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Hosts Nate Wilcox and Justin Bankston discuss Mike Judge's brilliant Tales from the Tour Bus season 2: Funk. This episode features legendary P-Funk leader George Clinton. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email letitrollpodcast@gmail.com Follow us on Twitter. Let It Roll is proud to be part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 098 brings a double dose of low end theory, welcoming a pioneering pair of underground bass legends percolating on opposite coasts, both cats deep in the streets and boasting decades in the game, with the catalogues and collaborators to prove it. 0:00 - ep.098 preview 3:30 - High Sierra Music Festival 2026 6:30 - The Upful Update 12:00 - intro: Club d'Elf's MIKE RIVARD [aka Micro] 15:00 - INTERVIEW w/ MICRO [83m] 1:38:00 - introducing LONNIE MARSHALL 1:42:00 - INTERVIEW w/ LONNIE [43m] 2:24:30 - afterglow x ViBE Junkie Jamz First up Mike Rivard [aka Micro] - bass/sintir/founder/visionary of Boston's jazz-trance-dub-hop institution known as Club d'Elf. Twas an honor and privilege to finally tap in with Micro after a quarter century of fandom and awe. We chop it up at length about his group's unicorn career, magnificent co-conspirators like the late Mark Sandman, John Medeski, Brahim Fribgane (RIP), Joe and Mat Maneri, Dave Tronzo, and (Friends Of The Pod) Mister Rourke, Adam Deitch, Ryan Zoidis, Jonny G, among several others. We learn about Moroccan sintir; the healing powers of Gnawa trance music; plant medicines and Terrence McKenna; Micro's personal trials and tribulations along the way; his perspective on the integral role of independent music venues; interpolating NOLA Second Line rhythms in tandem with Morrocan traditions; and revisiting his embryonic journeys with the Grateful Dead as a wide-eared, curious youngster. In April 2026, Club d'Elf unveiled their latest full-length LP Loon & Thrush, a positively magnificent affair in a deep, eclectic d'Elf canon brimming with brilliant configurations and bold adventuring. We chase that inspired dialog with another informative chat featuring LA-based bassist/badass Lonnie Marshall from pioneering underground funk/hip-hop squadron Weapon of Choice. Lonnie was kind enough to hop on the line and discuss his life of Nutmeg Music, his bombastic and eclectic history and colorful persona, lineage from the P-Funk family tree and his teenage era rolling with Bootsy Collins' Boot Camp, storytelling and dope collabs, daKAH hip-hop orchestra, recording/gigging with Joe Strummer's debut solo LP/group, reflections on his brother Arik Marshall's brief, chaotic moment with the Red Hot Chili Peppers and long-term run backing Macy Gray. Plus a whole lot more in this educational inspirational get down with the most mega-nutt mug to ever bless these podwaves! Bassist/sintir sorcerer Mike Rivard [aka MicroVard] defies any sort of rigid genre-specifics or generic categorization. The cat finds himself at home in a bewildering array of musical/cultural settings: from the good ol' Grateful Dead to the melancholic-rock of his late friend Mark Sandman and Morphine, to the mountains of Morocco with local Berber musicians, plus side trips into the Broadway pits, and tantric trance sessions with John Medeski and Joe Maneri. A "military brat" coming of adolescence in the wide expanses of Minnesota, he took in the local sounds of Prince, Husker Du, and the free-jazz coming out of the University of Minnesota milieu. Eventually a young Rivard would find himself while hitchiking on Dead tour, further opening up nascent doors of perception. Later, Micro set about embarking on Boston's prestigious Berklee College of Music in 1981. After graduating, he studied with jazz legend Dave Holland. Inspired by North African gnawa music, he picked up a Moroccan sintir (three-stringed bass lute) and with guidance from Hassan Hakmoun and Maalem Mahmoud Gania, he has become one of a handful of Western musicians proficient on the instrument. He puts all of the shared sacred teachings and wisdom to good use in Club d'Elf, the jazz-world-dub-electronica squad he formed in 1998. Club d'Elf can be heard across more than 15 albums over the past 25 years; an eclectic, pioneering collective with a vast array of co-conspirators from around the world. Club d'Elf website Instagram new album Loon & Thrush After years grinding it out on the LA scene with his brother Arik in Marshall Law, Lonnie Marshall founded Weapon of Choice in 1992, holding down bass and lead vocals. After a video directed by Geoff Moore for their song "Uppity, Yuppity Doolittle" came to the attention of Pearl Jam's Stone Gossard, the band was signed to Gossard‘s record label Loosegroove. They released three albums with Loosegroove before the company folded in 2000: "Nut-meg says Bozo the Town" (1994), Highperspice (1996), and Nutmeg Phantasy (1998). In 2001, the band dropped Illoominutty on Fishbone's Nuttsactor 5 record label, and in 2003, they released Color Me Funky. Since 1997, Lonnie has performed alongside members of P Funk and Fishbone, among others, as part of Trulio Disgracias - a constantly mutating funk-rock-jazz collective headed by by Norwood Fisher. Lonnie was an emcee, composer, and performer for daKAH, a 65 piece hip-hop orchestra which coalesced periodically in the Los Angeles area for many years. Before that, Marshall wrote, recorded and toured with the legendary Joe Strummer of The Clash, behind Strummer's dynamic 1989 solo debut Earthquake Weather. Lonnie has contributed/collaborated with Macy Gray, Snoop Dogg, Tone Loc, Ice Cube, George Clinton, Funkadelic, Perry Farrell, Les Claypool, Stone Gossard and his brother Arik Marshall. Lonnie Marshall Instagram Weapon of Choice on Bandcamp recent B.Getz appearances: In Search of D'Angelo - Delta Bravo Observation Team w/BG [2/26] Peace & Lovecast - Ode to Genius [D'Angelo ep w/ BG segment [2/26] Behind the Dopey - BG talks RHCP on Dopey Podcast - 4/26 CHECK OUT OUR SPONSORS High Sierra Music Festival 2026 BISS LIST AARON SCHWARTZ ART LAZYMOON DESIGN for promo/poster art needs Bub and Pop Podcast Support the Upful LIFE Send B.G. a coupla' dollas 4 makin U holla! Upful LIFE Patreon EMAIL the SHOW PLEASE LEAVE A REVIEW on Apple Podcasts Listen/Comment on Spotify Theme Song: "Mazel Tov"- CALVIN VALENTINE
Clarence Carter (1936 - 2026)Nous venons d'apprendre le décès du chanteur, auteur, compositeur Clarence Carter.Voici un extrait de l'épisode de Jams Of The Year pour l'année 1968, où nous mettions en avant le titre Slip AwayLe chanteur et guitariste Clarence Carter est aveugle de naissance. Il débute sa carrière en 1961 en duo avec Calvin Scott, un ami d'enfance lui aussi aveugle. En 1965, le duo enregistre aux studios FAME et sortent un single chez Atlantic. Scott est victime d'un accident de voiture et Carter continue seul. Après le succès de Tell Daddy que réadapte Etta James sur Tell Mama, il explose avec Slip away (N°2 R&B et N°6 US). Ce titre sur l'infidélité est inspiré de Steal away de Jimmy Hughes, le premier single enregistré à FAME. Il demande à sa maîtresse de trouver un moyen pour le rejoindre sans que son mari ne le sache. Elle a été coécrite avec ses musiciens de tournée William Armstrong (orgue), Marcus Daniel (basse) et Wilbur Terrell (batterie).Carter aura d'autres succès dont Back door Santa, une chanson de Noël à caractère sexuel et Patches, une jolie chanson en hommage à son père. Il sera un temps marié à Candi Staton, une de ses choristes.Slip Away de l'album This is Clarence CarterSpooner Oldham (keyboards), Tommy Cogbill (basse), Roger Hawkins (batterie), Duane Allman (slide guitar)À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)
Could Parliament be the most important band of the 1970s? Jazz pianists Adam Maness and Peter Martin break down Parliament's 1975 masterpiece Mothership Connection track-by-track: Bootsy Collins bass lines that launched a thousand samples, grooves that lock you in and won't let go, and the New Orleans connection that George Clinton says started the whole thing. Plus: isolated bass and drums stems. You'll never hear Parliament the same way again.Chapters Legend:
Captain P Funk is in toen for AG3's big day!
