Podcasts about Luther Vandross

In the second half of this episode, Patrick reviews the new film Backrooms and the PBS documentary Exposing The Myth Of Southern Charm, he and Tommie pause for a moment of mockery for the Minnesota Republican Party, agree that George Santos needs to find a legitimate job, laugh at certain state governors for trying to erase LGBTQIA visibility, Tommie explains the Streisand Effect, they spend a lot of time discussing their favorite black singers, and Tommie gripes about Patrick's gripe.

pWotD Episode 3319: Peabo Bryson Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 318,908 views on Wednesday, 3 June 2026 our article of the day is Peabo Bryson.Robert Peapo "Peabo" Bryson ( PEE-boh; April 13, 1951 – June 2, 2026) was an American singer and songwriter. After collaborating with singers Luther Vandross and Cissy Houston on his debut album Peabo (1976), he signed to Capitol Records and released the 1978 albums Reaching for the Sky and Crosswinds, which were certified Gold by the Recording Industry Association of America (RIAA). He later released the collaborative projects We're the Best of Friends (1979) with Natalie Cole and Born to Love (1983) with Roberta Flack, the latter of which included the hit single "Tonight, I Celebrate My Love".In 1984, he signed to Elektra Records and released the single "If Ever You're in My Arms Again", which spent several weeks atop the adult contemporary chart. During this period, he earned several top ten albums on the U. S. Billboard R&B albums chart, with Can You Stop the Rain (1991) topping the chart. Bryson also contributed to several Disney animated feature soundtracks collaborating with Celine Dion on "Beauty and the Beast", and Regina Belle on "A Whole New World", with the latter becoming the first song from an animated feature film to top the Billboard Hot 100. Bryson was a winner of two Grammy Awards, both attributed to his Disney duets.This recording reflects the Wikipedia text as of 03:18 UTC on Thursday, 4 June 2026.For the full current version of the article, see Peabo Bryson on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

What's going on everybody, it's your boy Young Smoove, and you're tuned in to another episode of Kickin' It Wit Young Smoove, where we highlight incredible voices, creative minds, and the culture that moves us. Today's guest is a powerhouse from the DMV soul scene. Hailing from Annapolis and making major waves throughout Baltimore, she's a singer, songwriter, and multi-instrumentalist whose sound blends R&B, soul, and live musicianship in a way that hits both the heart and the spirit. You may have heard her projects like After The Let Out, Hit The Floor, or her empowering anthem “Like a Big Boss.” Whether she's lighting up the stage at Sofar Sounds, performing tributes to legends like Patti LaBelle and Luther Vandross, or bringing her violin into the mix, she always delivers a powerful and feel-good experience. So sit back and kick it with us as we welcome the incredibly talented Davonne D'Neil to the show.

Join the Inner Circle.  Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: - Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers - Join On Patreon: https://wesoundcrazy.ffm.to/patreon - Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz In part one of this special two-part release, the We Sound Crazy podcast welcomes a true titan of the music industry: the legendary Antonio "L.A." Reid. Rising to prominence as the dynamic drummer for the hitmaking 1980s R&B band The Deal, Reid seamlessly transitioned from the stage to the boardroom, cementing his status as a visionary producer, iconic songwriter, and major label force. Throughout his illustrious career, his taste and leadership guided the culture as the co-founder of LaFace Records, and later as the chairman and CEO of some of the most powerful major labels in music history, including Arista, Island Def Jam, and Epic Records. Bringing his journey full-circle, he continues to nurture the next generation of musical innovators through Mega, his powerful label venture launched in partnership with global superstar Usher. Joining hosts Philionaire, Claude Kelly and Chuck Harmony of Louis York, and Tamone Bacon, Reid engages in an open, free-flowing conversation about what it takes to shape the sound of a generation. Right from the jump, the chemistry is electric as Reid jokingly auditions to become the podcast's official fifth cast member, setting a warm and celebratory tone for an episode dedicated to giving an industry hero his well-deserved flowers. This first installment dives straight into the mind of a musical architect, exploring Reid's eclectic taste in music and his enduring philosophy on talent. The hosts cue up special video questions from fans, prompting Reid to share his candid thoughts on everything from his dream biopic casting to how he embraces AI as the next evolutionary tool for creatives and drawing a fascinating parallel to his own early days mastering the drum machine in the 1980s. He also pulls back the curtain on his legendary ability to spot undeniable star power, describing how true icons "move the air" the moment they step into a room. As the conversation unfolds, listeners are treated to an inside look at the history-making partnerships that defined an era. Reid reflects on his early days with Kenny "Babyface" Edmonds in The Deal, surviving on "pride and being broke" while studying the mastery of Prince and Luther Vandross. The episode highlights the magical intuition behind some of his biggest triumphs, including the unorthodox breaking of Toni Braxton via the Boomerang soundtrack. Grounded in a deep, mutual respect for the craft, this first part captures the essence of a man who never let boxes define him, cementing a legacy built entirely on an uncompromising love for music. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee Thank you to all of our listeners and watchers! Special thanks to Antonio "L.A." Reid! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #AntonioL.A.Reid Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the Inner Circle.  Crazy Crew, it's time to level up. Get closer to the show, unlock exclusive content, and stay connected with us beyond the mic. Tap in below: - Join On YouTube Memberships: https://wesoundcrazy.ffm.to/youtubemembers - Join On Patreon: https://wesoundcrazy.ffm.to/patreon - Subscribe to Email & SMS: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms Listen on your favorite podcast service: https://pods.to/wesoundcrazy Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz This week, we take it to the West Coast as the crew lands in Los Angeles for a monumental, ground-breaking episode featuring the legendary, five-time Grammy-winning producer, songwriter, musician, and executive, Warryn "Baby Dub" Campbell. Handpicked as the inaugural inductee into the We Sound Crazy Producer Hall of Fame and honored with the prestigious Esther Rolle Black Excellence Award (The Erbie), Campbell sits down with Philonaire, Claude, Chuck, and Tamon Backon from Macon for a deeply reflective Masterclass on a brilliant career that spans gospel, hip-hop, and R&B. From his early childhood days at King's Chapel Apostolic Church in East LA—where icons like El DeBarge and Andraé Crouch routinely dropped in—to cutting his teeth as a teenage multi-instrumentalist session player in the legendary studios of Death Row Records, Campbell shares an unfiltered, backstage pass look at his musical evolution. In this captivating episode, Campbell opens up about the pivotal figures who shaped his career, including the creative mentorship of DJ Quik and the executive guidance of Sony Music's Jon Platt, who signed him to his very first publishing deal at age 19. Warryn recounts his deep, familial bond with Brandy, navigating his fierce professional rivalry with Rodney Jerkins, and his long-standing, brilliant creative connection with one-of-one songwriter Harold Lilly. He also lifts the curtain on the inception of the iconic gospel duo Mary Mary, revealing how a moment in the shower listening to a bassline through the wall of his parents' garage transformed into the global blockbuster phenomenon "Shackles (Praise You)" which sparked a bidding war with Diddy and Columbia Records. Beyond the hits and historical sessions with titans like Tupac, Kanye West, Luther Vandross, and Kelly Price, Warryn candidly explores the delicate realities of balancing life as a hitmaker, husband, father, and pastor. Reflecting on his enduring legacy, Campbell defines his ultimate approach to music as an authentic vessel of divine download, proudly breaking genre barriers by engineering hits across multiple musical spectrums without ever losing his creative salvation. Without further ado, press play and dive in. We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor: Hyyer Creative Producer:  Lamont Baldwin, Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee Thank you to all of our listeners and watchers! Special thanks to Warryn Campbell! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #WarrynCampbell #MyBlock Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Buzz Knight on a heartfelt journey through the world of music as he talks with the incredible country music singer-songwriter Craig Morgan. In this encore episode in honor of Memorial Day and those like Craig Morgan who have served our country, he opens up about his album, American Soundtrack, sharing the rich tapestry of influences that shaped his sound—from iconic country legends like John Conley and Garth Brooks to the soulful notes of R&B artists like Luther Vandross. This conversation is not just about music; it's a deep dive into the resilience that Craig draws from his parents and military mentors, particularly Colonel Bill Greer, who encouraged him to pursue his passion for music while serving in the Army. Craig's faith plays a pivotal role in his life and music, and he emphasizes that his identity is rooted in being a Christian. As he reflects on the healing power of music, he shares the poignant story behind his emotional song, The Father, My Son, and the Holy Ghost, written during a moment of personal reflection. This episode of takin' a walk is not just an exploration of Craig's musical journey, but also a testament to the power of storytelling in music, showcasing how experiences can shape artistry. Buzz Knight, guides listeners through an inspiring conversation that highlights the creative process behind American Soundtrack. Craig discusses how he remains true to his roots while appealing to his audience, creating a sound that resonates with fans across generations. As the episode unfolds, listeners will feel the passion and gratitude Craig has for his fans and the empowering experience of performing live. This episode is a must-listen for anyone interested in music history, country music, and the stories behind the songs that shape our lives. Tune in to hear Craig Morgan’s inspiring artist journey, filled with music and resilience, as he shares his experiences and insights that remind us of the transformative power of music. Whether you're a fan of indie music, classic rock, or country music history, this episode of takin' a walk promises to deliver emotional healing through music and engaging storytelling. Don't miss out on this enriching conversation that celebrates the essence of American music and the incredible artists who create it! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

