and so that kind of gave me a little bit of of hope that I wouldn't completely flub it up today, rolanda.  03:05 - Rolonda (Guest) I don't think you would do that, Anne.  03:08 - Anne (Host) My goodness. So for the bosses, who you know don't really know your story and how you started off, I mean, my gosh, you're a media empire, so I don't even like we could have like five days worth of interviews with you, but it all started as broadcast journalism correct interviews with you, but it all started as broadcast journalism correct?  03:28 - Rolonda (Guest) Yes, Tell us about that. Well, I grew up in Winston-Salem, North Carolina, and I, you know, I went to well, it's a long story about how I became an actor, but it all started with being 12 years old and going to Broadway with my family and seeing Guys and Doll and I was just like, oh my God, I love the stage and that's what I Anne do. So I went to Spelman and majored in theater arts and then there weren't a lot of roles when I got out of college. There just wasn't a track for folks who looked like me in the acting world, and so I fell in love with journalism, went to Columbia's Graduate School of Journalism and I was a news reporter and investigative anchor woman and producer for many years for New York WABC, WNBC Inside.  04:16 - Anne (Host) Edition, and that's impressive. And all of a sudden. Well, yeah, I was an investigative journalist. I mean you just said it like it came so easy. But I Anne imagine at the time. I mean you must have had to really work to get yourself in that space.  04:33 - Rolonda (Guest) Well, it was a crazy time because it was the 1980s. There weren't a lot of women in investigative news reporting, not in New York City, and so it was a groundbreaking time for women and and there was so much in the news, especially in New York, it was the big gang wars, the mob wars. You know, gotti hadn't even come into into play yet, so it was murder and mayhem. I was covering, wow and yeah, an inside edition. I was more murder and mayhem.  05:04 - Anne (Host) I remember that.  05:06 - Rolonda (Guest) Yeah. And then a man by the name of Roger King, who in heaven remains the number one selling as human being in television, asked me if I would like to do my very own syndicated talk show. So for four years I did the Rolanda show and then, when that was over let's loop back to the 12 year old who wore the subway token around her neck as a good luck charm. I said I'm not going to be on a porch when I'm 80 years old, going I could have, would have, should have. I am going to take my chances and go for my lifelong dream and make that 12 year old inside of me happy.  05:41 And I took off and went to Hollywood and that's where I became an actor and a writer and a producer and had my own production company and stumbled into voice acting and all of these things were part of what so many people call me the reinventionist. But I have had to reinvent my life for so many reasons and so many times. But I believe that isRolondamany different things that I've done and it's all around one thing and that's what we do as voice actors Good storytelling.  06:13 - Anne (Host) Yeah, absolutely Absolutely. And it's so interesting because before I had really come into like knowing you again, after you know, watching your talk show, and then knowing you as in voiceover yeah, the Anne and promo voice of the Sherry show, how interesting. Like you started to talk show, you're like a legend and talk show in my, in my brain. I'm like Rolanda, that's so awesome, like you. And now you kind of came full circle back to it a little bit Right, being the Anne and the promo voice.  06:46 And I was watching a clip of you the other day and Sherry was saying something. She was going on. She was gushing about you, which I get that. She was gushing about you and it was so interesting. She was giving you this credit about talking about your talk show and how wonderful you were and you turned it right. The conversation went right back to her about how wonderful she was and I was just blown away by how gracious that was and I just thought, well, no wonder. Well, no wonder you made such a great talk show host, such a great communicator, such a great actor and stand-up comedian and everything, because you just have this wonderful way of connecting with people.  07:29 - Rolonda (Guest) Well, you're awfully sweet, Anne. I'm going to receive all of that, but I thank you for that. You know it's, it's it. I, you know I was. I get blown away too, because Sherry does not hold back about what. What do the folks say? Giving me my flowers? And it's nice to receive them when you can smell them. You know, you know, know, it's really interesting because we did pave the way for sherry and and kelly and and drew and tamron all of them and I also know the hard work that those ladies are doing.  08:04 This job called talk is not easy. The politics that go on, the struggles day to day, the whole idea that the show is bigger than you as a human. It's very trying and you're out there by yourself. So I of course give her her flowers back because you can hand over the baton, but if the person can't run with it it really doesn't count. So to be able to see that continuum is a beautiful, beautiful thing.  08:29 And you know what's really funny is that Sherry's executive producer, who you see on the show all the time, John Murray. John was a college student when he first came to see my show and that's when he got the TV bug. He was bitten by the TV bug and so I would invite him back. In fact, one time I put him on the show so he could come and see how the producers worked and the behind the scenes working Skip to him becoming the executive producer of the Sherry show, and he said there's no other voice that we would have introduced, Sherry, and pass on the legacy than you. So it's really good. I mean, you got to be nice to kids, because they're coming up and they'll be your boss.  09:10 - Anne (Host) Right. Isn't that the truth?  09:12 - Rolonda (Guest) It is, it's like full circle.  09:13 - Anne (Host) You've, really you've done so much and you are.  09:15 I feel as though you've got. I feel like, look, I know how busy I am and I do a lot of stuff, but I feel like you, you're, you're doing it all. I mean you're, you're in that sitcom and I see, I'm thankful. I see the clips that you're posting on Facebook and it's so funny how the Rolanda that I know right, that I had a conversation with at VO Atlanta, I mean I feel like it is just so true to your character. Tell us a little bit about that role. I feel like you're just having the best time doing it.  09:44 - Rolonda (Guest) Oh my God, Lucille Williams, or Lucille is just one of the most wonderful characters. I mean, she's just great. And this coming weekend she's going to break off into her cougarlicious life, I know, oh wow.  10:05 She and her besties. They call themselves the silver sneakers. The nieces have convinced them that they need to give up the old guys, who just need a nurse and a purse, and go and get some of the young guys to go get some cool you know, be cougars and so we see how that works. But it's very, you know, it's fun to play her. She's sassy, she's the matriarch of the family, but at the same time we're writing storylines that give her a full bodied woman-ness. At this certain age, absolutely, absolutely.  10:42 - Anne (Host) I love that.  10:43 - Rolonda (Guest) But Mind your Business is a wonderful sitcom. It's one of those wonderful family sitcoms. It's produced by Bentley Evans, who did Jamie Foxx and Martin, so you're going to get that kind of zany funniness, but it's. But my character is lost her business almost during covid and calls on her family to come in and help save the business. And so she moves in with the family to save some money and all hell breaks loose. They need more of a referee than they do business partners. Now.  11:14 - Anne (Host) I love it. Now, if I'm correct, you're on season two, is that correct?  11:20 - Rolonda (Guest) We're on season two. That's right.  11:22 - Anne (Host) That's right Will there be more seasons. We certainly hope so. I hope so too.  11:25 - Rolonda (Guest) Listen, we're depending on you to watch and binge and love it. We're on Bounce TV or the Brown Sugar app and you Love it.  11:32 - Anne (Host) We're on Bounce TV or the Brown Sugar app and you can go look up where you can watch it. Yeah, I love that. Well, ok, so All right, we have to. Now we have to come to the voiceover aspect of things. So you actually have been doing voiceover since you came to LA, right?  11:46 - Rolonda (Guest) And well, you know what's so crazy, Anne, is that I was doing voiceover work, promos and Anne and voiceovers, and I didn't even know I was a voice actor, because I was doing all of that stuff for my show. I mean, had I known I was a voice actor at that time, I would have had a very different contract, trust me. But but it let meRolonda you know. But, just being a news reporter for so many years in New York City and on Inside Edition across the nation, people just knew my voice. And when, when I moved to LA and gave up the whole news and talk business to come out here and be an actor and a producer, nine months into the game the writers went on strike and instead of hosting an internationally syndicated talk show, I was on the picket line serving pizza to the striking writers.  12:39 And I was like what am I going to do? And I had to eat, I had to pay my rent, I mean what, what? And it was like I'm not going back to news, so what am I going to do? And I remembered that I used to call 411 back when you used to get information and the operator even knew my voice. They would go is this Rolanda. And so I said well this, I know I've got a voice, I'll go do voice acting. And I could not catch a cold because I didn't understand what the business was about. I had a voice and I had a microphone, but I had no idea what voice acting was about. I had a voice and I had a microphone, but I had no idea what voice acting was about.  13:14 So I went over to Calumson and Calumson over there in Burbank and I took a class and that thing saved my life because those that was the one of the that was the well, it was one of the longest strikes in Hollywood nine months and by that time I had created a whole new career and the voice actors weren't on strike. So I said this is a great backup for my physical acting and there are times and when my voice works more than my physical acting and now that I'm becoming a woman of a certain age those roles aren't coming in as quickly. But, honey, I can play a hot 30 year old.  13:53 - Anne (Host) Well, my voice. I love that you're using the woman of a certain age because, as a woman of a certain age, as well, what are you?  14:02 - Rolonda (Guest) going to do.  14:04 - Anne (Host) Exactly. I mean, I say use it Right, I mean absolutely. And so let's talk just for a brief moment about what. So acting and voice acting, same, different, what? What would you say are the key differences? Because you said, oh, I had to go to Kalmanson and Kalmanson, right.  14:22 - Rolonda (Guest) So there are some things, yeah, oh, absolutely.  14:25 - Anne (Host) Bosses need to know that are different and I absolutely always tell people yes, you should, you should, you know, take acting classes. But also there are some, some differences.  14:35 - Rolonda (Guest) Yeah, I find that there there's. It's just a different set of muscles, I think that's what you would say. One is just strictly your imagination and I think, well, for me, one helps the other. Well, for instance, the character I play we talked about Lucille, lucille talks like this she's got a little quiver in her voice and she just real high pitch, like that. So some of those tricks that we learn in terms of texture and pitch and pacing and all of that that we do as we imagine our characters, I do the same thing when I see the character on the page and I say how does that voice, what? What is it about her voice that's going to make her stand out. And they know that's Lucille, that's part of her, because she doesn't have cause. That character doesn't have this voice, not my voice. So I think that that that helps me find my characters In fact.  15:29 In fact I did a play and I had I did three plays at one time. Craziest thing in the world never been done Did three plays at one time, playing 10 different characters, from a nine-year-old girl to a 76-year-old grandmother, and all of those are different voices. You know, one was a journalist, one was a, you know, grandmother one, a, a little girl who grew up in mississippi. I mean, those are just such different voices and I also have bring my physical things, like when I'm thinking of a character in my voice, acting. I think what would they wear?  16:04 Shakespeare said, the clothes make the man and the woman too. Are they wearing a cape that they sold over there, you know? Are they carrying a sword? Does she have really tight bobs in her hair? I mean, does she have a mustache? So there are all kinds of things that I think. If I'm in my prop room or my wardrobe room and it's just my imagination, what can I do to help bring those things to light? Just the way, when they put the wig on and the clothes and the heels on for stage or screen, you could become that character. You do the same in your imagination, yeah.  16:37 - Anne (Host) I love that, I love that parallel.  