À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres.Janvier – David Ruffin : My Whole World Ended (The Moment You Left Me)Premier coup d'éclat en solo pour l'ex-chanteur des Temptations. Produit par Harvey Fuqua et Johnny Bristol, ce titre devient son plus grand succès des années 60.Février – Booker T & The MG's : Time Is TightIssu de la B.O. du film Uptight, ce chef-d'œuvre instrumental s'inscrit dans le climat social brûlant de l'après-Martin Luther King. Son groove imparable servira plus tard d'introduction culte aux concerts des Blues Brothers.Mars – Dyke & The Blazers : We Got More SoulVéritable soldat de la genèse du funk, Arlester "Dyke" Christian clame ici la fierté noire. Accompagné par les futurs musiciens d'Earth, Wind & Fire, il systématise l'usage du mot "funky" et pose les bases des breakbeats chers au hip-hop.Avril – Jr. Walker & The All Stars : What Does It Take (To Win Your Love)Le saxophoniste au son rauque signe ici un n°1 R&B mémorable. Soutenu par les Funk Brothers de Motown, ce titre démontre la puissance mélodique d'un artiste capable de faire chanter son instrument comme personne.Mai – Clarence Reid : Nobody But You BabeAvant de devenir l'extravagant Blowfly, Reid livre un joyau de la soul de Miami. Très inspiré par le groove des Isley Brothers, le morceau bénéficie de l'appui magistral des Memphis Horns.Juin – Lou Rawls : Your Good Thing (Is About To End)Ami d'enfance de Sam Cooke, Rawls réinterprète cette composition d'Isaac Hayes et David Porter. Sa voix de baryton exceptionnelle transforme ce titre en un succès majeur, annonçant sa future stature de star de la Philadelphia Soul.Juillet – Isaac Hayes : Walk On BySur l'album révolutionnaire Hot Buttered Soul, Hayes réinvente totalement le standard de Dionne Warwick. Accompagné par les Bar-Kays, il crée une fresque orchestrale devenue l'une des sources de samples les plus utilisées de l'histoire du hip-hop.Août – The Glass House : Crumbs Off The TableLancé sur Invictus, le label des transfuges de Motown (HDH), ce quatuor de Détroit brille par une production nerveuse. Le titre est co-écrit par Ron Dunbar.Septembre – The Honey Cone : Girls It Ain't EasyCe trio vocal, incluant la sœur de Darlene Love, est la réponse de Hot Wax aux Supremes. Leur harmonie parfaite et leur sens du tube les mèneront rapidement au sommet des charts mondiaux.Octobre – Donny Hathaway : The GhettoPremier single de l'immense Donny Hathaway, ce titre quasi instrumental devient un hymne intemporel de la soul urbaine. Novembre – The Meters : Look-A-Py PyLes rois du funk de La Nouvelle Orléans livrent un second album produit par Allen Toussaint. Avec un jeu de batterie syncope signé Zigaboo Modeliste, le groupe définit ici l'essence même du groove minimaliste et efficace.Décembre – B.B. King : The Thrill Is GoneLe "King of the Blues" accède à une renommée internationale grâce à ce blues mineur agrémenté de cordes. Ce succès magistral lui vaudra un Grammy et restera sa signature absolue auprès du grand public.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Michael Jackson - The Way You Make Me Feel (Album : Bad)The Way You Make Me Feel est le troisième single de l'album Bad après I Just Can't Stop Loving You et Bad.C'est une composition de Michael coproduite par Quincy Jones. Après avoir incarné le lover et le bad boy sur les deux premiers singles, ce titre le présente comme un coureur de jupons. Dans le clip on le voit suivre une jolie fille dans la rue et la draguer un peu « lourdement ». La chanson sonne presque rythme & blues avec ses harmonies et ses cuivres mais avec une instrumentation électro-synthétique. C'est un immense hit international comme tous les singles de l'album. Celui-ci se vendra à 35 millions d'exemplaires.Jams Of The Year 1987Ecoutez l'épisode dans son intégralité et découvrez les 11 autres artistes que nous abordonsIci : https://smartlink.ausha.co/jams-of-the-year/07-les-jams-de-l-annee-1987Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)
In this early 2000s radio archive interview, legendary drummer Frankie “Kash” Waddy of Parliament-Funkadelic shares insights into life on the road, the discipline behind the groove, and what it takes to sustain a career at the highest level.A Rock and Roll Hall of Fame member with P-Funk, Waddy discusses touring up to 250 days a year, developing his own sound, and stepping into the spotlight with his solo project Kash Up Front.From funk to rock to hip-hop influences, this conversation offers a rare, firsthand look inside the mindset of one of the most respected drummers in the game.
À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est un podcast dédié aux amateurs de musique funk, soul, rap et r&b. Chaque épisode met en lumière une année spécifique, avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Bobby Brown - Get Away (Album : Bobby)Troisième album de Bobby Brown, produit en majorité par Teddy Riley. Sur l'album précédent ce sont Babyface, L.A Reid et Daryll Simmons qui composent et produisent mais on les retrouve tout de même sur quelques titres dont les hits « Humpin' Around » (N°1 r'n'b, N°3 US) et « Good Enough ». Riley travaille avec son partenaire Bernard Belle et engage Chauncey Hannibal et Levon Little de Blackstreet pour les choeurs. Les invités sont nombreux : Whitney Houston, The Winans,Chanté Moore, Ricky Bell et des musiciens comme Paul Jackson Jr (guitare), Ricky Lawson (batterie) ou Nathan East (basse). « Get Away » est un hit (N°3 r'n'b, N°14 US) qui contient un sample et des chants empruntés à « (Not Just) Knee Deep » de Funkadelic. C'est un peu une suite de « My Prerogative ». Il chante qu'il fait ce qu'il veut, qu'il doit s'isoler des gens qui lui nuisent. D'ailleurs il chante un moment : « Do what I wanna do, 'cause it's my prerogative... ». D'autres singles sortiront avec un succès plus mitigé : « That's the Way Love Is », « Something in Common » « Two Can Play That Game ».Jams Of The Year 1993Ecoutez l'épisode dans son intégralité et découvrez les 11 autres artistes que nous abordonsIci : https://smartlink.ausha.co/jams-of-the-year/24-les-jams-de-l-annee-1993Aidez nous, en soutenant gratuitement ce podcast !Comment ? C'est très simple :1)
The legendary musician sat down with LifeMinute's editor-in-chief Joann Butler to talk music, legacy, his work with Kendrick Lamar, Red Hot Chili Peppers, Prince, and more
The legendary musician sat down with LifeMinute's editor-in-chief Joann Butler to talk music, legacy, his work with Kendrick Lamar, Red Hot Chili Peppers, Prince, and more
“Today, we welcome a guitarist whose story feels almost too legendary to be real. Michael Hampton — the young phenom who walked into the Parliament‑Funkadelic galaxy at just seventeen and instantly became part of its gravitational pull. A Rock & Roll Hall of Famer, a torchbearer of the Mothership, and the man behind some of the most transcendent guitar moments in funk history.From the cosmic chaos of the P‑Funk stage to the spiritual electricity of his ‘Maggot Brain' performances, Hampton has always played like he's channeling something bigger — something ancient, futuristic, and deeply human all at once.Today, we dive into the journey of a quiet giant whose guitar has spoken louder than words for nearly five decades. Michael Hampton… welcome to the show.” PURCHASEA founding father of power-funk electric guitar MICHAEL HAMPTON‘INTO THE PUBLIC DOMAIN'AThttps://michaelhampton.bandcamp.com/album/into-the-public-domain-2Bandcamp “Electric Psychedelic Guitar Fusion with a Funk Pulse That Never Stops Beating...This record is a mesmerizing swirl of electric psychedelic guitar fusion, stitched together with the unmistakable funk DNA that made Hampton a pillar of the Parliament/Funkadelic universe. But what's striking here is how personal the music feels. There's no need for vocals; the guitar does all the speaking, testifying, and time traveling.” ...By Music Journalist Ray Shasho5 starsMichael Hampton--Lead GuitarPhilip Samuel Smith--Rhythm GuitarPhil Keaggy--Guest Lead GuitarJohn Schreffler--Pedal Steel GuitarMatt Lesser--DrumsMike Labombard—Saxophone FOR MORE INFORMATIONABOUTMICHAEL HAMPTONVISIThttps://www.tiktok.com/@ma_wa_haTikTokhttps://www.instagram.com/michaelwhampton/Instagramhttps://open.spotify.com/artist/5rhBe5DqUbACYzqerQa9R0Spotifyhttps://www.facebook.com/p/Michael-Hampton-100040199001670/Facebookhttps://www.youtube.com/@MaWaHaYouTubehttps://georgeclinton.com/George Clinton Official Sitehttps://www.facebook.com/georgeclintonpfunkGeorge Clinton Facebook UPCOMINGGEORGE CLINTONPARLIAMENT-FUNKADELICSHOWSSat, APR 11The PFunk Festival 2026Tallahassee, FLApr. 25 - 26, 2026Austin Blues Festival 2026Austin, TXMay. 21 - 24, 2026Jacksonville Jazz Festival 2026Jacksonville, FLSun, MAY 24Hollywood Casino Joliet FUNKADELICDISCOGRAPHYFunkadelic (1970)Free Your Mind... and Your Ass Will Follow (1970)Maggot Brain (1971)America Eats Its Young (1972)Cosmic Slop (1973)Standing on the Verge of Getting It On (1974)Let's Take It to the Stage (1975)Tales of Kidd Funkadelic (1976)Hardcore Jollies (1976)One Nation Under a Groove (1978)Uncle Jam Wants You (1979)Connections & Disconnections (1980)The Electric Spanking of War Babies (1981)By Way of the Drum (2007)First Ya Gotta Shake the Gate (2014) PARLIAMENTDISCOGRAPHYOsmium (1970)Up for the Down Stroke (1974)Chocolate City (1975)Mothership Connection (1975)The Clones of Dr. Funkenstein (1976)Funkentelechy vs. the Placebo Syndrome (1977)Motor Booty Affair (1978)Gloryhallastoopid (1979)Trombipulation (1980)Medicaid Fraud Dogg (2018) Notable songs"Maggot Brain" (Funkadelic), 1971"Up for the Down Stroke" (Parliament), 1974"Chocolate City" (Parliament), 1975"P-Funk (Wants to Get Funked Up)" (Parliament), 1975"Give Up The Funk (Tear The Roof Off The Sucker)" (Parliament), 1976"Do That Stuff" (Parliament), 1976"I'd Rather Be With You" (Bootsy's Rubber Band), 1976"Bop Gun (Endangered Species)" (Parliament), 1977"Funkentelechy" (Parliament), 1978"The Pinocchio Theory" (Bootsy's Rubber Band), 1977"Aqua Boogie (A Psychoalphadiscobetabioaquadoloop)" (Parliament), 1978"Bootzilla" (Bootsy's Rubber Band), 1978"Flash Light" (Parliament), 1978"One Nation Under a Groove" (Funkadelic), 1978"(Not Just) Knee Deep" (Funkadelic), 1979"The Electric Spanking of War Babies" (Funkadelic), 1981 Support us on PayPal!