For today’s Unplugged we are joined live in studio by Fagrie Isaacs, he’s a celebrated South African soul and R&B singer, songwriter, and producer from Strandfontein, Cape Town. Often referred to as Cape Town’s own "Luther Vandross" due to his deep, velvety vocal tone, he has been a prominent fixture in the South African music landscape for nearly 35 years. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Crazy Crew, join our We Sound Crazy list: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms.OYD Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz Get ready for some high-octane commentary because Funky Dineva—the internet's favorite "gatekeeper of the culture"—is officially back in the building with the We Sound Crazy crew. Known for his "unfiltered and spicy" takes that shift conversations and rattle industries, Dineva returns to join hosts Philionaire with Claude Kelly and Chuck Harmony of Louis York for another round of unapologetic dialogue. Whether he's reminiscing about the viral "Chateau Sheree" video that launched his career or breaking down the nuances of why he's officially "retired" from celebrating non-Black R&B singers, Dineva brings a level of raw honesty that reminds us all why his voice is essential in today's media landscape. This reunion is a deep dive into the highs and lows of a decade-long career, covering everything from self-sabotage on national television to the "boss move" of walking away from a $250,000 gig to preserve his worth. The crew doesn't just stick to the past; they look forward, drafting dream tours featuring legends like Luther Vandross and Regina Belle, and debating the merits of a TLC musical on Broadway. Now with that sad… hit that play button! We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team!  Director: John Dierre  Camera Op: Josh Sowemimo, Tony Cole, John Dierre  Editor: Lamont Baldwin  Producer: Aaron Walton, Lamont Baldwin Show Producer/Remixer: Michael "Roux" Johnson  Assistant: Brittany Guydon  Talent Producer: Isaac Hamm III  Photography: Ah'meer Holt  PA: Kaye Brasley, Sharondra Mealey Thank you to all of our listeners, as well as our partners at Visit Music City. Special thanks to Funky Dineva! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast. Follow We Sound Crazy on Social Media:  ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #FunkyDineva Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWelcome to a special **May 2026 preview episode** of the **BLACK HISTORY MINI DOCS** podcast, where host