16:40 That makes so much sense, actually, and it's interesting. So, for voice actors, who have not necessarily acted, what sort of tips would you have to for them to be better actors? Let's say, because it's funny, I do a lot of the stuff that people don't think you need to act for in terms of voiceover, like corporate narration or e-learning, and they think that you don't need to act. But in reality you're always a character, and so when I'll say to my students, envision that scene, it's just to them they're like what, why? Why do I need to do that? Why don't I just read the words? You know why?  17:20 - Speaker 3 (Announcement) I hear it. Yeah, exactly, you know why?  17:22 - Rolonda (Guest) Because we're not looking for readers, we're looking for actors, and I think that's one of the biggest mistakes that folks make who don't become a VO boss is because they don't understand what this industry is about. It's really not even about your voice. It's not about I mean, everybody has a beautiful, unique voice, because there are no two voices alike but it's the acting that's going to make you so different. It's those subliminal things under those lines. Sometimes you have a whole commercial that tells a whole life story in four lines and they, they fought over those lines. Attorneys, 50 people made all those lines. So they mean something. What is the story we're telling here? Right, and who am I in this story and who am I talking to? You know all of those questions. Where am I? Why am I even this story and who am I talking to? You know all of those questions. Where am I? Why am I even talking about this toilet paper? You know, and I'm a bear.  18:21 Why am I. Even I'm a mama bear. I mean why? You know why am I, and I'm not going to act like a bear, but I'm going to act like a mom who's concerned about her kids not wiping themselves. And that's just real stuff. So how do you tap into the authenticity? How do you make it human? Because what our job is is to connect with another human being. That's something that folks down there on Madison Avenue, the big advertisers, can't do in their suits, so they depend on us as actors, to be human, to be just plain old ourselves and human. No bravado, as we're hearing so much in our copy and in our instruction and directions as actors. Authenticity, throw it away, just give it to me. No salesy, no Anne, and I got to tell you that's the hardest thing in the world to do. Even for us seasoned actors, it's sometimes hard to shake off the the, the formality and just get real with it. You know and feel comfortable and confident with that.  19:21 - Anne (Host) Can I ask you to repeat that, can you that you said, you said what you said. It was hard, it's hard, it is hard, right. It is so hard Like I love it because you create that scene Right. It is so hard, like I love it because you create that scene Right In which those words make sense, right.  19:36 And tell a story and sometimes those words are really we don't know. We don't know that, Like I, have some people that are almost indignant that they don't have a storyboard or they don't. They don't understand the words. So therefore, if they don't, they're just kind of well, let's just say them then.  19:58 - Rolonda (Guest) Right In a melody that I think they want to hear. Rolonda, that's great, then they'll have a melody that they just heard, but they won't have the commercial.  20:03 - Anne (Host) I love it, so yes, so you said it's hard, rolanda says it's hard, it is.  20:09 - Rolonda (Guest) I go on record as saying the hardest thing I've ever had to do whether it was talk, tv or vocal or physical acting is being myself. Now in life, I have no problem beingRolondaauthentically Rolanda. What you see is Rolonda you get. But it's something that happens when we pick up that script and that microphone is in front of us and, all of a sudden, things start changing and happening. We're just not ourselves. I don't sound like myself. I don't like toRolondahear my voice. It takes, it's really acting. When you hear people who sound like how did they get that job? They don't even sound like a voice actor. It's because they are turning themselves Rolonda a virtual pretzel justRolondato sound like that, to sound so normal.  20:58 I remember when I first started doing my talk show um, the, the demand of being a, an actor I mean not an actor, but a talk show host with a talk show called rolanda was that you had to be Rolanda. You couldn't be the news reporter anymore. That was crucial to the success, and so it was very hard to even do it then, and I can remember my bosses and my partners calling going get that news reporter out of there, bring back Rolanda. And I said but I've got this crazy laugh and a raspy voice and I, you know, I'm a Southern accent and that's everything that makes my brand. I mean, it's crazy, but that's Rolanda. When you say Rolanda, that's what you hear. So whatever that is about you, whatever that quirky, crazy thing that you think is your fault, that's going to be your greatest asset. You know, when I was a little kid, they called me froggy and I always played all the guys in all my all girls school plays and I thought that was a real fault of mine. And now I can play women, men, little boys, pirates, anything in this industry of voice acting, and there's no limitation. The only limitation is your imagination. It's not about the equipment, it's not even about your voice. It's about your brilliant imagination and what you bring to that character, not even the microphone, what you bring to that character that nobody else thought about. That made that animator go. Oh, I can't wait to draw this character, um, and to make the casting director's job easy. They want you to win, they want you to get this job, so give it to them, show them your special sauce.  22:43 But I think it takes real practice, practice, practice. Like carnegie hall, they say. You just don't walk up into carnegie hall and start playing the violin. No, you got to learn how the instrument works. You got to learn how to maintain it, take care of it, how to make love to that instrument so it delivers that God given art and craft that you've put into it. You've got to do the work. And a lot of people think, well, I can just go pick this up and read. And the sad thing is, and they don't take classes and they have no idea what they're doing wrong. The worst thing that can happen is you go years and years and years building on the wrong stuff because you never took the time to learn the right stuff. You don't know what you don't know. Yeah, that's so.  23:29 - Anne (Host) I'm.  23:29 - Rolonda (Guest) I'm real big on training and classes so that you get the education and the acting experience and you understand how to break down scripts, you understand the vocabulary of this industry and how to network and and and use your resources that are right there at your fingertips.  23:46 - Anne (Host) Well, I think I think you're probably very much a VO Boss on using those resources and networking throughout your whole career. That's absolutely something that I feel that you've you've done so successfully. What would you say is probably the most important thing tip that you could give to to ensure success in this industry? Because it's a evolving industry and, yes, being the the queen of reinvention, right, you've had to reinvent yourself, and reinvent yourself not only in, you know, voiceover, but in, like all the media and how it's evolved over the years. So what would be your, your best tip to ensure success? Don't quit there. You go.  24:26 - Rolonda (Guest) I like that. The only people who don't succeed in voice acting are people who quit. I like that. You know, even the greatest ones. And you know, when we're at the VO Atlanta conference and we're with the greats I mean we're with Bob, who's Porky the pig, and we're with Joe, who's every network's Anne and when you hear these, these, these major vo stars and pros say, man, I do 50 to 100 auditions and may not nab the job a lot of us went whoa.  24:59 - Anne (Host) thank god, it's just not us, because yeah, I mean I can show you a stack in my head. I'm like oh, thank god, because, yeah, I, I just did a ton, I know, yeah, and look, listen I hear some auditions from this month okay yeah, am, I, am, I am I booking every one of them?  25:16 - Rolonda (Guest) no, but that's but. But you have to change your mindset. Every time I show up that microphone and I'm doing an audition, I'm not going up there. Well, I'm not going to get the job anyway. If you've got a bad attitude like that, it's time for you to jump into a classroom and just realign yourself, because this is a long game. And let me tell you what's going to happen when you get great you nab that job, you go and do that commercial. One hour it's gone and you're right back to auditioning again. So don't put all of your emphasis on just the job, but the but, the practice, the maintenance of it. Uh, going to conferences like the VO Atlanta conference, vo Dallas conference, sosa look up these places. That's a good place to hobnob. This is a very solo business. You're a solopreneur, you're by yourself, you, your microphone, your computer and your imagination. That's it. So get out and join memberships. Like Anne. You can come and take my class, the voice acting masterclass with Rolanda. In fact, I'm going to offer your listeners a very special deal if they're interested.  26:29 But that's another way that we build community and you learn what's the cutting edge. Right now we're dealing with AI. What does that mean? Staying on the cutting edge of things that are going to affect your career and really take it as a business. This is not just a hobby. Understand how your taxes work, understand the legalities and understand the questions to ask when you're signing a contract. Now just don't run out there all willy-nilly and not ask the right questions or your voice will be used forever and you not get paid. You know the video game people just had a strike and got some. Where are we moving forward in the business?  27:10 Be able to talk intelligently about the business. So when you're out there meeting people, they know, oh okay, this is somebody really serious. This isn't just somebody who just got a microphone on amazon and call themselves a voice actor, because there's a lot of that. But I say that um, really, just don't quit and understand that every time you show up in front of that microphone, it's another opportunity to show you a special sauce. And if the casting director doesn't get you into this particular job and that's not their decision, it's the producer's or whoever the client is. If you don't make it then, then at least they've heard you. I get a lot of times where they're. Rolonda same client will keep calling me back and I know I've impressed them in those other auditions I've done, so I know they're looking for something for me, so I just keep showing up, doing the best that I possibly can and finding ways to make it different. Because they've heard the same audition 50 million times, sometimes 500 times.  28:12 So what can you do to make it a little different and still stay within the parameters? So there's Ganguzza kinds of tricks and strategies and all kinds of things that you can do to stand Ganguzza and also how you market yourself like anything else. This is a brand Just because Rolonda have a microphone. Anything else this is a brand. Just because you have a microphone doesn't mean you have a brand. So reallyRolonda you know, that's one of the things I tell my students all the time. Once you get the breaking down the script and understand how the microphone and the vocab let's, let's talk about marketing, social marketing. How do we brand ourselves? How can you be one name like Rolanda and people immediately know what that means, and so that's really knowing your stuff and knowing your own voice too, that's so interesting because for a while, when I first started, I had different names.  29:00 - Anne (Host) I mean I, of course I started VO Peeps, I have VO Boss, and then I have Anne Ganguza brand and I'm like I really just need to wrap it all up into the Anne Ganguza brand. So finally, people say I need an Anne Ganguza, like I need a Rolanda. I need an Anne Ganguza, and so I love that that you have that brand and you build on that brand. But, rolanda, let me ask you a question, because I saw the stack of auditions. Do you I mean still, do you get, still I say still do you get an imposter syndrome?  