Créé par Raphael Melki et Belkacem Meziane, Jams Of The Year est le podcast dédié aux amateurs de musique funk, soul, rap et R&B. Chaque épisode met en lumière une année spécifique à travers une sélection soignée de 12 morceaux emblématiques illustrant l'évolution des genres et de l'industrie musicale.Janvier – Bobby Brown : Get AwayProduit par Teddy Riley, ce hit fusionne le New Jack Swing avec un sample de Knee Deep. Bobby y réaffirme son indépendance en citant son propre tube My Prerogative.Février – Monie Love : Born 2 B.R.E.E.D.Co-écrit par Prince, ce titre hip-hop house utilise un sample de Maceo Parker pour porter un message sur l'importance de l'éducation et de l'éveil des consciences.Mars – H-Town : Knockin' Da BootsCe classique du slow jam de Houston s'appuie sur le Be Alright de Zapp. Il installe le groupe comme une force majeure du R&B sensuel des années 90.Avril – Terence Trent D'Arby : Do You Love Me Like You Say ?Le single qui marque le retour de TTDA après l'échec de son 2nd albumMai – Tag Team : Whoomp ! (There It Is)Véritable phénomène devenu hymne de stade, ce titre d'Atlanta repose sur une boucle italo-disco de Kano. Il reste l'un des singles les plus vendus de l'histoire du hip-hop.Juin – Tony! Toni! Toné! : If I Had No LootLe trio d'Oakland célèbre ses racines avec une instrumentation "live" et un sample de Teddy Pendergrass. Un manifeste pour une soul moderne, organique et instrumentale. Le groupe qui a popularisé Raphael SaadiqJuillet – Janet Jackson : IfCe titre charnière mêle un riff de guitare rock agressif aux productions léchées de Jam & Lewis. Il redéfinit l'image de Janet dans une ère plus mature et audacieuse.Août – Meshell Ndegeocello : If That's Your Boyfriend (He Wasn't Last Night)Pionnière de la Neo-Soul, Meshell impose sa basse hypnotique et son style radical. Le clip de Mondino en fait immédiatement une icône alternative du funk.Septembre – Tevin Campbell : Can We TalkÉcrit par Babyface, ce sommet du R&B mélodique met en valeur la voix exceptionnelle de Tevin à seulement 17 ans. Octobre – Mint Condition : U Send Me Swingin'Seul groupe auto-suffisant du label Perspective, ils brillent par une fusion jazz-funk rare. Leurs solos et leur break de batterie témoignent d'une musicalité hors norme. Quand le Minneapolis Sound et le R&B se rencontrentNovembre – DJ Jazzy Jeff & the Fresh Prince : I'm Looking for the One (To Be with Me)Teddy Riley apporte sa touche Talkbox et un sample du S.O.S. Band à ce titre mélodieux. Will Smith y déploie un flow fluide sur une production très smooth.Décembre – Salt-N-Pepa & En Vogue : Whatta ManCette collaboration historique réinvente un titre Stax de 1968 en hymne à l'empouvoirement féminin. Un mélange parfait de rap et de voix soul qui a conquis le monde.Aidez-nous en soutenant gratuitement ce podcast !C'est très simple :
** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 42: Tairee Parks, a.k.a. Thurtdelic also Thurteen, best known as a touring vocalist with George Clinton and Parliament-Funkadelic for more than 10 years. Part of the collective known as Third-Generation P-Funk or 3GP, since 2020 he has released four EPs and LPs, replete with Pedro Bell Funkadelic-inspired cover artwork. His latest effort is 2025's super-funky, old-school Funkadelic-flavored album called Psychedelic Therapy. Here he talks about connecting with Clinton, Parliament-Funkadelic band members, his own recordings and shows, and the important mission to keep P-Funk's legacy alive. RECORDED DECEMBER 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
All Of The Above (AOTA) Radio - A Journey through High Quality Music
Tonight we are traveling on the one to the land of slow funk specifically the P-Funk uncut funk the bomb… Thank you for tuning in & be sure to GIVE US A ‘LIKE' ON FaceBook—> www.facebook.com/AOTARadio You can tune in LIVE every Sunday from 12AM – 4AM PST with your host Django and DJ Ben VeraREAD MORE
Starr Cullars reveals how she went from connecting with Prince's camp to working in the world of George Clinton and P-Funk. A deep dive into the journey of a modern funk bassist building her own sound.Bass player, bandleader, and songwriter Starr Cullars joins Joe Kelley to share her path through the funk universe—from early influences to carving out her own identity as an artist.From her introduction to Prince's circle to experiences within the extended P-Funk collective, Cullars reflects on the moments that shaped her musical direction.In this episode:Her early journey and commitment to the bassBreaking into Prince's camp as a young musicianWorking within the orbit of George Clinton and P-FunkBuilding Starr Cullars & EnterpriseCreating Welcome to the Universe of Starr CullarsThe mindset behind sustaining a career in musicThis conversation highlights how the next generation is carrying forward the legacy of funk.Musicians Reveal with Joe Kelley features in-depth interviews with legendary artists, Prince collaborators, and emerging musicians—sharing the real stories behind the music.