Did you know American music legend Nile Rodgers is helping the Trust plant and protect woodland in Northern Ireland? Alongside generous donations to Faughan Valley Woodlands from the We Are Family Foundation (WAFF), Nile has got stuck in with planting on site. Nile and the foundation he co-founded with his partner, Nancy Hunt, are working with us to reconnect fragmented native woods in a region where less than 1% of ancient woodland remains. We caught up with the multiple Grammy Award winner on his latest visit to find out why. We also hear from David Saddington, trustee of both WAFF and the Trust, on why empowering young people to take direct action is key to this work, and we chat to some of those volunteering at this special event. Please note this episode contains references to drugs. Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk  Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Nile: But it just made me feel so good. It was so real, it was almost like a drug. So my parents were doing heroin, I was doing music *laughs*. Nile: So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, 'well, I wish I could play like him, I wish I could do that'. No, it was the person who touched people's hearts. Nile: We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family. Nile: Trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: For 40 years, if you've been on a dance floor, you'll have been dancing to the music of one of our guests today. He co-founded Chic, produced and collaborated with David Bowie, Madonna, Richard Jackson, and well, to be honest, too many others to mention. But to give you an idea of the sort of musical success he's had, I can say that he has produced and performed on records which have sold more than 750 million albums and 100 million singles. Born to teenage parents in an environment where drug use was very much part of his every day, he has come from that background with an attitude to life which is as upbeat and as positive as his music. And together with his partner, Nancy Hunt, they have established the We Are Family Foundation, focused on empowering young people around the world. Together, they're in Northern Ireland, in Derry, to support and protect and indeed restore woodland in this country, and indeed Nile is on the Woodland Walks sofa and joined by one of the trustees of the We Are Family Foundation and indeed the Woodland Trust, David. So we'll come to David in a moment. Why don't we start now where it all started with the music? Reading about you and listening to stuff you've done, my impression is you're the most positive person I've read about and that surprises me because of the disjointed background you grew up in. So two questions. Do you think that's a fair description and if so, why? Nile: So the... the interesting thing about my childhood was that though my parents were heroin addicts, they were extremely loving and they believed in me so much so that, believe it or not, I was never, ever told what to do. They knew that I instinctively would figure it out. Or I was just one of those nerdy, nice kids that they knew would never get into trouble. I mean, I have never stolen anything. I've never, I bullied one kid once and the reason why is because everybody bullied me because I was a nerd. And when I bullied this kid, he started crying and I started crying. He's probably forgotten that incident. I will never forget it. It'll bother me my entire life. I could not believe that I did that. So my childhood was actually on one level very happy, but at the exact same time, and I don't know how these two situations could have coexisted, except only now forensically, but it was super happy, but then I actually called my childhood a fear-based childhood. I was afraid of things, so I did things to make me unafraid or happy. And music was that thing. But it just made me feel so good. It was so real. It was almost like a drug. So my parents were doing heroin. I was doing music *laughs*. Adam: I mean, it's weird you describe yourself as a nerd. You're the least nerdy-looking nerd I've ever come across, but fair enough. Nile: Oh God, test me. Adam: Oh really, okay, we'll do a nerd off *both laugh*. Fair, fair enough. But that positivity, I mean, you talk about being nice, but what I think is striking about your music, and perhaps problematic for some of it, is that it's relentlessly positive. And I think sometimes it's seen as sort of very surface level because of that and yet you talk about the deeper meaning behind the music, which I think some fans of yours perhaps don't see, or that's not what they're getting from it. Nile: But that's okay, though. Adam: That's fine. Nile: It's okay. Yeah, you're so correct. I mean, I'll try and quickly just tell you this story. So when I said I was a nerd, believe me, I studied music on a level that was so intense, that was ridiculous. So I thought it was my job to prove to my tutors and various teachers how smart I was, how well I learned the rules and the discipline of music. I wrote symphonic music when I was a child, I wasn't even 10 years old yet. And I remember I was going to one of my tutors. I was around 22 years old and I was a very serious jazz student. And I went into him one day with a very sourpuss attitude and look, and that was not me. He just was like, no, you're always so happy and you're always so upbeat. What's wrong with you today? And I said, well, look at this ******** pop music that I have to play tonight. Now, maybe I thought it was sort of ******** but maybe I was just trying to score brownie points with him because I always thought being a great musician was being the smartest guy or the greatest virtuoso in the room. So what happened was my teacher, I showed him the list of songs that I was playing that night. And I said, look at what I have to start my set with. This song by The Archies called Sugar, Sugar. He said, yeah, but now what's wrong? Why are you so sad? And I said, because I got to play Sugar, Sugar. You know, I want to play straight ahead jazz. He was like, that's okay that you want to play straight ahead jazz, that's what I love. But why is it bothering you to play Sugar, Sugar? And I said, because it goes, *sings* Honey, do, do, do, do, do, do, oh sugar, sugar, do, do, do, do, do, do, you are my candy girl, and you got me wanting you. And he said, Nile, that's a great composition. I went, you call Sugar, Sugar a great composition? He said, absolutely. He said, what do you think about it? He says, and I went, well, it sucks. It's some ******** bubblegum pop music. And he went, now, do you know that Sugar Sugar's been number one for about three weeks? And I said, yeah, but what does that got to do with anything? And he went, so those millions of people around the world, they're wrong, but you, Nile Rodgers, are right? And all of a sudden I felt, uh-oh, *laughs* something weird's getting ready to happen. So he held me behind my head and he pulled my face close to him and he said, Nile, let me explain something to you. Every record in the top 20 is a great composition. And so remember, we're going back now 50 years. I'm 73 years old, so we're going back a long time. And I say, every record in the top 20 is a great composition? He says, yes. I said, why would you say something so absurd? He says, Nile, because it speaks to the souls of a million strangers. And I literally started crying at that moment because in one spark, in a nanosecond, he explained to me what an artist was. So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, well, I wish I could play like him. I wish I could do that. No, it was the person who touched people's hearts. It was the person who made people feel something, be it happiness, be it sadness or whatever. But a lot of my friends who are virtuosos, we just would go, wow, he can play his *** off. That was the thing. We didn't feel anything necessarily. Sometimes we did, but I was determined to try and make people feel something every time. And to me, I wanted people to feel happy because I wanted to feel happy. Why do I want to write sad music? Adam: So that phrase, speaking to the souls of a million strangers, it's clearly an iconic thing about your music. The other striking thing, I think, which you've talked about, is about life, not just your music, but I think obviously connected, is not about surviving the storm, but learning how to dance in the rain. Is that one of the tenets of your approach to music and life? Are they the same thing? Nile: That's exactly it. That's why people wonder why I do so much music, and it's because I believe that I could always, I honestly, and this is not an egotistical statement, I always believe that I can add something to the song. I believe that I can make it better, even if it's just a little better, but you can hear it. I mean, five minutes before I came down here, I asked an artist that I sent a piece of music to, I said, you never wrote me back. How do you feel about the guitar streams that I sent you? And Kygo just wrote me, he said, he just literally just wrote me, where the hell is it? I went, cool. He went, oh, yes sir, sounding really cool *laughs*. Minutes ago. Adam: Okay. So look, we need to talk more about that, but I want, you're here not for the music, but for the work of your, and Nancy, your partner's, foundation. And David Saddington, sitting next to you, is a trustee of that foundation. You also happen to be a trustee of the Woodland Trust as well. So the purpose of the We Are Family Foundation is what? David: I mean, the We Are Family Foundation, Nile and Nancy started 20, 25 years ago now, which is insane *both laugh*. And Nile, I mean, you'll tell it better than me in terms of sort of your origin story, which came from, you know, a horrendous event of 9/11. And Nile and Nancy wanted to do something positive for the world, to heal the world. And thankfully, you know, when they sort of asked that question around how do we sort of have more peace in the world, how do we have more harmony, young people came out as the answer and actually finding that hope, finding that positivity, finding those solutions. So the foundation really is built upon curating, nurturing and growing this talent and giving these young people visibility. Adam: And the work that the We Are Family Foundation is starting to do in Northern Ireland, we were today at a planting with Nile and Nancy and you. What is the project here? David: Yeah, my God, like, you know, I work on climate change every day. It's really sort of hard and difficult, but actually by doing something very local with the Woodland Trust, you make such a tremendous difference, not only just about place, but the communities which you bring along. So this partnership just made a lot of sense. And then when we started talking after that visit around sort of why it made sense to support from the foundation, Northern Ireland came out really as a winner. And the beautiful site we visited earlier in the Faughan Valley is so special because, in a sad way really, because so little of the ancient woodland is left in Northern Ireland, less than 1%. And the vision of the Woodland Trust in Northern Ireland to preserve those tiny fragments of ancient woodland, but protect them by restoring the land around it, letting them expand, is so special. And particularly given that site is, what, I mean, like 10 minutes away from Derry? That's so cool. It is right on the doorstep of so many people to restore such a precious habitat, but make sure that people can actually enjoy it and be part of that as well. Amazing. Adam: A little before Nile and I sat down to speak, we both visited Faughan Valley Woodlands with a group of young people who were there to help plant some trees. Now, this is an important area. Since 2000, the Woodland Trust has brought small clusters of native woodlands, including Brackfield, Oaks, Red Brae, Burntollet, Killaloo and Auter, all fragmented along the Faughan Valley, which is a site of special scientific interests. And it's been a vision of the Woodland Trust Northern Ireland for well over a decade, really, to try and connect these fragments for both people and nature. And so when I met the younger people who are busy planting trees, I asked them why they felt what they were doing was important. Speaker 1: So usually it's around every Sunday morning. We go around and it's just odd jobs, like it's never the same thing every week. It's usually planting trees, but recently we've been building fences to keep sheep out and removing tree guards. Adam: And why are you interested in that instead of watching TV or playing Xbox or whatever? Speaker 1: Well, I've always kind of liked outdoorsy stuff in nature and usually I wouldn't really do much on a Sunday. So it's just better to get out rather than do nothing on a Sunday morning so. Adam: And you're about to plant a tree. Speaker 1: Yeah. Adam: Do we know what type of tree that is? Speaker 1: I think it's oak. Adam: Oh, there we are see, I don't know, but you know, go on plant away. Speaker 2: I'm Sophie McGee. Adam: And what are you doing, Sophie? Speaker 2: Well, we're planting trees today for the 30th anniversary. It's just more interesting because we're actually doing something that's worthwhile for the environment and for ourselves. Adam: And do you feel you're making a difference? Speaker 2: Yes, every tree will help. No matter if it's a wee tiny stick or a big massive one. Speaker 3: Well my name is Evie, I'm 13 years old and I've always been interested in nature and plants and animals and stuff and then my auntie decided, or she showed me the Woodland Trust young volunteers so I thought that sounds right up my street. So I joined, I've only been here for a few weeks and so far I've really enjoyed it. We've been trimming down, we've been trimming away trees that'll grow back to let light into the forest floor. We've been looking at different kinds of moths and caterpillars and we've been for walks and here we are planting trees and meeting celebrities! Speaker 4: My name's Milo and you know we're with the Woodland Trust, you know, planting trees and stuff because, well, you know, trees are important and they support a lot of species and insects and wildlife and it's great for the water quality and soil erosion in general. And in my opinion personally, I think biodiversity is really important, especially in, the UK and Northern Ireland in general. It's just seem to be really sort of nature depleted and, you know, I kind of want to change that. I think it doesn't seem fair, you know? Adam: Nile, I think the phrase we've already used many times is We Are Family, the name of one of your most successful songs, but obviously the name of your foundation. And we've talked about your family. That's an obvious theme, family. I'm struck by that because of a disjointed background, even though loving and literarily full. Your family were artists and you had a full and rich literary life. The connection to family, clearly a theme for you. Why? Nile: It wasn't my idea. It was other people's ideas. And they talked me into it. I, as an artist, I wrote We Are Family for Sister Sledge and for Sister Sledge alone. I didn't write it for the world. I wrote it for them. And they, it was their job to now take it out into the world, which they did very well. But what happened as a byproduct of the composition was just the love that I put into the song that my partner Bernard Edwards and I put into the song, we were trying to talk about this wonderful family, you won't believe this, that we never met. We never met Sister Sledge until they came in to sing the song. The entire album was already produced. We didn't know any other way to make records except for by ourselves. So we made the record and said, okay, now sing this. And they were like, what? We've never been treated like this. We're like, we don't know any other way to make records. Me and Luther Vandross and Bernard Edwards and Tony Thompson, and we go in and we write and produce, and there you go, here's your record. But so the love that we projected onto Sister Sledge was something that we superimposed upon them. We don't know whether they liked each other or not. We just presupposed that they did. And that's what we wrote, this loving, anthemic, wonderful dance song. And Kathy Sledge, at 15 years old, came in and just gave the performance of her life. We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family *both laugh*. It was the final song that we wrote, right? So we wouldn't let them come in. We're inside trying to be professional. And they're like, why can't we come in and hear what you guys are making as demos? Making as demos? No, we made, it's the record. But anyway, what happened was, as a result of the popularity of the song, this baseball team in America, the Pittsburgh Pirates, adopted it as their theme song. And they're not women, they're men. And we saw these big burly men going, we are family, I got all my sisters with me. And I was like, whoa. And anyway, they won the World Series *laughs*. Adam: But I mean, that's a fascinating insight how you made that song. But what I'm struck by is that you have talked about this deeper hidden meaning, your phrase, right, behind your songs. So that's an obvious question to ask. You talk about family. It's a key song in your career. It hints of the deeper meaning here is about the importance of your family. And your family are unusual. Super talented people, not particularly stable, I hope that's not insulting or anything. But it's sort of, I'd expect you to maybe be more traumatised by that or to have, but no, it's all good. It's all good. Nile: It wasn't, you see, it wasn't traumatic because I developed my own survival mechanism and it was actually good. But I don't think you realise this. I said, everybody told me, oh, you got Grammys, you got this, you're the head of the Songwriters Hall of Fame, you're the Rock and Roll Hall of Fame, I said, you know what? The thing that I am the most proud of in my life is at seven years old, I set the national truancy record for the United States of America *both laugh*. I cut school 75 days in a row and went to the movies. I learned more at the cinema in 75 days than everybody in my class learned in an entire semester. You could see Fellini, you could see Truffaut, you could see anything. My mom, when she had her second child, suffered from postpartum depression and threatened to murder my brother every day. So after a few weeks, and I can't remember how long it took because I was a child, but after her going to psychiatrist every day, that's how bad it was, they decided that she had to be separated from her children. She was a danger to herself and others. So they sent me off to Los Angeles to live with my maternal grandmother. And my youngest brother, who was just born, was sent to live with his paternal grandparents. And so while I was in Los Angeles, I was treated ah man, boy, talk about bullying. Every place in LA was sort of run by gangs. And I didn't know anything about the gang culture. And I spoke like a New Yorker. And everybody in LA was, you know, street slang. And, you know, and now look at how big hip hop is. You know, that's the way that that everyone spoke. I didn't know half the stuff they were saying. So kids would try and beat me up. They only beat me up once, no, twice, sorry, twice. And then I just decided, I'm not going to where those kids are. I'm going to where adults are. Because I got along with adults and I went to the cinema every day for 75 days straight. Adam: There's lots to talk about, not much time. But I do want to ask one more question around this sort of area. In actually the podcast we've just done, I spoke to quite a significant business leader who has ADHD. And I said to him at the end of the chat we had, if you had a magic wand and could wave away your ADHD, would you do it? And he went, no, I absolutely wouldn't do it because it's part of who I was, I am, and it's informed and helped me. And I wonder if there's a similar question about your drug past, whether if you could wipe it away, would you? Nile: Never, never, ever, ever, ever. I, you know, I developed a very horrible drug habit. I actually, my heart stopped six times in one night. I don't remember the medical phrase, but it's called something like multiple drug interaction. Like, so if you take cocaine and then you take alcohol and then you take either LSD or something else, your brain doesn't know which one is dominant, right? So it starts going, it tells your heart, do I expand or contract? I don't know. And every time they tried to revive me, I would only stay alert or alive, my heart would only pump a couple of times and then stop again. Adam: So what did that bring you as an artist in retrospect? Nile: Nothing. Because to me, all I remember was driving home, Not getting into an accident, not getting a ticket, driving home, parking in my same parking space, going up to my apartment. However, I mistakenly pushed the number 14 instead of 28. That saved my life. I didn't know that I did, I didn't know I made a mistake. I was so high, I thought 14 was 28. The way that they emptied the garbage in my building, they started at the top and they went down floor by floor. When the elevator hit 14, the doors opened, I fell out onto the floor dead. They just happened to be on the 14th floor and they saw me lying there dead. They go over, I have no pulse. They probably tried to do, I don't know any of this for a fact because I was, out, yeah. So I just assumed they must have tried to help me. They liked me, so they must have tried to do something. Fortunately, the hospital was two blocks away from my house. And they get me to the hospital. The doctors revived me six times. After the sixth time, they figured this is hopeless because they did everything they could possibly do. And he said that, we worked so hard to save your life, but in fact, I was filling out the death certificate and the orderly in the room said, hey doc, we got a live one here. And my heart just started going automatically again by itself. Adam: Amazing. I want to bring you back to your foundation. So we're here because of the good work you're doing for the environment. But the environmental issue may be relatively new, but you've been a political activist since your early days. This is not a recent conversion. You're super plugged in to these sort of big debates, aren't you? Part of the Black Panthers in your early age? Nile: Yeah, I was a subsection of the Black Panther Party when I was 16 years old. Adam: So lots of political issues. Why now the environment? Nile: It's just one of many issues that We Are Family Foundation supports. You asked me about being a nerd. So I grew up as a scientist. I have a scientific background. So I understand how these things in our environment are fundamentally to life itself. That, if you think about it, in today's world, there are a million different species on this planet, but that's only 1% of all the life that's ever lived on this planet. So it just goes up and down and up and down. And prior to humans, we were never the cause. Now we're the cause of things dying and species going away. Before, it was just the fact that Earth was this very volatile planet and over millions, billions, in fact, years, things were changing. But now we're doing the bad stuff. We're killing ourselves, which is incredible. And it's mainly because most people don't know that all these life forms are dependent upon one another. Last night I heard someone talking about plankton. And I was saying, yeah, well, look at how important plankton is. You know, like hydrogen, we need, we don't have hydrogen, we have no life. You know, it's like, so, I mean, trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: We're running out of time. Just one last question each. David, first, you set the context of what that foundation is doing here and what the Trust is doing here. What are your hopes for if Nile, us, we all gather, come back in ten years' time? Your hope for the project by then would be what? David: I mean, my hope for the project in that time is to see the forest grow, because what I find so encouraging is when you let nature recover with a little bit of help from us, it doesn't take that long to actually start putting it right, you know, to restore those habitats, to protect that ancient woodland, to let it regrow, rejuvenate, with the help of people supporting communities at the same time. It can recover in such a remarkable amount of time, which I just find really quite hopeful and empowering in the world we're in at the moment. Will it restore very precious nature here in Northern Ireland? Will it inspire people to make a difference with all the volunteers we're bringing in? Absolutely. And who knows what the catalytic sort of nature of that will be, which I think is sort of magical to see. So it's a pleasure to bring this partnership together between the We Are Family Foundation and the Woodland Trust and see that grow and grow over the years. Adam: And I think often with trees, people think it's 100 years, their great-grandchildren will come. That's not the case, is it? 10, 20 years is a reasonable time frame to see significant change in this landscape we just visited this morning. David: Yeah, absolutely. I mean, some of the trees we were walking around this morning, the beautiful silver birches, which looked like a woodland, were 20 years old. And actually, it is incredible, actually, it doesn't take a huge amount of time for nature to recover. Adam: Nile, last question. It's been an amazing life. It is an amazing life, perhaps a great life. Your third act? Hard to imagine what new things you could do, but do you, what are the, how do you see your future and what you want to spend that third act doing? Nile: Wow, I'm doing so much now. I'm almost going back to where I started, which was with theatre performances that are more story-ented instead of just going out and playing a whole bunch of hit songs. I think I got super inspired completely accidentally. I wrote a song for Diana Ross years ago. And the first time I worked for the Prince's Trust, he said, now, my dear fellow, I wish I knew more of your music, everybody seems to love it so much. And then he became the King and he printed out his top 10 favorite songs. Number 3 was one of my songs. And he didn't realise it because, you know, the King, what have you got time to sit around and read, you know *laughs* And I said to him, I said, you know, Your Majesty, I promise you, you know some of my songs. But then his list comes out and my #3 song, I mean my song, Upside Down by Diana Ross is #3. He was like, that's one of my favorite songs, and there's a whole video that we put out of him sort of like doing his best dance to Upside Down. It's quite funny. I just thought that the one thing I've not really explored or worked hard on, I'm at the part of my life where I really do want to do all the music that I can do. And I want it to have the same effect as the pop music that I do. So I want my jazz music to make people feel good. So I did Candy Dulfer's last record and she's just unreal. So that's really, I think, where I want to be. And honestly, and I'm being very, very honest, I never keep track of any of this stuff. I did a conference a few weeks ago, and it was all these billionaires and all these tech guys and blah, blah, blah. And I said, you know, I did the biggest selling Madonna album in the world, we sold 10 million copies. All of my memories are from when I first heard this stuff. And somebody hollered out from the back of the room, 23 million copies, you know Nile, it keeps selling and keeps adding up. And I went, oh. In the first few weeks, we sold 10 million copies. And that's all I remember. And I move on to the next record and the next record and the next record. I had huge success with the last two Beyoncé records. But I've done that, and obviously you can see with Kygo, I continue to do that. That's never going to go away. But when I think in terms of full projects, it's going to be more theatrical and maybe more film. David: There's about two things as well. There's one thing that you said to me before, which I think is just so great about the foundation, about how you want the foundation to be bigger than the song, which I think is a pretty epic aspiration there to have, the We Are Family Foundation and We Are Family the song, but I just think that's amazing to think around, the impact which has been achieved over twenty-five years and thinking about the years to come, and then secondly, because with your audience, Adam, we have so many obviously sort of people who love getting out on walks and nature. And my goodness, you won't be up as early as this guy doing his morning walks. And you definitely need to follow him on Instagram at a moment because he's on a roll doing sort of walks all over the world. Nile: It's true. I love, you know, I wake up every morning very, very early. Right now, life and enjoying nature and being out in it is really exciting. Like when I was younger, being indoors, like I used to, there was a joke I used to say, I used to go to like clubs every night and go, ah the great indoors *all laugh*. Adam: Well, look, a sample of how busy you are is I know you have other meetings to go to and other jobs to do, so I won't keep you anymore. Here's to the good times. Thank you very much indeed, both of you. Nile: Thank you. I hope I wasn't too long-winded. David: Thank you. Adam: You were brilliant. It's a real treat to talk to you. David: A pleasure. Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners and volunteers. And don't forget to subscribe to the series on iTunes or wherever you are listening. And do give us a review and a rating. If you want to find out more about our woods and those that are close to you, check out the Woodland Trust website. Just head to the Visiting Woods pages. Thank you.