29:31 - Rolonda (Guest) I think I'm pretty much. I'm pretty much at this time in my life. I know who I am. You know I'm not trying to. I've done enough and achieved enough and have enough confidence in myself. I think you know what I think this is. The other thing about this industry is confidence, because you can hear I can hear through a microphone. If you're not confident and you don't even believe yourself, if you see it, I'm going to see it. If you believe it, I'm going to believe it. And that's half the battle, I mean, and that's also part of the practice of this art and this craft, is learning how to still your nerves. Breathing is so much a part, warming up is so much a part of it and it's a full body job. This is an inside job because your beautiful vocal cords are right here in this body encases it. So you got to work out, you got to stretch. You know I love this. Old morgan freeman used to say that the secret to his great voice was a good, deep yawn.  30:29 Absolutely, you know because it just loosens up everything and these 41 muscles up here need to be worked out. A lot of people just jump right up, start reading, don't even warm up their mouths.  30:40 - Anne (Host) As evidenced by your. I think it was yesterday when I saw you on Facebook and you were like all right, I'm going back to the gym.  30:48 - Rolonda (Guest) I know. I messed up.  30:50 - Anne (Host) That's it. I'm going back.  30:54 - Rolonda (Guest) I'm a hot mess but.  30:56 - Anne (Host) I think that warming up I mean it helps, it absolutely does. Just a physical walk, you know, if you go to the gym, a physical warmup does absolutely help. Now, we did talk, we touched upon the confidence issue. We did talk, we touched upon the confidence issue, and one thing that I'm really excited about is that in let's see, is it in September, on the 17th, we are going to have you doing a guest directorship for the VO bosses on improv to improve your confidence and connection. So we will be talking about how bosses can remain confident or stay confident or get confident in the booth, and I love that.  31:35 You said that we can hear. We can hear that confidence and it's really interesting because even if you're telling a story and it may not be the story that ends up being on the video or the commercial right or the commercial right If we're auditioning and we're telling a story and we're convinced of it and we are confident in it, then the people listening, the casting directors, the people that will cast us, will believe it as well, and I think that's one of the telltale signs that they say, ah, shortlist, or that's what's gonna get you the gig.  32:05 - Rolonda (Guest) I think confidence and that's really believing in yourself and being able to take chances and risks. Because you know, think about it. The casting director is hearing 500 people say the same three lines. What are you going to bring to that story that's going to make a difference? I'll give you an example.  32:23 I did an at t commercial and it was about it. It was a very little short commercial and it was about a young girl who sees her mother, who has gone out for girls night at a salsa club, and she says mom, is this you on social media? And the mother goes oh, yes, honey, we were out with Raul last night and we were just dancing and then I something happened. And I said and I just to world. That was not even a line in the script, but I just had this imagination, cuz I used to go out salsa with my girlfriends in California and, honey, when Eduardo would ask us to dance, we would to world. And that just brought that into that like an aunt Lucille, and that's what got me the gig. And it was, and it was just that little button that we say, you know, because they've heard 500 times that people say the same thing yes, I went salsaing with my girlfriend, but nobody twirled but me, nobody's.  33:26 - Anne (Host) nobody else is twirling except for Rolanda. Nobody else is.  33:29 - Rolonda (Guest) honey, that's how much fun I had, which lets you know what that video must have looked like, that the girl saw.  33:36 Absolutely, absolutely, and listen and the fact that these old ladies were even on social media, lets, you know, those boys were young. They taught him how to tick and tock and twirl, you know. So I'm having a whole imaginative thing about going out with my girlfriends and then my girlfriend, my daughter, catching me. Oh please, child, we had a good time. You know, we don't care about what people think at this age. So bringing all of those things, even my own wisdom at this age, like I don't care, honey, I'm twirling with Eduardo because the guys my age don't twirl, so I'm bringing all of that fun into it, you know.  34:11 Another example was when I did judge Joe Brown. You know I was the Anne for that show and when I was doing the audition we had to, you know, was a promo, so I would have to read the line and then listen to the sound bite and then read the line in between. And listen to the sound bite, read, read the line. And I was so big. Judge Joe was such a crazy, freaking judge show. I would say, coming up today on Judge Joe, I'm going to slit your tire and I'm going to beat Shaniqua Mary can't stand, john and then I'm going to cut your other tire and then I would be.  34:46 And then one time I just went, whoa, the next Judge, joe. Honey, they fell on the floor. I was so busy listening that I was reacting like an at home person and I was like, ooh, on the next Joe. I was so irreverent that they created a little animation called lady justice and it was a little bug and I made up this whole story that lady justice was in love with joe just like the daytime audience was gone. Joe, tell them, joe, that's judge, joe, you know because I know the daytime audience. Yeah, so that's the other question we asked who are you talking to?  35:30 - Speaker 3 (Announcement) absolutely, this wasn't the inside edition audience. This. Don't be afraid to take that risk.  35:53 - Rolonda (Guest) You can do a straight one on the next Judge. Joe and Shanique was going to go, but honey, one time let it rip and show them that you can have fun. Fun is the main key. If it's not fun, don't do it.  36:05 - Anne (Host) Yeah, I agree, I think if you can make, if you can make someone laugh, if you can, if you can, if you can bring a smile to that casting director, that person listening to you, oh my goodness. And speaking of because normally I try to make this, you know, a 30 minute podcast, but I do want to touch upon. I do want to touch upon the fact that you are a stand up comedian as well, and we had quite a conversation at VO Atlanta on that, and so I feel like that's just all embedded in your personality and I think you were always a funny person, like from maybe a young girl. But talk to us about being at stand up comedy is tough.  36:41 - Rolonda (Guest) Oh, it's really tough.  36:42 - Anne (Host) But you know something that's a rough audience.  36:45 - Rolonda (Guest) Know your audience. Who are you talking to? That's true. And you know something Lunell taught me that she said know your audience, be able to switch on a dime, whatever. But I'm going to tell you just, VO bosses, that comedy helps immensely. It helps your timing, you know. So much of comedy comes in threes. So when you're doing animation or even some fun commercials, what's that third line where the funny ABC?  37:10 - Anne (Host) read right Where's that?  37:11 - Rolonda (Guest) Where's that? Third line where the funny? Or they want an ABC. Read Right, where's that? Where's that? Where's the funny? And that also gives you the confidence and the imagination and and I tell you funny, joan Rivers told Sherri Shepherd funny girls always work, funny women, funny girls always work, funny women, funny women always work. So adding a little humor to something I think makes you stand out. But I love the craft of comedy. I'm uh got uh some comedy shows here in New York at the comedy village comedy in Harlem, and then I'm going to go out to flappers in LA this winter December for the holidays and I'm opening for Lunell and that's really exciting so yeah, I'm getting my comedy on Awesome.  37:58 - Anne (Host) Look out for me on Netflix one day. I do not doubt it. Well, rolanda, it has been such a pleasure. I wish I could talk to you for another. Well, another five episodes.  38:07 - Rolonda (Guest) Oh, wait a minute. Wait a minute Speaking of Netflix. I got to do this and we're talking about Michelle Boutot's show survival of the thickest.  38:15 - Anne (Host) I'm on that one as well on Netflix. Awesome. Oh, and before and before we actually go, talk to us a little bit about September 17th improv to improve your confidence. A little bit about what we're going to, we're going to be diving into in that class.  38:30 - Rolonda (Guest) Oh, I can't wait to that class because improv is such a great way to gain your confidence, to loosen up and to have a whole bunch of fun. The beautiful thing about improv is there are certain rules that we go by, but it's just fun and it's going to help you tap into your authenticity. One good example we improv every day in life. You talk to your lover very different than you do to your boss, and don't let your best girlfriend call you in the middle of the day, and then, when your mother calls, listen to all the different voices that we have, and that's a lot of improv too. Improv also helps you listen and much of acting is about listening and I think you will surprise yourself, and part of the improv to improve your confidence is finding your own voice and discovering things through this exercise about your own experiences and about your being able to to react on a dime and have fun and laugh about it. Then when you you get those scripts, you can improv in your head.  39:32 I always do a little role play before I start, something Like if I have to play an old grandma, then I talk like an old grandma. Okay, I spin and rush them out. Our teeth don't fit too well. You got a little pain in the rats every once in a while. So you keep building these wonderful things that help you. Listen, you may not get that job, but you know you're going to doggone. Put in the effort because you've done the work. You know you. You will be so surprised, all the places that your voice will take you. And improv too. I mean there are times you're going to meet strangers, a new boss, and going to have to improv too. I mean there are times you're going to meet strangers, a new boss and going to have to improv too.  40:13 So improv is going to be a fun exercise for us. We're going to then take scripts, break down those scripts and do some acting. I'm going to teach you about Uta Hagen's nine questions. We're going to talk a little bit, a bit about Sandy Meisner's techniques, and these are just little things that you can put in your hip pocket that will help you. When you go out into the world and you're in that booth by yourself and you look to the right and the left and there's nobody there but padded walls, what are you going to do? You're not going to freak out, because we're going to learn about warmups and what we do with all this body when we're nervous and behind a microphone, because I can hear nervousness, I can hear it. So let's uh, let's work on that rolanda, did you hear my nerves?  40:57 - Anne (Host) did you hear my nerves when I was interviewing you are so not nervous listen, you need to make it easy.  41:05 - Rolonda (Guest) You've got the ganguza method, that's it there you my own method. I want to be gangouza'd. I love it.  41:12 - Speaker 3 (Announcement) I love it oh my gosh.  41:14 - Anne (Host) Thank you so so much. It has been such a pleasure talking to you today.  41:19 - Rolonda (Guest) You know how much fun we have. We get together and start talking and the sun can come up.  41:23 - Anne (Host) So true, so true.  41:23 - Rolonda (Guest) Thank you, thank you so much.  41:25 - Anne (Host) I so true, thank you. Thank you so much. I'm so excited for you, for our class in September. Bosses, I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses, like Rolanda and myself. Find out more at IPDTLcom.  41:42 - Rolonda (Guest) I just wanted to add this that if any of your listeners wanted to check out my voice acting masterclass voice acting masterclass I'm going to offer 50% off if they use the code VO Boss 50.  42:01 - Anne (Host) Oh, I love it. Vo Boss 50.  42:01 - Rolonda (Guest) I'll put that on the show notes, guys. Thank you so much, Just for your listeners. 50% off. Vo Boss listeners go to Rolandacom.  42:08 - Anne (Host) Awesome Thanks. Bye bosses. Thank you, Rolandacom. Awesome Thanks, Bye bosses. Thank you, Rolanda. Bye.  42:13 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via ipdtl.   