Nouvel hors-serie de SCRATCH.Dans cet épisode, nous allons fait un grand saut dans le temps : 1992, à Los Angeles (plus precisement Compton), en pleine emeute de Watts. Nous parlerons d'un des membres les moins cités et le plus discret du groupe legendaire N.W.A. Ruthless Records, etant connu pour etre des grands adeptes du format EP, nous ne pouvions pas y echapper. Et pour cette (premiere ?) serie d'EP du label d'Eazy-E que nous allons decortiquer, nous vous presentons "Kizz My Black Azz" de MC Ren.Animé par Golgoseize, et en invité du jour : Sinixta (Murder Dog Magazine, Murder Master Music Show…)
Deheb fuses past and present with BK swagger from Salimata, sample alchemy with Steve Miller and Eugene Record, hazy RNB from Leon Thomas & 4batz, Jay Worthy's P-Funk extravaganza and an electro classic from Extra T's. Plus an epic funk odyssey with Aurra, hard grooving neo-soul from Einat Hal and boombap perfection from Black Soprano Family. View the full playlist for this show at https://www.wefunkradio.com/show/1280 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/
** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 39: Core members of Tha MuthaFunkaholX (MFX) -- Ebon (Soul) and wife Niela Phoenix (vocals and guitar) and Jesse Wales. Formed by bassist-keyboardist-vocalist Soul and guitarist-vocalist Wales, the group has performed and recorded with George Clinton as well as several P-Funk musicians. Those include Bennie and Benzel Cowan, Greg Thomas, Greg Boyer and Garrett Shider – all of whom have been interviewed on the TRUTH IN RHYTHM show, so check those out as well. MFX's No Mo Fuks to Give was named to FUNKNSTUFF's 2022 Top 20 Albums of the Year, and its latest powerhouse LP, Taste a Funk, was released early summer 2025. RECORDED AUGUST 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Author and filmmaker Seth Neblett joins Musicians Reveal with Joe Kelley for a deep conversation about Mothership Connected: The Women of Parliament-Funkadelic and his mother, Mallia Franklin of Parlet and The Brides of Funkenstein.Seth shares rare stories about growing up inside the P-Funk universe, Prince's admiration for Mallia Franklin, and how the worlds of Prince, Apollonia Kotero, Denise Matthews (Vanity), and Jill Jones intersected in deeply personal ways — including attending Denise's funeral and meeting Prince after a concert the next day.This episode explores: • The women of Parliament-Funkadelic • Mallia Franklin's legacy • Prince's respect for P-Funk • Apollonia and Minneapolis connections • Music history, remembrance, and recognitionAn essential episode for fans of Prince, P-Funk, and funk music history.
À propos de Jams Of The YearCréé par Raphael Melki et Belkacem Meziane, Jams Of The Year est le podcast des passionnés de funk, soul, rap et R&B. Chaque épisode analyse une année précise à travers avec une sélection soignée de 12 morceaux emblématiques qui illustrent l'évolution des genres. Au-delà de la musique, le podcast propose un regard analytique sur l'industrie musicale et ses artistes.Janvier – The Spinners : Mighty Love. Produit par Thom Bell chez Atlantic , le groupe du Michigan s'impose au sommet de la Philadelphia Soul. Ce n°1 R&B met en lumière le talent du lead vocal Philippé Wynne.Février – Earth, Wind & Fire : Mighty, Mighty. Maurice White réunit la formation culte pour l'album Open Our Eyes. Ce titre, arrangé par Charles Stepney , devient leur premier véritable hit national aux États-Unis.Mars – William DeVaughn : Be Thankful For What You Got. Ce technicien autodidacte signe un classique instantané du R&B à Philadelphie. Ses paroles deviendront une référence majeure pour la culture hip-hop.Avril – The O'Jays : For The Love Of Money. Porté par la ligne de basse révolutionnaire d'Anthony Jackson , ce titre de Gamble & Huff dénonce la cupidité en s'inspirant de textes bibliques.Mai – The Hues Corporation : Rock the Boat. Réinventé sur un rythme rumba reggae , ce morceau initialement boudé par RCA installe définitivement le disco au sommet des charts mondiaux.Juin – Curtis Mayfield : Kung-Fu. Mayfield dépeint la réalité du ghetto avec un arrangement cinématographique magistral de Gil Askey. Le titre mêle orchestration de génie et engagement social.Juillet – Average White Band : Pick Up The Pieces. Ces Écossais passionnés de funk décrochent un n°1 US avec cet instrumental devenu un standard mondial. Le succès est terni par le décès tragique de leur batteur juste avant la consécration.Août – Stevie Wonder : You Haven't Done Nothin'. Une attaque politique contre Richard Nixon, enregistrée avec les Jackson 5 aux chœurs. Le morceau rafle le Grammy de la meilleure prestation vocale R&B.Septembre – Disco Tex And The Sex-O-Lettes : Get Dancin'. L'extravagant Monti Rock III crée une revue cabaret-disco sous l'égide de Bob Crewe. Ce hit humoristique joue un rôle clé dans l'acceptation des artistes queers.Octobre – Gloria Gaynor : Never Can Say Goodbye. En transformant une ballade des Jackson 5 en hymne disco orchestral, Gaynor devient la première diva du genre. L'album innove avec un mixage ininterrompu conçu pour les clubs.Novembre – Shuggie Otis : Inspiration Information. Multi-instrumentiste de génie, il réalise seul cet album avant-gardiste dans son studio personnel. Ce projet culte n'est pas sans rappeler le travail d'un certain Prince.Décembre – The Jackson 5 : I Am Love. Entre ballade et funk progressif, ce titre audacieux marque la fin de leur ère "bubblegum" chez Motown. C'est leur dernier succès majeur avant leur départ pour le label Epic.Aidez-nous en soutenant gratuitement ce podcast !C'est simple :
In this rare radio vault interview from 1999, Bernie Worrell is joined in studio by Chris Frantz and Tina Weymouth of Talking Heads and Tom Tom Club for an unplanned, unforgettable moment in music history.Recorded during the height of their post-Talking Heads years, the conversation reflects on creative life after iconic bands, musical community, and the connections that shaped modern funk, rock, and new wave.This archival interview is presented by Musicians Reveal. Musical segments are edited where required.
On this episode, Marc talks with Seth Neblett, author of "Mothership Connected: The Women of Parliament-Funkadelic," published in September of 2025. It's a fascinating oral history of the female members of Parliament and Funkadelic, particularly those in the P-Funk sister groups Parlet and the Brides of Funkenstein: Mallia Franklin, Lynn Mabry, Dawn Silva, Debbie Wright, and Shirley Hayden. Seth is the son of Mallia Franklin, who, along with being an important musician in the P-Funk story, was responsible for the inclusion of many members of the collective; most famously, she introduced Bootsy Collins to George Clinton and convinced him to include Bootsy in P-Funk. As Seth writes, "The Brides of Funkenstein and Parlet, were, along with Bootsy Collins, the most successful groups to come out of the P-Funk Empire. The women sang and contributed to all the organization's in-house projects...In an era of sex, drugs, and rock and roll, detouring through disco, and cresting on punk and new wave of the eighties, this critical "female" piece of the music history puzzle is as important as any other."You can buy "Mothership Connected" here.We hope you enjoy Marc's conversation with Seth Neblett!
Seth Neblett's book Mothership Connected is a fascinating, first-hand look inside the mothership that was Parliament Funkadelic. (As well as the side projects The Parlets, The Brides of Funkenstein and many more.) Seth tells the stories of the women who were part of this one-of-a-kind group and allows them to explain their role. It's a fascinating read and easily one of the best music books of the year.Mothership Connected is available right now from University of Texas press.