On this episode of The Bandwich Tapes, I sit down with Billy Allen and Jay Burgess from Billy Allen + The Pollies for a conversation that feels less like an interview and more like hanging out with musicians who care deeply about feel: the kind of musical quality you can't really quantify. Still, you know immediately when you hear it.We start with a full-circle moment: the band was scheduled to play Smith's Olde Bar in Atlanta the night of our conversation, a venue I know well. That quickly turns into stories about the realities of life as a working band: stairs, load-ins, and the kind of shared touring experiences that musicians everywhere instantly understand.From there, we trace the long arc of how Billy and Jay's collaboration actually came together. Their connection began years earlier when Jay first heard Billy singing in a bar, but it took time for the right musical moment to develop. That theme of timing runs through the entire conversation, how artists grow into themselves, and how patience can be the difference between a short-lived project and something sustainable.One of my favorite parts of the conversation centers on their philosophy about recording. Billy and Jay talk about their love for capturing music as a band in the room, embracing the push and pull of human tempo and the small imperfections that give a track its life. Jay describes himself as a “perfectionist at imperfection,” and we unpack that idea through classic records that breathe, groove as personality, and what “Southern” really means musically, less about technical flash and more about emotional honesty.We close by talking about what's ahead: the creative pressure of follow-up releases, the temptation to chase past successes, and why the healthiest path forward might be to keep writing, recording, and trusting the process.Key TakeawaysFeel whether the foundation of great music — groove and emotion often matters more than technical perfection.Timing matters in creative partnerships — the right collaboration can sometimes take years to develop fully.Touring creates a shared language among musicians — the realities of life on the road shape the band experience.Recording together captures something unique — the push and pull of human tempo can't be replicated digitally.Imperfection can be musical strength — small flaws often give recordings their personality.Southern musical traditions emphasize soul and storytelling — emotional honesty over technical showmanship.Trusting the process is essential — the best songs often reveal themselves when artists give them time.Music from the EpisodeAll of Me - Billy Allen + the PolliesLady Luck - Billy Allen + the PolliesIf You Want Me to Stay - Billy Allen + the PolliesAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the stories, influences, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