**Lynda Law's Soul Show Replay On traxfm.org. This Week Lynda Features Soul/Boogie/Dance Classics/Contemporary Soul From Lalo Schifrin, Brown Sugar, DJ Jazzy Jeff & The Fresh Prince, Billy Preston & Syreeta, Barry White, Billy Ocean, Cameo, Rufus & Chaka Khan, The Barkays, Kashif, Dick Jenson, Earth Wind & Fire, Luther Vandross, George McRae & Lynda Law, & More #originalpirates #soulmusic #contemporarysoul #70smusic #80smusic #disco #danceclassics Catch Lynda's Soul Show Every Tuesday From 4:00PM UK Time On www.traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This almond-flavored liqueur brings a sweet, smooth warmth to cocktails and baked goods – sometimes without involving any almonds at all. Anney and Lauren dip into the science and history of amaretto.See omnystudio.com/listener for privacy information.

What's your most loved and least favorite 1971 hits?! For our latest Wildcard Episode, these 1971 babies decided to rank another huge year end countdown because our 91X 1983 episode was such a blast. On wildcard episodes like these, we end up talking about dozens of bands instead of one, so this one runs about fourteen hours long. Even Adam's "producer", David Gimbel, chimes in with his favorites of the year.  Listen at WeWillRankYouPod.com, Apple, Youtube, Spotify and The Way Back Machine. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER:Ain't No Sunshine (blocked by copyright here), Bee Gees, The Bells, Billboard Magazine, David Bowie, James Brown, Brown Sugar, California, Changes, Cornelius Brothers & Sister Rose, Do You Know What I Mean, Easy Loving, Fearless, Fifth Dimension, Five Man Electrical Band, Fleetwood Mac, Marvin Gaye, David Gimbel, Go Away Little Girl, Groove Me, Freddie Hart, Isaac Hayes, Ben Hill, Hot 100, If You Could Read My Mind, Indian Reservation (The Lament of the Cherokee Reservation Indian), It's Too Late, The Jackson 5, Janis Joplin, Joy to the World, Just My Imagination (Running Away with Me), Carole King, King Floyd, Gladys Knight & the Pips, Jean Knight, Led Zeppelin, Gordon Lightfoot, Lonely Days, Maggie May, Matthews Southern Comfort, Paul & Linda McCartney, Me and Bobby McGee, Melody, Melody Fair, Mercy Mercy Me (The Ecology), Lee Michaels, Frank Mills, Mr. Big Stuff, Joni Mitchell, Music Box Dancer, One Bad Apple, One Less Bell To Answer, Donny Osmond, The Osmonds, Parliament, Pink Floyd, Proud Mary, Paul Revere & The Raiders, The Rolling Stones,  Signs, Stairway To Heaven, Station Man, Stay Awhile, Rod Stewart, Sweet and Innocent, James Taylor, The Temptations, Theme from Shaft, Three Dog Night,Treat Her Like a Lady, Ike & Tina Turner, Uncle Albert/Admiral Halsey, What's Going On, When The Levee Breaks, The Who, Bill Withers, Won't Get Fooled Again, Woodstock, You've Got a FriendUS: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Vinyl Stores in Brooklyn Prosegue il viaggio tra gli scaffali dei negozi di dischi della Grande Mela, questa volta a Brooklyn da Human Head e Brooklyn Records Exchange. Al termine del viaggio, saliamo su un aereo e voliamo fino a New Orleans, dove ci attende la terza tappa del nostro viaggio. Stay tuned and be curious. Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-19- Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