Brighter Side favorite Danny Bedrosian has a new book out, it's called "Make My Funk The P-Funk" and it's a look into Parliament Funkadelic history. More precisely a deep dive into 1975 and they're release of the Chocolate City, Let's Take It To The Stage, and Mothership Connection albums and their epic debut of their stadium tour. So come listen to Ed and Danny nerd out about all things P-Funk! Subscribe to SiriusXM Podcasts+ to listen to new episodes of The Brighter Side ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
** PLEASE SUBSCRIBE ** Welcome to the Where'd You Get Your Funk From? (Episode 35) Jam Fans Forum! This is the seventh Jam Fans Forum episode in which expert panelists provide their top picks in various funk music categories. This time around, we are taking on the hardcore jollies topic of the 5 Top Parliament-Funkadelic Songs of All Time. Joining in are three distinguished Jam Fans: music scholar, author and History of Funk radio show host Rickey Vincent; accomplished musician and co-host of the Funkin' Around podcast, Phil Jones, a.k.a. P T F I, or Phil the Funky Instrumentalist; and leading advocate and archivist honoring everything and everyone associated with the ParliaFunkadelicment Thang, P-Funk and George Clinton, Tim Kinley. Thanks to all of them for keeping the funk alive! Panelists' Picks Ground Rules: - Panelists reveal their picks one at a time, explain why and allow others to react. - Picks are not shared ahead of time, so everyone experiences the reveals together. - Panelists may not select the same albums artist twice. - Panelists should try to avoid picks they chose on past episodes. - Panelists compile alternates in case someone else names the same pick first. Thus, we will end up with 20 picks in total! - Album picks must contain minimum three funk tracks or one-third total playing time. - Picks must have had wide U.S. distribution - no bootlegs or imports. - Picks must have been released as albums - no videos or DVDs. - Picks may be shared in random, unranked or in non-chronological order. - Picks may be based more on personal preference than historical context. Go to https://funknstuff.net/jam-fans-forum-20-parliament-funkadelic-songs OR https://wp.me/p77e8T-3Iw to listen to and buy this episode's 20 top Parliament-Funkadelic songs. Be sure to like, comment, share and subscribe – and let us know other categories you would like to see covered. Also, share your own choices for the 5 Top Parliament-Funkadelic Songs of All Time. RECORDED AUGUST 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online | Bootsy & Buckethead single | "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide
Do not attempt to adjust your WYGYFF podcast, there is nothing wrong; we have taken control as to bring you this special show; we will return it to you as soon as you are grooving . . . Featured in WYGYFF Episode 33: Classically trained funk keyboardist, singer, composer, producer and author Danny Bedrosian. For the past 20+ years, he has been best known as a central and touring member of Parliament-Funkadelic, a.k.a. George Clinton & the P-Funk All-Stars. During that time he has also appeared on numerous P-Funk and associated studio recordings and led many of his own projects, several of which feature fellow Funk Mob players. On his 2023 appearance on this channel's TRUTH IN RHYTHM show, he talked about his first book, “The Authorized P-Funk Song Reference: Official Canon of Parliament-Funkadelic, 1956-2023,” which fully documents the vast recording history of one of music's most prolific and monumental acts. This fall has seen the release of his second book, “Make My Funk the P-Funk,” which documents Parliament-Funkadelic's pivotal year of 1975 and the albums: Chocolate City, Let's Take It to the Stage and Mothership Connection. This was the course that allowed listeners to make their funk the P-Funk, get their funk uncut, experience the bomb and forever wants to get funked up. That literature covering a seminal year of monumental music history sets the stage for a deep discussion between a pair of hardcore funkateers that any P-Funk, funk or music aficionado will adore. RECORDED OCTOBER 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Mr. Christopher and Michael Bland sit down with Parliament Funkadelic's keyboardist Danny Bedrosian to discuss his new book covering P-Funk's 1975 where they dropped Chocolate City, Let's Take it to the Stage, and Mothership Connection. Then we reflect on the passing of D'Angelo and look back at his legacy. Then we close it up celebrating the 44th anniversary of Prince's Controversy released in 1981 and talk about the album track by track.
This week, I talk to Seth Neblett (the son of the queen of funk, Mallia Franklin of Parliament-Funkadelic & Parlet & author of his new book Mothership Connected: The Women of Parliament-Funkadelic). We talk about how Seth was convinced by Bootsy Collins to tell his mother and the women of P-Funk's stories, how he initially assumed this tale was going to be told as a documentary, Mallia Franklin's appearance in the Don Letts docuemntary Tales Of Dr. Funkenstein, Seth (at age 6) being taken by his grandmother to go watch his mom perform with Parliament/Parlet for the first time, how he was able to narrow down this immense story from all the hudnreds of characters in this group's varied history, the strgggles with having your Mom be a recording and touring star, how Mallia Franklin brought elements to the band that changed music FOREVER, George Clinton and his initial band The Parliments, how Mallia's vocals are all over their recoridngs from Maggot Brain to Atomic Dog, the vast age diffrerences within the band, Mallia being called "the geiger counter" because her musical institncts were so incredible on who to bring into the p-funk world (like Bootsy Collins & Junie Morrison), how we often take a documentary's storytelling a the truth, being the "Dog & Cat Lady", why you can see so many full concert footage from Parliment's heyday, Neil Bogart of Casblanca Records and the courting of Mallia Fraklin, the genesis of the female-led spin off groups Parlet and Brides Of Funkenstein, why George Clinton put all various bands on diffferent record labels, how Geroge often didn't want his various bands to get bigger than him, how young the members of P-Funk were and how they often were not prepared for the psychological components of being part of it, Seth's thoughts on following up the book with a documentary vs a narritave series, how the women of P-Funk were not being invited to the induction ceremonies of the Grammys and Rock and Roll Hall Of Fame, who should play his mom in the movie version of this story and more.So let's celebrate the queens of P-Funk forever on this week's episode of Revolutions Per Movie.SETH NEBLETT: Book: https://utpress.utexas.edu/9781477332672/Youtube channel: https://www.youtube.com/@sethneblett7268REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
What happens when over 225 musicians from 180 bands come together for the pure love of music? You get The Big Ol' Nasty Getdown — a genre-bending collective that fuses funk, soul, rock, and hip hop into one massive creative explosion. In this episode, founder John Heintz joins the show to talk about the project's evolution, the spirit of collaboration, and the making of their latest album, Volume 3. From Parliament Funkadelic to Living Colour, Jane's Addiction to Earth, Wind & Fire — the Getdown has united musical icons and rising stars in a way that defies labels and celebrates freedom. Tune in as John shares behind-the-scenes stories, creative philosophies, and what it really takes to build a community through sound.
Episode 89, Leon sits down with Seth Neblett, author of "Mothership Connected: The Women of Parliament Funkadelic," to discuss his process, background, and experiences with the groundbreaking group responsible for the funkiest of the funk. Neblett also details his purpose in creating this project and gives Record Spinners some insights into how the project came into being. Press play and check it out! Help support Neblett's book tour, honoring the legacy of the women of P-Funk, by donating to his GoFundMe. Purchase Seth Neblett's Mothership Connected: The Women of Parliament Funkadelic Follow Mothership Connected: The Women of Parliament Funkadelic on Instagram
Janvier – DeBarge : Rhythm Of the NightIssus d'une véritable saga familiale, les DeBarge passent du funk/soul de Switch à une pop FM plus large voulue par Motown. Composée par Diane Warren, cette chanson caribéenne devient leur plus gros hit, accompagnée d'un clip marquant et une présencce dans la B.O. du film The Last Dragon.Février – Jesse Johnson : Be Your ManAncien guitariste de The Time, proche de Prince mais souvent éclipsé par lui, Jesse Johnson lance sa carrière solo chez A&M. Son premier album révèle un guitariste brillant, héritier assumé de Hendrix et acteur clé du Minneapolis Sound.Mars – Steve Arrington : Feel So RealEx-membre de Slave, Arrington brille en solo avec ce tube soulful et jazzy où apparaît Freddie Hubbard à la trompette. Gros succès international, il sera son chant du cygne avant son virage spirituel et son retrait de la scène musicale.Avril – Freddie Jackson : Rock Me Tonight (For Old Times Sake)Dès son premier album, Freddie Jackson détrône Luther Vandross au sommet du R&B. Avec ce slow jam produit par Paul Lawrence et Barry Eastmond, il s'impose comme l'un des crooners emblématiques de l'ère quiet storm.Mai – Rick James : GlowDernier grand éclat de Rick James, ce single funky et théâtral met en scène son auto-dérision dans un clip culte. Entre grooves puissants et ballades samplées par le hip-hop, il reste un jalon marquant de sa carrière chez Motown.Juin – Aretha Franklin : Freeway Of LoveRelancée par Narada Michael Walden, Aretha Franklin signe un triomphe pop avec ce tube énergique, porté par le sax de Clarence Clemons. L'album Who's Zoomin' Who? lui offre un disque de platine et plusieurs hits mondiaux.Juillet – Ready For The World : Oh SheilaOriginaire du Michigan, RFTW connaît un succès fulgurant avec ce premier album inspiré par Prince et le son de Minneapolis. Leur tube Oh Sheila atteint la première place des classements R&B, dance et pop US, un sommet qu'ils ne retrouveront jamais.Août – Colonel Abrams : TrappedChanteur de Detroit installé à New York, Colonel Abrams marque la transition entre funk/disco et house music. Son titre Trapped devient un classique dance, annonciateur de la vague House à venir.Septembre – Full Force : Alice, I Want You Just For Me !Véritables pionniers du son new jack swing avant Teddy Riley, Full Force combinent funk, hip-hop et soul avec audace. Ce single, extrait de leur premier album, illustre leur créativité explosive, aussi bien en tant qu'artistes que producteurs.Octobre – Grace Jones : Slave To The RhythmProduit par Trevor Horn, ce titre conceptuel mêlant funk, new wave et orchestration luxuriante devient un hit international. Le clip, monté à partir des pubs de Jean-Paul Goude, contribue à renforcer l'aura iconique de Grace Jones.Novembre – Sheila E. : A Love BizarreExtrait de son deuxième album Romance 1600, ce single co-écrit avec Prince s'impose comme un classique Minneapolis Sound. Le clip, lié au film Krush Groove, immortalise l'énergie de Sheila E. et son rôle central dans l'univers des productions Paisley Park.Décembre – James Brown : Living in AmericaRevenu en force grâce à la BO de Rocky IV, James Brown livre un hymne patriotique produit par Dan Hartman. Avec ce tube où l'on trouve Stevie Ray Vaughan à la guitare, il décroche un Grammy et un ultime succès international.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. (Rediffusion) Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez. Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne. Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud. Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes. Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque. Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle. ► Titres joués - Christian Yéyé – Misyé Zanndo - Horizon – Neg Mawon - Alex Rosa – L'Appel des champions - Max et Henri – Sé Pou Demen ► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025) Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik Maladi À écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back. L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique. Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire. ► Titres joués extraits de l'album - Satellite - Tony - Black History - Churches of Sound ► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025) Site – Bandcamp – YouTube.