It's easy and honestly fun to complain about the Rock and Roll Hall of Fame. Every year, they announce a class of inductees and music fans rise up in anger asking “how is so and so not in yet” or “how did this person get in before that person.” Or, my favorite, “what? That person isn't even rock and roll.” We all do it. Hell, we've done entire episodes on how the Rock Hall screwed up.  But the Rock and Roll Hall of Fame has announced the inductees for the class of 2026 and they pretty much got it right this year.  Phil Collins finally getting kudos for his solo career, Billy Idol with that punk-pop sneer, Iron Maiden crashing the metal gates, Joy Division/New Order, Oasis bringing the Britpop attitude, the smooth sounds of Sade, R&B king Luther Vandross, and Wu-Tang Clan changing the game. They rounded it out with Early Influence nods, Musical Excellence awards, and even Ed Sullivan for bringing rock into living rooms. Look, it's not the purest guitar-rock kickass class ever inducted, but it actually reflects how music evolved and shaped culture. Episode Playlist Check out this week's ⁠Episode Playlist.⁠Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's easy and honestly fun to complain about the Rock and Roll Hall of Fame. Every year, they announce a class of inductees and music fans rise up in anger asking “how is so and so not in yet” or “how did this person get in before that person.” Or, my favorite, “what? That person isn't even rock and roll.” We all do it. Hell, we've done entire episodes on how the Rock Hall screwed up.  But the Rock and Roll Hall of Fame has announced the inductees for the class of 2026 and they pretty much got it right this year.  Phil Collins finally getting kudos for his solo career, Billy Idol with that punk-pop sneer, Iron Maiden crashing the metal gates, Joy Division/New Order, Oasis bringing the Britpop attitude, the smooth sounds of Sade, R&B king Luther Vandross, and Wu-Tang Clan changing the game. They rounded it out with Early Influence nods, Musical Excellence awards, and even Ed Sullivan for bringing rock into living rooms. Look, it's not the purest guitar-rock kickass class ever inducted, but it actually reflects how music evolved and shaped culture. Episode Playlist Check out this week's Episode Playlist. Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Dominic Carter Show, Dominic bares his soul, starting the morning by turning negatives into positives with the motivational sounds of Luther Vandross. He dives straight into the political fray, praising President Trump's resilience and joking demeanor about wearing bulletproof vests following an assassination attempt. Dominic pulls no punches, calling out Whoopi Goldberg for playing the "race card" over a recent Supreme Court decision. Alongside his producer Matt Blaze, Dominic also highlights an incredible local story of an NYPD K-9 named Moch who was saved from lethal narcotics with Narcan. The episode rounds out with fiery caller debates, nostalgic banter about The Benny Hill Show, and a passionate tease of a tough-on-crime, "Giuliani 2.0" run for New York City Mayor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pat welcomes Murray to the Zoom Room to play some of their favorite songs from the 2026 Rock 'n' Roll Hall Of Fame Inductees.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailThe Rock and Roll Hall of Fame always finds a way to start a fight, and the 2026 class is no exception. We jump from concert posters and the closing of Gallery 1988 to a full-on debate about what the Hall is supposed to reward: sales, influence, longevity, cultural disruption, or some messy mix of all four.We break down the 2026 Rock Hall inductees Phil Collins, Billy Idol, Iron Maiden, Joy Division/New Order, Oasis, Sade, Luther Vandross, and Wu-Tang Clan, then pull apart the logic behind the biggest headline: Mariah Carey getting left out again. We lay out the stats, talk through the “rock bias” that still shows up in voting, and ask why pop legends keep getting treated like side quests in a museum that claims to document music history. From there, we dig into influence as a real musical currency, from Iron Maiden's blueprint for modern metal to Joy Division and New Order shaping alternative and electronic rock for decades.The conversation widens to the definition of rock and roll itself, including hip hop's place in the Hall and why Wu-Tang's impact fits the original spirit of rebellion better than a narrow “guitars only” rule. We also get into the practical side of the ceremony: who can actually perform, why some years feel like catch-up years, and which artists we think the Hall keeps missing, especially Jeff Buckley. We wrap with what's exciting right now, including a surge of women-fronted rock and a reminder that defining live moments like Nine Inch Nails at Coachella can be as historic as any induction.If you've got a take, we want it. Subscribe, share this with the friend who always argues about the Rock Hall, and leave a review with who you think got snubbed most.www.TheTouringFanLive.commedia@TheTouringFanLive.Comwww.facebook.com/TheTouringFanLiveInstagram-@TheTouringFanLiveCopyright The Touring Fan Live 2026

In Episode 49, Steev and Cibeline dive into the current dynamics of dating conversation and flirting, exploring how the social climate has shifted in recent years. They then turn their attention to the Rock & Roll Hall of Fame inductees, sharing their takes on personal favorites — Sade, Joy Division/New Order, Billy Idol, Iron Maiden, Luther Vandross, Phil Collins, and Queen Latifah. To close out the episode, Cibeline breaks down the Spring 2026 fashion trends, spotlighting bold primary pop colors and the move away from everyday yoga pants toward a more elevated athleisure aesthetic.Produced and Hosted by Cibeline Sariano and Steev Riccardo