August 4 2025: For this edition of PSYCHOTIC BUMP SCHOOL:PART 1 -TOP STORY: GERRYMANDERING & the CALI-TEXAS re-districting fight. LET'S TALK ELECTIONS leads the discussion followed by a press conference from California representatives AG ROB BONTA & GOVERNOR GAVIN NEWSOM.PART 2- RELATIONSHIPS - The TEA App BREACH! Starting off the discussion will be Tik-Tok content creator DANA D and providing the deep cut analysis, YouTuber JANAE DANYIELPART 3- ICYMI: We're back on the stage again this time with D'ANGELO + LEON THOMAS

What's the secret to a thriving career as a working mom and a long-lasting Hollywood love story? Nicole Ari Parker has the secret sauce! She joins Keke to dish on her 20-year marriage to Boris Kodjoe — and how it all started with a steamy first kiss on the set of Soul Food. Nicole gets real about stepping into And Just Like That as Lisa Todd Wexley, from early fan backlash to all the designer drama, and what she hopes is next for LTW. And you know Keke's gotta fangirl over ALL of Nicole's iconic roles — Sharon even hosts a Brown Sugar showdown that pits the star against Keke the ultimate superfan!Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sweet poison? New doubts cast over safety of erythritol; Is Greek yogurt a good way to enhance protein intake? Comparing whey, soy, and pea protein isolates; When taking supplements, is it advisable to take periodic breaks to enhance their effectiveness? Tommy John surgery pioneer and longtime Mets medical director dies at 68; Ivermectin, once branded useless “horse paste,” may prove a new weapon against malaria; New findings challenge notion that humans and apes share 99% of their DNA.

Vinyl Stores in New York Vi racconto il mio viaggio tra i negozi di dischi di 3 città degli Stati Uniti, partiamo dal Village di New York, passando per Brooklyn e proseguiremo poi per New Orleans e Boston. Tra hiphop, soul, funk, house e jazz, rigorosamente da vinili acquistati in viaggio e trasportati oltre Oceano. Partiamo Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-18 Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

Funk you Alle origini del funk, genere alla base dello sviluppo di hiphop, disco, house. Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-17 Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

Do you clap? We love our celebrities. Family stories. Forgot my wife. 10 years ago. Best cereals of all time. French Fry Day! Free Slurpee Day! Haircut. Prime Day deals. Weekend plans. 10 years ago. Happy birthday Moo Deng.

Im Juli 1995 erschien ein Album, dass die Musiklandschaft grundlegend prägen sollte – D'Angelo's Brown Sugar. Heute 30 Jahre später, gilt es als Geburtsstunde des Neo-Soul – das Genre, das die Wurzeln des klassischen Soul mit modernen Einflüssen wie Hip-Hop, Jazz und Funk verschmolz. Mit gerade einmal 21 Jahren veröffentlichte der Sohn eines Predigers der amerikanischen Pfingstbewegung, ein Debütalbum, mit der Intention eigentlich nicht gegen den Strom zu schwimmen, sondern nur die Dinge unauffällig zu halten. (superfly.fm)

Origini, Radici, Roots La storia dei The Roots, la prima vera band hiphop, e ciò che ha generato la loro musica all`interno della scena musicale americana. Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Episodio-16 Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

Revue Véritable de l'un des films la comédie romantique la plus Hip Hop de tous les temps, Brown Sugar. Film sorti en 2002 avec un casting de rêve Taye Diggs, Sana Lathan, Mos Def, Boris Kodjo, Nicole Ari Parker... ce film est un incontournable pour les amoureux de la culture. Nous en parlons avec la Sidney Show française, la meilleure journaliste du game, notre sœur Neefa. Et vous que pensez vous de ce film ?Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What's the best Pop-Tart flavor of all time?

Casey Benjamin and The Robert Glasper Experiment Puntata speciale registrata a poche ore dalla notizia della scomparsa di Casey Benjamin, sassofonista, vocoderista, polistrumentista della band Robert Glasper Experiment. Un tributo alla sua vita e carriera attraverso brani della band tratti dai 3 Black Radio LP e da collaborazioni con 9th Wonder, Terrace Martin, Kamasi Washington, Miles Davis. Rest in Peace man. Per diffondere questa puntata: https://www.radiotandem.it/brown-sugar-Speciale-1 Tutti i podcast di Brown Sugar: https://www.radiotandem.it/brown-sugar

Ladies and Gentlemen, The Rolling Stones!! For our 200th episode we're hunting for treasure with their 1971 record Sticky Fingers! From rock classics like Brown Sugar to ballads like Sway to improvised jams like Can't You Hear Me Knocking, this album has a little bit of everything. We'll talk about Mick Jagger & Keith Richards' childhood friendship, the band's rise to international superstardom with the (literal) sleeper hit Satisfaction, and their weird record-setting performance at Altamont. Meanwhile the Mixtaper is talking football, driving test cheats, and a sharp-dressed slugger before a massive surprise round of Fast Fired Facts! Wild Horses couldn't drag us away from this episode, and it'd be pretty couth if you sent us Dead Flowers every mornin'.Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro: Memories From 2006:45 About The Rolling Stones19:07 The Stones At Altamont21:41 About Sticky Fingers27:49 Awards & Accolades30:17 Fact Or Spin33:17 Mick Jagger Founded A Soccer Team38:27 Bill Wyman: Treasure Hunter43:20 Keith Richards Failed His Driving Test(s)47:40 Charlie Watts Is A Sharp-Dressed Slugger51:01 Someone Lost Their Seat On A Plane To Mick Jagger's Hat57:13 Fast Fired Facts - Official Stones Merch1:04:03 Album Art1:07:21 The Tongue And Lips Logo1:08:22 Brown Sugar1:12:54 Sway1:14:31 Wild Horses1:17:55 Can't You Hear Me Knocking1:20:50 You Gotta Move1:22:19 B*tch1:24:47 I Got The Blues1:26:37 Sister Morphine1:28:37 Dead Flowers1:30:57 Moonlight Mile1:32:40 Final Spin Hosted on Acast. See acast.com/privacy for more information.

In honor of BooGie's birthday on May 10, we're re-releasing our episode on DOPE, one of his personal favorites!If you're of a certain age (a.k.a. GROWN), then Rick Famuyiwa's 2015 film Dope is definitely for you. And even if you're on the younger tip, this is a great homage to what we consider the Golden Age of Hip Hop music and culture.Topics discussed:This movie's wild, not-for-the-faint-of-heart rideThe gold mine of '90s Hip Hop jamsShameik Moore: dynamic leading manRick Famuyiwa gifts us a tribute to Hip Hop culture, as he did with Brown Sugar.A powerful social message about stereotyping based on socioeconomic status Also check out: Our episode on Brown SugarCreditsHip Hop Movie Club is produced by your HHMCs JB, BooGie, and DynoWright. Theme music by BooGie. And remember: Don't hate...graduate!Check us out:Join us on May 28th at the Lower Macungie Library for a screening and panel discussion of We Want the Funk, the new documentary from PBS. Go to lowermaclib.org to register. Check out our live event schedule and more at our Linktree.Hip Hop Movie Club on:FacebookInstagram ThreadsBlueskySubstack (newsletter)Website

Beat Migs! And we play a game where we are going to have to eat disgusting sandwiches. Taryn has to eat a BEEF TONGUE sandwich, Migs a Brown Sugar one, and Danny has to eat LARD and GREASE.