Un diggeur passionné des Caraïbes talonné par un poète anglo-trinidadien qui slame la mémoire des afro-descendants. (Rediffusion) Emile Omar est notre 1er invité pour présenter le 3e volume de la série Disques Debs International Mizik Maladi (Strut Record 2025). Une compilation concoctée par Emile Omar et Hugo Mendez. Strut présente avec enthousiasme le troisième volume tant attendu de la série Disques Debs International, explorant plus en profondeur les archives de l'un des plus grands labels franco-caribéens, Disques Debs, basé en Guadeloupe. Fondé par le visionnaire Henri Debs à la fin des années 1950, le label et son studio ont fonctionné pendant plus de 50 ans, produisant plus de 300 singles 7” et 200 albums, faisant de Disques Debs un pilier de l'histoire musicale caribéenne. Au début des années 1980, Henri Debs s'était déjà imposé comme un producteur prolifique, avec un catalogue de sorties inégalé en Guadeloupe et en Martinique. Parti d'un simple magnétophone deux pistes installé à l'arrière d'une boutique de vêtements, Disques Debs s'est transformé en une véritable institution, avec un studio ultramoderne en plein cœur de Pointe-à-Pitre, des magasins de disques et d'instruments de musique en Guadeloupe, en Martinique et à Paris, une discothèque au Gosier, ainsi que des accords de distribution internationale en Europe, aux États-Unis et en Amérique du Sud. Disques Debs a joué un rôle essentiel dans l'évolution de la musique caribéenne moderne, créant un pont entre les genres traditionnels comme la biguine et le gwoka et les styles contemporains comme le cadence, le compas et le zouk. Ce dernier est devenu un phénomène mondial dans les années 1980 grâce à des groupes emblématiques comme Kassav' et Zouk Machine. Durant cette période, le label a soutenu une nouvelle génération d'artistes tout en continuant à collaborer avec des figures légendaires des décennies précédentes. Le volume 3 de cette série, compilé par Emile Omar et Hugo Mendez, met en lumière l'une des périodes les plus dynamiques et influentes du label, alors qu'il étendait son rayonnement international dans les années 1980. À travers deux vinyles, cette sortie propose une sélection soigneusement choisie de morceaux issus de l'univers Disques Debs, mettant en avant à la fois de jeunes talents et des artistes confirmés qui ont marqué cette époque. Cette collection célèbre non seulement l'héritage inégalé d'Henri Debs, mais offre également un instantané de l'âge d'or de la musique caribéenne, confirmant Disques Debs comme une véritable institution culturelle. ► Titres joués - Christian Yéyé – Misyé Zanndo - Horizon – Neg Mawon - Alex Rosa – L'Appel des champions - Max et Henri – Sé Pou Demen ► Album Mizik Maladi, l'âge d'or des Disques Debs International (Strut Record 2025) Bandcamp Volume 1 Bandcamp Volume 2 Cadence Revolution Bandcamp Volume 3 Mizik Maladi À écouter aussiSpéciale Disques Debs international avec Émile Omar Notre 2nd invité est Anthony Joseph pour la sortie de l'album Rowing up River to Get Our Names Back. L'origine africaine des OVNI, George Clinton en personne, n'aurait pas désavoué ce concept afro-futuriste dont Anthony Joseph avait fait le sujet de The African Origins Of Ufo's, sa nouvelle écrite il y a bientôt vingt ans. Durant ce laps de temps, les albums du chanteur-poète de Trinidad se sont succédé, mais l'idée ne s'est pas évaporée. Après un travail de réflexion et de recherches artistiques avec le musicien-producteur Dave Okumu, il est même devenu l'axe de rotation de son nouvel album. Base des premiers titres élaborés en duo, la nouvelle est ensuite devenue la rampe de lancement de Rowing Up River To Get Our Names Back Vol 1 & 2. D'une aventure si dense qu'il a fallu la scinder en deux parties. Après avoir solidement assuré la connexion musicale de toute la diaspora caribéenne sur ses précédents albums, Anthony Joseph s'engage dans une fresque musicale aussi ambitieuse que fascinante : l'exploration de toutes ces strates qui constituent la longue et tumultueuse histoire de la musique noire. Ces couches créatives qui se sont superposées et additionnées, la nouvelle se nourrissant de la précédente pour, sans le savoir, préparer l'arrivée de la suivante. Cet immense puzzle où, reliées par une forte conscience politique, les différentes pièces ont noirci les portées de leurs notes les plus intenses. Sculpté dans la cire des œuvres si impérissables qu'elles ont rendu stériles toutes les tentatives d'altération des décennies qui se sont accumulées. Forme, fond, portée révolutionnaire, tout est resté intact. Y compris l'esprit de tous ces musiciens qui ne se sont exprimés que par la voix de leur instrument, la puissance de leur groove, la radicalité de leur démarche artistique. Funk, P-Funk, soul, dub, free-jazz, jazz, afrobeat, blues, confrontant leurs deux visions musicales pour n'en former plus qu'une, c'est en binôme éclairé par les phares de leur créativité qu'Anthony Joseph et Dave Okumu ont façonné un afro-futurisme à l'esthétique mouvante et sans limites d'expansion. Stabilisée par cette volonté de raviver toutes les racines, l'exploration se conjugue à celle qui mène aux patronymes perdus. Ceux qui, entre le voyage depuis l'Afrique vers l'Amérique, se sont évaporés dans les flots de l'Atlantique et le claquement des fouets. Ceux dont ont été dépossédés les déracinés de force qui ont dû endosser celui du maître. Les peaux des batteries, le bois des baguettes et celui des percussions, le nylon de cordes, les métaux des saxophones et les trompettes, tout ce qui constitue l'arche organique dans laquelle ont embarqué les héros de la musique noire, révèle au moment du décollage un tableau de bord à l'électronique sophistiquée. Renforcer, voire supplanter certaines fonctions peut s'avérer utile tant la destination est lointaine. Elle est à des années-lumière d'ici. La rejoindre impose de connecter le présent avec le passé pour pouvoir l'emmener dans le futur. Dans l'afro futur. Là où, après avoir remonté la rivière, tous auront récupéré leurs noms et se seront réappropriés un pan de leur histoire. ► Titres joués extraits de l'album - Satellite - Tony - Black History - Churches of Sound ► Album Rowing up River to Get Our Names Back (Heavenly Sweetness 2025) Site – Bandcamp – YouTube.