This week, we're going to look at the list of inductees for the Rock and Roll Hall of Fame class of 2026: Billy Idol, Iron Maiden, Joy Division/New Order, Luther Vandross, Oasis, Phil Collins, Sade, & Wu-Tang Clan. We'll go over the list of performers who got in, the snubs, & we'll give some flowers to the inductees in the other categories.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters:00:00 Intro 01:05 performers category02:07 Thoughts on the performer category inductees05:28 Celia Cruz07:16 Fela Kuti10:30 Gram Parsons12:39 MC Lyte15:42 Queen Latifah19:09 Arif Mardin21:00 Jimmy Miller22:01 Linda Creed24:41 Rick Rubin28:50 Ed Sullivan33:51 Outro

The nominations are in, the debates are loud, and the nerdiness is dialed all the way up—because this special episode of Friends Talking Nerdy is all about the 2026 Rock and Roll Hall of Fame inductees!Join Professor Aubrey and Tim The Nerd as they break down this year's class with the perfect blend of deep music knowledge, passionate opinions, and just enough playful chaos to keep things interesting. From genre-defining pioneers to long-overdue legends, nothing is off-limits as they react to one of the most diverse induction classes in recent memory.They dive headfirst into the cultural impact and legacy of icons like Celia Cruz and Fela Kuti, celebrating the global influence that continues to shape modern music. Hip-hop gets its due as the duo discusses the groundbreaking careers of Queen Latifah, MC Lyte, and the legendary Wu-Tang Clan—and whether the Hall is finally catching up to the culture.Rock purists, don't worry—they've got you covered. Expect passionate takes (and maybe a few friendly arguments) about the inclusion of Oasis, Iron Maiden, Billy Idol, and the influential legacy of Joy Division / New Order. And yes, they absolutely get into the solo success and enduring popularity of Phil Collins—because you can't talk Hall of Fame without a little drum fill discourse.But it's not just about performers. Professor Aubrey and Tim The Nerd shine a spotlight on the behind-the-scenes legends who helped shape the sound of generations, including Linda Creed, Arif Mardin, Jimmy Miller, and Rick Rubin. Plus, they unpack the legacy of television pioneer Ed Sullivan and his massive influence on bringing rock and pop into living rooms across America.Of course, the conversation wouldn't be complete without honoring unforgettable voices like Luther Vandross and Sade, as well as country-rock trailblazer Gram Parsons, whose influence far outweighs his commercial success.And because this is Friends Talking Nerdy, there's a competitive twist: back in February, both hosts made their own Hall of Fame picks. Now, they revisit those predictions to see who nailed it—and who swung and missed like a drummer losing the beat mid-solo.Packed with hot takes, surprising insights, music history deep dives, and the kind of chemistry that makes every episode feel like you're hanging out with friends, this special is a must-listen for any music fan who's ever argued about what really belongs in the Rock Hall.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

The Rock and Roll Hall of Fame announced its new class of inductees, including Phil Collins, Sade, Luther Vandross and Wu-Tang Clan. April is Jazz Appreciation Month! And the new Michael Jackson biopic hits theaters soon. Will audiences flock to see it despite the controversies surrounding the late legendary artist? It's our pop culture roundtable!

Luther Vandross is remembered on April 20, 2026 — marking 75 years since his birth. This episode reflects on his legendary career, iconic hits and lasting influence on R&B and pop music. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

National Cheddar Fries day. Entertainment from 1962. Columbine shoooting, Louis Pasteur proved pasturization worked, Dolly Parton released her 1st record, 4:20 is celebrated. Todays birthdays - George Takei, Ryan O'Neal, Jessica Lange, Luther Vandross, Crispin Glover, Shemar Moore, Carmen Electra. Benny Hill diedIntro - God did good - Dianna Corcoran    https://diannacorcoran.com/Cheese fries - Elastic No-No BandCan't nobody hold me down - Puff Daddy   MasonOne night at a time - George StraitPuppy love - Dolly PartonBirthdays - In da club - 50 CentName game - Jessica LangeHere & Now - Luther VandrossI like it loud - Carmen ElectraExit - Three Wise Men -  Tyra Madison      https://www.tyramadison.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

Phil Collins, Iron Maiden, Billy Idol, Queen Latifah, Oasis, Sade and Joy Division/New Order will be inducted into the Rock and Roll Hall of Fame, alongside first-time nominees Wu-Tang Clan and the late Luther Vandross. The nominees were voted on by more than 1,200 artists, historians and music industry professionals. Entertainment correspondent Lorna Riley recapped the full list - including the nominees who didn't make the cut this time round. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Stay connected with us at americangroundradio.com, on Facebook, and Instagram. You're listening to American Ground Radio with Louis R. Avallone and Stephen Parr. This is the full show for April 14, 2026. We open with a big picture look at American energy dominance and why it matters right now more than ever. With 171 crude tankers heading to the Gulf of America — compared to roughly 110 in a typical month — we dig into how President Trump's blockade of the Strait of Hormuz has flipped the entire global oil market on its head, why American producers are now positioned to be the world's energy lifeline, and what it means that Germany, Japan, South Korea, India, and the Philippines are all scrambling for a reliable supply that only the United States can provide right now. Then our American Mamas Teri Netterville and Kimberly Burleson join us to weigh in on the Trump AI meme controversy — the image depicting the president in a Jesus-like pose that sparked outrage from Christians and Democrats alike. We give our honest take, the Mamas give theirs, and we dig into the fascinating double standard of a left that spent decades removing God from schools, courthouses, and their own party platform suddenly discovering that blasphemy is a problem. We also get into Trump pattern recognition, why the Mamas say conservatives sometimes overreact just to prove they're not blindly loyal, and why the artist who created the image says it was never meant to depict Trump as Jesus at all. In our Digging Deep segment, we trace the Iran nuclear crisis all the way back to one decision — Hillary Clinton's push to bomb Libya in 2011. We explain why Muammar Gaddafi's decision to give up his nuclear program in 2003 is the only time in world history a brutal dictator peacefully surrendered nuclear weapons, why Clinton's decision to bomb him eight years later sent a message to every rogue regime on the planet that giving up nukes gets you killed, and why the Iranian mullahs have been drawing exactly that lesson ever since. It's a history lesson that explains everything happening in the Strait of Hormuz right now. We also celebrate some genuinely good economic news — the IRS reports that tax refunds are up more than 10% on average, driven by no tax on tips, no tax on overtime, and no tax on Social Security. We revisit the DoorDash grandma who told President Trump that the no tax on tips provision saved her $11,000 this year, and we talk about what it means when policy actually reinforces the value that the harder you work, the further ahead you should get. For our Bright Spot, the NRA is partnering with a group called Locks and Loaded to bring firearms training specifically to Jewish communities across America — a response to the surge in anti-Semitism and attacks on Jewish institutions. We talk about why the Temple Israel in Michigan, which had just completed self-defense training, was able to stop a violent attack before anyone was harmed, and why being prepared is not political — it's essential. We also get into the stunning revelation from The Atlantic that it was the death of George Floyd and the Black Lives Matter movement — not Joe Biden's judgment — that pushed Gretchen Whitmer out of consideration for vice president and put Kamala Harris on the ticket. And we close out with the 2026 Rock and Roll Hall of Fame induction class — Phil Collins, Billy Idol, Iron Maiden, Oasis, Sade, Luther Vandross, and Wu-Tang Clan. Yes, really. Listen now wherever you get your podcasts, visit AmericanGroundRadio.com, and join the conversation at 866-AGR-1776!See omnystudio.com/listener for privacy information.

In part two, you'll hear Clive Davis reflect on strategic decisions made when running a record label and career revivals he helped shape that defined another chapter of his run. He discusses the balance of control and economics in label joint ventures, why hitmakers are not always great talent scouts, and how LaFace became a powerful force through artists like Toni Braxton, TLC, and Pink. Davis also shares how he revived the careers of timeless artists, including Dionne Warwick, Aretha Franklin, Rod Stewart, Santana, and Luther Vandross. It's a conversation about instinct, patience, and the discipline it takes to build lasting success in the music business. CHAPTERS 02:51 LaFace, Label Deals, and Joint Ventures 09:42 TLC, Toni Braxton, and P!nk 12:37 The Cost of Breaking Artists 17:05 Aretha, Rod Stewart, and Santana 21:14 Catalog vs. Career Revival 25:30 Follow-up Call SPONSORS Chartmetric: Listen in for our Stat of the Week Symphonic: Distribute your music to one of the largest networks in the industry. Symphonic delivers your music to over 200 digital service providers ensuring that you're monetizing every stream and use of your music on Spotify, TikTok, YouTube, and more TRAPITAL Where technology shapes culture. New episodes and memos every week. Sign up here for free.