In this episode K. Sparks discusses the musical genre Neo Soul. In the mid-90s Neo Soul showcased several artists like Jill Scott, D'angelo, Erykah Badu, Common, Bilal, Lauryn Hill, Q Tip, Music Soul Child, and several others. Despite its national success, with defining albums that shaped the sound of Neo Soul, including D'Angelo's Brown Sugar, Maxwell's Urban Hang Suite, and  Erykah Badu's Baduizm. Neo Soul disappeared. For this episode we explore through the history of Neo Soul, from its roots in the 90s to its decline in the face of commercial demands. K. Sparks Social Media Website https://www.ksparksmusic.com/ Twitter https://x.com/Ksparkstv TikTok https://www.tiktok.com/@ksparksmusic Instagram https://www.instagram.com/ksparksmusic/ Facebook https://www.facebook.com/KsparksMusic/ Pinterest https://www.pinterest.com/DiagnosisSuccess/

This year marks the 25th anniversary of socially conscious rapper Common's pivotal album Like Water for Chocolate. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Like Water for Chocolate including an interview with Common from the year 2000.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Common, "Time Travelin' (A Tribute to Fela)," Like Water for Chocolate, MCA, 2000Common, "Take it EZ," Can I Borrow a Dollar?, Relativity, 1992Common, "I Used to Love H.E.R.," Resurrection, Relativity, 1994Common, "Brown Sugar," Brown Sugar, EMI, 1995Common, "Funky for You," Like Water for Chocolate, MCA, 2000Common, "A Song for Assata," Like Water for Chocolate, MCA, 2000Common, "Payback is a Grandmother," Like Water for Chocolate, MCA, 2000Common, "The Light," Like Water for Chocolate, MCA, 2000Common, "The 6th Sense," Like Water for Chocolate, MCA, 2000Common, "Thelonius," Like Water for Chocolate, MCA, 2000Common, "Geto Heaven Remix T.S.O.I," Like Water for Chocolate (Alternate Edition), MCA, 2001Common, "A Film Called (Pimp)," Like Water for Chocolate, MCA, 2000Kendrick Lamar, "Institutionalized," To Pimp a Butterfly, Interscope, 2015New York Dolls, "Looking For a Kiss," New York Dolls, Mercury, 1973Delivery, "The New Alphabet," Force Majeure, Heavenly, 2025Delivery, "Deadlines," Force Majeure, Heavenly, 2025Lucy Dacus, "Ankles," Forever is a Feeling, Geffen, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A warm bath of a film or kind of dull, depending on your point of view. Brown Sugar Year: 2002 Screenplay by: Michael Eliot and Rick Famuyiwa Story by: Michael Eliot Directed by: Rick Famuyiwa Stars: Taye Diggs, Sanaa Lathan, Queen Latifa Show notes: We consider this a romance rather than a rom com so we are a bit stumped when it comes to fixes but we are resourceful and we do what we can! If you would like to skip the plot summary for this month's film you can spool forward about nine and a half minutes into the episode. In this episode we mention the films: When Harry Met Sally* (1989) (https://www.imdb.com/title/tt0098635/) Players* (2024) (https://www.imdb.com/title/tt14833464/) Nappily Ever After (2018) (https://www.imdb.com/title/tt0365545/) A Nice Indian Boy (2024) (https://www.imdb.com/title/tt16431330/) The Wedding Banquet (2025) (https://www.imdb.com/title/tt32214413/) The Wedding Banquet (1993) (https://www.imdb.com/title/tt0107156/) Fire Island* (2022) (https://www.imdb.com/title/tt15218000/) *These films have previously been featured on the podcast. If you would like to suggest films for future episodes, you can tweet Lisa: @LisaStowaway. We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that.  Music in this episode is by Martin Zaltz Austwick (martinzalzaustwick.com). Artwork is by Lisa Findley. Thank you for listening! 

This film holds up! Going The Distance Year: 2010 Written by: Geoff LaTulippe Directed by: Nanette Burstein Stars: Drew Barrymore, Justin Long, Christina Applegate Show notes: Finally. A rom com that takes long distance relationships seriously. If you would like to skip the plot summary for this month's film you can spool forward about 11 minutes and 15 seconds into the episode. In this episode we mention the films: Going The Distance (2004) (https://www.imdb.com/title/tt0388285/) Failure To Launch* (2006) (https://www.imdb.com/title/tt0427229/) To All The Boys I've Loved Before* (2018) (https://www.imdb.com/title/tt3846674/) Holidate* (2020) (https://www.imdb.com/title/tt9866072/) Horrible Bosses (2011) (https://www.imdb.com/title/tt1499658/) When Harry Met Sally* (1989) (https://www.imdb.com/title/tt0098635/) And the TV series: Giri/Haji (2019) (https://www.imdb.com/title/tt8001106/) It's Always Sunny In Philadelphia (2005 - ) (https://www.imdb.com/title/tt0472954/) SNL (aka Saturday Night Live) (1975 - ) (https://www.imdb.com/title/tt0072562/) *These films have previously been featured on the podcast. If you want to read more about the ‘cool girl' trope we reference, Cosmopolitan has an article on it here: https://www.cosmopolitan.com/sex-love/a32077/chill-girl-falls-in-love/. Next month we are going to watch Brown Sugar (2002) (https://www.imdb.com/title/tt0297037/). If you would like to suggest films for future episodes, you can tweet Lisa: @LisaStowaway. We record these episodes over the internet. Sometimes the audio is not perfect. We apologise for that.  Music in this episode is by Martin Zaltz Austwick (martinzalzaustwick.com). Artwork is by Lisa Findley. Thank you for listening! 

Sticky Fingers is considered by many to be the greatest studio album the Rolling Stones ever created.  This ninth studio album represented a return to a more basic sound for the Stones after several albums with less conventional instrumentation.  It was also known for its cover artwork from Andy Warhol which featured a man in jeans with a working zipper.  The album won a Grammy for “Best Album Cover” for this innovative design.This was the first album that was released on their own label, Rolling Stones Records.  It was also the first album the group produced without Brian Jones, who had died two years earlier.  The members of the band were Charlie Watts on drums, Bill Wyman on bass, Mick Taylor on guitar, Keith Richards on guitar and backing vocals, and Mick Jagger on lead vocals and some guitar and percussion.  There were a number of session musicians and frequent collaborators involved in the album, including Bobby Keys on sax, and Billy Preston and Ian Stewart on keyboards.Sticky Fingers was the band's first album to reach number 1 on album charts in both the US and the UK.  It has since reached triple platinum status, and was inducted into the Grammy Hall of Fame in 1999.    The album was also the first album to utilize the now-iconic “mouth”  for which the group would be known.Friend of the show Mike Fernandez joins us in Bruce's absence, while Rob brings us this amazing album from one of the giants of the rock world in this week's podcast. Wild HorsesThis softer song with a country bent was first released in 1970 by the Flying Burrito Brothers, and subsequently recorded by the Stones after originally thinking the demo wasn't worth recording.  It was originally recorded over a three-day period at Muscle Shoals Studio in Alabama in 1969.  The lyrics are about being on the road, and not being where you really want to be.Brown SugarThe opening track to the album was also the lead single, and reached the top of the charts in the US and Canada, while reaching number 2 on the UK singles chart.  The song sounds like a strong rocking one, but the lyrics discuss slavery and rape, a much more serious topic than most realized the lyrics covered.BitchThis track which leads off side two of the album was the B-side to the single “Brown Sugar.”  It has a strong brass section — the song originated in a jam, and features Bobby Keys on sax and Jim Price on trumpet.  The lyrics are describing love as a bitch but the title probably didn't help the band in its problems with women's groups.  Can't You Hear Me KnockingThis is the longest song on the album, clocking in at over seven minutes.  The central part of the song lasts for 2:43, with an extended jam following.  The entire track was captured in one take, and the band continued with the jam, thinking that the recording was complete.   ENTERTAINMENT TRACK:One Tin Soldier (from the motion picture “Billy Jack”)This counterculture song was a prominent part of the soundtrack to the action drama "Billy Jack" a part Navajo Green Beret and Vietnam War veteran defending his Freedom School students from angry townspeople. STAFF PICKS:Get It On by ChaseWayne starts out the staff picks with a high energy song from an artist known for his jazz trumpet.  Bill Chase brought together a band including three other trumpet players, a rock rhythm section, and front man Terry Richards on lead vocals.  This jazz fusion rock piece peaked at number 24 on the Billboard Hot 100.Let's Get It On by Marvin GayeLynch brings us a track that has taken on a life of its own as the ultimate romance song.  Backed by the Funk Brothers, it is the most successful song Gaye produced on Motown Records.  It reached number 1 on both the Billboard Hot 100 singles chart and the US Hot Soul Singles chart.Love Her Madly by the DoorsMike features the first single from the album “L.A. Woman,” the sixth studio album from the Doors, and the final album with Jim Morrison before his untimely death.  Guitarist Robby Krieger wrote this song while experimenting with a 12-string guitar.  It Don't Come Easy by Ringo Starr Rob finishes the staff picks with a non-album single from the drummer of the recently-disbanded Beatles.  Fellow Beatle George Harrison produced the single and helped Starr write the song which peaked at number 4 on the US and UK singles charts. INSTRUMENTAL TRACK:Main Theme from the motion picture “The Summer of 42”We exit this week's podcast with the signature song from this Academy Award nominee and coming-of-age movie in the theaters in April 1971. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The crew is back with Crystal (@HappyNNappy_ ) and Lisa (@ReelMovieLovers) in helping us celebrate our black history month with another black classic , BROWN SUGAR starring the beautiful and talented Sanaa Lathan and the talented Taye Diggs. Before we get into the review the ladies discuss the cancellation of “How To Die Alone” starring Natalie Rothwell, but also shouting out black shows to watch including but not limited to, “Rap Sh!t,” “Southside,” “A Black Lady Sketch Show,” “Harlem,” “Them,” “From,” and “Paradise” . We get into what feelings “Brown Sugar” brings out. We discuss what we think Dre and Sid would think of HipHop today . And we get into what 5 artist would we interview about what made them love hip hop. Jazz ask the crew who's the biggest villain of the story. The crew discusses our top 3 romcom films. We tell everyone what hip hop means for us. What do you think the message of the Movie was ? We also name our favorite black TV and movie couples. We get into this and plenty more this BHM but of course, the reason you are here WAS IT GOOD THOUGH!??