** PLEASE SUBSCRIBE ** Featured in WYGYFF Episode 30: Welcome back Seth Neblett. He is the son of pivotal P-Funk matchmaker, singer and Parlet member Mallia Franklin – who was also known as the Queen of Funk – and his father was New Birth drummer Nate Neblett. Having grown up in and around the Parliament-Funkadelic camp, Seth Neblett is a photographer and manager who has worked with artists that include Miki Howard, Maxi B of the Mary Jane Girls, Sheila E, Apollonia and Chaka Khan. For the past several years he has been working on the definitive book covering P-Funk's unsung female singers, called Mothership Connected: The Story of the Women of Parliament-Funkadelic. It is super-exciting to report that this long-awaited book has finally been released! Find out the stories behind this 20-years-in-the-making labor of love. GET THE BOOK HERE: https://amzn.to/4nH0XLQ RECORDED AUGUST 2025 Hosted by Scott "DR GX" Goldfine — musicologist, author of “Everything Is on the One: The First Guide of Funk” and creator/host of the popular TRUTH IN RHYTHM podcast — "Where'd You Get Your Funk From?" is the latest interview show brought to you by FUNKNSTUFF.NET. Where'd You Get Your Funk From (WYGYFF) is an open format video and audio podcast focusing on the here and now, with a broad range of creative and artistic guests sharing fascinating stories, experiences, and perspectives. WYGYFF is a welcoming avenue to newer and independent musical acts as well as established and still active musicians of any genre; authors; filmmakers; actors; artists; collectors and archivists; radio & podcast personalities; journalists; scholars; sound techs; promoters; photographers; and other creative people. A common thread, is the show's standard opening question: Where'd you get your funk from? This is much deeper than it may seem as the answer need not be strictly about funky music, as not everyone has found the funk. It could hit on whatever type of music touches their soul or pleasure centers. Additionally, the question extends beyond music. Paraphrasing George Clinton, funk is whatever it needs to be to get you over the hump. Thus, guests can explain where they got their grit, perseverance, inspiration, talent, creativity, character or other qualities that shaped them into who they are today. This serves as a springboard into candid, in-depth and engrossing conversations. LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400
Seattle-based Indigenous funk/jazz band Khu.éex' is an ensemble full of storytellers and their stories carry a punch. They are back with another double album titled, “Red Cedar in the Hour of Chaos.” They carry on their unique P Funk-inspired sound and blend it with hip-hop, doom metal and psychedelia, all while drawing from Tlingit, Haida, and other Native roots. Another band, this one from the Southwest, weaves Diné stories and concepts into their just-released album filled with neo-soul and jazz influences. “Yáágo Dootliźh” is the second album from the Indigenous soul collective Earth Surface People. We'll talk with members of both these groups about the power of Native storytelling through music. GUESTS Preston Singletary (Tlingit), co-founder of Khu.éex', musician, and glass artist Sondra Segundo (Haida), lead female vocalist for Khu.éex', author, and educator Dakota Yazzie (Diné), leader of Earth Surface People
What's up Reggae fans, 2 Dood's Potcast coming at you with another episode of Conscious Cuts. Here at the 2 Dood's Potcast we like to explore other forms of Reggae/Ska music, which brings us to our guest on this episode out of North Plainfield, New Jersey, P-Funk North.On bass and vocals: Dave SloyanGuitar and vocals: Kevin NinichkaDrums: Jack La Monicaand Hype Man/Dance King: Kingsley JoshuaThis time around we will be asking them some questions about their recently released single, Something in the Water. So come and join us for 8 minutes and 46 seconds as we dive a little deeper into this Punk infused banger. Also remember to visit and follow these guys wherever you consume your music.Spotify:https://open.spotify.com/artist/5FmIA6JFnhkMu4k8gWWGiE?si=mUj5dSy_QWy9rKxIMxfMuQWebsite:https://www.pfunknorth.comInstagram: https://www.instagram.com/pfunknorth?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Thank you PFunk for working with us on bringing this episode to the people.Special thanks to Stone Lion for providing the background music for this episode. Make sure and check out his good works as well.Song 1: Caught Up - Stone Lion https://open.spotify.com/track/6W88mHHzVFe72yy3sLxCuj?si=f4d0dfbf29c04040Song 2: Carry On - Stone Lionhttps://open.spotify.com/album/3T3GbyB4R5BkOOBEgDxBzS?si=oIrsWtlMTm-HWN482zXY3QSpotify: https://open.spotify.com/artist/7rnp2PbPXJjUsk9e1MBxWM?si=95PbpgflQoa8uHQLyY5ULgWhere you can purchase the water filtration device known as the Water Machine: https://thewatermachine.com/discount/UpliftedFor 20% off us promo code: UpliftedThank you all for watching another episode of Conscious Cuts, make sure and follow us on:Youtube: https://www.youtube.com/ @2DoodsPotcast Spotify:https://open.spotify.com/show/6FA6OT9CtXK6N8T7eSiqms?si=27dcfcd325474aa9All of our Links in one place to everything we do:https://linktr.ee/2doods1penOne Love, One Riddim, One Conscious Cut
This week Kevin and Dave from P-Funk North join us. First, we discuss what ska songs would be our intro songs would be to the wrestling ring. Kevin and Dave tell us about their early days in music and how P-Funk North for its start. We listen to their new track Something In The Water. They also talk about how their Reggae Rock band has been received within the ska community. We also discuss the New Jersey music scene. All this and of course Ska News and our Ska Picks of the week. P-Funk North: pfunknorth.comOn The Upbeat: ontheupbeatska.comRude Girl Riot Fest: https://www.eventbrite.com/e/the-rude-girl-riot-ska-festival-tickets-1553056928079?aff=oddtdtcreator&fbclid=PAdGRleAMcsW5leHRuA2FlbQIxMQABp9zM-kDYCv026FxNNg47cYo14jfGnMqMVtfStuBXNZSD8slaTiX7iV11sT_d_aem_11yojPrSXY1xQ1Z9A65WHQSka News….-Party Like It's…On August 19th Party Like It's… released and album of Covers.-Matamoska/ HellasOn August 22, Matamoska and The Hellas release a new song called Revolucion Moderna-Best of the WorstOn August 22, Best of the Worst announced a new album New Dead Ends that will drop September 19th. They released three songs off the album. Ska News 2025https://open.spotify.com/playlist/0CLg5HvXyFxP6hQxQi9Qfs?si=fmVCy1bORNGmlle3FA4-uw&pi=u-gkNw56cQRWeaSka Picks of The Week 2025:https://open.spotify.com/playlist/4bzFTOq9JPpWk1KSEg2nqE?si=Dh0zXfgHSeqfVKsYs0HRJw&pi=u-bIgOFTm_QpaGSka News Theme by Dang!t:https://www.dangitband.comMain Theme by Millington https://millingtonband.bandcamp.com
Howdy Folks, Matador drove for hours and went down the 70s funk rabbit hole. Slurred words are back, talking over each other back, Technical difficulties are back and We play some amazing 70s funk. I definetely got Funked up. Matador talks Swedish Eugenics and Gower talks about a person that actually listens to this. Happy Funk Vibes they are great for your Summer BBQ so blast this. Once again are talking ruins the funk episode but the music is phenomenal. The Algorythm provides... Funk IT out, MATADOR Artist include: P Funk, The Bar Keys, SNL, Blackploitation trailers and Matador Is too Drunk...
August 4 2025: For this edition of PSYCHOTIC BUMP SCHOOL:PART 1 -TOP STORY: GERRYMANDERING & the CALI-TEXAS re-districting fight. LET'S TALK ELECTIONS leads the discussion followed by a press conference from California representatives AG ROB BONTA & GOVERNOR GAVIN NEWSOM.PART 2- RELATIONSHIPS - The TEA App BREACH! Starting off the discussion will be Tik-Tok content creator DANA D and providing the deep cut analysis, YouTuber JANAE DANYIELPART 3- ICYMI: We're back on the stage again this time with D'ANGELO + LEON THOMAS
This week it's damn hot, and we are smellin' sumthin' sticky, stanky, and funky! It's time to get our groove on and back down to funky town. So, once again: turn on your lava lamps, slip into some velvet, and your highest platform boots, and pick your funky dos to spherical perfection! That's right, funky junkies… It's a Funk Rock extravaganza!What do we do here at InObscuria? We exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we take a listen to all 3, as we move n' groove our way through funk-infused rock n' roll. This genre has a special meaning to the hosts, which is why it's tied for our longest-running series! Songs this week include:SlangBanger – “Funk2TheMasses” from SlangBanger Attacks(2001)Black Joe Lewis – “Sugarfoot” from Tell ‘Em What Your Name Is! (2008) Fishbone – “Last Call In America” from Stockholm Syndrome(2025)Trulio Disgracias – “If You Want Me To Stay” from If You Want Me To Stay - single (2019)Super Hero Killer – “The Heat” from Breathe You Up & Breathe You In (2021)The Letters Home – “Pegasus” from Pegasus - single(2014)Science Faxtion – “What It Is” from Living On Another Frequency (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
Join us for the funkiest quiz ever written by a guy living in Vermont. Doug and John go up against Mr. P-Funk himself, Kels in the third round of the Brain Ladle Invitational Trivia Tournament (BLITT - cue guitar). You may want to grab your platform shoes for this one.