AP correspondent Ben Thomas reports the Rock & Roll Hall of Fame's Class of 2026 has been named.

The Rock & Roll Hall of Fame has revealed its 2026 inductees, highlighting artists who have shaped music across generations — from Luther Vandross and Wu-Tang Clan to Sade, Celia Cruz and Fela Kuti. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Listen on your favorite podcast service: https://pods.to/wesoundcrazy Crazy Crew, join our We Sound Crazy list: https://wesoundcrazy.ffm.to/jointhewesoundcrazy-emailandsms.OYD Stream songs from the episode on our official We Sound Crazy playlists: https://lnkfi.re/8I8Drkfz In this electrifying episode of We Sound Crazy, hosts Phillionaire, and Louis York's Claude Kelly and Chuck Harmony, sit down with the incomparable Jimmy Jam and Terry Lewis to celebrate a career that has defined the sound of R&B, pop, and soul. With a staggering 16 Billboard Hot 100 #1's and 26 R&B #1's to their names, the legendary duo discusses their upcoming Las Vegas residency, which launches April 17, 2026. They share the stage with versatile vocalists Ruben Studdard and Shanice, explaining how these performers were hand-picked for their unique ability to capture the rhythmic spirit of Janet Jackson and the soulful essence of Luther Vandross, ensuring the residency feels both authentic and transformative. The conversation dives deep into the duo's philosophy of "informed listening," where they aim to bridge the gap between the record and the stage by sharing the stories and spiritual origins behind their most iconic hits. Jam and Lewis reflect on the "masterclass" of working with Patti Austin, the high-stakes energy of recording "Scream" with Michael and Janet Jackson, and the delicate art of "problem-solving" as producers for artists like Mary J. Blige and New Edition. They emphasize that while technology and AI continue to shift the landscape, the heartbeat of music remains in human collaboration, the power of a live band, and the shared connection of a diverse audience experiencing a hit song together. Wrapping up with a journey through their storied history in Minneapolis—including the influence of the late Jellybean Johnson and the genius of Prince—the icons offer a rare look at the grit and grace required to sustain excellence for over five decades. Jam and Lewis demonstrate why they remain the gold standard of musical innovation.  We Sound Crazy is your backstage pass to all things music and culture. Special thanks to our We Sound Crazy team! Director: Malachi Fuller Director of Photography: Neither Camera Op: Andrew Meyers, Derek Reed, Malachi Fuller, Neither Gaffer: Tyler Holmes Set Design: Gina Dorsey Producer/A2: Jerel Duren Editor/Producer: Lamont Baldwin Producer: Aaron Walton Show Producer/Remixer: Michael "Roux" Johnson Assistant: Brittany Guydon Talent Producer: Micha "ML6" Logan Photography: Kirk McClain   PA: Keylon Hall, Jonaye Anderson, Ryan Lee  Thank you to all of our listeners, as well as our partners at Visit Music City.   Special thanks to Jimmy Jam & Terry Lewis! Subscribe to We Sound Crazy on Spotify, Apple Podcasts, and anywhere you get your favorite podcast.  Follow We Sound Crazy on Social Media: ~ Facebook: https://wesoundcrazy.ffm.to/wscfacebook ~ Instagram: https://wesoundcrazy.ffm.to/wscinstagram ~ Twitter: https://wesoundcrazy.ffm.to/wsctwitter ~ TikTok: https://wesoundcrazy.ffm.to/wsctiktok Subscribe to We Sound Crazy on YouTube: https://wesoundcrazy.ffm.to/wscyoutube-subscribe Visit the official We Sound Crazy website: https://wesoundcrazy.ffm.to/officialwebsite #WeSoundCrazy #JimmyJam&TerryLewis Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 347 - LEADING LADIESJennifer Jacobs is a veteran wardrobe supervisor, costume designer, and stylist with more than 30 years of experience in the entertainment industry. She began her touring career in 1991 as a wardrobe assistant for Luther Vandross and went on to work with some of the biggest names in music, including Tina Turner, Cher, Janet Jackson, Lenny Kravitz, Pink, Bruce Springsteen, Natalie Cole, and Bette Midler.Throughout her career, Jennifer has worked across global concert tours, television, and theatrical productions, and has also managed costume archives for artists like Lady Gaga, Rihanna, and Bruno Mars—helping preserve iconic stage looks for future generations.She holds degrees in both Fashion Design and Costume Design and lives by the motto: “Do what you love and you will have a happy career, not a job.”This episode is brought to you by Lightswitch #geezersofgear #lightswitch #geezersmediagroup #leadingladies #podcast #leadingladiespodcast

Writer/author Craig Seymour comes back to the pod to discuss the potential Rock Hal future of first-time nominee and '80s R&B megastar Luther Vandross. This show is part of ⁠⁠⁠⁠⁠Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Earnest ‘EJ' Christian is joined by music journalist Matthew Allen to discuss the new Bruno Mars album, Teddy Riley new memoir, the hype of the Michael Jackson biopic, whether The Jacksons ‘Triumph' is better than Michael Jackson ‘Off The Wall', and the 2026 Rock n Roll Hall Of Fame nominees.

On this episode of Milestones: Celebrating the Culture, host Angélika Beener sits down with pianist, composer, and producer Nat Adderley Jr.For four decades, Adderley served as musical director and arranger for Luther Vandross, helping shape one of the most enduring catalogs in contemporary R&B. His musicianship can be heard across generations of recordings, reflecting a career that spans more than 50 years.Last fall, he released his debut album as a leader, Took So Long, a critically acclaimed project that continues to sit among the top albums on the jazz charts. After decades of contributing to landmark recordings for others, the album marks a defining moment in his own artistic journey.In this conversation, Adderley discusses his career, creative process, musical influences, and what it means to step into the spotlight at this stage of his journey.

In the wake of last week's Rock and Roll Hall of Fame episode, Kevin and the Mayor check out documentaries about two of the nominees: Luther Vandross and Jeff Buckley. (Kevin also stumbled upon a 1985 movie starring Tatum O'Neal and Irene Cara that we suspect has never been seen by anyone else ever.) And we brave the mean streets of Allston, Massachusetts (featuring poorly shoveled sidewalks and drunk college kids) to see a couple of wonderful bands: Foxy Shazam (those glam rock maniacs responsible for the Peacemaker opening theme song) and Descartes a Kant (a Mexican quartet with Devo-style costumes and a super-cool retro-futuristic concept album). Plus: The Mayor is a guest on a couple of other podcasts (The Doctor's Beard and The 42cast) to discuss Doctor Who, Witchblade, and perhaps other nerd stuff. The Mayor on The 42cast! The Mayor on The Doctor's Beard! And our regular links... The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Legends of the DCU!  

Flopcast episode 722! In the wake of last week’s Rock and Roll Hall of Fame episode, Kevin and the Mayor check out documentaries about two of the nominees: Luther Vandross and Jeff Buckley. (Kevin also stumbled upon a 1985 movie starring Tatum O’Neal and Irene Cara that we suspect has never been seen by anyone […] The post Flopcast 722: Uncertain Fury appeared first on The ESO Network.

In this episode, the guys dive into a wide range of topics, from music to movies and even a little bit of politics. They discuss their favorite songs to sing at karaoke, with Spike revealing his love for Whitney Houston and Luther Vandross. They also geek out over Marvel movies, debating the success of Disney's integration of their shows into the films. Additionally, they share their thoughts on the importance of storytelling in movies, with Spike prioritizing a good story over acting and directing. It's a fun and lighthearted conversation that's sure to leave you entertained.See omnystudio.com/listener for privacy information.

This episode we have special guest Dobbie, CP3, and Jay Makaveli who joins the in as we dive into some of the biggest conversations happening in hip-hop, culture, and entertainment right now — from award show relevance to rap beefs, generational debates, and uncomfortable social conversations.