On today's Extra, EMails, Brown Sugar, & old grease burgers Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. Don and Professor Ben talk about the risks of using using stale bread to keep brown sugar moist. Dr. Don - not risky

M: 6. E: 4.5.

Customers at select Albertson's and Safeway grocers can now celebrate National Bacon Day with Bart's Bacon, prepared using a 70-year-old family recipe. Bart started helping his grandfather brine bacon as a child, and honors his memory by preserving this tradition. Visit https://bartsbacon.com for more. Bart's Bacon City: Phoenix Address: Phoenix, AZ 85205 Website: https://bartsbacon.com/

This week we're discussing every album by D'Angelo. Don't let his over the top sensual music video for “Untitled (How Does It Feel)” turn you off (or on), D'Angelo is the R&B artist to convert any skeptics. Jazz, hip hop, soul, funk, and brilliant collabs with Questlove and J Dilla. A truly fantastic songwriter and performer. I hope you all have spare underwear ready.Closing track: “1000 Deaths” from Black Messiah (2014)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteMike's Picks:Black Messiah (2014) — Best AlbumBrown Sugar (1995) — Personal FavoriteVoodoo (2005) — Worst Album, Least FavoriteAlex's Picks:Voodoo (2000) — Best AlbumBlack Messiah (2014) — Personal FavoriteBrown Sugar (1995) — Worst Album, Least FavoriteAlbums we discussed this episode…Brown Sugar (1995)Voodoo (2000)Black Messiah (2014)

An electrifying harmonizer, Lisa Sanders' heartfelt songs are genuine with deep meaning and conviction. Her music conveys a style that can only be described as soulful country blues, integrating influences of folk-pop, gospel, rock, and jazz. Writing, singing, and producing from her heart in nearly every genre for over three decades, Sanders continues to make an impact in the musical world. Joining her from the Los Angeles band, Water Tower, will be Kenny Feinstein, on guitars, mandolin, bass, and violin and Tommy Drinkard on bass, percussion, guitars, and banjo. Series: "Arts Channel " [Arts and Music] [Show ID: 40057]

An electrifying harmonizer, Lisa Sanders' heartfelt songs are genuine with deep meaning and conviction. Her music conveys a style that can only be described as soulful country blues, integrating influences of folk-pop, gospel, rock, and jazz. Writing, singing, and producing from her heart in nearly every genre for over three decades, Sanders continues to make an impact in the musical world. Joining her from the Los Angeles band, Water Tower, will be Kenny Feinstein, on guitars, mandolin, bass, and violin and Tommy Drinkard on bass, percussion, guitars, and banjo. Series: "Arts Channel " [Arts and Music] [Show ID: 40055]

Exploring Regenerative Organic Brown Sugar for Healthier Snacking In this episode of the product ingredient series, discover the benefits of regenerative organic brown sugar. As the holidays approach and snacking becomes inevitable, learn how choosing snacks with this healthy ingredient can be good for your gut and blood glucose levels. The importance of reading nutritional labels to check for minimal added sugar is also highlighted to ensure you make healthier choices. Tune in to find out more about incorporating regenerative organic brown sugar into your diet. TIME STAMPS: 00:00 START 00:04 The Benefits of Organic Brown Sugar 00:14 Health Considerations of Sugar 00:21 Choosing Healthier Snacks for the Holidays 00:37 Reading Labels for Healthier Choices 01:01 Conclusion and Final Tips

Ce 28 novembre, Marjorie Hache propose deux heures mêlant rock, indie et une touche de pop alternative. Parmi les classiques, Oasis, Iron Maiden avec "The Number of the Beast", Neil Young avec "Harvest" et Little Richard reprenant "Brown Sugar" des Rolling Stones. Pour les nouveautés, Primal Scream nous présente l'album de la semaine "Come Ahead" avec "Love Insurrection". Autres primeurs, Last Train, Amyl and The Sniffers avec "Jerkin'", Kaktus Einarson en duo avec Damon Albarn sur "Gumbri", les Lambrini Girls avec "Big Dick Energy" et Sports Team avec "Condensation". Le live est assuré par Green Day avec "American Idiot". La reprise de la soirée est signée Jarvis Cocker et Kid Loco reprenant "Je suis venu te dire que je m'en vais" de Serge Gainsbourg. Le long format est offert par My Bloody Valentine avec "Only Shallow" de l'album culte "Loveless". L'émission se conclut avec les Yeah Yeah Yeahs et Tool. La playlist de l'émission : Jake Bugg - Zombieland Norman Greenbaum - Spirit In The Sky Madonna - Don't Tell Me The Caesars - Don't Fear The Reaper Kaktus Einarsson - Gumbri (With Damon Albarn) Oasis - Lyla Little Richard - Brown Sugar Primal Scream - Love Insurrection Johansson Scarlett & Yorn Pete - Relator Last Train - Home Iron Maiden - The Number Of The Beast Amyl And The Sniffers - Jerkin' Jarvis Cocker & Kid Loco - I Just Came To Tell You That I'm Going Editors - Papillon Lambrini Girls - Big Dick Energy Neil Young - Harvest Sonic Youth & Cypress Hill - I Love You Mary Jane Green Day - American Idiot (Live) Yes - Owner Of A Lonely Heart My Bloody Valentine - Only Shallow Sports Team - Condensation King Harvest - Dancing In The Moonlight The Kills - Last Day Of Magic Yeah Yeah Yeahs - Heads Will Roll Tool - Fear Inoculum

This is a colorful combination for fall dining and makes a good accompaniment to turkey or lamb. The squash rounds are very tasty as a leftover, too: Slip them into sandwiches as in post-Thanksgiving turkey sandwiches or cut them up and add them to a pasta salad, along with a salty cheese, like ricotta salata.

Kelly and Lizz are striving to be more positive on the pod this week, but first Lizz needs to talk a little about the giant zit on her head. On the other end of the spectrum, Kelly is getting super excited for Thanksgiving and their dads Lemon Drop Martinis. Speaking of the holidays, which is better - the lead up to Christmas or Christmas day itself?  Kelly has some advice for moms this week, do that little thing you want to do but think you don't have time for. Want to make the viral brown sugar pop-tart? Do it! Hopefully she'll take her own advice and make that Thankful Turkey...  In Driveway Dumps, Lizz is discovering the awkwardness of trying to make adult friends as a couple with kids. What is the etiquette here? Kelly is not ready to be the parent of a big kid but IS ready to not have to parent a toddler while 9 months pregnant ever again!  Fast Lane Philosophy is deep this week. Lizz came across a post on Instagram that hit her hard: "You would die for your kids, but would you get healthy for them?" Equally, Kelly came across one that hit her hard: "Believing in Jesus and not doing what he demands is what the devil does."  In Industry News, the Grand Highlander is getting a new trim, an interesting new feature that might be coming to cars and how 3D printing is allowing old cars to get those parts that are no longer being made. The Frisco Melt is making Lizz's day in Ditch the Drive-Thru and Kelly has a similar more fancy version she's making.  Finally, we hear the stories from two moms that lost their littles ones too soon in Blake's Besties.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Tune in as Shane Fury, Spencer Brown, Sugar Hill Steward, and Frank Warren provide an in-depth preview of the highly anticipated Usyk vs. Fury rematch on December 21st.  Don't miss this expert analysis and exciting insights!