In the conclusion of Sara J's epic two-part conversation with RoughGauge's Featured Artist for June 2025, Marc Shapiro, we pick up right where we left off—diving back into the gear talk and Marc's love for integrating the Jake blade into his setup.Marc shares what makes the Jake blade a standout addition to his arsenal, and how RoughGauge's legendary customer service ensured every detail was custom-fit—right down to accommodating his unique whammy bar setup and left-handed play style. From there, we explore how this custom Wilkinson build has seamlessly become a part of his sound, even making its way into the DNA of songs in his catalog.The conversation flows into what's next in Marc's musical worlds, Infinite Drift and Greasy Hands, as he offers a sneak peek at upcoming happenings—including a pig roast on Saturday, September 13th, and what promises to be a legendary Halloween shindig.We also dig into the heartbeat of the Baltimore music scene—from its deep jazz roots and iconic P-Funk residency to its thriving punk, metal, and Baltimore club communities. Marc paints a picture of a city rich in musical diversity, community spirit, and inclusive energy.Then we shift focus to Marc's passion for concert photography—how it sparked while writing for his college paper, the moment he realized he could get a photo pass, and how that led to a journey from point-and-shoot beginnings to capturing iconic artists. He reflects on the highs and lows of the craft, the beauty of small venues, and staying grounded in the love for local music.We wrap with a powerful reflection on creative balance—the importance of stillness and nothingness, and the ever-evolving dance of moving forward, even if slowly.Read Marc's Featured Artist Q&A: https://www.roughgaugellc.com/featured-artistsWhere you can find this week's guest:Greasy Hands:Instagram: https://www.instagram.com/greasyhandsband/Facebook: https://www.facebook.com/GreasyHandsBandInfinite Drift:Instagram: https://www.instagram.com/infinitedriftband/Facebook: https://www.facebook.com/profile.php?id=61562600499050Marc Shapiro Media:Instagram: https://www.instagram.com/marcshapiromedia/Facebook: https://www.facebook.com/MarcShapiroMediaWould you or someone you know like to be a RoughGauge Featured Artist? Send an email to saraj@roughgaugellc.comAll things RoughGauge and Jake Blade: roughgaugellc.com (use my promo code Saraj10 to get 10% off on your order)Dropped Among This Crowd Podcast Episode 228: A Conversation with Austin Davey & Mark Benjamin from RoughGauge LLC: https://droppedamongthiscrowdpod.simplecast.com/episodes/a-conversation-with-austin-davey-mark-benjamin-from-roughgauge-llcFind RoughGauge on social media:Instagram: https://www.instagram.com/roughgaugellc/Facebook: https://www.facebook.com/RoughGaugeYouTube: https://www.youtube.com/@RoughGaugeLLCDonate to DATC Media Company: https://datcmediacompany.com/supportGive the gift of Patreon: https://www.patreon.com/Datcmediacompany/giftThe DATC Media Podcast Family: https://datcmediacompany.com/podcastsJoin us for "Sunday Evening Jam"! https://www.youtube.com/@dewvre1974Get your early bird tickets for "A Celebration of The Hip for ALS" on October 4th: https://www.eventbrite.com/e/a-celebration-of-the-hip-for-als-tickets-1137838598879?aff=oddtdtcreator&fbclid=IwZXh0bgNhZW0CMTAAAR3OiQE1P_UgOCfqBQK6pp8HQofDQaOXoVIPqxtgaXltv481zOuDOeDB6Q8_aem_JBfNSyaAXNOGEAt-NZAQoQWant to donate or sponsor "A Celebration of The Hip for ALS" on October 4th? Send an email with the subject "fundraiser" to: tthtop40@gmail.comLet's Collab! https://datcmediacompany.com/collab-opportunties-1Follow DATC Media:https://datcmediacompany.comhttps://www.facebook.com/datcmediahttps://www.instagram.com/datcmediacompany/Follow Dropped Among This Crowd Podcast:https://www.instagram.com/droppedamongthiscrowdpodcast/https://www.facebook.com/droppedamongthiscrowd/Email: droppedamongthiscrowdpod@gmail.comBook a conversation on "Dropped among this Crowd": https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastFollow Sara J:https://www.facebook.com/sara.till41/https://www.instagram.com/sarajachimiak/
This week on Gig Gab, you're diving deep with the (almost!) full crew from P-Funk North as they share what keeps their reggae funk machine moving. From twice-a-week rehearsals to the relentless grind of networking and playing out regularly, they prove that consistency and camaraderie build longevity. You'll hear how […] The post Consistency is Key: P-Funk North's Road to Success – Gig Gab 486 appeared first on Gig Gab.
Joel won't eat mushrooms, and Steve wants his funk to be the P-Funk, Mothership and all. They - shockingly - have opinions. TAKAAT - Is Noise, Vol. 1 | TAKAAT (of Mdou Moctar) | Purplish Records Be sure to Like, Follow, Subscribe to and Review Joel and Steve wherever you listen to them! Limited Time Offer - if you email Joel and Steve at ttbbpodcast@gmail.com or DM on Bluesky you will be entered into a quarterly drawing for a now Limited Edition TTBBPodcast sticker! Winners will be notified by response email, please allow 6-8 weeks for delivery. Joel and Steve also now have a Discord server - TTBBPodcast. There's... not a lot happening on it, but there Could be... #TootYourHooter #1974AUD https://www.instagram.com/tryingtobebetterpodcast/ https://bsky.app/profile/ttbbpodcast.bsky.social
Dirty Mike and The Big Ugly are back with JT Wrestling and speical guest Quail Man to talk all things wrestling. Here the story being set up for John Cena's heel run, is WWE falling off, and is AEW coming back? All this and MORE!!!!
Our 3rdEyeTV coverage continues and it's still an eclectic mix but far more lyrical - mostly. An instrumental version of The Max, Days of Wild, F.U.N.K., Extraloveable, U Got the Look, and a medley are on deck. Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com
EPYSODE 33: "I Am What I Am". Guest: Ruth Copeland In this exciting epysode of the Vinyl Relics podcast, we dive into the groundbreaking 1972 album "I Am What I Am"by Ruth Copeland. Known for her unique blend of soul, funk, and rock, Copeland's album features iconic members of P-Funk, including musicians who helped shape the sound of the era. This epysode includes exclusive commentary from Ruth Copeland herself, where she discusses her collaborations with George Clinton and how they influenced her work. Don't miss Ruth's insights into her journey, the making of this album, and the incredible musicianship that brought it to life. Tune in for a rare behind-the-scenes look at one of funk's unsung innovators. I hope you dig "I Am What I Am" as much as I do. -Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> farmerjohnmusic@gmail.com ===LINKS=== I referenced an article about Ruth Copeland written by Charles Donovan. Here is a link to that article: https://www.charlesdonovan.com/2019/12/04/ruth-copeland-interview/ My band is Newport Electric. Check out our music here: https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=5gUMW013TPGCBI2yiaJA7w ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/0Q6RcxC38oF8LcWxQiOoog?si=1b104af7a9c840be RON DAVIES “It Ain't Easy” *FREDDIE “FINGERS” LEE “I'm Gonna Buy Me A Dog” *KELLY MICHAELS “I Need Him” RARE EARTH “Born To Wander” RARE EARTH “I Just Want To Celebrate” EDWIN STARR “War” MARTHA & THE VANDELLAS “Heat Wave” MARVIN GAYE “Can I Get A Witness?” THE SUPREMES “Where Did Our Love Go?” THE FOUR TOPS “Baby I Need Your Loving” THE SUPREMES “Stop! In The Name Of Love” MARTHA & THE VANDELLAS “Nowhere To Run” THE ISLEY BROTHERS “This Old Heart Of Mine” THE SUPREMES “You Keep Me Hangin' On” THE FOUR TOPS “Bernadette” PARLIAMENT “Up For The Down Stroke” PARLIAMENT “Little Ole Country Boy” PARLIAMENT “The Silent Boatman” RUTH COPELAND “I Got A Thing For You Daddy” RUTH COPELAND “Your Love Been So Good To Me” RUTH COPELAND “Un Bel Di” RUTH COPELAND “The Medal” RUTH COPELAND “Cryin' Has Made Me Stronger” RUTH COPELAND “Hare Krishna” RUTH COPELAND “Suburban Family Lament” THE ROLLING STONES “Play With Fire” RUTH COPELAND “Play With Fire” RUTH COPELAND “Don't You Wish You Had (What You Had When You Had It)” RUTH COPELAND “Gimme Shelter” RUTH COPELAND (with guest appearance by Darryl Hall) “Heaven” RUTH COPELAND “Take Me To Baltimore” ??MYSTERY ARTIST?? ...tune into the next Epysode to find out... NEWPORT ELECTRIC "Nobody Sings The Blues Anymore" (this is my band...shameless self promotion!!) Learn more about your ad choices. Visit megaphone.fm/adchoices
Well alright, welcome to Groove U. This week's lesson is brought to you by the EarWax crew!Parliament's "Mothership Connection" is far out, in your face, uncut, from outer space, in the groove, and it'll make you move. With a cast of characters and lore galore, this record has cool to spare. George Clinton and Bootsy Collins are the most well-known of the P-Funk collective, and while their hands are absolutely all over this record, it is quite obviously a group effort.So let the funk wash over you, and climb aboard the Mothership!Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis
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