“Check out our Nerdy Bitz!”On the very first Nerdy Bitz bonus episode of Friends Talking Nerdy, Professor Aubrey and Tim The Nerd plug in, turn it up, and dive headfirst into the 2026 nominees for the Rock & Roll Hall of Fame. No safe takes. No polite clapping. Just passionate, occasionally unhinged music nerdery.They break down the legacies, the cultural impact, and the “wait… how are they not already in?” factor for a stacked lineup: The Black Crowes, Jeff Buckley, Mariah Carey, Phil Collins, Melissa Etheridge, Lauryn Hill, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Oasis, P!nk, Sade, Shakira, Luther Vandross, and Wu-Tang Clan. From arena anthems to soul-shattering ballads, from metal epics to hip-hop game changers, nothing is off limits.Is influence more important than sales? Does genre even matter anymore? And how do you compare the operatic sweep of one legend to the gritty rebellion of another? Professor Aubrey and Tim The Nerd wrestle with the impossible task of narrowing down greatness.To close it out, they each reveal the five artists they would vote into the Rock & Roll Hall of Fame if they held the power. Alliances are tested. Lines are drawn. Feelings are felt.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

How expensive does beef jerky have to get before you officially lose it?

We look forward to it every year when they release the nominations for the Rock and Roll Hall of Fame. Well that day has come and we are ready to see who is going to make it. The nominees this year are: Oasis, Mariah Carey, Phil Collins, Shakira, Lauryn Hill, Pink, The Black Crowes, Jeff Buckley, Melissa Etheridge, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Sade, Luther Vandross, and Wu-Tang Clan. Who do we think will make it?See omnystudio.com/listener for privacy information.

We look forward to it every year when they release the nominations for the Rock and Roll Hall of Fame. Well that day has come and we are ready to see who is going to make it. The nominees this year are: Oasis, Mariah Carey, Phil Collins, Shakira, Lauryn Hill, Pink, The Black Crowes, Jeff Buckley, Melissa Etheridge, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Sade, Luther Vandross, and Wu-Tang Clan. Who do we think will make it?See omnystudio.com/listener for privacy information.

00:00 Church Announcements02:56 Grief Sucks32:30 The Grammys52:45 Kicked out of Jojo Soccer Game56:20 Billy PorterPrizePickshttps://prizepicks.onelink.me/LME0/SK

Grammy success stories: Mr. Bunny, Luther (Vandross), Lauryn Hill honors D'Angelo;  Shaboozey supports immigrants and people are mad; Dear Leader and Nikki Minaj flip on Trevor Noah; Don Renaldo Lemon arrested, Mr. Tim (Don's husband) reacts, Jimmy Kimmel supports; R. Kelly's most infamous (and exploited) victim tells her story in a new book, and to Rolling Stone. Thanks to our sponsors: Sign up and get 10% off at https://www.betterHelp.com/RATCHET.  Feel like your best self again! To get a personalized, affordable plan that gets you, visit https://www.forhers.com/RATCHET.  ABOUT ME: ⁠⁠⁠http://www.demetrialucas.com/about/⁠⁠⁠ STAY CONNECTED:  IG: ⁠⁠⁠@demetriallucas⁠⁠⁠ Twitter: ⁠⁠⁠demetriallucas⁠⁠⁠ FB: ⁠⁠⁠demetriallucas⁠⁠⁠ YouTube:⁠⁠⁠ demetriallucas Learn more about your ad choices. Visit podcastchoices.com/adchoices

HAPPY BLACK HISTORY MONTH! We start off with Mal eyeballing the work (the work being his coworker) and doing a quick recap of his disloyalty over the weekend. We then turn into the Grammy’s cast. Rory insists Justin Bieber is somehow underrated, Mal wants us to revisit the Rap categories again, and Baby D can’t stop laughing at the resurrection of Luther Vandross. Plus, we explain how Jay-Z and Pusha T ended up viral for their relation to the Epstein files, + more! All lines provided by Hard Rock BetSee omnystudio.com/listener for privacy information.

There were history-making moments, as well as awkward ones, at last night's 68th annual Grammy Awards. Cher's Lifetime Achievement Award presentation went off the rails and culminated with her introducing Luther Vandross as the winner of the Record of the Year. (Vandross passed away 21 years ago.) The night also included interesting outfits, ICE references, and a Trevor Noah joke that prompted Pres. Trump to promise a lawsuit. See omnystudio.com/listener for privacy information.

There were history-making moments, as well as awkward ones, at last night's 68th annual Grammy Awards. Cher's Lifetime Achievement Award presentation went off the rails and culminated with her introducing Luther Vandross as the winner of the Record of the Year. (Vandross passed away 21 years ago.) The night also included interesting outfits, ICE references, and a Trevor Noah joke that prompted Pres. Trump to promise a lawsuit. See omnystudio.com/listener for privacy information.

There were history-making moments, as well as awkward ones, at last night's 68th annual Grammy Awards. Cher's Lifetime Achievement Award presentation went off the rails and culminated with her introducing Luther Vandross as the winner of the Record of the Year. (Vandross passed away 21 years ago.) The night also included interesting outfits, ICE references, and a Trevor Noah joke that prompted Pres. Trump to promise a lawsuit. See omnystudio.com/listener for privacy information.

Groundhog Day - Full Grammy Recap... Power Ranking Performances... What was Cher Doing? Bieber, Post Malone tribute to Ozzy and Olivia Dean were amazing - We read the Grammy Facebook comments - Lets Go Pens - Super Bowl Week - Stay off the frozen rivers Pittsburgh - Say Something nice... Did someone help you out or you just want to brag about someone.. Listen on iHeartRadio click the little mic and leave us a talkback messageSee omnystudio.com/listener for privacy information.

Dawn Porter is an acclaimed American documentary filmmaker and founder of Trilogy Films, known for her storytelling on social justice, history, and cultural icons. Her celebrated documentaries, including Trapped, John Lewis: Good Trouble, and The Lady Bird Diaries, air on platforms like HBO, Netflix, Amazon, Apple, CNN, PBS and others. Another film from Porter's recent work, Luther: Never Too Much, highlights the life and legacy of Luther Vandross. Produced with Sony Music Entertainment, Jamie Foxx's Foxxhole, and Colin Firth's Raindog Films, this intimate portrayal of the Grammy-winning artist was recently released in theaters and premiered on CNN/MAX on January 1, 2025. Her recent work, The Sing Sing Chronicles won the Best Documentary Emmy at the 46th annual News & Documentary Emmy Awards. Porter's achievements are widely recognized. A three-time Sundance film festival Alum, her film Gideon's Army was nominated for an Emmy and an Independent Spirit Award and won the prestigious Ridenhour Prize as well as the American Bar Association's Silver Gavel Award. Trapped also earned a Silver Gavel, as well as a Peabody Award and the Sundance Special Jury Prize for Social Impact Filmmaking, while John Lewis: Good Trouble won the 2021 NAACP Image Award. She received the Critics' Choice Impact Award in 2022 and Gracie Awards in both 2022 and 2023. Recently, Porter was awarded the National Humanities Medal by former President Joe Biden, elected to the American Academy of Arts & Sciences, and received the IDA Career Achievement Award. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dawn Porter is an acclaimed American documentary filmmaker and founder of Trilogy Films, known for her storytelling on social justice, history, and cultural icons. Her celebrated documentaries, including Trapped, John Lewis: Good Trouble, and The Lady Bird Diaries, air on platforms like HBO, Netflix, Amazon, Apple, CNN, PBS and others. Another film from Porter's recent work, Luther: Never Too Much, highlights the life and legacy of Luther Vandross. Produced with Sony Music Entertainment, Jamie Foxx's Foxxhole, and Colin Firth's Raindog Films, this intimate portrayal of the Grammy-winning artist was recently released in theaters and premiered on CNN/MAX on January 1, 2025. Her recent work, The Sing Sing Chronicles won the Best Documentary Emmy at the 46th annual News & Documentary Emmy Awards. Porter's achievements are widely recognized. A three-time Sundance film festival Alum, her film Gideon's Army was nominated for an Emmy and an Independent Spirit Award and won the prestigious Ridenhour Prize as well as the American Bar Association's Silver Gavel Award. Trapped also earned a Silver Gavel, as well as a Peabody Award and the Sundance Special Jury Prize for Social Impact Filmmaking, while John Lewis: Good Trouble won the 2021 NAACP Image Award. She received the Critics' Choice Impact Award in 2022 and Gracie Awards in both 2022 and 2023. Recently, Porter was awarded the National Humanities Medal by former President Joe Biden, elected to the American Academy of Arts & Sciences, and received the IDA Career Achievement Award. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss the life and career of music legend Luther Vandross.patreon Hosted on Acast. See acast.com/privacy for more information.