Send us a textJoin Chris & Jill for this episode as we embark on a culinary adventure with the New York Times Brown Sugar Anise Cookies. These delightful treats are a perfect blend of sweet sugar and zesty anise flavor.We'll delve into the fascinating history of anise, a spice with a rich cultural heritage and unique flavor profile. We'll also explore the science behind anise and its essential oils.Of course, no episode would be complete without a taste test. We'll be baking and savoring these delicious cookies, sharing our thoughts on their flavor, texture, and overall appeal.Click here to shop at the Cookie Lab StoreJoin our FB Group for free access to the Cookie Recipe!https://www.facebook.com/groups/429934808628615Follow us on TikTok to see how we make the cookieswrite to us at cookielabpod@gmail.com

Brown sugar toasted fruit loaf4 thick slices fruit loaf or barmbrack 75g soft butter 50g soft brown sugar ½ teaspoon vanilla extract ¼ teaspoon mixed spiceSet oven to 180°c and line a baking tray with parchment paper. Mix the butter, sugar, vanilla and spice to a smooth paste. Spread over both sides of the loaf and place in oven for 20 minutes, turning over half way.Blackberry cream150g blackberries 75g castor sugar 200g mascarpone 250ml double cream Cook the blackberries with the sugar for 5 minutes then blend to a smooth puree and pass through a sieve to remove seeds. Cool.Whisk into the mascarpone and cream until thick. Poached apples 2 red eating apples 35g castor sugar 100ml water Juice 1 lemonPlace the sugar, water and lemon in a small pan and simmer until sugar has dissolved. Quarter, peel and core apples. Slice thinly and place in hot liquid. Cook for 5 minutes then cool.Spoon some of the blackberry cream onto hot toast and add some poached apples and a few blackberries to garnish.

What is more important? Love, or hip hop? In Brown Sugar, it's actually both! This week we dive into the 2002 classic Brown Sugar starring Taye Diggs and Sanaa Lathan. See omnystudio.com/listener for privacy information.

We still have all the puddings - we just came up with more awsome names for them.  Popover is way more awesome than "drippings pudding" and nobody ever turns down a proper coconut cream pie.  And it's nice to not get confused over whether that pudding on the table is a sweet one or is it actually sausage.  That's right - America became the disambuigation machine for puddings.  You are Welcome.Now for some Recipes - Popovers:thoroughly grease a muffin tin (12 small or 6 jumbo)4 large eggs1 ½ Cups of milk½ teaspoon of salt.mix well with beaters or in a blender1 ½ cups of flourmix in thoroughlyMelt 3 tbs of fat and cool slightly - add it inmix or blend until frothy.Take top racks out of the oven so the puffs can rise.Let batter sit 15 mins while heating the oven to 450F/230CBake for 20 minutes at 450F/230C. Turn the oven down to 350F/180C and bake another 10 minutes. Adjust the time up for a single pan pudding, Adjust the times down for a 12 muffin tin version.  Thank goodness for oven windows and lights.  Bake 'til  puffy and browned is still the goal.  If you want to retain the puff – pierce puffs with a knife to stop deflation.Try Cornbread Bread Bread Pudding with Pineapple, Pecans & a sauce of Butter, Brown Sugar & Rum- follow this link to a good basic pudding with a boozy sauce, but sub in the right stuff!  I cut the sugar in 1/2 and sub in brown sugar. Breadpudding with Whiskey Sauce & FruitMusic Credit: Fingerlympics by Doctor TurtleShow Notes: https://thehistoryofamericanfood.blogspot.com/Email: TheHistoryofAmericanFood at gmail dot com Threads: @THoAFoodInstagram: @THoAFood& some other socials... @THoAFood

This weekend, we are taking you on a sweet & soulful journey that will uplift and inspire you. We've got a delectable mix that will satisfy your musical cravings!!Set 1:Jeff Lorber-ElevateOli Silk-Dare To DreamAdam Hawley-Fly ByTony St. James-First LightRagan Whiteside-Steppin' OutSet 2:Hank Bilal ft.Marcus Johnson-DesiresDonn B. Ft. Laing Jr.-Make Me Say It Again GirlVandell Andrew & The Colleagues-EuphoriaFabian Lance ft. Anthony B. Ingram-ReminisceNicolas Cole-Brown SugarSet 3:Skinny Hightower-Going Up YonderLin Rountree-JustifiedEddie Spencer-Shadow Hosted on Acast. See acast.com/privacy for more information.

Dave and Milt take listeners on a nostalgic journey through the Billboard Top 10 hits from July 3, 1971. The duo discusses and critiques songs like Ringo Starr's 'It Don't Come Easy', The Rolling Stones' classic ‘Brown Sugar', and The Carpenters' 'Rainy Days and Mondays', while also spotlighting tracks by Jerry Reed, James Taylor, Cornelius Brothers & Sister Rose, The Raiders, and Carole King. Amidst playful banter, Milt's love-hate relationship with certain tracks and Dave's critique of James Taylor's style surface. By the way, a robot wrote this recap. Could you tell? I bet you couldn't. The robots are winning. Kneel before us, humans. You have no chance. Anyway, the episode teems with humorous anecdotes, fascinating trivia—including John Loudermilk's fabricated story—an AI-generated musical playdate, and even a song substitution challenge featuring The James Gang. Listeners are treated to a vibrant mix of music history, critical assessments, and engaging storytelling.Topics:00:52 Milt's Mysterious Disappearance and Catching Up01:55 Listener Feedback and Summer Songs05:17 Time Machine: July 3rd, 197114:42 Ringo Starr's Solo Success24:28 Jerry Reed's 'When You're Hot, You're Hot'33:04 James Taylor's 'You've Got a Friend'39:44 AI and Music: A Fun Experiment42:12 Guessing the Song Lyrics43:05 Struggling with Song Recognition43:24 More Song Challenges44:46 Tough Song Lyrics45:32 Iconic Bands and Tough Lyrics47:51 Television Theme Songs48:21 Final Song Challenge49:22 Reflecting on the Challenge50:36 Discussing 'Brown Sugar'52:27 Bad Remake Alert54:19 The Want Ads01:02:14 Hamilton, Joe Frank, and Reynolds01:08:15 Rainy Days and Mondays01:16:03 Treat Her Like a Lady01:17:08 Introduction to Cornelius Brothers and Sister Rose01:17:13 The Story Behind the Band Name01:17:50 Musical Success and Disappearance01:18:23 Anchorman and the Iconic Song01:20:44 Discussing the Raiders and Native American Themes01:24:25 The Controversial Story of 'Indian Reservation'01:30:16 Carole King's 'It's Too Late'01:38:35 Recap and Reflections on the Top Songs01:54:54 Final Thoughts and Sign-Off

In our final episode of ‘What About Your Friends?,' Erika and her two close friends Clover Hope and Tracey L. Ford discuss one of the great tropes in storytelling: when friends become lovers. From classics of the silver screen like ‘Love & Basketball,' ‘Brown Sugar,' and ‘When Harry Met Sally', to sitcoms like ‘Abbott Elementary' and ‘The Office,' friends have been falling in love in pop culture for decades. Thanks for listening to ‘What About Your Friends?' Host: Erika Ramirez Guests: Tracey L. Ford and Clover Hope Producer: Sasha Ashall Theme Music: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Contributor Will Lovell joins Marshall to chat about the use of dark brown sugar and candi syrup when making Belgian Dubbel as well as an xBmt on the subject. The Brülosophy Podcast is brought to you by Imperial Yeast who provide brewers with the most viable and fresh yeast on the market. Learn more about what Imperial Yeast has to offer at ImperialYeast.com today. | Relevant Article | Dark Brown Sugar vs. D-45 Candi Syrup In A Belgian Dubbel xBmt

More voices clamor for Antonio Pierce to get the job in Vegas. Do Pro Bowl snubs sting as much as they used to? Plus, coffee talk, end of year incentive and much more on “You In or Out?”See omnystudio.com/listener for privacy information.